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#and terry has no way to change that
terrence-silver · 1 year
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Hi! Could you write a fic about beloved comforting Terry after Daniel rejected his apology? I love reading your blog it's one of my favorite sites.
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-"Not everyone has to forgive you."-
You coo tenderly, fingers smoothing the outline of his hair, tied at the nape of his neck; the rare occasion Terry lets himself be like this, behind closed doors, on a leather loveseat that served as his refuge and sole confessional, head on your shoulder after he's returned with John from settling terms and drawing out the city's turf in finely established terms and conditions, doing so on Miyago-Do territory specifically --- a little flex of power and him and John playing dirty for old time's sake, admittedly. But, he hasn't got all he wanted during negotiations, as it were. Not by a longshot, having thrown everything at the situation to see what sticks and willing to adapt accordingly to whatever did, even being sorry, if being sorry was what worked. If being sorry was what it took to the point he'd almost imagine feeling what sorry meant. -"And that's entirely fine. Life goes on."- You continue with a soft murmur, clearly missing the point why he was in such a sour mood to begin with. He has to interject mutely, never lifting his cheek or his face, staring off into some blank point on the wall. Unblinking. He hasn't really blinked much since come back. A portion of his weight leaning on you. Life goes on. Life goes on, huh? Life never goes on. Not really. Life has been standing still for Terry since time immemorial.
-"No, it doesn't."-
Is all Terry says.
-"It doesn't go on."- He adds, somewhat galvanized. -"Wanna know why?"-
Finishing off with a question while playing with your fingers, he's agitated. He supposed it wasn't the lack of forgiveness on Daniel Larusso's part that bothered him as much as the act that he was so thoroughly seen and fundamentally perceived by someone, specifically in a bad light, and that he had no control or say in the image carried forthwith into the world, spread around, like a virus. He couldn't just take Larusso's brain, the contents inside of it and reset it like a machine. Like a robot. Turn it off and turn it back on again. Alter, erase and change memories, conclusions and sensations as he deemed fit, for the sake of humor, maybe. What happened over thirty years ago happened and that perception would infuriatingly remain, etched right where it was. Without budging. A sorry was just a symbol. A formality. A gateway. Four letters that carried an universe of possibilities with it. Terry Silver couldn't have given less of a damn if he was forgiven. What irked him --- what really irked him, was the inertia being so definitely deduced by someone came with. And so, Daniel Larusso had to be destroyed. If his mind couldn't be changed, well fine --- his mind would be gone along with everything else he held dear, and it would've been because Terry's hand was pushed.
After all, extreme measures require ---
-"Because not capitulating can only mean a declaration of war."-
Terry whispers, decisively, your hand still caressing him. He didn't want anyone's pardon. He was a grown man and he did much worse than rough up some kid back in '85. He wanted no pardon because he didn't regret what he did, regardless what he said or how he looked when he said it.
He wanted the enemy's surrender. Is what he wanted. The enemy didn't surrender.
And so, the enemy would fall.
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cephalopod-celabrator · 8 months
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Reading a Terry Pratchett book is literally just: Here's a funny little joke Here's something that you can tell is a joke but don't get and will only figure out five years later Here's a surprisingly cool fantasy concept Here's a unique and well written simile Here's a lil guy Here's something that has aged depressingly well into the modern day Here's something that has aged remarkably queer into the modern day Here's a character that you can barely understand what he's saying Here is the most terrifying and deeply disturbing concept you have ever heard, casually mentioned Here is the dumbest fucking pun you've ever heard but in the best way Here is a quote so profound that it makes you view morality and the world in a different way Here is a plot twist that you can't tell if it's genius or stupid Congratulations! You've finished the book! It has fundamentally changed you as a person and you will never be the same!
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chainmail-butch · 8 months
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I met an older nb queer (I estimate early 50s) at the club last night. It was a religious experience. We talked about mushrooms, AIDs, and Terry Gilliams movies.
They told me about identifying as a sissy when they were a kid because that was the only term they had for an effeminate man. We talked about gender and the way the world has changed then they passed me a very strong joint.
As the night wore on they leaned over and told me how good it was to meet a butch for the first time in a long time. They told me that when they were 16 and sneaking out of the house to go to gay bars the butches were the ones who took them in.
I had to hold back tears in the club.
There are futures for all of us. And if your future involves tophats with feathers, silly songs, and trippy jackets, then there's a future for you too.
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mollyrealized · 3 months
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How Michael Met Neil
original direct link [MP3]
(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)
DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.
MICHAEL SHEEN: So this is what has brought us together.
DAVID: Yes.
MICHAEL: To the new love story for the 21st century.
DAVID: Exactly.
MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”
And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.
DAVID: The kids who'd grown up reading comic books were now making comic books
MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.
And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”
And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.
So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.
And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”
And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.
Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.
It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.
DAVID: You'd never met him?
MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …
And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."
I said, “All right.”
He said, "Do you want to go somewhere posh, or somewhere interesting?”
I said, "Let's go somewhere interesting."
He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.
I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 
And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."
So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”
And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.
And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"
"Right, okay. We'll ask for the bill in a minute."
And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.
And me and Neil are like, "What on Earth is going on?"
And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*
[* - delivered in a perfect American ‘serious law agent’ accent/impression]
And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  
We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.
DAVID: But you're assuming it's the mystery dish.
MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.
So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.
Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.
We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.
And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.
DAVID: That’s extraordinary.
MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"
"No, I haven't heard anything."
And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.
DAVID: And that was your first meeting with Neil Gaiman.
MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"
I said, "What are you talking about?" It's such a Neil Gaiman thing to say.
DAVID: Isn't it?
MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.
DAVID: Was there anything inside it?
MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...
DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.
MICHAEL: That's how it began. Yeah.
DAVID: And then he came to offer you the part in Good Omens.
MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...
DAVID: Were you involved at that point?
MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.
DAVID: Right.
MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.
And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.
But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.
DAVID: Of course you can [play Crowley?].
MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.
DAVID: Sure, sure.
MICHAEL: I can do this.
DAVID: Yeah.
MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”
But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."
And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.
And then all these extraordinary people started to join in. And then, and then off we went.
DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?
MICHAEL: “I emailed Jon Hamm.”
DAVID: Yeah.
MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.
DAVID: Yes.
MICHAEL: And had never been turned into anything.
DAVID: Yeah.
MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”
DAVID: Yes.
MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”
DAVID: Yeah.
MICHAEL: So I feel that responsibility as well.
DAVID: But we have Neil on site.
MICHAEL: Yes. Well, Neil being the showrunner …
DAVID: Yeah. I think it takes the curse off.
MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.
DAVID: Well, we think. Not that the world has seen it yet.
MICHAEL (grimly): No, I know.
DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.
MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.
This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.
DAVID: Yeah.
MICHAEL: The two of us.
DAVID: Yes.
MICHAEL: Like they, what I do is defined by what you do.
DAVID: Yeah.
MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.
DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.
MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.
And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.
You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.
And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 
Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.
DAVID: That's lovely. Michael, thank you so much.
MICHAEL: Thank you.
DAVID: For talking today and for being here.
MICHAEL: Oh, it's a pleasure. Thank you.
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joelsgreys · 1 month
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flutter
Post Outbreak! Joel Miller x Pregnant! Female Reader
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snapshots masterlist
summary: When you finally start to show, Joel has a tough time with it as the reality sinks in—he’s going to be a father again.
warnings/tags: 18+ ONLY, MINORS DNI. JACKSON ERA. (TW) PREGNANCY. established relationship. no mention of reader’s age, however in other works for this universe, it is implied she is younger than Joel, her specific age will never be stated so do with that what you will. brief descriptions of a pregnant woman’s changing body, brief mention of morning sickness, mention of breastfeeding (it only comes up in a conversation very briefly) these subjects can possibly be triggering, especially mentions of a changing body, so while i try to handle everything with the utmost care, i still ask that you proceed with caution. domesticity, reader enjoys taking care of her family, ellie is a little shit, grumpy joel, he’s sort of a dick at first? but only because he’s working through some feelings so let’s forgive him, okay?
word count: 3.5k
a/n: this is part of the snapshots universe, but it could absolutely be read as a standalone too. minimal editing, this has been sitting in my drafts and i did a quick edit during my lunch hour, so please excuse any mistakes.
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“Shit.”
You almost can’t believe your own two eyes. Staring at your reflection in the large, oval shaped mirror hanging over the porcelain bathroom sink, your gaze widens in complete surprise. “Jesus Christ,” you mutter, turning to the side. It takes your brain about a good minute or two to process, really process, the way that your belly strains against the thin, white cotton of your camisole. It had seemingly swollen overnight—because it hadn’t been this prominent the day before, had it?
Over the last few months, there’d been changes.
Some subtle and some not so subtle.
“Ellie! Stop fucking staring at them,” you’d scolded the teenager late one evening during yours and hers weekly game night. For as hard as you tried focusing on what move you should make next, it was hard to concentrate on the chessboard in front of you when you could feel the way her eyes were fixed on your breasts. “I mean it! Quit staring at my boobs, you little shit.”
She held up her hands, her mouth full of popcorn.
“Hey, in my defense, they’re just fucking there, man. If anything, they’re fucking staring at me, okay?”
During your chess rematch the following week, you had accidentally knocked one of your pawn pieces off of the table. When you’d stood up and bent over to pick it up, she had made the observation that your butt seemed to have gotten a little bigger too.
“Bet Joel’s liking these changes,” Ellie had smirked. “It sure as hell explains why the headboard’s been banging against the wall more than usual lately.”
You threw the pawn at her, smiling in satisfaction when it bounced off her forehead and landed into her glass of lemonade.
One part of your body, however, hadn’t changed.
Not until now.
“Hon, trust me, you have nothing to be worried about,” Maria had assured you with confidence when you had brought up your concerns about your stomach. “Every woman, and every pregnancy, is different. I didn’t start showing until I was around six months, remember?”
“I guess you’re right.” You’d been around four months, then. “Doesn’t help that I haven’t felt the baby move.”
“You will,” Maria had promised. “Just be patient”
Biting your lip, you place a hand on your belly.
It’s always been one of the softer parts of you, but now, it’s firmed into a perfect, round bump.
“Maybe soon I’ll feel you move,” you murmur, giving it a gentle pat. You tug the lace hem of your camisole down as far as it can go and then pull at the elastic waistband of your blue, terry cloth shorts.
Shutting off the lights in the bathroom, you slip out into the bedroom where you find that Joel’s still tangled up in the sheets, fast asleep. He had been assigned to the afternoon patrol route today—normally an early riser, if he was still snoozing, it meant that he really needed the rest. Deciding it was best to let him keep sleeping for a little while longer, you quietly tiptoe out of your shared bedroom and head downstairs into the kitchen.
After making yourself a glass of fresh squeezed orange juice, and one for the kid as well, you prepare the coffee maker for Joel. You spoon dark roast grounds into the filter and set the timer for the coffee to start brewing in thirty minutes.
He should be up by then, you think, pulling a basket of eggs out of the refrigerator.
You’re starting to get used to this. Domesticity.
Despite your protests, Maria had made the decision to pull you off patrol that same afternoon you had shared the news of your pregnancy. “I’m putting you on leave,” she’d told you. “Effective immediately. I don’t want to see you outside of these walls. Got it?”
“That’s not fair, Maria. You were out on patrol until—”
One stern glare from her had shut you right up.
“Fine.”
Sure, you missed it and looked forward to the day when you’d be able to get back into the saddle with your rifle in hand, but this way of life had grown on you. Certainly a lot more than you thought it would.
You enjoyed taking care of the house. Packing Ellie her lunch for school and checking her homework. Having a nice a meal on the table for the three of you to enjoy in the comfort of your own home instead of having to go down to the crowded mess hall for supper because you and Joel were both always much, much too tired after a long day out on patrol to bother with cooking.
With the baby due to arrive in the winter, looking after your little family had become your purpose, and you did not mind it one bit.
As strips of bacon sizzle in one pan on the gas powered stove, you crack a couple of eggs into another, knowing the kid is already on her way downstairs. You can hear the sound of her old, tattered low top sneakers that you have been trying to throw away for almost a year now squeaking on the kitchen tiles just as you finish plating her breakfast.
“Morning!” Ellie pipes, the loud plop of her backpack into a chair prompting you to turn around. “What’s for brea—whoa! Holy shit!” Her brown eyes widen in shock when she sees you and her jaw drops. “Dude.”
“Ellie,” you say her name warningly as you walk over to the table. “Don’t.”
“You’re bigger!”
With a playful glare, you set her plate down, along with her glass of orange juice. “Thanks a lot, you little jerk.” You feign offense. “You’re making your own eggs from now on.”
“Fuck, I’m sorry.” Ellie’s cheeks flush a shade of red and she squirms, sputtering apologetically, “I swear, I don’t mean it like that at all. It’s just, your stomach, it didn’t—you didn’t look like this last night, you know?”
