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#art supplies drawing process
echoesofdusk · 4 months
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I think the absolutely most baffling thing to me that I've noticed in the AI generated image discourse is that people seem to think that artists don't make any compromises or sacrifices ever and live perfect, comfortable lives where things just happen to align perfectly for them to have the time to create art that perfectly aligns with their vision
"I don't have the time to draw" do you really know if artists simply have the time to draw or on the contrary, have to sacrifice something to gain that time to draw? can you be so sure that they don't have to deal with hardships to gain the time to draw? or, they have the time to draw because they can't do something else in their lives due to their circumstances, and drawing is the only thing that will fill this time?
"I can't create stuff that meets my vision" how can you be so sure that the stuff artists create meets their vision? do you really think this art was their vision from the absolute beginning? or did they actually have to make compromises to reach this specific look, which maybe wasn't what they aimed for to begin with? can you even be sure if the medium they spend the most time on is the medium they intended to pick up from the beginning, or is it a medium they've had to pick up to compromise for not picking up another art form they wanted to stick to in the first place due to myriads of reasons?
you folks seem to make a lot of assumptions about people you don't personally know
#hazy rambles#anti ai#anti ai art#ai discourse#i had a dogshit laptop for some time years ago and had to make tons and tons of compromises when using it for drawing#like merging layers etc bc that laptop lacked processing power#it would shit itself every time i drew something bigger than 1000x1000 pixels with 10+ layers#so i had to constantly merge layers whenever drawing bc else it would lag like hell#couldn't even listen to music on that thing while drawing bc it would just chug#so i had to make lots and lots of compromises and learn different techniques due to these compromises#hell me using computer to draw is a compromise in a way!#i did lots and lots of traditional art before getting into digital art!#and digital art is a whole lot more practical for me bc traditional art supplies can take up a lot of space#something which i don't have a whole lot of#and i know many people can relate#anyways when i look at all of those roadblocks and obstacles people mention as justification for not drawing#and just gravitating towards AI generated images instead of making compromises or pick up another medium as an outlet#sorry not sorry but i don't think you actually /want/ to create art#you just want pretty pictures and don't understand the process behind the creation process to begin with#art is not about the destination but the journey#and if you're not willing to put up with the journey to reach the destination then art simply isn't for you#and i'm sorry but i have to be a little mean about this#especially when i've had to put up with people making lots of assumptions about me as if they personally knew me
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sorryaboutthelean · 2 months
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I need to make art or else I get depressed but making the art makes me depressed and I’m depressed after I make it because it sucks. how do you guys deal with this 😭
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the-lastavenger · 9 months
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#IllustrationTools #ArtisticResources #ArtSupplies #CreativeProcess #ArtStyles #ArtisticJourney #ArtisticInspiration #ArtisticExpression #TumblrArtists #ArtPromotion #ArtistsSupportingArtists #DrawingTools #ArtisticCreativity #ArtisticSkills #ArtisticJourney #ArtisticPassion #DigitalArtists #CreativeExpression #IllustrationBrushes #ArtForSale #DigitalPainting #ArtisticCommunity #ArtistsOfTumblr
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harpylady · 11 months
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im so excited about my ipad
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Got a stylus pen so I can do digital art easier on a touch screen and drew this sorta bumpy holiday Kirby while working on the learning curve. I always forget that learning curve that comes with any new art supply
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susanrydberg · 8 days
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iidsch · 4 months
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I can't believe the "tools don't matter" is a popular belief in the art community like i was having a miserable time drawing until i sharpened my pencil and suddenly everything became better
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thejacketscloset · 3 months
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Big fan of artist Soap. Big fan of him creating art to gift to his friends. Big fan of his friends gifting him supplies and him loving it. Big fan of him using it as a way to cope and process the things that he sees and has to do for his work. Big fan of it being a tool for the ppl who care abt him to see through his eyes. Big fan of him drawing ghost over and over again because he's his favorite thing to look at. Big fan of ghost being flustered and/or comfused on why soap would want HIM to be his main subject. Big fan of ghost learning that's soap's love language and feeling oh so special when Soap draws him. Big fan of ghost asking to watch soap draw. Big fan of ghost then trying to imitate how soap draws and learn from him. Big fan of it all... yeah...
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lsdoiphin · 5 months
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Foods of Vestur
@broncoburro and @chocodile provoked me into doing some illustrated worldbuilding for Forever Gold ( @forevergoldgame ), an endeavor I was happy to undertake. Unbeknownst to me, it would take the better part of a week to draw.
