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#and sometimes the characters take over
steddie-there · 1 year
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Eddie notices it first at Dairy Queen.
It's the first time since leaving the hospital that he's been somewhere with the whole party that isn't Steve's house or the Hoppers-Byers cabin. The younger children crowd the counter, talking over each other as they count their money and decide what to get, while the older teens and adults hang at the back, looking at the menu. Then Erica steps over to Steve and says something Eddie can't quite make out. He nods, winds his way through the gremlins, and places his order. When his name is called, he picks up two cups of ice cream and hands one to Erica, who takes it with a smirk and a comment Eddie can't make out, although it has Steve laughing and shoving playfully at her shoulder.
Eddie turns then to look at the other kids but none of them even seem to notice that Steve has seemingly paid for Erica and not them. It's confusing because Eddie is sure Henderson, at least, would be kicking up a fuss about it. Not even Robin says anything.
But, then again, maybe Steve owes Erica money. Or he lost a bet. Eddie is aware how fierce the younger Sinclair is in collecting on her debts, having made the mistake once and once only of asking her to buy him a soda. So, if no one else is bothered, neither is he. He shrugs and enjoys his sundae.
But then it happens again the next week at Baskin Robbins.
And again two weeks later.
When the last ice cream truck left in Hawkins comes through Steve's neighborhood and the only one to get anything is Erica - at Steve's expense, of course - and the other kids don't even grumble beyond wishing they hadn't blown all their allowance at the arcade, Eddie decides he's had enough.
"Okay, what is it with this ice cream thing???" he bursts out as they all settle back down next to the pool.
The burble of conversation stops as everyone turns to look at him, then glance around at each other.
"What ice cream thing?" Mike finally asks, genuinely confused.
"What ice cream... the ice cream thing!" Eddie splutters. "The thing where Steve always buys Erica ice cream and none of the rest of you munchkins seem to care!"
There's a collective ohhhh of understanding, but Eddie is still completely in the dark. He gestures for someone to explain.
"It's because of Operation Child Endangerment," Dustin answers, casual, like it's a normal, non-question-inducing answer.
Eddie scrunches his brows together and lets out a confused bubble of sound at the same time that Steve buries his face in his hands and groans, "I thought we agreed not to call it that."
Erica laughs and wags her finger at him. "Uh, no. Just because you demanded we change it doesn't mean we agreed to."
"...little lost here. What's Operation Child Endangerment?" Eddie asks, glancing sideways at Steve. He can see, between his fingers, that the other boy's face has gone bright red.
Steve groans again and sinks forward to let his head hang by his knees.
And so Eddie finds out everything about the summer of '85 and Starcourt mall. He already knew the basics, but he's still fascinated. Horrified. Impressed.
He watches Steve through the whole retelling, jumbled as it is by the kids all interrupting each other to add something they thought was being forgotten, and feels his heart ache inside his chest for the beautiful boy across from him. Watches him hunch his shoulders when Erica explains the deal they made, the one that's got her free ice cream for life. Watches him puff up a little with pride when Dustin describes him knocking the Russian comms operator out cold. Watches him squeeze Robin's hand when she mentions the Russian torture and drugs. Watches him tug El into a hug when Jonathan talks about having to cut into her leg.
Eddie watches Steve - brave, loyal, loving Steve, who won't break a promise or a deal even after he most certainly could - laughing with their friends, taking their ribbing and teasing them in return, ruffling Dustin's hair and splashing Erica, almost starting a party-wide splash fight.
Eddie waits until everyone is distracted by Max chasing Lucas across the pool after his cannonball knocked her from her floaty, various advice being shouted to both, then moves to sit next to Steve on his pool chair.
"That was, uh, a lot," he says quietly.
Steve bites his lip, turns a little away from the chaos in and around the pool, although his eyes still track the chase, Max having almost cornered Lucas. "Yeah, yeah it was," he replies, just as quietly.
"Pretty impressive," Eddie tells him, knocking their shoulders together.
Steve shrugs. He snorts as Max finally catches Lucas and dunks him a couple times before they both dissolve into laughter.
Eddie bumps his shoulder again. "Seriously, dude, you gotta know how cool you are."
"I guess," Steve says, still not looking at Eddie, fidgeting with his hands instead.
Eddie thinks he knows what thoughts might be running around inside Steve's head, so he puts a hand over Steve's. The jittery motions still under his touch. "Hey, you got them out of there. You didn't know what you were walking into and you all got out alive. I call that pretty badass."