She’s fucking lucky that your raging hormones decided to take the morning off duty.
“You look different. I mean, you look great—”
“Ellie?”
“Yeah?”
“Just shut up and eat.”
“Deal.”
She shoots you a sheepish grin and sits down, scarfing down her food in her usual manner. 
“You get your fractions homework done?”
“Yeah.” Ellie huffs, rolling her eyes. “Took me forever. I was up until fucking midnight.”
Amused, you offer, “Want me to check your work?”
“Sure.”
As Ellie inhales the rest of her breakfast, you pull out a green, single subject notebook from her backpack and look over her homework for miscalculations.
“So, uh, how are you feeling?” she asks after a minute.
“I’m feeling alright. I think the morning sickness finally stopped, so can’t complain.” Shrugging, you close the notebook and stick it into her backpack. “You did good, kid. Only got two problems wrong.”
“Man, I really wish we knew whether it’s a boy or girl,” Ellie mumbles through a mouthful of scrambled eggs. “What do you want to have, anyway?”
“It doesn’t matter to me, Ellie,” you answer, honestly. Clocking the skepticism on her face, you laugh and say, “It’s true. As long as the baby’s healthy, that’s all I care about.” And you mean it. As an expectant mother in the post outbreak world where medicine is scarce, supplies are limited, and the closest thing you have to a hospital is the town’s old clinic, the only thing you can hope for is the smooth, safe delivery of a healthy child.
Before she can say anything, you both catch the sound of Joel’s heavy boots as he descends the staircase.
She quirks an eyebrow. “Uh, has Joel seen you yet?”
Grimacing, you shake your head. “No.”
“Well, I don’t wanna be here for all that awkward,” Ellie says, chugging the rest of her orange juice. She stands up and snatches up her backpack, along with her lunch bag, which you’d packed for her earlier that morning. Just as she’s about to whirl around on the heel of her sneaker and make a run for the front door, she pauses, watching as you make your way back over to the stove to light another flame. “Unless you want me to be?”
“I’ll be fine, Ellie,” you assure her. “Go on, get to school. Maybe you’ll be on time to class for once.”
“If you say so.” She wishes you luck and then bolts out of the kitchen, throwing a quick goodbye at Joel on the way out. “See ya later, old man!”
Nervously, you turn around and start cracking another two eggs into the pan. There’s no telling how he’s going to react.
Joel’s been fairly supportive since you’d found out you were pregnant, considering how unplanned it was. But you know him like the back of your own hand, and you know, despite the numerous times he’s denied it, that it has been weighing heavily on him. Each time you’d try to sit down to talk to him about it, he would brush you off and insist he was fine. But he wasn’t fine.
And you wish he would spit it out and tell you why.
In your periphery, you notice the stained glass butterfly he had hung in front of the window above the sink, the ornament catching and refracting the sunlight. Flecks of color dance across the walls in captivating patterns, brightening the space. You think of the sweet little girl he’d hung it for, the little girl he rarely talks about, that he keeps tucked away safely in his memory.
You bite back a small sigh.
By now, you’ve learned not to push him. Especially not about what he was feeling. He would tell you when he was ready.
“Who the hell lit a fire under her ass this mornin’?” Joel asks gruffly as he walks into the kitchen. “She ain’t ever this fuckin’ eager to go to school.”
“Not sure,” you reply in the most nonchalant tone you can muster as you use a spatula to scramble the eggs. Transferring them onto a plate, you add three strips of bacon, and then pour his coffee. “I have your breakfast ready, Joel. Have a seat.”
You hear a chair scrape against the tile.
“I keep tellin’ you I can make my own breakfast, darlin’.”
“And I keep telling you I don’t mind making it for you,” you quip, and you hear him grumble something under his breath.
Inhaling a deep, calming breath through your nose, you take the plate of eggs and bacon in one hand, and his cup of coffee in the other. Your fingers grasp the handle of his ceramic, owl mug in a near death grip. You exhale slowly, and then turn around to face him.
He sees your swollen middle and stiffens in his chair. 
The tension is instantaneous. Palpable.
Uncomfortable.
Awkwardly, you shift from one foot to the other.
“Your belly,” Joel murmurs, a visible tick in his jaw as his gaze drags over your midsection. “S’bigger.”
“Yeah. It is. Guess I’m going to have to start trading for maternity clothes soon,” you remark, shuffling over to the table. Setting down the plate and mug of coffee in front of him, you take a seat across the table. Your eyes try desperately to meet his, but they refuse. There’s no way for you to decipher what he’s thinking. You let out a small, nervous laugh. “Can you please say something?” 
He lightly clears his throat. “I’ll take you to Main Street on Saturday,” he tells you, picking up his mug. “I’ve got the day off from patrol. I’ll, uh, pick through some of my own things and see what I don’t need so we can make a trade for some clothes.” He pauses, then offers quietly, “In the meantime, you can wear my shirts. They might be more comfortable for you.”
You flash him a grateful smile. “Thank you, Joel.”
Sipping his coffee, he continues to avoid your gaze.
“Mhm,” is all he says.
Your smile falters.
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It’s the middle of August.
The afternoon heat is sweltering. Unforgiving.
“Jesus, it’s a fuckin’ scorcher,” Tommy sighs, glancing over towards the lake where his mare, Maxine, is taking a drink beside his brother’s stallion, Phoenix. His raven curls are damp with sweat, plastered to his forehead. “Hotter than the devil’s fuckin’ balls out here, ain’t it?”
He’s met with silence.
Looking over his shoulder, he sees Joel leaning against a tree, his rifle in hand as he stares at the Grand Tetons in the distance almost like he’s in a trance. “Joel?”
Blinking furiously, Joel shakes his head. “Sorry, you say somethin’ to me just now?” He asks in a daze, pushing away from the lodgepole pine. “We headin’ out?”
“You’ve been actin’ real strange all afternoon,” Tommy observes, walking towards him with his own gun slung over his shoulder. “Either the heat is startin’ to get to you, or you’ve got somethin’ on your mind, big brother.”
Joel hesitates. His dark eyes flit to the other side of the lake where the other members of their afternoon patrol group are refilling their canteens with water.
“S’alright,” his younger brother says. “Don’t worry ‘bout them. Can’t hear us.”
Joel’s chest heaves with a heavy sigh. “She popped.”
“Huh?”
“Her belly finally popped. She’s showin’ now.”
Amused, Tommy lightly shakes his head. “Y’shouldn’t be so surprised, Joel. Was ‘bout time,” he remarks with a shrug. “What is she—like six months along now?”
“She’ll be six months in a couple weeks.” Joel wipes the perspiration off his brow with the back of his hand and sighs once more. “Look, I ain’t stupid, Tommy. I knew it was bound to happen sooner or later, but it still caught me by surprise. When I saw her, it became real for me. She’s got my kid in there. I’m gonna be a dad again.”
“You’re scared.” It’s not a question, it’s a statement.
“Shitless,” Joel confesses, feeling his chest tighten. 
“What are you afraid of?”
Joel almost laughs.
He doesn’t know where to start.
He’s afraid of everything.
“All of it, Tommy. I’m afraid for her, havin’ to give birth with no medicine,” he tells him, his voice breaking. “I’m afraid I won’t remember what to do with a newborn or that I won’t know how to help her durin’ those first few months—”
“This ain’t your first rodeo,” Tommy reminds him. “You did it once, and you did just fine, Joel.”
“That was over three fuckin’ decades ago. And it was a different world. If Sarah—” He stops, taking a second to catch his breath. The image of his daughter’s little face flashing in his mind feels like a violent punch to the gut. Even after all this time, it still knocks all of the wind out of his lungs. “When her mom had trouble breastfeedin’ her, I could head to the grocery store and buy her baby formula. If she got a real bad fever, I could load her up in the truck and drive her to the emergency room.” He glances down at his broken watch. “Besides, I was a lot younger, then. And I wasn’t half fuckin’ deaf like I am now. When Sarah would wake up cryin’ in the middle of the night because she needed a diaper change, I’d hear her. What if I can’t hear my own kid cryin’?”
“Joel—”
“I’m in my fifties. What if I can’t keep up because I’m too fuckin’ old?”
Tommy reaches out, clapping a hand onto his shoulder.
“Brother, I need you to take a fuckin’ breath,” he says, chuckling softly. “You’re puttin’ the weight of the world of your shoulders right now—you need to put some of it down. Look, we might not have everythin’ we used to before the world ended, but we make do with what we do have. Considerin’ just how many growin’ families we have and how many little ones we’ve got runnin’ around our town, I’d say it’s workin’ out pretty fuckin well.” He gives his shoulder an encouraging squeeze. “And as far as your ability to be a good dad, you’ve still got it, Joel. You know what to do, and so does she. I’ve seen her in action with my little boy, and it seems like she’s already got those maternal instincts, y’know?”
“Yeah, she does,” Joels agrees quietly, thinking of how you had stepped up to help him care for Ellie.
“Trust me, between the two of you, it’ll be alright.”
He peers at him. “You really believe I still got it in me?”
“I do.” Tommy smiles. “You never stopped knowin’ how to be a father, Joel. You’re gonna be just fine.”
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Their patrol shift extends into the evening, turning into a double, and it’s late when he gets home. 
“What the hell are you still doin’ up?” Joel asks when he finds Ellie sitting at the kitchen table, cursing to herself as she flips through the stale, yellowing pages of an old life science text book.
“What does it fucking look like, man?”
“Shouldn’t have waited until the last minute, kiddo—”
Ellie holds up a hand and cuts him off.
“Save the lecture for another time, dude. I’m busy.”
Joel rolls his eyes. “Finish up and get to bed. S’late.”
Without waiting for some smartass response, he turns on the heel of his boot and then heads upstairs to your shared bedroom. He flips on the lights only to find that you’re already in bed, fast asleep, wearing nothing but one of his t-shirts and a pair of panties. He toes off his boots and leaves them by the door, being as quiet as he possibly can as he rummages through his top drawer for some clean boxers to sleep in.
He slips into the bathroom where he takes a quick, hot shower, scrubbing off that day’s sweat, dirt, and grime. After he’s dressed and his sopping wet, salt and pepper curls are haphazardly towel dried, Joel walks back out into the bedroom where he switches off the lights and climbs into bed next to you.
He lays on his side and he’s just about to close his eyes when he feels a light shift beside him. You roll over and curl into him, your belly pressing up against his curve of his spine.
He stiffens, freezing as if someone had just placed the barrel of their pistol against his back, their finger over the trigger.
Christ, get a damn grip, he thinks silently to himself.
Joel thinks about that morning in the kitchen.
He knows his reaction had hurt you. Or rather, his lack of a reaction. His shitty ways of coping aren’t your fault, and his struggle to come to terms with your pregnancy sure as hell isn’t your fault, either. He owed it to you to try harder to be the man you needed.
The man you both needed.
Joel’s train of thought comes to a screeching halt when he feels a soft flutter against his middle of his back, the spot right where your tummy is nestled—did the baby just move?
He lies still, waiting to see if he feels it again, and when he doesn’t, he rolls over to face you, causing you to stir.
“Joel?” you mumble his name, sleepily. “What time—?”
“Shh,” Joel soothes, pulling you into his bare chest. He kisses your temple. “S’okay, baby. Go back to sleep.”
He doesn’t have to tell you twice.
Within seconds, you’re asleep again, snuggled into him and snoring softly.
Lifting a hand, he hesitates, then rests it on your belly.
He waits.
And waits.
And waits.
And waits.
Until the minutes turn into hours.
Until dawn’s light filters in through the lace curtains. 
Until he finally feels that little flutter again.
He feels it against the palm of his hand. Faint, nothing more than a brief whisper against his skin, but there is no mistaking it.
He’d just felt the baby’s movement.
There’s a sudden shift.
Tense muscles that had been painfully wound up since the moment you’d mentioned to him your period was a week late back in the spring loosen slightly—the breath he had been holding since he’d picked up that positive pregnancy test from the bathroom counter finally falls from his lips, fanning over yours.
His fears, his worries, his uncertainties about what lies ahead, they’re all still there, of course, but he finds they are now accompanied by a glimmer of hope, a sliver of optimism that maybe, just maybe, Joel doesn’t have to be as afraid as he is.
Joel’s eyes glaze over your face, warmth radiating in his chest when you breathe a little a sigh of content in your sleep as he gently rubs your stomach through his shirt.
With his hand still splayed over your belly, he closes his eyes and begins to drift off, falling into the most decent sleep he’s had in the last few months.
Maybe his brother’s right.
Maybe he will be just fine.
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divider credit to @saradika 🤍
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linkeduniverse · 5 months
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Our Hero transformed a lot in TotK. At first, he was known as Zelda's knight, but he became much more. People recognize and respect him, and he plays a big role in the kingdom's growth alongside Zelda becoming an active and involved member of his community. This change from being a quiet knight to a lively community leader would really impress Twilight and Warrior. But When it comes to LU Wild, he's yet to achieve these things. His life in the Kingdom still has its challenges that he is trying to tackle. Originally, I wrote Wild to desire growth for his kingdom, much like Terry Town but on a larger scale. Surprisingly, it became quite literal in TotK!