In the process, I conjured about an essay's worth of fantasy food worldbuilding, but I'm going to try and keep things digestible (pardon my pun). Lore under the cut:
The Middle Kingdom
The Middle Kingdom has ample land, and its soil, landscapes, and temperate climate are amenable to growing a variety of crops and raising large quantities of livestock. The Midland palate prefers fresh ingredients with minimal seasoning; if a dish requires a strong taste, a cook is more likely to reach for a sharp cheese than they are to open their spice drawer. Detractors of Middle Kingdom cuisine describe it as bland, but its flavor relies on the quality of its components more than anything.
KEY CROPS: wheat, potatoes, carrots, green beans, apples, pears, and grapes KEY LIVESTOCK: Midland goats, fowl, and hogs
ROAST FOWL: Cheap and easy to raise, fowl is eaten all over Vestur and by all classes. Roasted whole birds are common throughout, but the Middle Kingdom's approach to preparation is notable for their squeamish insistence on removing the head and neck before roasting, even among poorer families. Fowl is usually roasted on a bed of root vegetables and shallots and served alongside gravy and green beans.
GOAT RIBEYE: Vestur does not have cattle – instead it has a widely diversified array of goats, the most prominent being the Middle Kingdom's own Midland goat. The Midland goat is a huge caprid that fills the same niche as cattle, supplying Vestur with meat and dairy products. Chevon from the Midland goat is tender with a texture much like beef, though it retains a gamier, “goat-ier” taste. It is largely eaten by the wealthy, though the tougher and cheaper cuts can be found in the kitchens of the working class. Either way, it is almost always served with gravy. (You may be sensing a pattern already here. Midlanders love their gravy.)
FETTUCCINE WITH CHEESE: Noodles were brought to the Middle Kingdom through trade with the South and gained popularity as a novel alternative to bread. The pasta of Midland Vestur is largely eaten with butter or cream sauce; tomato or pesto sauces are seldom seen.
CHARCUTERIE WITH WINE: Charcuterie is eaten for the joy of flavors rather than to satiate hunger, and therefore it is mainly eaten by the upper class. It is commonly eaten alongside grape wine, a prestigious alcohol uniquely produced by the Middle Kingdom. The flavor of grape wine is said to be more agreeable than the other wines in Vestur, though Southern pineapple wine has its share of defenders.
BREAD WITH JAM AND PRESERVES, TEA SANDWICHES, & ROSETTE CAKE: Breads and pastries are big in the Middle Kingdom. The Middle Kingdom considers itself the world leader in the art of baking. Compared to its neighbors, the baked goods they make are soft, light, and airy and they are proud of it. Cakes in particular are a point of ego and a minor source of mania among nobility; it is a well-established cultural joke that a Middle Kingdom noble cannot suffer his neighbor serving a bigger, taller cake. The cakes at Middle Kingdom parties can reach nauseatingly wasteful and absurdist heights, and there is no sign of this trend relenting any time soon.
CHOWDER, FARMER'S POT PIE, GRIDDLECAKES, EGGS, CURED MEATS: If you have the means to eat at all in the Middle Kingdom, you are probably eating well. Due to the Midland's agricultural strength, even peasant dishes are dense and filling. Eggs and cured meats are abundant, cheaper, and more shelf stable than fresh cuts and provide reprieve from the unending wheat and dairy in the Midland diet.
STEWED APPLES AND PEARS, JAM AND PRESERVES: The Midland grows a number of different fruits, with apples and pears being the most plentiful. In a good year, there will be more fruit than anyone knows what to do with, and so jams and preserves are widely available. Stewed fruit has also gained popularity, especially since trade with the Southern Kingdom ensures a stable supply of sugar and cinnamon.
NORTHERN KINGDOM - SETTLED
The Northern Kingdom is a harsh and unforgiving land. Historically, its peoples lived a nomadic life, but since the unification of the Tri-Kingdom more and more of the Northern population have opted to live a settled life. The “settled North” leads a hard life trying to make agriculture work on the tundra, but it is possible with the help of green meur. The Northern palate leans heavily on preserved and fermented foods as well as the heat from the native tundra peppers. Outsiders often have a hard time stomaching the salt, tang, and spice of Northern cuisine and it is widely considered “scary.”
KEY CROPS: potatoes, beets, carrots, tundra pepper KEY LIVESTOCK: wooly goats, hares*
GOAT POT ROAST: Life up north is hard work and there is much to be done in a day. Thus, slow cooked one-pot meals that simmer throughout the day are quite common.
VENISON WITH PICKLES: Game meat appears in Northern dishes about as much as farmed meat – or sometimes even more, depending on the location. Even “classier” Northern dishes will sometimes choose game meat over domesticated, as is the case with the beloved venison with pickles. Cuts of brined venison are spread over a bed of butter-fried potato slices and potent, spicy pickled peppers and onions. The potatoes are meant to cut some of the saltiness of the dish, but... most foreigners just say it tastes like salt, vinegar, and burning.
