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practically-an-x-man · 1 month

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more thoughts about Wish:

Chris Pine has the best voice acting in this movie by far. Dude could be a legitimately scary villain if the animation wasn't so goofy

I'm telling you dude, the man is acting his ass off but the script and animation style are just ruining all the emotion he's giving

Alan Tudyk is also putting in the work but the script is not working in his favor

Evan Peters needs more lines. His character is legitimately interesting, a young guy who just gave up his wish and is now weirdly lethargic all the time, but they don't explore it enough

Speaking of the animation, it felt very inconsistent. With the King especially we'd get like... one cool moment (like him stopping the globes during his solo song) but then it's immediately cut by these goofy Nimona-as-Ballister type motions

The facial expressions are generally overblown, past the point of "animation stretching the rules" and into "this just looks goofy"

Like I said before, it feels like a patchwork of a dozen other, better Disney movies. My dad and I were watching this going "Tangled. Brave. Frozen. Peter Pan. Mulan."

The third act is like... Rise of the Guardians meets that one scene in Trolls where they sing True Colors

The music is just inconsistent. I think it mainly comes from the fact that they had a pop singer/songwriter do the music rather than a musical theatre composer, there aren't any consistent themes or leitmotifs and it leaves everything feeling very disjointed.

Some of the songs on their own are decently catchy but they just feel like they're trying way too hard

The dialogue is the same way. It serves a purpose but it doesn't quite feel natural or human. Some characters are worse than others and the VO work plays a role but the script itself is just awkward

I think they've just set up too many characters here. If they took two people out of Asha's friend group it would leave more room to develop the others. As it is, I don't remember their names and I have no idea what they want

Except for Asha since she's the main character and Simon because he's the only one who stands out from the rest (again, really interesting character! drastically underutilized!)

Feels like the talking animals are only a thing because it's a Disney movie. Valentino I understand, animal sidekicks are a classic, but the chickens and squirrels and mice are just too much

As a whole there's just... no substance in it. It feels like they've tried to make The Disney Movie and just started making it without even deciding on the themes or characters' journeys at all

It is a heaping pile of deus ex machinas. Every single problem in this movie is resolved in some cheeky little deus ex machina, solely for the sake of a stupid joke or a cheap reference to another Disney reference

If you're gonna copy Lin-Manuel Miranda's composition style anyway... just hire Lin-Manuel Miranda. At least he knows how rhyme schemes and leitmotifs work

This movie is so fucking trite it makes me legitimately angry

Good points I guess (because I refuse to dish on a movie without pointing out something decent about it):

Some of the songs are kinda catchy

There are a few powerful moments of animation, mostly with the King

There are little gold character moments here and there: the King's desperation for power, Simon's character as a whole, Asha's selflessness sparking the initial wish, etc.

Some of the voice acting is legitimately good!

The concept itself is interesting, a King who hoards wishes to make himself more powerful. It had the grounds to be a much better movie, it just didn't act on them very well

The diversity in this movie is genuinely good! We see various demographics of people - race, gender, physical build, disability, etc. - and there's not much "Disney same face syndrome" like we've gotten in other movies.

#out of the two wish-themed movies with harvey guillen in them... yeah no i'm just gonna watch puss in boots

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lunarfly · 3 years

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Defending Harmione part 3!

I'm back to defend my fav ship!

I have a part 1 where I debunked some of the most popular arguments against Harmione and in part 2 I debunked the "siblings" argument. Time for part 3! This one is going to be about a video on YouTube titled "Why Harry and Hermione Wouldn't Work - Harry Potter Video Essay" and I'll go over the points the YouTuber made and try my best to debunk them. 💘

Also, I accept that there's still a few minor flaws to the ship, but these little flaws and obstacles make every ship beautiful. 🥀

1. "It would be too cliche. The hero gets the smartest and prettiest girl as a trophy."

This is a fair argument to the whole story itself, but it doesn't defeat the ship in any way. If you put it in other words: "Harry and Hermione wouldn't work together because they're both very powerful and great and that would make it very cliche." That's silly. But even that isn't right. The situation isn't exactly how people make it seem.

Hermione isn't the all-perfect girl, the most beautiful, the most intelligent, everything perfect. She has flaws, many flaws (which weren't portrayed in the movies) and she is a very realistic character. She is intelligent and productive, she is a perfectionist in a way, but that also causes her to be very anxious and stressed out at moments, she puts too much pressure on herself, and she's also insecure! Who said Hermione was the most beautiful one? Just because Emma Watson was gorgeous doesn't mean Hermione was too. Of course, Harry thought she was pretty according to OotP, but it's clearly stated in the books that she wasn't the prettiest girl in the series. Fleur, Cho and even Ginny were much more beautiful. Hermione is NOT the perfect superstar.

You might say that even if she's not perfect, she's still the female lead. But the actual "cliche" part is about the hero ending up with the perfect superstar and not necessarily with the other lead hero.

So back to Hermione being the brightest witch of her age. But her being very bright and powerful doesn't make her a bad match for Harry. Ginny was very smart in fact, she was beautiful and funny, very sassy and confident. Why isn't she considered as a trophy for Harry?

The point is, NO, Hermione is NOT a perfect all-star and their relationship wouldn't even have to be built on the hero and the heroine being perfect, their relationship would be built on trust and loyalty.

2. "Harry and Hermione's relationship prove that a male and a female can be friends without having a romantic relationship, so we shouldn't ruin that."

Yes, it's truly a beautiful demonstration that a male and a female can be best friends, but this says nothing that's actually against the ship, just like the previous one. If you put this in other words, it would sound like this: "Harry and Hermione were amazing best friends so they can't date." I understand that their friendship was amazing, but that in no way means their relationship would be bad. Of course, you don't have to see their relationship as romantic just because they were good friends, you can see it as platonic, but I'm just saying that the argument makes no sense.

Besides, was Hermione really the only female friend Harry had? What about Luna? What about Ginny (if you consider Harry and Hermione start dating and Ginny remains a friend, she was clearly very included after OoTP)? What about Ron's friendship with Hermione? What about Ron and Luna's friendship? What about Neville and Luna's friendship? What about Harry's quidditch teammates (Alicia, Katie, Angelina)? Why does everyone always make it seem like Hermione was the only female friend he had? Surely she was his only BEST friend but then Ron and Hermione were best friends too...

3. "It ruins the dynamic of the story. Harry's relationships were never meant to be the main focus, just a demonstration of his maturity. While Ron and Hermione's relationship developing in the background is nice to see."

I really didn't want to drag Romione into this because it's my second favorite ship from the entire Harry Potter universe. Just a disclaimer that anything I say here is not meant to bash Romione and hate on it because I'm truly a big fan of them and their love is undeniable.

I also mention Ginny and Harry's relationship in this and I have to say they're ALSO one of my favorite ships in the entire hp universe so no hate to them either. 🥺

Okay, so, basically every point he made in his video was about the story and not their actual relationship. The title is wrong, this doesn't show why Harry and Hermione wouldn't work, he's just saying how it would change the storyline. But I think we are all already aware that Harry and Hermione getting together would change a lot in the story. But I'll go over it anyways.

First of all, I don't entirely agree that Harry's relationships weren't the main focus, I mean half of the half-blood prince was about him developing feelings for Ginny-

But anyways, if Harry and Hermione were going to end up together, it would still happen in a similar way. We have all read the beautiful moments they shared together throughout the books, and those would've been enough for them to develop their feelings, but just not realize it until the last 2 books. We wouldn't have to add in any scenes that would change the story massively to lead them to falling in love, honestly, we had enough already in the books. So the only thing that would change would be probably Harry not developing feelings for Ginny, but instead slowly realizing his feelings for Hermione. Simple!

And as for Romione, I agree, the slowburn was beautiful, but we could've had the same thing, same development but as a friendship! Ron's character arc is one of my favorite things about the series and nobody can convince me that it wasn't amazing. Instead of Ron changing for Hermione to become her lover, we could have Ron changing for her to become a better friend. His character arc remains the same and Ron Hermione become best friends. Of course this would change many scenes and the storyline would've changed a lot as I already mentioned, but hey! At least we wouldn't have Ron haters who bash him for mAkInG hErMiOnE cRy. 🤡 And JKR could add different scenes instead of the ones hinting at Ron and Hermione's romantic relationship. We still would have had a beautiful story with a VERY SIMILAR dynamic.

4. "Harry wasn't the kind of guy Hermione was looking for. She already made a mistake with dating Viktor Krum, and she realized she didn't need a hero. She was a hero herself. Although Harry ≠ Viktor, they have very similar qualities like: bravery, loyalty and they are both heroes."

This is probably the best argument of the entire *almost* 5 minute video.

But there's still so much wrong with this.

Bravery and loyalty are literally Ron's best traits lmao. That's exactly why she chose him. 🤣 Every Romione shipper knows she doesn't value intelligence and looks, she values bravery, courage, loyalty. That's exactly what she said in the first book and stuck by it until the end.

She didn't need a hero? She was a hero herself? - Then why are we forgetting that Ron was also a hero? Everyone always makes it seem like Harry and Hermione are the mighty heroes and Ron is their goofy sidekick. He was also a hero! I believe he is even on the chocolate frog cards (correct me if I'm wrong)! And we all know that's the biggest flex. 😌

But besides that, Ron and Harry are very similar in many ways. They're both brave, they're both loyal, they both like to have fun, they're both lazy, they're both amazing at quidditch, they're both talented (Harry is very powerful and he's good at DADA, while Ron can do many impressive things like mimic voices and come up with quick solutions even when he's under pressure and his life depends on it!). So if Hermione liked one and thought he was her "type", then there's a hight possibility she liked the other too. In canon, she only likes Ron obviously, but I'm saying that since Ron and Harry are so similar and share the same traits, Hermione could've chosen Harry too.

Anyways, that's all that the video included, it was very nice hearing different opinions and I actually wasn't writing this out of anger like I wrote the post about defending Romione against *the ridiculously stupid* arguments that Dr*mione shippers like to use.

Once again, if it isn't clear, I STAN both Romione and Hinny, but Harmione definitely could've worked. :)

Thanks for reading! ~ Lia <3

Art: Asha47110 on DeviantArt :)

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recurring-polynya · 3 years

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If you could rewrite the zanpakto arc of Bleach, and you didn’t have to make it fit into canon, what would it be like? Aside from having a lot of RenRuki pinning.

So I guess this is just a condensation of my complaining from when I was recapping that arc, but, uh, you asked for it. I know this is a lot of people’s favorite arc, and it really just wasn’t my jam, so please, don’t anyone get offended by this, it’s just, like, my opinions, man. Everyone knows my opinions are terrible, I love the Cap’n Amagai arc, for Pete’s sake.

0) The Zanpakutou Arc actually has a lot of good Renruki content, actually? So I probably wouldn’t change much about that. They fight back-to-back in one scene? They are very worried about Byakuya together? There’s a cute li’l scene where Renji lets Rukia into Byakuya’s office to rifle through his things and he says “Don’t work too hard”? And then in the companion Sword Beasts arc, there’s that bit where they are hanging out at B’s house together, eating dango.

1) To be honest, I just wouldn’t. Zanpakutou spirits manifesting is a prerequisite to bankai and I would like it to be treated as a serious part of the lore and the way this arc plays out is too silly for me. If they wanted to just do some goofy one-shots that very obviously exist in the same pseudo-canon as the Shinigami’s Cup, I’m fine with that. There are several very funny episodes in the follow-on Sword Beasts arc, I just don’t want it to be even remotely canon.

2) There were too many humanoid zanpakutou spirits. I am not here for it. First order of business, bring back Nue Zabimaru. Hozukimaru needs to be a big-ass sleepy dragon. Hyourinmaru should be a dragon most of the time, who occasionally turns into a dude, I can accept that. Kazeshini should just be a spooky voice in the darkness. Haineko should be a cat, not a catgirl, and get rid of those shorts. Tobiume: tree. Maybe sometimes a shrine maiden, but mostly a tree. On fire.

3) I am a character writer, first and foremost, and I would have focused this arc intently on building character by carefully curating the fundamental beef that each zanpakutou has with their wielder. For starters, I think that, for the most part, Muramasa should not have been able to seduce any of the zanpakutou spirits of the captains. Attaining bankai is supposed to be an intimate act of intense connection that some interloper shouldn’t be able to break. This was true of Byakuya and Senbonzakura in the actual arc, and I think it should also have been true of Kyouraku, Ukitake, Komamura, Yamamoto, and probably Unohana. (I am dying to know more about Unohana’s relationship with her zanpakutou, and I would probably hint at it without revealing too much). Soi Fon and Kurotsuchi treat their zanpakutou like shit, and I would dig into that. I think Hitsugaya’s arc was just about right-- Hyourinmaru wavered and was very confused, and ultimately came back to Hitsugaya without too much trouble. Hitsugaya is the youngest captain and his bankai is incomplete, and the vibe of it was that he does have a good rapport with his zanpakutou, especially given that his particular zanpakutou is ancient, venerable, and very, very powerful. Now, the place where the story really needs to be happening is at the vice-captain level, where everyone has all manner of intra-personal problems that Muramasa could tap into and amplify. Here are the conflicts I would zoom in on:

Sode no Shirayuki is McPissed that Rukia just... gave her to Ichigo and also almost let herself get executed

Zabimaru would be mad that Renji spent all that time training to defeat Byakuya and now what? He’s just, like, Byakuya’s li’l sidekick? Gross. In fact, if we keep the Byakuya-betrays-everyone aspect, I can see Zabimaru sticking with Renji (since he does have bankai) but wanting a piece of Byakuya and Senbonzakura and we could have a really cool confrontation at some point. Zabimaru should also be constantly trying to fight Zangetsu and trying to get Renji to fight Ichigo. Strike that-- Zabimaru should constantly be trying to get Renji to fight everybody.

Hozukimaru should be upset that Ikkaku hides the beautiful bankai that Hozukimaru gave him and also that he lost that pillar, wtf dude

I would have spent 96% of my animation budget making Ruri'iro Kujaku as beautiful and ethereal as possible and they (non-binary) should have just murdered Yumichika out of spite and fucked off to the Eternal Plane of the Extremely Beautiful

My Haineko would be raw as hell and would dig into Matsumoto for hiding behind alcohol and lightheartedness and I would have put some stuff in there about how maybe being the person your zanpakutou wants you to be is maybe not the same as being a good or emotional healthy person

I hated the idea that Tobiume criticized Momo for being weak after Momo said that her zanpakutou had really helped with her recovery. I would have gone way in the other direction, where Tobiume is extremely overprotective of Momo and wants to keep anything bad from happening to her

Hisagi something something I did not read CFYOW

4) I would not have been a huge coward with regard to Ise, Kotetsu, Iba, or Zaraki fuckin’ Kenpachi. We should have either gotten to see their zanpakutou or they should not have appeared. It would probably be really hard, but I would have done an off-putting, low-priority story thread of Yachiru having a lot of trouble concentrating, or, like, running off, and Zaraki has to go find her, that would hint at their ultimate relationship without being too blatant. Oh, Yoruichi, too, I just remembered Yoruichi was in this.

5) Look, if I were Ichigo and I had to go to Soul Society to save everyone from their own zanpakutou I WOULD BRING FUCKING ORIHIME AND CHAD!!! I wouldn’t being Ishida, but he would come anyway and be the most sanctimonious bastard about all that that you could possibly imagine. Anyway, then I would go in an absolutely wild direction and have Orihime and Chad and Uryuu find out that they do have Inner Worlds and embodiments of their powers and I would devote a lot of the arc to that.

6) Soujun should have been in the Kouga flashbacks, even if, only like, for a minute. Please let me see Byakuya’s dad in his infinite softness. I am begging.

7) I would get rid of Muramasa’s gross fingernails

#Zanpakutou Rebellion Arc #i am actually super down with zanpakutou spirits having multiple forms #i like to write sode no shirayuki as sometimes a yukionna but sometimes a bird or a fox or a bear #i probably came up with that headcanon because i hate their human forms so much #but it makes sense for them to have a form they can swordfight in #i recently found an old post where i declared that Iba's zanpakutou spirit should just be ray smuckles from Achewood #and I stand by that #IIIIIINNNNNBOXXXXXXX ZEEEEEERRRRROOOOO!!!

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blog-of-the-wildd · 4 years

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i’ll make it 4 words if you don’t mind <3

star of my heart with romantic revalink! thanks!!

Star of my heart

“I’m cold,” Revali said.

Even in Hebra, amidst the ever falling snow and the peaks of ice, the Rito remained warm, covered with feathers. However, Revali lied anyway, expecting Link to decipher the truth under his words.

The white, delicate feathers that hung over the roost tembled, signaling the beginning of a storm. The wood of the flight range creaked. It was an old structure, built by the Rito of a past long gone. Inside, quiet flames engulfed the cooking pot at the center, warming the place with a comfortable heat.

Link, making sure their meal cooked appropriately, didn’t reply to Revali, perhaps too absorbed in his task.