So here's the thing: He's not a character to simply replace; he's dynamic and evolving. His life and journey have significant phases, showing growth and change. If I introduce the ToTK version of Wild in TotK, it disrupts his character development in LU. I've crafted scenes where he learns and grows from various individuals—heroes, princesses, and queens alike. The Princess of the Wild also has her own moments of growth interacting with others. Skipping to their 20s would mean ditching this growth.
I suppose Wild's a lot like Time now. Time, how he's featured in LU, is in the middle of his canon appearances. A little of who he was, and a little of who he will be. Wild too is that middle ground now that he has a trilogy for himself. But what I will say is TotK revealed more of  Wild's unique ability to be resourceful in unconventional ways. I did intentionally limit his usual resources to highlight his uniqueness. Missing an item would break any other Zelda adventure, but for Wild, anything can be a tool. No key? No problem! He’s at his best when circumstances are at their worst because unlike other heroes reliant on specific items, Wild finds a way. But now with TotK, that's his defining trait. The crazy builds in TotK perfectly showcase this…creativity… of his.
TotK definitely gives me a canon trajectory for Wild's (and his princess) goals. All in all I would still like to add some sort of TotK, even if it's small, in LU but as of now I'm still  drawing a blank. I'm not worried about it. An Idea will happen organically if it's meant to be
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ookaookaooka · 1 year
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I’m hardly the first person to compare them but Terry Pratchett and J K Rowling really are polar opposites in terms of the way their writing treats weird characters. In Rowling’s writing, any weirdness is there to be laughed at (for example: Professor Trelawney, the fake seer who doesn’t know she’s an actual seer). In Pratchett’s writing, though, the characters’ weirdness is taken 100% seriously and the humor arises organically from the situation itself and is never at the characters’ expense (for example: in Making Money, the man who was born a clown and was never told so until he was 13 years old). In Rowling’s writing, the main characters poke constant fun at Professor Trelawney, making joke predictions and fudging homework and talking about how divination isn’t a legitimate field of study. Even after she gets fired and more or less drops the act, the joke changes to “look at this sad drunk lady” and the main characters express little sympathy. The narrative is saying she’s there to make one real prediction and otherwise she’s only there for comic relief. This sort of thing happens over and over in Rowling’s writing, where any quirkiness is there to be laughed at and the misfortunes of characters we’re not supposed to like are supposed to be funny, and it sends a message of conformity under threat of ridicule. In Pratchett’s writing, the clown man’s story is treated as a great tragedy: imagine growing up not knowing why you are the way you are, and then finding out the truth as a teenager! And knowing that your own mother kept the truth from you! This man was so deeply traumatized by this he denied himself any humor or fun for decades, and when he has a crisis and runs off to become a clown again, he is given support and medical treatment and is welcomed back to his job at the bank and accepted for who he is. The fact that this whole situation is hilarious is secondary. And again, this sort of thing happens over and over again in Pratchett’s writing, where characters’ quirkiness is embraced and often seen as irreplaceable by the end of the book, and it sends a message that our quirks are valuable and weirdness should be acceptable. It just strikes me as a much… kinder approach to people, you know?
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You know, I was thinking about Monstrous Regiment as I always do, and I just say, damn, Terry Pratchett sure as shit did the "Female attack drone operator killing children" joke ages before we even got there culturally.
Like, OK, during the climax of the book we find out that half of the Military high command are also women right? Disguised as men and wanting to keep their secret hidden as they live as men yes, but still women.
And here's the thing.
That's not, unlike Jackrum's ending, to be read as a trans allegory.
These are women, who joined the military, a sexist and awful military force who would have killed them had it found out for both being women and for crossdressing, got in a position of power by following the rules and not rocking the Boat (unlike Polly and her squad, who were offered the perfect way out yet still decided to come out as women), and then once they become the high command of the military they do NOTHING.
They do not change those same structures who oppressed them, because now they are in power so who care if other women get hurt.
And they do not stop the war, continuing it instead.
"Women can do the same things man can" is one of the Book's arc words, and it does sound like a pretty neat message, until Terry points out how this very same message can be used to sponsor horrible actions too and passing them for progress.
Women can be war criminals just like man can.
Much like back in the days, cigarette companies sold women cancer on a stick presenting it as freedom and liberation for their gender.
Much like The pilot of the drone that's going to burn your house to the ground has a pride flag pin on their lapel.
You are not immune to fucking military propaganda.
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armageddidnt · 9 months
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Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2
*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits
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Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀
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Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are
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So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon
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Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)
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Gabriel trying to swat flies and almost smashing the repository of every single one of his memories
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I’m cAckling
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So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??
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Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk
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More Foreshadowing Fly content 🪰
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Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀
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This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show
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We really need more context here I need to see the Crowley-Furfur Monkey Rides
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Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening
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POP goes the Ziraphale
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Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT
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Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.
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Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???
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They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh
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Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?
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So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀
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There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…
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I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER
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Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.
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I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now
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We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane
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Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE
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variousqueerthings · 9 months
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okay I watched good omens s2 yesterday with my partner, and I was genuinely very surprised -- I think if you've grown up through superwholock/merlin/the 100/teen wolf type shows where (with the exception periodically of doctor who) you kind of had to make up the good show that something could have been in your head, that colours a lot of your viewing, and to be honest I thought season 1 of good omens was a fine little piece, honoured the book while modernising it somewhat, it was a nice, fun, low stakes time, with a couple of things I might have wanted a tad different but nothing overall awful.
so I was seeing all this meta and gifsets and discussion, while I was waiting to give s2 a watch with my partner and thought "ah, people have made up the good show in their heads again" not that I assumed s2 was going to be a bad show, but that people were taking extra deep plunges into possibilities, the way fandom does, and that was fine. I knew there was a big ol kiss, I had a sense of some kind of argument at the end, and that it was setting up a s3
I also knew that mainstream reviews were calling it (politely) self-indulgent and dependent on whether or not you enjoy david tennant and michael sheen having a good time for just under 6 hours
all in all, expectations of a somewhat mainstream show without too much to think about, a nice, fun low stakes time, moving on...
(EDIT: AND THEN I WROTE A LOT OF WORDS SO YOU CAN IMAGINE THAT MY REACTION WAS QUITE DIFFERENT)
as it turns out it seems these things that were being written on tumblr were discussing the actual text of the show and not things you could extrapolate if you squinted and tilted your head a little to the left as I'm so used to doing, so in fact there is much to think about!
and my first thought was "this is like when you read early discworld books that ask a question like a joke, only to find that over time the answer to that question becomes very serious (and also can be funny at times of course)." how terry pratchett would pick and pick at tropes and notions and social ideas and go "oh now hold on, this seems strange..." starting way back when he thought it was odd that women warriors always seemed to be dressed in metal bikinis and then realising he hadn't done a good enough job of subverting the trope, simply by depicting it and calling it a bit silly
why do goblins always get treated as the villains? what's with this divine succession of kings business? where are the female dwarfs? who do we treat as disposable?
good omens season one went: "haha what if heaven and hell were intensely incapable, bureaucratic, corrupt, and uncaring of the work they did, and we took an angel and a demon and had them actually care? wouldn't that be... a bit silly?" (and it was)
good omens season two went: "what are the consequences for caring when the people who have power over you are incapable, bureaucratic, corrupt, and uncaring? what are the forces that supersede systems built on fear, ignorance, and violent conformity? can people change and break out of/challenge/break down these structures by caring?"
and this was set up with a neat little sleight of hand (to reference aziraphale's switch-and-bait in the episode with the nazi zombies), because the majority of season 2 does feel a bit indulgent: hey, remember those two wacky angel-and-demon characters? watch some more wacky things they did through the ages, watch them take a sojourn through 1827 Edinburgh and do a magic show during the Blitz, and... stop the death of Job's and Sitis' children (actually maybe that whole segment ought to have been what they call "A Clue")
see them try to figure out a kooky mystery, all the while setting up a cute little same-gender romance on their street. watch as everything points towards a happy ending that's all about the two of them realising what they've been to one another all these thousands and thousands (and thousands and thousands) of years- but hold on. lest we forget - and the show has made this point over and over - there are powerful people who control them, who hurt them, and who plan on hurting others, throughout the whole season, and as it turns out they know what they've been to one another for far far longer, and know how to pull their strings...
season 2 then, has to show us these things, not because they're indulgent (well, maybe occasionally, but the apology dance is still important), but because in order to make the ending a tragedy, we first need to understand, properly, the impact that they have had on each other. we need to understand that Aziraphale relied heavily on Crowley to be his moral compass and leaned on black-and-white thinking in order to deal with things, because if it's all grey then where does he fit and what has it all meant and heaven has to be the good guys, even as Job's and Sitis' children are ordered to be killed, it's all he ever had...
and Crowley was always an anchor, needed to trust that Aziraphale was different, needed to bend to every whim that Aziraphale has, because otherwise what's his worth in all this? After having been already deemed worthless by the heaven that Aziraphale needs to believe in?
and that, simplistically described, is the narrative that we're seeing in s2, and alongside that the ways that the changes they have upon each other are noticed, and monitored, and placed under suspicion, and finally... broken up, not by the clumsy, brute force that's been attempted over and over again, but by a promise to return into a violent, controlling system and to "make it better from within"
and all of this is wrapped up in two queer relationships + a third queered-within-the-text relationship that creates the inverse of how it ends for Aziraphale and Crowley (so far). queer love -- whatever shape that has -- is explicitly the shape of non-conformity within this narrative, including within the symbolism of angel-and-demon love of Gabriel and Beelzebub, which in the context of the systems created is considered queer (and one can argue till the cats come home about casting cis actors, about angel-and-demon notions of gender/romance/sexuality, but the "queerness" comes from building something non-conforming to the systems they exist in), and enforced by the explicitly our-world-definition-of queer romance that Nina and Maggie have going on (which, while less high stakes, still contains the background controlling relationship that Nina initially is in)
all of this to say, that I disagree that s2 meanders, or that plotlines happen for the sake of showcasing Aziraphale and Crowley without purpose, or that characters get sidelined (I'd say it sets up a whole host of interesting characters to further get into actually), or that it's strictly mainstream easy-access narrative that's just an excuse for the main creators and actors to get back together.
the love is the point, and this show takes its time to show the love (and the unequal boundary-setting, and the fact that one of them has an undiscussed tragic backstory, and the desperation to belong again, and the fear instilled by oppressive systems, and and and), so that we understand why those last 15 minutes happen the way that they do
it's sleight of hand, and like all good magic, you don't notice until it's happened
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songbirdseung · 3 months
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mr. green flag / park jongseong
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synopsis: after dating the wrong guys, you wanted to give up love and relationships. although, a man named park jongseong changed things for you.
pairing: nonidol!jay x nonidol!yn
warnings: cheating, red flag boyfriends, love triangles, cuss words
The bartender was most likely your best friend now since you basically came to the bar every week or two. Crying over a guy who definitely not worth your tears and time. But the bartender was very understanding of your situation and tried his very best to provide comfort and reassurance.
You found out his name was Terry. He's been working at the bar as his second job just to make extra money. Such a nice genuine guy, someone you wish you could date but for some reason, the universe hated your guts, or you just did so horrible in your past life that you need to be punished in this life.
"Okay, last one for tonight. You still got to drive yourself home" he slides your drink towards you with a serious but caring look on his face. "When are you going to break up with that douchebag?" all the arrows pointed to breaking up with him, but since you were so blinded, you couldn't just let him go. As stupid as it was, you loved him despite all the foolish and childish things he has done to you.
"I love you; I do. But I hate seeing you walk through the door with a frown on your face and tears running down your face. It's time you be single or date a good guy" terry doesn't know how many times he had already said these things to you, but he has to remind you every time.
On the drive home, you were dreading it. What if you open the door to your shared apartment with your boyfriend and see him banging another girl? why did you have to be so stupid and such a coward, why couldn't you just say the words "let's break up" or "I'm done" then follow up with a "get out of my apartment" then be over with it.
Luckily for you, the universe wanted to be a little bit kinder to you, you opened the door to your apartment and no, your boyfriend wasn't hooking up with someone. But you knew, he probably already did earlier in the day. As you make your way into the kitchen to drink some medicine and water, you receive a text from terry.
terry: don't forget what I said earlier, you can't say you forgot because we both know you're not drunk.
You sigh and head to your bedroom where your boyfriend is playing video games. You turn on the light and he immediately spin around in his chair and starts yelling at how you disrupted his game.
This is it; you just have to do it. Just say the words yn. "I'm breaking up you, by tomorrow morning, I expect you to be out of this house and my life."
That was a whole month ago, now you were currently single and moving on. Instead of being at the bar with terry, you were at the mall. "I'm proud of you yn, it's been a month and from what I've notice, you're doing great" you smile and nod, "I honestly did not know where the confidence came from when I broke up with him."