Steve finally turns to him. The look in his eyes makes Eddie want to pull Steve close, hold him until that look disappears. But he doesn't, just squeezes Steve's fingers.
The corner of Steve's mouth ticks up, just a little. "Thanks, Eddie." He looks like he might say more, but suddenly Dustin lets out a whoop and they both turn to the pool. Jonathan, Nancy, Robin, and Argyle have started a game of chicken, Nancy on Jonathan's shoulders and Robin on Argyle's.
They watch, laughing, as the girls wrestle until they both go tumbling into the water together and come up spluttering. Steve's head is thrown back, his shoulders are shaking with giggles and Eddie feels a grin stretch across his face.
He leans forward to rest his chin on Steve's shoulder, his hand still over Steve's, a teasing tone in his voice when he says, "So, hey, I was wondering. What would it take for me to get free ice cream for life from Steve Harrington?"
Steve turns his head and Eddie pulls back so they can look at each other. And that's all they do for a long moment, Eddie's breathing speeding up when Steve's gaze drops to his lips.
But all Steve does is turn his hand in Eddie's grip, so he can tangle their fingers together. He squeezes Eddie's hand, then stands, grinning, tugging Eddie up with him.
"C'mon," Steve says, pulling Eddie over to the pool before jumping in with a splash. Eddie ducks away from the water, grinning like a fool. When he catches Erica's knowing smirk, he just shrugs helplessly and follows Steve in.
Maybe he owes Erica some free ice cream, too.
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captainkirkk · 1 year
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I want to see characters being taken care of in an explicit and worshipful way. Home-cooked meals. Hair brushed and braided by gentle hands. Little gifts just because.
I want to read about characters who are not used to kindness being bombarded by acts of service. This trope works romantically and platonically. Give me found family and acts of service - all the ways a character is wrapped up in wordless, explicit care after years of cruelty and having no idea how to handle. I need it.
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himejoshiangels · 5 months
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cass cain is so emotive and I hate that so many of yall fall straight into the stoic asian woman stereotype thing because like, the only reason cass wouldn't vocalize a feeling is when she would struggle to find the word for it because she literally wasn't taught how to speak. that's so fucking upsetting. She has such big beautiful emotions, she feels so deeply about the littlest things but everytime she has trouble putting it into words she's reminded that she was conceived not to. her abuser did not have her feelings or her pain in mind, only how well she could end a life. can you fucking imagine
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yo-yo-yoshiko · 8 months
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Violence Queen and her soft-serve samurai. Their relationship is the introvert who got trapped at a party and the first person they met and decided to stick to for the rest of the evening.
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couldneverhurtusnow · 3 months
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[chemistry] it's not a word that actors [use]. but you must endeavor a little bit to try and fall in love, in whatever that capacity is. and andrew is a very easy person to fall in love with. he's kind, generous, talented. we shot the film at the perfect junction in our friendship where there was a lot we didn't know about each other, but there was mutual admiration and respect. and a similar sense of humor. (...) yeah, it felt fizzy when we were acting. especially with that first scene at the door -- it's so well-written. you feel like you're dancing through the scene, you can go in loads of different ways, and if i went one way, andrew would go another. if that's what chemistry is, i was aware it was happening.
-- paul on chemistry and whether ‘they (andrew & paul) knew instantly that their onscreen relationship was working’ in all of us strangers, screendaily.com (1/31/24)
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ashes-in-a-jar · 21 days
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"he wouldn't fucking say that"
I know, but he also wouldn't say what canon assigned him so I'm the captain of this ship now
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anyoldfandom · 3 months
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I am actually. I am so emotional over the Salazar parents and I need to share this to tumblr too.
A lot of stories where the MC is adopted I feel. Either dismiss the biological parents and the impact they have on the kid's life, or makes them evil and abusive, framing the loss of the bio parents as a good thing, or at least something we shouldn't think about just look at this new family.
But Genrex doesn't do that. From the start, Rex wanted to find out more about his parents - it's one of his primary character motivations, next to helping people. He loves them, even though he doesn't know them.
And the more he finds out about them, the more he realizes they loved him. Rylander is consumed by guilt but as Rex's first connection to his pre-Event life, the first thing he does is hug him. And when he tells Rex about his parents, the two things Rex knows is that 1) they were scientists, and 2) that when he was in danger, they were desperate enough to use their secret, experimental technology to save him. Technology built from their desire to help the world, to save countless lives and end countless suffering.
