wait are elezen tails not part of their spine? or is it like a lizard tail situation? or was alisaie's tail just yanked really REALLY hard
I SHALL DRAW A DIAGRAM
To clarify, no! They are not like lizards or some kinds of au ra, they are just fragile. Strong enough to withstand tugging and stepping on, not strong enough to withstand warmachina ripping the skin or a very heavy door breaking one of the bones. The bones don’t even extend all the way to the tip of the tail, so tailtip injuries are easier to fix, but blunt or shear trauma, not so much. The only reason Sharlayan has so many tailed elezen is because they’re stuffy academics. Ishgard has hardly any.
80 notes
·
View notes
Replaying from the beginning, I don't think I'll ever get over the fact that Astarion actually expected us to not immediately clock that he's a vampire. And I know this has been said before, but it's so hilarious.
He's over there, thinking himself suave and secretive, with such decor as...
A clearly bloody glass cup sitting right in front of his tent, in a puddle of blood, as the very first thing you see
another bloody goblet at his feet, with stains that do not look anything like wine on his white carpet
jars of blood inside his open tent, complete with a very clear bloodstain on the pallet under his bedroll
this clearly labeled bloodbank jar, covered in bloodstains, just on the table right next to him
this veritable dinner table napkin covered in blood, and of course, the pièce de résistance,
the fucking mirror in clear view, angled perfectly so that if he wasn't a vampire, you should be able to see his ass in it in premier plan when approaching from the campfire.
Not only is he very clearly a vampire, but he's also an excessively messy eater, which honestly makes the fact that he is only revealed on the third night a downright humiliating admonishment of the party's collective intelligence.
(Though, armed with the knowledge that he cannot seem to keep blood in his mouth, there is also some real potential here for the first act of physical tenderness he experiences in centuries to be the player character just... absently wiping a drop of their blood off his chin with their hand after a feeding.)
145 notes
·
View notes
an underrated aspect of eiffel and lovelace's dynamic is that she is the one person who can speak his language, she's just not happy about it. "we're bootlegging the opening band to figure out what kind of anvil the headliner is going to drop on our heads." / "oh! why didn't you just say that?" or saying "there is no try" to him in the live show, or trying to explain her time loop predicament with the one pop culture reference he doesn't actually get, etc.
lovelace is also a pretty quippy and pop culture savvy person, and, unlike hera and minkowski, lovelace has definitely seen star wars. she has referenced star wars. there had to have been a moment where eiffel realized he was finally, after so long, occupying the same space as another person who has seen star wars. this absolutely does not mean eiffel can talk to lovelace about star wars, but you know he tried.
751 notes
·
View notes
I'm still thinking about that scene in Victoriocity S3E7 where Fleet runs back towards the Beast so as to lure it into the path of the train...
Clara's exclamation of 'Teamwork, Fleet!' after Fleet says he's got a plan reflects her conviction that any plan that Fleet has will be a shared plan, something they do together.
This conviction is a kind of trust, and that trust is part of the reason Clara takes a moment to realise Fleet has headed back towards the Beast. She trusts that he's following behind her. She keeps talking to him, her words full of optimism.
When she realises Fleet isn't there, she immediately realises what that must mean he's done, and her voice sounds more small and scared than I think we've ever heard it before.
Fleet's attempt at self-sacrifice is a kind of betrayal of Clara's trust, but when he echoes her celebration of their teamwork in a more somber tone, I think it suggests that he understands the weight of that betrayal.
If Fleet's plan is that Clara won't realise he's gone until it's already too late, then he thinks "Teamwork, Clara" will be the last words he'll ever speak to her. In what he imagines will be their final conversation, Fleet affirms Clara's understanding of them as a team who work well together, even as he is making a choice that rejects the possibility of their teamwork in this scenario. It's a recognition of what their dynamic has meant. It's a goodbye and an apology, even if Clara doesn't understand it as such at first.
I don't think Fleet sounds scared as he initially faces down the train. When he shouts "Yeah, this way, you stupid machine! Come on then!", he sounds defiant and grimly determined.
In fact, I don't think he sounds afraid until Clara appears, until she might be at risk of being in the path of the Beast or the train as well. It's when he shouts "Clara, stay back for God's sake!" and "Please, get back!" that there's real fear and desperation in his voice. He can confront the idea of giving his own life, but not the idea that doing so might put Clara in danger.
Another thing about these lines is that the move from 'stay back' to 'get back' suggests that Clara didn't obey his first instruction but got closer to him (and therefore to the path of the Beast and the train) between those two lines.
Then Fleet gives what might be another attempt at his last words: "I'm sorry! I'm sorry." A repeated apology before an attempted self-sacrifice is an implicit acknowledgement of how much losing him would hurt Clara. He regrets causing her pain.
Even so, he's accepted that he is about to die and that it'd be worth it to destroy the Beast. But Clara very much hasn't accepted either those things. She's still trying to yell over the noise of the train; she's pulling off her ring to throw at him.
I think it's a good illustration of how Clara's optimism is a kind of strength. She always believes that they can "make a new plan" and that it'll be one in which no one has to die. I think Archibald Fleet needs someone like that, someone who'll tell him to drop to the ground when his death advances from both sides, someone who - even in a dark tunnel with an murderous metal monster and a speeding train - won't stop shouting that there's hope.
21 notes
·
View notes