You recall all the times you got broken up with by your past 2 boyfriends. they all treated you the way your 3rd boyfriend did. Realizing that all these three, when you started dating them, they would put up a persona, a facade as if they were good guys and they would treat you the way you deserved. They promised things that turned to be absolutely bullshit and empty promises. Then down the road, they would slowly show their true colors and behaviors.
"Maybe I'm meant to be single, maybe i should just give up on relationships" terry listens to your rants and future goals. Listing down all the things you want to do now since you were free from manipulators and controlling men. "Who knows, Mr. right is just around the corner" he pretends to look around, but you miss the real intention or message behind that remark from terry.
Relationships and love were now long gone from your life, and you wanted it to stay that way. Being in those toxic and shitty relationships, you lost yourself. Now it was time to bring that lively and passionate girl back. to do so, old passions, goals, dreams were revisited and worked on again. as months passed, the old you started to resurface. You felt happy, you felt like yourself.
Once day, you went to visit your family house, and in that house, there was a basement where your old stuff was placed in boxes. You placed them there so no one could mess with them and for your old room to be used for whenever they had guest over. Looking through your stuff, you reached over for your guitar that was in its case. The instrument that was your whole life. It was quite upsetting that whenever you would play guitar in your apartment, your ex would get mad at you, claiming how loud you were and how bad you were at playing. it caused you to stop and feel insecure over something you so sure of since you were little. You placed the guitar on your lap and started playing, you haven't played in a long time, but muscle memory was helping you so much.
You got back on your game, focusing on school and looking for a part time job to earn money. You were spending so much time with yourself, you forgot to spend quality time with your friends too. You had terry, chaeryoung, and jake. You weren't a group, but you used to hang out with them separately.
Putting down the paint brush and picking up the disregarded phone on the floor, you dial jake's number. After a few rings he picks up with a sassy but not serious tone. "You remember I exist huh, yn?" you laugh in an apology and ask him if he wants to go out. To which he agrees and tells you he'd be there to pick you up in 15 minutes.
Jake and you go way back, you met him in Australia when you were on vacation. Everyone in your family were appreciating the view as they were sight-seeing. But you were more interested in the golden border collie that was staring back at you and wagging her tail as you made grabby hands at her. Only being 10 years old, your parents didn't let you go anywhere unsupervised, so they kept a tight hold on you, but you just had to pet the cute puppy. With enough wiggling out of their grasp and run away. "Hi, can i pet your puppy?" looking up at the lady who was holding the leash. She gives you the green light and starts asking you questions. "what's your name?" "Where are your parents?" "How old are you?" obviously, you answered her with respect. later, a young boy, who seems to be the son of the lady comes up and says hi. A very friendly boy with an Australian accent asks you if you wanna be friends.
That's where it all began. it was a long-distance friendship, not until jake decided to go back to Korea. You two have been glued to each other's hip since then, he was there for you for everything, for the good and bad. he's seen all the men you'd dated and unlike terry who was the "good cop", jake was the "bad cop" telling you how it was and even if it had to be said in the harshest way, he'd say it. When you told him you ended your recent relationship, happy was an understatement with how Jake felt.
Today, he still is your best friend. "Jake, stop letting me win, it ain't fun that way" stern look on your face as you stare at your best friend who is standing by the goal post. "I'm not, you're just really good" he shrugs his shoulders with that award winning smile. "you're not even moving; you're not even blocking the ball" you whine as you walk up to him.
The whole day was probably spent with Jake, it was getting dark, and it was time to part ways. or so you thought. Jake comes back to you after taking a call from a friend. "Hey, my friend Sunghoon called me saying how he has two extra tickets to that movie we were just talking about, you wanna go?" saying yes, you alert your parents with a text, letting them know you'll be home late.
On the way Jake opens up the topic of romance, asking for an update. "you're not seeing any losers, aren't you?" he chuckles, and he looks at the sour face you made. "No, I'm going to stay single for a long time" emphasize on the word long.
The whole time, you just thought that it would be the three of you, that you only had to meet Sunghoon. But no, you were standing there, with maybe the most good-looking guy you have ever seen. Jake would probably disagree and say it was him. Once you arrive and jake found Sunghoon, you immediately greet him and share banter, then another guy comes from the bathroom and greets you as well.
"Hi, I'm jay. You must be jake's friend he keeps complaining about." He jokes, and when he smiled, you might have just melted, he turns to Sunghoon, and you saw how sharp his jawline was. He was incredibly handsome that it makes you question if you should really give up on love or not.
"What do you mean, complaining...jake?!" you slap jake's arm and face your whole body towards him. "What have you been saying to them?!" you kept slapping his arm until he stops laughing and taking a hold of you. "I tell them how crazily stupid you are when it comes to dating and how I am tired of trying to save your ass yn" he explained while laughing like there was no tomorrow.
"If I was dating you, I think I'd be the one crazily in love" jay speaks and it makes your mind literally stop working, the cogs in your brain stopped and malfunctioned. "Damn you just met her, and you're already smitten?" Sunghoon chuckles and shakes his head, leading you all towards the room where the movie was going to play.
As the movie played, you couldn't help but steal glances at Jay, his profile illuminated by the flickering light of the screen. Each time your eyes met, a playful smile danced on his lips, igniting a warmth in your chest that had nothing to do with the theater's heating.
When the credits finally rolled, and the lights brightened, Jay turned to you with a grin. "Well, that was a rollercoaster," he remarked, his voice light with amusement. You chuckled in agreement, feeling a sense of ease settle between you. "Definitely kept us on the edge of our seats," you replied, matching his playful tone.
Stepping out into the cool evening air, the bustling chatter of the crowd surrounding you faded into the background as you and Jay fell into conversation. It was effortless, as if you'd known each other for years rather than mere hours. You found yourselves sharing anecdotes, swapping stories, and delving into shared interests with an enthusiasm that felt electric.
"So, what's your favorite movie of all time?" Jay asked, his eyes alight with curiosity as he turned to you. You paused, considering his question with a thoughtful expression. "Hmm, tough one," you mused, a smile quirking at the corners of your lips. "But if I had to choose, I'd say 'Inception.' The whole concept of dreams within dreams just blows my mind."
Jay nodded, his own smile widening. "Ah, a fellow fan of mind-bending plots," he replied, a hint of admiration in his voice. "I'm more of a 'Shawshank Redemption' guy myself. Can't beat a classic."
As you continued to chat and laugh together, the connection between you deepened, each shared moment cementing the bond that seemed to grow stronger with every passing second. It was a feeling unlike any you'd experienced before, a sense of belonging and understanding that left you yearning for more.
And as you walked side by side, the city lights casting a gentle glow upon your faces, you couldn't shake the feeling that this unexpected encounter with Jay was just the beginning of something truly extraordinary.
After the movie, as you all parted ways, Jay lingered, asking if you'd like to grab a coffee sometime. His smile was genuine, his eyes kind, and in that moment, you felt a glimmer of hope stir within you. Maybe, just maybe, there was something worth exploring beyond the scars of your past relationships.
As you said goodbye to Jay and watched him walk away with a quickening heart, Jake nudged you playfully. "Well, well, looks like someone's got a fan," he teased, grinning mischievously.
You rolled your eyes, but couldn't suppress the smile that tugged at your lips. "Shut up, Jake," you replied, nudging him back. But deep down, you couldn't deny the warmth that Jay's presence had ignited within you, a flicker of possibility in a heart once shrouded in doubt.
In the days that followed your encounter with Jay, your mind became consumed with swirling doubts and questions, overshadowing the initial excitement and warmth you felt in his presence. Despite the undeniable chemistry and the effortless connection you shared, the scars of past heartbreaks loomed large, casting a shadow of uncertainty over your burgeoning feelings.
As you went about your daily routine, thoughts of Jay lingered in the back of your mind, a constant presence that refused to be ignored. You found yourself replaying your conversations, analyzing every word and gesture, searching for signs of hidden agendas or red flags that might betray his true intentions.
"What if I'm just setting myself up for another disappointment?" you whispered to yourself, the weight of past betrayals heavy on your shoulders. The fear of being hurt again, of having your trust shattered and your heart broken, threatened to suffocate the budding hope that had dared to take root in your chest.
You confided in your closest friends, seeking their advice and perspective on the situation. Terry offered words of encouragement, reminding you of your resilience and strength in overcoming past obstacles. "Don't let fear dictate your happiness," he urged, his voice gentle but firm. "Take a chance, yn. You deserve to find love again, and Jay might just be the one to help you rediscover it."
But despite Terry's reassurances, the nagging doubts persisted, gnawing at your confidence and filling your mind with endless what-ifs. What if history were to repeat itself? What if Jay turned out to be just like the others, another heartbreaker in disguise?
As you tossed and turned in bed, sleep eluding you in the late hours of the night, you couldn't shake the feeling of uncertainty that gripped your heart. The prospect of opening yourself up to love once more felt both exhilarating and terrifying, a delicate balance between hope and fear that left you teetering on the edge of indecision.
With a sigh, you sank into the soft cushions, the weight of your worries pressing heavily upon you. "I just... I don't know what to do, Chaeryoung," you admitted, your voice barely above a whisper. "I'm so afraid of getting hurt again, of making the same mistakes I've made in the past."
Chaeryoung listened attentively, her gaze unwavering as she reached out to gently grasp your hand in hers. "I understand, yn," she said softly, her voice filled with empathy. "But you can't let the fear of the past dictate your future. Sometimes, taking a chance on love means embracing the possibility of heartache, knowing that the journey is worth the risk."
You nodded, tears welling in your eyes as Chaeryoung's words struck a chord deep within you. "But what if I'm not strong enough to handle it?" you whispered, the fear of vulnerability threatening to consume you.
Chaeryoung squeezed your hand reassuringly, her expression filled with unwavering support. "You are stronger than you know, yn," she said firmly, her voice filled with conviction. "And you don't have to face this alone. I'll be here for you every step of the way, no matter what happens."
The day of your coffee date with Jay arrived, and despite the lingering doubts that still gnawed at the edges of your mind, you found yourself determined to embrace the opportunity with an open heart. As you stood in front of the mirror, smoothing down your outfit and running a nervous hand through your hair, you couldn't help but feel a surge of anticipation mingled with trepidation.
When you arrived, Jay was already there, waiting patiently at a table near the window with a warm smile on his lips. As you approached, his eyes lit up with genuine delight, and you felt a rush of warmth flood your cheeks at the sight of him.
"Hey, yn, I'm so glad you could make it," Jay said, rising from his seat to greet you with a friendly hug. "You look amazing."
You returned his smile with a shy grin of your own, the tension in your shoulders easing slightly at his easygoing demeanor. "Thanks, Jay," you replied, feeling a surge of gratitude for his kindness and understanding.
As you settled into your seats and engaged in conversation, you found yourself swept away by Jay's charm and wit, his easy laughter and genuine interest in getting to know you better putting you at ease. With each passing moment, the doubts and insecurities that had plagued you began to fade into the background, replaced by a sense of connection and possibility that left you breathless with anticipation.
Midway through the date, as the conversation flowed effortlessly between you and Jay, you found yourself laughing at his animated retelling of a recent mishap at work. His eyes sparkled with amusement, his infectious laughter filling the air and drawing a smile to your lips.
"You wouldn't believe it," Jay exclaimed, his hands gesturing wildly as he recounted the comical series of events. "I swear, if it weren't for my quick thinking, we would have been knee-deep in paperwork!"
You chuckled, shaking your head in amusement. "Well, I'm glad you were able to save the day," you replied, unable to tear your gaze away from the twinkle in Jay's eyes. "Sounds like you're quite the hero."
Jay grinned, his dimples deepening as he leaned back in his chair. "Oh, you have no idea," he teased, his voice laced with playful exaggeration. "I've got a cape and everything."
The two of you shared a laugh, the tension easing between you as you basked in the warmth of each other's company. With each passing moment, you felt yourself growing more comfortable and at ease with Jay, the initial nerves of the date fading into the background as you lost yourself in the easy banter and shared laughter.
And as you shared another round of laughter with Jay, the doubts and insecurities that had once clouded your mind seemed to melt away, replaced by a growing sense of hope and possibility that whispered of new beginnings and endless horizons. With a smile on your lips and a lightness in your heart, you leaned in closer to Jay, eager to savor every moment of this unexpected journey that had brought you together.
As the evening drew to a close and the coffee shop began to empty out, you and Jay found yourselves lingering at your table, reluctant to part ways just yet. The easy conversation and shared laughter had created a bond between you that felt both comforting and exhilarating, leaving you reluctant to let the night end.
As you gathered your belongings and prepared to leave, Jay rose from his seat and offered you a warm smile. "Well, yn, I had a really great time tonight," he said sincerely, his eyes meeting yours with a gentle warmth that sent a flutter of excitement through your chest.