After a moment, he met his gaze, his far-seeing blue eyes unwavering.

Link had thin sandy hair and a small mouth. His face was dotted with freckles, product of hours spent under the sun. He was of juvenile features, though there was an edge to them. His boyish air hid the truth, for Link was the deathly Hylian Champion.

“Cold?” he repeated, slowly.

Revali looked away, tempted to hide his face under his wings.

“Cold,” he said.

Link’s gaze drifted to the pot. He stared at it for a moment, as if waiting for it to tell him what to do. Outside, the wintry gales howled, drowning the gentle crackling of the flames. Yet, as tempestuous as the weather was, the flight range was warm.

“I’m not,” Link said, gesturing to his clothes. He was clad in the snowquill armour, which was made of feathers. Revali scowled, for he understood what Link was alluding to.

Link sat next to him anyway and, in a gesture that was becoming more natural with every passing day, Revali wrapped a wing around his shoulders.

Link closed his eyes and leaned his head against his shoulder. Revali raised his wing carefully, caressing Link’s weather-beaten face. Neither said anything, too embarrassed (or comfortable) to shatter the silence. Revali melted into Link’s touch, letting a sort of peace take over him.

“This is nice,” Link said, his voice barely a whisper.

“Yes, it’s decent,” Revali said

Link laughed. Revali felt the push of the boy’s giggles against his chest, which made him smile.

“You are decent,” Link said, lips curled in a goofy smile.

“Indeed I am, unlike some hell-raisers here--”

Link straightened up and looked at Revali with defying eyes. They stared at each other for a couple of beats, the tension purposefully building between them. Finally, Link poked Revali’s chest, eyes bright as if he’d come up with the best insult, “Oh really? Well, you’re dirty.”

Link hadn’t finished speaking when Revali burst into laughter. Link looked confused, expecting Revali to be deeply affected by his words (rightfully so; after all, Revali had a tendency to be offended by the faintest insult).

“I’m not,” Revali finally said, breathless from laughing, “You, on the other hand, smell unwashed.”

“Unwashed…” Link repeated, a slight frown creasing his forehead. Link looked at Revali, far-seeing blue eyes staring at him. Revali forced himself to look back. “Are you... asking me to take a bath?”

“Yes,” Revali replied mindlessly. Link nodded, eyes hard with resolution, and got up. Revali frowned, reaching a wing in his direction, “Where are you going?”

Link paid him no mind. He leaned over to check on the cooking pot. Satisfied, he turned to his sword and picked it up swiftly.

“To the lake.”

“Not right now, you dunderhead,” Revali snapped. “The lake is frozen. It's winter.”

Link’s resolve faltered. He placed his weapon where it had been and sat on the wooden floor, letting his attention slip back to the pot. Revali almost called him back, but he dared not. What would Link think? He would judge him needy and clingy, both adjectives that Revali did not want associated with him.

He didn’t want Link to know how much-- how important he had become in his life, which was ridiculous because, well, he had. Why hide such an obvious truth? He didn’t know, but when he thought about telling Link, he felt as if tight claws were clutching his heart.

Maybe he wasn’t ready, which honestly was stupid. Or maybe he was nervous. A love confession is a big deal, after all. It is giving the key of one’s heart to someone, being willing to be vulnerable, and that--

That terrified Revali.

So he said nothing, watching Link cook their meal with a gentleness he had just recently noticed. Despite all, Link wasn’t a man of war, or, at least, on occasions he didn’t seem to be. His eyes were soft in the quiet moments.

He was so caught in his web of thoughts he didn’t notice Link approaching him. He held out a bowl of soup, which Revali accepted after a brief hesitation. Link sat next to him, though this time their shoulders barely touched.

They ate in silence, watching the flames embrace the pot.

The soup had a sour taste. It was good, though never had Revali eaten something of similar flavour. Link sighed happily and placed his empty bowl on the floor, eyeing him curiously.

“This is nice,” Link said. Revali looked at him, and to his surprise, a bittersweet smile was curving his lips, as if he were already longing for the present moment. “I never get to-- the life at the castle is so hectic.”

He looked down at his intertwined hands, rubbing his thumbs together. They were calloused, scarred with traces of past battles. Revali wanted to hold them.

“I imagine,” he said.

“I like it here,” Link said suddenly. He took a shaky breath before continuing, “I like… I like Rito village.”

Even though his lips quivered with nervousness, there was nothing spectacular about his words. Rito village was a tourist attraction for Hylians. It wasn’t a surprise Link found its views fascinating.

“You like that everyone is willing to invite the hero to dinner,” Revali said, a hint of bitterness in his voice.

Link looked at him with wide eyes and laughed, the sound sincere and simple. Revali felt his chest tighten, overcome with emotion.

Eventually, the laughter ceased. An oddly peaceful moment followed. Link wore a loose smile on his lips, though it lingered only for a moment before setting into a neutral, tight expression. Revali ate slowly, savouring his meal. The sun was starting to set, descending into the horizon and casting dim shadows over the land.

Link extended his hands in front of the flames, seeking its warmth.

“Why did you hate me?” Link asked, voice small.

Revali looked up, astonishment contorting his face. He opened his beak to say something, but closed it again tightly. Even though he had written in his diary myriads of resentful entries about the Hylian Champion, he had never been asked to speak them out loud. It wasn’t as if-- Revali did not hate Link anymore. He wasn’t sure when his anger had dissipated, but it had.

It was weird. He knew exactly what had vexed him about Link, and in fact, he still considered his reasoning to be extremely sound. What Revali didn’t have was the drive to despise Link anymore. Instead of hate, a new emotion had found its way to his heart, even more passionate than anger.

“I did not hate you,” Even as the words left his mouth, Revali knew he was speaking bullshit. Link glanced at him, incredulous. Revali merely averted his gaze. What? Would he have preferred the cold, bare truth? “Do you really care about that when everything has--?”

“I do,” Link said in an outburst of emotion uncharacteristic of his stoic self. He glared at Revali, the icy stare penetrating. They stared at each other for what felt minutes; Revali trying to keep a neutral facade, Link scowling at him.

Link was the first to break eye contact. The spark of fury in his eyes dissolved, and an expression of dullness settled on his face.

“I do,” he repeated, quietly.

“If you started to hate me again I--” Link gulped and forced himself to continue, voice hoarse, “do you hate me?”

“No. I don’t--” Revali paused, thinking. There were a lot of things he could say to Link. He could apologise. He could open his heart and hope Link wouldn’t turn away in disgust. Or he could… say the truth, even if five words weren’t enough to convey the extent of his feelings. “I don’t hate you.”

Link looked down. There was no emotion on his face. “A hollow knight,” Revali thought, though he knew better.

“You are the star of Hyrule,” Revali said, for the sake of filling the silence. “Everyone speaks about how gifted and talented you are. The King--”

Link shook his head. He said something, but his voice was so faint Revali barely heard it.

Sorry.

“Don’t,” Revali said. “You work as hard as the rest.”

“I’m just-- an assbird,” Revali said.

Link snorted.

The knot of tension in Revali’s stomach became undone. The silence became lighter, more bearable. Revali finished his meal and gazed to the exterior of the roost, where ruthless gales howled as if they wanted to tear the world apart. Revali frowned, pondering if his gale would ever be as relentless as the ones of nature.

He was determined to make it so.

“I don’t know what Hyrule thinks of you,” Link mused. Revali was tempted to reply he wasn’t thinking hard enough. Hyrule viewed him as a sidekick, a secondary character whose only purpose was to make the leads shine brighter. Sometimes, he even thought Hyrule didn’t think of him at all.

Link placed his hand atop of Revali’s wing, letting his touch linger.

“I don’t know what Hyrule thinks of you,” he repeated quietly, “but… you’re the star of my heart.”

Link smiled nervously, averting his gaze. Revali couldn’t muster an answer, as much as he attempted to. What had that been? Link had never-- had that been a fucking pick up line? No. It must have been a compliment. Link seldom gave them, but it wasn’t discardable. After all, Revali was a skilled archer-- the most skilled of all.

“Was that good?” Link asked awkwardly. His face was beet red. He sounded nervous, anxious even. Link fiddled awkwardly with his hands, looking at them as if they were the single most interesting thing in the world.

Oh.

So Link had been flirting. The realisation didn’t scandalise him. It was as if he knew, not because he was arrogant, but because their relationship had been headed in that direction or a long time. Neither of them dared to admit it, though, and that was okay.

“Link,” Revali said, masking his emotions, “Why did you ask that? It ruined the moment.”

“The Rito don’t blush. How would I know otherwise?”

Revali stared at Link, raising an eyebrow. The Rito, contrary to Hylian beliefs, were an expressive species. If Link didn’t notice the small details, he would have time to do so. They would have time to learn to be with each other.

“It was good,” Revali admitted, almost begrudgingly.

Revali rarely allowed himself to think of the present. His entire existence had been aimed to the future. “Right now I’m nocking the arrow,” he thought to himself, “Someday, I will shoot.” He only marched forward, for if he looked back, he was scared to see nothing behind him. He had dedicated his life to a success he couldn’t yet grasp.

But for the first time in a while, Revali let himself just be.

Outside, the chilly currents blew. The sun had set, and shadows had spilled over Hebra. Link was by his side, looking at him with those piercing eyes of his.

Revali didn’t love Link, not yet. However, he could love Link. Tomorrow. Someday. The possibility was both exciting and terrifying. If he allowed his emotions to bloom, if he opened his heart, their relationship would flourish. There was no pressure, no goal other than to enjoy each other’s company. They could take it slow, opt for the small steps rather than a leap.

After all, they had time.

#revalink #botw #hwaoc #loz botw #breath of the wild #mywriting #im going mad i HATE tumblr formatting AAA

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currywaifu · 4 years

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𝐭𝐢𝐭𝐥𝐞: barbie movies as troupe plays part 1 𝐫𝐚𝐭𝐢𝐧𝐠: sfw

𝐚𝐧: if you think i won’t do all 36 barbie movies, you’re wrong. regardless of whether people want this or not. i have barbie brainrot 24/7. i’m just separating it into parts so it’s not too long *this isn’t meant to be that serious y’all my reasons vary from legit to just jokes

𝐠𝐞𝐧𝐞𝐫𝐚𝐥: i won’t go in-depth with any plot differences from movie to play, or how the characters would work out... for now *chuckles in future ppt*

𝐩𝐚𝐫𝐭 𝟏: nutcracker, rapunzel, swan lake, princess and the pauper, fairytopia series, magic of pegasus, barbie diaries, island princess, three musketeers 𝐩𝐚𝐫𝐭 𝟐: coming soon 𝐩𝐚𝐫𝐭 𝟑: coming soon

𝐭𝐫𝐨𝐮𝐩𝐞: mixed troupe! spring x autumn. one of the seasonal events/scouts for A3! has a nutcracker theme, and to avoid spoilers that’s all i will say :3

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: since this is based on barbie’s take on the nutcracker, changing up the cast from what tsuzuru had in plan:

clara/sugarplum fairy: sakuya. i want to see him go through a costume & hair transformation sequence, not gonna lie.

nutcracker/prince eric: juza. obviously he has to be the ruler of the land of sweets.

mouse king: sakyo or chikage. i want one of them to wave around a sceptre and say quotes like “i’ll reduce the Nutcracker to a pile of splinters"

pimm: taichi... pimm is a spy :O who has to do dirty work :O but the real reason is i just want taichi to follow around sakyo again or maybe even chikage this time lol

major mint & captain candy: tsuzuru and citron respectively. mint is pretty serious and awkward, candy is a lot friendlier- i just think it’ll be a good way to insert some humor in the play

𝐭𝐫𝐨𝐮𝐩𝐞: mixed troupe! summer x autumn.

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: rapunzel in this one actually is the “servant” of gothel. also, rapunzel has a magical paint brush and also there’s dragons. who are purple.

rapunzel: kazunari. obviously. actually, kazu has a lot of similarities with her: a good artist, patient, adventurous, quick thinking, hardly ever complains- also he’d look good with long hair i think ><

gothel: omi. there is an action fighto scene + also just the theme of omi playing villains lol... also THERE’S A SCENE WHERE GOTHEL PRETENDS TO BE RAPUNZEL BY WEARING A LONG WIG AND BOI- KAZU AND OMI’S BODY BUILDS ARE SO DIFFERENT BUT IT’D BE FUNNY IF THE PRINCE FALLS FOR THE TRAP ANYWAY

penelope: kumon. a PURPLE funny and clumsy dragon- fight me, the only answer is kumon especially once you see who’s next.

hugo: juza. a PURPLE dragon who’s penelope’s dad but he’s gonna be the older bro in this one (i wonder why...)

hobie: a passive and worrisome rabbit... Tenma.

prince stefan: he also has a couple fight scenes... ngl bc stefan has blue eyes, light brown hair + described by the wiki as “fierce”, he’s banri.

𝐭𝐫𝐨𝐮𝐩𝐞: winter troupe. i will stand by this forever.

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: this is like one of the ones i’ve had figured out for a while already...

odette & odile: tsumugi. i’m just saying, tsumugi’s duality- he can do both the white and black swan because he has power. impact.

prince daniel: not tasuku bc spare him the prince roles he’s sick of it. guy. why guy? because he obviously has a good idea of how to act like a prince :3

rothbart: HOMARE! I WANT! THIS MAN! TO PLAY THE ANTOGONIST! GO OFF ABOUT DARK ARTS! TRANSFORM EVERYONE TO ANIMALS LIKE THE EXTRA BEING YOU ARE.

fairy queen: azuma. ugh just- imagining how ethereal he’d look.

erasmus: tasuku. he’s a troll that can act mean, but is genuinely kind and helpful... also, the VA of erasumus is also the VA for “unnamed burly villager” and i’m just saying-

kelly the cygnet: hisoka. there’s too many animal children, so hisoka is gonna be the baby swan. uwu. also, kelly has a quote, “I can't sleep.” and wOW THE IRONY

𝐭𝐫𝐨𝐮𝐩𝐞: WE’RE GOING FOR THE COMEDIC ROUTE WHAT’S UP SUMMER. reason: i went “wait... no actor really looks super alike though.”

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: tafahfuoahoaf it’s my favourite barbie movie... OKAY SO THE RUNNING GAG OF THIS IS THAT THE PRINCESS & PAUPER DON’T LOOK ALIKE, BUT EVERYONE KEEPS GOING “Wow! you two look so identical!” no they don’t

anneliese: muku. first of all please look at the sprite i used in the header. anneliese = pink = muku. she’s the sweet princess archetype... but in this version she also goes on tangents about rocks and mineraLS AND HOW THE MINING INDUSTRY SUX AND THE ABSOLUTE AUDACITY OF-

erika: kumon. first of all, the sprite in the header again. erika = blue like ugh this is perfect. ALSO erika has a cat who BARKS and i just imagine kumon talking to her cat like: WOOF WOOF WOOF GRRR GRRR and the dog responding and everyone in the palace going wtf

king dominick: i had such a crush on him anyway he’s tenma. rich, young, talented king who disguises himself as a page so he can find love for realsies. im just saying. he won’t be tenma’s only role tho ><

julian: kazunari. the wiki went “he’s the only bestfriend a barbie MC ever married” really shook me like ugh friendship dynamic between muku and kazu roles??? also kazu’s genuinely smart so him as the tutor was just gucci in my eyes

preminger: misumi. FIRST OF ALL PREMINGER IS ICONIC? WHEN HE SANG HOW CAN I REFUSE I WAS LIKE UGH KING. i just wanna hear misumi play an antagonist that’s also funny and do things with his voice.

madame carp: yuki. a bossy and rich woman who owns a dress emporium. pretty much it.

nick & nack: YUKI AND TENMA. THEY WILL DOUBLE ROLE FOR THE SAKE OF BEING MISUMI’S DUMB UNDERLING DUO

𝐭𝐫𝐨𝐮𝐩𝐞: spring troupe. i wanna see them have wings uwu.

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: just gonna combine the whole fairytopia series into one

elina: itaru. first of all, pink motif. also i just like the idea of itaru being this recurring protagonist.

bibble the puffball played by kamekichi

laverna: recurring villain citron. for no reason other than i think it’s cool when he plays power hungry villains

enchantress: i just want sakuya to play a role that’s more of a “powerful character” but still really kind uwu. another recurring good guy.

azura & glee: tsuzuru. elina is azura’s apprentice, and glee is a friend who’s generally really happy... ngl, i wanna see tsuzuru play someone more energetic for funsies

nori: masumi. nori is kind of a stubborn and jealous person at first, him and elina won’t get along right away BUT DAMMIT THE ENEMIES? TO FRIENDS IS GUCCI!!!

merman prince nalu & linden: chikage... yeah i just gave chikage the guy roles ngl... but i wanna see chikage as a handsome merman AND handsome fairy so *shrugs*

𝐭𝐫𝐨𝐮𝐩𝐞: cross troupe. spring x winter.

