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#and warping things than actually drawing
arackoondraws · 1 month
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A drawing of the best winter outfit in the game
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pearl-kite · 11 months
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I was going to also make a ref sheet for Gale for my first art fight, but now that I have that research exception I imagine I'm going to be spending pretty much all of my free time cramming 6 months of capstone into 6 weeks, so
So here, have what I had finished before, because there's currently no reason for me to finish any outfits v_v
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dromaeo-sauridae · 1 year
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good caption here
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thewertsearch · 21 days
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[Dave] goes underground and discovers gold ruins. Before entering, he's interrupted by Karkat who uses a memo to warn both him and John about their involvement with Terezi and Vriska, telling them the scourge sisters are partaking in a dangerous game of rivalry fueled flirtation which has gotten both him and John killed at least once each.
Initially, I wasn’t sure we’d seen all four of these deaths - but on reflection, I think I can actually list them.
John was manipulated to his death by Terezi, creating Davesprite’s timeline.
He was also killed by Jack, as part of Vriska’s plan to turn him into a god.
Green-Suit Dave was killed as the result of Terezi’s game/experiment.
Red-Suit Dave was killed by DD, who was acting on Vriska’s suggestion to create Bec.
Bro is slain by his own sword, and the body is discovered by Dave later, who can't bring himself to retrieve the sword.
Bro's death is canon - but, at least for now, Davesprite's death is not. Hope is the thing with feathers.
[Dave] then goes on to make all the money needed, to buy all the fraymotifs, which are powerful battle techniques purchased from consorts, and to reach the top of his echeladder.
I’m interested in seeing these Fraymotifs in action – particularly the combined ones that we saw in John’s walkaround.
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John appears to be getting a combination attack with each of his co-players. Based on what we know of their respective Aspects, I'll brainstorm some hypothetical techniques that match these names.
Ivories in the Fire [Breath/Time]: I'm picturing John and Dave's combination attack as a time-accelerated hurricane. The main problem with weather manipulation is that it tends to be rather slow; John's storms come out relatively fast, but Dave's help, he can bring them out instantly, firing gales off with the speed and precision of lasers.
Mixolydian Maelstrom [Breath/Light]: A maelstrom of light and wind sounds like something John and Rose would use to distract foes, rather than directly harm them. I think this could be a smoke-and-mirrors technique, summoning strobe lights and clouds of dust to confuse and disrupt large groups of enemies.
Fantasia’s Inhale [Breath/Space]: This sounds like some reality-bending shit. Maybe the Prospit siblings can warp space in a way that synergizes with John's normal fighting style. For example, they could lower the mass of any objects in their vicinity, allowing John's wind to launch much larger objects than normal.
With [Dave’s] massive reserve of grist accumulated in his travels and his more advanced torrenting capabilities, he allows Jade to alchemize some sophisticated equipment right away.
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This is a good point that I didn’t catch at the time. The GristTorrent we saw in the comic has an extremely slow download speed, but Jade quickly had millions of grist to spare. Dave had to have a way to speed up the transfer.
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[Jade] makes her entry item from the pre-punched card. A tree sprouts from the alchemiter, and a green Bec-shaped pinata dangles from a branch.
Oddly enough, Jade’s entry item spawned the same tree that John’s did. Rose and Dave’s items didn’t have anything in common, so it's just the Prospit siblings whose items share traits.
How typical is this phenomenon? Does it mean anything? With this comic, it's often difficult to tell.
As the clock ticks down to the CRITICAL EVENT, the most important character in Homestuck sits and watches this pandemonium ensue. And then, the second most important character in Homestuck positions a shitty drawing of himself in front of a typewriter and writes this recap.
Gamzee is now more important than Hussie, for whatever that’s worth. What the hell is going on with this guy?
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wingedblooms · 4 months
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Blooming dreams
Gardeners, I think, dream bigger dreams than emperors. (Mary Cantwell)
This meta is a continuation of my thoughts over the years, but especially the ones expressed in the following links. Please be aware that there are major hofas spoilers in this post and avoid if needed.
Secret, lovely seer / Forbidden secrets
A rose in the thorns / The flower of life
Seer, wise woman, witch / Three sisters witches / Starborn light
Since my first meta, I have been fixated on Elain’s connection to the Mother, Cauldron, and Fate (let's call her Wyrd) and her potential powers, including sight, shapeshifting, and healing. They are all related when you’re talking about Wyrd, though I am not here to say what I have written is what Sarah has planned. This post is more a love letter to Sarah’s mystical and earthy depiction of Elain and what I would love to see in her story based on all the seeds she’s planted (and if there is an actual magical bean seed involved, I’ll love her all the more for it). Thanks especially to @psychologynerd for previewing this fever dream of a post.
I gazed again at that sad, dark house—the place that had been a prison. Elain had said she missed it, and I wondered what she saw when she looked at the cottage. If she beheld not a prison but a shelter—a shelter from a world that had possessed so little good, but she tried to find it anyway, even if it had seemed foolish and useless to me. She had looked at that cottage with hope; I had looked at it with nothing but hatred. And I knew which one of us had been stronger. (acotar)
From the first book in the series, Feyre recognizes that Elain views things differently. She views things that are sad and dark with hope, and that’s why Sarah has called her the quiet dreamer. It’s a strength that sets her apart. I like to think that’s also what the Cauldron—though warped by the Asteri—saw when she was forced into its womb. 
The Cauldron seemed to realize what she’d done, too, as his head thumped onto the mossy ground. That Elain…Elain had defended this thief. Elain, who it had gifted with such powers, found her so lovely it had wanted to give her something…It would not harm Elain, even in its hunt to reclaim what had been taken. (acowar)
@silverlinedeyes and I wondered if it may have recognized Elain as a kindred spirit, some echo of its Mother form. A creator, life-bringer. Were the waters of the Cauldron more like Silba’s Womb—a darkness of creation, sweet and lovely—when Elain was immersed? Or is it possible that when Elain entered its dark womb she viewed it differently than her sister? Did she see a wounded creator to help rather than an enemy to combat? 
Elain’s hopeful perspective might be why it gifted her with such powers, powers that we know allow her to see differently than others. And since it may have enhanced her unique perception, I wonder if it also enhanced her ability to bring life and beauty into the world. As a gardener, Elain is well acquainted with the task of envisioning her garden and then getting her hands dirty to make that vision a reality. Dream and reality are entwined in gardening, just like her Sight.
“She loves to garden. Always loved growing things. Even when we were destitute, she managed to tend a little garden in the warmer months. And when–when our fortune returned, she took to tending and planting the most beautiful gardens you’ve ever seen. Even in Prythian. It drove the servants mad, because they were supposed to do the work and ladies were only meant to clip a rose here and there, but Elain would put on a hat and gloves and kneel in the dirt, weeding. She acted like a purebred lady in every regard but that.” (acowar)  If Elain was a blooming flower in this army camp, then Nesta…she was a freshly forged sword, waiting to draw blood. [...] Nesta stared them all down. Elain kept her focus on the dry, rocky ground. (acowar)  She had no mental shields, no barriers. The gates to her mind…Solid iron, covered in vines of flowers–or it would have been. The blossoms were all sealed, sleeping buds tucked into tangles of leaves and thorns. (acowar) If Elain’s mental gates were those of a sleeping garden, Nesta’s…They belonged to an ancient fortress, sharp and brutal. The sort I imagined they once impaled people upon. (acowar)  “What now?” Elain mused, at last answering my question from moments ago as her attention drifted to the windows facing the sunny street. That smile grew, bright enough that it lit up even Azriel’s shadows across the room. “I would like to build a garden,” she declared. “After all of this…I think the world needs more gardens.” (acowar) 
As we saw in acosf for Nesta—a new type of warrior who forges magical swords and retrieves the Harp from an ancient fortress (the Prison) connected to the Starborn—these descriptions are clearly meant to foreshadow what occurs in the sisters’ stories. While Nesta is a freshly forged sword, Elain is blooming life in Illyria. And what do we learn in hofas? 
“The Cauldron,” Nesta said hours later, pointing to yet another carving on the wall. It indeed showed a giant cauldron, perched atop what seemed to be a barren mountain peak with three stars above it. Azriel halted, angling his head. “That’s Ramiel.” At Bryce’s questioning look, he explained, “A mountain sacred to the Illyrians.”  Bryce nodded to the carving. “What’s the big deal about a cauldron?” [...]  “All life came and comes from it,” Azriel said with something like reverence. “The Mother poured it into this world, and from it, life blossomed.” (hofas)
We receive confirmation that the Cauldron is associated with the sister peaks, as I suspected, and Ramiel in particular as @merymoonbeam has previously suggested. 