And then. When he finds out that they were dead, he doesn't stop caring. It'd be so easy, too, to tie it up there - his parents were good people, he got his answer about them, the end. But they don't. He doesn't. Because the show is saying once again that they are his parents. He still calls them mom and dad, even as the show makes it clear Holiday and Six adopted Rex as their son. Even as the show even parallels Six and One with Rex and Six (and I will talk about that more later if I don't forget, trust me), to really drive home how much they're family. Rex even says he considers the two of them family, and later that he considers Noah, Claire and Annie family.
He has new family, the show tells us, but his old family still matters to him. He's upset that he never has the chance to meet his parents, that everything he hears about them, about his time with them, is secondhand knowledge. It tells us clearly that not only does Rex still love them, but that he still wants to know them. And everything we find out about them reinforces the love that they had for each other.
We see Abuela and the family in Mexico, who connect him to his birth family and tell him that he was so loved back then, and still is now. We see their office in Abysus through Rex's eyes. The picture of him and his dad on his desk. The drawing Rex drew, proudly pinned to the wall.
We see it in the familiarity of the drawing. That that robot, that build, was what Rex created when he was lost and scared and alone - that it was made to keep him safe. That it first appeared in his mind in a place he felt safe.
The show says, tenderly and softly, that the love is still there. That the fact these people died was nothing but a tragedy, that their love is a big part of what made Rex who he is today - that every molecule in his body is filled with their final gift to him. That every time he cures someone, every time he uses a build, every time he makes a machine - we see the love that they had for him.
And the way he quietly absorbs his father's face. The way he freezes and whispers "Mamá?" when he finds out Zag-Rs has their mother's voice. The fact that she even has her voice as a testament to Caesar's love, too - that it was meant to bring comfort and safety. The way Rex yells at Caesar when he finds out they have a family property, a connection to their past, the way he fights to protect it.
And, none of this takes away still from Six and Holiday being Rex's family too. None of this removes the work either set of parents did for him, the love either set has - the show says that it was unfair that the Salazar parents were lost. That Six and Holiday are not replacements, that they still love him as parents but play different roles in his life. They can not, and have no desire to, replace the Salazars. But Rex needs parents, he needs protectors, and so they will do what they can for him - at first out of necessity, to keep this kid they barely know safe, but then out of love. They aren't replacing what was lost, but are doing their best to do what Rex's bio parents would do. And they do mess up in it - they mess up in ways Rex's bio parents might not have. Six is clearly bad with showing affection, affection we saw the Salazars give Rex so easily, and Holiday is overworked and stressed constantly, sometimes breaking under the pressure and snapping at Rex and Six, things we never saw the Salazars do.
It's just. It's about how sometimes things will not be the same. They will be different. That doesn't mean the people you lost aren't still with you.
#This is also. Why I dislike the 'Rex was secretly made for the nanite experiments the accident was a lie' theory so much#Bc it assigns malice where the show says over and over again there was only love.#That this was only ever a tragedy of good people whose good intentions were manipulated and twisted.#And I think giving them something shitty to have done in the past especially goes against the message of the show's perspective on adoption#The family we choose is not always stronger than the family we are born to. Sometimes they are equal in different ways.#Rex's bio parents are gone but not replaced. They have also shaped who he is#Six and Holiday are just picking up where they left off. Because they have to.#Also I don't like the theory that Rex's parents are EVOs somewhere bc I think it diminishes the impact of the tragedy too.#I get. Wanting them to have a happy ending. But I think it's important to realize that this is the closest they can have to a happy ending.#Some things cannot be replaced. Or fixed. Sometimes life takes what we love and what loves us. And that is okay.#It is okay to be upset at that and it is okay to never fully move on.#'What about Caesar?' I have. Another post's worth of thoughts about him.#But I think he's also a character who is defined more by Rex by their relation and defined by the story by his guilt#I think he is the closest thing Rex has to a shitty bio family member and he is shitty in plenty of ways#But he's also a parallel to Rex in a lot of ways. He fails where Rex succeeds bc of it.#generator rex#genrex#Anyways. Sorry for the big post.