MINER STEW: While outsiders often have a hard time distinguishing miner stew from the multitude of beet-tinged stews and pot roasts, the taste difference is unmistakable. Miner's stew is a poverty meal consisting of pickles and salt pork and whatever else is might be edible and available. The end result is a sad bowl of scraps that tastes like salt and reeks of vinegar. The popular myth is that the dish got its name because the Northern poor began putting actual rocks in it to fill out the meal, which... probably never happened, but facts aren't going to stop people from repeating punchy myths.
RYE TOAST WITH ONION JAM: Rye is hardier than wheat, and so rye bread is the most common variety in the North. Compared to Midland bread, Northern bread is dense and gritty. It is less likely to be enjoyed on its own than Midland bread, both because of its composition and because there's less to put on it. Unless you've the money to import fruit spreads from further south, you're stuck with Northern jams such as onion or pepper jam. Both have their appreciators, but bear little resemblance to the fruit and berry preserves available elsewhere in Vestur.
HARE DAIRY: Eating hare meat is prohibited in polite society due to its association with the haretouched and heretical nomadic folk religions, but hare dairy is fair game. Hare cheese ranges from black to plum in color, is strangely odorless, and has a pungent flavor akin to a strong blue cheese. It is the least contentious of hare milk products. Hare milk, on the other hand, is mildly toxic. If one is not acclimated to hare milk, drinking it will likely make them “milk sick” and induce vomiting. It is rarely drunk raw, and is instead fermented into an alcoholic drink similar to kumis.
MAPLE HARES AND NOMAD CANDY: Maple syrup is essentially the only local sweetener available in the North, and so it is the primary flavor of every Northern dessert. Simple maple candies are the most common type of sweet, though candied tundra peppers – known as “nomad candy” – is quite popular as well. (Despite its name, nomad candy is an invention of the settled North and was never made by nomads.)
TUNSUKH: Tunsukh is one of the few traditions from the nomadic era still widely (and openly) practiced among Northern nobility. It is a ceremonial dinner meant as a test of strength and endurance between political leaders: a brutally spiced multi-course meal, with each course being more painful than the last. Whoever finishes the dinner with a stoic, tear-streaked face triumphs; anyone who cries out in pain or reaches for a glass of milk admits defeat. “Dessert” consists of a bowl of plain, boiled potatoes. After the onslaught of tunsukh, it is sweeter than any cake.
NORTHERN KINGDOM – NOMADIC NORTH
Although the Old Ways are in decline, the nomadic clans still live in the far North beyond any land worth settling. They travel on hareback across the frozen wasteland seeking “meur fonts” - paradoxical bursts of meur that erupt from the ice and provide momentary reprieve from the harsh environment. The taste of nomad food is not well documented.
KEY CROPS: N/A KEY LIVESTOCK: hares
PEMMICAN: Nomadic life offers few guarantees. With its caloric density and functionally indefinite “shelf life,” pemmican is about as close as one can get.
SEAL, MOOSE: Meat comprises the vast majority of the nomadic diet and is eaten a variety of ways. Depending on the clan, season, and availability of meur fonts, meat may be cooked, smoked, turned to jerky, or eaten raw. Moose and seal are the most common sources of meat, but each comes with its own challenges. Moose are massive, violent creatures and dangerous to take down even with the aid of hares; seals are slippery to hunt and only live along the coasts.
WANDER FOOD, WANDER STEW: When a green meur font appears, a lush jungle springs forth around it. The heat from red meur fonts may melt ice and create opportunities for fishing where there weren't before. Any food obtained from a font is known as “wander food.” Wander food is both familiar and alien; the nomads have lived by fonts long enough to know what is edible and what is not, but they may not know the common names or preparation methods for the food they find. Fish is simple enough to cook, but produce is less predictable. Meur fonts are temporary, and it's not guaranteed that you'll ever find the same produce twice - there is little room to experiment and learn. As a result, a lot of wander food is simply thrown into a pot and boiled into “wander stew,” an indescribable dish which is different each time.
CENVAVESH: When a haretouched person dies, their hare is gripped with the insatiable compulsion to eat its former companion... therefore, it is only proper to return the favor. Barring injury or illness, a bonded hare will almost always outlive its bonded human, and so the death of one's hare is considered a great tragedy among nomads. The haretouched – and anyone they may invite to join them – sits beside the head of their hare as they consume as much of its rib and organ meat as they can. Meanwhile, the rest of the clan processes the remainder of the hare's carcass so that none of it goes to waste. It is a somber affair that is treated with the same gravity as the passing of a human. Cenvavesh is outlawed as a pagan practice in the settled North.
