#anti rewatch podcast

[jbuffyangel]

Hot and Cold: Arrow 1x22 Review (Darkness of the Edge of Town)

There is no episode that exemplifies the disjointed nature of Season 1 more than “Darkness on the Edge of Town.”  We have Exhibit A: an OTA field op and the smoaking hot chemistry of Stephen Amell and Emily Bett Rickards igniting in an elevator shaft of all places.

And Exhibit B: the other show. A frigid black hole I feared we’d never escape from.

Let’s dig in…

Olicity and OTA

Let’s start with the positive since there is soooooo much freaking positive! It can take time for a television series to find its footing in the first season.  Unfortunately, nowadays if the audience isn’t binging the entire season in 24 hours, the show gets canceled. But blessedly, this was 2013. Network TV was still the supreme ruler, and Arrow was pulling big enough numbers for the CW to allow for some leeway.

Twenty two episodes of leeway. Arrow finally found its groove and latched on to the mystical “it factor” that keeps an audience watching - Oliver, Felicity and Diggle. The chemistry and dynamic between these characters and the actors who play them is undeniable and it creates an action packed, laughing out loud, and sizzling hot episode. The writers are having FUN in “Darkness on the Edge of Town" and it shows, which means we get to have fun too.

Oliver decides to question his mother regarding the Undertaking, but she refuses to confess. So, Oliver and Diggle take a more brutal approach. The Hood kidnaps them both and beats the crap out of Oliver until she coughs up the information. It’s always hilarious when this show acts like David Ramsey can fit in Stephen Amell’s suit.

The burgeoning relationship between Oliver and Felicity is very much in its infancy. Oliver is fully in denial about feeling any type of way toward his IT girl. Never is that more apparent then when Oliver and Diggle return from the confrontation with Moira. Diggle gets a few solid whacks in, which I’m sure felt amazing given the absolute jackass Oliver was being the past few episodes.

Felicity has a much harder time concealing her feelings towards Oliver and it’s clear she worries about him. She is always the first to ask if he’s okay, offer a supportive ear to listen or shoulder to cry on. However, Oliver seems to draw a line in this episode when Felicity reaches to touch the bruise on his face. That small step was too much. He physically keeps her at arm’s length because the intimacy of Felicity’s concerned touch is not something Oliver is ready for. There is still a very big wall hiding all that pain, regret and unworthiness.

Source: @lyricalarrow

Admitting he remembers the exact day they met, however, is absolutely no problem. We shall come to discover just how much Oliver remembers about that day in later seasons. I have a lot of male friends and I guarantee you I don’t remember the day we met. However, the day I met my husband is burned into my memory.

The team determines the only way to stop Merlyn from leveling the Glades with a man-made earthquake machine is to find the location of the device. Unfortunately, Felicity is unable to hack Merlyn’s system so she needs direct access to his mainframe inside Merlyn Global Headquarters. LET'S DO CRIMES!

Oliver makes an appointment with Tommy (more on that later) while Felicity continues to up her adorability factor by dressing up as Big Belly Burger employee delivering lunch to a security guard otherwise known as John Diggle.

The burger is laced with benzodiazepine, so it knocks out the other security guard and gives John free reign to control the elevator & cameras. Do we know how Diggle is able to pose as a security guard? No. Do we care? Nope. Let the hijinks commence!

Oliver and Felicity make their way to the elevator, but not until Oliver unloads an unwelcomed dudebro hitting on Felicity.

Jealousy looks so good on him. The way Stephen Amell plays this scene, with his nails-on-a-chalkboard look at the word “sweetie” to robotically knocking the papers out of the elevator, is physical comedy at its best. Something Amell rarely gets to do, but he’s great at it.  

The mainframe is on the twenty fifth floor, but the elevator only goes up to the nineteenth, so Oliver and Felicity have some climbing to do. It seems Felicity is thinking of a certain kind of climbing as well and really who can blame her?

Source: @lyricalarrow

Oliver lifts her WITH ONE ARM out of the elevator, which is so freaking hot I cannot.

Then, very gently, bends down to wrap his arm around Felicity’s waist and loop her arm around his neck. Oliver is moving with the precision of a jungle cat, but it also feels like an incredibly elaborate way to grab hold of someone. It has a very superhero sweep-her-into-my-arms sensuality to it. The mission is giving Oliver plenty of reasons to touch Felicity and he doesn’t seem unhappy about it, particularly when he softly tells her, "Hold onto me tight."

Is it warm in here? Holy Moses, Oliver Queen. Get control. This man is a god to women, so he clearly understands the connotations of, “Hold onto me tight.” There’s a thousand different ways to say that platonically, but nope! Oliver charges headlong into the blinking neon lights of SEXUAL INNNUENDO.

Felicity’s Freudian slip didn’t feel so Freudian either. She knew exactly what she was saying and leveled her full meaning in a single look. I thought the elevator was going to combust from all the heat. If you are looking for the text book definition of undressing someone with your eyes than look no further than these two. They way they hold the gaze. WOW. Can we have all the nakedness now?!!! It’s a sin against science for Oliver and Felicity not to bang regularly BECAUSE THE CHEMISTRY.

THIS IS NOT THE BEHAVIOR OF A MAN MADLY IN LOVE WITH LAUREL LANCE.

This scene has the classic Superman and Lois Lane feel to it.

Source: @olicitygifs

Oliver is doing his vigilante thing, but his partner in crime isn’t the leading lady of Arrow. It’s a supporting character who’s feeling less and less supporting with each episode.

Unfortunately, Felicity is about to be discovered while Oliver is held up by Malcolm Merlyn, Thea and Roy Harper. This is a very popular day to visit Merlyn Global. Oliver’s frustration under his cool and calm exterior builds the tension nicely and we do wonder how Felicity is getting out of this jam. Never fear! It’s John Diggle to the rescue. Top notch comedy from both Rickards and Ramsey.

Source: @olicitygifs

Their first official team mission outside of the bunker is a wild success. Felicity still has to search through all of Merlyn’s data to determine the location of the device. Despite all the heat, hilarity and hijinks on this side of the show, Oliver makes an abrupt decision regarding the other side of the show that makes absolutely no sense.

Lauriver and Merlance

Still feeling warm friends? Well don’t worry. I have a nice bucket of ice cold water to dump on you.

As predicted, Oliver’s love confession messes with Laurel’s mind and obliterates any clear path back to Tommy. He drops this bomb on her and they have not spoken for a WEEK. Of course, this is all Laurel has thought about and she makes a rather elaborate speech admitting she has feelings for Oliver too.

Yeah, none of this is a surprise. Tommy knew Laurel had feelings for Oliver. We knew Laurel had feelings for Oliver. Hell, even Oliver knew. The only one who wasn’t admitting it was Laurel, so at least she’s finally being honest about things. You don’t get a love triangle if the central figure in the love triangle doesn’t have feelings for two people. The issue is who does Laurel love MORE.

Laurel: Maybe Tommy was right. Maybe he and I weren’t meant to be.

She had a clear answer last week. It was Tommy. She absolutely wanted to get back together with him, but Oliver decided honesty was the best policy on this one subject only. This line enrages me because Oliver has distracted Laurel from the man she is truly meant to be with. I will die on this hill, friends. DIE. ON. THIS. MERLANCE. HILL.

Laurel: Tommy’s a good guy. Are you?

Oliver: I didn’t have an agenda. I didn’t mean to make it more difficult to fix things with Tommy.

Oh for fucks sake. Yes, you did Oliver. That’s exactly why you said it. This is just a straight up lie. Oliver absolutely wanted to confuse Laurel. He just doesn’t want to look like the bad guy for doing it. This is some A+ Ollie behavior.

After Laurel makes a wonderfully impassioned and heartfelt speech about her feelings for Oliver, after probably obsessing about it for seven days straight, Oliver dumps her. AGAIN.

Oliver: Nothing’s changed. My life hasn’t changed. I haven’t changed.

I am infuriated on Laurel’s behalf with this flip flopping back and forth. The time to make this speech was last week in the hospital hallway. That was the moment to let her go and put Laurel on the plane with the man she belongs with, but Oliver couldn’t do it because it was too damn hard. It was just cruel and horribly unfair to both Tommy and Laurel because Oliver has absolutely no intention of being with her. But now it’s too late. The information is out there. You can’t put the toothpaste back in the tube, my dude.

Laurel pays her father a visit to basically get his permission to date Oliver again. Yeah, let’s make the man who lost his daughter to Oliver’s selfishness sign off on banging his other daughter again. This show.

Quentin’s speech is equally as empty as any speech Laurel’s made about seeing the change in Oliver because we, the audience, have not been privy to those moments. We’re just supposed to take their word for it even though the last time Quentin saw Oliver Queen he was trying to arrest him for drug trafficking. But sure, Quentin thinks he’s “changed.”

In order to make this storyline work, you have to give proper attention to the Lance family interacting with Oliver and the writers do not seem interested in doing that. All the important emotional growth takes place off screen and we’re supposed to accept it as fact because the characters tell us.

Meanwhile, they are organically growing the relationship Oliver has with Diggle, Felicity, hell even Roy! So we know the writers are capable of SHOWING these moments of character evolution. They just choose not to when it comes to the Lance family. It’s why the show feels so completely disjointed.

Oliver pays Tommy a visit and wants to have a chat.

Source: @queensarrow

So it's safe to say Tommy is still pissed.

Oliver encourages him to work things out with Laurel – kind of?

Oliver: Lord knows, I am guilty of a lot of things between us, but not you are her.

What’s infuriating about this conversation is that Oliver still refuses to accept any kind of responsibility in their break up. Oliver pretends to be a friend to the all feminists and touts Laurel’s independence and free will. She makes her own choices and she chose Tommy.

Tommy’s point is clear, even if it is self pitying; Laurel is not dealing with all the information. If she did have all the information then she would choose Oliver. From Oliver’s standpoint, it doesn’t matter because he can’t be with her.

That’s not reassuring to Tommy nor is it supposed to be. If the elements keeping Oliver and Laurel apart were removed (the Hood) then Oliver wouldn’t think twice about making a move on Laurel. And Tommy knows this. These are not the actions of a best friend, which is why he’s so pissed.

Now, Tommy’s big mistake was throwing in the towel too early. He should have NEVER given Oliver an opening with Laurel, but he did and it set them on this path. No we have to watch it play out.

Oliver: I promised myself that when I crossed all of these names off the list, I’d be done, but taking down these people, it doesn’t honor him. I was just treating the symptoms while the disease festered. I stop the Undertaking… I wipe out the disease.

Diggle: What are you saying Oliver? You would hang up the Hood?

Oliver: Merlyn’s plan is what I returned from the island to stop.

Does anyone else have whiplash? Oliver does a complete about face and determines he can be with Laurel since he only needs to cross one name off the list instead of dozens. He’s just missing one step, gee what could it be? Oh! I know. OLIVER STILL HAS TO CROSS MERLYN’S NAME OFF THE LIST AND STOP THE UNDERTAKING. Talk about counting your chickens before their hatched.

