The front door of Bag End in my webcomic adaptation of The Hobbit, as seen in Chapter 1 vs Chapter 18 :). It turns out your art style changes a lot when you draw a webcomic. (I love painting Ghibli-inspired backgrounds!)
Chapter 18 hasn’t been posted publicly yet, but you can view the first several pages (along with other art) on my Patreon.
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I feel like Mac & Dennis had to have SOME in-universe rationalization for getting rid of all of their furniture and all I could come up with was
A) sold (or attempted and failed to sell) their preexisting furniture to invest in their awesome new inflatable furniture business
B) to make room for their inflatable furniture business inventory (would be a literal explanation for the 'no room' comment) or
C) they had actually been renting NOT JUST the couch but the beds and chairs and etc, and panicked upon discovering this was a dumb as fuck move
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I am asking this to take my mind off of the update because the anticipation is killing me
where do you get your art inspo from? As in the art style :3
yk this is kind of a question i've been dreading! because a lot of people can answer definitively - they'll give names, urls, blogs.
but uh.. I really don't know? I mean there were some deviantart blogs in elementary/middle school that inspired me then, but since? I couldn't say! My style has evolved from me doing my own thing, I suppose. I'd take little bits from other people's tutorials/advice and then stitch it into my own Frankenstein's Style.
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Think the twins don't even care about Tricks because bandits dying is not all that concerning and I think people assumed "that little dog of Jack's" died with him.
I think Tricks only becomes a hassle sometime later on. But no one can seem to find him... Lilith keeps dealing with vandalization and her already small crew getting picked off ("It's like a professional is hitting us. I... I think I know who it is") and, I think, just because he can he fucks with streams/the towers. He's got so much hate in his body.
Oh, and Jack's shield. Now you see him, now you don't, and now a corrosive bullets lodged in the worst spot it could be. Killing you agonizingly slow! If he doesn't shoot again and... oh. He did already
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Okay, so there's a Roudise warmup prompt (Cult classic / Picking out Costumes) for Halloween over at @roudiseshipweek, and I knew after reading that prompt I just had to sketch out something for it (yes, I did coloring and simple shading, but no lineart! seriously, this keeps happening)!! I know I already posted a drawing today, but I couldn't help myself, I wanted to participate!! I had the idea to draw Rudy and Louise as Jack Skellington and Sally from The Nightmare Before Christmas, as that is one of my absolute all-time favorite movies, especially for Halloween time! I also wanted to draw them kissing because I don't draw them muppets kissing often enough 😌
Happy Halloween again, y'all!! 🎃 👻 🍫
It has basically become my mission to draw the muppets as characters from different movies, especially Disney movies. Also, I headcanon that Tina, Gene, and Louise went as Lock, Shock, and Barrel for Halloween once. It just seems very fitting for them.
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Why do people have the idea that TikTok literally has a bot which "scans for skinny conventionally attractive white people and promotes their content first" when... No, they don't need a bot for that. That content is getting boosted because it attracts higher engagement rates as a result of deeply ingrained societal biases in the general audience.
You can't blame some mustache twirling racist software engineer for writing a deliberately racist algorithm to cause racism. Software tends to reinforce the existing biases of the data entered into it. And the data is users, mostly unwittingly, stopping to watch people who they find attractive on average more and for longer than other content. And concepts of 'attractiveness' are deeply based in societal expectations and prejudices, so those come to the forefront.
Content creators don't need to feature high expense professionally made-up "beautiful people" at the start of their videos to Trick The Racism Robot.
There is no Racism Robot. There is only a subconsciously racist population.
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@lynmars79 replied to your post “You know, I've seen the sentiment the CR cast...”:
Was going thru some of my 2017 archives & kept running into quotes from sessions in the final Vox Machina arc where they met several deities & got direct info/advice/encouragement & the discussions in the fandom about it back then. Not to mention the discussions Cad & Fjord would have in C2. Or Asmodeus in EXU. There's always been nuanced & IC discussion from the cast while the fandom reaction varies from "this is a neat way to see this in a fantasy world" to "this isn't how *I* see religion!"
(and from @luckthebard on the same post) There is also a gross undercurrent in these complaints of the fandom at large’s consistent erasure of Sam’s Jewishness in the implication that their religious backgrounds are a monolith.
Yes to both, like...I truly don't know what the specific complaints are which makes it hard to have any meaningful commentary other than "...this seems good, actually?" but one person did pin it on the cast being American and uh, as a Jewish American myself, yeah, don't love that implication that the cast or, you know, the entire country, is religiously a monolith.
But yeah! There have been tons of examples in the past of the cast showing a lot of range in how their characters interact with the gods and they've said a lot of great things both in-game and on Talks or on 4SD. Ultimately, one's personal religious background doesn't really matter; what matters is that you have some sort of understanding of world religion. The fact that Taliesin's talked about drawing from east Asian tradition for Caduceus's practice, or that Liam's talked about being a non-Catholic at a Catholic school who's thought about his own personal beliefs is far more important than like, having people of any specific background.
And more generally like...I don't think you need to be able to explain why you do or don't personally enjoy how the cast is handling something or why you like/dislike things, but if you're going to make a blanket statement it is actually very valuable to have that explanation, both because this one truly has me like "so...what are you looking for, then, because I don't see any issue" and because writing out that kind of explanation often helps one eliminate things like the above erasure, since you have to actually sit down and take stock.
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