HARE WINE: While fermented hare's milk is already alcoholic, further fermentation turns it into a vivid hallucinogen. This “hare wine” is used in a number of nomad rituals, most notably during coming of age ceremonies. Allegedly, it bestows its drinker with a hare's intuition and keen sense of direction... of course, truth is difficult to distinguish from fiction when it comes to the Old Ways.
SOUTHERN KINGDOM
The Southern Kingdom is mainly comprised of coast, wetland, and ever-shrinking jungle. While the land is mostly unfit for large-scale agriculture, seafood is plentiful and the hot climate is perfect for exorbitant niche crops. What they can't grow, they obtain easily through trade. Southerners have a reputation for eating anything, as well as stealing dishes from other cultures and “ruining” them with their own interpretations. KEY CROPS: plantains, sweet potato, pineapple, mango, guava, sugarcane KEY LIVESTOCK: fowl, marsh hogs, seals
GLAZED EEL WITH FRIED PLANTAINS: A very common configuration for Southern food is a glazed meat paired with a fried vegetable. It almost doesn't matter which meat and which vegetable it is – they love their fried food and they love their sweet and salty sauces in the South. Eel is a culturally beloved meat, much to the shock and confusion of visiting Midlanders.
NARWHAL STEW: Narwhal stew is the South's “anything goes” stew. It does not actually contain narwhal meat, as they are extinct (though the upper class may include dolphin meat as a protein) – instead, the name comes from its traditional status as a “forever soup,” as narwhals are associated with the passage of time in Southern culture. Even in the present day, Southern monasteries tend massive, ever-boiling pots of perpetual stew in order to feed the monks and sybils who live there. Narwhal stew has a clear kelp-based broth and usually contains shellfish. Beyond that, its ingredients are extremely varied. Noodles are a popular but recent addition.
FORAGE: The dish known as “forage” is likewise not foraged, or at least, it hasn't been forage-based in a good hundred years at least. Forage is a lot like poke; it's a little bit of everything thrown into a bowl. Common ingredients include fish (raw or cooked), seaweed, fried noodles, marinated egg, and small quantities of fruit.
HOT POT: Hot pot is extremely popular, across class barriers, in both the South proper and its enclave territories. This is due to its extreme flexibility - if it can be cooked in a vat of boiling broth, it will be. Crustaceans and shellfish are common choices for hot pot in the proper South, along with squid, octopus, mushrooms, and greens.
FLATBREAD: The Southern Kingdom doesn't do much baking. The vast majority of breads are fried, unleavened flatbreads, which are usually eaten alongside soups or as wraps. Wraps come in both savory and sweet varieties; savory wraps are usually stuffed with shredded pork and greens while sweet wraps – which are much more expensive – are filled with fruit and seal cheese.
GRILLED SKEWERS, ROAST SWEET POTATO: While a novel concept for Midlanders and Northerners, street food has long been a part of Southern Kingdom culture. You would be hard pressed to find a Southern market that didn't have at least three vendors pushing grilled or fried something or other. Skewers are the most common and come in countless configurations, but roast sweet potatoes are a close second.
CUT FRUIT AND SEAL CHEESE: Fresh fruit is popular in the South, both local and imported. While delicious on its own, Southerners famously pair it with seal cheese. Which leads me to an important topic of discussion I don't have room for anywhere else...
THE SOUTH AND CHEESE: Since the South doesn't have much in the way of dairy farming, cheese is somewhat rare in their cuisine – but it is present. And important. Cheese is the domain of the Church. Common goat dairy imported from the Middle Kingdom is turned to cheese by monks in Southern monasteries and sold to the Southern public, yes, but as you have noticed there is another cheese prominent in the Southern Kingdom diet: seal cheese. Seal cheese is unlike anything else that has ever been called cheese; the closest it can be compared to is mascarpone. It is is a soft, creamy cheese with a mild flavor and an indulgent fat content. It is used almost exclusively as a dessert, though it is only ever mildly sweetened if at all. It is extremely costly and held in high regard; the most religious Southerners regard it as holy. Dairy seals are a very rare animal and raised exclusively in a small number of Cetolist-Cerostian monasteries, where they are tended and milked by the monks. Due to their status as a holy animal, eating seal meat is forbidden. Eating their cheese and rendering their tallow into soap is fine though.
(HEARTLAND SOUTH) SOUTH-STYLE GOAT: The Heartland South is a Southern enclave territory in the Middle Kingdom. Visiting Midland dignitaries oft wrongly assume that because the Heartland South is in Middle Kingdom territory, Heartland Southerners eat the same food they do exactly as they do. They are horrified to find that familiar sounding dishes like “goat with potatoes” are completely and utterly unrecognizable, drenched in unfamiliar sauces and spices and served alongside fruit they've never eaten. Meanwhile, Heartland Southerners firmly believe that they have fixed the Middle Kingdom's boring food.