A hero’s journey is a very specific type of story. Joseph Campbell outline seventeen stages in 1949 and Christopher Vogler created an updated version in 2007 for screenwriting. I’m not going through all seventeen steps, but we can skip to the very last one regarding this storyline.

Freedom to Live/Return with the Elixir – meaning the hero has faced their internal and external struggles, has conquered the demons around them and earned the right to live as they choose. From a spiritual sense, the hero lives without fear of death.

It’s similar with Vogler’s elixir stage. From a community perspective, the hero has found the magical way to heal their wounded land. They are bringing hope, life and freedom back to their loved ones. In doing so, it gives the hero a personal victory. They’ve earned the right to experience peace and joy, which can be represented in a wide variety of narratives.

Oliver is hero. Arrow has made his endgame very clear - save Starling City. Has he saved the city? Has he stopped Malcolm Merlyn? NO. So why is his leather clad ass running all the way back to Laurel Lance to enjoy the fruits an elixir he has yet to procure? If Laurel is endgame, this makes absolutely no sense. This is too fast. It’s too abrupt. It doesn’t feel earned because it hasn’t been earned.

Clearly, the initial plan was to put Oliver (Green Arrow) and Laurel (Black Canary) on parallel, if not intersecting, paths. I’m not saying Oliver cannot be with Laurel as they evolve into superheroes together. But this is the first freaking season you guys! He hasn’t done a damn thing yet! Neither has she. And yet, here Oliver is, knocking on Laurel’s door, looking for some fruit.

Oliver: Ever since I’ve been back, we’ve been doing this dance. We come together and then I pull away.  Something pulls me away, but I think finally that something might be over.

Laurel: What are you are trying saying?

Oliver: That you know me better than anyone. And that you are more important to me than anyone. I just hope I didn’t wait too long to say it.

If Laurel has no clue Oliver is the Hood then can he really claim she knows him best? It sounds good to say, and probably what Laurel is dying to hear, but it rings hollow because there’s no evidence of this anywhere on the show. Laurel was wrong about who Oliver is all season. We are just supposed to accept some verbal acknowledgment of change, that she knows him better than anyone, but without any television scenes to back it up. That’s not how storytelling works, Arrow writers.

Sorry to beat a dead horse, but I warned you I wasn’t done with this topic - Oliver is still lying to Laurel. There should be more talking. What are those things pulling you away, Oliver? Why are they over? Are you a hooded, crime fighting, serial killer who has been mysteriously stalking me all year? Those are just some ideas off the top of my head. There is no person on this planet that Oliver needs an honest conversation with more than Laurel Lance, but nope. They jump straight to sex.  

Let’s talk about the sex. This has been built up all season. These two characters belong together. They are bulldozing over Tommy Merlyn to be together because they are this passionate romance that time cannot quell. It should be like the fourth of July in Laurel’s apartment right now.

Source: laurelscanary

Instead, of heat we get frigid. Fish have hotter sex.

I’m willing to acknowledge "Radioactive" was the hit song of 2013 and every show on the CW was using it. It has a very sexy beat and big crescendo. It sounds like a good song to use during a sex scene.

Except for the fact that it’s called RADIOACTIVE with lyrics like, “This is it, the apocalypse.” This is not the romance your Plan A couple usually requires in a scene like this. They had Blake Neely for a composer. Where’s Oliver and Laurel’s love theme? We'll probably get it in the season finale but anything would be better than "Radioactive."

Source: laurelscanary

Next issue. Black socks and jean shorts?  Wardrobe – what were you thinking? Nobody felt the need to tell Katie to take off the sox? Details matter!!

Source: laurelscanary

Stephen Amell and Katie Cassidy kissing are like watching two pieces of flat cardboard trying to hump each other. Can they choose a direction? Are we biting or no biting? Are we using tongue or no tongue? Can Oliver unbutton his shirt or does Laurel need to help? Is Oliver going to drop Laurel while trying to get her sweatshirt off? It was just so awkward from start to finish. ZERO SPARKS.

Source: habibialkaysani

And for the coup de grace, they leave the curtains pulled wide open, so Tommy can see them screwing from the street. The look of utter devastation on his face is heartbreaking and that’s the final image they leave us with as their love scene fades to black. Oliver and Laurel reuniting are not framed as a good thing. It’s framed as a betrayal, because that’s exactly what it is.

Source: @queensarrow

Even worse, Felicity finds the device while Oliver and Laurel are asleep and HE LEAVES. No note. No, honey I have to run out and save the city real quick, but I’ll be back for round two later. Nothing. But please, tell me again how much Ollie has changed.

When I watched this episode live I was horribly disappointed the big reunion with Laurel and Oliver fell flat. This was really my last gasp trying to be a Lauriver shipper. And I use the term “trying” loosely. I was more or less looking for any redeeming qualities in this love story, but after this hypothermic love scene I was officially out. I could not ship these two. I could never forgive them for betraying Tommy. But I feared Arrow would never move on from Oliver and Laurel.  

Of course, their real intention becomes all too clear later. Arrow was trying to blow them up to make way for something infinitely better.

 Theroy

Speaking of flipping back and forth, these two break up every other week. Roy is clearly committed to finding the Vigilante, which leads them to Merlyn Global and a run in with Oliver, the disapproving older brother. Again, Stephen Amell’s acting is superb.

I loved the way he said “What” to Thea and the firm alpha male handshake he gives Roy, warning him to stay away.

Obviously, Roy accomplished his goal. He found the Vigilante. Roy just doesn’t know it. He thinks Oliver Queen is too much of a wimp to ever consider him as the man in the hood. Thea was good and ticked off with that “wimp” remark. Enough to dump Roy. She will not tolerate any slander of her brother. #QUEENSIBILINGSFOREVER

But this is like the fifth time these two broke up, so it’s losing the impact. This isn’t all about the Hood’s identity and thanking him for saving Roy’s life. He wants to BE the Hood, so Roy can protect the people he loves and never lose anyone again. The question is – who did Roy lose? Unfortunately, Thea storms out before we get an answer, but hopefully one is coming in the season finale. (No I do not remember who).

Long story short, yes I like these two, but the faster the Arrow writers move the characters into the Hood storyline the better. Otherwise they are just marooned on their own show like Laurel Lance Island.

Stray Thoughts

Yao Fei died! It’s so sad and traumatic. I forgot he’s shot in the head. Really didn’t need to see that twice.

Fyers is shooting down a commercial airliner to destabilize the Chinese economy. It’s always about money for these assholes.

Walter wants a divorce and I would say their differences are irreconcilable. Moira is getting what she deserves. You can’t kidnap your husband for six months and then offer him tea and crumpets when he comes home.

"Who the hell is Felicity Smoak?" Uh oh. Quentin has Felicity’s name. That ain’t good.

“Is the other archer working for Merlyn?” Please don’t make Diggle look this dumb again.

Merlyn versus Oliver battle was EPIC! The fight scenes this season are so stellar.

“Psychopaths are color coding themselves. That’s helpful.” HA!

Listen to the Watchover podcast reaction to 1x22!!!

If you’d like to support the blog, please buy me a cup of tea!

Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me!

#arrow #arrow 1x22 #olicity #anti lauriver #arrow reviews #anti laurel lance #tommy merlyn #ota #john diggle #felicity smoak #oliver queen #arrow episode review #arrow episode reviews #olicity fandom #watchover #watchover podcast #watchover with jen and calli #arrow rewatch #season 1 episode review #season 1 episode reviews

[saltygilmores]

THOUGHTS WHILE WATCHING GILMORE GIRLS-SEASON 3, EPISODE 1: LAZY HAZY CRAZY DAYS (PART 2)

Anyone seen Jess lately? Eh, we already know what (who) he's been into this summer. But yeah that was definitely Jess. Winter, spring, summer, fall. even with a broken foot, Taylor Doose does not cease, yield, desist, nor take a break from his quest to line his pockets with the money of the citizens of Stars Hollow, under the guise of some sort of charity event. Fun! Let me guess, the Bridge again?

Sounds like a good excuse for Jess Mariano to wear short sleeves and engage in some tonsil hockey underneath a tree.

Mmm, Window Doritos. Luke and Lorelai still haven't made up. She's been avoiding him and the diner the entire freaking summer? There's no way. Without Luke providing her daily supply of supermarket Folger's, she would wither away and die.

Scenes that take place outside of The Hollow are usually the most fun but I predict this is going to be lame. They got some early 2000's politicans to make cameos in this one, people I'm sure the 16 year olds watching this show when it aired (or ever) cared about.

Who's this putz? *squints at nametag* Nice to meet you...James. He looks like a nice normal generically handsome dude, maybe for once Rory could stand to go on a date with a handsome dullard who won't kick up any leaves, kinda like that time Richard and Emily tried to hook Lorelai up with this guy's father.

Paris Geller for President, Rory Gilmore as her first lady.

You don't have a prayer with either of them Jamesy. Ohhhhh. James is JAMIE. Of course. I remember this generically cute, mass-manufactured piece of untoasted WonderBread now. The one who...takes Paris' virginity. Welp I guess I have to take back the whole "You don't have a prayer" thing then.

Paris agrees to dinner plans with UTWB (Untoasted White Bread), not realizing she agreed to a date, and Rory has to tell her what happened, and when Rory is more knowledgable about dating and relationships than you are, you know you have work to do. So what we have here is a fine blend: one part Paris being unable to relate to people, one part confusion about her sexuality, a subject that this show will refuse to ever touch on, and one part realizing she agreed to a date with a boy who is a bottle of human Nyquil, throw this all in a blender and you've got a recipe for a Paris Geller nuclear anxiety attack.

Kirk our neurodivergent king.

You do not, don't lie to him like that. Lorelai did invent a vanishing cream though. She slathers it on every time she leaves work in the middle of the day. Lorelai: Don't cows eat hay? Kirk: Yes, but "Grass There" is a bad name. LOL, that got a good laugh out of me. We love you Kirk. Keep being you. Lorelai and Emily have a pointless debate on the phone about what date Rory was supposed to be arriving home, Lorelai says she's coming home on Saturday whereas Emily insists she was misled to believe she would be home in time for FND tomorrow. Jesus Christ, Emily. Can't you let that poor girl decompress and have some time to herself after being away from home all summer? Can you let her skip one FND? Rotten. Emily wants to know where Crusty is and Lorelai says Satan is "Away on business". "Away on Business"=In the firey shrieking depths of hell (Boston?) Emily wants her beloved Crusty to join FND tomorrow. I swear to god if I have to fast forward past yet another Crusty FND I'm gonna scream.

No no no no. NO. Where is Alex? Bring me Alex! #SaltyIsAnAlexStan #PossiblyTheOnlyAlexStan

JarPad has a real talent for making every thing Dean says sound so ominous and serial-killer like. Rory: That gives me three hours to look presentable. Should I go blond?