You returned his smile, feeling a sense of gratitude wash over you for the unexpected connection you had shared. "I did too, Jay," you replied, your voice soft with sincerity. "Thank you for such a wonderful evening."
As you made your way outside, the cool night air wrapping around you like a comforting embrace, Jay walked beside you in easy silence, his presence a reassuring presence at your side. The streets were quiet now, the bustling city fading into the background as you walked side by side, lost in your own thoughts.
When you finally reached your doorstep, you turned to face Jay, feeling a mixture of reluctance and anticipation swirling within you. "Well, this is me," you said with a hesitant smile, gesturing to the entrance of your building.
Jay nodded, his expression softening with a hint of regret. "Yeah, it is," he replied, his voice tinged with a hint of sadness. "I wish we could stay out here all night."
You chuckled softly, feeling a pang of disappointment at the thought of saying goodbye so soon. "Me too," you admitted, your heart heavy with the weight of impending separation.
For a moment, the two of you stood in silence, the unspoken words hanging in the air between you like a delicate thread. And then, without warning, Jay reached out to gently grasp your hand in his, his touch sending a jolt of electricity through your veins.
"I really want to kiss you right now, yn," Jay said softly, his eyes meeting yours with a mixture of longing and respect. "But I don't want to rush things. I want to take things slow, and I want to make sure you feel comfortable every step of the way."
His words were like a balm to your weary heart, a reminder that not all men were like the ones who had hurt you in the past. And as you looked into Jay's eyes, you saw nothing but sincerity and kindness reflected back at you, filling you with a sense of warmth and gratitude that you hadn't felt in a long time.
With a grateful smile, you squeezed Jay's hand gently, feeling a sense of relief wash over you at his understanding and compassion. "Thank you, Jay," you whispered, your voice barely above a whisper. "I really appreciate that."
And as you stood there in the soft glow of the streetlights, the night stretching out before you like a canvas waiting to be painted, you knew that this unexpected encounter with Jay was just the beginning of a journey filled with hope, healing, and the promise of a love that was worth waiting for.
A few weeks had passed since your coffee date with Jay, and life had quickly resumed its hectic pace. Between work commitments, family obligations, and the occasional outing with friends, you found yourself swept up in a whirlwind of activity, the days blurring together in a haze of busyness and distraction.
Despite the outward appearance of normalcy, however, there was a lingering sense of restlessness that gnawed at the edges of your mind, a quiet unease that whispered of unresolved worries and unspoken fears. You had thrown yourself into your daily routines with a sense of determination and purpose, but beneath the surface, a part of you still felt adrift, searching for something elusive and intangible.
Your friends had noticed the change in you, their concerned glances and probing questions a constant reminder of the facade you had erected to shield yourself from their scrutiny. Terry, Chaeryoung, and Jake had all voiced their concerns, offering words of support and encouragement in their own unique ways, but you had brushed off their worries with a casual wave of your hand, insisting that you were fine and that there was nothing to be concerned about.
But deep down, you knew that wasn't entirely true. The truth was, you were struggling to keep up appearances, to maintain the facade of strength and resilience that you had carefully crafted to hide the vulnerability and uncertainty that lurked within. You were tired of pretending, tired of wearing a mask that no longer fit, but you didn't know how to let it go, how to break free from the chains that bound you to a life that felt increasingly hollow and unfulfilling.
It was on one such day, as you sat alone in your apartment, lost in a sea of thoughts and doubts, that there came a knock at your door. Startled from your reverie, you rose from your seat and made your way to the entrance, your heart pounding with a mixture of apprehension and curiosity.
When you opened the door, you were surprised to find Jay standing on the other side, his expression a mixture of concern and determination. "Hey, yn," he said softly, his eyes searching yours for any sign of the turmoil that lay beneath the surface. "Can I come in?"
You hesitated for a moment, unsure of what to say or how to explain the maelstrom of emotions that churned within you. But as you looked into Jay's eyes, you saw nothing but warmth and understanding reflected back at you, and you felt a sudden surge of gratitude for his unwavering support and compassion.
With a nod, you stepped aside to let Jay into your apartment, the weight of unspoken words hanging heavy in the air between you. As he took a seat beside you on the couch, you felt a sense of relief wash over you at the prospect of finally opening up to someone who truly cared.
For a long moment, the two of you sat in silence, the only sound the soft hum of the air conditioning and the distant rumble of traffic outside. And then, at last, Jay spoke, his voice gentle and reassuring.
"yn, I've noticed that you've been… distant lately," he began, his eyes searching yours with an intensity that made your heart skip a beat. "And I just wanted to check in and see how you're doing. Is everything okay?"
You swallowed hard, the lump in your throat threatening to choke off your words. But before you could reply, Jay reached out to gently grasp your hand in his, his touch a comforting anchor in the storm of emotions that raged within you.
"You don't have to pretend with me, yn," Jay said softly, his voice filled with quiet understanding. "Whatever you're going through, whatever you're feeling… I'm here for you. You don't have to face it alone."
And in that moment, as you looked into Jay's eyes and saw the depth of his sincerity and compassion, you knew that you had found someone worth opening up to, someone who would stand by your side through thick and thin, no matter what challenges lay ahead.
With a grateful smile, you squeezed Jay's hand gently, feeling a sense of relief wash over you at the prospect of finally sharing your burdens with someone who truly cared. And as you began to open up to Jay, pouring out your fears and insecurities with a vulnerability you had never shown anyone before, you felt a weight lift from your shoulders, replaced by a newfound sense of hope and optimism for the future.
In the days and weeks that followed, you found solace in the unwavering support and understanding of Jay, who stood by your side through every twist and turn of your journey. With his encouragement and guidance, you began to confront the demons of your past, slowly but surely breaking free from the chains that had bound you for so long.
Together, you navigated the highs and lows of life, sharing laughter and tears, triumphs and setbacks, as you embarked on a journey of self-discovery and healing. With Jay's love and support, you found the strength to confront your fears and insecurities head-on, embracing the challenges that lay before you with courage and resilience.
As your relationship with Jay blossomed and deepened, you found yourself constantly amazed by his thoughtfulness and consideration. Jay seemed to possess an innate understanding of your needs and boundaries, effortlessly navigating the intricacies of your heart with a sensitivity and empathy that left you feeling cherished and valued.
One evening, as you curled up on the couch together, lost in the pages of a book, Jay reached out to gently brush a stray lock of hair from your face, his touch light and tender against your skin. You looked up to find him gazing at you with an expression of quiet adoration, his eyes filled with a warmth that made your heart flutter with affection.
Without a word, Jay leaned in to press a gentle kiss to your forehead, his lips lingering against your skin in a silent promise of love and devotion. And in that moment, as you felt the weight of his affection wash over you like a soothing balm, you knew with a certainty that this was where you belonged, in the arms of a man who loved you unconditionally, flaws and all.
In the days and weeks that followed, Jay continued to show his affection in the small but meaningful ways that spoke volumes of his love for you. Whether it was leaving notes of encouragement tucked into your lunch bag, surprising you with your favorite meal after a long day, or simply wrapping you in a warm embrace when you needed it most, Jay's gestures never failed to brighten your day and fill your heart with joy.
But what touched you most deeply was the way Jay always respected your boundaries and comfort levels, never pushing you to do anything you weren't ready for or comfortable with. Instead, he met you where you were, showering you with love and affection in the ways that felt most natural and comfortable to you.
And as you snuggled close to Jay on the couch, his arms wrapped protectively around you, you couldn't help but feel an overwhelming sense of gratitude for the man who had come into your life and filled it with so much love and happiness. With Jay by your side, you knew that you were truly blessed, and you vowed to cherish every moment you shared together, knowing that the love you had found was a rare and precious gift that would last a lifetime.
And as the days turned into weeks, and the weeks turned into months, you found yourself growing stronger and more confident with each passing day, no longer defined by the scars of your past but by the boundless possibilities of your future.
In Jay, you found not only a lover but a confidant, a partner who shared your hopes and dreams, fears and insecurities, and who stood by your side through thick and thin. Together, you forged a bond that was stronger than any obstacle, a love that transcended the trials and tribulations of life.
One evening, as you sat together on the balcony, watching the sun dip below the horizon in a blaze of fiery colors, you found yourselves lost in conversation, sharing your deepest thoughts and feelings with a vulnerability and honesty that only strengthened the bond between you.
"I never thought I'd find someone like you, yn," Jay said softly, his voice filled with sincerity. "Someone who truly understands me, who accepts me for who I am, flaws and all."
You turned to look at Jay, a smile playing at the corners of your lips. "I feel the same way, Jay," you replied, reaching out to take his hand in yours. "You've shown me a kind of love and acceptance that I never knew was possible, and for that, I'm eternally grateful."
As you sat together in companionable silence, the soft murmur of the city below providing a soothing backdrop to your conversation, you felt a sense of peace settle over you like a warm blanket. With Jay by your side, you knew that you could weather any storm that came your way, knowing that his love and support would always be there to guide you through.
And as the stars began to twinkle overhead, casting their gentle glow upon you both, you leaned in to press a gentle kiss to Jay's lips, your heart overflowing with love and gratitude for the man who had come into your life and filled it with so much joy and happiness. With Jay by your side, you knew that anything was possible, and you vowed to cherish every moment you shared together, knowing that your love was a bond that would last a lifetime.
And as you looked towards the horizon, your heart filled with gratitude for the unexpected twists and turns that had led you to this moment, you knew that with Jay by your side, the future held endless promise and possibility.
With a smile on your lips and a lightness in your heart, you stepped forward into the unknown, ready to embrace whatever adventures awaited you, knowing that as long as you had Jay by your side, you could weather any storm that came your way.
And so, as the sun set on one chapter of your life and rose on the next, you took Jay's hand in yours, ready to embark on a new journey filled with love, laughter, and endless possibilities.
For in Jay, you had found not only a partner but a soulmate, a kindred spirit who had walked through fire and brimstone to stand by your side, and for that, you would be eternally grateful.
And as you walked hand in hand into the sunset, the echoes of your laughter mingling with the gentle rustle of the wind, you knew that no matter what challenges lay ahead, as long as you had each other, you could overcome anything.
And so, with hearts full of hope and love, you stepped forward into the unknown, ready to embrace whatever adventures awaited you, knowing that as long as you had each other, the future held endless promise and possibility.
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balancethescales · 11 months
Text
thinking about the specific moments where the berzatto family falls in love with sydney (because of course they do, everyone does).
for richie, it takes the end of the beef and right up till the opening of the bear to happen. he is full of contempt and grief when he meets her and all he knows is that when he looks at her face he is afraid. he doesn’t like that feeling. richie is not a man who finds himself fearful a lot, but she is everything he is not and nothing that he is and he hates himself for it. if she is what it means to be passionate, then what is he? is he nothing but an empty shell of mikey, stuck on earth to shake his fist at passing clouds, because how dare they move and continue on like mikey was nothing to them, as if he wasn’t the very point that the earth revolved around? everyone is leaving him behind, and she is proudly leading the pack. it’s not right. but then— he gets it. he talks to garrett and jess and chef terry and he sees sydney in every corner of that restaurant. the fear slowly is replaced with respect as the week goes on and he realizes that just because she’s good doesn’t mean she’s out to get him. that’s the berzatto upbringing in him doing the talking, but it doesn’t have to, because shes a berzatto now, maybe not officially (not yet, but mark his words, she will be) but she is, and that’s not how she does things. so, he lets her lead them into the future to something good and different and better.
for sugar, it’s instant. she was born to a mother who is triggered by her very existence, and it has hurt her all her life. she is full of love and the one person she wants to give it to the most doesn’t want any part of it. she was born to give but is surrounded by those who are afraid to even take it, to reach out their hand and meet her in the middle. and if they cant take then they themselves have nothing to give, so she gets used to being the one who has to force feed her love down their throats, because if no one does, if no one shows them that they are worthy of good things, then they will crumble (“if i just talked to him more—” “no, nat—” “if i had just—” “it’s not your fault, honey. it’s never been.”). but when she meets sydney, it’s like looking into a mirror. she sees her bright eyes and soft smiles and careful but strong hands and instantly recognizes her for what she is: a giver. and sugars heart swells with even more love than she thought possible, because finally, she’s not alone— there is someone else there to slowly, albeit subconsciously, take care of her crumbling family, to show them that despite what their mother may have taught them, its okay to not be okay (she tries her best not to cry when syd asks her if shes okay, but she does. and syd doesnt grab her face or yell at her or call her stupid. she makes her a meal. and sugar cries some more).