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: partially based on the ice-skating cards (i have yet to read the event story, unfortunately).

annika: tsuzuru. i thought it’d be fun to cast tsuzuru as a more sheltered character due to annika’s parents’ protectiveness. the contrast y’all.

shiver: sakuya. shiver is a polar bear cub sidekick who’s friendly and likes shiny things and that’s just... really cute... put bear ears on sakuya...

brietta: guy. brietta is annika’s older sister... who got transformed into a pegasus by the villain... i wonder how they’d change the pegasus thing lol

wenlock: tasuku. NOT GONNA LIE- i want tasuku to play the villain for all these wonderful one-liners: "Oh, smile! You didn't lose a daughter; you've gained a pet!", and "I thank my lucky stars I didn't marry you!"

prince aidan: masumi bc i want more roomie interaction on stage i mean their friendship keeps getting cuter and cuter.

cloud queen: azuma... that’s all. i just remembered her bc her hair has a braided crown, and i went “azuma braided hair brainrot”

𝐭𝐫𝐨𝐮𝐩𝐞: mixed troupe! summer x autumn.

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: i was gonna make it full autumn, but then the age casting felt awkward since they��re in high school...

barbie: taichi. barbie here is shy but wants to stop blending in the background! i just went “damn that do be resonating”. also i wanna hear taichi sing more y’all and barbie is a singer/guitarist here

courtney: azami. i like the idea of azami playing a spunky character who’s more of a tomboy, but still does like fashion and accessorising and... lip gloss?

tia: misumi? tenma? idk the intelligent and passionate archetype is very broad... especially in a high school setting

kevin: kazunari. just the whole best friend thing + kevin being a goofy person who loves to make ppl laugh ugh

racquelle: yuki. i know racquelle’s a bully here and say not to bullying... but sharp tongue.

todd: honestly? todd was so boring in the moving. we need someone like banri to give him CHARACTER!... yes that’s my reasoning ugh

𝐭𝐫𝐨𝐮𝐩𝐞: sUMMER SUMMER SUMMER-

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: AHAHAHA WHAT IS THIS CASTING? MY REASONINGS FOR THIS ONE IN PARTICULAR ARE SO SHALLOW LMAO

ro/rosella: “a 16 year old girl who can talk to animals! adventurous and brave” me: *gasps* mISUMI-

prince antonio: “prince antonio loves travelling and exploring-” okay yeah it’s kazu...

queen ariana: i just want yuki to sing to me “love is for peasants which we’re obviously not” and i’d go :O also ngl... i wanna see yuki in like darker palettes and plotting to poison all the royals

princess luciana: queen ariana’s daughter... played by muku. because i wanna hear muku counter yuki with “all the shoujo mangas books i’ve read, all the poems always said, that the heart is made to share...”

sagi the red panda & azul the peacock: honestly, just basing it off of colour matching but tenma is sagi and kumon is azul lol

𝐭𝐫𝐨𝐮𝐩𝐞: AUTUMN x SPRING

𝐩𝐨𝐭𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐬𝐭: AHAHAHA WHAT IS THIS CASTING? pt 2

corrine: i keep wanting to put sakuya in these roles oops. i just... let him sword fight on stage again :>

viveca: purple musketeer, artistic, designs clothes... fights with ribbons... you know, for the sake of banri being a fAshIoNisTa... it has to be banri y’all "Don't mess with the animal print dress!"

aramina: green musketeer, fights with fans, romantic and loves ballet... pfft, for the sake of “wouldn’t it be funny-” it has to be azami. poor bby, having to swoon over romance on stage- he can’t relate

renee: chikage. purely because of that scene where she threw a feather duster (?) at a flying shard of glass and perfectly hit it. yeah.

helene: the old and strict instructor that teaches them how to be musketeers... sakyo.. duh.

philippe: the main antagonist... it has to be omi again. and since philippe has a goatee, we’re bringing back facial hair omi~

prince louis: itaru, lol. he’s like the one significant non-action oriented character in the film. he has just enough moments where itaru still looks princely, but mostly? he just wants humans to fly y’all.

want to order again?

#a3!#a3! act! addict! actors!#a3! act addict actors #a3! headcanons #cafe: dessert menu #serving: barbeQUEUE #nathya stans barbie ✌️💖#a3! game

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jcmorrigan · 3 years

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What movie or tv show scared you the most?

OH HEEHEEHEEEEEE MY TIME HAS COME

I think this was probably the sign I was meant to be a horror fan, because I'm gonna talk about two movies here and neither one is a standard horror film. Now, I avoided horror films like the plague, but I now realize that's because of my aversion to jumpscares and gore, which have very little to do with actual scary stuff. I feared actual horror imagery as a small child, but basically once I read Coraline it all just turned around because that book gave me nightmares but I actually WANTED those nightmares and kept going back to the book. So what are the movies I just COULD NOT contend with?

First up, I have found that a lot of people have said this one, but really and truly, fuck Chicken Run.

I was...maybe ten when I watched it. Signed up for a goofy claymation adventure. What did I get? First of all, a whole lot of bleak color palette that warned me that this was not going to be a happy story. We are then shown the stakes right away: our entire main cast lives in a dystopian prison and if they do not find a way to escape, they will die. One DOES die. This is where a lot of people say they noped out right away, but actually, the execution of the dinner chicken in the first scene was tame for me compared to what would come next.

The pie machine. It's assembled, it's talked about, and eventually our two leads fall into it in a way that is designed to be fatal. Look, there are a ton of horror tropes in this scene alone. I haven't seen it SINCE THE ONE AIRING and I can still vividly tell you a lot of this. And if I walked into a horror film and asked for this, I'd come out super satisfied, but I was not expecting horror from this. First of all, I remember vividly the shot where you're looking from Ginger's POV falling down the shaft and the divider comes up to shunt her into the "meat" line. It's incredibly claustrophobic and you just get this almost jumpscare reminder that the character through whose eyes you see is regarded as nothing more than meat to be consumed. There is then an array of blades designed for close calls, and dough that essentially glues the lead characters down to a conveyor belt so they have to helplessly watch the death machines that are coming. Sticky stuff that roots you to one spot; that's another thing that just REALLY unnerves me and I love it if I'm reading CreepyPasta but I was not reading CreepyPasta; I was watching a children's film. The leads escape certain death by jamming the gravy system, causing the machine to overload on pressure, and here I feel like I should've been relieved that they escaped but instead I was the most unsettled of all when the pressure meter started climbing. I don't know if this film *gave* me a phobia of industrial accidents or if it just awakened what was already in my OCD little brain, but suffice to say that after this movie, I was hyper-aware of my own fear of things like hissing steam, rising pressure meters, and being in a room where large metal things were clanking. (I'm since over it; I've been exposed to it in enough things.)

Now, I was no quitter. I should have just noped out. But I didn't. I continued to traumatize myself. The next part of the film until the climax I don't remember so well - it wasn't as traumatizing - EXCEPT for the part where Ginger finds and rebuilds Rocky's circus poster. And now, as an adult, I can see how that was kinda supposed to be funny, like, "The goddamn chicken padded his résumé and the way they found this out was a circus poster." But little me was invested in these chickens, I wanted them to be happy, and what I saw was basically their death notice being signed with that scrap of paper with a cannon on it. I FELT that in my bones.

STILL NOT HAVING THE GOOD SENSE TO JUST EJECT THE TAPE ALREADY, I proceeded to the climax, in which what happens to Tweedy might be one of the most fucking awful things I've seen ever? Pinned upside-down in a superheated, confined space with rising liquid from below as the pressure meter starts climbing again. And her husband arrives just in time to see her like this but not in time to actually stop the explosion. Thank God it didn't actually kill her because even though I was already traumatized, that would've absolutely made it worse.

Thing is, ever since this movie scared the absolute shit out of me - and was probably the cause of the weird stomachaches I had for A WEEK after - I've kinda had this thing about reclaiming the scary parts and stomping on them while laughing maniacally. I feel like every time I've done a crossover project, there's been a temptation to write in an arc where the mains go up against THE PIE MACHINE and fucking win. And also there's whump with tons of comfort in my version to mitigate it all. I haven't done any such thing for TBTC...YET. But I know what I must do. I know who must destroy the machine and the Tweedys along with it. Buckle your seatbelts.

My final word before I move on is that as I ascend into adulthood, I think that for the most part, a rewatch of this film wouldn't traumatize me so badly. It'd still be gross and creepy in a way I think shouldn't be sent to children without warning, but I could deal with the imagery, maybe enjoy using it as whump fuel even more, maybe my horror side would really get into the peril this time. But the one thing I've realized is that this premise is fucked EVEN MORE if you're a grown-up, because as a child, you're sympathizing with the chickens. You want them to get free of this death camp environment. But as an adult, you start to realize that all Tweedy wanted to do was be a chicken farmer who sold pie, and her supposedly nonsentient animals ganged up on her in a display of unheard-of intellect among farm stock. This would then lead to her undergoing at least one near-death fate. Think about being a farmer in our world and the animals you keep GANG UP ON YOU LIKE PEOPLE because you're killing them for food. No thank you, no THANK you.

But surely this was a one-of-a-kind phenomenon. Surely, after this...after so many other people agreed with me; "Fuck Chicken Run"...no animation studio would ever pull shit like this again.

I had hoped that was the case until Cloudy With a Chance of Meatballs.

This is one I don't actually see lambasted as often. Maybe because the Chicken Run trauma crew grew thicker skins before this movie. I only sort of did. Maybe because no one ever actually invested in this film, having already predicted how much it would be garbage from the dumb humor in the trailers. Oh, but not me. I was a fool. Also my family picked it for a movie night so my fate was sealed anyway.

The original book is actually pretty frightening on its own. Food falls from the sky in such great numbers that it starts to destroy the world. Okay, that's terrifying. But kind of in the alluring way. I would keep coming back to the one page about the giant pancake on the school because the way it was drawn unsettled me so, with something huge and immovable blocking off the way to a building that usually has hundreds of innocent children inside. The film built on this and made it a thousand times worse.

Let's start with the goddamn Spray-On Shoe. Our main character is a mad scientist (but the good kind, apparently) whose list of bumbling failed experiments dates back to when he was a child and invented a spray you could put on your feet to coat them in shoes. He then gets laughed at because he didn't engineer a way to get the shoes off, and runs home in humiliation. Guys, the teasing/bullying factor is...not the most worrying thing about this story. There's a throwaway line about how Flint wears THE SAME SHOES into adulthood because to that day they simply cannot be removed. This seems like an incredibly urgent medical problem? Having your feet encased in the same rubber for years? The same rubber as when you're a kid? I just found myself thinking "What if my shoes never came off one day" and that terrifies me, okay? It's stupid and it's silly and it scares me. Even more than that, though, is the canonization of a polymer in this universe that can be sprayed on sticky and will literally never break no matter what you do to it, because that goes back to the pie machine dough principle. Being glued to a surface permanently is inherently terrifying and we'll go over this later because this is not the last fuckin time the glue shoes get brought up.

Flint invents a food-spewing machine. It ends up in the sky. He rides his popularity as it rains larger and larger food down upon the town and also the world. Most of this film up until the climax is unsettling but not AWFUL. Where it starts to go to shit is when Flint realizes his machine is too dangerous and shuts it off, only for the town's local greedy politician to switch it back on into an apocalyptic mode. So can we start with "Local town finds out its elected official is willing to sabotage their well-being in order to capitalize on the fame of a disaster-causing object?". Like, the whole film would've been solved so much sooner if there hadn't been a saboteur in the works - not a fun campy villain, mind you, but a saboteur who exists to drive the plot to the scary place. But I guess we need that narrative tension to justify having a film in the first place, so fine, I'll ride it out.

The main crew saddles up to fly out to the machine, which is now encased in a FLESH LABYRINTH of food, and...I'm just gonna rapid-fire the shit that happens at this part:

-The food turns sentient in order to defend itself. The cute animal sidekick brutally dismembers an army of gummy bears that is fully sentient and rips them apart to devour them.

-We enter the flesh labyrinth and it's exactly as much a horror RPG setting as you think it is.

-Now sentient cooked chickens besiege the party. The comic relief character is consumed by one, only to kill it from the inside and decide to WEAR ITS SKIN in what is seen as his defining character arc's conclusion. Wearing the skin of a dead monster allows him to forge his new identity.

-One of our party has to go back because of a tight passage lined with her deadly allergen, causing her to undergo anaphylaxis after an accidental mild nick. In the flesh labyrinth.

-The entire horrific journey is instantly INVALIDATED when it turns out that instead of the kill code for the machine, all Flint has is a file of a cat video. Which he finds out as the town is about to be obliterated off the face of the earth.

-So he solves it by jamming the works with the spray-on shoe and DID I NOT JUST GO OVER HOW HORRIFIC INDUSTRIAL EXPLOSIONS ARE IN KIDS' MOVIES? DID I NOT? ARE WE REALLY DOING THIS AGAIN? Anyway it's canonical proof that NOTHING can break the shoe glue and I should be happy for the town and happy that there's no more flesh labyrinth of living meat but instead I'm just terrified because of the door we have opened. We have imparted the existence of an indestructible sticky polymer upon the world.

-It's later seen used in a credits sequence to repair damaged houses. Which, first of all, given its flexible nature, is fuckin stupid. It won't serve as an actual wall. Second, that got me thinking about construction accidents involving the fuckin shoe glue. If that stuff gets dripped on a person's face -

-So then cue me sitting awake in bed later thinking wide-eyed about Cloudy with a Chance of Fucking Meatballs and realizing that this compound that is essentially a chemical weapon in the making is now in the hands of the mayor who deliberately caused an apocalyptic event over the town because he wanted the food rain. And THAT'S not going to lead to pretty circumstances.

I think you'll see that a lot of my fears with these two movies is "THINK OF THE IMPLICATIONS!" and I think that just shows how my mind works and why I'm drawn to fanfic so much. I'm all about diving into a universe, exploring its corners, analyzing it to death.

And with the industrial horror stuff, I kinda wanna bring it around to two other films that actually really subverted my expectations and made it fun. 102 Dalmatians was a fave of mine through middle school, but I remember when the climax took us to a big ol' factory and I got plumb nervous. After the usual blades and ovens of horror, the fact that it concludes with Cruella basically wearing a cake and a lengthy montage of the dogs kicking toppings onto her is just one of the most wholesome imageries. She survived the thing and now you get to watch her be decorated Lisa Frank style by her victims who are more interested in humiliation than murder, and I love that.

But maybe more prevalent is that I'm well aware that if certain filmography or plot points had been handled in different ways, The Boxtrolls might've actually frightened the ever-loving fuck out of me what with all the industrial stuff and medical horror, but I just...felt like that film was holding my hand the whole way through going "It's okay." The industrial stuff was framed in a way that was just campy enough and yet also taken seriously. Putting a really charismatic villain - ACTUAL VILLAIN, NOT CHICKEN FARMER OR CORRUPT POLITICIAN SABOTEUR - at the wheel was just such a mitigating factor that it gelled the whole thing together and I ended up LOVING what was done with giant machines and garbage crushers and explosions. And as for the medical body horror, I really appreciate how it was so baked in that Snatcher did that to himself - that everyone, EVERYONE warned him "Do not do this, you will probably die, I'm serious, bad fucking idea" up to the point of Eggs trying to plead him during an anaphylaxis attack, one last time, DO NOT continue down this path, we can find a way to heal you psychologically and get you some self-fulfillment. And Snatcher fully chooses hubris over the many, many opportunities offered him to be able to step down onto a safer path and that removes the fear and pulls it more into a tragedy for the villain. Not at all the same thing as "Sam the reporter is trying to save the world and doing her best until a fixture of the landscape accidentally sends her into anaphylaxis."

(Oh, and by the way, can I just - when I do see CWACOM brought up these days, it's always in the context of "This is the one movie where the guy tells the girl it's okay to look nerdy!". Well, no, not the way I remember it. The way I remember it, Sam basically tells Flint "I used to have really tacky style but have since changed it up of my own volition" and Flint is just like "NOOOOO YOU NEED TO WEAR GLASSES AND A SCRUNCHIE. I WANT A HOT NERD GIRL." This could've been pulled off right with some more introspection into female beauty standards, even in a tongue-in-cheek way, but right now it really looks like Sam just wanted to make herself more glam for a new image and Flint bullied her into regressing her style. Which I've also realized meant he bullied her into dressing more like she did as a teenager and normally I think that kind of shit is just "You're overthinking it" but since it's CWACOM and I spelled it out on paper like that, I'm just now realizing how that can be seen as pretty...icky.)

The one saving grace of CWACOM is that I was older by that time, and so it didn't affect me as hard as Chicken Run. But I still hold it dearly to my heart as one of the MOST DISTURBING movies I know, and by "dearly" I mean "fuck this movie, really and truly." I want to extend my thanks to 102D and Boxtrolls for giving me industrial-horror-based climaxes that were actually really comfortable, and again, probably what drove both of these was the fact that we had a campy diva villain in the lead for the potential scary stuff to surround and radiate off. Not a fuckin...ordinary chicken farmer who is just trying to make bank but is somehow passed as a Nazi allegory for trying to live her life as a farmer? I dunno, maybe if I rewatched that film I'd see she has a thirst for human blood too, and if I could fix fic Chicken Run my first order of business would be to give her a thirst for human blood instead of/in addition to chickens.