(BOREAL SOUTH) “TUNSUKH”: If Midlanders are afraid of Heartland Southern food, Northerners are absolutely furious about cuisine from the Boreal South - the most legendarily offensive being the Boreal South's idea of “tunsukh.” Southerners are no stranger to spice, so when Southern traders began interacting with the North, they liked tunsukh! It's just... they thought it needed a little Southern help to become a real meal, you know? A side of seal cheese soothed the burn and made the meal enjoyable. And because the meal was enjoyable, the portion sizes increased. And plain boiled potatoes? Well, those are a little too plain – creamy mashed sweet potato feels like more of a dessert, doesn't it? ...For some reason, Northerners didn't agree, but that's okay. The Boreal South knows they're just embarrassed they didn't think of pairing seal cheese with tunsukh sooner.
ARMY RATIONS
The food eaten by the King's Army is about what you would expect for late 1700s military; salt pork or salt chevon, hard tack, and coffee. The biggest divergence they have is also one of Vestur's biggest points of pride: they have the means to supply their troops with frivolous luxuries like small tins of candied fruit from the Midland. A love of candied fruit is essentially a Vesturian military proto-meme; proof that they serve the greatest Tri-Kingdom on the planet. Don't get between a military man and his candied fruit unless you want a fight.
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kitt357 · 1 year
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Arcane Viktor with an artist S/O headcanons
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He'd be quite intrigued whenever you draw. He'd want to watch the process of how something can go from being an idea to a work of art
He compares that ideology to science a lot and may sometimes get you to sketch a finished product design based on a description or idea he gives you.
If you're not sciencey, he'll tell you to go wild and creative over it, and from there, he can narrow it down to what the council might like. It gives him an excuse for you to spend time with him in the lab and watch your sketch, even if neither of you say anything
From then, he enjoys having you around in the lab doing a rough sketch for something he and jayce are trying to build. He likes how you can both combine two different skills for one whole project, and for something you can both be a part of
If you put down your ability, telling him it's not as useful as science, he'd stop you right in your tracks, telling you how you need art to design, to plan before you can build, to promote something, he'll remind you that art is all around you, even in the smallest things
He keeps a set of art supplies in the lab should you go over one day to visit, to help, or if you fancy drawing/making something in a new location.
Always has spares of something you use. If a particular pencil breaks or a paint brush becomes unusable, he'll have some stored away somewhere and will surprise you by pulling it from behind his back when he tells you to wait and close your eyes, he likes funding your hobby
He may even request drawings or sculptures from you, but small ones to keep on his work desk or to hang around the room, for research purposes is what he tells everyone, but to you, he tells you its because it motivates him, to help inspire something great
He'll definitely get more than a little flushed if he peeks over your shoulder to see you drawing him
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am-i-interrupting · 2 months
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Hihiii I have a Hasbin Hotel request!!! Was wondering if you could do some headcanons for Vox and Lucifer with an S/O who loves gifting them their drawings but gets really nervous when they watch them do their work? If this isn't exactly your "Cup of Tea" or you just dunno how to write this, feel free to ignore, no hard feelings!:]
Lucifer
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He is always so excited when you gift him drawing.
He will sing your praises (sometimes literally)
This man is the first to compliment you.
He will ask you about your technique, your mediums, your inspirations.
He will also point out little things that he noticed that maybe you didn’t even notice where there.
He is 100% that friend who looks at your work and goes “Oh! That’s how these two are connected, right?” and you either are like “That’s such a brilliant idea” or “Yeah, absolutely, that was soooo intentional.” He will not notice if you’re lying through your teeth. He is too busy appreciating the art.
He will ask you if he can watch you just so he can understand your process and therefore understand you better.
He is so respectful when you say no. He is a creative. He understands.
If you’re inclined to though, he will make space for you in his workshop with your backs facing each other so neither of you have to be watched.
Vox
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This man pretends like he doesn’t care but really, he does. He cares so much.
He will point out where you fucked up but in the same breath offer a way for you to fix it.
He is the one who gives you an unfiltered opinion on everything that’s wrong with what you made if you ask (otherwise he mostly talks trivial, like you forgot to blend this thing). If you bring in Velvette and Valentino as well, prepare to be read to filth.
If he finds you stressing over past things that you can no longer fix without ruining your drawing entirely, he’s going to turn on the Edna Mode energy and basically say, “Don’t look at the past, it distracts from the now.” (He says while being obsessed with the past. Not so easy, is it, Vox?)
Your supplies just magically refills whenever your almost out.
Where’d it come from? Who knows! It’s not like he has access to your online shopping history so there’s no way he would know what to get you. He’s not an artist.
He is the most subtly unsubtle show off when it comes to your art.