for cicero, the love isn’t instant, and it’s not even entirely love. she is strong and she is assertive, but that also makes her naive and a very expensive risk. she makes him curious for what’s to come, intrigued by the way she doesn’t back down from carmy whose voice so often mimics the berzattos that came before him (“you’re better than this, kid.” “i don’t know what i am.” “whatever it is, it’s not this.”). she's self assured and knows her place in the establishment and is unafraid to let people know it. it’s a refreshing change of pace from mikey, who often resorted to intimidation to get his way, or carmy, who’s anxiety envelopes him and distracts him from what’s right there in front of him. but she is not them. she is focused and on track and is willing to put in the work to get what she wants. he doesn’t visit the bear often, only drops by once in a while to deliver bad news or to fulfill a favour or to just enjoy some good food, but when he does, she is always there, dedicated to ensuring that carmy and michaels, and now, her dream stays alive. she is good for his family, and he trusts her to keep the berzatto spirit alive.
for michelle, it’s quite simple. she always looked out for carmy, their little bear, so when she meets her it’s a family thanksgiving party at the bear and syd stumbles out of the kitchen, obviously frazzled and a little sweaty (“carmy, im not ready, i didn’t even change yet and the turk—” “don’t worry, tina will take care of it, you look great, they’ll love you, they just really wanted to meet you—”), but she’s smiling. she’s a little awkward when she introduces herself, and michelle finds herself endeared by her nervous ramble (“it’s, uh, really nice to meet you guys. sorry, i didn’t know that i was going to be pulled out of the kitchen so soon. uh, im sydney. yeah, i guess carmy already told you guys, huh? um. im sorry, how are you related to the family again? i mean, i dont want to offend but it’s just. uh. well, you guys are just very... normal?”) and she’ll laugh and look at stanley and the two of them will think to themselves, good job carmy, she’s a good one, before telling syd something dumb and nonsensical about a genetic mutation and richie interrupts to tell michelle it’s not a genetic mutation it’s called being boring and syd will laugh and michelle will too, truly happy that their little bear found someone normal, a breath of fresh air within the smoke of their family.
for donna, it’s weird. it’s tense. they don’t meet for a long time. they don’t meet at the bear when it first opens and not at the bear even when it has found it’s footing, but by chance. they are somewhere mundane (a grocery store, a park, or maybe just the street) and there is no other family member around when syd meets the berzatto matriarch. she only knows what donna looks like from photos at sugars house because carmys apartment is devoid of any actual sentiment (although that has begun to change since she made him get an actual dresser and he dedicated one of the drawers to her stuff). she calls out to her by her name, and donna turns around startled. she doesn’t recognize syd, of course, who introduces herself and informs her of who she is to the family. when donna smiles it’s not a real one, and syd knows this, but it doesn’t deter her. she tells donna that her kids love her (“even after everything, nat?” “she’s our mother. its all that we can do.”) and that her kids are great (“carmy, you are not broken.” “im a little broken.” “no, listen to me, the fact that you are still here, means something. its something.”) and that there will always be a table for her at the bear (“chef, someones calling in for a reso for 1 but we’re all full up… except for—“ “yo, dont finish that sentence. table 7 for ms. berzatto is an indefinite booking. is that understood?” “yes, chef”). donnas smile fades and her chest fills with anger but just as she’s about to explode in typical berzatto fashion syd interrupts her. she has faced the bear many a time before and has handled herself with grace and dignity everytime, so this is no different. she smiles brightly and thanks donna for listening to her and hopes she considers coming in, because she’d really like to cook for her. she looks like she needs a good meal. she deserves one. she turns and walks away. donnas stomach growls. that night, table 7 is occupied for the first time since the bear opened its doors.
and carmy? well, there isn’t an exact moment. its a culmination of awkward partnership (“i don’t want to be shitty.” “okay, then dont be.”) and flawless teamwork (“the menu needs—” “already on it, chef.”) and nights unwinding at the bar down the street (“of course you drink an old fashioned.” “what’s that supposed to mean?” “nothing, it’s just very… tortured-chef-from-the-slums-of-chicago of you”) and spontaneous phone calls just to hear the others voice (“why are you whispering?” “i… don’t know. my dads home. its a habit.” “you’re 27.” “and you’re white, you wouldn’t get it.”) till they’re just inseparable (“cousin, wheres carmy?” “with syd, duh.” “why'd i even ask?”). and then, sydney and carmen become something else. something tender and sweet and terrifying and beautiful all mixed together into… something. there’s no word for what they have. but it feels so right; to the guests who taste their food and recognize that the hands who put it together are full of love and care; to the staff at the bear who see the unspoken communication, the lingering touches, and their soft eyes that seem to always be on the other; to the berzatto family who notice that carmy looks a little brighter, and shakes a little less. yes, its love, but its so much more. it’s syd and carmy. it always has been, and always will be.
(“can i ask you something? something corny and lame and gross?” “always.” “when did you, like, know?” “know what?” “like, when did you know that you loved me? like, not as a chef or a friend, but as... y'know.” “that’s very middle school of you to ask.” “shut up, i did warn you.” “…” “so?” “its, uh, i don’t, i don’t know.” “well, that’s rude.” “no, i mean, i can’t say its one moment because... it was all of them. together. like, one moment you’re staging and then everything happened and, and, keeps happening but the next thing i knew you were there and you always were there and i just knew that i never wanted you to not be there.” “that’s…. really, really, disgusting, and frankly, a little unprofessional.” “oh, fuck off.” “no, like, i knew you were obsessed with me, but wow, that is a whole new other level.” “fuck you, get off of me, don’t touch me.” “no no no, please—” “i let you into my family—” “let me?” “into my restaurant—” “i think you mean OUR restaurant—” “only for you to humiliate me in my own bed? how dare you.” “…are you sulking?” “…” “…carmy?” “syd?” “me too.” “…heard, chef. now come back here.”)
(and it’s unspoken, but everyone knows that michael would’ve loved her too. i mean, she’s sydney fucking adamu, she conquered the bear. how could anyone not love her?)
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daddyricsdoll · 4 months
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Benefits ✭ Ollie Bearman
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Summary: Going to Ollie's home for dinner is easy. But being friends like this, has its benefits. In this case Ollie wanted his time home to be better than it already was, starting in his sim chair.
Warnings: Unprotected sex. I think that's all, I don't know if hickeys along breasts count as well.
Word Count: 1k
A/N: Based off of this lovely request.
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“Hey, welcome.” Terri opens the door and pulls Ollie in for a hug, me seconds after. “It’s been so long. Dinner is still cooking but for now Ollie can show you around. I know you've been here a million times but it’ll give you guys something to do.” She smiles, walking us out of the foyer. We both say hi to the rest of his family, his sister questioning if we’re dating yet. 
“No, of course not. We’re just really good friends.” A grin arises on my face as I look toward Ollie, enjoying the view of him laughing with his younger brother. He seems like such an innocent and sweet boy, which he can be, but then the filthy words he groans in my ear and the way he uses my body says otherwise. 
“Come on, let’s see if they've changed my room yet.” He leads me away, everything getting quiet except for the light padding of our feet against the floor. We both walk in, noticing not a single thing has changed.
“Well that isn’t too exciting. I was hoping they changed it all so I could act sad like they do in movies, and then I’d see an old picture in a frame and all the memories would come rushing back.” I laugh as I walk closer to his sitting body. Grabbing his cheeks and then smacking a kiss on his lips. It was fast and quick, an impulsive decision. But could I say I regretted it? No.
I turn away from him and walk into my favourite room of this house– the simulator room. It’s where we would usually hangout. He would be on the sim and I’d watch, it went on for hours which makes me think how I even managed to stay there for long. 
“I knew you’d be here.” A familiar British voice emits into the room.
“Well where else would I be? I’m not going into your parents room.” His chucklee fills the silence of the room as he walks toward the sim. m as he makes his way to the sim chair. 
“Still feels the same.” He sits back and stretches his arms out to the steering wheel. I walk closer to him sitting in it he lets out a sigh. “Still feels the same.” 
“Is that good or bad?” I walk closer to him, legs brushing against his body and the chair. 
“I don’t know.” Ollie grabs me by my thighs and pulls my body onto his. “Would you like to make it better?”
I drag my finger down his face and neck, trailing down his chest. “And how might I do that?” I bite on the side of my bottom lip, keeping it tugged between my teeth as my eyes roam over his face. Ollie doesn’t say a word, instead he grabs my hips and adjusts my body so I straddle on his lap.
His mouth makes contact with my skin, lips lazily parted as he drags it along my skin, forcing my breath to hitch and head to incline toward the ceiling. Going down my throat and toward my cleavage, hands along my sides before he starts undoing the button and zip of my pants. I lift my hips to help him take it off easier before he mirrors his actions on himself. 
“We’ve got to be quick, and quiet.” He says in advance to capturing my lips with his. Ollie grabs me by my thighs and holds me in the perfect position before he helps lower me onto his dick. Easily sliding onto him. I begin to take control, letting him lean against the chair and watch me as I try to control my moans.
Biting my lip and sliding my hand up my top. Ollie holds my hips then waist, moving higher each second and lifting my top. Quickly removing my hand so he can take up the job, rolling my nipples with his thumb.
“Fuck. They don’t know, their sweet little boy is getting fucked on his sim chair.” I manage to say between pants. Rolling my hips and feeling him hit the spot endlessly. Groans and moans coming out of his mouth. “They don’t know I’m gonna fill you up and the only thing you’ll think about is my dick.” I become speechless at his words, only moans leaving my lips. 
Oliver steals the control from me, leading my body as it moves up and down, meeting his and making our skin slap together. He pulls me in closer, attacking my neck with kisses, trying to control himself from marking my exposed skin. So instead he lifts my shirt and covers my breast with his lips, planting love bites and claiming territory that isn’t his. 
My nipples so sensitive and climax creeping up on me, all it takes is his tongue teasing my breasts and the roll of my hips to knock me off and release. 
I hide my face in his neck, with hopes the sounds that come out of my mouth become muffled. Ollie pushes my body into him. My unclothed skin rubbed against his clothed. 
He holds my ass tightly as he releases; Coming with a groan from deep in his throat.
I ride both of our highs out, the room smelling of sex and the sound even louder. 
Ollie helps me off him before going to the bathroom to grab a cloth. I sit on the sim chair with my legs wide open as he cleans me with precision. The only thing on my mind being his dick– oh I hate that he was right– and how amazing it would be if he were mine.
“Friends do this… right?” I ask, watching him look up at me with flushed cheeks and swollen lips.
“Yeah, I guess.” Words uncertain, but I’ll trust him. 
He finishes cleaning me, soon doing the same with himself.
“Guys, dinner is ready!” Ollie’s mum shouts, making us both realise the situation and rush to aim to look normal. 
“Ok, we’re coming.” Ollie says back, running his fingers through his hair and waiting for me before walking down the stairs looking like two friends, who have lost the definition of friends and call it benefits.
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carmenized-onions · 21 days
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Tony, Terry, Tommy? | Walk-In Hotfix
synopsis; You get an unexpected call from an old friend in need of an emergency repair. Good thing: that's kind of your whole gig. Bad thing: You've been avoiding the Berzatto family for the past year.
tasting notes; hurt comfort? idk man, he's in a fuckin' freezer. this is gonna be a long slow-burn series. We don't use Y/N here and we've got a very preestablished storyline going on babes. Eat up.
portion; 3.1k+
possible allergies; SEASON 2 FINALE SPOILERS, I've started writing this before Season 3 comes out in June so we're going WAY off canon (unless I'm an oracle), Mikey is gonna be central baby, any tw you require for the bear-- you require for this.
pairing; Carmen 'Carmy' Berzatto & Fem Reader (No pronouns!)
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I have not written fanfiction in 5-6 years and once again some goddamn pretty boy just YOINKS me back in. I'm making up my own season three here so I'm kinda flying by the seat of my pants with this series, hopefully it turns out. If it doesn't... C'est la vie, I had fun.
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The inciting incident, the thing that pulls you in, and permanently alters the trajectory of your life—                    Is honestly quite boring, because it’s just a phone call from an old friend.
You stare at your screen for what feels like eons but it’s really just a few rings. It’s enough time to frantically search through blankets on your couch for your remote to pause your show— Which might as well be like 10 years of time. You’re heavily debating not answering; what if it’s something heavy? What if a mutual childhood friend died? What if it’s a love or murder confession? What if it’s about the money you owe her? The money she owes you?
Do you really want to take that kind of call? On what’s been a peaceful Friday night? That’s a rarity in your part of Chicago, c’mon. If it’s important, she’ll leave a voicemail... Who are you kidding, she doesn’t leave voicemails— Frankly, it’s bizarre and concerning that she’s calling in the first place instead of spam texting. …Alright, she’s let it get to the fourth ring, she’s probably dead or dying. You need to pick up.
“…Syd?”
She sounds infinitely stressed, but relieved to hear your voice.“Hey, hey, uh—”
There’s a cacophony of yelling, banging, and what you imagine are kitchen noises in the background. Guess she kept to her guns after Sheridan. That’s nice. Or maybe it’s not. Hard to tell.
“Are you good?” She can’t see the concern on your face or your free arm crossing over your waist— But she can imagine it in the worried lilt of your voice.