Before Bryce could contemplate this further, Silene went on, But my mother and father knew they needed the most valuable of all the Daglan’s weapons. Bryce tensed. This had to be the thing that had given them the edge— The snows around Ramiel parted, revealing a massive bowl of iron at the foot of the monolith. Even through the vision, its presence leaked into the world, a heavy, ominous thing. “The Cauldron,” Nesta said, dread lacing her voice. […] “The Cauldron was of our world, our heritage. But upon arriving here, the Daglan captured it and used their powers to warp it. To turn it from what it had been into something deadlier. No longer just a tool of creation, but of destruction. And the horrors it produced…those, too, my parents would turn to their advantage.”  [...] “They fought the Daglan and won, she went on. Using the Daglan’s own weapons, they destroyed them. Yet my parents did not think to learn the Daglan’s other secrets—they were too weary, too eager to leave the past behind.” (hofas) 
In Forbidden secrets, I theorized that Elain’s powers might allow her to map the secrets of the land in order to heal it and @offtorivendell discussed magical mounds in her theory on reviving dusk. It seems like the Asteri did indeed leave secrets behind, which might explain why certain places continue to be forbidden and barren. But we are given hope that they do not need to remain that way. In hofas, Bryce wakes and wields the land belonging to her Starborn ancestors on the Prison island:
And precisely as Theia had gifted her own power to Silene … perhaps Silene had in turn left that same power here, to be claimed by a future scion. One by one, rapid as shooting stars, the thoughts raced through Bryce. More on instinct than anything else, she dropped to her knees and slammed her hand atop the eight-pointed star. Bryce reached with her mind, through layers of rock and earth—and there it was. Slumbering beneath her. Not firstlight, not as she knew it on Midgard—but raw Fae power from a time before the Drop. The power ascended toward her through the stone, like a glimmering arrow fired into the dark— [...] Like a small sun emerging from the stone itself, a ball of light burst from the floor. A star, twin to the one in Bryce’s chest. Her starlight at last awoke again, as if reaching with shining fingers for that star hovering inches away. With trembling hands, Bryce guided the star to the one gleaming on her chest. Into her body. White light erupted everywhere. Power, uncut and ancient, scorched through her veins. The hair on her head rose. Debris floated upward. She was everywhere and nowhere. She was the evening star and the last rays of color before the dark. Azriel had nearly reached the tunnel. Another flap of his wings and he’d be swallowed by its dark mouth. But at a mere thought from Bryce, stalactites and stalagmites formed, closing in on him. The room became a wolf, its jaws snapping for the winged warrior— The rock had moved for her, as it had for Silene. “Stop him,” she said in a voice that was more like her father’s than anything she’d ever heard come out of her mouth. Azriel swept for the tunnel archway—and slammed into a wall of stone. The exit had sealed. Slowly, he turned, wings rustling. Blood trickled out of his nose from his face-first collision with the rock now in his path. He spread his wings, bracing for a fight. The mountain shook, the chamber with it. Debris fell from the ceiling. Walls began shifting, rock groaning against rock. As if the place this had once been was fighting to emerge from the stone. [...] From far away, she could sense it: the things lurking within the mountain, her mountain. Twisted, wretched creatures. Some had been here since Silene had trapped them. Had been contemplating their escape and revenge all this time. She’d let them out if she restored the mountain to its former glory. And in that moment, the mountain—the island—spoke to her. Alone. It was so alone—it had been waiting all this time. Cold and adrift in this thrashing gray sea. If she could reach out, if she could open her heart to it…it might sing again. Awaken. There was a beating, vibrant heart locked away, far beneath them. If she freed it, the land would rise from its slumber, and such wonders would spring again from its earth— (hofas)
The mountain–Bryce’s mountain–speaks to her, asking her to open her heart to it so it can finally rise from its slumber. Cue internal screaming, my friends, because this language was intentional and it might finally explain Elain’s conversation in this scene: 
She looked away—toward the windows. “I can hear your heart,” she said quietly. He wasn’t sure how to respond, so he said nothing, and drained his tea, even as it burned his mouth. “When I sleep,” she murmured, “I can hear your heart beating through the stone.” She angled her head, as if the city view held some answer. “Can you hear mine?” He wasn’t sure if she truly meant to address him, but he said, “No, lady. I cannot.” (acowar)
Elain’s hearing is a source of concern after she is Made because it is unusually heightened; she hears so many things, usually connected to the nature around her as @silverlinedeyes theorized. Like calls to like, and so she might be able to hear the beating heart of the land around her, even as it slumbers. Perhaps that is why her eyes were drawn to the barren ground in Illyria.
Vesperus, an Asteri trapped in a glass coffin below the Prison, tells us more about the connection between the Cauldron and the land: 
“I am the Evening Star,” Vesperus seethed. Bryce rolled her eyes. “Fine, we’ll call you the Evening Star, too. Happy?” “Is it not fitting?” A wave of long fingers capped in sharp nails. “I drank from the land’s magic, and the land’s magic drank from me.” [...] Vesperus folded her hands in her lap. “A planet that was once green, as this one is.” “And that wasn’t good enough?” “We grew too populous. Wars broke out between the various beings on our world. Some of us saw the changes in the land beginning—rivers run dry, clouds so thick the sun could not pierce them—and left. Our brightest minds found ways to bend the fabric of worlds. To travel between them. Wayfarers, we called them. World-walkers.” [...] “Once we left our home world, our powers began to dim. Too late, we realized that we had been dependent on our land’s inherent magic. The magic in other worlds was not potent enough. Yet we could not find the way back home. Those of us who ventured here found ways to amplify that power, thanks to the gifts of the land. We pooled our power, and imbued those gifts into the Cauldron so that it would work our will. We Made the Trove from it. And then bound the very essence of the Cauldron to the soul of this world.” Solas. “So destroy the Cauldron…” “And you destroy this world. One cannot exist without the other.”
This should come as no surprise because we saw this play out in acowar, but the Cauldron is tied to the soul of their world. The term soul is intentional, and we will return to it in a bit, but I started to wonder in Forbidden secrets about that connection. The influence of Wyrd is especially clear in the sacred peaks, where the Asteri left behind their secrets. Could Elain unravel the Asteri’s magic from the slumbering heart of the earth, and unbind the Cauldron as a result? Or will she need to go to Cretea to retrieve and purify the magic of the Asteri from the Cauldron like a healer would, in body and in spirit? (Hello, Nephelle celebrations, let’s go.) Nothing feels more right than seeing our strong-willed gardener get her hands dirty as she rips out the Asteri from the root, or beating heart, of their world. Sarah may have even hinted at this role for Elain as she describes getting into her mind for her book:
“There was literally ivy everywhere: in the garden beds, wrapped around the trees, crawling up the sides of the house. So I went into this obsessive, I-need-to-rip-out-every-last-strand-of-ivy-before-I-have-this-baby mode. And I remember the entire time I was ripping out the ivy, and trying to get some semblance of order into the garden beds, I just slipped into Elain’s head. Elain is a gardener, and everything I did during those weeks became research for her book. I’m not even joking. Elain’s now going to have dreams about ripping ivy out and the ivy creeping in through the windows to strangle her at night, because let me tell you, that ivy does not want to go.” (Sarah’s interview in acofas) 
English ivy is an aggressive invader and its hosts decline over time before they die. That’s exactly what the Asteri are: aggressive invaders that feed off of their hosts, warping the power of the land for their sole benefit, until it begins to wither away. In hofas, we learn that the Asteri hid their power throughout the land, including at the root of sacred mountains:
Vesperus backed up a half step, hissing at the gleaming weapon. “We hid pockets of our power throughout the lands, in case the vermin should cause … problems. It seems our wisdom did not fail us.”
“There are no such places,” Azriel countered coldly.
“Are there not?” Vesperus grinned broadly, showing all of her too-white teeth. “Have you looked beneath every sacred mountain? At their very roots? The magic draws all sorts of creatures. I can sense them even now, slithering about, gnawing on the magic. My magic. They’re as much vermin as the rest of you.” (hofas)
And we see the moment Bryce discovers that Vesperus has hidden her power in the root of the Prison mountain, which is what sustains her and weakens the land: 
Bryce clutched the Starsword tighter. Its power thudded into her palms like a heartbeat. “But why store your power here? It’s an island—not exactly an easy pit stop.” “There are certain places, girl, that are better suited to hold power than others. Places where the veil between worlds is thin, and magic naturally abounds. Our light thrives in such environments, sustained by the regenerative magic of the land.” She gestured around them. “This island is a thin place—the mists around it declare it so.”  […] “Every world has at least one thin place,” Vesperus drawled. “And there are always certain people more suited to exploit it—to claim its powers, to travel through them to other worlds.” […] “Theia had the gift,” Vesperus said, “but did not understand how to claim the light. I made sure never to reveal how during her training—how she might light up entire worlds, if she wished, if she seized the power to amplify her own. But you, Light-Stealer…She must have passed the gift down to you. And it seems you have learned what she did not.”  Vesperus peered at her bare feet, the rock beneath. “Theia never learned how to access the power I cached beneath my palace. She had no choice but to leave it there, buried in the veins of this mountain. Her loss—and my gain.” Oh gods. There was a fucking firstlight core here, far beneath their feet— (hofas)
These thin places are where ley lines—highways for magic and communication—overlap, allowing travel for those who are suited to it (wayfarers). Starborn and Asteri alike seem to be suited to these places, and have used them to store their power, causing the land around it to wither. 
“Ley lines,” Bryce breathed. Aidas nodded. “These lines are capable of moving magic, but also carrying communications across great distances.” Like those between the Gates of Crescent City, the way she’d spoken to Danika the day she’d made the Drop. “There are ley lines across the whole of the universe. And the planets—like Midgard, like Hel, like the home world of the Fae—atop those lines are joined by time and space and the Void itself. It thins the veils separating us. The Asteri have long chosen worlds that are on the ley lines for that exact purpose. It made it easier to move between them, to colonize those planets. There are certain places on each of these worlds where the most ley lines overlap, and thus the barrier between worlds is at its weakest.” Everything slotted together. “Thin places,” Bryce said with sudden certainty. “Precisely,” Apollion answered for Aidas with an approving nod. “The Northern Rift, the Southern Rift—both lie atop a tremendous knot of ley lines. And while those under Avallen are not as strong, the island is unique as a thin place thanks to the presence of black salt—which ties it to Hel.” “And the mists?” Hunt asked. “What’s the deal with them?” “The mists are a result of the ley lines’ power,” Aidas said. “They’re an indication of a thin place. Hoping to find a ley line strong enough to help her transfer and hide Theia’s power, Helena sent a fleet of Fae with earth magic to scour every misty place they could find on Midgard. When they told her of a place wreathed in mists so thick they could not pierce them, Helena went to investigate. The mists parted for her—as if they had been waiting. She found the small network of caves on Avallen … and the black salt beneath the surface.”
All of the sister peaks thrum with power and are at odds with the land around them. Barren. They might all be thin places, interconnected through ley lines...and hiding a cache of magic in the root (heart) of their souls.
Bryce’s ancestors, separated by the Void, planted clues for those with the gifts and vision to see it.
What had looked like etched seas or rivers of stars now filled in with starlight, became … alive. Moving, cascading, coursing. A secret illustration, only for those with the gifts and vision to see it. (hofas)
A secret carved in stone. What secrets remain under other sacred mountains, such as Ramiel? Is it any coincidence that Enalius, who defended Ramiel, was the owner of Truth-Teller? Or that the Cauldron is depicted there? Who would be equipped with the gifts and vision to uncover those secrets and finally set the soul of the land free, like Bryce? 
“Light blasted up through the blades into her hands, her arms, her heart. Bryce could hear it through her feet, through the stone. The song of the land beneath her. Quiet and old and forgotten, but there. She heard how Avallen had yielded its joy, its bright green lands and skies and flowers, so it might hold the power as it was bid, waiting all this time for someone to unleash it. To free it. […] Helena had bound the soul of this land in magical chains. No more. No more would Bryce allow the Fae to lay claim over anything. “You’re free,” Bryce whispered to Avallen, to the land and the pure, inherent magic beneath it. “Be free.” And it was. (hofas)
Helena bound the soul of Avallen in magical chains. Doesn't that sound like what the Asteri did with the Cauldron and the land? There are so many hints that Elain is set up to address this plot, but the one I find the most compelling is given by the Under-King when he confirms who Urd (Wyrd) is:
The Under-King lounged on a throne beneath a behemoth statue of a figure holding a black metal bowl between her upraised hands. Symbols were carved all over the bowl, continuing down her fingers, her arms, her body. Ithan could only assume it was meant to represent Urd. No other temples ever depicted the goddess, no one even dared—most people claimed that fate was impossible to portray in any one form. But it seemed that the dead, unlike the living, had a vision of her. And those symbols running from the bowl onto her skin…they were like tattoos.” […] “And she,” the Under-King went on, gesturing to that unusual depiction of Urd towering above him, “was not a goddess, but a force that governed worlds. A cauldron of life, brimming with the language of creation. Urd, they call her here—a bastardized version of her true name. Wyrd, we called her in that old world.” (hofas)
Now, doesn't that sound familiar?