He should want her to go blond because it'll be easier to conceal her identity when he kidnaps her and takes her on the run. Not only does Emily want to wrench Rory off her flight in mid air to force her into FND but she's agreed to meet Dean immediately after his plane touches down only 3 hours after her own?! Not only that, it's September 3rd, which means a new school year is starting next week, she's trying to talk Paris down from a nuclear anxiety attack and get her ready for her first date, I'd say that I don't know how Rory is acting so calm under all this pressure but we know she's bottling it up inside like a powder keg ready to explode and it's just a matter of time. Is this his home or a hotel room? It looks like a serial kiler's motel room on the side of abandoned highway. That chair is made of human skin. That's totally a serial killer's old tv, one where he holes up watching America's Most Wanted and grainy news reports about his own escape from justice. "My plane is arrving at 6" he says, unaware that the police tapped his phone lines. That shirt looks like something he took off of one of his victim's or bought from a dying K-Mart in some small town, where there's a cashier named Phyllis who's been working there for 30 years, he paid cash, tried to avoid looking directly into the store's security cameras, Phyllis just smacks her gum as she rings up his serial killer polo shirt, gallon of bleach, tarps and rubber gloves. To be fair, Jess threatens to murder Dean and dump his body in a ditch not long after he's already murdered Shane and fed her to the swans in this season. All the more reason Dean and Jess should call a truce, realize they have more in common than they think, and leave Rory alone.

Whew. There's so much to unpack in just these two sentences. Just like all the dead bodies Dean Forester has to unpack from his trunk.

That's what his victims say before he leads them to their demise. Rory has to hang up on Dean Wayne Gacy because Paris is melting down as her date with Nyquil approaches. Dean has to hang up because the SWAT team is about to bust down his door.

Rory's reaction to Dean saying "I Love You". She doesn't say it back. Stay tuned for part 3.

#gilmore girls #denise rewatches gilmore girls #gilmore girls season 3 #rory gilmore #lorelai gilmore #paris geller #kirk gleason #Anti Dean Forester #lazy hazy crazy days #Alex Stan #Phyllis #Kmart #Human Skin Chair #Blood Stained Striped Polo Shirt #Salty's Crime Podcast

[ariesbilly]

The amount of stories actors have about playing villains and being attacked on the street by random fans who think they’re actually their character, or when characters having a really close relationship and a fan sees one actor out and asks where “character name” is…it’s like OH people just really have been this stupid since the dawn of television actually

#listening to the will and grace rewatch podcast and Eric’s saying how this woman came up to him asking where grace was… #MAAM YOU ARE GROWN #i could not be famous I could not deal with such nonsense #also thinking about the story of Paul Johansson (Dan Scott) getting hit with some lady’s purse because she really thought he was his #character….. he was a good sport about it and pretended to be Dan lmao #I would have pressed charges #or body slammed her like WHAT are these people on #anyway antis this is what you sound like I hope you know

[spngeorg]

Episode 139 - 7.13 The Slice Girls

Oh, bucklemming with their fast-growing monster babies... only they foisted this one off on Dean. To me, this one has always felt like a ham-fisted attempt to balance out the Amy Pond storyline from earlier this season, that just makes it all the more unbalanced.

Sam might think the scales are balanced now, but mostly because he's not exactly in touch with reality himself here... or at the very least not seeing Dean clearly. This is the part of s7 where the writers seemed to forget Sam was constantly hallucifering all over the place, but that makes a hell of a lot more sense when we do remember that while watching.

LINKS!

The Superwiki Page

My tag (only two pages of posts!)

The People’s Choice Pantsless Promo video

My rewatch notes from July 2019 (mostly about Sam and Dean and their main conflict throughout s6 and s7, really… and Sam’s dependence on his Magic Anti-Hallucination Button to the exclusion of actually perceiving reality unless it fits with his personal understanding of it. Plus, proof there can be good stuff even in egregious bucklemming episodes… Seriously, if you only click one link here, make it this one.)

My Complaint™ about the handprint disappearing

Listen now on Spotify, or wherever you enjoy podcasts!

#spn podcasts #spn 7.13 #spiders georg of the tnt loop

[sunnydaleherald]

The Sunnydale Herald Newsletter, Thursday - Friday, April 4 - 5 - PART TWO

(Buffy gives final instructions.) SPIKE: Well, not exactly the St. Crispin's Day speech, was it? GILES: We few... (Giles goes past Spike as Spike gathers up the bag of weapons.) GILES: ...we happy few. SPIKE: We band of buggered.

~~The Gift~~

[Images, Audio & Video]

Artwork: “Out. For. A. Walk….Bitch” by nerdromthenet (Spike, worksafe)

Artwork: [The World tarot card] by isevery0nehereverystoned (Buffy, worksafe)

Moodboard: moodboard: autistic agender tara maclay by purgeshubble (worksafe)

Moodboard: Kendra Young- Buffy the vampire slayer by awinterroseesstuff (Kendra, worksafe)

Gifset: tara & willow as the tarot by daisyssousa (Tara/Willow, worksafe)

Gifset: make me choose - osiriaroses asked fred/gunn or wes/lilah by sulietsexual (Gunn/Fred, worksafe)

Gifset: [Buffy Summers, Class Protector] by andremichaux (Buffy, worksafe)

Gifset: Buffy the Vampire Slayer 6.09 | 7.07 by slayerbuffy (Buffy/Spike, worksafe)

Valentines: Apparently ten years ago I made Buffy valentines. by aprilthebiqueen (Buffy, Angel, worksafe)

Manip: Spuffy manips I made! Please credit if you use them. by allchoseny (Buffy/Spike, worksafe)

Manip: I call this manip I did “Broken William.” by allchoseny (Spike, worksafe)

Fanvid: CALLING ALL JAMES MARSTERS FANS TO THE RING by captain-ghost (Spike, fanvid)

Artwork: Willow vs Ulquiorra Page 2 by MattanzaMFedora on DeviantArt (Willow, worksafe)

[Reviews & Recaps]

S01E08 I Robot, You Jane by she-saved-the-world-a-lot

S01E07 Angel by she-saved-the-world-a-lot

Re-watch of show. Season 3 (spoilers below) by bookishowlet

BTVS/Angel Rewatch Chronicles: Seasons 5/2, Part One [Buffy vs Dracula to Family] by QualifiedApathetic

about season 4? by ngbp

I just finished watching Season 4 and wanted to say what I thought about it by UNimAginAtiveuseRn

PODCAST: Don't Trust the Goat - Gravity Falls S01E01 - Tourist Trapped by Pop Culture Role Call

PODCAST: Episode 22 - Don't Warn the Tadpoles! (What's my Line Part 1) by The Sunnydale Diaries - A Buffy the Vampire Slayer Podcast

PODCAST: Season 1 Wrap Up! by Once More: A Rewatch Podcast

[Recs & In Search Of]

Video: Making Riley Finn Interesting (by Pensive Whiskers) recced by riley-summers

[Community Announcements]

REMINDER: It really bugs me when people post stuff about how they don't like a ship or character [but don't tag it anti] by riley-summers

Y'all, come join the Fanged Four ‘Runs In The Blood’ Discord Server. by somekindofadeviant

POLL: Preliminary [round tie] by btvsepisodetournament

[Fandom Discussions]

Why did Willow Rosenberg’s boyfriend just growl at me. by sunnydale-high-school-rumors

Look I totally thought that Scott Hope was just being a bitter ex... by sunnydale-high-school-rumors

dude I swear I keep seeing buffy summers hanging out with some guy in the graveyard by sunnydale-high-school-rumors

[Faith texts Buffy] by scooby-group-texts

Screw it, let's do this... Riley ship opinions, pt. 1, M/F edition by riley-summers

it's so crucial to take the show's tone into account... [giles x anya] by once-more-with-tabula-rasa

i love that buffy and riley's breakup feels like an argument... by joodeegemstone

Ask answered: what was your first fandom? [praise for BTVS fandom] by hils79

Me, when all you asked was what time it was, for the fifth time that day: no you don’t get it— they’re the chosen two. [Buffy x Faith] by fictiongods

As an alcoholic in recovery this scene speaks to me. [Spike] by desicat-writer

Do we see anybody that we knew as a human turned into a vampire after The Harsh Light of Day? [Harmony] by coraniaid

i think people fem spike up cuz of his body type- but based on character... [Angelus] by captain-peroxid3

Imagine, if you will, that you hate someone so much that you want to violently kill them [Spike] by breezybeej

I think Harmony knows that she is a vampire but I don't think she knows what a vampire is. by breezybeej

there are obviously a lot of intended parallels in season 2 between buffy and drusilla by bloomfish

charles gunn, my most beautiful sunshine man, described like this... by bloomfish

... the most relatable character on Buffy? updated by various

What If: Xander Went To College? updated by various

Buffy, Giles and Spike updated by various

Would Faith have threatened to kill Dawn? by Itchy_Initiative6180

Why couldn't Anya "officially, magically" hurt Xander after getting her powers back? by smileliketheradio

Spike/Buffy in season seven: a huge cop out from the writers by SafiraAshai

What to watch after Buffy & Angel? by alwaysleepingg

the Scoobs have always been against Buffy having a proper romance... by zarif_chow

What was the controversy regarding Buffy’s comments to the first slayer? by Scopeburger

Favorite villian/s on the show by kittycat6434

Cordelia the Bad Decision Slayer [and what Cordelia would do if she never left Sunnydale] by Comfortable-Sun6571

I've just started a Buffy rematch... there were signs of Evil Willow as early on as Episode 2's The Harvest by Hotch91

Who do you think should have been endgame loves? by artmalique

What are your favorite Buffyverse moments where a character got exactly what they deserved? by PristineSituation498

Why is Wesley treated so badly by Buffy and the others? by JellyfishDry9464

Amy Acker from Fred to Illyria is thee best acting ever! by symynuk

Other Buffy media to explore? [recs of comics, books, podcasts, etc] by GamallSoro

About Buffy and Anya [in S7] by Dappich

Surprise and Innocence by penny1985

Guilty pleasures? [characters, ships, episodes, or scenes that are considered bad] by Dull_Bumblebee4623

What if Tara had been a demon? by Moonycoves

Watching Angel solo or co-watching with Buffy? by kai1793

I love Harmony in all her unicorn-loving bimbo glory. by Dull_Bumblebee4623

Cordy/Jasmine by Typical-Owl9521

[Articles, Interviews, and Other News]

James Marsters Upcoming Events List by dontkillspike

James Marsters to Attend Mad Monster Expo in Concord, NC 23-25 Aug by dontkillspike

Submit a link to be included in the newsletter!