“Yeah, yeah yeah, yeah— I-I’m good— Well actually, no, I’m not good, that’s why I’m calling. Actually. Sorry. I know it’s been a minute, it’s fucked up to call only when I need something—”
“Syd.”
“Is your dad still a handy-man?”
Ah. Goodbye peaceful Friday night. Hello emergency hotfix services.
You click your teeth, “Oh, no, he retired. Got a case of… Getting fucking old disease.” But a part of you is relieved it’s a thing that’s broken, and not her. This is at least manageable— Whatever it is.
“Fuck. Okay. Fuck. Ha, yeah, my dad’s got that too— Well, okay, then I’ll talk—”
You’re quick to jump in. “I took over the business though. So, if you’re—" “We need help so bad right now.”
You can’t help but laugh at the speed of it, but immediately feel guilty hearing the desperation in it. “Yeah? Who’s we?”
You stick the cellphone in the crux of your neck, already walking across your apartment to throw on your jumpsuit— Dark navy blue, elbow length sleeves, dad’s old logo embroidered on your right breast pocket.
CHICAGO’S KINDEST ⚒ FIXERS & CO. It’s managed to grow on you.
There’s an egregious number of patches ironed or sewn onto the back and shoulders of it. All from businesses you and your father had either worked with or done odd jobs for. A NASCAR jumpsuit, but for nostalgia and small businesses. Something something ‘it all starts with your neighbourhood’. Your dad would say.
Syd continues, she hasn’t changed much. You hear her sharp dicing in the background, the rhythm seems to calm down into an actual flow instead of erratic speed. You figure either the dinner rush is starting to slow down or she’s relieved you’re coming. Who are you being humble for, no shot it’s the former.
“So, you know how I’m like— Like a chef and shit?”
 You hum the affirmative, putting her on speakerphone so you can pull out your tool kit with both hands.
“So like, I actually co-own this restaurant opening tonight.”
“Oh nice!”
“Yeah— Yeah, yeah, it’s really nice, but actually, it’s not, because it’s bad.”
“In the way I can fix?”
“In the way you can fix, yeah. Hopefully.”
“What’s the damage?”
“So, my co-owner uh, Carmen, he got locked in the walk-in. Like trapped.”
You take a beat, a confused one. Half-stepping, almost tripping. You stare at your tools, picking out what you’ll actually need for this— How the fuck— “How is he trapped in the walk-in?”
“So, he meant to call to get it fixed—” “And he didn’t?” “And he didn’t.”
“What was broke about it in the first place?”
“The doorknob on the inside, broke off. And right now, or, more like, 5 minutes ago, the handle on the outside broke off too.”
“Fuck.”
“Yeah, fuck.”
“Do you have the outside handle, still?”
“Yeah. Yeah, laying around somewhere— It snapped off though, like—”
“Clean?”
“Uh…. Y’know, I would check, but I’m actually kinda—"
“Can we run table 36, please, Chefs?!” Now that’s an uncomfortably familiar voice.
“Yes, Chef! …I’m kinda busy.”
“Right. Restaurant. Oh, what fucking restaurant? You said Carmen, that’s that fuckin’ Michelin guy, right?” Berzatto. It has to be. The smallness of this world is a personal prank on you.
“…How do you know that?” Son of a bitch.
“…I try to remember what you like.” It’s a good save, but that was too intimate for 3 years of no contact besides Happy Birthday texts, fuck fuck, recover— “Ahem, uh, Restaurant?”
“The Bear. Formerly The Beef. You do still live in Chicago, right?”
Berzatto. Confirmed. Bleh.
“Fortunate for you, I do. I know The Beef, I’m not far, I’ll be there in ten. Tell him to not have a panic attack, if you get a minute.”
“I will not get a minute. But I love the dream.”
And you’re off. Jumpsuit half zipped over what was supposed to be a sleep shirt but is now posthumously a work shirt. Nobody has to know you’re wearing pajama shorts under this. Carhartt jacket thrown over your shoulders— Your dad’s, so, a bit oversized. Toolbox in hand, utility belt on— Though you’re mildly sure if your hypothesis is right, you will only need your threateningly long sledgehammer.
Thank God for your car. CTA would not like you right now.
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You pull up front. Oh boy. The sign change is making you feel a type of way that you were not expecting. Pride? Envy? All seven of the deadly sins? Maybe. No time to stew on it because there’s an older woman smoking and having an emotional spat with who you assume is her shivering son out front. So. Definitely going through the back alley instead of getting in the middle of that shit.
Alas, it’s not any better, because there’s Syd, vomiting next to a dumpster.
“Better to ignore or acknowledge you in this moment?” Is the response you decide is best, despite the question, you’re already by her side. You put your tools down (out of the splash zone) and rub her back with one hand, holding back straying braids with the other.
“I couldn’t—” More vomit. “Fuckin’ tell ya.” Syd takes a few deep breathes before standing. She considers going in for a hug, but remembers, the vomit. “Good to see you. I want to catch up, f’real, but—” “The bear in the walk-in?” “The bear in the walk-in.”
You nod, fishing through your pocket. You hand her a mini container of Tums. She waves it off, of course, and you double down, of course, “Who you acting tough for?”
“Fuckin… No one.” She grimaces, taking the box. She makes a show of taking one, like a fussy kid.
You refuse to take it back. “Keep it.”
“Never stopped being the mom friend, eh?”
You laugh, picking up your tools again. “Listen, there’s no telling what the night and your stomach holds. Lead the way?”
The Bear is pretty, or at least the kitchen of it is, so far. It’s clean. Cleaner than it used to be. The death trap walk-in is really the only eyesore for you. You stare at the broken-off handle in your hand, twisting it back and forth to look at all the angles. It’s honestly a pretty clean break.
Sydney’s left to talk to her dad, as she should, and the rest of the kitchen is either too busy to pay you mind or is just silently relieved to see you.
Tina— Who has thankfully opted to not say ‘Hey, good to see you, it’s been a year, what the fuck’—Taps the walk-in door and says to this elusive Michelin Carmen that she’ll be right back, that help’s here. He does not seem to register this at all. She gently slaps your cheek before rushing back to her station, regardless.
“Maybe I’m just not built for this, maybe, maybe that’s okay— Maybe that just is.”
You’ve never said his name to him, it feels heavy on your tongue. “Carmen.”
“Right? What the fuck was I thinking?”
Alright, he’s too far gone. You flag down one of the cooks that are just shadowing for the night. “Hey, can you hold this in place for me?”
You stick the handle into what’s left of the hinge still attached to the door, which is, not much— But hopefully, again, if your hypothesis is correct, it’ll give enough leverage. The cook holds it in place, a little terrified as your sledgehammer comes into view.
“Not gonna hit you, promise.”
“—I’m a fuckin’ psycho. That’s why. That’s why I’m good at what I do.”
You tap (bang) the hammer on the door, enough to stop his train of thought. For a second, at least. “Sweetheart, I need you to stand up for me, Carmen Chef Sir.”
“…Tony?”
“...Who the fuck is Tony?”
The meek cook beside you speaks up, “He means Tommy.”
And Tina is quick to yell from across the kitchen— hearing how? We don’t know. “It’s Terry!”
“I am none of these people.” You sigh, readying the hammer. “Carmen, can you stand up, and just tuck your fingers in the wedge of the door? If there is one?”
“Heard. Yeah.” There’s shuffling from in there, getting into position. Though the steps and the words seem dazed, as he’s forced out of a mental fog. “Here.”
“This isn’t a fix by the way. Your whole door is fucked after this. Not that it isn’t already, but, y’know.” You back up, teeing yourself up before running forward.
“Well, wait—”
You slam the mallet into the tip of the handle perfectly, forcing it way too tight into the gap of the hinge. You push the cook aside with your hip, now using the long handle of the mallet to stick between the knob and the door, using it as further leverage to pull it open. It is incredibly straining.
“Carmy!” Is it okay to say that nickname before you’ve even seen his face? Eh. You’re moving the boulder, he’ll forgive you. “You feel air?!”
“Holy shit— Yeah, yeah— Push?!” “Of course fucking push!”
And it becomes apparent in this exchange of force that this Head Chef must be significantly stronger than you, because it’s opening a lot faster now. Though, fast is a strong word for the snail pace this is happening at. But it’s more than the nothing that was happening a minute ago.
“Aye… Cousin?” Richie, in a… suit? Runs up to you, coming from front of house. He immediately grabs a free spot on the sledgehammer’s handle to help pull. He was shocked to see you doing, well, this, right now, but then upon registering, he’s just shocked to see you. Period.
You can only groan in response, sticking a leg up and putting your foot on the wall as if it’s gonna add meaningful leverage— Oh wait, it kinda is. “Y'clean up good, Rich— Opening going—Fuck— well?”
“Oh yeah, fucking peachy.” He can only manage to wheeze in reply. Investing his strength in yanking rather than reintroductions; thankfully it pays off.
The hinge shoots open, you would have absolutely fallen on your ass if Richie was not ready to stabilize you. The walk-in door cracks open. Just a bit. It’s not dramatic, it’s just a breath.
It’s so anti-climactic that Richie doesn’t mind walking off to cheer before Carmen even comes out. Clapping your back as he does. “Let’s what I like to fuckin’ see, Cousin! Ingenuity!”
Though, to be fair, he’s moving to intercept a very sweet looking, worried girl. You look up at her, wheezing as you keel over slightly to catch your breath, hands on your knees. She’s saying something along the lines of ‘What’s going on?’ ‘Is he okay?’ Girlfriend? Probably. Richie seems to be coaxing her accordingly. You turn your head back to the door. Carmen hasn’t come out yet. That’s a red flag. With another wheeze, you stand up right, opening the door further, peeking in.
He's standing there, catatonic. Not looking at you, but straight forward, beyond you. He must’ve been by the door to push it open but now he’s stumbled against the back shelf. Every time his girl’s voice manages to ring into here, his eyes crinkle— Wince. His breath keeps hitching. He looks afraid. It is better to be caged right now than it is to be out there, doing whatever he could be doing, right now. Talking to anyone might be a death sentence, right now.
“I don’t need to provide amusement or enjoyment. I don’t need to receive any amusement or enjoyment. I’m completely fine with that.” He mumbles repeatedly. You can barely hear it over the buzzing of the freezer.
Whispering it just for himself, like some sort of fucked up mantra. Like it’s a state of inner peace to feel this bad. You doubt he even sees you right now.
You know you don’t know Carmy personally. Mostly just through hearsay.
He’s never met or heard of you, that’s for sure.
But you know Berzattos. Or. Knew the one.
And you know a downward spiral. Intimately.
And you know that right now, he’s fucking cold. He is shivering and making no move to leave that state. You think he thinks that’s the state he deserves to stay in.
Nothing to lose but a good first impression, right? You drop a screwdriver in the doorway as a doorstop— Because how fucking dumb would it be if you both got stuck? And. Extremely slowly, you approach him not unlike approaching an actual captive bear. In your eyes, you might as well be.
Standing right in front of him doesn’t stop his mantra. You slip your jacket off, half hugging him to drape it over his shoulders. “You’re just cold.”
“I’m a—” “You’re just. Cold.” You cut him off before he has the chance to self-deprecate again, smoothing out the sleeves on him. His eyes readjust to actually look at you rather than somewhere beyond.
You sniff. You’re already cold and it’s been 30 seconds. This poor thing. You rub your hands together, breathing hot air into them before touching them to his frigid fucking face. “Fuck you’re really cold. Like danger cold.”
Never being one for boundaries or hesitation, you hug yourself to him. It’s the fastest way to warm him up. You slip your hands under the jacket— Your jacket— And just engulf the Italian Popsicle Man before you.
Shockingly, he doesn’t push you off or suddenly reawaken to his senses and tell you to fuck off. He doesn’t flinch, if anything he leans in. His body doesn’t really have time for surprise, right now, it just takes what it needs. And what it needs is warmth and oxytocin. His breathing slowly but surely self regulates, and once you start to remember decorum you lower your arms— But. He opts to place his chin on your shoulder, like the world’s most gentle hook, and that alone is enough to keep you there.
It's a long, silent, liminal spacey moment before he speaks again. Both of you speak just above the decibel of the freezer's buzzing.
“You’re not Tony.”
“Terry.”
“You’re Terry?”
“No, Tina said Tony’s Terry. I don’t know who the fuck Terry is.”
“Terry’s the fridge guy.”
“You’re still going to need to call him; I did just make it worse.”
“That’s fine.” He swallows. “Who called you?”
“Syd.”
“Should’ve called you earlier.”
“Should’ve called the fridge guy earlier.”
“Yeah.” He sighs, but he makes no move to move, so you don’t either.
“You know Mikey too?”
Ah. The patch. The Beef. It's worn, but it sits proudly on the left shoulder of your jumpsuit. Your heart tightens and so does your posture.
“Yeah.” You sigh. It’s shakier than you’d like it to be. “Dad knew him, so then I knew him, so then I occasionally fixed shit for him. Shit that ‘Fak couldn’t?’ I think his name was?”