Her gaze shifted to the carved wooden rose she’d placed upon the mantel, half-hidden in the shadows beside a figurine of a supple-bodied female, her upraised arms clasping a full moon between them. Some sort of primal goddess—perhaps even the Mother herself. Nesta hadn’t let herself dwell on why she’d felt the need to set the rose there. Why she hadn’t just thrown it in a drawer. (acosf)
The statues are essentially the same and Wyrd has already been described in terms that evoke the Mother, Cauldron, and Fate (Forces That Be). And Nesta just happened to feel the need (fateful tug?) to place Elain’s rose—a symbol of life and joy and beauty—right next to Urd, and drew our attention to it again in the final scene of her story. What do you want to bet that Wyrd, the Stone Mother, gave her favorite gardener the gifts and vision she needs to make her dream of building more gardens, of breathing life and beauty into the land, a reality?
Sarah has confirmed that the main female characters in her books are helped by others, usually a love interest and friends. So who might be foreshadowed to help Elain?
I dragged a hand over my face before going to Elain and touching her too-bony shoulder. “Can I set you up in the garden? The herbs you planted are coming in nicely.”  “I can help her,” said Azriel, stepping to the table as Elain silently rose. No shadows at his ear, no darkness ringing his fingers as he extended a hand. (acowar)  - “I’ll help you,” Nesta offered.  But Elain shook her head. “Nuala and Cerridwen will help me.”  Then she was gone–shoulders a little squarer.  - It was three by the time the others went to bed. [...] Azriel and Elain remained in the sitting room, my sister showing him the plans she’d sketched to expand the garden in the back of the town house, using the seeds and tools my family had given her tonight. (acofas)
It’s no coincidence that the characters closest to Elain possess unique powers that complement her own and relate specifically to the elements of Stone Mother. Azriel learned to speak the language of shadow and wind and stone, while the half-wraith twins are nothing but shadow and mist, able to walk through walls, stone as @psychee92 discusses here. Their magic likely thrives in thin parts of the world. It also isn't a coincidence that Nesta noticed and wondered this:  
“You came,” Elain said behind her, and Nesta started, not having heard her sister approach. She scanned Elain from head to toe, wondering if she’d been taking lessons in stealth either from Azriel or the two half-wraiths she called friends. (acosf) 
Their beautiful, wraith-like team has the gifts necessary to traverse the slumbering heart of the earth as easily as foreign courts, which is a hard combination to find and is uniquely suited for Elain’s mission to release the Cauldron and land from the magical chains of the Asteri. Especially since we learn that Bryce uses both blades of the Starborn to free Avallen from its magical chains:
On an exhale, she plunged the weapons into the slits in the eight-pointed star. The small one for the knife. The larger one for the sword.
And like a key turning in a lock, they released what lay beneath. (hofas)
They even help Bryce rid the land of the Asteri and their core of power, creating a larger void to devour the one the Asteri set in place. Back in acowar, as many have noticed, Sarah already planted this moment between Azriel and Elain:
I saw the painting in my mind: the lovely fawn, blooming spring vibrant behind her. Standing before Death, shadows and terrors lurking over his shoulder. Light and dark, the space between their bodies a blend of the two. The only bridge of connection…that knife. (acowar)
She and Azriel seem to represent the balance of light and dark in the Starsword and Truth-Teller, as @merymoonbeam theorized. The Starborn blade—the one belonging to Enalius—is a bridge of connection between them. Bryce leaves the Starsword (Gwydion) and Truth-Teller with Nesta, encouraging her to learn about her connection to the Starborn (eight-pointed star). That might mean the Archeron Starborn connection may happen after all. I could see Elain wielding those blades when needed, activating their magic as she seemed to do with Truth-Teller, to release the land from its magical chains. It would also be interesting if Elain and Azriel functioned like the Made blades themselves, releasing the Asteri’s chains with their own blend of raw magic, and watching joyously as life blooms in earnest again.
Once they remove the magical chains of the Asteri—on the land and their sacred Cauldron—perhaps we’ll also discover what exists between Elain and Azriel at last: 
Elain sat silently at one of the wrought-iron tables, a cup of tea before her. Azriel was sprawled on the chaise longue across the gray stones, sunning his wings and reading what looked to be a stack of reports–likely information on the Autumn Court that he planned to present to Rhys once he’d sorted through it all. Already dressed for the Hewn City–the brutal, beautiful armor so at odds with the lovely garden. And my sister sitting within it. 
“Why not make them mates?” I mused. “Why Lucien?” 
“I’d keep that question from Lucien.” 
“I’m serious.” I turned toward him and crossed my arms. “What decides it? Who decides it?” 
Rhys straightened his lapels before plucking an invisible piece of lint from them. “Fate, the Mother, the Cauldron’s swirling eddies…” (acowar)
@silverlinedeyes, @offtorivendell, @elriell and others have written extensively about mating bonds, so I won’t discuss that in depth here. Essentially, Feysand and Nessian appear to have bonds that are true in spirit, and they are described as living threads of pure golden light between their souls. 
Thread after thread of pure golden light flowed into him, and he met it with his own. Where those threads wove together, life glowed like starfire, and she had never seen anything more beautiful, felt anything more beautiful. (acosf) 
This living light reminds me of the dawn, which is associated with healing and new beginnings. When Feysand and Nessian bind their souls together in these scenes, the dawn is invoked each time: 
Feysand
…I was his and he was mine, and we were the beginning and middle and end. We were a song that had been sung from the very first ember of light in the world. (acomaf)
Nessian
Cassian roared as he came, and the sound was the summons of a hunt, a symphony, a single clear horn playing as dawn broke over the world. (acosf)
And when Azriel first sees Elain in his bonus chapter, her hair is unbound and she appears like the dawn, gilded in living light on the longest night of the year. 
Soft steps padded from under the stair archway, and there she was.
The Faelights gilded Elain’s unbound hair, making her glow like the sun at dawn. (Azriel’s bonus chapter)
Is it possible that, with Elain’s connection to Wyrd and the land, her own threads of life are similarly chained, or warped? Perhaps when Elain clears away the Asteri’s power, we will finally see the truth blooming between them: threads of golden light twining together in an endless, earthy melody.
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lena-in-a-red-dress · 11 months
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Saw a video of a video of a lady on tiktok pretending to be deaf to avoid the attentions of some "admirers" while traveling abroad. It was questionable, but it does give me the idea of Lena being fluent in ASL, and using it to ignore people she doesn't want to deal with.
So, say Lena and Sam are traveling, and some dudes start pestering them for greetings/pictures/attention. Lena slips into fluent ASL, legit explaining to them that she's deaf (she is not), and Sam trying not to laugh as she's plays along and translates.
The men eventually move on, but when Lena later goes to the bathroom, she's caught on her way out by the same guys who try to press their luck again. They're drunker this time, and ignore her signing as they leer closer and closer into her personal space.
Just as Lena is about to panic and abandon the charade in favor of telling them off, she hears a call from across the bar.
"Hey!"
The next thing she knows, Lena is wrapped up in a warm hug from a person taller than her but also female, who smells so so good.
When the woman draws away, Lena catches a glimpse of a beautiful face before her rescuer turns to her would be assailants.
"Can I help you?"
Lena nearly chokes at the sound of accented English, the slightly warped, slightly too loud words those of someone who is *actually* hard of hearing.
Then men try to explain that they're friends, but before Lena can deny it, the woman cuts in with a loud "I can't hear you", signing as she goes.
Quickly losing interest in a woman who can speak-- with her voice, loudly-- the men soon drift away, giving the woman room to turn back to Lena.
"Are you okay?"
Then, before Lena can reply...
"Sorry for the hug. Looked like you needed an out."
Lena grins. "I did, thank you. But I have a confession-- I'm not actually deaf."
The woman's smile only deepens. "Well, you sign beautifully."
Lena flushes a light pink. "I have a friend waiting outside. Can we buy you a drink?"
"My sister is already at the bar-- maybe we should buy you one."
Kara turns a little sheepish then.
"Actually... can we? It's rare that I find a stranger who can sign."
Lena nervously nibbles her lip, then makes an executive decision.
"That would be lovely."
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rebel-walnut · 1 year
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Let's Do The Time Warp Again
steddie time travel s3 ficlet, Part 1
Ao3, Pt.2, Pt.3, Pt.4
"Harrington! Customers!"
Pins and needles flood Steve's limbs as Robin's voice slowly comes into focus, his eyes still scrunched closed with sleep. The tiredness is heavy in his bones, like he's been asleep for years in the oddly cold back room of Family Video.
"Dingus!"
Steve doesn't even remember falling asleep on his break. Actually, he doesn't remember taking his break at all. Or even coming into Family Video. In fact, the last thing he remembers was covered in black and red slime-
"DINGUS! YOUR BREAK IS SO OVER!"
Steve forces his eyes open to witness the too-white walls of a break room that burned down a year ago. Frantic hands run over the garish blue and red of the tacky sailor uniform he hated, the same uniform he lit on fire in his backyard with Robin before the start of her senior year. Somehow, it's back. All of it. It's all come back to haunt him.
Robin from a year ago seems to also be back to haunt him -or maybe she's here as his savior- either way, she's just as loud as ever as she kicks the swinging door to the cramped back room in. It hits the wall with a crack, causing a jolt of both familiarity and dread to shoot up Steve's spine.
He waits for the tell-tale chime of a clock that was still ringing in his ears before he woke up in the summer of '85 or Robin's face to start warping into the melted mass of tentacles hiding in the Creel attic that will certainly become a common occurrence in his nightmares, but the only thing in front of him is Robin's all too common apathetic yet disappointed stare.
"I gave you an extra 7 minutes to sleep, but that little sampling-brat and her terror-troop are back for more and I swear to God, Harrington, I cannot deal with her again today, I just can't-"
Steve cuts off her ramble by scrambling out of his seat with more effort than either of them had ever put into this job, squeezing past her and out of the small doorway.