Anyway. Fuck both these films, EXCEPT for the fact that traumatizing scenarios can always be recast as whump material, and the next time I wanna do some crossover aftercare from a physically and psychologically damaging mission, I have a pie machine and a flesh labyrinth to exploit. REALLY HEAVY ON THAT AFTERCARE COMFORT THOUGH!

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straightfacedstrangeness · 3 years

Text

Not that anyone asked (but seriously I’d LOVE for someone to talk to me about PokeSpe (just no spoilers past vol 13)) but since I made an offhand remark about my Top 5 favorite characters, it occurred to me that I actually DO have approximately 5 top favorite characters, and I’m procrastinating on work, so I’m gonna ramble

**just in case, note that a lot of this will revolve around my childhood experience with gender in a “I’m AFAB (and present-day me still identifies as a cis girl) but I don’t fit in with what media is telling me girls are like” way, a brief childhood feeling of homophobia, and probably general TMI about my opinions and emotions throughout my life, haha

1. Yellow

Okay, so, I was a little kid when Pokemon Adventures started coming out in English, back when manga was released as single-issue monthly comic books instead of complete volumes. So I was rereading the same chapters over and over while anxiously awaiting the rest of the story (and wound up missing a bunch of issues anyway)

I enjoyed the RGB arc, I thought it was fun, but I didn’t LOVE the series until Yellow showed up. At that age my ideal crush was “a cute boy my age who would be nice to me” and Yellow was presented to the reader as a cute boy my age who was sweet and kind and gentle, but also good in a fight, as all shounen protags must be. Extra bonus points because they had just a few physically weak Pokémon and tried to fight battles in a way that minimized damage to their own and the opponent’s Pokémon, which meant they fought in a particularly smart and clever way. And I was considered “smart” for being good at school, so being a SMART cute “boy” my age who would be nice to me, Yellow was PERFECT. I mean, I loved the arc in general because of the clever battles, and the mystery of what had happened to Red, why these people were after Pikachu, why Yellow was so secretive about themself and their mission, etc was really engaging. But also I adored Yellow as a character and partly in a “I wonder if ‘he’ would like me??” kind of way X’D So to my tiny child self who didn’t even know it was possible to like-like someone of the same gender (because I hadn’t read Cardcaptor Sakura yet XD ), the reveal that Yellow was a “girl” was devastating—I had to cross out floating hearts on at least one drawing of us holding hands (scandalous!) and, while kind of stunned and shaken for a while, decided that what I’d felt all along was a deep, intense desire to be friends X’D (which probably wasn’t too far from the truth since I was pre-puberty and later turned out to be asexual)

(Also note that I never got the RGB issue that had the chapter where Red helps a little ‘girl’ capture a Rattata—later proven to be Yellow’s backstory—so the gender reveal really came out of nowhere for me.)

But anyways, I still love Yellow as a character for all the above reasons, without the crush aspects because I’m way older than them now.

Also when I reread the series ten years ago, I finally realized “wait, aside from surprising the reader, there’s no real plot reason for Yellow to pretend to be a ‘boy’ except that Green told ‘her’ to—so why did ‘she’ do it?”...and because at that time I didn’t even know that nonbinary genders existed, I decided it was cus they had low self-esteem and pretending to be a different person gave them courage (the same reading I had for Mulan at the time). These days I’m more inclined to “yeah, I think Yellow’s nonbinary,” but that other interpretation was deeply relatable to me and only made me love Yellow even more.

2. Bill

Bill’s definitely a character I’ve grown to love more as an adult, since I’ve gone from seeing myself as “a protagonist doing cool things” to “a side character just living their life who hopefully gets to do something once in a while.” But as a kid and now, I like him mostly for the slapstick and goofy expressions and the (early chapters Viz translations) outrageous accent X’D My brain desperately craves endorphins and the best way to get em is through a good laugh.

But also, I liked that he was introduced as a goofy character-of-the-week who got into ridiculous trouble and had to be rescued, but then kept being brought back, was slowly built up to be the “smart sidekick who explains things,” and eventually got to the point where he was participating in big battles (the Yellow finale on Cerise Island). I rambled about this in the tags of another post, but I liked that he was a character who was “weak” without being “useless.” As a kid who was good at school, I was obsessed with being good at things and had developed a black-and-white view of the world where either you were “strong/smart” or “weak/stupid” to the point that failing or just being not-so-good at anything was devastating (it still kind of is), because that meant I was actually “weak/stupid” when I was supposed to be “strong/smart.” So it was kind of awesome that this guy who kept getting into trouble and having to be rescued—and didn’t even want to BE part of the final battle—managed to hold his own and get through it and help out instead of being a burden that dragged everyone down. Seriously, he used a MAGIKARP effectively—the Pokémon everyone makes fun of for being “useless” and he used its one attack to save his life!

(Bonus points for all this happening in contrast to my devastating childhood experience of stanning The One Girl Character in every popular shounen series, waiting desperately for her to get to do something in battle, and then her one spotlight episode revolved around her struggling because she was so weak...not only was that actually happening to a boy for once, it was actually happening in a more satisfying/empowering way :’D )

3. Gold

I have extremely specific tastes when it comes to “the dumb shounen/action movie protag,” because as a kid I hated it when the main character was “dumb” because I was “smart” (re: good at school) and people who were “dumb” shouldn’t deserve to be the main character and have all the cool powers and save the world and stuff. As an adult, I hate it when male characters are dumb and/or jerks but it’s treated as fine or even sexy(??) and the other characters fawn over them, and I generally still kind of hate it when characters who are dumb and/or jerks get the big important role when there’s a female character RIGHT THERE who’s more competent (and OF COURSE she has to wind up falling in love with him)

But anyway, I have extremely specific tastes, and Gold is it X’D He’s the perfect combination of “unshakably confident in his own stupid/egotistic views” and “treated as annoying and/or comic relief by the rest of the cast” with a bonus dash of actually being really clever in battle (so my inner child goes “Ah yes, technically, he is ’smart,’ and therefore...worthwhile“) Making me laugh while also impressing me is like the key to my heart.

4. Crystal

I’m too lazy to look it up, but when Viz was publishing Pokemon Adventures as monthly comics, they must have switched to publishing it as trade paperbacks only and/or had a huge gap between the end of Yellow and the start of GSC, because for YEARS I’d thought Yellow was the end of the series and was shocked the first time I saw later volumes. (My dad was buying us the monthly issues at the local comic store, and either they wouldn’t have ordered the trade paperbacks or he wouldn’t have thought to check those shelves.)

Anyway, that’s a long lead-in to the statement of “Crystal would automatically be my #1 or #2 if I’d read her arc as a kid.” She’s a girl, she wears pants, she’s EXTREMELY smart (genius-level “book-smarts” about every Pokémon’s behaviors and weaknesses PLUS being clever in a battle), was tough as nails (she KICKED her Pokéballs!!), had no interest in romance or her appearance, AND had a short arc about losing her confidence and training herself back up to full power. I would have KILLED for a character like that when I was a little girl being told that “girls don’t like action shows like Dragon Ball Z” (but I was a girl and I did???) and that girls were supposed to be pretty and obsessed with fashion and dating, and that girls were never the main character of action series, just side characters who either did nothing or got one chance to do something and were pathetically weak (see above, and/or Sakura’s fight against Ino (Naruto), those couple filler eps where Téa/Anzu played Duel Monsters (Yu-Gi-Oh), Videl getting pummeled by Spopovich (DBZ), etc).

So anyway, she’s awesome, she’s exactly the type of character I would’ve loved as a kid. The only reason she’s behind Gold here is because at my age, “makes me laugh” > ��the kind of main character I used to wish I could be”

5. Green (the girl trainer...I’m just too loyal to the Viz version to call her “Blue”...)

I’m trying not to rehash the same “I’m a girl but none of the girls in my shows/comics are like me!” childhood woes over and over, haha, but as much as I always enjoyed Green for being extremely clever and outsmarting the boys and being funny when she did so, she always lost points with me for being “pretty” and flirting to get her way, because that put her in the box of “girls are supposed to be pretty and desired by boys and obsessed with their appearance and romance” that was so foreign and disheartening to me as a kid.

But her staredown with Ho-oh at the end of the GSC arc TOTALLY got me. As a sad adult with anxiety, watching characters who are absolutely terrified overcome their fear, watching characters who are completely beaten down struggle back to their feet and keep fighting, is like my ultimate power fantasy. That sequence genuinely had me in tears.

Also her bond with Silver is super precious, especially since that’s like the first time in the series we’ve seen her be genuinely emotional and vulnerable with someone instead of teasing or manipulating them.

Honorable mention: Sapphire

I haven’t gotten up to R/S in my reread yet, and I only read that arc once over like a weekend ten years ago, but I’m pretty sure she’s gonna be a Top Fave cus again there’s that “I'm not like other girls!” childhood feel (last time I’m saying it, I promise)

It’s a story arc where one protag wants to fight the gyms and the other protag wants to win the beauty contests, but the one who wants to fight the gyms is the girl!! And she’s the typical “dumb but extremely good at fighting” shounen protag but she’s the girl!! She’s feral and illiterate and a total tomboy and wins all her fights and she’s a GIRL!!!!

Anyway, those are my kids and my dude and my probably way-too-personal reasons why. If you wanna reblog, reply, or send an ask about your own faves...please

#pokemon adventures #rambling #crackpotawesomes #spent like an hour and a half on this oops

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esepoimipullula · 3 years

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Alright, so... this is the utterly self-indulgent essay. XD

For any non-Italian readers: remember the introductory note on my translation of Goofy and The Perfect New Year’s Eve Handbook? About Italian Goofy (Pippo) having a huuuuuuuuuge family? Well, everyone in this family is, ofc, either just as quirky or nearly as quriky as Goofy himself... which makes for a lot of interesting personalities. Like Goofy's cousin, Indiana Pipps. Or Arizona Goof, in English. Presumably to make the joke at least a little bit subtler.

... yes, "the joke" is that he's literally an Indiana Jones parody. Who happens to be related to Goofy and look almost exactly (or exactly, depending on the story) like him. He's an "adventure archaeologist" who spends most of his time scouring South American jungles for lost pre-Colombian temples full of traps and treasure, travelling through scorching deserts to find legendary Egyptian ruins, and stumbling into fantarchaeology/Ancient Aliens/magical/mystical relics. He's brave, smart, passionate, confident to the point of being actually a bit arrogant, kind of reckless and hotheaded, a little rough, rather snarky, and has a strong sense of justice... and a bunch of strange habits and quirks. Like his penchant from entering buildings from the window rather than from the door (because that would be too easy), his preference for sleeping bags over beds and tents over houses (though he does have a house just out of Mouseton... in a dangerous swamp complete with crocodiles), his dislike and distrust for city life in general, and his love for a particular brand of strong-flavored liquorice candies called "Negritas" that almost everyone else finds adsolutely disgusting. Through the years, he's fallen in love with a bunch of female characters (starting with Clarabelle Cow, or so the internet tells me... Goof guys trying to steal her away from Horace must be a bizarre family tradition) and he's had a bunch of female characters fall in love with him, as you can expect considering he's the Dr. Jones of the Mouseverse and everything. But none of these crushes has ever really gone anywhere... whether because of a bout of obliviousness preventing him from realizing his temporary sidekick had been head over heels for him the whole time (sorry, Martina), a misguided attempt to present as a more traditional academic for a nerdy professor who unexpectedly turned out to be really into the adventurer type, or fairy law forbidding him to marry his French fairy sweetheart (yup, that happened).

Ironically, his most constant and long-lasting is with his nemesis, Dr. Kranz. (Nope, no name given.) (Yes, this is going to be an "enemies to lovers" kinda thing... except with, like, A Twist. So if you don't like that kind of dynamic or think people shouldn’t like messed-up ships or anything like that, you'd probably better stop reading.)

Kranz and Indiana appeared together in Indiana's first story, Mickey and Goofy in: Raiders of the Lost Temple by Bruno Sarda, and have been chasing each other for one reason or another ever since. Kranz is an adventure archaeologist, too, but despite being (almost) as skilled and succesful at his job as Indiana, he spends an awful lot of time following him around and trying to steal his discoveries... most often by putting on some disguise, stalking him from a distance, and popping out of nowhere with a gun and a mocking smirk as soon as Indiana finds the hidden lost idol/treasure/artifact/city.

Despite some weird occasional foray into the world of attempted world domination, Kranz is (mostly) into the whole villain business for the money and the fame. The money because he loves luxury (especially fast cars and five-star hotels) and sells a good chunk of what he finds or steals to unscrupulous clients or outright villainous organizations to afford to live the good life, and the fame because he has a big ego and (somehow, still) a reputation as a respectable archaeologist that feeds into it... and he's always trying to overshadow Indiana, because he hates being always second best to him. Which is just as well, because Indiana hates his attempts to steal his own discoveries, his criminal activities, his utter lack of ethics, and his greed. Whenever they see each other without either of them ending up on the wrong end of a gun or tied up for the local authorities to find, they usually still end up at each other's throat anyway. Or at least, insulting and teasing each other the whole time.

Except... it wasn't always like that. Back in the day, Indiana and Kranz were actually students in the same college. And roommates (YES, "and they were roommates!"). And "inseparable" best friends who got along very well despite their differences and genuinely cared for each other. And after graduating, even adventuring partners, at least occasionally. Kranz already loved money and luxury, and Indiana had already started to develop his simpler yet more bizarre tastes, but they were good together.

There's actually a recent mini-series about their college years written by Bruno Sarda himself, Young Indiana. It's pretty much a shipper's delight, as it contains high amounts of fluff, overdramatic (and suspiciously coupley imho) friendship drama with a happy ending, hugs, kisses, straight love drama taking a backseat as the focus stays firmly on the friendship drama, and a certain amount of foreshadowing of (angsty) things to come. But their old friendship was already an established fact before that...

Like in the story Indiana Pipps and the Return of Doctor Kranz, where Indiana ends up telling Mickey the story of how they parted ways and became enemies. Which was apparently inspired by something that happened in the Martin Mystère comics, but I've never read them so I wouldn't know. Long story short, Indiana and Kranz where on an expedition together when they unexpectedly found an absurdly powerful ray gun left behind by Ancient Aliens. As it turned out, by that point Kranz had already been in contact with a shady organization that would have paid good money for something like that, so he proposed they should sell the gun to them and share the profits of the sale. Indiana immediately opposed the idea, of course, being all like, "wtf dude idk about YOU apparently but I have morals and also a sense of professional ethics"... so Kranz knocked him out, took the gun, wrote him a note about how you shouldn't slap good luck away, and fled to the other side of the world, where a man from the organization would await him. But when Indiana woke up, he immediately started trying to track him, eventually ruining the sale right before it could go through and throwing the gun into the sea, where it would never be found again. At that point, Kranz swore he'd have his revenge on him by basically costantly tailing him and ruining his life and career, never leaving him a moment of peace.

Which he's sometimes been pretty succesful at, considering there's been a whole story about Indiana being so stressed due to Kranz appearing out of the blue to ruin his day, it turns into some sort of bizarre mania where he believes everyone and anyone is secretly Kranz in disguise. However, the same story also has Kranz being so stressed due to Indiana constantly foiling his schemes that he goes on a cruise to just forget about him and relax for a while... and ends up jumping off the ship when he mistakenly believes Indiana might be on it, too. So, that's a two-way street, I guess.

So, basically... friends to enemies, genuine affection being ruined by greed and ambition and turning into resentment and spite and straight-up hatred, a degree of mutual obsession and general unhealthiness. But that's not really all there is to their relationship.

There's also stories where they're forced to collaborate to reach the same goal and have to behave more or less civilly, or even where they choose to do so willingly and end up actually still being a good team. There's stories where getting good results while working together makes them behave almost amicably, as much as they're able or willing to. Stories where they acknowledge their past together, if not their old friendship, and even the similarities between them. Stories where they find themselves with someone they both look down down or hate even more than each other, and find some common ground insulting and snarking at them in-between doing the same to each other. Where they grudgingly help each other out.

And then, there's Indiana Pipps e il soccorso obbligato. The story I blame for getting me into this ship in the frist place, when I could be here reading and writing Scroldie or Dimeshipping or Donsy or Mickey/Minnie or literally any other of my Disney comics ships that people other than me actually ship.

In Il soccorso obbligato, Kranz gets kidnapped by some shady guys while he's working on a revolutionary archaeological discovery, except he's not been kidnapped and he's not actually close to finding anything that awesome, and it's all just a convoluted trap to get back at Indiana for laughing at him one time because he's terrible. But Indiana doesn't know that, and so he and Mickey rush to the rescue and fly to a whole other continent to find him...