Join the editor team :)

#btvs #buffy the vampire slayer #ats #meta #fan art #angel the series

[gothicprep]

the worst part about the information-social media ecosystem rn is that we’ll have, like, people will support Thing. then you’ll have an anti-Thing market emerge. and then you have the anti-anti-Thing market. backlash to backlash, dust to dust.

the current thing with this is “wokeness”, a word I hate more than I hate ranch dressing. the problem with the anti-anti-woke guys is that they generally don’t acknowledge that socialists have been critiquing identity politics for decades before the first conservative ever uttered the word “woke”. and ignoring the criticisms of this from the left strikes me as not engaging with the skeptics’ strongest argument by pretending they don’t exist. I get that the socialists arguing this are generally smarter than Gary from Facebook, which makes them harder targets. either way. I just don’t like this very much. it’s shallow.

that preamble out of the way, I was watching YouTube video from someone on team anti-anti. I’m not sure why I keep doing this because I always get disappointed for the same reasons, but some may call it masochism and I dont appreciate being non-sexually kink shamed.

the person in the video brought up nerdy youtube film critics who were angry about the Star Wars sequel trilogy as a pet example, but I feel like this is a really weak point. the sequel trilogy is done now, and knowing how poorly it played out, we may have to admit that the bitter nerds who said that it starred a woman and two men of color as just a cyclical marketing decision might have seen something we did not. they did basically nothing with oscar isaac and john boyega which is so. imagine signing them to your movie and doing nothing with these amazing actors! felony! go to jail! at least boyega has the good sense to be openly critical of this. and as for rey, she doesn’t exactly have an arc.

I rewatched the force awakens for the first time in a long time in a while a few months ago and, now that we’re out of the cultural moment it was released in, it feels very different. very 2015 pilled in the sense that it aged like milk that's been sitting in the fridge for 8 years and has begun to cultivate bacteria that no microbiologist has ever observed. and i don't think the bitter nerds were wrong to interpret kylo ren as a strawmen of, well, people like them who don't want people messing with a franchise they have a lot of emotional investment in. and while you can write this off as them saying "we don't want women to enjoy star wars", observing that these movies are ultimately products, disney aspires to have a larger net worth than god, and not trusting where they're going with this... it's not entirely unfair, even though there are very real problems of racism and misogyny in nerd circles.

sometimes when we defend stuff from the angle that representation is good, we inadvertently forget that the "you can be a jedi too, little girl or black child of unspecified gender" thing is mostly done with the intention of consumer outreach because we're biased in favor of rep. the bitter nerds are not, and it gives them shinigami eyes. pandering is a bit more obvious when you're not the one being catered to. or something. i also don't think this is exclusively right wing, it's just that a lot of lefties are more reluctant to say something. if you phrase yourself incorrectly, it looks REALLY sketchy, even if you frame it through the "ultimately, these are products" lens, and sometimes it's best to just not comment.

i saw critical drinker, who's one of the more annoying of these youtube film critic types, on a podcast semi recently, and when he drops the anti-woke kayfabe, you just see a frustrated guy who writes screenplays as a hobby and doesn't like how many female-led stories skimp on developing conflict, or the disappearance of the mentor/student dynamic in storytelling and why this is doesn't bode well for franchise reboots that are meant to pass the torch, how unearned that feels. and even though i think his videos are cringey as shit, they're coming from a real place of caring about stories and being frustrated that the biggest purveyors of them don't seem to care back. i'm sympathetic to this, even if i think "wokeness" is an intellectually lazy copout and the preferred method of delivery makes me want to get my eardrum pierced.

iunno. i think, maybe, if you want to talk about these guys, it would make for a better story if you talked to them. or at the very least, try to understand what the substantive meat of their problem is as a fly on the wall. even if you ultimately decide that they're being irrational, "irrational" is not synonymous with "random". that's an important thing not to lose sight of. and while i do believe a lot of the anti-woke stuff is irrational, i do think it's worth trying to make a real effort to figure out what's going on underneath it all. but thinking too much gives you wrinkles, or whatever malibu stacey said. oh well!

#Most controversial part of this post is likely the fact that I hate ranch dressing #look. I’m sorry. I think it tastes like sour farts. #you’re free to enjoy it but don’t try to indoctrinate me into your. erm. lifestyle choice.

[girlfriendsofthegalaxy]

tuesday again 3/7/2023

soooooo there's another classic Dad Movie character ive adopted bc ive decided he's bisexual

listening

Black Hole Baby by Superorganism. i would put a marker down and say this is the sound of the summer but this came out last summer :/ the very flat (slightly chiptune?) delivery of the lyrics combined with the hyper bouncy...squelchy??? lasers? is extremely fun. this song is neither creepy nor wet but it is viscous bc u are on a spaceship partying as a black hole is Getting You

listen. anything that starts off with subway chimes and the following lyrics is going to be good. these are good song choices in my mind.

I've been eating fruit I've been sleeping well when I can

the bridge in the middle with bits and pieces of radio hosts shouting them out-- i could take it or leave it. i do like how this band namedrops themselves constantly. it's like an oil painting at an estate sale with a huge legible signature at the bottom.

-

reading

i have read about three-quarters of raymond chandler's oeuvre (hardboiled detective/film noir author and screenwriter of note) this week. i cannot in good faith recommend these books because they contain some of the worst excesses of their time, which is good bc this is not a review series.

sometimes, i'm watching or reading something and i decide it would be a good tuesdaypost candidate. i hate the term consume but it's the quickest descriptor here, so bear with me. if i am consuming a work based on the recommendation of a friend, it changes how i consume the work-- i'm on the lookout for the elements they used in their pitch. if i'm consuming a work to write an article or paper (rare these days) i'm stopping halfway through to take notes, i'm rewinding to catch details, i'm delving into interviews, i often fully rewatch or reread. if i'm liveblogging something i am mostly on the lookout for humorous and/or gay bits. if in the middle of something i catch myself thinking "ooh this would be good to talk about for the tuesdaypost" that introduces another like, film or lit crit level to the rest of my time with the work. it's very difficult to turn that part of my brain off.

when i am reading things just for me, none of that is there. i am fully immersed, my disbelief is suspended. i am not thinking about anything else but the story that is being told to me. ive spent a great deal of time with these books this week and it feels weird not to talk about them, but they are something i really enjoyed that was just for me.

i honestly don't know how to unpack my enjoyment of works that (at times) reflect the quite extreme racism of their author-- the one that grabbed me the most, Farewell My Lovely, contained some of the most callous and exceptionally cruel shit i've ever read. it also contained some of the most fascinatingly complex inner workings of an extremely closeted bisexual guy with ptsd i've ever read. i don't know how to talk about these books in an interesting or balanced way.

even if i did know how to unpack these things, the brief and light weekly roundup post on goddamn tumblr dot com (home to no nuance whatsoever) would not be the venue. this is an anti-review, in a way.

-

watching

a fuck of a lot actually bc i'm really trying to crank out this baby blanket and podcasts aren't really doing it. same username on letterboxd if u want to see early drafts of this tuesdaypost section.

i watched many films that came on two vhs tapes when i was little, bc charlton heston was one of my mom's favorite actors. i did not see spartacus when i was little but i did see the entirety of ben hur AND the ten commandments before i was eight. i can't make that make sense either.

anyway i have a soft spot for epics but only when i am actively doing things with my hands. this one has a more interesting making-of story than the actual movie, imo. this one also had oddly christian overtones, for being set in a time where christ and christianity did not yet exist. like many critics of the time, i have no strong feelings about mr douglas' acting. i really, really liked the soundtrack-- a delight to hear the love theme in context after hearing it in a thousand different soundtrack theme compilations!

-

playing

nothing that wasn't a phone game i've already talked about

-

making

five and a half repeats!!! i am aiming for ten repeats plus some sort of i-cord border so this is roughly halfwayish

i took this in broad daylight after a meeting like "if i knit more tonight i'll take another photo" and then i didn't knit any more tonight i read a bad western and halfheartedly liveblogged it

#what the fuck IS IT about march/april that makes me go bonkers in yonkers #tuesday again #tuesday again no problem

[threads-and-pages]

I've rewatched some Illuminaughty drama vids (because I like familiar things) and I thought back to how the abuse of her employees/friends was basically unsurprising to me compared the fact that apparently she was on leftist podcasts.

like, she always struck me as very pro capitalism like a lot of other anti-MultiLevelMarketing youtubers who call out predatory business practices but never quite grasp how those predatory things are just capitalism tactics.

as a sucker for anti-MLM videos I watched her main channel fairly regularly and when people said she was in the leftist circles of youtube I was flabbergasted.

So like when it came out she was basically trying to build a company town and exploiting her employees I was just... like... yeah, I kinda expected that, but the leftist podcasts? that was super weird, what did she even believe in aside of the most superficial social justice talking points?

#drama #is it technically true crime? #i guess i'll count it considering the wage theft #rant

[charlataninred]

Anti-honesty hour: opinions on trains?

STUPID IDIOT MOTHERFUCKING TRAINS GOD DAMN FOOL WORM LOOKING AS OIL EATING RAT OLD BASTARD SHITHEAD IDIOT AVATAR OF THE WHORE BIGGEST CLOWN IN THE CIRCUS LAUGHED OUT OF TOWN COWBOY MOTHERFUCKING TRAINS

stop pinning me when i talk about trains I hate them so much why do they have so many fucked up railways why did they decide to fuck around and find out just set them loose are they dead? Are they bastards? machines have such a visceral effect on me not even in the room never seen their face and i know they have the worlds shittiest beard get away from me

if i wanted to get into heaven and god said trains were waiting inside i would piss on gods feet for the sole purpose of getting sent back down

if i have to deal with train making one trip in person on voice in podcast not only will i close the tab i will delete my bookmark out of spite and have to rewatch the entire series again for the experience of being able to skip all the times when they are mentioned or exist

i dont even know why i hate them so much. he travel places but i am just mad because i am angy

They better have some fucked up backstory to explain this if theyre just made by some rich shithead whos a fan of worms and wanted the irl version ill go ham

BETTER have had a rail make them kill a man cuz if they didnt Im going to make them

paypal.com/IFuckingHateTrains

Lifes not even about them. vaguely mentioned what is supposed to maybe be their platform and I lost it

where the fuck is trains if they still exist im going to so deeply wish they didn’t

crusty old piece of rust

ill punch trains and their sad frail old metal twig rods will simply flake apart under my epic huge meat fist and they will disintegrate until all thats left is one final instruction manual they kept in them at all times simply titled Now You Fucked Up in ancient yiddish

im not breathing im hyperventilating at this point

i hope theres a date given for when trains ceased to exist or will cease to exist so i can make it a reminder on my phone

everyday once a year i will see it and do anything but pay respects to the machine who had so many fucked up if real railways

#aegis talks to the void #mist? more like mistofelees

[the-rewatch-rewind]

New episode! Script below the break

Hello and welcome back to the Rewatch Rewind! My name is Jane, and this is the podcast where I talk about my most frequently rewatched movies after 20 years of keeping track. Today I will be discussing my 37th most watched movie: Act III Communications’ 1987 fantasy adventure comedy The Princess Bride, directed by Rob Reiner, written by William Goldman based on his novel, and starring Cary Elwes, Robin Wright, and Mandy Patinkin.

This is another film like Mary Poppins that I’m not even sure I have to summarize, I feel like it’s so deeply ingrained in popular culture that anyone who is even vaguely familiar with the concept of movies knows Princess Bride. Even if you somehow haven’t seen it, you’ve almost certainly heard it quoted: I mean, it’s got “Inconceivable!” and “As you wish” and “Mawaige” and of course “Hello, my name is Iñigo Montoya, you killed my father, prepare to die!” among many many other extremely quotable lines.