"Steve, where are you- hey!" Robin says as she latches into Steve's shoulder before he can finish his beeline out the door.
"I'll explain later if you still exist," Steve responds as he turns out of her grasp, shoving past the group of teens making their way into the store. He can hear Robin's small shouts after him, but her exasperation with him is nothing new and frankly the least of his worries.
Starcourt, somehow, is still standing. Clamping down on his rising heart rate, Steve glances around for any sign of the current date, or even year. Everything is exactly the same as it was a year ago, but Steve knows nothing he sees can be trusted. Not with the visions Max described, that's for goddamn certain. While he doesn't know enough science fiction shit like Dustin to know if he jumped universes or is in a different reality or whatever the fuck, he can at least place a little bit of faith in his ability to distinguish dreams and visions from reality.
His frantic pace along with the extremely out of place sailor costume draws in a few curious stares, but again, least of his worries. No one's faces warp into slimy horrors and none of the walls start crawling with vines, no flickering lights, no distorted voices in his head, no signs of the upside down at all. As comforting as that should be in theory, that means it's something else entirely and definitely something Steve can't figure out on his own.
He finds himself leaving a trail of pinches down his arm as he reaches the far side of the mall, posters for the theater coming into view. A particular poster catches his eye, BACK TO THE FUTURE highlighted in yellow and orange in all its sci-fi font glory.
Fuck. 1985. Again.
He presses his fingertips into the glass covering the poster as his breaths come out raggedy and sharp. C'mon, wake up man. It's all some weird ass fever dream, you probably just hit your head again.
He waits a few seconds and prays to wake up. Nothing. Obviously, he thinks. He's stuck, somehow, a year ago, with no clue how it happened or how to fix it or if anything here is even real in the first place.
Steve isn't the guy who comes up with plans, okay? That's more of a Nance thing, and Steve is totally fine with his role as the muscle. Unfortunately, right now there seems to be absolutely no Nancy Wheeler, and Steve has no fucking clue what the fuck is going on.
He steps back from the entrance to the theater and spins around probably faster than he should for someone who maybe just got shot through time, and comes face to face with a small music store labeled Hot Wax Records in some sort of groovy 70's style font. That's not what gets him though.
Steve stops dead in his tracks as he makes eye contact with the guy at the front desk. His hair's a little shorter than he last remembers it, hitting just above his shoulders instead of just below them. The man is wearing a familiar denim vest with slightly fewer patches and less grime than was on it when it was adorning Steve's shoulders, but familiar all the same. What gets Steve though is that the man at the counter is white-knuckling the edge with one hand while the other braces and claws itself around his neck, a look of equal parts horror and recognition strewn across his features. He looks on the verge of screaming, yet his eyes are forcefully locked into Steve's with a determination Steve had only seen from him once before.
They both falter a half step forward as Steve struggles to find his tongue.
"Eddie?"
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st-danger · 8 months
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Hello hello!
Penny for your thoughts on predator Aeon?
Ohhhhh here have some headcanons!
Aeon is very much a playful sort of ghoul. Likes to tease. Likes to have fun.
Likes to hunt.
Aether doesn't enjoy being chased. Mountain would rather do the chasing. Rain gets nervous, always, makes too many mistakes trying to get away and hide, so it's not as much of a challenge as Aeon would like.
Dew's a slippery one. Fast, incredibly graceful. Whereas Rain is almost guaranteed to trip on a tree branch or some detritus in the forest, Dew doesn't have that issue. What he does have, however, is a shocking lack of awareness when it comes to the feeling of quintessence; you'd think that for as often as he and Aether use that for the most unwholesome of purposes, he'd be a little more attuned to the feeling of magick prickling his skin. Aeon chalks it up to the way the adrenaline from being chased takes centre stage.
Regardless of why he's caught of guard by it every time, he is, and Aeon finds few things more delicious than getting into Dew's head. Rearranging what he sees. What he feels. Just enough warping of reality to confuse. Easy enough to make the forest seem darker. Easy enough to make it sound like there are footsteps from many directions. So easy to make him feel a phantom breath on the back of his neck to make him whip around to face nothing at all. Dew considers it cheating, always gets the most enticing drip of panic from his cursing when he realizes he's being toyed with.
All that adrenaline and will to fight and it never gets him anywhere for long. Sometimes he finishes the hunt quickly, other times he waits until Dew is panting and utterly exhausted, holds the back of his neck and fucks him into the forest floor with little ceremony. Shoves his face into Dew's armpit and smells him when he's sweaty.
Swiss is the other favourite.
Swiss feels the quintessence, and given that he's got a bit of his own threaded through him, it's easier for him to recognize and parse through what's real and what's simply being suggested. He's not immune, but it evens the playing field more.
To Aeon's delight, Swiss is a fighter. Aeon has to work hard to keep up with him, and work even harder to take him down. It's less playing with his victim and more of an actual struggle. Swiss is a lot stronger than he is, and there are only so many shadows for Aeon to hide in before he has to step out of them to finish the job.
The best thing he can do is draw it out.
Create a sense of dread. Wait. Get close enough to him, and give him an out because the sight of Swiss running from him, trying to escape him, gets him blindingly hard. Swiss is good about smelling like fear, too. It might be a game, but he can't stop the natural reaction being hunted elicits. Dew smells of panic, Swiss smells like fear. Aeon could asphyxiate himself on both.
Swiss fights. Aeon laughs and claws and shoves and bites, and Swiss will grab his hair. Slap him if he can.
The thing about hunting Swiss that Aeon likes best is that he doesn't always win.
It's a toss up if Swiss throws him down hard, pins him under thick thighs and wraps a hand around his throat, squeezing just enough to make his eyes grow big, make him struggle. Grinding down onto him, making sure Aeon can feel how hard he is. Demands Aeon open his mouth and show him that little pink tongue so he can spit on it and laugh at him with his legs kick uselessly under him. Tells him in a low, dangerous voice, better luck next time, kiddo.
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DRAWING BACKGROUNDS: TIPS AND TRICKS
So many people are afraid of drawing backgrounds and I think it's a shame, so here's some tips and tricks, because I'm not perfect at it myself but I think the hardest part is really just knowing where to start.
First off: Perspective
Yeah, yeah, that's the scary word. But I promise you, once you're familiar with the basics, backgrounds are a LOT less intimidating. Don't get discouraged if WHEN you have trouble with it. Even professional artists struggle with it. I promise you, screwing it up is good and normal. That's how you learn after all!
Now I'm not going to go into detail on how to do it here, because honestly there are a thousand and one free resources online and in libraries that can explain it far better than I ever could in a singular broad-strokes tumblr post. But I AM at least telling you you should familiarize yourself with these basics:
Important Terms: Horizon Line: A horizontal line across your canvas, showing your viewer's eye level and providing a location for most of your vanishing points. Vanishing Point: Integral to drawing in perspective. The sides of a 3D object get smaller as they become farther away from the viewer in space. This point is where the parallel lines of a side eventually meet.
The Basic Types of Perspective: One Point Perspective: Good for drawing things that you're looking at straight on. Two Point Perspective: Good for drawing things at an angle. Three Point Perspective: Good for drawing things the viewer is looking up or down at, especially at an extreme angle.
[Click images for ALT descriptions]
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And if you're comfortable with these and serious about improving your skills for use in storytelling, I also might suggest looking up:
4 Point Perspective: Great for extra wide or tall shots and for camera tilts if you're doing an animation or animatic. I think some other names for this in animation include "banana pan" and "warp pan."
5 Point Perspective: Fish-eye lens. Good for all your angsty anime boy slipping into madness needs!
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Some perspective tips I wish someone had told me earlier:
Objects' relation to the horizon line is constant. A super helpful tip to remember when placing a character or object in space is that they will always (assuming they aren't changing in size or moving up or down) have the same relation to the horizon line no matter how far or close they are. If your horizon line is at shoulder height for your focus character in the foreground, any character of the same height in the background will still line up with the horizon line at the shoulders.
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How to pick the distance between your vanishing points: 2 pt perspective uses 2 vanishing points, 3 pt uses 3, etc, etc, but how close should they be? Well, first of all, for anything that isn't one point perspective, one or more points will usually be off the canvas. Super annoying, I know, but the closer your vanishing points are, the more warped your drawing will become. Second, a helpful thing to know is that choosing the distance between your points is basically the illustration equivalent of picking your camera lens! Photography buffs will know that wider (shorter focal length) lenses show more space and make the distance between foreground and background more dramatic, while longer focal length/telephoto lenses are flatter, and more focused and intimate. The same is true of vanishing points that are closer (shorter focal length) or farther apart (longer focal length).
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2 point/3 point/etc doesn't actually mean you're limited to that many points total on your page. this one confused me a lot when I was getting started, lol. A lot of examples will show you drawings of nice, neat cities or something, in which all the buildings are facing the same way in order to demonstrate perspective drawing. But in real life, buildings don't all face the same direction. They're at all sorts of different angles. So how do I do that??? Answer: Just because you're drawing in 2 point perspective or whatever doesn't mean you... have to actually keep your 2 points in the same spot. You can move them around, just keep them the same distance apart, so you're not screwing up your camera lens.
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Other Tips:
Use reference! The instant you try to draw a house, you're going to forget every house you've ever seen. That's just how it goes. Buildings are complicated. Do yourself a favor and collect a few reference images first, buddy!
Consider details (like architectural style, amenities, and materials) Your building will look more like a building when you keep in mind that buildings have gutters and door knobs and light switches and paneling and stuff, and aren't just boxes with roofs on them. Again: reference! You will forget electrical sockets and baseboards exist immediately. Art brains are dumb.
Use details and texture to fill in negative space Giant stretches of blank space tend to be boring and distracting. Put a few suggestions of wood grain or something on that wall back there, bud, just don't overdo it.
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Line weight Darker, thicker lines draw more attention, look heavier, and look closer to the viewer than lighter, thinner lines do. Take advantage of this to draw the viewer's attention to your focal points, de-emphasize less important details, and imply depth. It's up to you to decide how you want to use this and what your style is, especially once you start getting into combining or replacing it with shading, values, and color, but a helpful rule of thumb is to try reserving your thickest lines for focal foreground characters and use thinner lines on backgrounds, especially details in the far distance.
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Perspective guides If you're drawing digitally, take full advantage of any perspective tools you have access to! A lot of art programs lately have begun adding perspective guide features that let you set up vanishing points and then literally guide your hand as you draw so you stay in perspective. Some of these include Procreate, Clip Studio Paint, and Adobe Fresco. (still sadly none in Photoshop as far as I'm aware, what the heck, Adobe!). Check through the settings of yours to see if it gives you any perspective guides or other similarly useful tools. They're 100% worth it! And for god's sake, if you've got any skew or perspective warp tools, draw your complicated shapes flat and then warp them instead of spending an hour on it! Don't make my mistakes!