That story really has everything. From Kranz coming up with a ridiculous and ridiculously cruel plan because he might be used to Indiana insulting him and mocking him but sometimes his former friend laughing at him and acting all superior and better than him still hurts, to Indiana actually falling for it and trying to justify to himself why he does, telling himself that after so many years spent (fighting) together there's a bond between them and he owes it to Kranz... and admitting he’s worried about him. From Indiana still remembering little details about Kranz and their past together and looking almost fond as he talks about them, to Kranz being both petty and obsessed enough to leave a journal full of insults to Indiana for him to find as a clue and setting his password to a mocking phrase about him (and Indiana, who should expect some stuff like that or at least be used to it, still getting riled up and planning on giving Kranz an earful when he finds him). From Kranz assuming Indiana would only come save him if he threw an imaginary fantarchaeological discovery into the mix because then Indiana wouldn't be able to resist his "archaeological curiosity", to Indiana considering said discovery more of a secondary concern and actually regretting and feeling almost guilty for mocking Kranz the last time they saw each other before the supposed kidnapping... and recklessly, unthinkingly running over a thin ice bridge over a gaping chasm just to get to him, throwing all caution to the wind even as he tells himself he doesn't even know why he's doing it. And the way they still KNOW each other despite everything that happened, maybe even because of everything that happened! The angst! The complicated, unspoken, repressed things! Being a softie and a sap, I'm always a sucker for "the hero and the villain actually have a bond and care for each other on some level even if it's not the healthiest or most normal thing"... but considering the history between these two? Though the story in itself is very fun and entertaining, it never fails to break my heart a little.

And in all honesty, I might end up writing fanfictions about them. Fanfictions full of angst and pining and conflicted feelings and "we were never lovers but oh god we could have been --- if you hadn't screwed up everything in the end, at least" college stuff with a mess of obliviousness and repressed feelings, most likely.

#disney comics #mouseverse #mickey mouse comics #indiana pipps x kranz #arizona goof x kranz #indiana pipps #arizona goof #dr kranz #the angsty disaster archaeologist not boyfriends project #can you believe i'm gonna have to modify that tag on all my posts about these two because tumblr hates dashes lol #how goofy's indiana jones parody and his usually-not-that-well-handled nemesis ruined my life: a history #PLEASE talk to me about these two if anything in this post sparked your interest

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popculturebuffet · 3 years

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Mickey and the Roadster Racers: “Mickey’s Perfecto Day” and “Daisy’s Grande Goal” review or “I think i’m going out of my headcold”

Saludos Amigos! I”ve been sick, and as such have had no energy or state of mind to continue my look at every apperance of the CABs in the us, concluding with a look at every episode of legend of the three caballeros.

And today’s stop is one i’m only passingly familiar with: Mickey and the Roadster Racers. MATRR.. wait really that’s what it spells?

No Larry the Cable guy on this blog thank you. Anyways, Roadster Racers is surprisingly complicated for such a simple show. For starters it’s the successor to “Mickey Mouse’s Club House” another CGI Disney Junior show, Disney’s equivalent to Nick Jr because their clever like that. And to continue the theme of ripping off other properties, the show was Disney’s stab at following the big fake interactivity craze started by Dora the Explorer. And it’s annoying as that sounds with a lot of pasues and an annoying recurring hot dog song that’s obnoxiously catchy. It was mostly just slice of life shenanigans with the mickey mouse crew and when retoolling it they decided to drop the now dated fake interactivity, turn up the slice of life and add some of those nitro burning funny cars vroom vroom. IN a sense genral g rated soft boiled mickey shenanigans with a racing theme.

Not a terrible series but not terribly intresting hence why i’ve never covered it. It’s a bland inoffesnsive cartoon for toddlers. Enough effort is put in for me not to hate it, as even a toddler show can have effort, but not enoguh so that I really care. I’ve seen better, i’ve seen worse. The only intresting things are the racing gimmick and the fact that as said gimmick diminished they switched names to “Mickey’s mixed up adventures” in season 3. Hence the complicated part as it’s not counted as it’s own series but unlike other disney title changes they aren’t just slapping another label under the logo like the marvel shows. This is a full on retool. But it still has the same cast and prodcution crew and is counted as part of mickey mouse. Point is it’s weird and not relevant since our boys didn’t show up in that season. Oh and as a final note I learned while writing this/ there’s a THIRD Mickey Mouse Disney Junior Series, Mickey Mouse Funhouse, coming next year.

But with so little to cover I ended up throwing in a freebie. See normally I charge the same for 11 minute and 20+ minute shows. It’s fair as most 11 minute shows these days pack in as much character as the ones that use the full half hour. It’s just a diffrence in tactics is all. But here I felt obligated to do at LEAST two diffrent, but cabs related, 11 minutes here, so if I had nothing to talk about I could pad it out and If I had everyhting to talk about.. eh I still tried to do the right thing. I regret nothing. But yeah i’m sick, this series is eh, let’s gooooo.

Mickey’s Perfecto Day So Mickey and Friends are preparing to drive to spain.

No i’m not making a joke. Wish I was would be one of my best but no, Mickey and Friends are just.. casually going to drive to Spain. To explain why this hurts my head a map, on which i’ve drawn the route they’d have to take to get to spain from, let’s say Calisota, the fictional state where Mouseton, Duckburg, New Quackmore, and thus probably Hot Dog Hills, the show’s setting, reside.

This is a crue map, they oculd’ve gone down through mexico or central america.. but the point is THEY DROVE ACROSS THE OCEAN. And I genuinely do not know if their cars can do that but apparently they can. So either the writer didn’t know where Spain was or didn’t care and either way it’s bad. LIke at least give their cars a plane or boat mode. Go full DKR up in this bitch, give em diffrent racing vehicles. But it wouldn’t be as aggrivvating or bizzare if they MENTIONED how they were driving to spain, like maybe Donald’s car that’s also an old boat and goofy’s that’s a tub have aquamodes and can tow the rest. I get 5 year olds don’t care about this.. but still? I guess? Also MIckey is either the sorcerer supreme or jesus at this point. He can cross oceans by car, astral project, cross into other dimensions.. the only thing missing is raising the dead and he already did that in the 30′s.

So as for why the sorcerer supreme and his buddies are going all the way to Spain, Donald has a concert with the three caballeros and this time they all remember him as a memmber and Daisy’s a huge fan. Which is sweet. Then we hear donald duck talk and...

Yeah, Daniel Ross is not the best Donald. Now I will cut the guy some slack here: He’s a voice actor more known for doing bit parts who just got the role in 2016, since racers aired in 2017 and animation lead time and all that. He’s not going to be nearly as good as Tony or Clarence out of the gate. Even Tony wasn’t. He also had a valid reason for picking up the role as Tony likely had two series in production at that time, Rise of the Three Cablleros and Ducktales, and thus had to split his time between both. And having Chris Diamaptolus do mickey in the new shorts instead of his usual voice actor Bret Iwane despite Iwane not being in any serious danger of dying soon has worked out super. So having multiple actors isn’t the problem. Hell after the tragic loss of Russi taylor and with how bad the world is, having an understudy in mind for such an important role is a grim but understandable necicisty. While I belivie tony can go on for decades, he’s only human.

So my issue is not on Donald’s voice being diffrent or new.. it’s that it’s not very good and the second episode featuerd here shows Daniel Ross really hasn’t improved despite now having worked as the character for a while.I can forgive taking some time to grow in but being this sloppy after a full season is just unacceptable. He’s BETTER but he’s still just not very good and doing the bear minimum. I don’t doubt he’s a good va in other rolls, I don’t want to hate on the guy, but I can hate on aperfomance when it’s bad and it’s not good here. It’s just not. Not in either episode not in any way shape or form. It just feels like a lazy donald duck impression. Disney can do better and Ross can hopefully find better work in the future. But for now this just hangs like a wet fart on his resume.

Moving on, thankfully, we have our three stories split pretty evenly and all stock plots. “Horay”. Mickey and Minnie: Mickey tries to have a “perfecto” day, hence the title with Minnie, but instead gives her a rose a baby bull likes.. or maybe it’s SUPPOSED to be full grown but while Mickey and Minnie treat him like a grown bull and react to him like one.. the boy dosen’t look at all, even in the series style, like an adult bull. he looks like a calf. Mickey.. is initimdated by a small child whose horns aren’t sharp enough to hurt him.

It’s just REALLY distracting and takes me out of the plot which itself is as bland as plain toast and twice as dry. They flee him till the end where Minnie figures out the rose thing at the concert and they make an ew friend. NOt TERRIBLE but not great. Goofy and Cuckoo Loca: Okay first off who and what is a cuckoo loca? Well she’s a wind up bird that lives in Daisy’s Cuckoo Clock and makes sarcastic comments in a brooklyn accent because nikka futtterman voices her. Still makes more sense than driving to spain. She’s not a bad addition to the cast.. not even that weird as most kids based franchises have an adorable animal sidekick to market. Goofy wants to try some “flamingo dancing” while in spain, with Loca going along to make sure he dosen’t die somehow.. which would be unjustifable for anyone but goofy. Also.. Flamingo Dancing...

But yeah Goofy goes up against ... world famous flamingo dancer horace horsecollar?!

Now apparently this is a common thing for him in this series, apparently, but still it feels like if one of those weird variant ninja turtle figures from the 80′s was a plot point in an episode. Like if we actually had an episode based around birthday magician raph.

It feels just as odd and out of place for down to earth if showy horace to suddenly be the best flaminco dancer in spain, despite being very much white coded, as it does for the angriest ninja turtle to be pulling a rabbit out of kids hats. Now Rise of the TMNT raph I could totally see as a party magician but any other? He’d probably break his wand over some kids head.

Goofy ends up winning anyway because he’s stupid, though Flamingo dancing should be a real thing even if this joke is bad and it shoudl feel bad. What an ODD subplot Okay one more then i’m free of this prison.

The Three Cablleros Plus Daisy: Okay finally we get to what I came here for. The Three Caballeros! And..they look a tad off. Not terrible but clearly the animators weren’t as skilled with non duck beaks as both of them look ready to do this to donald.

While Panchito’s color varies. Sometime’s it’s a deep brownish crimson, sometimes it’s poop brown and there’s no classy way to put it. When he’s in this cheap cgi, he looks like a shit chicken. This gets to a larger issue though... the animation here is not great. It’s not TERRIBLE.. but it’s pretty freaking sub par for disney. And i’ve SEEN their other cgi shows around the same time due to having a young niece and nephew. Sherieff Callie, Doc McStuffins, MIles from Tommorowland, and after this T.O.T.S. and Rocketeer. I’m not saying these are masterpieces of the genre, but they have more effort in botht he animation and writing put in. Here it just feels like they do the bear minimum which feels really fucking wrong. These chracters deserve better and have thankfully gotten better. YOu can make a show for preschoolers that’s cutsey and harmless and still have it at least be creative god dammit. It’s why I don’t like covering this show. It just feels so.. lifeless. They try a bit here and there but outside of cuckoo, there’s nothing really new or intresting to really make kids love these characters and it bothers me. it bothers me a lot.

Moving on thank god, the plot is bare bones as is the boys characterization. So far at least their character has been pretty consitent across all mediums. i’ts something I haven’t really touched on but their seen as world traveler’, Panchito being a Gaucho and Jose being such a ladies man this will probably happen to him eventually.

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I swear to god that was the only part of this movie I can remember. I’m better off that way. But yeah without Panchito’s pep or Jose’s smooth talking ways, there’s just nothing for disney junior to work with so their just.. friends to donald who are nice to daisy. Which is very nice to see, but isn’t very intresting or gives me a lot to talk about. Donald eats a food that’s too hot, continues to talk poorly, and Daisy has to fill in. He gets back in at time and they sing probably the most forgetable cabs song yet. It’s.. not much honestly. This was worth covering for completions sake but it dosen’t really add much. If nothing else it at least made me realize so far each mile of the ride has added something fresh to the characters: The original was the foundation, rosa gave them depth and made them feel like real people, and house of mouse made them feel like a big deal to other characters and made donald’s history as a cabllero part of his legacy as it should be. Each one so far has felt like it added.. this one just made me realize that and that is all. It builds on nothing adds nothing and there’s really nothing here other than MAYBE the brown/crimson design for panchito that carries over from the looks of it. The next two versions build on what rosa, the movie and to a lesser extent the house of mouse built. This one adds nothing. This plot is just.. inconqueintal. not bad for kids to know about them but even then it feels like a disapointing introduction. I fondly remember hte cabs episodes of house of mouse and even on rewatch they mostly held up despite some weak parts. This .. this will just be forgotten and I only hope legend and ducktales have done a better job keeping my boys alive in kids minds. God i’m depressed. Well at least this is over right.. right?

Daisy’s Grande Goal

Okay as I said I was doing two, and rather than do this episode’s paired episode I decided on Season 2′s “Supercharged: Daisy’s Grande Goal”.. and cut the supercharged out of the title for the most part because why would you put the sutitle in your actual title. And only in some episodes. But yeah this season had a new gimmick, SUPERCHARGING... which basically means our heroes roadsters can go into super sayian tron super sayian mode and go real fast. They look real nice though and it has it’s own neat theme tune so there’s that. Otherwise the only other change is the animation which improves greatly. Seriously look at that shot above. That’s quality lin line with the ohter disney juinor shows. It’s still not as CREATIVE, but it’s not as slipshod as it started and I have to give them credit on that.

So our heroes are in Brazil.. and as far as I can tell they drove there again.. but the diffrence is 1) you can actually DRIVE to brazil and 2) they have super fast super cars now, meaning even if the super charge mode has a timer, it can help with the commute. It’s also one of the boys actual home countries this time. I mean the episode isn’t built around the cabs.. but neither was the last one. Seriously I almost missed that: it’s three unrleated plots and really you could’ve just lenethed the bull and goofy plots a bit and left donald and daisy out. If your not going to use the cabs right hten don’t use them at all. Here though their used BETTER.. still not in the lead unforunately but at least them being on the brazilian soccer team makes sense as jose is from brazil and while panchito is it he’s his best friend, sometimes lover and always there when he needs him. So spending some time in brazil to play soccer/football isn’t a stretch. But that’s about it for their involvment: they say a few lines, are part of the brazilian team our heroes face, and we get Not-Donald saying “No Way Jose”.,,,

Sadly I can’t leave but the main plot is about Daisy’s Cousnt Almonda. She was in the previous episode which I did not watch but I do like both there being a valid reason why our heroes are here, and connection between episodes. While this season isn’t MUCH better.. it’s still better by some metric. The plot is very basic: Almonda always wins at soccer ever since she and Daisy were kids, and it’s your basic “hero gets overcompetitive to finally win plot and learns to just have fun and to use teamwork heart of the cards and all that” It goes how you’d expect with Daisy hogging the ball and causing disasters and then a ten car pileup before cucoo yells at her, she realizes she was bad and also realizes Almonda had to practice hard to beat her, and ends up beating her through teamwork and you get it. IT’s not much But yeah ten car pile up.. that’s where it is intresting and rediculous as their playing soccer with cars. Which given i’ve always been an advocate for card games on motor cycles, seriously it’s not more rediculous than Yugioh was before that: in the anime and manga before 5ds we had table hockey but the puck is ice with nitrocylcrine in it, a battle with an escaped convict involving vodka and only using one finger, a chinese puzzel box that devoured souls, a dueling monkey, a whole hogwarts style school for dueling, duel spirits, our heroes childhood creations coming to life to help him, our hero merging with his androgynous childhood friend to fight the light of all evils, and on top of all of that, kaiba building a giant murder theme park soley to kill yugi and, even with how rich is he is, not even going to prison for the two months he’d get for that. My point is Yugioh is fricking weird and I love it so and card games on mortocyles is awesome. Soccer with cars is alright. The teams are mickey, minnie, daisy and donald, for the US and Almonda, Jose, Panchito and.. Pancho Pete for the Brazilian team. Pete’s cousin. He apparenlty has a lot of em. Eh as long as we don’t get petkeem the african dream we’re fine.

Why why did I make this. Why. But yeah it’s fine, not the best action ever adn the supercharge segments as I said look nice but as I also said ther’es just not a lot here. Daisy’s cousin is intresting, but likely more in the other segment. Here she’s more of a plot device to make daisy into an asshole for the episode so the plot can happen. There’s just not a lot to talk about> Hence me doing two of these. I will say it’s a better episode than the other one: it felt like more actually happened, it was more cohesive, had way more enerjgy and it had billy beagle... the series resident overexcited and loveable announcer voiced by the far from loveable jay leno of stealing conan’s job he gave him and last man standing, for some reason, fame.

Overall these episodes are.. eh. The first one is kind of a mess, the second one is slightly better but these clearly werne’t meant for adults, let alone older kids and it shows. But I found some material here and made a horrifying combination of a terrible racist wwe gimmick and pete so.. I win/ I guess. I dunno, until next time, goodbye, goodbye, goodbye.