He’s going to a meeting? Well, how did these colorful pages end up amongst his files? A true mystery.
His office walls? Filled with your best drawings framed. The artist? Oh, his lovely partner. It’s a hobby they have, no big deal.
He would watch you draw even if you told him you felt uncomfortable with the idea.
Subtle stepping over boundaries. Your art room is bugged so he can watch you at every angle. No harm, you’ll never know.
He does find watching you work relaxing though. If he’s particularly stressed, he’ll find himself pulling up your feed and just watching you for what he thought was minutes but turned out to be hours and oh shit! Now he’s even more behind in his work schedule! Fuck!
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fox-guardian · 1 year
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I am still thinking so hard about artist Jon.
Like. It's a hobby for him, purely, he doesn't plan to make money off of it. It's just for fun. He doodled a bit in his free time and then took life drawing classes in uni because Georgie insisted he needed to get out and do something more than studying so he. Kept studying. But just art this time.
He would describe his style as a kind of realism, but its definitely stylized in colors at least, as he's impatient and goes for bolder colors for lighting pretty early in his process so he doesn't lose the feeling of the piece, especially if it never gets finished. He wants to keep the vibes, just in case he wants to go back to it, so he doesn't forget.
He kinda falls of drawing after he starts at the institute, but I think during season 4 he picks it up again to cope with. Everything. He's not using his fancy drawing supplies since he doesn't have them anymore, just office pens and pencils. It's a lot of Martin, of course. But also Tim. He wishes he could ask Melanie to describe Sasha for him so he could try to draw her too, but he figures that wouldn't go down very well. Besides, telling his coworkers he draws is too much vulnerability anyway. Sometimes he even draws The Admiral, but he doesn't often draw animals so it never does him justice in his eyes.
Then at the safehouse, he works up the nerve and asks if Martin could sit for him for a bit. He doesn't need to pose or anything, just stay right there, Martin, keep reading that book, just don't move too much for a while, the lighting is perfect, he needs to capture it. He needs to map it with pen and paper. His phone camera could never catch the golden light on Martin's hair, and besides, the photo could lie to him later. But muscle memory and scratches in paper are harder to change, surely. He needs to record the moment like this. Hold it to his heart. Feel it in his wrist as he swipes strands of hair across the page, in his shoulder as his arm arcs down the curve of Martin's stomach, in his fingertips as he smudges the pigment he bought from the local craft supply shop to form a reddened cheek.
And Martin's cheeks are red. After everything that's happened, all the distance, his heart wasn't prepared for the intimacy of sitting before the man he loves being lovingly analyzed and having his likeness put to paper. It's exciting and agonizing at the same time, feeling eyes on him for hours as Jon stares down every curve, maps out every freckle, mole, and blemish. And when Martin sees the final image as Jon sheepishly presents it to him, he cries. He remembers feeling the fear of statement givers as he read their stories, living it through the words written. It was kind of like that, only instead of fear, he felt the overwhelming love pressed into every line on the page. Every stroke, every smudge, even tucked into the negative space, filling him up until it couldn't be contained, and he burst into tears. (Which worried Jon greatly until Martin reassured him with a hug and a kiss.)
He doesn't ask Jon to stop drawing him. How could he, when it was always with such love behind it? Not to mention Jon was getting back in the swing of it, oiling his rusty skills, and he was so happy doing it. But he will admit it was mildly mortifying seeing their home fill up with so many portraits of him, steadily increasing in their flattering composition. Jon was drawing from his imagination now that he had memorized most of Martin's form, and it was getting out of hand. He once caught a glimpse of a work in progress of Martin lounging and being fed grapes by cherubs. Good lord.
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the-lastavenger · 9 months
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This is a collaboration between PonCervantes and K's Barrios (me).
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vanessagillings · 9 months
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I love your art so much!!! I've also been starting to paint with gouache, and I'd love to know a little more about your process! What kind of paints do you use, do you sketch first or start with paint, do you paint in layers over several day or all at once?
Hi and thank you! I hope you don't mind me answering this publicly and apologies for length, but:
MY ART PROCESS!
Supplies: I use winsor and newton gouache and arches cold press paper blocks, usually 140 lbs (the lime green ones) and sometimes 300 lbs (the teal green ones). Even though this paper comes pre-stretched in blocks, I actually take the sheets off and stretch them myself because I've found arches' glue isn't as strong as it used to be. This is how you get watercolor paper to lay flat! I recommend youtubing some videos on how to do it -- there's a lot of great tutorials out there. Also, I use princeton brushes, and kraft paper tape and these boards to stretch my paper. (these aren't affiliate links, I just shop at blick)
A word about art supplies: these are the exact tools I use but everyone uses supplies differently and two people with the exact same supplies might get different results! A lot of it is about what works for you and what you like, so I always suggest that gouache/watercolor beginners just buy a few tubes from a couple of different paint companies and some small pieces of paper from different manufacturers to see what you like. Just changing one ingredient in the above has created massively different results for me, but maybe that'll end up being something you'd like! The first step in learning a new medium imo is to play. Just have fun!