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PROPAGANDA
Rose Quartz Propaganda
"We saw her character arc in reverse!! We first saw all the good she did and then learned of her terrible actions in the past. If her story was told the other way around, it would have been a great redemption arc. Yes, she did some terrible things, but she had no choice. She did everything she could to stop the colonization of earth peacefully buy nothing worked. Blue and yellow diamond just didn't listen to her and when they did, THEY were the ones who made the zoo and shit. Rose wanted to free them but couldn't get to them after the war! And with the corruption, there's no way she could have known that'd happen. There's so many things she wanted to do but just couldn't. And with spinel, yes it was shitty to leave her alone for so long, but again, between running her court, running the rebellion, dealing with earth, she likely wasn't a very high priority and like with the zoo, there was no way to get to her after the war since the galaxy warp was destroyed. And don't forget, she was practically a child around this time. You're saying you didn't do any stupid, selfish, or harmful things as a kid? She learned from her experiences and grew, we just saw that growth in reverse, leaving us as viewers with a poor perception of her."
"Rose Quartz is Steven Universe’s dead mom. Initially, she’s set up as sort of an ethereal perfect figure who everyone misses and compares him to. Later we get to see more of her backstory and discover that she’s actually like, a person, with flaws, who has done some bad things, but she did those bad things largely in the course of trying to escape an abusive home life and save the people and planet that she fell in love with. It’s very clear that despite her flaws she was trying to do the right thing and that she deeply cared about others. Unfortunately, a woman who was not a Perfect Martyr was way too much for the Steven Universe fandom to handle. She pretty much set off the wave of SU crit blogs because these people were furious either that she had taken violent measures to solve her problems, that she hadn’t taken violent enough measures to solve her problems, or both somehow. Lots of “Why didn’t she just murder her abusive parental figures?” Lots of “She was evil for having a baby even though she knew she’d die in childbirth!” Lots of “She should’ve been able to protect everyone from a magic nuclear weapon with the power of love somehow.” Lots of “She shouldn’t have rebelled (even though not rebelling would’ve meant the destruction of Earth) because her abusers retaliated and that’s her fault.” LOTS of people drawing her as stick thin even though she was fat in the show. People treated her like she was on the same level or even worse than her abusive parental figures who were also the main villains of the show. It was unbearable to witness."
Mahiru Propaganda
"They got unfairly voted guilty in the first round and keeps getting blamed She never meant to hurt anyone and the only reason she did was cause she couldn’t read social ques"
"Mahiru Shiina is the most traditionally feminine character in Milgram, and she’s very in love with the idea of love. That makes her an easy fandom target. In Milgram, we are introduced to ten murderers. It quickly becomes apparent that not all of these murders are conventional. By the time we are introduced to Mahiru, we already know most of these unconventional murderers. Mahiru’s first music video depicts her going on various dates with her boyfriend, even though he is not shown in the frame. At the end of the video, Mahiru wakes up, turns to the camera, and has a horrified expression. Whatever happened, she didn’t want it to happen. And then a lot of the fandom accused her of being a stalker. Was that what got her a 55% guilty/unforgiven vote? I don’t know. I wasn’t there. But she heard what the fandom said. She heard these voices saying she couldn’t be forgiven. Saying that she was a stalker or that she didn’t really love her boyfriend, even though that wasn’t true. She was beaten to near-death by Kotoko, a vigilante who was forgiven by 67%. Fuuta, who also sustained serious injuries from Kotoko, calls out the audience surrogate, saying what we did with our verdicts would have made us the same as him if Mahiru had died. And yet Mahiru doesn’t blame either us or Kotoko. Mahiru’s second music video shows that she was indeed in a proper relationship with her boyfriend. She smothered him with her love. The video slowly revealed the toxicity in their relationship. She asked why she can’t do anything right. The fandom perception was better in that she was safely voted innocent/forgiven. Still, there are issues. Some infantilize her or say that she’s delusional. Yes, she had a sheltered upbringing and has difficulties reading social cues, but that doesn’t take away her agency. On the flip side, some have theorized that she kidnapped her boyfriend and wasn’t in a proper relationship with him. (Not sure what to say about that, but this is a series about sympathetic murderers.)"
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odocoiileus · 1 month
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bo Sinclair x gn! reader blurb??👀
pairings: bo sinclair x gn! reader
warnings: illusions to murder + blood/gore, illusions to nsfw actions but none explicitly described, light angst, Bo and reader aren't in the healthiest of relationships, cursing
a/n: here you go anon!! sorry for such a delay in reqs, been very busy lately. this ended up a little longer than I expected. also, I made an AO3 account under the same username, feel free to follow me on there! I will be posting stuff soon
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it's unbearably hot today – though that's commonplace for Louisiana. the air is sticky and damp, foreshadowing an incoming storm. you're not entirely sure when the storm will roll by, but you're thinking it won't be today. the sun shines brightly, hot as a flame. your clothes feel as though they're glued to you from how much you're sweating. from the spot where your perched, on the rickety old house's porch steps, you can see the dancing forms of heat waves. it warps your view of the rest of the town.
you let yourself fall back, splaying yourself across the porch. you close your eyes, lifting a hand to wipe some sweat from your forehead. it does little to help. you wish the storm would hurry and come, help lessen the heat. you can see it now – dancing in the cool rain. a blessing.
in the distance, you can hear the loud and familiar rumbling of Bo's shitty truck. there's a pop occasionally, the sound of the engine becoming louder, signaling that he was nearing the house. you let out a heavy sigh. maybe if I lay here like this, he'll think I'm dead, you think. at this point, you feel as though that would be the best thing to ever happen.
Bo had been in an exceptionally sour mood the last few days, you were growing sick of it. at first, you had simply thought it was because of a few wanderers that had entered the town of Ambrose. news flash – it wasn't. you'd done everything to try and cheer the sour man up; a piece of your body at one point. he was ungrateful.
even Vincent and Lester hadn't been in such sour moods. Vincent was always lurking in the basement, sculpting away and Lester — well, he was everywhere and nowhere at once. still, they'd at least treated you with kindness. now you know why neither of them got along with Bo very much, especially Vincent. he's a dick.
lost in your thoughts, you only open your eyes once you feel a boot nudging your rib. you let out a wince. did he not have a gentle bone in his body? you chew at the inside of your cheek.
"the hell you doin', layin' on the porch? y'look dead." Bo's voice rings out, thick southern accent drawing you in. you can vividly remember why you fell for him the first place. he was a southern sweetheart, once. your gaze travels from his dirty, dusty boots, traveling up his pants – landing on his face. his brows are furrowed in what seems confusion or frustration (you can't really tell).
"thinking." you answer flatly. your eyes drift from the Sinclair to the bright sky, hand raised to wipe more sweat away. Bo fails to provide any shade as he looms over you. "what exactly could you be thinkin' 'bout?" he asks, gruff. how does one explain that they're thinking about how much they despise the person they're dating? ..are you two even dating? it's a blurred line. you squint your eyes at the southern charm standing above you. you change the subject.
"any more tourists?" you ask, voice crackling with thirst and void of any actual curiosity. Bo narrows his eyes at you, placing his hands on his hips. he briefly lifts his head, looking off into the distance before he shakes his head. "no, and thank God for that. I don't need no more damn trouble. I'm already worn out havin' ta' deal with Vincent and Lester. you, too." he grumble, gaze falling back on you. you can't tell if he means it in a lighthearted way.
you roll onto your side, face twisting into at the feeling of sweat making your shirt stick to your back. you push yourself up. "Vincent don't cause any trouble, he stays to himself." you protest. Lester on the other hand, well, his hyperactivity can get a little tiresome. he's still kind though, means well..as someone that leads people to their death could be. Bo just rolls his eyes, waving his hand dismissively.
"come on, now. inside." he says, you almost feel like a dog being beckoned by its owner. perhaps you are one, with the way you stand up, dusting yourself off. with the way you follow him into the rickety house that you hate so much yet love.
god, you really despise him.
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annonymouslyannoying · 4 months
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Elite Commander Poki redesign and Invader Training Headcanons. (Futher info under cut)
Elite Commander Poki was Almighty Tallest Miyuki's second in command and most trusted advisor- As such she continues to wear the Irken Elite Miyuki Branding even after her death.
Her reassigning following the Initiation of Red and Purple involved the training of worthy soldiers to become Invaders for the upcoming Operation Impending Doom.
Much like Irken Slave Drivers and other Irkens in commanding positions, she wears a suit that makes her appear taller than she really is.
She's a no nonsense drill sergeant type- but below the surface she still hasn't gotten over Miyuki's death and often sees her failing students as a disgrace to her awesome legacy.
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Contrary to what you might think, Irken defects are actually quite common.
The Control Brain's Irken Bioengineering Program contains an intentional margin of error- Allowing new or odd genetic properties to emerge and potentially be added into the base database for wide spread implementation.
The term "defect" however is reserved for specimens with genetic irregularities that are seen as problematic to the overall objective of the Empire.
But seeing as how defect Irkens are relatively common, it's no surprise that there were quite a few of them who were trained to be Invaders.
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These 4 are proper defects in the sense that their irregularities are not seen as particularly useful.
Zim
•Intense and obessive thought patterns, for lack of a better word, Irken neurodivergency. Brilliant in some respects, but moronic in others.
•Capable of parental love from both ends of the spectrum. Looks up to his leaders much like one would a distant parent, and shows intense affection for his minions.
(This is very odd as most Irkens just see their helpers as tools and affection is looked down upon.)
•Selective hearing and auditory processing problems.
Skoodge
•Capable of romantic love and friendship. He is hated for this and seen as "soft"
•In love with ZIM specifically. He has such terrible taste that it counts as a separate defect.
•On the heavier side. He is seen as ugly for this but it actually makes him much more resilient to physical damage and can go without his Pak for much longer than 10 minutes.
(This is me attempting to justify that time they forgot to draw his Pak for a whole episode lmao)
Grinn
•Warped antennae. This distorts her senses and makes her very irritable to certain noises.
•A natural aversion to taking orders and a frequent questioner of the Empire's System.
•Covered in horrible red blemishes. She has an overactive immune system that manifests in extreme bodily reactions to minor stimuli.
(This is one of the worst defects to have when you drop out of the Invader Program and work in a literal garbage chute)
•Writes poetry
Skutch
•Actually evil. Like. Even by Irken standards.