#mickey and the roadster racers #mickey's mixed up adventures #disney #disney junior #mickey mouse #donald duck #goofy goof #daisy duck #minnie mouse #cuco loca #Jose Carioca #panchito romero miguel junipero francisco quintero gonzalez #panchito pistoles #pete pete

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littleeyesofpallas · 4 years

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I don’t usually dwell on American cape comic shenanigans too much, because it’s a fast and loose kind of writing that doesn’t really play well with being scrutinized or really thought about at all, at least any longer than it takes to get through a page, but man... this whole Tynion IV Batman thing is still rubbing me the wrong way... and what bugs me is how it’s definitely not all “bad,” and in fact a lot of the build up is great, but then the resolutions (or lack there of) are massive let downs, but then also he keeps skirting by with these loose ends that feel like they weren’t forgotten but that they might get picked up later. It would almost suggest he has a real big picture planned as a through line across multiple stories...

So, when Tynion took over with issue 86 and Their Dark Designs, he actually provided a great premise: In the aftermath of City of Bane and Alfred Pennyworth’s death, Bruce muses over his apparent old habit of sketching himself little snapshots of an idealized Gotham he holds in his head. We have a clear establishment of the theme of Design, and also the idea that Bruce has an end game in mind. He’s not just reacting to crime as it happens, he has a long term plan. This is a genuinely good angle to have for a Batman story.

To build on this, we learn that Lucius is working on some new tech for Bruce and he specifically marvels at how far Bruce’s war on crime has escalated. The bat-gear hasn’t just been getting more sophisticated over the years, its development is beginning to outpace its practical applications.

Additionally, we get a weird kind of distraction of a B-plot with various master assassins convening in Gotham under a singular organized job, but among them the spotlight falls on Deathstroke. Does Tynion talk about Deathstroke being one of the classic anti-batmen? Does he talk about Deathstroke’s healing factor? No. He talks about Deathstroke’s augmented brain processing faster than Bruce can keep up with (a trait most authors tend to overlook with Slade); this means his only means of competing with Slade is to have a plan that puts him down before his super fast brain can think of a way out, because implicitly he will out think Batman given time, and if they’re both whittled down to adapting to one another in the moment, Slade wins.

Again, our theme is Master plans/Designs/end games.

Enter the heretofore unmentioned legendary, nigh mythical, Gotham villain named The Designer has reemerged after an indistinct time missing from the criminal underworld. His claim to fame is planning 20 steps ahead, outpacing his adversary’s planning to snub any and all resistance utterly and completely.

He’s brought up because he once mentored Penguin, Riddler, Catwoman, and Joker in their early days(and in their 90s era outfits as a clever reference) and apparently the master plans he devised with each of them that were never enacted have been queued up by “someone.” Designer is back, but he’s supposed to be dead; In a painfully uninteresting, cliche “twist” Joker was too KuHrAaZzY to handle and Designer turned on him rather than finish his tutelage, and in the ensuing firefight the 4 Gotham rogues killed the legendary Designer.

So, there are a lot of fun questions this raises, like who the apparent new Designer is, what his plan is, and what he wants...

Bruce has another run in with Slade and launches into an awkward, kinda whiny rant where he tells Slade that if only super villains hadn’t wasted so much of his time escalating the arms race of powers and gadgets and gimmicks, that he could have fixed Gotham years ago. So, here we are again, this idea of plans, of reactionary escalation, and of the absolute need for a master plan that snubs the opposition before they can react and learn. Batman beats Slade, of course, which just goes to show what we’re always meant to assume from Batman anyway, that he already had Slade beat from the get go. He had a plan; Batman always has a plan.

So this is super cool! It took us kind of a plodding 6 out of 9 issues of this story to get here, but this is a good place! We know Batman has a master plan for Gotham, we know from what we’ve heard about plans/Designs as a theme that means he’s already got all his villains accounted for, and that he’s just going through the motions: turning the wheels to make the machine work. It’s only a matter of time, now.

I’ll be honest, my thought at first when I was reading these? I thought The Designer was Batman, or some part of Batman’s plan. That he’d resurrected this mythical villain as part of his own master plan, to perhaps trick all his biggest adversaries to go all in on a singular massive criminal enterprise that Bruce had already designed from the get go to fail, and to take them all down with it once and for all. It fit the profiles, and it felt like the natural direction this all was headed...

But then it was just The Joker. Designer really was dead, Joker brought him back, stole his master plan and pulled it off himself. He stole Batman’s money and gadgets, and took over Gotham (again). That’s it. It was a 9 issue/4 month long fucking prologue to Joker War. And more importantly... NONE of these themes paid off, even a little... And to be fair, if these had turned into something to be addressed and resolved in Joker War, I might have been okay with it... But they weren’t...

Also there’s a (would be)great little moment towards the end here where we learn that The Designer’s original nemesis, a master detective whom he crushed and humiliated, once taught Bruce “how to lose.” And this went nowhere. But it could have been super interesting, because what exactly does that even mean? Does it mean learning to accept loss and move on? Does it mean letting the opponent’s plan succeed because if they put everything into the one plan, then it means they never actually had a follow through, so now the board is wiped clean and everyone’s back to square 1? What exactly was the point of bringing back the Designer’s legacy if we just learned that the real Designer wasn’t even the master mind of this whole story?

So then we meander into Joker War, curiosity still piqued, but expectations drastically lowered...

Joker has all Batman’s gadgets: that’s actually kind of cool. I like the idea of Joker having infinite resources and Batman being the one working underground. It’s kind of been done before in pieces, but never quite as explicit as this. It’s not genius, but its a solid premise. Joker goes on a meta-rant about people watching “the classics” over and over, and audiences being content to see the same old story, provided it’s done right. (A bold called shot, Tynion.)

And we glimpse the mysterious future Batsuit that apparently Bruce doesn’t remember designing. It’s kind of a throwback to the gray and blue look of the silver age Batman, when comics were a little more cheery and goofy and child friendly. It’s a nice commentary on the idea that Bruce wants to make Gotham into a better place, not where he doesn’t need to be Batman, but where he can be a less grim Batman. It speaks to Bruce’s character, his vision for Gotham, and Tynion’s nostalgia that is now being strongly established as a driving force of these stories...

Joker’s plan involves paying Gothamites, in the middle of this citywide takeover by clown gangs, to attend screenings of Zorro, at which point he’ll kill them walking out of the theaters. Batman shows up at one theater, fights some Joker zombie things, get gassed, gets rescued by Harley and given an antidote that induces a hallucination chat with Alfred.

Laughably, in this talk Bruce admits “I failed...” when talking about letting Alfred die and letting Joker take over the city but then hallucination Alfred talks Bruce OUT of it. So whatever it was Bruce learned about losing from the old detective, this apparently wasn’t it; this was the wrong kind of losing.

Joker mentions part of his plan was to make a new generation of heroes and villains with the massive shared trauma of the theater killings. We’d been seeing bits of Clown Killer, but that’s it. He actually seems pretty cool, but he wasn’t really doing much more than cameo in this. No new villains* actually, not until the epilogue gives us the anti-hero GhostMaker.

*correction: there are a few retroactively established villains who are new to publication, but no new villains born out of the actual Joker War scenario.

The whole Batfam shows up to wrestle clowns. For some reason Tynion or DC editorial in general went to GREAT lengths to contrive Dick being back in the old Nightwing outfit, Tim being Robin again, Cass and Steph being Batgirls, Babs being Oracle, and Damian having renounced the Robin title for this... They don’t do jack shit; They wrestle clown goons in the background.

Yet, again one of Joker’s stupid genius plans ends with a fist fight between a highly trained martial artist and a guy in a purple suit and we’re expected to be excited about this. Harley shows up to trick Bruce into leaving Joker to die, but of course he survives anyway...

So there are a few themes here that got heinously underutilized... Joker’s super into this self-aware thing about this being just another Batman-v-Joker affair, and about recreating Batman’s origin, and we see this play out on the other side with the weird walk back on the Batfam’s costumes. But we know Joker will lose, so ostensibly the bottom line here should be that, no, actually... doing the same old thing isn’t enough, and people aren’t as predictable as Joker thinks.

But if we’re acknowledging this idea that Batman-v-Joker is a thing that happens in cycles and it’s always kind of the same thing, and people are sick of it, then you know what one undeniable fact of continuity flies in the face of that? That no matter how many times we reboot the universe and repeat this whole song and dance, Batman keeps accumulating more sidekicks. I’d have loved if this whole thing had just climaxed with Joker “winning” in his over elaborate 1v1 grudge match only to have half a dozen extra bats bust in and kick his ass.

But more over, Batman NEVER had any sort of plan in this... The whole lead up in Their Dark Designs, which took LONGER to set up Joker War than Joker War actually lasted, was about Bruce having this Design for Gotham... And Joker War goes out of its way to remind us of this lingering concept, and doesn’t actually do anything with it, but tries to still dangle it over us, like... “oh no, we didn’t forget it, it’s just for later!” And like, I’m still kind of on board for it, but less and less so the more this shit drags out without any satisfying benchmarks along the way. And it’s just super frustrating to want to give Tynion credit for the genuinely good set up he seems to have here... Except is it still a “good setup” of it ends up not actually setting anything up? or if what it sets up turns out to be disappointing and bad??

It’s just really bizarre to me that I honestly kind of desperately want to like Tynion’s Batman (Clearly I’m having a fucking field day digging my teeth into it) but in spite of the good that’s there, and the clear forethought that appears to have gone into it, he keeps tripping himself up somehow.

#batman

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why-this-kolaveri-machi · 5 years

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what does this have to do with clownfish?

i know this was a mostly sad episode that ended on a rather disquieting note, but i was grinning from ear to ear by the end, you guys. I LOVE THIS SILLY SHOW SO MUCH, and i want to tell you why, so let’s talk about titans 2.04:

SPOILERS ahead

1. i get why we’re getting a flashback episode now--the titans’ ~sordid past~ with deathstroke has gotten a fair bit of build-up, and now that slade has jason, we need the history between him and the og team to contextualise the upcoming confrontation. still, i was really looking forward to having kory reunite with the team, goddamit!

1.5. i like the convivial, almost collegiate vibe that the original titans have about them--the idea of them getting together both desperate to prove that they are more than what their origins and youth might suggest, and to dick around (pun not intended) and just... be, in a way that their individual circumstances wouldn’t allow them. costumes on, in mission-mode, they are trained and hyper-competent, but in their downtime they apparently like adorably warbling off-key at each other and re-enacting 90s/00s cheesy rom-coms. it’s great! i would’ve loved to see these kinds of flashbacks drip-fed to us right from the beginning of the season--putting it all in one episode, from aqualad’s introduction to demise all in forty minutes, not only screws up the pacing, but also robs us of more of garth’s genuinely warm chemistry with the rest of the team.

1.67. besides, the immediate contrast between this and the way dick conducts the titans now would’ve been funny and quite impactful.

2. for all that dick seemed standoffish and genuinely frightened of himself in s1, the slightly less filtered look we get into his mind in this flashback--well before his existential crisis--is somehow even more disquieting?? the way he talks about batman and his relationship with dawn and even his friendship with donna smacks of an alarming emotional disconnect; a space where his sense of self has fallen and been replaced by a role that he has been trained to play. he smiles more in this episode than probably all eleven of s1 combined, but he’s far more reserved, afraid of vulnerability, and completely unwilling to express any emotion that would come in the way of him being who he Needs To Be.

2.45. this episode puts into sharp relief just how far dick has come to make peace with bruce in 2.01. here batman is a glowing symbol against the night sky; a shadowy figure promising justice is vengeance and not the other way around; a hulking figure that he can hate and love without reserve, that orders him to be better no matter how exhausted he is, even while standing between him and incomprehensible evil like a bulwark. at the heart of the titans tower--a skyscraper on the opposite side of the country from gotham--is another batcave, a sign that how no matter how far he goes, dick’s perception of himself and his relationships is still inextricably tied to batman and his ways.

it’s the missing link between the angry, grieving boy we saw in flashbacks last season, and the man rapidly spiralling into crisis at the beginning of season 1. he’s internalised batman’s mission before he can decide for himself what he wants to be, and he’s been like this well into his adult years (unlike the comics). no wonder when the moment he goes Too Far finally comes, when he’s so burrowed into himself that vengeance becomes an end rather than a tool, it’s such a violent upheaval, and one that he hasn’t quite been able to put to rest in over a season.

2.65. honestly the matter of fact way he talks about being dawn’s rebound relationship after her breakup is haunting me?? dick grayson--robin, batman’s partner, the First Sidekick, leader of the titans, friend, brother, lover, a valuable asset with trackers in his arm and neck--is so utterly subsumed that his feelings, his self, automatically comes second to the role he’s playing. i wonder if he had found that he’d had a tracker installed in his body without his knowledge at this point, he’d have accepted the cold logic of it (of course batman needs to keep track of him), instead of the visceral reaction he has five years later, when he immediately picks up a knife and cuts it out of his skin.

2.95. (retrospectively it lends so much more meaning to the opening scene of 1.08??? where dick says he needs to go off on his own to get his bearings right instead of staying on to be the Leader after their traumatic time at the asylum and kory and the others are quietly accepting of it?? where’s that ‘that’s growth’ gif when you need it)

3. donna! it’s interesting that her role as a titan was always meant to be a pitstop before she moved on to Greater Things, and her struggle to reconcile that with her growing attachment to the team came across really well. jillian’s never really pressuring her to leave immediately--six months! two weeks! idk, forever! really, it’s your pick!--but donna tells dick she needs to leave that very night, either because she’s hoping that he’ll protest and ask her to stay, or that she’ll fall for garth and lose her wavering conviction to leave if she stayed any longer, or both.

3.5. donna and garth’s relationship followed so many wonderfully cheesy conventions, with all of their attendant adorableness and Problems. the scions of two different royal families of two different races falling in Forbidden Love! garth clumsily flirting with donna even as she keeps turning him down! (not cool, garth!) bonding over reminiscing about quirky childhood memories! consulting a put-upon mutual best friend! the last minute reconciliation and confession of love at the airport! garth dying right after celebrating his birthday! (that cop was just a day away from retirement!) PERFECT

like. i have NO IDEA why people still insist on calling this show ‘dark’ and ‘edgy’. don’t let the weird lighting and occasional blood spatter distract you from the goofy, well-intentioned heart right at its centre, you guys!

(but man, dick and donna’s quiet heartbreak at the prospect of separation was harder to watch. for a moment, dick really let himself feel the burden, sinking onto his haunches, his head in his hand like he was about to cry. just a moment.)

4. the others’ reaction to garth’s death is very telling. donna is devastated; hank and dawn are upset, but in a distant way that suggests that they didn’t really know him very well or for very long; and dick... well dick is hard at work in his batcave, because that is how he knows to react to disaster.

4.5. i know that i spend quite a bit of my reviews harping on and on about dick, but he is more than just the team leader, or the one with the most well-defined arc so far, or the connective tissue between the old and new teams: the titans is HIS, in ways both subtle and insubtle. batman is funding the whole thing; their resources, their tech? all wayne enterprises. by extension, this shindig is dick’s idea, dick’s operation, something he shaped after himself--serene, beautiful, somewhat impersonal on the surface and batman-the-symbol, batman-the-phantom, right at the centre.

4.65. so when the burden of morality-bending vengeance falls squarely on dick’s shoulders, it seems natural. it also seems entirely natural that when dick does follow through on what the team wants from him, the fallout is also put square on him: he’s the one that’s gone completely off the rails, the one that would sacrifice anything for a mission (like hank implies in the previous episode), the one haunted by his own darkness. this, of course, is patently false, as trigon demonstrated earlier this season.

5. the opening scene of slade wilson doing the Thing He Does Best was so fun to watch. i love that this show is always trying to do interesting things with the camera. (tho i wonder, who hired him to take out donna troy in san fran? was that even his original objective? was it dr light? i am Confusion)

5.5. ... even tho the villain-confrontation scenes seemed hampered by low effects budgets and a lack of... kineticism. i can’t figure out how dr light works even after two episodes of seeing him do his thing. he can apparently implant light bombs in people but never seems to use this awesome ability again, when it can actually help him against the titans?

6. the moment i saw joey wilson’s profile through the window of his home, i knew he was going to be my favourite character on this show. i love him and his enthusiasm and his cute shoes and his love for vintage records SO MUCH! i know it’s been hinted that he died, but i can’t bear the prospect for even a second. HE’S ALIVE AND WELL SOMEWHERE HAVING TEA AND LISTENING TO GREAT MUSIC WITH AMY ROHRBACH, I JUST KNOW IT

6.5. dick (and the others) wouldn’t be so horrified with themselves and think about shuttering the titans for good if they hadn’t felt some kind of attachment to jericho. dick especially i think is going to fall into an actual honest friendship with joey and is going to extremely disgusted with himself when it all ends in tragedy anyway.

6.75. we’re probably not going to find out what actually happened to joey for a while, but here’s hoping the Unforgivable won’t happen.

7. on the brightside tho, KORY’S BACK NEXT EP! can’t wait.

