thinking about whumpee who just wants to engage in freaky funtime. they've gone through the horrors and they never want to go through them ever again- but being afraid is so very fun and they're badgering caretaker for it endlessly. but whenever caretaker demonstrates any willingness, whumpee immediately goes "but it'd just be play, right? it'd be pretend?" making caretaker think that maybe it's just not a good idea. whumpee just seems so anxious. it's like they love the idea of it, but any talk of execution makes them recoil.
still, they eventually work out an arrangement. whumpee is jittery as ever, testing out the safeword a thousand times to see whether caretaker would really stop. they say it before and after caretaker is finished tying them to the chair, they ask "but it's all pretend, yeah? you're not mean for real? it's all bluffs?" another hundred times, then they follow it up with "no, i do want this, i do, i just wanna make sure it's not too scary, or real"
and then caretaker gets into the rhythm, and whumpee is immediately captivated. all that nervous energy that should absolutely be there during play like this just vanishes almost without a trace. whumpee looks the calmest they've looked in a long while, and caretaker can barely believe that someone can be this calm watching them play with a knife and throw out threats
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Role-reversal AU where Machete opens a library on Florence and slowly becomes a very influencial local political figure, while Vasco's parents become fed-up with his "lifestyle" and send him away to the clergy (he probably has a brother in this AU, to make their decision more believable)
They reconnect in a similar way to the original, but their relationship is much more tragic as Vasco became self-hating and thinks he corrupted/doomed Machete in their youth and meanwhile, this Machete is trying to protect him from the corrupted side of the Church and possible assassination plot, that he's too indoctrinated to see happening around him
A interesting ending for this AU should be that Machete still dies, but results in Vasco finally running away from the clergy/inquisition (not sure if Vasco joins the inquisition or not, you can decide) and hiding in the country-side. Where he grows old dedicating various paintings and poems to Machete and possibly taking care of some noble's horses for a living
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Sometimes Les Mis being a musical is really funny to me because it leads to these really weird scenes that only make sense in a musical. My favorite of these has got to be near the end of Who Am I when Valjean gets to the trial. Of course Javert has to be there so there doesn’t have to be a separate scene of a messenger telling him about Valjean. But that means that he’s literally just there to observe. He can’t do ANYTHING. While Valjean is singing the really long note at the end of the song, Javert just has to politely wait until the singing is done. Even then, when Valjean runs off, Javert can’t immediately chase after him because then how would Valjean get to Fantine’s death scene with so much time to spare. It’s so silly.
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Having a bunch of Koyama thoughts, particularly about the early part of his and the other Scars' redemption arcs following the disbanding of their division. As fun as it would be to write a fic about it I definitely don't have the time to do so, so! Text post it is.
When I was first watching S2, seeing Koyama among the group of former Scars who were trying to put their lives back together definitely surprised me a little. "The Scars did shitty things" is a given, but when it comes to Koyama I feel like his wrongdoings are more...personal to a lot of the audience, if that makes sense. His fight with Mob--if you could even call it that--had this drawn out, visceral brutality to it that I don't think any of the Scars replicated, except maybe Muto. If Koyama got his ass kicked during the end of S1 and went poof along with said Chin Man and Miyagawa, I wouldn't have been surprised.
Don't get me wrong, I love where his arc ended up, and I think the Scars' stories fall in well with the messages the show was trying to convey. That change in him feels like a big leap to make, though, so it's been fun to try to fill in the gap. I'd imagine that transition period after the fall of the 7th division must've been...pretty messy(gonna ramble more about this under the cut)
The blanket explanation the Scars gave was how being beaten by a bunch of kids snapped them out of their flawed way of viewing the world, which makes sense—for the majority of them, anyway. But Koyama wasn’t around for the Great Reigen Roast of 2012–you could say the same for Terada, Takeuchi and Tsuchiya as well, but while all the Scars have been characterized with a certain immaturity towards society and the like, Koyama’s blaring faults directly clash against any kind of progression.
He’s the school bully that gets in trouble and only resolves to get revenge, that one little kid who’d refuse to ‘lose’ when playing make believe by coming up with all sorts of excuses. Judging by the way he’d lash out at any sign of his strength being questioned…I don’t think his pride would’ve let him have that swift moment of clarity like the others(even after being turned into a human ping pong ball by a middle schooler). Far from it as you could go, in fact—that humiliation would only make him double down. Not that the other Scars aren't drastically affected by the whole thing, of course, but Koyama…Koyama’s a prime candidate for making his frustration everyone else’s problem.
Hell I could even see him getting it into his dumbass head that he could find a place in Claw again if he just took down the ones that put an end to the 7th division. His fellow Scars who failed—well they just didn’t have the grit to fight their way past this setback, lost their teeth, but not him. He thinks he could succeed where they failed, and rise back to the top. Shallow as hell plan, painfully desperate, but it’s all he has now. I’m sure that would go sooooo well for him, especially when the rest of the Scars find out what he’s up to while they’ve been trying to fix their lives. Lmao.
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Nick: (Kicking down the door of a smoking house) “What the hell happened here?!?!”
Jasmine: (Holding a fire extinguisher over a ruined stove) “You don’t use water on a oil fire.” (Glares across the crispy kitchen at a certain ghoul)
Hancock: (Puts up his hands)
Danse: (Staring at Deacon) “I thought you were supposedly keeping an eye on the timer.”
Deacon: (Leaning on a counter) “I did, but I’m not the one who set it to high instead of medium low.”
Danse: (Holding a handmade recipe book) “The instructions given were very vague, and everyone knows you should smother an oil fire.” (Now glaring at Hancock)
Nick: (Pinches the bridge of his nose)
Jasmine: (Watching it play out like a dramatic reality tv show)
Hancock: “Hey now. Clearly I heard Danse yell “put water on it” so I did.”
Danse: “I do not recall saying such a thing!”
Deacon: “Eh…. I dunno Danse.”
Hancock, Deacon, Danse: (Burst into a loud argument)
Nick: (Sighs deeply and tugs on his teen daughters arm) “C’mon Jazzy, It ain’t good to breathe this stuff.”
Jasmine: (Drops the extinguisher to follow him out)
Nick: (Points at the bickering men with a Dad glare) “You three boys are responsible for cleaning this muck up, you’re damn lucky the entire house didn’t burn down.”
Hancock, Deacon, Danse: (Collectively) “Yes sir…”
(Now everybody must get certified by Codsworth to use the kitchen)
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