But, just in case you’ve forgotten what it’s about, let me explain…No, there is too much. Let me sum up. The Princess Bride is a story being read to a boy (Fred Savage) by his grandfather (Peter Falk) and tells of the beautiful young woman Buttercup (Robin Wright) and her handsome farm boy Westley (Cary Elwes), whose love overcomes a plethora of obstacles, including pirates, kidnappers, eels, cliffs, swords, poison, fire, quicksand, large rodents, a sadistic 6-fingered count, a torture machine, and a prince who wants to marry but also murder Buttercup.

This movie used to be on TV all the time when I was young, so I remember catching bits and pieces of it a lot, but I can’t recall exactly when I first watched it all the way through. The main first impressions I remember are being terrified of the ROUSes (rodents of unusual size) and not really understanding what was going on. But I know I had figured it out and grown to appreciate it well before I started tracking the movies I watched. Once I started keeping track, I saw it once in 2003, once in 2004, twice in 2005, once in 2006, twice in 2007, once in 2008, twice in 2009, and once each in 2012, 2013, 2015, 2017, and 2021: 15 times total.

If you’ve listened to my previous episodes, you may be wondering how on earth I’m going to argue that The Princess Bride is not a romantic film, and the answer is…I’m not. Though there is a lot of non-romantic stuff going on throughout the movie, I think we can all agree that the extremely romantic love between Westley and Buttercup is the main driving force of the story. And that’s okay, I’m not anti-romance simply because I’m aromantic; I’m anti-amatonormativity, the idea that every human wants and needs a long-term romantic partner. And while The Princess Bride is a love story, it is not amatonormative. None of the other characters besides Westley and Buttercup seem to be looking for romance, even though they are extremely well developed and do have clear objectives. Iñigo (Mandy Patinkin) wants to avenge the death of his father; Vizzini (Wallace Shawn) wants power; Fezzik (Andre the Giant) wants to be useful; Count Rugen (Christopher Guest) wants to torture people; and even Prince Humperdinck (Chris Sarandon) only wants to get married so he can start a war over the death of his bride. Granted, not all of these are presented as good objectives, but at no point is it suggested that any of these characters should abandon their quests and instead search for romance. A significant amount of screen time is devoted to loving but platonic friendship, especially the one between Iñigo and Fezzik, which is fun and beautiful. The camaraderie between them and Westley when the three join forces is a major highlight of the film. Of course, it’s all in pursuit of romance (and vengeance), but that doesn’t diminish the strength of their friendship. Obviously no one can deny that a major recurring theme of the film is that true love (which is generally implied to be inherently romantic) is the greatest thing in the world, besides a nice MLT – a mutton, lettuce, and tomato sandwich – which I assume is that world’s version of cake or garlic bread and Miracle Max is an ace icon, but anyway. My point is that the movie emphasizes that the kind of love between Westley and Buttercup is rare. If you find it, you should hold onto it, but not everybody is going to find it, so don’t sit and wallow in self-pity or despair if you don’t. And this is kind of how I always thought of romance for myself, before I knew that being aromantic was a thing. It would be great if I happened to find it, but if not, there are other things to focus on. So amatonormativity and its consequences – people desperately trying to find a partner, any partner, just to have one; expressions of pity toward single people; etc – really confused me. As did the knowledge, once I figured it out, that most people enjoy romantic movies because of the romance, and not despite it, as I eventually realized I was almost subconsciously doing. Like the kid hearing this story, I tolerate the kissing parts if the rest of the story draws me in enough, which Princess Bride absolutely does. The grandpa telling him “someday you might not mind so much” about kissing rather than something like “someday you will like kissing” was almost certainly not intended to fight amatonormativity, but we can choose to see it that way. The fact that the kid wants to hear about the kissing at the end could be interpreted as “he’s finally growing up and accepting that romance is part of life”; but, it can also be interpreted as, “he’s so into the story that he’ll put up with the kissing at the end so it doesn’t go unfinished,” and that I relate to. I also appreciate that the movie ends with the grandpa saying “As you wish” to his grandson. By echoing the way Westley said “I love you” to Buttercup, the grandfather is implying that those two different kinds of love are equal, refusing to play along with the amatonormative idea that romantic love is far superior to any other form of love.

While I’m sure that a lot of people do watch The Princess Bride at least partly for the romance, I think that unlike many romantic films, the reasons I enjoy it are also the main reasons most other people enjoy it. The script is clever, quotable, and fun; the characters are eclectic and fascinating and perfectly brought to life by fabulous actors; and the tone is unique. Apart from the scenes in the kid’s bedroom, what we’re seeing is not the actual story; we’re seeing what the kid pictures as he’s hearing the story, which is such a cool way to tell it. Everything feels larger-than-life, but in an honest, pure way that makes it feel realistic even in its absurdity. The Princess Bride is a delightful blend of a child’s imagination and an experienced storyteller’s writing skills, and I think that is a major contributor to its enduring popularity, even if most of its fans wouldn’t necessarily articulate it that way. It lives in that elusive space between childhood and adulthood where both children and adults feel at home, and therefore love to revisit. I read the book the movie is adapted from once as a teenager, and I remember being struck by how, even though many of the plot points had changed, the humor and tone were perfectly consistent between the novel and the film, which made it, in my opinion, an extremely faithful adaptation. Of course this makes sense because William Goldman wrote both, and Rob Reiner, the film’s director, was a big fan of the book. But often novel-to-feature-film adaptations get so focused on figuring out how to shorten the story without omitting important plot points that they lose sight of the heart of the original story. That absolutely did not happen here, and that’s a big part of why so many people love this movie. Sure, the plot points are interesting, but we’re really here for the unique comedic tone that was taken directly from the book. Changing the sharks to eels and eliminating the Zoo of Death were no big deal, but trying to tell the story without witty jokes simply would not have worked.

I think of all the movies I’ll be talking about on this podcast, The Princess Bride is the one I’ve watched the most in large groups. Most of my movie watching has been done at home, maybe with a few family members or friends, and I’ve certainly watched this one that way as well, but I remember seeing it several times at big movie night events. While I’ve definitely encountered people who don’t love it and think it’s overrated, most people I know are always up for a Princess Bride rewatch. And because of its wide appeal and quotable script, it’s very fun to see with a big crowd. While I’m too young to have seen it in a theater when it was first released, I did go to a 30th anniversary screening in 2017, which was awesome. My favorite part of that experience was after Buttercup hears that Westley’s ship has been captured by the Dread Pirate Roberts, who famously takes no prisoners, and says, “I will never love again,” a kid sitting behind me muttered, “Well THAT seems a little extreme” and I’ve been laughing about it ever since.

In addition to crowded viewings themselves, just being familiar with this movie in general has been a very social experience. As a teenager who loved old Hollywood and frequently referenced movies most kids my age had never heard of (I know the movies I’ve talked about here so far are fairly well-known, but just wait), it was fun to be able to bring up this one and have most people know what I was talking about for once. A few years ago I got to participate in a Princess Bride script reading with some friends, and I read for Vizzini and a few other minor characters, and it was so fun! I kept losing my place because I was so caught up watching everybody else. The joy of reading this excellent script with other people who also love the movie cannot be expressed in words. Also, a former coworker of mine LOVES this movie, and we used to quote it to each other all the time when we worked together. At one point everyone in our office got these “mood indicators,” which were desk calendar looking booklets where every page had a different emotion and a colorful emoji-style face on it – I guess to give people who approached our desks a heads up on how we were doing that day? I’m not sure how other people used theirs, but this coworker liked to cut out post-it notes in the shape of hair and various props and speech bubbles to add to them, so the ones in our department would quote bits of Princess Bride, mostly parts of the scene when Fezzik keeps rhyming with Iñigo and winding up Vizzini. I’ll post pictures I took of them on Tumblr – have I mentioned that this podcast has a Tumblr? It’s the-rewatch-rewind. The link will be in the show notes. I know most people stopped using Tumblr a while ago but it’s still my favorite social media platform, so that’s where I’ve been putting the transcripts of this podcast.

Anyway, while 15 is a lot of times to watch a movie, it feels like I’ve watched Princess Bride way more than that in the last 20 years, partly because of how frequently it comes up in life. Some films are more memorable than others, and this one leaves a deep impression every time I revisit it, so each viewing feels like multiple. I’m also still noticing new things about it – it took me until writing this episode to appreciate the humor of the man with the extra finger being a count. Obviously, the movie isn’t perfect; it could certainly use more female characters and racial diversity, for a start. But overall I think it deserves its popularity and devoted followers. It’s a well-told story with an excellent sense of humor featuring an ensemble of fascinating characters; what’s not to love?

Thank you for listening to me discuss another of my most-rewatched movies! Remember to rate and review, and subscribe or follow on your podcast platform of choice if you’re enjoying this and want to hear more. Next episode will be the first one to feature a movie that was made after I started keeping track, so stay tuned to hear about something a little more recent. As always, I will leave you with a quote from that next movie: “I don’t have a skull. Or bones.”

#rewatch rewind #princess bride

[uovoc]

2022 media consumption year in review

God tier

Matthew Swift series and Magicals Anonymous duology by Kate Griffin (reread). London sorcerer is raised from the dead and accidentally gets fused to the blue electric angels of the telephone lines along the way. Luscious prose, best urban magic I've ever read, and wickedly funny sense of humor.

Kane and Feels - podcast. Paranormal investigators go around London poking the mystic forces with a sharp stick. Surreal. Funny. Moderately comprehensible. There's nothing else quite like it. Someone described it as "the anti-TMA: you cannot form any theories about it no matter how hard you try."

The First Fifteen Lives of Harry August by Claire North (reread) - two time travelers, defined as people stuck in time loops of their own lives, attempt to unravel the mystery of their existence. Suspenseful and beautifully constructed piece of nonlinear storytelling.

The Particular Sadness of Lemon Cake by Aimee Bender (reread) - Rose tastes people's emotions in food. Her brother disappears into thin air. Their parents are fine. Surreal and haunting pearl of a story.

We Have Always Lived in the Castle by Shirley Jackson - after a family tragedy, the surviving Blackwoods live in isolation from the village. A little Piranesi-ish subverted horror: the sense there's a secret at the heart of the world, and the secret is both joyful and terrible.

Our Flag Means Death - the crangst-filled pirate show that it seemed like the internet lost its mind over, for good reason.

Bee and Puppycat: Lazy in Space - Bee travels between the island and fishbowl space working temp jobs with Puppycat, until their pasts catch up with them. Dreamy, bittersweet, and gorgeous. Season finale was a banger.

Vesper Flights by Helen MacDonald (reread). Nature essays on humans and birds. Quiet, luminous, and filled with love of place. Faves were "The Human Flock", "High Rise", "Eulogy", and "What Animals Taught Me"

Natsume's Book of Friends (anime) - Technically about boy who can see youkai, learning how to navigate the world of human relationships. But really about masking, healing from trauma, and learning to trust.