•Will set things on fire for seemingly no reason.
•Rarely ever speaks and when he does it's incredibly vulgar. The only Irken that says Fuck.
•Has no soul, wants or desires. He only lives for the mild fascination elicited from watching the life drain from a living thing's eyes.
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These 4 are seen to have more useful defects- Or in other words, they're "Gifted" Irkens. Okay not Gustavo but because he's tall he managed to not get lumped in with the last 4.
Grenty
•Intense regenerative properties. In fact, she struggles to control it properly and will just randomly grow new limbs.
Her regeneration is so good that she is essentially impervious to damage so long as her Pak remains intact.
•Irregular blood viscosity. Needs to be regulated with a patch.
•Overbite.
Mote
•Likes smooth Jazz
•Oversized antennae- He has insanely good sense of his surroundings and is tormented by having to accidentally hear everyone's horrible secrets he never wanted to know.
•Very frail
Fleep
•Abnormally physically powerful. She could break the arms of every other trainee here.
•Sort of capable of friendship but only the kind shared between High School Prom Queens and their evil lackeys.
•Otherwise very competent and professional.
Gustavo
•I hate Gustavo
•He's really friendly and normal by human standards but an UTTER FREAK by Irken standards.
•Joined the Invader program because he wants something to fall back on when he becomes a freelance advertising consultant.
•Gustavo must die.
•Is tall enough that the bias of the system has prevented him from being killed. (Unfortunately)
ALSO WORTH NOTING-
Zim is responsible for the deaths of most of the people here- The only ones to survive his Operation Impending Doom screw up were Skoodge, Skutch, and Grinn.
(Grinn never became a real Invader, Skoodge is basically immortal, and even Zim knows not to mess with Skutch.)
I imagine that most of the Invaders assigned to Operation Impending Doom 2 were from the generation after Zim and were still in training during the first operation.
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Bonus content of Skutch setting fire to the wildlife
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heliads · 4 months
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first of all i just wanted to say that i’m actually in love with your writing and i can’t wait to read more from you!! anyway i was thinking of some good ol’ peter hayes x fem!reader where they were both in candor together and hated each others GUTS, but then when they transferred to dauntless, peter starts developing feelings for reader so he follows her around like some puppy but she’s still on the peter-hate-train. maybe also like he starts talking to some other female dauntless initiate and stops giving reader as much attention and she finally realizes that she likes him
(this is such a long request i’m so sorry)
thank you so much!!
'Bad Liars' - peter hayes
masterlist
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Starting out life on your own terms. A fresh page, a blank slate. This is why you decided to switch factions in your Choosing Ceremony, why you agreed to never see your family again except by something as meager as coincidence. Friends, neighbors, blood relations, all left behind with one swipe of a knife against your palm. It’s worth it, though. Running through the streets of your city like your world is on fire, you’re free for the first time in your memory. It’s just you in this new, grand place they call Dauntless.
Well, you and Peter Hayes.
Of all the people to come here with you, of course your fellow transfer from Candor would be Peter. Bold, callous Peter. Peter, who’s had it out for you since you were kids. No child should know that much bitter hatred, but the two of you have been arch rivals since you were small. You’d be lying if you said that leaving him behind didn’t factor into your decision to transfer from Candor to Dauntless even a little bit, but yet here he is anyway. Turns out you couldn’t run that far from him after all.
To you, it makes perfect sense that if Peter Hayes had to go anywhere, he would go to Dauntless. All throughout his time at Candor, for as long as you can remember Peter, he had been crafting his words to inflict as much misery as possible. In the eyes of the faction leaders, anything he said was fair game so long as he was telling the truth, and Peter did just that. He told his truth, which was precisely like reality except warped to cause as much hurt as he dared. 
Peter’s words were honed to a knife’s sharpness, easier for drawing blood than the syringes of your faction’s truth serum. Of course he would go here, where bullets are no longer how he shapes his syllables to spike into your throat but a real thing. Why bother with figurative pain if you can produce the genuine article?
The two of you had ended up here for precisely opposite reasons. Peter wanted to hurt, you wanted to fight back. Candor is full of self-righteous bullies who believe they’re doing the right thing by being uncommonly cruel to anyone they pass. In Dauntless, everyone is finally on a level playing field. If someone insults you, you fight them, and no amount of callous words can save you then. Talk is nothing if you can’t back it up with prowess. For someone who had to swallow plenty of poison back in Candor, Dauntless is like a holiday.
However, the one thing that makes your paradise fall short is the fact that Peter decided to come here with you. He had made his decision independently of you, of course, but you’re still infuriated about the whole affair. This was supposed to be your fresh start, your one chance to escape your past and become something no one expected of you. That’s the whole point of the Choosing Ceremony, isn’t it? To kill off the old you and transform into the best version of yourself?
That had been your plan, at least, and then Peter had made his choice. You wouldn’t go anywhere but Dauntless even if your entire faction transferred over here, but it did complicate things. You had hoped that you and Peter would always end up on opposite sides of the room, then opposite ends of the faction, and never come in contact again, but as per usual, it looks like Peter isn’t much inclined to follow your whims.
From the first day alone, you knew he was going to be trouble. You were one of the first to jump, fresh off the exhilaration of the free fall plunge from the top of the roof, and reeling in the lingering aftereffects of your largest adrenaline rush to date while waiting for the jumpers to take their turns off the edge. The room was crowded, more so with each new jumper to make their move, yet somehow in all that chaos, Peter managed to find you. It didn’t bode well for the remainder of initiation, to say the least.
You had been hoping that the two of you could exchange silent, wary eye contact and then move on, your past shattered and gone for good, but instead Peter wove his way through the throngs of people and came to a stop by your side.
“Look who we have here,” he says, drawing the words out, “Y/N L/N. I never thought you’d have the guts to come here.”
“And I always thought you’d be too much of a coward to leave Candor,” you reply. “Looks like we were both wrong.”
Peter’s eyes widen and he chuckles, evidently not expecting your retort. “Careful, L/N. Didn’t know you had such a sharp tongue.”
“You’ve known me for years,” you say, eyeing him coldly. “If you didn’t know that, you’re about to be very surprised indeed. I hope you didn’t set your hopes on making first place in initiation, Hayes, or you’re going to be sorely disappointed.”
Up ahead, one of the initiation leaders is calling for the trainees to fall in after him. You take this opportunity to breeze past Peter, who’s standing there and staring openly, mouth agape. You’ve put up with his bullshit for many years now, always taking it silently in fear of jeopardizing your position in your faction, but no longer. You’re on even footing again for the first time in a very long time, and you have absolutely no intention of ever caving to Peter Hayes again.
For Peter, it seems, your decision is a very rude awakening. You immediately fling yourself into the intricacies of fighting and running and shooting, which causes you to rise quickly through the ranks of initiates, much to Peter’s chagrin. Although he’ll tell anyone in earshot that he’s only letting you do so well because he thinks it’s funny to watch you struggle, you can see the panic in Peter’s eyes when you crush one fight after another. You meant what you said, after all. It’s first place or nothing, and you don’t intend on settling for anything where Peter’s concerned.
Your rivalry becomes just as well known among your new friends in Dauntless as it was back in Candor. Hardly a day goes by without you and Peter getting in each other’s way, whether it be slamming each other into the ground during a fighting match in the ring or running yourselves ragged in an attempt to be faster, stronger, better. It’s like you can’t get away from him. 
Everywhere you go, Peter is there too. Staying late after initiation to get some more practice with throwing knives, he just so happens to choose the target right beside you. Walking over to the training gym in the middle of the night because you can’t sleep and might as well use the empty hours to improve, Peter seems to have the same bright idea to practice with the punching bags even despite the midnight hour. You don’t like the fact that Peter seems to have such a good knack for telling when you’re awake or asleep, you have half a mind that he might get frustrated of the close competition and take you out while you were sleeping, but he’s never gone that far.
Your friends seem to have a different view of the whole affair. Every time you complain to them about Peter never letting you have a moment’s peace, Tris and Christina, your closest friends in initiation, just exchange knowing looks and begin to tease you. They seem convinced that Peter doesn’t hate you but actually harbors a crush, which is beyond you. There’s no earthly way that Peter likes you. The two of you have despised each other since before you could talk. The whole idea is absurd.
Still, if you were nothing more than an unknowing bystander, you supposed you could see how the situation might be misconstrued. A lifetime of truth-telling in you has to admit that maybe it is a little suspicious that you and Peter can’t seem to go an hour or two without running into each other, that Peter is both your greatest threat and the object of your every waking thought. It’s just because you want to beat him so badly, of course. Of course. If it weren’t, though. If you were thinking of him not because of hatred but for something more–
You wouldn’t. You would never be so foolish. This is how Peter wins, by twisting his way inside your mind until you’re second-guessing every single thing he does, and you’d die before you let him win. If he’s willing to play the game, though, you’ll do anything to beat him at his own technique, so you up the ante and repeat it right back to him. 
Sarcastic comments slip from your tongue whenever you see him. When Four takes the initiates out on guided runs, you make sure you’re jogging right by Peter the whole time, your pace steadily increasing until both of you end each race at a sprint. The rest of the trainees have learned to leave two targets side by side for you two whenever it’s time for sharpshooting practice, and heaven help the hapless initiate who asks one of you to spar as if the other wasn’t standing right there, guarding their territory.
It doesn’t mean anything, though. You still hate Peter to the ends of the earth, and everyone around you had better know it, too. You despise him as much as it’s physically possible for a human being to hate anyone, but then he starts spending a lot of time with someone else, and suddenly the hatred is far harder to come by than it ever was, and you’re not sure what to do with yourself at all.
He’s spending time with another girl. Which isn’t bad, of course. He’s got friends. You do too. But. One time at dinner, you heard Tris saying that he’s looking at the girl the same way he used to look at you, and she wasn’t talking about hate, and you cannot tell whether you were supposed to deny that he’d ever done anything but hate you or be furious at this new girl for stealing his attention away from you, so you didn’t answer at all. You didn’t sleep a wink that night, and gave up a few hours in to try and train some more. He didn’t follow. He always follows. Not this time, though, and when you came back, he was quietly whispering with the other girl. Hatching sinister plans, no doubt, or planning to stab someone in the back. He didn’t even look at you when he came in. It was like he didn’t even care.
You feel sick to your stomach. You intentionally ask other trainees to spar in the ring– look, Peter isn’t the only one capable of moving on– but it’s like he doesn’t even notice. You want to slam your hands against his chest and shout in his face, do anything to make him look at you, but instead you stay sullen and quiet and pretend like nothing has changed even though everything, everything, has.