ALSO: gouache isn't super light permanent, check your tubes for which ones hold up to sunlight. Here is winsor and newton's color chart explaining which ones will fade when exposed to sunlight -- all manufacturers will give you this. I only use the colors rated A and AA, and I still frame my pieces with UV glass just to be safe. Not all gouache is re-wettable, but winsor and newton is. I just put it in my palettes and refill my palettes if it runs low. AND SOME PAINT IS TOXIC. A lot of paints have cadmium and cobalt in them. I don't use any of the toxic colors, but if you do, make sure you don't eat while working and wash your hands thoroughly afterwards. This information is also usually available on manufacturer's websites. As more people are rejecting cadmium paint, you'll see more tubes labeled things like cadmium-free yellow. This is why. More artists should be aware that their tools can be dangerous. You don't need that many tubes of paint to begin, just a warm and cool red, warm and cool yellow, warm and cool blue, white and black. I have around 50 colors and use 20 regularly. I always mix all my colors myself, and never use straight tube paint. Most of my colors have about 5-6 different tube colors mixed together. If you use re-wettable paint a tube of paint will last you years; even as a professional I only buy new paints every 5 years or so.
Process: I ALWAYS start with a sketch first. Not everyone has to, but because I do illustration work -- where sometimes a client gets input on a drawing -- I always do a lot of preliminary work before I even begin to paint. At this point, even my personal work usually involves the exact same process:
I start with a 3" or so thumbnail that I scan (left; I traced it quickly digtally for clarity to myself here) and then either clean up digitally or print out and clean up traditionally with tracing paper (right):
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Then I scan the cleaned sketch in and color rough it digitally (left, this was for a gallery show, so no one had to approve my color roughs, so it's messy!) then I transfer my sketch to my paper (with either carbon transfer paper or a light table), stretch my paper, and paint (right):
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I obviously changed my mind about the color of the ribbon in the trees, ha, and made everything a lot more vibrant. The benefit again of gallery work is no pre-approval!
You are correct, I paint in a series of washes, going from lightest to darkest, where I apply the same color beneath all shapes that are the same warmth (cools under all upcoming cools, warms under all upcoming warms). I paint a piece usually in one or two days, depending on complexity. I didn't take pictures of the above painting, but here's a different painting to show you a little bit what I mean:
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I painted the peach color under everything (and twice for skin tones), and the gray color of the sky under everything that would be grayish (the rocks, trees, her pants, her skirt, and coat). I do this to stop me from getting darker lines where two different colors butt up against each other, and also for color harmony. I have step by step photos of this in my process stories highlight on my instagram; also check my FAQ and tip highlights for more info on all this stuff. Most pieces take around 25-30 washes before I start adding in the details (sometimes I add in face details early though because if I mess those up it's not worth finishing the rest of the painting! 😅)
All this might seem like a lot of work (...it is) but I do it so that I can show clients previews of the final piece and so I don't have to repaint the finals. I also used to pre-test all of my washes on scrap paper like this:
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I still recommend doing this if you're just beginning! But at this point I only do it when testing techniques because I know my paints really well. (the above was my test for the pine boughs in this piece)
Painting by far is the longest part of the process, so I do more work up front to not have to do it twice. Every piece takes about 6-24 hrs of actual work time to produce. Stretching watercolor paper takes about 24 hrs to dry, and because I sell most of my originals in galleries, they need to be flawless, so planning ahead is useful and in the end saves me time.
And to conclude this novel of an explanation, don't be overwhelmed by all the information I've given you! I put it here so that people at various stages of their artistic journey can maybe find something useful in it. But seriously, the first step to learning how to paint whether it's traditionally or digitally is just to have fun. Try it out, see what's working and what isn't, and then try to solve specific issues that you're struggling with. I've been doing this for a loooooong time at this point, but here's my first watercolor piece from when I was re-teaching myself how to paint traditionally nine years ago:
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Obviously, I was destined for greatness. Ha, yeah, no. If you scroll back through my tumblr archive, you can see me learning how to use these paints in real time. And keep in mind that I'd been working digitally for years before then, and years before that where I didn't post my work online at all.
So for anyone who needs to hear it: there's no such thing as talent, just hard work, patience, and trying again and again and again...and sometimes again. What I do is a skill and anyone can learn it. Sometimes, progress is slow. I'm 38. I only really feel like my art was half-way decent starting a few years ago, but I've been making art my entire life, and I went to art school at 18. 20 years later I'm kind of figuring it out.
