Welcome to the Roaring 20s!
Waddup ya'll I created this 1920's Flapper Makeup Look. I never done the 1920s before and I really love how this look turned out. I hope to create more to practice.
Of course I used my cosmetics line; Vintage Vanity Cosmetics. You can shop my products at vintagevanitycosmetics.com.
For the full details to this look. It is posted on my Beauty Instagram: the_queen_bambee.
My Business Instagram: vintage_vanity_cosmetics
TikTok: the_queen_bambee
Youtube Channel: Queen Bambee
I hope you with give me a follow and show love. The support is always appreciated.
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daily affirmations just because it is over used in popular media doesnt lessen the out of this world artistry of the work
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How have I just noticed that there’s actual RAIN sounds in Clean right as she says “rain” in the chorus?? I’ve listened to this song dozens of times and never recognized it before. This is why I love her music!! You can find something new each listen!
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hello ghosts, ghouls, and every creep in-between~
my name is whore-ah fyde, welcome to my spooky little corner of the web! i'm happy to have you here, as long as you're not more horrible than i ever could be. and believe me, i'm very wicked.
here on my blog, you'll find beautiful makeup artistry of all kinds, as well as some of my own pieces of advice that you can take and apply to your own makeup adventures. i do hope you'll stay a while, admire some beautiful faces and bodies while you're here.
if you'd like to see my own face, look under: #whore-ah fyde
if you'd like some makeup advice, check the tag: #help me whore-ah
for asks, check the #ask tag
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I’m so grateful for her work and artistry
Rest in peace, queen 🕊️
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Donna Vinci (www.RaptureGold.com) #DonnaVinci Donna vinci Knit, #womenc...
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Playing To An Audience Of One, Himself
He Plays To His Shadow (Afternoon Drinks On the Copper Queen Saloon Balcony)— Photo-Artistry by kenne
On A Bisbee Afternoon
he plays to his shadowdevotedly on his violinnobody listenslove torturing itselfto rise above conversationslost in discontentlimits of self-expressiona saloon window reflection
there is no tragedyon the Queen’s saloon balconythe smell of lavenderlingers from the ghostsof the…
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you turned to me during all too well 10 minute version taylor's version at the eras tour and asked me who the song was about. i was listening to sweet tea and god's graces in middle school (i'm 25). we are not the same
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#BlackHistory365 Art Round-Up ⬇️
Elsa Soares via @rodrigoincolors
"This is Elsa Soares. She's one of the biggest names in Brazilian music and considered a matriarch of Brazilian black artistry. BBC named her the voice of the millenium and she was one of the most important and loudest voice against racism, LGBTQIA+ and women rights, among other social causes. She's died yesterday at age 91. This is a very simple, but sincere tribute to her. May you rest in power!
Please, listen to her music and search more about this great woman."
2. Portrait of Sarah Forbes Bonetta by Hannah Uzor via @fyblackwomenart
Portrait of Sarah Forbes Bonetta by Hannah Uzor
Sarah Forbes Bonetta was an Egbado princess of the Yoruba people in West Africa who was orphaned during a war with the nearby Kingdom of Dahomey and later became the slave of King Ghezo of Dahomey. In a remarkable twist of events, she was liberated from slavery by Captain Frederick E. Forbes of the British Royal Navy and became a goddaughter to Queen Victoria. She was married to Captain James Pinson Labulo Davies, a wealthy Lagos philanthropist.
3. Marian Anderson by @novva
I’ve always wanted to do a series on black classical singers for BHM, so here’s a sketch I squeezed in this week—a tribute to the great Marian Anderson!
Marian Anderson (February 27, 1897 – April 8, 1993) was an African-American opera singer and contralto. In 1939, after the Daughters of the American Revolution refused to allow Anderson to sing to an integrated audience in Washington, D.C, then First Lady Eleanor Roosevelt and her husband President Franklin D. Roosevelt arranged for Anderson to perform an open-air concert on the Lincoln Memorial steps on Easter Sunday, April 9, 1939. She was able to deliver a critically acclaimed performance before an integrated crowd of more than 75,000 people, and a radio audience in the millions.
Read more about her accomplishments here, and donate to the National Marian Anderson Museum here.
Remember: tag your history & trailblazers art with #BlackExcellence365 for a chance to be featured!
And keep your eyes out for next month's theme... 👀
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