It hits you, about two weeks later, what the problem is. Like a lightning strike in the dark of night, all of a sudden you know, a knowledge that had been blank and absent before but totally unavoidable now. You like Peter. Hell, you might even love him, if you gave him that chance in your heart. Peter might have liked you, but you brushed him off for so long that he moved on.
It hurts like a jagged hole in your heart. Someone has reached inside and broken your ribs to claw this feeling out from where you’ve so cleverly hidden it, and there’s no disguising the horror of the wound now. You couldn’t escape it if you tried.
You found out this truth about yourself in the middle of a Dauntless party, and it kills your mood completely. You can’t stand the loud music or flashing lights anymore, so you put down your half-empty cup on one of the debris-strewn surfaces and make your way out. No one notices you leave. You’re a ghost on the outskirts of a celebration of life, and there is nothing here for you anymore.
You wander until you end up on the bridge overlooking the pit near the center of the Dauntless complex. You stand as close to the edge as you can, hands gripping the flimsy railing until you’re not sure your fingers could peel away from the rusting metal if you tried. If you’d felt any buzz from the party at all, you’ve sobered up by now. You have no idea how long you’ve been standing here, skin chilled by the drafts of the pit, and then a voice sounds from behind you, and you’re abruptly dragged back to reality once more.
“I thought you’d be back in there with the rest,” Peter says, coming to a stop beside you.
You don’t dare to look at him, opting instead to keep your eyes firmly trained on the drop over the edge of the pit. “I could say the same thing about you.”
Peter sounded genuinely curious when he asked, but your tone is harsher, colder. You still haven’t forgiven him for moving on just when you realized that you liked him, and it’s leaching into your voice. Peter chuckles even still. “No, not me. The best part just left.”
You risk a glance his way, and to your surprise, he’s looking at you. “Are you being honest with me, Peter?” You ask.
His face twists into chagrin. “Looks like we can’t beat the Candor out of ourselves after all, even despite all the training sessions we’ve pulled. I’ve tried, though.”
“You’ve done a good job,” you muse. “It’s me who needs to be fixed the most.”
Peter’s brow furrows. “What are you talking about?”
You shake your head. Maybe you weren’t as sober as you thought. “Never mind. It doesn’t matter.”
“Says who?” Peter asks plainly. “I’m here, aren’t I?”
You regard him suspiciously. “You haven’t always.”
Peter has the grace to look embarrassed. “I’ve done things I regret.”
“I don’t believe you,” you say, and laugh to hide your heartbreak. “I know you, Peter Hayes. I know what you do. I’m not falling for it. Not again.”
“It worked before?” Peter asks, genuinely surprised. “Why didn’t you tell me?”
This time you do laugh for real. “Why would I? And give you another weakness to exploit?”
Peter flinches as if you’ve slapped him. “I deserve that, probably, but I’ve been trying to be better.”
“Why?” You ask. “You’ve never cared what I thought, and you certainly don’t care about being better. Nothing about you makes sense, Peter. You’ve got a girl back there in the party who’s probably looking for you now, but instead you’re trying to apologize to me. You’ve never cared about that before.”
“But I do now,” Peter says, voice unexpectedly strong. When he turns the force of his gaze back on you again, you feel totally rooted in place, unable to move even if you wanted to. And, when he starts to move closer to you, one hand coming to rest on top of your fingers, you’re not sure that you do. “I do care. I’ve been trying to tell you that for weeks.”
“I thought you were excellent at telling the truth,” you whisper.
“So did I,” Peter replies. Hesitates, then says, “Only other people’s truth, it turns out. You were always my best secret. I wanted to keep you the most.”
Your breath sticks to your lungs, refusing to grant you release. None of this makes sense. Peter would never– But he is now, standing in front of you, telling you as much as he can. Peter still wants you. It’s up to you if you want him, too.
After everything he’s done to you over the years, you owe him nothing at all. He’s hurt you more times than you could count. When you’re cold, bitterly cold, freezing down to the bone with no way of rescue save your own rough and ragged principles, you burn everything around you. Clothes, shoes, furniture. Even people. Peter burned you, and so severe was the flame of your mutual hatred that it made it impossible for anything to grow between the two of you but a jealous wrath. 
Peter has left the cold of Candor and traded in his shivering bones for Dauntless’ natural warmth, and now he finally has the room to put out the fire again. He’s stamped out the inferno, or tried to, at least; but upon inspecting the last flattened spark, Peter can’t tell if he went too far. It is immensely difficult for him to discern if he has left anything of you but char and ash. 
What could have been a beautiful thing went up in smoke the moment he first raised a harsh word against you. Peter loves the truth, loves most of all to twist it, but in the end, the truth cannot help him here. Peter knows what he wants the truth to be, but the truth is no substitute for reality. It is up to you if you can ever forgive him, and no amount of pretty words on Peter’s end can change that.
It’s up to you, and for the first time since you came to Dauntless, you know precisely what you want. “I know what you mean,” you tell him carefully.
Peter’s face cracks in a tentative smile. “You know? So you–”
“I do,” you interrupt. “I like you, Peter.”
You have seen Peter furious, filled with righteous vengeance. You’ve seen him bloody and bruised on the other end of a sparring ring. You thought that the brightest emotion you’d ever see on him was the pure flame of hatred, but it turns out there’s one thing better than wrath, and that’s sheer, incandescent joy. He wears it now like the finest of luxuries, and you decide that you’d like to see it many times again. As it turns out, you’ll have plenty of chances.
divergent tag list: @blondsauduun, @gods-fools-heroes, @23victoria, @manyfandomsfanvergent, @imwaysthelastchoice, @crazyhearttragedy, @drinking-tea-and-be-obsessed, @alex-1967s-blog, @aoi-targaryen
all tags list: @wordsarelife
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ccarrot · 5 months
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Chuuya headcanons in like general?
this is a mixed bag hmmm i dont think half of these are headcanons and more like. Personal interpretations of the character.
I think he's get a sweet tooth. You will never be able to convince me he likes his coffee black when there are so much sugary things he can flavorblast it with. Besides he probably never grew up with the chance to try a lot of good sweets so after joining the pm he suddenly got access to . Y'know. Really yummy dessertz.
He probably deals with nightmares and hallucinations a lot more than stormbringer let on. He didnt seem all that surprised to see the hallucinations in the lab scene. Personally i think his nightmares are usually warped memories of his time in the lab replaying. They're just too traumatizing to remember once he wakes up. But generally i think the line between his mind and reality gets kind of blurry sometimes.
Bro is like. Depressed and also pretty Self Destructive. This is barely a headcanon i think. Actually. Aside from the possibly fatal Corruption, we know from Fifteen that he used to fight with his hands in his pockets to purposely put himself at a disadvantage, idk that sounds concerning even if he supposedly had a justificafion.
To continue. Low key.. he could be a masochist. Hm. Anyways
Sometimes small objects start floating when he's feeling some *strong* emotions
I honestly really believe is that chuuya's actually pretty laid-back and reserved in most situations. He's pretty cocky and energetic Sure but thats not his default, he's likely pretty chill most of the time. He probably really loses his temper in high stress situations or someone pushes his buttons (which is stressful). The "fight" scene with the flags in sb reminded me.Albatross was like, "this isnt like you" because apparently Chuuya being snappy and short-tempered is uncharacteristic of him
He actually likes that he's pretty short compared to most others. Perfecr size to bust your kneecaps. Or be held and cherished.
I think chuuya's tried out a bunch of different hobbies. He picked up art once but he decided he sucked. He still doodles on the corners of his paperwork or notebook. Everys so often Mr. Mori finds a stupid looking drawing of Dazai on the latest arms trade report.
If you let Corruption go on for too long the manic laughter will devolve into sobbing.
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cooliofango · 10 months
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For your honkai star rail requests, may I ask for - Sampo/reader - Sampo "you're flirting with me?" Reader "have been for the last year thanks for noticing"
“Took You Long Enough!”
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A/N: The fact that you asked for one with Sampo has me SENDING— I’ve been having the hugest brainrot for this man for a while now so the convenience that the first ask is one with him?? ✨PERFECT✨ The only thing I need now is actually get him in the warps~
Warnings: None other than fluff <3
Paring: Sampo Koski x GN! Reader
Synopsis: You and Sampo have been the closest thing to partners in crime as it gets in Belobog— well, that’s what he says, anyways. Through a mutual “partnership”, the two of you grow close. Closer than you both initially thought the other had. It’s a shame he’s a tad oblivious…
"There's nothing wrong with havin' a little side job, (Y/N)!"
"Stealing artwork from the museum isn't exactly a side job, let alone a little one, Koski," You sighed petulantly at your dear friend as you continued to wrap his arm in bandages you had gotten restocked by Natasha earlier that week.
"Ow! (Y/N), not so tight!" Sampo whined in pain, drawing out your name. He flinched a little away when you had tightened the white fabric-- though, honestly, you had only tightened it more in a bit of retaliation. A string of whines followed afterwards, leaning his head away.
You couldn't help but laugh lightheartedly, carefully tying off the ends of the bandage to keep it from loosening. "If you were careful with handling those automatons, you wouldn't have to worry about how tight or loose any bandages are, lover boy~" You teased. Sampo only pouted at your words, staying still as you paused your work to clean off the table covered in disposable, bloody tissues and bandages you had to toss out because they ended up getting dirty when Sampo wouldn't stay still when you started playing doctor. Sampo came to you to avoid Natasha's scolding whoever he got injured for doing rather "stupid" things as you had so kindly put many time before now.
The nickname was something you had been using over the past few years. It started when you first noticed the relationship between your close friend and your mentor. Now, as assured by both of them in their own ways and by observation, you know that there isn't anything romantic between the two of them. At most, it's more of an admiration for the Wildfire leader and what she fought for down in the Underworld. However, you couldn't help but tease him for almost kissing up to her in certain situations-- when he brought the trailblazer and her comrades down from Belobog to help them get away from the Silvermane Guards. It simply stuck with you, even when you had started developing feelings for the cunning yet cowardly charming man before you.
You weren't a shy person when it came to those you loved and cared for. Whether they were friends, family, or the idiot you had a crush on for quite a while now, you weren't afraid to openly show you cared. This ranged from standing up for them when things get dicy to delivering some medicine to them whenever they were feeling ill. As for these romantic feelings you held for Sampo, you never bothered to hide any attempt of showing how you felt. At first, you subtly flirted, thinking your observant friend would realize your emotions rather quickly:
"Sounds like a good plan, right (Y/N)~?" His voice dipped playfully at the end of his question.