“Hm.” He hums. “He ever got locked in the walk-in?”
“Yeah, he really fucked it up, like waayy worse than whatever happened with you tonight. Like whatever happened. At least 10 times worse.” Your voice is coated with sarcasm, but it’s not entirely untrue.
You’re relieved, when Carmen laughs at this, a touch maniacally, but it’s something. Right now, any emotion from him besides regret and anxiety feels like a trophy. He straightens up, pushing his hair back, so you remove your arms.
“You’re fuckin’ funny, Tony.”
“Still not Tony.”
“Oh my god!” A blonde, very pregnant woman cracks the door open, relieved. “Are you okay, Bear?” You step aside so she can hug Carmen, holding his cheeks to look over him. Oh, this has to be—
“I’m good, I’m great, Sug.” He says this incredibly unconvincingly, hanging one hand on her wrist.
But what matters more in your brain right now is: That’s Sugar. Natalie.
And now you can put a face to both siblings you’ve been bitched about to.
Chain-smoker, means well, cringeworthy husband, too good for her family, incredibly judgemental, cares too much and worries more, loves to fight, her mother’s daughter, pushy, sticks her foot in her mouth, can’t take no for an answer, would lay down her life. Natalie Berzatto. Little sister.
Michelin Star retaining, big shot, sensitive, definitely a virgin, ball buster, sweats the small stuff, sweetheart, asshole, incredibly smart, flighty, coward, deeply loyal, whiny, screamer, show-off, fantastic drawer, shell, mister new york, annoyingly humble, undeniably the most talented. Carmen Berzatto. Baby brother.
Mikey’s words. Of course.
Nat turns her gaze over to you, “Thank you.” You can only bring yourself to nod in reply, a bit awkward— Lost in your rolodex of memories of the people you’ve never actually met until right now. It’s weird to feel parasocial about a normal person.   
“Our toilet, exploded.” She says.
Now that pulls out you of it, and gets a laugh out of you. You put your hand over your mouth. “Yeah?”
Sugar shakes her head, eyes widening like she’s just stepped in it, “I didn’t mean like— Like, you just did a job, right, that’s like tacking on another last-minute service—”
“That’s fine.” You put a hand up stopping her from continuing, still chuckling. “I’ll take a look at it tonight and try to fix it tomorrow?”
She nods, smiling bright, “Thank you, Tommy.”
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Who needs to use Y/N when you have the fridge guy?
I so desperately hope you liked this first chapter. I've been stewing on this for like a week so I beg of you to reply/reblog/send me an ask (anon or not!!) telling me what you thought!! Unless it's mean!! In which case, do NOT!!!
And just a forewarning, as we step into uncharted territory where the walk-in meltdown was cut short, I need you to hold my hand through it bb. We're making this man's life better or we're gonna die trying.
Next Part
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moniquill · 1 year
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https://www.penguinrandomhouse.com/books/706010/to-shape-a-dragons-breath-by-moniquill-blackgoose/
ABOUT TO SHAPE A DRAGON’S BREATH
A young Indigenous woman enters a colonizer-run dragon academy—and quickly finds herself at odds with the “approved” way of doing things—in the first book of this brilliant new fantasy series. The remote island of Masquapaug has not seen a dragon in many generations—until fifteen-year-old Anequs finds a dragon’s egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered as Nampeshiweisit—a person in a unique relationship with a dragon. Unfortunately for Anequs, the Anglish conquerors of her land have different opinions. They have a very specific idea of how a dragon should be raised, and who should be doing the raising—and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, her dragon will be killed. For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land, challenges abound—both socially and academically. But Anequs is smart, determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects. Anequs and her dragon may be coming of age, but they’re also coming to power, and that brings an important realization: the world needs changing—and they might just be the ones to do it.
PRAISE
“A thorough delight . . . To Shape a Dragon’s Breath reveals a world that is complex and political through deft, thoughtfully drawn characters who, like their world, are complicated and believable. I love Anequs!”—K. Eason, author of How Rory Thorne Destroyed the Multiverse “Imagine a world full of dragons where a newborn chooses you to be its caregiver. Imagine you have to go to a special school to learn how to train it. Imagine that almost no one at the school wants you there. This is how the well-written, compelling tale of To Shape a Dragon’s Breath begins, and once underway it doesn’t let you go.”—New York Times bestselling author Terry Brooks
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peaachypie · 7 months
Text
Payback
Warning :
(cnc, breeding kink, uniform/masked kink, dark!Miguel, p in V, cunnilingus, lactation kink, infidelity and i think that it)
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" Coach Terry has a wife ?"
Miguel raise his head, stopping what he was working on.
" mh mh ! Her name is [Y/N], she is so nice, she has a kid too ! He does a lot of.... jokes about it"
" jokes ?"
" yeah, when we don't make enough point he says something like : if i knew kid will shoot that bad i wouldn't have use this excuse to save my marriage ! "
" ... what the..."
" I don't really understand but [Y/N] is so nice with us ... and pretty !"
Gabriella says happily, preparing her bag for her soccer training.
" with his face ? She can't be that pretty."
He says with a unamused chuckle.
" dad ! Don't be a meanie ! "
She scolds him with a frown.
" i'm just being honest."
He shrugs.
" you're just jealous "
She hum with a confident smile, Miguel groan slightly but with a soft smile. He doesn't take it in a wrong way.
" shut your mouth and eat."
" aye !"
She quickly stuff her mouth with food as the big man let out a sigh.
~~
Coming out of his car, Miguel give Gabi her bag as she run out to the changing room.
He walks slowly toward the bleachers.
" um excuse me "
He raise his eyes away from his phone with a slight annoyed stare, he isn't the social type of man. But his hard face quickly fade away as your sigh. He looks up and down at you, taking a good look on your hair, face and body. Especialy body.
" yes ?"
He answers finaly, putting away his phone.
You smile kindly at him. He sees your mouth open to talk but no sound come to his ears. Too focus on staring at you.
How could Terry pull a beautifull woman like you ?
Did you really have a child with this ... thing ?
Does your nipple are hard because of the wind or ?
What ?
He frown at his own mind comment.
He isn't the type of asking himself that, or even staring at a woman body. He doesn't feel guitly too long. He couldn't stop looking at you, he couldn't stop thinking on the fact that he is so much better than Terry.
He could make you scream his name, in every position, everywhere.
He takes a deep breath, he could feel his cock throbbing against his legs.
Dammit. It's been a while since he wanted someone that bad, and he isn't really patient about those thing.
He want you so bad, he want to see you cry on his cock. He want to see you beg for his cock.
The training start and quickly come to an end. His eyes switching to Gabriella then to you. Your ass seem so soft, and your breast so full of milk. He just want to relieve you by sucking your nipple.
He groan.
" fuck..."
~~
23:05 p.m
Gabriella was already in bed, everything was calm until the city needed him, well the city needed Spiderman.
He wasn't really in the mood, he wasn't known for being the " friendly neighborhood spiderman " .
His duty end quickly, beating up vilains wasn't what he prefer to do but it took off your body out of his mind.
He swing around the building before stopping somewhere high. Looking around until he see someone getting in trouble.
You.
He doesn't have any spidersense but if he had one, it would have been so excited right now.
" please ! Someone help ! "
You cry out at someone snatch your purse out of your hand. The vilain didn't run away, too slow for the hero who catch him easily with his web.
Miguel goes grab the purse, not without a dead stare and an agressive behavior.
He slowly goes to you, for you it was nothing.
For him, he was just holding himself from slamming you against the wall and pulling down your pantie down your legs.
" thanks you so much spiderman ..."
You smile to the masked hero, with a gratitude smile.
He keep his eyes on you.
Your tears.
He wasn't listening to his mind anymore, he doesn't care anymore.
" let me take you back to your place."
He goes to you and pick you up in his arm, shooting a web and flying around the city toward your apartment.
Opening the window was the easiest part of this. Putting back on your legs, you turn to him.
" thanks you, you're so-"
" nothing come for free."
He says in a hard voice.
" what ?"
" I need a payback. That fair for what i do in the city. Dont you think ?"
" but... i don't have any money"
" don't worry princesa."
He grab your face with his finger. Holding you.
" i'm not asking for money."
Your eyes widden at his word. One blink was enough to see how fast he was to ripped your dress in a half. You let out a whine as your breast are now exposed to the masked man.
" w...wait ! I ... i have a husband ! And-"
" and ? You want me to keep saving the city don't you ? Who knows maybe your husband will need my help."
You open your mouth to repost but the only sound who come out is a squeak as the hero deprograms his mask over his nose to take a lick on your hardden nipple. You try to move away from his grip, but Miguel hold you close against him. A second moan escape your lips as he take one of your nipple in his mouth, sucking and slighting bitting it. He let out a growl when the warm milk run down his throat.
He never felt this tight in his costume before.
Your hand stay on his shoulder, trying to push him without really trying ... you could do more than that. Was it the fear ?
You close your eyes, your legs shaking a bit as he keep the nipple in his mouth without forgetting the other, playing with it before giving each little buttons a lick.
You didn't dare open your eyes, fighting yourself not to ask for more, or to make too much noise about your forbidden pleasure.
The next thing you could feel was the pillow on your face when he throw you on the bed. Your stomach on the mattress and your legs spread on the edge of the bed.
" what are you ...! No !"
But he didn't listen, raising your dress over your ass. Kneeling in front of your private area, taking a smell on your pantie making your squirm.
He waited for this for so long, he though of this for so long everytime he would jerk off thinking of you. Moving your pantie to the side, his tongue find quickly the way toward your clit. Licking and sucking on it as you bite on your pillow. Tears falling down your cheek as he eat you out like a starved man. His tongue moving inside your gummy wall, sucking up your juice. Your wetness dripping under his chin.
" p...please...haangh...s...stop...."
You whisper quietly, to give yourself good conscience but not wanted it to end either.
" i...i'm sorry Ter...haaah...!"
You let out a scream when he start playing again with the little budge of nerves.
Turning your eyes to him, you looked at him.
Miguel was kneeling in front of your pussy, sucking it while moving his hand up and down his throbbing cock. Precum coming out his urethra.
It was so big, too big.
He get up again, slidding down your pantie on your ankle. Teasing your wet hole with his red tip.
You should scream, but you just press the pillow harder against your mouth.
He spread your pussy lips with one hand, the other holding his cock in front of your entrance.
" Fuck ... look at that, this pretty pussy all wet for me ... you were waiting for this uh ? Someone with a big cock to fill you up properly ? You wanted it, you waited to be fuck like a slut."
His voice is strict and hard, making your pussy clench on nothing. He let out a dark chuckle out of his lips. Pressing the tip at your entrance before slidding inside without putting force.
He groan between his teeth as you let out a moan in the pillow.
He didn't wait for you to get used to his shape. Putting his rough hand on your hips and pouding inside you like a beast.
You cry on the pillow.
" sorrysorrysorry...i'm...hanh ! Sorry...ha...haa...!"
Do you apologize for your infidelity or for loving it a bit too much ?
The wet sound of your pussy being filled up by the hero are the only sound filling the room. Tears falling just like your wetness down your legs.
You could feel the knot inside you getting bigger as he does firm circle around your puffy clit.
" taking me so well princesa..."
He groan, a mix of whimper and a growl.
" taking my cock so well ... is it better than your husband ? Stop apologizing and answers."
An hard slap on your ass wake you up from your bubble of pleasure.
" pleasepleaseplease ...!"
" are you begging me to stop or to cum ?"
" please...'me cum...! Ha...aaa...f...feels good...!"
" yeah ... it does feels good uh ? You want to cum uh ? Clenching around me like if you don't want me to take it out. You want me to make you a momma again ?"
" pleaseplease...'anna be a mom again..."
You cry out, your mind foggy. It was too much, the thrust, the circle around your clit.
Your eyes rolled back to your head as your legs start shaking. The knot in your stomach exploding in a powerfull orgasm.
Miguel groan, he was holding himself for too long. How was he suppose to hold when your pussy feel so tight around his cock ? He groan one last time before filling your womb full of his cum. He stay inside for a few minute before take a step back. Watching his semence dripping out your pussy.
" that a good girl. You did good for me."
He bend over to you, taking your hair to raise your head at him.
" that pussy is mine now."
You nod, obedient.
He was so violent, as if he wanted to mold your pussy to his shape.
He put a kiss on your forehead before putting you to bed, stroking your hair for a few second, then leaving quickly before your husband comes back.
~~
" dad ?"
Gabriella looks at him.
" yes ?"
He raise his eyes to his daughter.
" Coach Terry was angry today."
" was he ?"
" he said [Y/N] doesn't want to be in the same room as him, and that he knew his marriage was bulls-"
" don't you dare say the word."
" ... oke"
Gabriella pout before going back to her room.
Miguel turn back his eyes to what he was working on.
I should reward her for that. Seem like her pussy is really mine now.
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