The best advice I can give, whether it's about art or not, is find the thing you love so much that you'll keep at it even when you suck at it, because most skills you'll suck at to begin with -- and perhaps for a long time. I sucked at art for yeeeaaaaarrrrs. On top of the usual learning curve, I struggled with fine motor control and dexterity. But I loved it so much I kept trying every time I failed. If I can do it, so can all of you, no matter what stage of art you're at now, and no matter how old you are.
Anyway, thank you to those still reading this deep in. I wish you all the best on your artistic journey. Art can kick your butt sometimes, but it's also pretty dang rewarding 💛
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acaseforpencils · 2 years
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Madeline Horwath.
Bio: I have had cartoons in The New Yorker, The Chicago Reader, The LA Times, and Seattle Stranger. Primarily, I make cartoons and comics for The New Yorker.
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Find more work here!
Tools of choice: I cannot live without my dip ink and nib! Those are what I use for my cartoons and I will never live without them.
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Tool I wish I could use better: I am just garbage at gold leaf. I want to get significantly better at it because I love historical facsimiles and wish to make them but the ones that interest me utilize gold leaf.
Tool I wish existed: An edible pencil!
Tricks: When starting out painting or inking with color, start of with learning color theory! Purchase just white, red, blue, and yellow, then learn to mix them to make colors you desire. This will make your colors in your work more dynamic, you have a better eye for it, and you save a LOT of money on paints. Once you get a full grasp of color theory and mixing, then maybe you can buy premixed colors, but absolutely, start off with primary colors and white.
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Misc: In 1954, President Eisenhower signed the Greada Treaty with the Grey Aliens at Edwards Airforce Base in an agreement to share their superior technology with Americans if the US handed over millions of humans for alien crossbreeding. The news said that Ike went to Palm Springs for a dentist visit, but it was for one of multiple Alien US contracts in 1954. Also, Boycott Nestle.
Website, etc. You can purchase my products at https://www.bonfire.com/store/madeline-horwath/ You can find me on IG @madelinehorwath
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If you enjoy this blog, and would like to contribute to labor and maintenance costs, there is a Patreon, and if you’d like to buy me a cup of coffee, there is a Ko-Fi  account as well! I do this blog for free because accessible arts   education is important to me, and your support helps a lot! You can also  find more posts about art supplies on Case’s Instagram and Twitter! Thank you!
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sageteapost · 7 months
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| Welt Yang Dating Headcanons |
[ Welt Yang x GN! Reader ]
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CW/TW + Tags: None. (Established relationship. GN! Reader.)
Summary: Basic HCs of dating Welt Yang from Honkai: Star Rail.
[ (A/N): YEAHH WELT!! Old men yall. I swear. ]
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Ah, Mr. Yang. Sophisticated, but bears a gentle side.
For starters, he's sweet and loving when it comes to you. Perhaps even a tad bit protective especially if you went on Trailblazer missions.
Hurt yourself on a mission? Sit down, he'll take care of you whilst either mildly scolding you or distracting you from the pain with other lighthearted topics. Depends on the mood and/or the severity of your injuries.
A very classy lover, definitely into calling you things like "sweetheart" or "dearest", preferably behind closed doors. Otherwise he'd settle for just calling you by your name around the Express.
But he's open to some new things! The galaxy is very vast, after all.
Gentle and tender when it comes to affection. While Welt loves kissing your lips, he has a particular soft spot for kissing your forehead and hands.
He's not too into PDA, but the closest he'll get is holding your hand or standing close to you. Maybe occasionally giving you a forehead kiss if he feels cheeky. Just because he isn't into it, doesn't mean he won't feel a bit bold every once in a while!
Ask him about his animations or to even show them to you and he'll be trying so hard to keep his happiness to himself.
Willing to talk to you about them for hours, like the creative process of creating his animations to talking about the history of animation in general. (If it exists, he would love to watch "The Pixar Story" in his spare time.)
Will draw you in his spare time. Doesn't matter what you're doing; cleaning, drinking something, or even just staring out the windows of the Express looking at the cosmos. Anything, and he will always show you his art afterwards.
Overall, he's a very kind and patient lover. Welt is very attentive to your needs and always willing to protect you should the situation call for it.
With Welt on your side, he'll help bear your burdens and be there whenever you need it. Pinky promise.
BONUS: Doodles on everything. The supply list, on the little letters he writes to you, anything. If there's space on a piece of paper, he'll doodle. Maybe start an art journal together, he'd love it when you contribute even if it's a little stick figure next to his detailed drawings.
"Hm? Ah, there you are. I've been seeping through the archives and found some old animations of mine. Care to look at them together, if you have the time?"
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