#titans #titans spoilers #dick grayson #donna troy #garth #joey wilson #jericho #meta

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mariolucario493 · 5 years

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A Frozen 2 review no one asked for! (POSSIBLE SPOILERS AHEAD)

Okay, hear me out. I’m probably in the minority when I say this, but...

I think it’s better than the first one.

I liked the original Frozen just fine. I liked how it depicted anxiety and how it subverted a lot of Disney tropes, but I probably wouldn’t put it in my top ten.

(Which, in case you’re interested, is:)

10. Tarzan

9. Aladdin

8. Beauty and the Beast

7. Frozen 2 (this one!)

6. Lilo & Stitch

5. Wreck-it Ralph

4. Moana

3. The Lion King

2. The Hunchback of Notre Dame

1. Zootopia

(And that’s not even including the Pixar ones.)

But it seems that the general consensus of Frozen 2 is the same as a lot of sequels (especially Disney sequels): that it’s not as good as the first one. Or, dare I say it, that it’s just the first one all over again. But here’s my argument against that. I think being similar to the first one actually works in its favor.

What do I mean by that? Well, after the prologue, the movie opens with a song called “Some Things Never Change,” in which all the characters sing about how happy they are in their current life. Although Olaf worries that change might be inevitable (I love how woke he’s become, btw), no one is really seeking anything new. Now that sounds like the setup for a lot of recent Disney movies, I know. But it's an idea that’s really explored throughout the entirety of the movie.

Every character reacts to change differently. Elsa is nervous, but tries to embrace it anyway; Olaf dismisses it as something he will understand when he’s older; Kristoff feels like he and his friends are drifting apart; and Anna struggles to accept it overall. And we see how each of them goes through it. Even the inclusion of darker themes allows the audience to react similarly to the characters onscreen. Kids probably won’t always understand what’s going on; but they’ll have a good time anyway. And just like Olaf, they’ll understand it when they’re older. That does seem to be one of the major criticisms I’ve seen for Frozen 2, that it’s too dark and too complicated for kids. But Disney’s never been afraid to tackle heavy subjects before, because they know that challenging the audience helps them grow. And hey, at least it’s not Crimes of Grindelwald, right?

I think the reason they made Frozen 2 similar to Frozen 1 was the same reason they used similar themes in Frozen 1 that we were already familiar with - princesses, magical kingdoms, curses, goofy sidekicks. And that’s to deconstruct and subvert them. In fact, I might even go so far as to say that this was an attempt to remind Disney to always try new things, which they have had trouble with recently. Just look at all those live-action remakes that no one asked for. The exact same thing all over again disguised as something new, but without all the stuff that made the originals so good in the first place.

Frozen 2 also continues the tradition of having interesting female protagonists. Well, interesting ANIMATED female protagonists, anyway. It’s not like the Aladdin remake, where Jasmine has a whole new song about girl power, but then she becomes the damsel in distress anyway and does nothing to fight back. It’s not like Captain Marvel, who makes a big deal about being a female superhero even though the Avengers already have several much more interesting female members. It’s not like the new Star Wars movies, in which they’re so focused with making Rey a strong female role model that they forget to give her a personality. And it’s not going to be like the Mulan remake, which I’m just going to assume is going to be another soapbox feminist’s wet dream. Oh, wait, I forgot this is Tumblr, and they love that shit.

But really. Starting with Tiana, Disney’s animated leading ladies have become such well-written characters. From Rapunzel to Vanellope to Judy Hopps to Moana to Elastigirl, they are fully fleshed-out characters first and agenda pushers second. Anna and Elsa are no exception. Elsa battles magical spirits and tames a water horse, and Anna has a crisis of ethics that feels really genuine. All without saying something dumb like “Look how capable I, a female, am in this situation, in comparison to my less competent male companions.”

Oh, by the way, for those of you who wanted Elsa to be revealed as a lesbian, I think we have a few more hints that she may be. She does not end up with a love interest, but I noticed she does seem to get along really well with Honeymaren. So maybe? Definitely better than the live-action Beauty and the Beast, am I right?

Oh, and the songs are great. We get not one, but TWO big numbers from Idina Menzel. Olaf and Kristoff both get new songs that are pointless, but still really funny. Anna has a new song that is one of the emotional highlights. The lyrics are just as clever, and they help further each character’s story arc. Even the lame pop versions of the songs over the end credits, which I usually DESPISE; hearing Imagine Dragons’ cover of “Into the Unknown” was actually pretty decent.

So, those darker themes. The reveal that one of Anna and Elsa’s ancestors was a genocidal tyrant who built the dam as a way to restrict the Northuldra tribe’s resources, and then declared war on them. Pretty ballsy, I have to say. And pretty creative that the villain of this movie is a character who is already dead before the movie even begins. Kind of like Coco, but they don’t even interact with him as a spirit or anything. What I like about this is that it kind of explains why the father in the first movie didn’t always do the right thing when it came to raising his kids. Locking up one of your daughters because she has supernatural abilities seems like a terrible move. But when you consider that Agnarr’s father was also distant from his son and had the goal of suppressing magic, you realize that it may have been a subconscious choice on his behalf. And hey, it’s also revealed that the reason Agnarr left on the ship that would eventually be his grave was to find answers about Elsa. So he probably felt remorse about it.

And now it’s time to compare this movie to today’s political climate. And before you start typing about how I’m wrong like Tumblr users are prone to do, maybe take a hint from the first movie and let it go. This is just my personal analysis.

The Northuldra tribe is clearly inspired by the Sami, the indigenous people of Norway, who have been persecuted for generations. But I don’t know much about Norwegian history, so let’s just compare it to America. Now let’s see...does America have a history of persecuting its indigenous population and disguising acts of war as offerings of peace? Hey, didn’t this movie come out just a week before Thanksgiving?

That’s right, I’m going there. Come to think of it, this whole movie radiates Thanksgiving vibes. It’s set in autumn, and it opens with everyone having a big feast with pumpkins and stuff.

King Runeard is a historical figure within Arendelle, and he is considered a hero. The dam that Runeard built is a monument that is ultimately destroyed by Anna in the film’s climax. And Anna initially refuses to do so because she believes the dam represents all that her kingdom stands for. I might be crazy, but this reminds me of how people are starting to take down statues of Confederate soldiers or how many cities have stopped recognizing Columbus Day as a national holiday, despite others saying that they are important parts of our heritage. One of the lines in “Some Things Never Change” is “Arendelle’s flag will always fly.” Sounds kind of like those conservative nuts who think the American flag is an infallible symbol and anyone who disrespects it (say, by taking a knee during the national anthem) is not a true patriot. Might be grasping at straws with that one.

And what Anna decides to do ultimately makes Arendelle a better place, even though she worries that it will be an unpopular decision. So we have a person in a position of political power who puts aside her own hubris for the good of her people. She asks for nothing in return, and knows that the right choice is not the easy one. She destroys a physical bridge, but builds a metaphorical one. Anna really is the type of leader we need. And if you think that it’s ethnocentric that a white person saves the day for a minority, remember that Anna and Elsa are actually half Northuldran on their mother’s side.

Yes, I believe Frozen 2 is up there with Zootopia as one of the great Disney flexes on right-wing extremists. But it’s subtle enough that we can enjoy the characters, the music, and the story first; and the message second. It reminds us to step outside our comfort zones and to always think about what it means to do the right thing.

If you didn’t like the first Frozen, you probably won’t enjoy this one either. I can understand what people mean when they say the movie throws a lot at you and doesn’t always feel focused on a coherent story. But regardless, I think it is an important movie.

#frozen 2 #disney #review #anna #elsa #olaf #kristoff #sven

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quarterfromcanon · 4 years

Note

27-29 for the get to know my favorites game

Hello, lovely! Thank you for these. :) Trios turned out to be a surprising challenge (I apparently have more favorite groups of four than three), but I’m pretty happy with the ones I remembered after giving it some thought. The final picks are under the cut! <3

Top 5 BROTPs

1. Paula Proctor & Rebecca Bunch (Crazy Ex-Girlfriend) - Naturally, this was the immediate choice that sprang to mind. It’s the first relationship on the show I really fell in love with, and it’s the one friendship in the series that consistently tugs on my heartstrings. It’s flawed, complicated, and messy but the genuine connection underneath it all is strong enough that I’m hopeful they can work through their problems. I would’ve preferred to see more emphasis on that effort in the fourth season (and a lot more work on Rebecca’s friendships with Heather and Valencia as well), but I want to believe things improved between them after the finale.

2. Steve Harrington & Robin Buckley (Stranger Things) - The general public opinion of Steve Harrington has been on such a journey since Season 1, bringing him now to a status of common fan favorite. As such, I think a delicate balance needed to be struck in finding a suitable match to team up with him on adventures. This person needed to:

A) Have good chemistry in their interactions with Steve

B) Bring a new dynamic to the table that he didn’t already have with an existing connection

and most importantly

C) Be a unique and engaging character that the audience would care about individually, so they didn’t get lost in simply being an offshoot of Steve’s story. They couldn’t be relegated to perpetual sidekick with little else to define them.

As far as I’m concerned, Robin Buckley fits the bill on every account. She’s artistic, resilient, loyal, and - especially endearing to me - a movie buff. She has a quick wit, a sharp mind, and a big heart. Being friends with Robin helps Steve take the specter of his high school self less seriously so he can put it behind him, and she helps him more fully embrace the person he’s becoming in the wake of that lost status. Having Steve for a friend helps Robin resolve some lingering emotional scars from school as well. It gives her an opportunity to share her authentic self with a peer and - to her relief and ours - find acceptance after revealing a pretty important secret. I can’t wait to watch the two of them be adorably nerdy and goofy bros at Family Video in Season 4, presumably with some daring fights against dark forces when they’re off the clock. Does saying I hope Kali comes to Hawkins somehow and bonds with one or both of them mean I can speak that into existence? I’m doing that now. It’s worth a try. If it happens in some capacity when the time comes, know that I will throw a One Blogger Party of epic proportions.

3. Wynonna Earp & Nicole Haught (Wynonna Earp) - I had to use this specific screencap because it perfectly encapsulates the chaotic energy that makes me loves these two together so much. Their separate approaches to their shared work environment are at pretty much polar opposite ends of the spectrum, but they make a pretty solid team when they play to each other’s strengths and communicate. They also both love Waverly most of all, so it feels like they were bound to work out their differences eventually since neither would want to make her feel torn between her sister and her girlfriend. The hijinks they get up to in each other’s company are just top shelf. I look forward to at least a little bit of fun like that from every season. If I wind up having a lasting partner later on down the road, it’d be cool if their personality balanced well with my sister’s on this level. I’d also be really happy if I ultimately gelled with her person in a way that sounded unlikely at first but worked. Fingers crossed for both outcomes, but I guess we’ll have to wait and see.

4. Emily Thorne [Amanda Clarke] & Nolan Ross (Revenge) - I have two things to quickly clarify for those who are unfamiliar with this show.

#1 She has two listed names because she was born Amanda Clarke but goes by Emily Thorne for most of the series to hide her true identity.

#2 Despite the impression this picture may give, Nolan is not marrying Emily; he is simply walking her down the aisle.

These two are there for each other through so much - the looming threat of discovery, jail time, capture, near death experiences, heartbreak, the passing of loved ones, etc. - and they make it to the other side with a deep bond the likes of which they’ll never experience with another person. It is at times heavily one-sided because of how much drama Emily deliberately dives into, but it’s something that she tries to make up for during her more self-aware and less self-involved times. There’s genuine love and mutual respect there by the finale and it’s really gratifying to witness the journey they’ve taken together.

[~Slightly spoiler-y closing statement after these brackets~] I was pretty sure I knew where the show was going with romantic ships by the end. I knew for certain it wasn’t my personal OTP for her because they’d already killed that person off quite some time ago. There was a part of me that could’ve found some contentment in leaving the story with these two as a couple. After all, one of my favorite ship dynamics is Reluctant Acquaintances to Best Friends to Lovers, but it was not to be. That being said, the platonic friendship they shared was a big part of the heart of the show and I cherish it for that. Nolan was a rare exception for Emily, a genuine bond formed in the years when she was tried to operate like her heart was made of stone. I also think working with Emily gave Nolan a sense of purpose and let him flourish in his area of expertise. I’m not sure how either of them would feel about the musical reference but, to slightly paraphrase from Wicked: because they knew each other, they have been changed for good.

5. Penelope Stamp & Bang Bang (The Brothers Bloom) - I have seen Rachel Weisz and Rinko Kikuchi in more roles since this movie than I had prior to watching it for the first time so, if anything, my fangirling over this friendship has gotten worse rather than more manageable. x) This post classified the film under the subgenre whimsical noir. It turns out that’s a style I instantly adore every time I stumble upon it. One of the titular brothers, Stephen, lives so deeply immersed in the variations of the world he writes for their heists that even those closest to him are essentially characters he can interact with on a daily basis. His feelings for them as people can get very muddled with his feelings for them as interesting OCs to move through narratives. A big trouble with this is that his living archetypes can often get reduced to clichés. He’s not always mindful of their nuances or allowing for the full range of their autonomy. Penelope is selected by Stephen to serve as the “manic pixie dream girl” who will be his brother Bloom’s forever love and Bang Bang is essentially presented as a “dragon lady” stereotype. I haven’t done a rewatch in years so I may be giving the movie too much credit here, but I remember this choice feeling at least semi-deliberate. It could be interpreted as a way to illustrate how Stephen warps real life to fit his vision. At least, I can definitely remember scenes that felt like they debunked the one-note assessments of these two. What I genuinely love, though, are the little moments when Penelope and Bang Bang are able to just spend time together with little to no interference from Stephen or Bloom. They share their hobbies and teach each other new skills. It feels like they truly perceive one another as whole human beings on a level that neither guy is capable of doing since they’re both so immersed in the drama of the plot. When the women are with each other, they get to be more than an extension of the men who maneuver them; they get to be themselves. Penelope is the only one Bang Bang clearly wants to maintain contact with once the heist is finished. I think that says a lot. Honestly, this is another BROTP that could slide to OTP. If someone wrote fic of them completely severing ties with the brothers and going off on their own - romantically or platonically - I wouldn’t be upset at all.

Top 5 Trios

1. Luke, Leia, & Han (Star Wars Episodes IV - VI) - Oh dear, I’m overwhelmed just looking at a picture of them together. Star Wars has been a part of my life since childhood. Getting to watch the original trilogy felt like a rite of passage (when I was really little, Mom used to find things for us to do outside the room while Dad watched because she was afraid some of it might scare me). Princess Leia resounded with me on a level that almost no other fictional royalty has ever quite matched. Han’s wardrobe is still some serious #aestheticgoals and I would 100% wear replicas of his jackets and vests if I had them. I also remember thinking that Luke’s new look in Return of the Jedi was SO COOL with the all-black wardrobe and green lightsaber. Wow, imagine that, an edgy costume change that shared vibes with the common Disney villain color palette called to me as a baby fan of antagonists and antiheroes! Who ever could have foreseen that sudden spike in appreciation? :P Anyway, one of my lingering sorrows about the more recent trilogy is that we never got to see all three of them as aged adults in each other’s company. I still wanted our new cast to get their time to shine, of course, but I do lament the absence of at least one little trio reunion.

2. Luna, Neville, & Ginny (Harry Potter series) - The Silver Trio, pictured here with the first set of three that comes to mind when thinking about the books and movies. I do still love Harry, Ron, and Hermione, but I’ve found a growing appreciation for this other team-up over the years. They’ve been through a lot too, even if they are not always present where the main action is. Bullying, loss of parents, manipulation of the mind and body, abuse at the hands of authority figures - they’re all left with internal (and probably external) scars to bear. There’s also something to be said for how strong they all were in the school year set during Deathly Hallows, when the Golden Trio wasn’t around to inspire and unite those who wanted to stand up to ever-increasing tyranny. It can be easy, unfortunately, for them to get written off based on the oversimplified stereotypes that have gotten associated with them. People remember Luna as being weird and spacey, Neville as awkward and hapless, and Ginny as bland and lovestruck. They’re all far more nuanced than that, and they accomplish great things while fighting for and beside their friends. I’m planning on doing a re-read of the books at some point, and I really look forward to revisiting these brave kids.

3. Irma, Marion, & Miranda (Picnic at Hanging Rock) - Ah, yes, my very recently discovered darlings. I have many thoughts about them all. I’ll try to keep this as condensed as I can while still making sense. Some spoilers will follow, although those won’t answer every question the story poses. There are audience members who ship the above characters as a throuple, which I totally get, but for me it’s like soulmates of a different kind. These three have met at a point in their lives when they all burn with compatible intensity. They long for the same dream version of youth, for a way to begin life free from the confines of a world that won’t accept all their hearts contain. While the people that surround them may not be willing to bend the rules, nature itself appears to show them mercy. How often do we see a story of girls who just... love other women so much that a sacred location goes, “Y’know what? I’m gonna help you escape your restrictive society. Permanently.” This miniseries definitely depicts the setting as being involved in messing with the investigation, as a mystical place that befuddles unwanted intruders. I love the way these three fortify each other in times of pain and fear, and there’s something deeply moving about how standing side-by-side helps them defy the odds.