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harmonicabisexuals · 4 months
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i love cuddy but i find the huddy relationship thematically boring compared to hilson and hameron...it's not her fault tho!! bc she's just not enough of a foil to house like wilson and cameron are. cameron is house's conscious, wilson is his reflection and cuddy is his enabler :/ so the curse of her character is no matter how many times she tries to stand up to house, he will ALWAYS manipulate her, trick her, and eventually circumnavigate her and she will LET him! she'll even help him do it!! cameron and wilson are really the only ones who actually are able to stop him, and half the time wilson isn't even stopping him, he's just pointing out the truth of the matter after the fact...but it's still a point of conflict and something for house to push up against—with cuddy there just isn't that same tension
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darlingod · 6 months
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With the least amount of respect possible, Locke was so funny sometimes. He was so shameless and it was so entertaining. He will not be missed but his lines (and character) will for sure be laughed at by me
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nellasbookplanet · 10 months
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I just caught up with ep 63 and I'm fucking vibrating. The difference of the Bor'dor reveal and the Dusk reveal! Dusk spending their entire time with the party stirring up drama, once caught out still openly provoking and trying to find an angle to straight up kill Fearne's parents, and the party still struggling to find every reason to let them go, let them live. And Dusk never gave a shit. Why would they! They were a fey assassin! And still the Hells fought and argued for them and let them walk away despite openly remaining a threat.
And then we get Bor'dor, wet paper tissue of a man, tragic backstory up to the gills, genuinely spending time to bond with them, having his little practice session with them being his proudest moment, sharing vulnerabilities. And though he drew first blood, he did it trying to run away, not kill! He did it having seen these people murder his friends and drag their dead bodies out of the hole! He was helpless on the ground, all but begging them to end him because he saw no reason to keep going! There was enough turmoil and doubt in him that he could probably have been deradicalized! He hated them but he loved them too!
And had this been early campaign, in all likelihood they would have let him live. But this is a Bell's Hells who have already been betrayed once by an ally, who lost Eshteross to the Ruby Vanguard, who lost half the fucking party to the Ruby Vanguard, who went on a grueling journey to get Laudna back, who struggled and struggled and still failed to stop Ludinus and ended up separated and scared and not knowing whether the world is about to end or not, whether their friends are alive or not.
And they were done. They did not fight for him. This is war. Were Dusk to show back up now, I doubt they’d survive the encounter.
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its 2am im posting the friend i made for Derry since they looked lonely. they're partners in crime except not bc Derry is too sleepy to participate past the idea stage
jesterly is not their real name 💅 their pronouns are whatever is funniest in the moment 💅 also i would punch them in the face if given the chance and they would deserve it
#drawing them together is solidifying the fact that i cant draw consistent character size/height differences#holy SHIT they are all over the place the lot of em#also i resent jesterly on principle now#bc it took my like. two hours of constant recoloring to get to a somewhat decent look#i wanted to make their color scheme a little unsettling AND NOW THEYRE BRIGHT FUCKING PINK AND RAINBOW-#jesterly i am in your house with a shotgun#they were gonna have like... dark maroon felt w/ violent orange cheeks#and an equally sinister outfit#LOOK AT THEM. THEYRE A WALKING BANANA CREAM PIE. FUCK.#scribble salad#welcome home oc#why is it that whenever i create two characters meant to be partners (platonic or otherwise)#they immediately start becoming a little fucked up#whats up with that. huh. why do they always get Violent#jesterly has existed for all of three hours#and i already need to keep them on a tight fucking leash#my brain: oh and they love pranks! fun! but sometimes they take it too far and whoops arson & blood is happening but theyre still laughing-#NO!! take it back a notch bitch!!! reel it in!!!!#originally jesterly was gonna be like... a park ranger or forest-dwelling type character or something#but. i really love jesters#people always talk about 'oh prince/princess/royalty & dragon'#or 'oh knight & dragon'#name a more iconic duo than jester & dragon. motherfucker. ill wait. YOU CANT.#and now jesterly exists and i dont like them. but also im attached#theyre in my brain now and they wont leave#as a visual: im trying to sleep and theyre blasting caramelldansen in the same room#sadistic little bastard.
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melon-official · 5 days
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She wails as though a part of her has died.
oh man. i picked up the sidestory to @just-a-carrot's five-arc horror epic a couple days ago and i'm so glad i did. i'll probably be talking nonstop and/or drawing about it for days
there's a handful of whiteboard doodles with other characters under the cut, but rly i just wanted to pay a homage to the scene that hit me the hardest... enjoy
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ifindus · 1 month
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✨"Meet the Artist" ✨
Name: Findus Age: 26 (29.03) Zodiac: Aries Nationality: Norwegian Orientation: Bi/Asexual Gender: Non-Binary (they/them) Education: Masters degree in Archaeology
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pcktknife · 2 months
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Yo! Do you use HoYoLAB, that social media app hoyoverse made? It is FOUL on there
hoyolab hurts the brain to be on for too long
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spacedlexi · 2 months
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Hi Lexi
What do you think of partially blinded Vi? You never seem to draw her that way, and I kind of just wanted to know what do you think of it as a certified Vi lover.