"Of course it does," You leaned back in your seat and tilted your head back to get a better look at him, "Only the great Sampo Koski could come up with such good plan~" Your compliment rolled so easily off your tongue, you had almost bit it when you had realized how it may be interpreted.
Sampo grinned from ear to ear, leaning close to you. It took everything in you no to lean away. "Couldn't have put it any other way! Glad I could count on your input, my dear friend~" Sampo cooed, sitting up. Without another word about the compliment, he began to ramble about what the two of you would need to execute this plan.
Subtle compliments grew a bit more direct and often from then. Compliments went to casual touches:
"We can freely go to the surface!" You cheered with a bright smile on your face. After Cocolia had been defeated and Bronya had became the new supreme guardian, the people of the Underworld were finally able to return to Belobog as they chose to. Sampo was the first one you came and told. You had lived in the Underworld your whole life and wanted to tell the guy you grew to love.
You had took his hand in your own and had began pulling Sampo towards the exit. He looked a little flustered at the action-- though it wasn't for the reason you had hoped for. As you would soon realize, it was simply because he still held a bit of a fear for getting caught by the Silvermane guards, "I don't think Madam Supreme Guardian's guards would like me up there, even under new management."
At the time, you had to promise to have the both of you stay out of sight to get him to join you (that's not to say he wasn't happy for you-- just cautious of the not so good rep he ended up building when he would sneak to the surface). It was only your eagerness to lead the way out of the underground, you figured, that kept him quiet about your intertwined hands through the journey above.
It was from there that you had noticed that Sampo Koski was more oblivious to emotional approaches directed towards him than you originally thought. You flirted and complimented him in anyway you knew possible-- and you did so for an entire year up till this point.
You sat back down, fresh tissue in hand as you began cleaning a smaller cut on his forearm. "Just do me a favor and stay out of trouble for a little while, okay? As much as I love seeing your pretty face, I'd prefer to do so when you're not injured." By this point, you spoke these words without skipping a beat. You weren't fazed or flustered by your words anymore.
However, what did faze you was the silence that followed. You expected a comeback of some sorts-- a "No promises!", for example. But as you looked up, you were met with Sampo close up to your face like he had done when you first started flirting with him. Even then, you didn't expect the words that came out of his mouth.
"You're flirting with me?" He had a slight cocky grin on his face.
Your expression fell to a slightly shocked one, caught off guard by the sudden recognition. It was an expression that didn't last long as a smile took to your own lips, "Have been for the last year, thanks for noticing."
It was his time to look surprised now, his emerald green eyes widening and his grin falling immediately. "Wait. A-A... year? You're serious?" He muttered. You just sit back and laugh out loud, giving yourself a second to take in the amusing situation before speaking.
You look back down at his arm, continuing to clean the blood from around the break in his skin. Joy laced your tone, ingraining the image of the pink blush on his face into your brain, "Took you long enough!"
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stra-tek · 5 months
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Lots and lots of random spoilerific things about Star Trek comics
Gold Key's old run was written by people who had never actually seen the show. Later they involved fans like Doug Drexler to make things a bit more authentic
This however made them, IMHO, amazing
Blond scotty. Wearing green.
Voodoo planet, with papier mache versions of Earth landmarks which, when blasted with a death ray, cause the real ones to collapse
Spock learns voodoo to combat this threat
The Enterprise completely razes a planet of hostile plant spore things. Like full on extermination of all life
There's a locked room on deck 7 full of evil Vulcan spirits. A yeoman blunders in and all hell breaks loose
Kirk doesn't know what a god damn black hole is
Spock is kidnapped by aliens, has their entire knowledge downloaded into his brain which makes him into a bobblehead for awhile
The Enterprise is briefly taken from Kirk and given to Captain Zarlo, who is a total bellend
Spock forgets to have pointed ears sometimes
The old UK newspaper comic strips were even worse. The first few issues feature "Captain Kurt" and he wears a red shirt. Bailey is also a lead character, giving away which one episode they had knowledge of
Depictions of the Enterprise in their very first strip will shock and horrify you, but after that the art becomes amazing and maintains a very high standard
Marvel did a series following The Motion Picture, and it was a vast improvement, although they technically had rights to the movie and not the series, which led to a little weirdness. Tons of references still were snuck in, though
There's a series of Book and Records, which you can listen to on YouTube and are goofy fun. The Enterprise desperately needs a meal in the art, though.
They draw Romulans as green wizards
They didn't have the rights to Nichelle Nichols or George Takei's likenesses, so get ready for White Uhura and Black Sulu!
They didn't have the rights to The Animated Series either, so M'Ress is a human with weird face paint and Arex is substituted for just some guy
There's an unlicensed Chinese adaptation of The Motion Picture's novelisation (made with zero prior knowledge of Star Trek), which features an all-star cast like O.J. Simpson as Decker and James Brolin as Kirk. It's called The Star Trek, which is a better name than The Motion Picture, IMHO.
DC comics' first run is considered some of the best Trek ever. They're made with love and a deep knowledge of the source material
You know how Star Trek III takes place right after II? WRONG. It was several months later and the crew (with Saavik taking over from Spock) had tons of adventures in the interim. It just seemed like it was right after😂
Before Worf and long long before Ash Tyler, Kirk had a Klingon on his crew
He was a cowardly Klingon named Konom who fled the Empire
He fell in love with a human woman named Bryce
They adopted an albino Klingon/human child with dwarfism which they named Bernie
Kirk has an unhinged, insubordinate crewman on board named Bearclaw and they hate each other
Tension escalates and eventually there's a stabbing
Sulu/M'Ress happens and I don't think people knew what furrys were in the 80's
You know how Spock comes back at the end of III but isn't his old self until the end of Star Trek IV? WRONG AGAIN. He came back just fine, and lost his marbles following an incident months later that just happened to line everything up to make it all seem like it was right after.
After STIII, Kirk becomes captain of the U.S.S. Excelsior NX-2000 and Spock becomes captain of the U.S.S. Surak. We get a few issues exclusively focusing on Spock's ship and his band of merry weirdos.
The U.S.S. Surak keeps changing design, starting off as a sort of Oberth-class ship, then randomly becoming an Excelsior-class ship and finally ending as the warp sled shuttlecraft from The Motion Picture
The Surak's crew include a giant chicken man, a Vulcan hating racist lady and a balding man with a bicycle
They all die horribly and a massive reset button is pressed so everyone is exactly where they were at the end of Star Trek III
In order to make that work they had to bs that the Klingon Bird of Prey was hidden in Excelsior's shuttlebay all this time despite it being way, way too big for that
There's a full on mirror universe invasion
Kirk becomes a celebrity from saving the galaxy all the time
Mr. Arex comes back and becomes chief of security but doesn't really do much
HORTA CREWMEMBER. It's as amazing as it sounds
The first Next Generation comic miniseries was made with knowledge of the first 2 or 3 TNG episodes and nothing else
Everyone is hench as fuck. Picard has washboard abs and bulging muscles
Data is emotional and Troi feels the emotions she senses a la "Encounter at Farpoint"
Wesley is drawn as if he's 10
The B-shift con and ops team are a husband and wife who wear caped superhero versions of Starfleet uniforms with bare legs.
They argue. A lot.
The crew meet an alien Santa Claus and Q loses his powers years before "Deja Q"
The whole Q Continuum visits the Enterprise and they're all John De Lancie but in Starfleet uniforms of every colour under the sun.
After that initial miniseries, the Next Gen crew lose a lot of their muscle mass and start resembling their on screen counterparts a lot better
Picard had a brother who fell down a hole and died as a child. Q offers to rewrite history so he doesn't die. Claude Picard grew up to be Space Superhitler and turns Starfleet and the Federation fascist.
Before all this Q turned Jean-Luc into a goat for the lolz
Marvel's The Early Voyages was very literally Strange New Worlds before Strange New Worlds.
They have a pyrokinetic security officer named Nano and he's awesome
Marvel lost the Trek license quite suddenly, and so the series ends on a cliffhanger where Admiral April is up to something iffy.
Marvel did a Starfleet Academy series featuring Nog and its utterly fantastic
A female Andorian cadet tries to make Nog feel at ease by greeting him in the nude, but Nog fails to take it as an innocent gesture and she immediately sends him flying across the room
Romulan agents with split personalities in Starfleet Academy!
They visit Talos IV and get help from Captain Pike, who's still alive
IDW comics did a prequel to the 2009 reboot where Picard is an ambassador, Data is captain of the Enterprise-E and Nero has hair. It was co-written by the movie writers and was considered sort of vaguely semi canon ish for a time
They originally wanted the Romulan supernova to destroy a lot more, including Earth and have Nero kill the TNG crew. It was the Star Trek Online devs that got them to scale things back because they'd have no universe left to set their game in.
Nero's ship looks like it does because after Romulus was destroyed he took it to a secret Romulan base and had it equipped with reverse-engineered Borg technology
You thought DC struggled to keep ship designs correct? IDW's comics keep using traced fan art from Google Images, and fan art (sometimes with unique ship designs) has shown up on multiple occasions as the Kelvinverse U.S.S. Enterprise
In one IDW TOS comic, the bridge is totally covered with TNG LCARS graphics.
In another, an Orion ship is a gigantic Stargate sticking out of the middle part of Battlestar Galactica.
Wanna see Kelvinverse versions of TOS episodes? That was their first comics run, picking up after the 2009 reboot movie. They start off very faithful and as the series goes on things diverge more and more
To the extent some stories have very different backstories and outcomes
We visit 2 Kelvin mirror universes and a genderswapped universe too. No, Kirk doesn't do what you're thinking.
Q visits the Kelvin Universe and brings the crew forward in time to their version of Deep Space Nine
Nero's time in Klingon prison (from the Star Trek 2009 deleted scenes) and escape is fleshed out
Nero meets V'ger.
Nero mind melds with V'ger.
V'ger turns away due to the sheer force of Nero's hatred.
I wish I was making that up.
Klingons get their hands on Narada's technology and go to war
We get a Khan backstory where the Eugenics Wars are a full on nuclear conflict and "Khan" is the title that little Noon Sing adopts when he takes power
After being revived in the 23rd century, Admiral Marcus has Khan surgically altered to look like Benedict Cumberbatch as part of his John Harrison cover identity
They did a series of shorts called Waypoint, and in the first one Geordi is captain of a future Enterprise and his crew is made up of holographic versions of Data and it's a really sweet concept (this was several years before before ST: Picard brought Data back twice)
There's a prequel series centred around Number One where nobody manages to say her name before being interrupted. If you put the bits together it seems her name was Eureka Robbins. Of course, this is long before novels and SNW made her Una Chin-Riley.
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