4. Sarah, Alison, & Cosima (Orphan Black) - Okay so, technically, when I picture our core team in this show, the net is a little wider. My mind tends to also include Felix, Mrs. S., Kira, Helena, Donnie, Delphine, and Scott. However, I think you could kinda argue that those characters have a stronger connection to one of the above three than they do to the other two. Thus, this ends up being the central triangle. They’re all such solid performances and the fact they’re all played by the same person is incredibly impressive (not to mention the, like, twelve other clones Tatiana brings to life throughout the series). Watching them go from tense strangers to sestras was wonderful. I’m glad they had each other through the increasingly complicated web of lies and schemes they had to unravel and survive.

5. Galavant, Sid, & Isabella (Galavant) - Remember how James Marsden was in Enchanted? If you dialed down the deliberately cartoonish quality of that performance and allowed for more not-so-G-rated humor, I feel like you’d have a general sense of what Galavant is like as a character. Sid is his squire and Isabella is a princess whose mission happens to combine with Galavant’s, albeit fueled by different driving motivations. They find themselves involved in a lot of shenanigans because of Galavant - even in his own universe, he’s into the whole dashing knight thing more than is strictly necessary - but they make a fun little team to follow through the world of this musical television series. I’ve gotten fuzzy on the details since I watched it air live four years ago, but I remember the series being enough of a summer feel-good time that I’d be game to revisit the show again someday.

Top 5 Family Relationships

1. Stevie Budd & The Roses (Schitt’s Creek) - The whole fish-out-of-water setup for this series was already pretty fun in and of itself, especially given how outlandish their lifestyles evidently were before the show begins. The thing that makes it special, though, is how the absence of all their expensive distractions finally helps them prioritize being a family. The Roses do a lot of work to reconcile who they were with who they find themselves becoming in the present. It’s sweet to see them collectively conclude that growing closer to each other is one of the few things they do not regret in the slightest. They also silently agree to adopt Stevie along the way and, boy, does that give me a lot of Big Feelings, particularly in the later seasons.

2. River Song & The Ponds (Doctor Who) - I think it’s been like seven years or so, give or take, since I watched Doctor Who with any regularity. These three have resurfaced in my mind many times since then. They all love with such fierce and unwavering devotion, spanning lifetimes. It’s fascinating - and often heartbreaking - to learn about the things they’ve experienced and endured. Oh gosh, and once the show reveals how River’s story overlaps with theirs, and you pay attention to how she looks at them, IT HURTS but it’s so engaging to watch. The emotions are all flooding back just remembering them now. Argh, what great characters... </3

3. The Tico Sisters (Star Wars Episode VIII: The Last Jedi) - Rose appears in two installments of the third trilogy, but this is the episode that has both Tico daughters. We never get to see them interact onscreen in the film, but I still feel the bond between these sisters so intensely. I found out later that Kelly was present for the filming of Paige’s death scene (which happens so early in the movie that it doesn’t feel like a big spoiler - please forgive me if it is). I’m glad that was something they decided to do behind-the-scenes, because it definitely informs Rose’s grief. She’s sitting in the dark, picturing her big sister’s final moments with such horribly vivid detail that it feels like she was there, and yet she can’t do anything to change how it ends. The shape of the sisters’ necklaces immediately establishes that they were a unit even when acting independently, that they felt like two halves of a whole - all they had left of their family. Now there is only one, and that fact is a weight around Rose’s neck both figuratively and literally. It serves as a visual reminder of how she carries Paige’s absence always, trying to discover and embrace who she is on her own while still honoring the memory of a relative she loved so deeply. I think she reaches the end of Episode VIII feeling like she’s someone of whom her sister would be quite proud. I’m very proud of her, too.

4. The Tyler Siblings (Wonderfalls) - Jaye is comically different than the rest of her family, and the show establishes that right out the gate when we learn that she’s the only one whose name doesn’t rhyme with the rest (left to right, the others are Karen, Sharon, Darrin, and Aaron, respectively). Her relationships with her parents could certainly lead me off on some analytical tangents but, predictably, it’s the sibling stuff that interests me more. I think it could be said that all three do more living inside their heads than they do out in the world, and that they’ve all grown up to be borderline loners (Ironically Jaye, who is considered the most troubled, is the only one I remember being shown to have formed and maintained a friendship). Aaron’s a very philosophical and analytical person, so you get the sense he talks to himself more than to others, although he still manages to resurface from those deep contemplations so he can goad and tease his sisters from time to time. Sharon is high-strung, competitive, and brings that “disaster lesbian” energy to basically every social interaction she has. Jaye’s standoffishness seems to stem from both the difficulty of fitting in with people and the fear that connections will fall apart once they manage to form at all. They’re all just messes trying to make the best out of the situations they face, and I appreciate that. I also enjoy how prominently the Jaye and Sharon sister bond features throughout the show’s only season. It starts out on pretty rocky ground, but they grow a lot in regard to how willing they are to communicate and express their love for one another.

5. The Brothers Proctor (Crazy Ex-Girlfriend) - The family dynamics in their house are in need of some serious work, without a doubt. I’m just really touched by how close these two have become without Paula’s notice. It’s possible they always were, in that we-fight-but-we-care way that siblings can often be, but the supportive side of that really moves to the forefront as they get older in the series and it warms my heart. There’s such a glaring difference between The Household As Paula Views It and Things That Are Happening While She’s Not Paying Attention. I can’t help using fic as a way to explore that. I happily find excuses for her sons to make pop-in appearances, just to check up on them. I'm so pleased that, as of Season 4, they seem to have become fairly well-adjusted in spite of everything. Oh, and I am still not over the revelation that they attend renaissance festivals together, in character, for fun. What precious cuties who would no doubt dislike me referring to them as such! Paula, please give them an extra hug from me!

#About Me #Answered Asks

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duhragonball · 5 years

Text

Dragon Ball Z 229

Last time, Vegeta blew a hole in the Budokai stadium!

What do you have to say for yourself, Vegeta? “I’m a baaaaaad wittle boy.��

The crowd flees the arena, and even 18 is disturbed by Vegeta’s actions. She says she’s never sensed a ki like this before, wait, since when could 18 sense ki signatures? She couldn’t do that before.

Babidi, on the other hand, is thrilled, because 200 people were killed. Wait, why should that matter to him? That doesn’t help him reach his goal, unless he just enjoys innocent people dying on sheer principle. Babidi’s a terrific villain. He’s kind of underappreciated, really. The ranking should be 1) Cell, 2) Vegeta, 3) Buu, 4) Babidi, 5) Frieza.

The crowd pleads for Mr. Satan to save them from this tiny golden monster in their midst, so he steels himself and tries to get tough, but then he backs down and asks them nicely to settle down.

Vegeta ignores Mr. Satan completely, and tells Goku to fight him, unless he wants more people to get killed. At this, Goku suddenly realizes that Vegeta might have let himself get mind-controlled, just so he could make an ultimatum like this.

Vegeta’s only response is to shoot another part of the stadium. This isn’t a bluff, and it’s not a negotiation. If Goku won’t fight, then Vegeta will keep killing people until he does.

And you can tell that this pisses Goku off. Yeah, he wanted to fight Vegeta too, but not like this.

Gohan tries to intercede, but Vegeta just shrugs him off. He’s not listening to anyone except “fighting with Goku.”

So Goku turns Super Saiyan, and it looks like they’re going to throw down right here and now.

Vegeta basically admits to doing all of this on purpose. If Goku’s so intent on saving the world from Babidi during his one day back on Earth, then the only way Vegeta can get his undivided attention is to join Babidi’s team. Right now, the only way to stop Babidi is to go through Vegeta. Literally.

Here’s what makes this so awesome. I feel kind of goofy even explaining this, because it feels self-evident to me, but maybe there’s someone reading this who hasn’t watched DBZ before. In which case, dude. This is the stupidest possible way to experience DBZ for the first time. Just watch the show and come back later. This liveblog will still be here. Unless Wordpress shuts this site down.

Where was I? Oh, right. So what makes this work is that the Supreme Kai is absolutely right to call Vegeta’s stunt foolish.... but. But! Anyone who’s watched the entire series up to this point gets it. As horrible as it may sound, on some level, we wanted Vegeta to do something stupid like this, to piss Goku off, to really get him riled up, so that they would finally have their big rematch.

I remember when Goku first turned Super Saiyan. For a while there, they had all this Super Saiyan Goku merch, and Vegeta looked so ordinary in his regular non-Super Saiyan form. I thought it made sense for Goku to have this epic ascension, but it seemed like a waste that Vegeta would never be able to match it. How could their rivalry continue like this? They could never fight each other again, because Goku was so far ahead of him that it would have been pointless.

Then Vegeta turned Super Saiyan, and it looked like they could finally settle things, just as soon as they got all those damn dirty androids out of the picture. Only by the time that finally happened, Goku was out of the picture too. Now the rivalry was truly impossible, because they would never see each other again.

Then Goku comes back, for one day only, and it looks like we finally have this narrow window for Goku and Vegeta to fight. They even got paired off in the tournament bracket. First round, so there was no chance of Goku getting disqualified against Mr. Satan in some unlikely hijinks. The fight can finally happen. Goku vs. Vegeta, they’re both Super Saiyans or Super Saiyan 2′s or whatever, even steven, let’s see who comes out on top.

But now, here comes Babidi and the Supreme Kai, with all this Majin Buu bullshit, and Vegeta has to wait inside a spaceship for like an hour. And both sides of this conflict are idiots. The Supreme Kai has no idea who he’s dealing with. He didn’t know what Super Saiyans could do, he didn’t know Dabura and Yakon were on Babidi’s team, and his sidekick Kibito was the first one to die. The whole thing was dumb and quite frankly not nearly as awesome as Goku and Vegeta punching each other.

And let’s face it, after all these years, Vegeta’s still mad that Goku overpowered him way back in Episode 30 or whatever it was. Since then, Goku’s saved his life, first from Krillin, then from Recoome. Why, it’s gotten him so riled up just thinking about it that his face is all twisty. What the hell...?

Is it stupid? Yeah, it is. Like I said, the Supreme Kai is right. This is absolutely ridiculous. Vegeta’s risking the fate of the universe so he can settle a petty grudge. No one thinks this is worth it. No one gives a shit whether this sawed-off asshole gets his do-over. Well, I mean, the audience probably does. I know I always did. What I’m saying is that no one in-universe ever cared about this guy getting to avenge his pride.

But Vegeta cares, and the fact that he’s the only one who cares is probably why he’s so desperate and upset about making this happen.

I think this is what makes the character so appealing to people. In spite of all the shitty things he does, people can relate to Vegeta’s passion and to the sheer loneliness of that passion. We all have things we alone care about that other people dismiss as meaningless or unimportant. What’s the big deal? It’s just a TV show. It’s just a drawing. It’s just a story you wrote. It’s not that important. Meaningless, really. Let’s go back to what’s really important, which is making Gohan feel better about whizzing that fight with Dabura, or congratulating Mr. Satan for his championship victory. What a kooky character he is!

I think we’ve all been there before. I’m not saying we’ve killed 200 people to make the point, but we’ve been in situations where everyone laughed it off and dismissed how we felt because “what’s the big deal anyway?” And that’s one reason Vegeta leaves a lasting impression with people, because he’s powerful enough that he can make people understand why it’s a big deal to him.

Against all of this, all Goku can say in response is to call out to Babidi. He demands to be teleported someplace where there’s no bystanders. Some place, like... I don’t know... Goku Town.

We did do it, Babidi. This is awesome. Good job, everyone.

Then the Supreme Kai gets in between these two, and he’s all “No! This fight is too metal. I can’t allow it! If you’re going to fight Vegeta, you’ll have to fight me first!”

And Goku’s like “Sir, that was a very metal thing you just did, but please, get out of the way before I kill you.”

The Kai is stunned. Goku’s not bluffing here. He will kill the Supreme Kai right here and now, if that’s what it takes.

But the most awesome part is Vegeta’s reaction. He looks just as surprised to see how determined Goku is to settle this. He’s been so focused on getting this battle that he forgot who he was dealing with.

Defeated, the Supreme Kai stands down. He did a brave thing, stepping into Goku Town, but he knows he can’t pay the rent.

Man, this episode rules. The Surpeme Kai is just so... despondent. He’s completely lost control of the situation.

And Babidi’s convinced that he’s won. Once Vegeta and Goku start fighting, it’ll only be a matter of time before Vegeta inflicts enough damage to transfer the energy needed to revive Majin Buu. And nothing can stop that fight from happening. Everything’s coming up Milhouse Babidi.

So he grants Goku’s request and teleports them away. Mr. Satan is relieved, because this means he can claim they ran away before he could unleash his righteous fury.

So, I think this is the Giskard Wasteland, but I’m not up on my Dragon World Geography. This may even be the same setting as the original Goku/Vegeta fight, but I don’t feel like looking it up.

From here, the Supreme Kai bows to the inevitable, and accepts that Goku and Vegeta will fight. All he can do now is force open the hatch to Stage 4, so he and Gohan can proceed down Babidi’s ship and stop him before Majin Buu can be revived. Of course, that means he’ll have to risk jolting Babidi’s ship, which could accidentally break Buu’s seal prematurely, but at this point he has to risk it.

Note that this is precisely what Vegeta wanted to do at the start of the last episode. If the Kai had gone along with it then, he would be in the exact same predicament he’s in now, except he’d have three Super Saiyans backing him up instead of just one, and he wouldn’t have the ticking clock to worry about.

But Babidi has no intention of allowing the Supreme Kai to leave Stage 3 so soon, and he orders Vegeta to kill him and Gohan before they can carry out this plan.

But Vegeta refuses, insisting that he doesn’t care what Shin and Gohan do, so long as it doesn’t get in the way of his objective, which is to kick Goku’s ass.

Babidi has some sort of leverage here, as it seems to cause Vegeta physical pain to resist him like this, but he remains steadfast. Babidi might control him body and soul, but Vegeta still has his pride, which must be satisfied before he’d ever consider anything else.

Babidi is astonished, as this has never happened before. It begs the question of whether Babidi could ever truly control Vegeta. Maybe if he defeated Goku in battle, Vegeta might become more pliable. Or, perhaps beating Goku is the only thing keeping Vegeta and Babidi on the same side.

But Dabura convinces Babidi that they’re better off letting Geets and the Supreme Kai have their way. If Vegeta’s so determined to fight Goku, let him, because that’s good for Buu. And they might as well let the Kai and Gohan out of Stage 3, so they won’t accidentally break Buu’s seal early. It’s not like they can win on their own, since they’ll have to go through Dabura.

So Babidi opens the hatch, but before Gohan goes through, Goku gives him a senzu bean, because he remembered he still had some from when he got them for Gohan’s girlfriend. I like how Goku just casually says that, when the situation is too tense for Gohan to object. “Hey, son, before we start our epic laser battles, I just remembered that thing I got for that girl you’re in love with!”

Then he gives him one last piece of advice: Get angry, like he did when he fought Cell. Goku seems convinced that if Gohan is furious enough, it’ll make up for his ring rust.

Gohan takes minute to lament that Goku’s one day back in the living world ended up this way. It is kind of sad. Gohan just wanted to hang out with his dad, and all of this crap happens. It’d be kind of funny if Babidi controlled Gohan’s mind, and he blew up the stadium demanding a hug.

So they leave, and now it’s just Goku and Vegeta. Goku’s like “Fuck this, I can’t take any damage in this fight, so I’m gonna go balls to the wall, right now.” Well, that’s not his exact wording, but you get the idea.

So Goku turns Super Saiyan 2! Good job, Orange Brick DVDs. It’s worth cropping Goku’s head so we can see all that stuff on the sides.

Of course, no one calls it Super Saiyan 2, because he term hasn’t been coined yet. Vegeta just notes that Goku is stronger than Gohan was when he fought Cell, so you get the idea.

So then Vegeta powers up and now he’s a Super Saiyan 2, too!

When I first watched this arc, I honestly didn’t get that “Ascended Super Saiyan” was meant to be a distinct form, because it looks virtually indistinguishable from the original Super Saiyan. I learned to tell the difference eventually, mostly thanks to the video games, which allow you to compare the models before and after, but in this leg of the anime, it’s just about impossible. I think the animators had trouble keeping this straight.

The main feature I picked up on is that Goku’s SSJ2 form has beadier eyes, at least initially, and more of his bangs stick up. With Vegeta, I don’t even get that much to work with. His hair looks a little more “knife-y”, but that’s about it.

Anyway, Goku realizes that this will take a lot longer than he planned.

And this is it. Goku-Vegeta II. The fight we’ve all been waiting for, but at what cost?

#dragon ball #2019dbliveblog #babidi saga #goku #vegeta #gohan #supreme kai #babidi #dabura #mr satan #world tournament announcer #android 18

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