Decent entertainment

The Deep by Rivers Solomon with Daveed Diggs, William Hutson, and Jonathan Snipes

Encanto (2021) - movie

The Witcher, season 2 - show

What We Do in the Shadows - seasons 1-3, got bored afterwards

The Hands of the Emperor by Victoria Goddard

Seraphina by Rachel Hartman

Shadow Scale by Rachel Hartman

Island of the Blue Dolphins by Scott O'Dell (reread)

The Faceless Old Woman Who Secretly Lives in Your Home by Joseph Fink and Jeffrey Cranor

Touch by Claire North (reread)

Sing - movie

Notes from the Burning Age by Claire North

The Sign of the Beaver by Elizabeth George Speare (reread)

The Brothers Lionheart by Astrid Lindgren

Moon Knight - show, season 1

Moon Knight comics - 2011, 2014, 2016, 2021

The Batman (2022)

Spider-Man: No Way Home (2021)

The Girl with the Silver Eyes by Willo Davis Roberts (reread)

The Bad Guys (2022)

The Golem and the Jinni by Helene Wecker (reread)

The Hidden Palace by Helene Wecker

The Pursuit of William Abbey by Claire North

Johannes Cabal series by Jonathan L. Howard (reread): Johannes Cabal the Necromancer, Johannes Cabal the Detective, Johannes Cabal: The Fear Institute, The Brothers Cabal, and The Fall of the House of Cabal

The Owl House season 2

Dear Mr. Henshaw by Beverly Cleary (reread)

Strider by Beverly Cleary (reread)

Loki - show, season 1

Tess of the Road by Rachel Hartman

Paprika (2006) dir. Satoshi Kon (rewatch)

Sideways Stories from Wayside School by Louis Sachar (reread)

The Bloody Chamber and Other Stories by Angela Carter

Supernatural - seasons 1 – 6, selected episodes

The Sandman by Neil Gaiman - comics (reread)

The Sandman - show, season 1

Microcosmic God: The complete short stories of Theodore Sturgeon, volume II by Theodore Sturgeon

Various Dick King-Smith books (reread): The Merman, Harry's Mad, and Harriet's Hare

Klara and the Sun by Kazuo Ishiguro

Never Let Me Go by Kazuo Ishiguro

The Girl From the Other Side - anime

She Who Became the Sun by Shelley Parker-Chan

The Farewell (2019) dir. Lulu Wang

Horatio Lyle series by Catherine Webb: The Extraordinary and Unusual Adventures of Horatio Lyle, The Obsidian Dagger, The Doomsday Machine, and The Dream Thief

Mononoke (2007) dir. Kenji Nakamura - anime

The Haunting of Hill House by Shirley Jackson

Dark Tales by Shirley Jackson. Fave: "The Beautiful Stranger"

The Lottery and Other Stories by Shirley Jackson. Faves: "Like Mother Used to Make" and "Flower Garden"

Legend of Nezha (哪吒传奇) - the 2003 cartoon

Annihilation by Jeff Vandermeer

Jane Doe by Victoria Helen Stone

Song of Achilles by Madeline Miller

Lucie Babbidge's House by Sylvia Cassedy

The Goblin Emperor by Katherine Addison

Pinocchio (2022) - dir. Guillermo del Toro and Mark Gustafson

Bloodsucking Fiends by Christopher Moore

You Suck by Christopher Moore

Bite Me by Christopher Moore

Disliked and usually DNF

Guardian (cdrama)

The Gameshouse by Claire North

Kim's Convenience - show

Across the Green Grass Fields by Seanan McGuire

Victoriocity - podcast

Sporadic Phantoms - podcast

Guardians of Childhood series by William Joyce - okay I finished it out of loyalty but it was no rotg that's for sure

Iron Widow by Xiran Jay Zhao

Keep Your Hands off Eizouken - anime

Arcane - show

The Girl in the Flammable Skirt by Aimee Bender

Willful Creatures by Aimee Bender

The Color Master by Aimee Bender

Where the Drowned Girls Go by Seanan McGuire

Megan's Island by Willo Davis Roberts (reread)

First Light by Rebecca Stead

Goodbye Stranger by Rebecca Stead

The Apothecary by Maile Meloy

To Your Eternity - anime

Bloomability by Sharon Creech

Everything Everywhere All At Once (2022) dir. Daniel Kwan and Daniel Scheinert

Malevolent - podcast

Midnight Burger - podcast

Under the Whispering Door by TJ Klune

Sunshine by Robin McKinley

The Blue Sword by Robin McKinley

Carter & Lovecraft by Jonathan L. Howard

Swordspoint by Ellen Kushner

The Order of the Pure Moon Reflected in Water by Zen Cho

Black Water Sister by Zen Cho

M.E. and Morton by Sylvia Cassedy

Forty Stories by Donald Barthelme

Hangsaman by Shirley Jackson

The Bird's Nest by Shirley Jackson

The Ten Thousand Doors of January by Alix Harrow

The Witness for the Dead by Katherine Addison

The Stench of Adventure (podcast)

We Ride Upon Sticks by Quan Barry

Invisible Cities by Italo Calvino

Assorted nonfiction

Songs of the Gorilla Nation by Dawn Prince-Hughes

The Organized Mind by Daniel J Levitin - nothing new except for the part about using your spatial memory to hack organization.

The Art of Gathering by Priya Parker - how to organize social gatherings for meaningful and memorable experiences

Rust: the Longest War by Jonathan Waldman - investigative journalism book about corrosion, the hazard it presents to physical infrastructure, and how we mitigate it

Fall Down 7 Times, Get Up 8 by Naoki Higashida

Dear Friend, from My Life I Write to You in Your Life by Yiyun Li - DNF

The One-Minute Manager: The World's Most Popular Management Method by Ken Blanchard and Spencer Johnson - techniques for one-minute goal setting, one-minute praisings, and one-minute reprimands

The Chinese Language: Its History and Current Usage by Daniel Kane. Good concise history of the development of written Mandarin Chinese and the underlying structure of the characters.

A Sand County Almanac by Aldo Leopold - essays on the American landscape and conservation ethics ca. 1950. Neat from a historical standpoint, but nothing to write home about these days. Which kinda is the point I guess.

Oregon Salmon: Essays on the State of the Fish At the Turn of the Millennium, ed. Oregon Trout

Caring for your Parents by Hugh Delehanty and Eleanor Ginzler

The Man Who Mistook His Wife For a Hat by Oliver Sacks - DNF

The Grid by Gretchen Bakke - history of how the physical and regulatory infrastructure of the American power grid was developed, and how it needs to be reimagined for the future.

Wildlife Wars : The life and times of a fish and game warden by Terry Grosz. Tales from his career as a California game warden catching poachers.

The Undocumented Americans by Karla Cornejo Villavicencio. DNF. author's writing voice was supremely annoying

Wilderness and the American Mind by Roderick Nash, 3rd ed (1982) (reread) - history of Americans' changing attitudes towards nature and definitions of wilderness. A classic banger.

Black, Brown, Bruised: How racialized STEM education stifles innovation by Ebony Omotola McGee - good summary of what the successful programs for STEM students of color are doing right, everything else is the same old same old

Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed by Lori Gottlieb. Account of the experience of going through therapy while working as a therapist. Excellent look at how we construct our personal narratives, and how to change them.

Crucial Conversations: Tools for Talking When the Stakes are High by Kerry Patterson, Joseph Gremmy, Ron McMillan, and Al Switzler. Strategies for having effective high-stakes conversations and managing your emotions. Good stuff.

Engineering and Social Justice by Donna Riley. Pretty entry-level, but it's a good bibliography for further reading.

Send in the Idiots by Kamran Nazeer

Why Are We Yelling? The art of productive disagreement by Buster Benson - DNF. disliked his writing style.

#Media consumption #Patter

[jbuffyangel]

Always Laurel: Arrow 1x20 Review (Home Invasion)

The love triangle pendulum swings violently in the other direction as Oliver makes a decision that breaks Tommy’s heart and destroys Diggle’s trust in him.

Source: @htbthomas

Does Oliver always choose Laurel? If yes, then is that a good thing?

Let’s dig in…

Merlance and Lauriver

At this point in the first season, you have probably formed an opinion on this love triangle.  You are either Merlance, Lauriver, a plague on both their houses, or just don’t give a crap. All choices are valid. Everyone knows where I stand.

What I think we can agree on is this love triangle is toxic. Toxicity, I feel, that is being driven largely by Oliver Queen. But we’ll get to that in a minute.  First, we need to discuss the choice Oliver makes.

Laurel is representing the Moore family and suing Edward Rasmus, an investment broker, for stealing their life savings. Rasmus hires Gunn from Angel (that’s what I’m calling him. I know his character has a name, but I don’t care) to kill the parents, but their son Taylor manages to escape. We don’t actually see how Taylor escaped. It looks he jumped out a twelve story window, but whatever.

Laurel volunteers to be the child’s temporary guardian, so Taylor stays at her apartment with Tommy. This leads to a beautiful Merlance moment and one of my all-time favorite Tommy scenes in the series. Little Taylor is grieving the loss of both his parents, so Tommy offers him some advice.  

Source: @bifelicitys

Colin Donnell’s delivery in this scene is just the right mix of sadness and loving comfort. We can see the kind of father Tommy would be and it’s a beautiful sight to behold. If Laurel Lance is not in love with Tommy Merlyn already then she certainly falls in love with him in this moment.

I wish we could just leave them here forever. Safe in the cocoon of their stable, loving, and supportive relationship.

But we can’t because of Oliver.

Tommy and Laurel have lost one crucial aspect of their relationship because of Oliver - honesty. They are both lying. Laurel has failed to tell Tommy that she’s been having “friendly” lunches with Oliver (re: see last episodes “I don’t want to be on an island anymore” speech).  And Tommy is keeping the biggest secret of all – he knows Oliver is the vigilante.

Source: @htbthomas

Gunn storms Laurel’s apartment to finish the job on Taylor. Tommy throws himself over Taylor’s body and I friggin swooned. Someone woman needs to give this man a baby! The daddy hotness is too much to take.

Laurel shows some impressive “daughter of a cop” moves when she breaks out the shot gun.

Unfortunately, she didn’t keep more than one bullet in the chamber. Why she didn’t check the gun the minute she got home I will never understand. I swear, this woman sometimes.

Of course, Oliver is there in the shadows as The Hood to rescue Laurel, Tommy and Taylor. Now that Tommy knows Laurel and Taylor are targets, he advises Quentin they should stay at the Queen mansion. They have wall to wall security and more importantly The Hood lives there.

Tommy: We both only want is best for Laurel. And right now that is to stay close to the Oliver. Trust me.

However, the first thing Oliver does when they arrive is leave to help Diggle track down Floyd Lawton, which infuriates Tommy.

Tommy: You are the reason why we’re here and trust me that wasn’t easy to admit.

Oliver assures Tommy the bodyguards at the Queen mansion will be more than sufficient to protect them, but when push comes to shove, he abandons his promise to Diggle to stop Rasmus. This didn’t stop Gunn from going after Taylor again at the Queen mansion. The bodyguards ended up being worthless and a hoodless Oliver Queen had to kill Gunn with a fire poker.