I personally think that while something like this can be "cool" (as in, being beneficial to the character design), it's handled quite poor for Vi and it just looks a bit... ungrateful. Simply doesn't look good, doesn't fit her personality or character (am I missing something?) and it doesn't seem to fit or suit her...unlike Kenny's iconic eyepatch. To me, it has become a pivotal thing in his design to a degree in which Kenny with both eyes seems a bit odd looking. I see it as a symbol which stands for Ken being a martyr and all he's lost and sacrificed. He is all about family and helping those he loved, his loved ones truly were the "apple of his eye". It all makes sense, doesn't it?
But for Vi, it's excatly the opposite. I'm just so sorry to see her like this. 😭😭😭 I don't think it makes sense in any way. Louis losing his tongue because he's so talkative and "won't shut up" does kind of make sense, but I cant help but see Violet losing sight as kind of lazy writing. "We need something bad happening to her!!! suffer the children!!!'- the writers exclaimed.
i think vi losing her eyesight is incredibly impactful on her character and i honestly dont understand why some people say its lazy writing. especially since it was foreshadowed multiple times. vi losing her eyesight i think is even more impactful on her character than louis losing his tongue because at least louis still has his music to express himself and uplift spirits through (and its not like he cant communicate At All. his note still makes clem laugh). the reason i dont draw blind vi very often is because of how sad it is to me. for multiple reasons
violets whole thing is wanting to be able to protect the people she cares about, and feels immense grief and guilt about the times she feels shes failed them (thinks if she had been there with the twins that day that she couldve done something to save them. feels she failed everyone taken by the raiders. is scared of failing clem too "if something happened to you because of me? i cant lose you too. i wont". its why she cant leave minnie after shooting her. and a kidnapped vi attacks clem because she doesnt want anyone else to get hurt. hell it even ties back to her grandma and feeling guilty about not doing anything for her)
so for her to lose her eyesight? she took pride in her ability to fight and now she cant do that anymore. cant protect the people she loves. and as someone who started the season as an isolated loner, it forces her to rely on those around her for help, stripping her of her independence (and her independence is what allowed her to stand up against the group for clem when it came to the marlon situation in ep2). a blinded vi is forced into accepting community, whereas a saved violet accepts it on her own. her and clem turn ericsons into the home violet could never see it as
the other reason blind vi makes me so sad is that it is Directly a result of clems actions. kidnapped vi had nothing and wanted nothing to do with the bomb, and yet shes the ONLY ONE who gets hurt by it. clem choosing to let vi be taken means clem both breaks her heart, and then burns out her eyes. louis and his tongue is between him and lilly and was a choice THEY each made outside of clems direct influence (even if it was clem who inspired him to speak up, it is ultimately his choice to keep talking, and lilly hurts him for it. its sad he gets punished for a character moment, but clem had no direct hand in him losing his tongue. its why hes not angry to see her in the cell. he doesnt blame clem for what happened), but the way vi is feeling in that cell is DIRECTLY due to clems actions. vi feels like clem abandoned her after she had put herself on the line for her multiple times. she always had clems back but clem didnt have hers. clem is the one who planted the bomb and vi gets caught in the blast. clem hurts her emotionally And physically. and vi apologizes for getting upset (she tries to apologize on the beach too before theyre forced out in the cart, so she felt wrong for those actions immediately even tho they were understandable. lilly and minnie used her moment of weakness to get in her head. she just wanted everyone to be safe)
kidnapped blinded vi is just so incredibly sad to me, especially when you compare her to a fully realized violet. a violet who has come into herself, has confidence, has opened up, has stopped pushing people away out of fear and lets herself love again. shes a leader. a fighter. a protector. and those are all things a blinded violet loses
neither vi losing her eyes or louis losing his tongue is supposed to add anything to their characters. its about what theyve lost. both of them have important parts of their identity stripped away from them after being taken by the delta. its supposed to be sad. heartbreaking. regrettable. unfortunate. they have not gained anything by their time at the delta, only lost important parts of themselves to it
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nim-lock · 2 years
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smacks the skin textures back into the man
[sketchy studies of hob gadling from sandman show screenshots]
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