Was Oliver needed at the mansion to save everyone’s lives? YES. But that went down after the Lawton sting operation. Did stopping Rasmus in any way deter Gunn from going after Taylor again? No. Gunn kills anyone who has seen his face – including Rasmus. Oliver couldn’t have known that though. I’m not denying Oliver is juggling a lot of balls this episode. He has some tough choices to make, but the problem is he’s not being honest about the reasons behind those choices.

Felicity:  Couldn’t you be friends with someone less complicated than your ex-girlfriend who is your ex-best friend’s current girlfriend?

It’s a lightly made comment about Oliver’s relationships outside of the bunker, but Felicity’s gentle jab packs a big punch of truth. The more Oliver says Laurel is just a friend the less anyone believes him. It’s crap. Oliver clearly has more than friendly feelings towards Laurel and he does absolutely nothing to conceal them. In fact, he’s pretty damn brazen about it.

Let’s talk the lunches. It ultimately is canceled because of Laurel’s meetings with the Moores, so Oliver meets them when he arrives at CNRI. But he comes back to Laurel’s office after they are murdered to see if there’s anything he can do.

Initially, Tommy tells Oliver his help is not required and a phone call to check on Laurel would’ve been more than sufficient. He didn’t need to stop by in person. Tommy is being very territorial and rightfully so. The vibe ain’t vibing. Then Oliver casually not so casually tells Tommy about the lunches with Laurel – which she has failed to share with her boyfriend. 

Why is Laurel lying to Tommy? A lie of omission is still a lie. If she is truly “just friends” with Oliver then there’s no reason to hide the lunches from Tommy. Laurel has yet to truly articulate how she feels for Oliver, but this lie is not good. An emotional affair is just as hurtful and wrong as a physical one. Some even consider it worse, but make no mistake, an emotional affair is cheating.

As for Oliver, his feelings are plain as day. He has kept Laurel on an emotional hook for the entire season. He continually reinserts himself into her life, particularly at the moments when she’s trying her best to move on.

There was a respectful distance between the two and then Oliver decides Laurel is the person he wants to reconnect with. Why not Tommy? Their friendship could use a lot of damage control. What about Thea? Oliver can’t take her to Big Belly Burger or his mother or Diggle? There is an ample list of people Oliver can open up to if he so chooses. But instead he chooses Laurel – a choice that, as Felicity states, is complicated and wildly inappropriate.

Oliver also uses the vigilante shtick to emotionally manipulate Laurel. He can’t be honest about who he is or what he feels for her, so instead he uses The Hood to be her knight in shining armor.

Source: @htbthomas

When Laurel finds out it’s The Vigilante who saved them, Oliver notices the soft smile playing on her lips and he’s extremely pleased - almost smug. He’s used the hood to stay close to Laurel all season long. She’s hemmed and hawed about whether or not The Vigilante is a good guy, but it seems she’s solidly pro hood at the moment.

Oliver: He’s lucky to have you in his life. I know the feeling.

This conversation takes place about twenty feet from the bedroom Laurel is staying in with HER BOYFRIEND who is supposed to be Oliver’s best friend.  He gently touches her arm, they hug and Oliver presses Laurel’s head to his chest, all while Tommy is listening. The way Oliver speaks to Laurel, the way he touches her, is anything but ok.

Source: @htbthomas

One of the fatal flaws of Lauriver is the writers tell rather than show. I’m a little unclear what “change” Laurel is referring to in Oliver because we don’t get scenes of them discussing anything REAL. So, we’re just supposed to accept through the course of the season Laurel has seen change in Oliver Queen.

But she doesn’t qualify what that change is. Is he more selfless? Is Oliver more communicative? Is he more honest? I don’t know what that word means to Laurel. The last time we saw Oliver and Laurel interacting on a personal level was at least 1x09 or 1x10 and those scenes were really about Laurel finally moving on with Tommy.

SO. WHY. DOESN’T. OLIVER. LET. HER. MOVE. ON????????????!!!!

Oliver is desperate for Laurel’s forgiveness. He’s so desperate for it that he uses The Hood as a way to prove he’s a different person now and to develop a relationship with Laurel he cannot otherwise have as Oliver Queen. As The Hood, there is no Sara. As The Hood, there is no betrayal. As The Hood, he can rebuild trust and find a way to stay in Laurel’s life. As The Hood, he can be the hero. If Oliver can fix things with Laurel it’s like the last five years never happened. Oliver may have a mission to save the city, but what he’s really chasing is absolution.

I’m going to harp on this until I am blue in the face and I’m nowhere near done discussing it in these final three episodes. Nothing has truly changed between Laurel and Oliver. He was lying to her five years ago and he’s lying to her now. Love based on deception isn’t love. There can be no absolution without honest confession.

Tommy: You still love her, don’t you?

Source: mymarsrevolution

This is a popular line used in Olicity fanvids, but it’s not about Felicity. It’s about Laurel. This discussion about Laurel between Oliver and Tommy is so patronizing. It’s like Laurel is a toy they are arguing over.  The men get to decide who gets to “keep” her. The men decide what information she needs and who she really belongs with. This choice is neither Oliver nor Tommy’s to make. Laurel deserves the full truth and to decide for herself if she wants to be with either of them.

Source: @bj-hunnicutts

But what Oliver says is so toxically self serving it makes my blood boil. He’s inserted himself as The Hood in Laurel’s life as a sexy, leather clad, dangerous, bow & arrow wielding, romance novel, shadow figure who heroically saves her life again and again (because women hate guys like that). Oliver develops an emotional attachment between Laurel and The Hood to keep his hooks in her just enough to muddy the waters with Tommy.

Now he’s reinserting himself into her life as Oliver Queen, but just as a “friend” while carrying on an emotional affair with her. He has ZERO intention of ever being honest or having a real relationship with her. Oliver dresses it up as heroic selflessness, but if he was really being selfless – he would leave her alone completely. Oliver doesn’t want to be with Laurel, but he doesn’t want her to move on from him either. It’s selfish.

Oliver isn’t the only one lying to Laurel. Tommy is too, but we know why. Oliver’s secret is not his to tell, but there’s another reason he finally admits to in “Home Invasion.”

Source: @htbthomas

Is Tommy right about Laurel choosing Oliver? Yeah, probably. I believed that when I first watched Season 1 and I still believe it now. If she was fully committed to Tommy then The Hood couldn’t have any effect on her. If Laurel was fully committed to Tommy, then Oliver would truly be just a friend. She would tell Tommy about the lunches. Or she would say it’s not appropriate and she cannot be the shoulder Oliver cries on.

Instead, Laurel tethers herself to both The Hood and Oliver in a way that grazes the line between friends and more than friends. Those lines should always be clear if you are in a committed relationship. She is being unfair to Tommy.

But again, Laurel isn’t dealing with all the information. So, there’s only so much I fault her at this point. What Oliver is doing is very manipulative and it shows, quite frankly, that when it comes to Laurel – he hasn’t changed much. It doesn’t endear Laurel to me that she can’t see Tommy is the perfect man for her, but at this point in the season I am laying the blame for this toxic cycle more at Oliver’s feet than hers.

Unfortunately, Tommy makes the biggest mistake of his life and breaks up with Laurel. I understand why. Tommy has some self respect and knows there’s something going on between Laurel and Oliver. Tommy knows he’s competing with a mythic romance novel like persona and he feels he doesn’t measure up in comparison, which is the real reason he leaves. He’s wrong in every way possible. You don’t need to dress up in a hood and save the city to be a good man.

Tommy: I guess I haven’t changed as much as we all thought then.

He can barely get the words out as he ends their relationship. Laurel is understandably shocked and confused. This seems to be a 180 degree turn from where they were just a day ago. To say this breakup was abrupt would be an understatement.

The saddest part is Tommy truly has changed. He should stay and fight for Laurel because what they have is real and worth saving. They’ve made their own history, one that doesn’t have anything to do with Oliver Queen. (Are you feeling the Joey & Pacey versus Dawson parallel?)

But Tommy is right about something. Laurel and Oliver need to deal with their baggage, so she can find always with the right man - the man who wants a future with her and not the man trying to erase the past.

Oliver and Diggle

If Arrow is pushing us to root for a Laurel and Oliver reunion, they are doing a spectacularly bad job at it. Oliver has promised Diggle he will help kill Floyd Lawton, but in the end he abandons John and Deadshot gets away. Diggle feels betrayed primarily because well… Oliver betrayed him. 

Diggle: I needed you there, man.

The choice between Lawton and Rasmus was a simple one. Deadshot was the bigger threat and the harder target to capture. Oliver can be pretty mechanical when it comes to making these types of choices, so it was surprising when he chose the corrupt investment broker over the assassin.

Four ARGUS agents died trying to capture Lawton. It really didn’t need to be a choice for Oliver. Why couldn’t Felicity call in a tip to Detective Lance and let Starling PD arrest Rasmus?

Source: bj-hunnicutts-blog

Because then The Hood couldn’t be the hero for Laurel. Oliver got to strut into the mansion and announce Rasmus was arrested, there was no longer a threat to the boy or Laurel, and The Hood was the man who saved the day. The pleased little smile on Laurel’s face, this latest rescue more proof that The Hood was a good man who cared for her, was Oliver’s reward. He scored points with Laurel. Oliver may not be cashing them in, but he’s collecting points all the same.

This does not make his actions completely altruistic, which is why Diggle is angry. John knows Oliver was trying to look good in front of Laurel and he put that desire before his friendship with John. Proving to Laurel that he’s a changed man is just as much a part of Oliver’s mission as The List. He broke his promise to John.  Oliver didn’t help Diggle complete his mission to avenge his brother. Instead, Oliver continued to pursue his own.

 Source: bj-hunnicutts-blog

If Oliver choosing Laurel is a good thing then why is there all this collateral damage around him?  Tommy, Diggle, Lyla, ARGUS agents, even Felicity, have been hurt by this choice.

Oliver: Something to say, Felicity? Felicity: Nothing you want to hear.

This is not an accident on the writers’ part. They could’ve easily shown the scenario I posed about (re: Felicity tipping off Quentin) or Diggle understanding and supporting Oliver choosing Laurel. It didn’t have to play out like this. Remember they are the ones crafting the story here. It’s their choice.

They are doing this for a REASON. Oliver did not make the right decision in “Home Invasion.” The writers are not saying Oliver and Laurel should be together and the rest of the world be damned. Quite the opposite.

Relationships cannot exist in a bubble. Just because you love someone doesn’t give you the right to hurt people in the name of that love. We can become blind to other people's feelings and consumed by our emotions for one singular person, but that’s not necessarily a good thing.

Spike: Trust is for old marrieds, Buffy. Great love is wild and passionate and dangerous. It burns and consumes.

Buffy: Until there's nothing left. Love like that doesn't last.

Not a BTVS fan? Let’s try The Vampire Diaries:

Damon: I thought you broke my heart so I ripped open Aaron’s neck that is how much control you have over me.

Elena: And I'm still here, that's how much control you have over me.

Damon: Listen to us. This is toxic. We are in a toxic relationship, Elena.

Oliver isn’t consumed by love for Laurel, but he is consumed by regret. Guilt can be just as powerful emotion as love. We know Oliver hasn’t always chosen Laurel – hell we saw it in the freaking flashback this episode.

Oliver kisses Shado as she tries to teach him to be an archer. He’s been away from Laurel (AND SARA) for few weeks (months?) and he’s already kissing someone else. These are not the actions of a man deeply in love.

Oliver: There’s someone. And it’s a mile past complicated, but I can’t.

Shado: Does she know how much you love her?

Oliver: I suspect right now she doesn’t. But as soon as I’m home, she will.

The Arrow writers either have a very wacked perspective on what love, fidelity and devotion mean or they are trying to make a point. Oliver didn’t choose Laurel in the past and it led to some disastrous consequences.

But Oliver choosing Laurel in the present has also led to some disastrous consequences. So maybe, just maybe, Oliver and Laurel isn’t a good thing. True love wouldn’t leave this much human wreckage in its wake. Maybe this isn’t the “always” Oliver should be pursuing. 

Diggle: The only thing that will stop me from going out that door is an arrow.

And they are using John Diggle, the man guiding Oliver on his path to righteousness, to make that point.

Stray Thoughts

HE LOOKS. You cannot beat the Stemily chemistry. These scenes are gold.

YASSS Diggle shirtless. There needs to be more Diggle shirtless.

Lyla is pissed John didn’t tell her Deadshot killed his brother. She’s going to arrest him if he continues to get in the way. Hmm… handcuffs. Has potential. *evil cackle*

Tommy also lied to Laurel about Oliver being cool with him leaving the club for a job with his dad. It’s like watching these two swirl down a toilet bowl honestly.

Oliver in a towel is always welcomed no matter how ticked off I am at him.

“I can’t explain it but it feels like my life is connected to his.” Roy and Thea are united in the hunt for The Hood. Finally these two get a storyline I care about.

The badge was a fake. This is actually a really good safety tip. Should I know what a valid badge number looks like? Feel like I should know that.

“I’m feeling like it might be time for you to move.” Preach.  Does Laurel have insurance? Who pays to fix her apartment all the time? I think she’s needed a new couch like three times already.

Lyla’s code name is Harbringer. Hello comics!

Lawton doesn’t kill Diggle because he hasn’t been paid to? That is convenient, isn’t it? Come on show. Do better with valid reasons for getting characters out of jams when Oliver isn’t available.

Are we going to talk about WHY a world class assassin was hired to kill John’s brother? I feel like there’s major backstory there.

Where is Shado getting all the arrows?

“I liked who my son was when he was around you.” If Moira Queen is pro Lauriver then that’s all the proof I need to swear off that relationship. The evil spirits are coming to get me. No thanks.

Oliver has killed 26 people (that the cops know about) since returning home. Yeesh. That’s a lot.

Can you really break off a doorknob to keep someone from entering the room?

“No, Ollie is still out there!” Oh honestly Tommy, just let her go. Maybe a bullet will snap some sense into her.

Listen to the Watchover podcast reaction to 1x20!!!

If you’d like to support the blog, please buy me a cup of tea!

Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me

#arrow #arrow 1x20 #arrow reviews #merlance #anti lauriver #anti laurel lance #olicity #john diggle #oliver queen #oliver and diggle #oliver and felicity #arrow season 1 #arrow rewatch #olicity fandom #arrow fandom #season 1 episode review #season 1 episode reviews #watchover podcast

[knotthatdeep]

Just finished watching IASIP and then the podcast earlier this month and I have to get this off my chest: Mac being gay was an awful decision given how and when it happened in the show.

Saying Mac is gay isn’t bi erasure because he canonically is, but tbh RCG making Mac gay was bi erasure. And I don’t get Sunny fans who get so fucking mad at discourse wrt Mac’s sexuality.

Yeah he’s canonically gay now but he was written for 7 whole seasons as being enthusiastically attracted to women. RCG make comments on the pod all the time about Mac being genuinely straight in early season’s episodes. Rob even thinks that applies to MADBU which I think most people would consider to be an early episode where Mac appears pretty queer coded. (I even saw someone on the subreddit of all places call out that comment from Rob).

The continuity in this sense is terrible and the show pretending it was always there when they decided to make it canon was whiplash. For example Dennis seems to know Mac is gay in Gets Analyzed meanwhile like a few episodes earlier in s7 he was saying Mac barges while he has sex so Mac can see women naked. The characters claim they’ve always known Mac is gay despite the million instances that contradict that because the writers didn’t know. It’s jarring.

There are so many moments where Mac seems actually attracted to women considering that was the intent at the time that people are naturally going to have discourse about them retconning his sexuality. I watch Mac in episodes like Charlie Wants an Abortion, Billboard ep, The Gang Reignites the Rivalry, Storm of the Century, The Anti Social Network, etc and it’s almost laughable that I am then supposed to believe that is a gay man come s8 where he’s no longer attracted to women at all and they pretend he never was.

They’ve taken Mac’s sexuality somewhat more seriously since the The Gang Goes to Hell (which I learned got a lot of backlash) but before that it was clearly a flippant joke they came up with after running out of ideas for Mac after fat Mac. They obviously thought it’d be funny because Mac was a homophobe with a fascination with ripped dudes and RCG appear to have thought no sexualities besides gay and straight seriously exist. Zero interest in whether Mac being 100% gay would be cohesive with prior writing for the character and they all but say that when rewatching with their constant “Mac is so straight here” remarks.

It’s normal for gay people to have internalized homophobia and convince themselves they’re something they’re not but because there was no evident or intended struggle for Mac early on the rapid change is a giant 180 that isn’t easily justified in all respects.

I’m not even saying I deem Mac as a bi character because he hasn’t been written as attracted to women for 9 seasons now or think he’s too dumb to know what that is but it’s funny when people are like “how could anyone question that Mac is just gay?” because he was written as a straight man for like 40% of the show and the writers don’t even retrospectively read him as closeted but straight turned gay because there was no other options to them ig.

I relate a lot to Mac when they started writing him as closeted and his coming out story but honestly everything before it often undercuts it which is amplified when RCG talk about early seasons Mac.

#I’m gay but should’ve been bi #I wouldn’t want them to retcon his sexuality AGAIN they just shouldve made him bi in the first place #mac mcdonald #iasip #it’s always sunny in philadelphia

[alecmagnuslwb]

oh and also bc i just saw, for the other ask meme: it's always sunny 👀 tyyy

Send me a show/movie/fandom

I've been rewatching lately so these are fresh in my brain 💛

my favorite female character: Dee Reynolds. My fail girl princess. And I can't not give a shout out to Artemis, she's just perfectly weird.

my favorite male character: Eternally oscillating between Charlie and Mac, depending on the episode. Part of me wants to say Frank, just cause I know no one ever says Frank though.

my favorite book/season/etc: Season's 4 and 6 are pretty much perfect, 9 is also up there pretty high for me.

my favorite episode (if its a tv show): With 16 seasons and counting I don't think I can pick just one, my go to's are Mac & Charlie Die Part 1 & 2, Charlie Catches a Leprechaun, Mac & Charlie White Trash & The Gang Gets Quarantined. (There's a real one part Charmac, one part Reynolds family dynamic happening in a lot of my favorite episodes I'm realizing, but not surprised about it.)

my favorite cast member: Danny Devito and Kaitlin Olson are objectively so much cooler than everyone else, but I listen to the podcast and it's made me a bit of an RCG girl.

my favorite ship: Charmac. I don't think any of them should ever actually get together, they should be stuck as a group forever, but I love a good childhood friends to lovers and I see the vision of Charmac and what it could be.

a character I’d die defending: Maureen Ponderosa, if a girl wants to be a cat let her be, you should have buried her in that pet cemetery Dennis! I also truly delusionally think Dee has done nothing wrong.

a character I just can’t sympathize with: I do not support the lifestyle the McPoyle's have embraced.

a character I grew to love: Mrs. Mac and Mrs. Kelly were both just kind of there at first for me, but now I always look forward to when they're in an episode. I almost said Dennis as if I didn't hear him say 'the boys are out tonight, huh?' in the very first episode and I never looked back.

my anti otp: I don't really have one I just clearly prefer something to the majority, I'll say diplomatically lol.

#these answers got long oops #thank you for asking!! #answered #izzymalec

[missjiru]

La la la la la~

I've been doing my annual rewatch of Daria so here's an oldish piece of the monotonous, sarcastic, anti-social queen. Daria was always one of my favourite strong, independent female characters and she definitely helped this awkward nerd girl get through high school.

I also may have fallen into binge reading Daria x Trent fanfics on AO3 which may or may not inspire some smutty fanart...

Also, the themes on Sick Sad World are some of the best one offs and would probably make for some interesting podcasts.

Also also, I really want to add a Mystik Spiral shirt to my band tee collection.

#daria #daria morgendorffer #90s cartoons #misery chick #sick sad world #mtv #fanart #my art #artists on tumblr #t42art #gpoy

[colorcodedbeanies]

Debuting this thing so my twitter followers don't have to suffer me. I'm Jacob and I'm in BBCU hell. Having committed myself to another rewatch, I'm just gonna go ahead and lay out some ground rules.

-Given that a lot of really excellent work has already been done on Breaking Bad and masculinity I instead want to focus my analysis more on how this series handles criminality and the construction of mid 2000s middle class white suburbia. That analysis is going to involve a permanent content warning for discussions of

Racism

Police brutality

Law enforcement

Prisons

Addiction/criminalization of addiction

Anti-blackness

Disability/ableism

Misogyny

Homophobia

Potentially transphobia as I get more into the weeds with Jesse

With that in mind I think its important to lay out my credentials. I'm a white transmasculine bisexual American with a background in queer studies, as well as some critical background in postcolonialism. My work is influenced by non-white critics within my personal circle, as well as some lived experience with the American justice system, so I like to think I'm not talking out of my ass here about these topics. That said, in the very possible event that I overstep I am open to correction, apology, and reevaluation. I also want it on the table that my work should be interpreted as strictly within the bounds of the fiction. I don't know Vince Gilligan or Peter Gould or Gordon Smith and don't wish to credit them for a racial consciousness they simply may not possess, I certainly don't hear them talking about this on the insider podcast or in interviews. I'm going to have positive and negative things to say about how this show handles the construction of whiteness, but its worth noting from the outset that I have high skepticism that any of this was on purpose. Its just kind of an inevitable result when you make media this steeped in Americana. Americana is a LOT about race.

With the bonafides out of the way, I plan to upload longform recap posts based on my notes that I make while watching. No consistent schedule, just whenever I put them together. Lot of reblogs I imagine as well, both of the shitpost variety and other analysis that I find interesting or related to my particular areas of interest.

UPDATE: This needs to be specified apparently but no TERFs or gendercrits allowed!

And as always, we invite you to try the spice curls

#breaking bad #personal #long post #introductions #rules of engagement