Jonathan Byers This Is An Intervention
“You’re not happy here.”
Jonathan looks up, startled. Will stands in the doorway with his arms crossed. They’re alone in the house, El hanging out with Max and their mom on a date with Hopper. They had to practically shove her out the door before she’d leave, rambling a list of phone numbers and where to find them, as well as reminding them where the leftovers were.
“We know, Mom,” he and Will had chorused, and permitted her to pull them down for one last kiss on the cheek before closing the door on her. Hopper just watched in amusement.
He and Will had eaten dinner before separating to work on their projects, Will with a dnd campaign idea and Jonathan cleaning his camera out. It has more dust than it should, having been sitting in his closet unused for too long. It makes something in him ache, but he can’t make himself pick it up again. There’s something blocking him.
“What?”
“You’re not happy here,” Will repeats. “In Hawkins.”
“It’s Hawkins,” he points out. Being unhappy is a given. He’s always known it sucks here, from the way people treated his mom to the rumors that always flew around when he made his way through the halls. The way they’ve treated Will. He hated this town long before interdimensional monsters factored in.
Will’s frown gets deeper. “I’m happy,” he points out. “Mom’s happy. El and Hopper are happy. We actually have friends here.”
“I have friends,” Jonathan protests, slightly offended. He and Argyle call multiple times a week. He and Nancy are still good friends, and Steve and Robin are slowly growing on him. In a surprising turn of events, Eddie is the person his age he talks to the least, but it makes sense when he thinks about it. Eddie’s brand of freak has always been loud and dramatic, half relying on shock value. Jonathan prefers the quiet.
“When was the last time you actually hung out with someone that wasn’t me?”
Is that what this is about? Something in his heart sinks at the idea that Will doesn’t think he’s enough. “I like hanging out with you. You’re the coolest person I know,” he says, shifting over and patting the bed next to him.
Will sits down with a huff that sounds very fifteen-year-old of him. He’s glad he’s getting to be a kid. “You’re not listening to me,” he complains.
“Then what are you trying to say?”
Will won’t meet his eye, suddenly nervous. “Everyone your age here is leaving,” he says quietly. “Nancy is going to Emerson soon, Steve and Robin are going to Chicago, and Eddie…uh, I don’t know his plans, exactly, he might be going with them. He’s not staying here, anyway. And Argyle is on the other side of the country. So all the people you’re friends with are leaving.”
“They are,” he agrees, laying what he hopes is a soothing hand on Will’s shoulder, “but you know I’m not leaving you, right? I’m not leaving you and Mom.”
Will squeezes his eyes shut. “Maybe you should.”
It feels like ice water being poured over his head.
Something in his stomach twists uncomfortably at the idea of calling Hopper his dad. He doesn’t know if he’s ever going to. He doesn’t even know if Hopper would want him to. But “dad” is always a word he’s associated with bruises and yelling, the stink of whiskey and a gun in his small, shaking hands. Jim Hopper, with his gruff, fumbling way affection and sweet smiles at his daughter will never fit his version of the word.
“You’re not my dad,” Will says. “You’re my older brother, you should be my brother. You should be moving away and going to college and living your life! You shouldn’t be stuck here because of me.” He seems near tears now, and Jonathan flounders. He’s always been pretty good at making Will feel better, but now it’s different. Now it’s him making his little brother upset.
Will takes a deep, stabilizing breath.
“You’re not my dad,” he says again. “You shouldn’t have to be my dad.”
“I wasn’t trying to be,” he says weakly.
“You’re doing a better job than he ever did.”
“Okay, then how should we start?”
“You could tell me why we’re always running out of tylenol.”
He didn’t even realize anyone noticed that. He’s been replacing it before it was even empty.
The words stick in his throat, reluctant to come out. But he promised. He promised he’d tell him, and he hates to break a promise to Will.
“It’s my back,” he admits. “My boss hit me with a chair, and it hurts all the time now. I used to smoke it away, but…”
He smoked a little too much. He was too reliant on it. He was being neglectful. The reasons stay on the tip of his tongue, unable to admit his shortcomings.
Unfortunately, Will takes it another way. “You stopped because of me.”
“No!”
“Why didn’t you tell me? Or Mom? We can go to the doctor now, we have insurance.”
“I know.”
“Then why didn’t you go? Why can’t you just take care of yourself?”
“It’s just a little back pain,” he defends, “it’s not a big deal.”
It’s really not. It’s practically nothing compared to what some of their friends ended up with. Will has respiratory problems, Eddie uses a cane now, Max is in a wheelchair and her eyes might never work again. Not to mention Steve’s mix of migraines, glasses, hearing loss, and scars he’s accumulated over the years that put Jonathan’s to shame. His issues pale in comparison.
“It is when you take as many painkillers as you do! You’re going to eat holes in your stomach.”
“If I get an ulcer, it’ll be because I know there’s another world out there full of things that want to kill us,” he says, poking Will in the stomach. He giggles, and then looks mad about it.
“It’s been a long time since I’ve seen you actually happy. I feel like it’s my fault.”
What does he say to that? It can’t be your fault, because I don’t remember the last time I was happy like that? I felt like this long before you went missing? Anything he says will make him worry more.
“It’s not your fault,” he finally settles on.
“But if I hadn’t disappeared—“
“I would still feel like this,” he says, because he has to. He can’t stand the idea of Will thinking it’s his fault when the truth is that something has been wrong with Jonathan for a long, long time. “It’s not because of the Upside-Down, bud. It’s not something you can fix. I’m pretty sure I’m just…like this.”
He’s had moments of happiness, obviously. Sometimes he’ll get days, or even weeks, where he genuinely looks forward to the future. When he was in California with Argyle, he felt even better. But eventually, the heaviness in his chest always comes back. It’s just something he knows how to live with now.
Will sits up, glaring at him. “That’s bullshit!”
“It’s just how it is.”
He squares his shoulders, a telltale sign that Jonathan isn’t going to like whatever he says next. “Mom and I think you should see a therapist.”
Jonathan really doesn’t like that. “You’ve been talking to Mom about this?”
“She’s worried about you!”
“She shouldn’t be!” He’s almost offended. He’s been taking care of himself for years. He was taking care of her for years. “I’m fine! I know how to live with it!”
“I haven’t seen you smile for real in two months!”
“I’m fine!” He snaps again, and immediately regrets it. Will’s lower lip trembles.
“You’re not fine,” he says. “You’re not. Don’t lie to me, Jonathan. You just said you weren’t going to lie to me.”
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—woke up from literal sleep to write down the thoughts that clicked for me after I made this post about the Mike/Hopper hug last night, so. Here's the expansion of all of that lmao.
people always talk about the way Mike looked conflicted when El kisses him in S3, on top of the way he seemed fine with them breaking up until she initiated the relationship again (because of the absence of Hopper). I think this is 100% true, and it’s also the start of Mike’s spiral about protecting her we see through S4.
Mike’s “care” in lieu of "love" for El (and lack of ability to tell her he loves he romantically) is directly correlated to Hopper telling him to BE CAREFUL re: El right before he died. Almost as though Mike didn’t even have space to think of El as a true romantic partner— he was too busy trying to hold up the end of her missing “dad," and why he didn't know what to do when she started talking about how she didn't belong (because he's fourteen and not capable of filling the shoes of her father lmao).
the reason why Mike said “I was worried too much about El” is because he was—he was worried in a way suited for a father, not a boyfriend (thank you @emily-tumbles-on for that tag lol).
It’s also why he was so willing to let El go back to Owens—it’s a trusted (-ish) adult figure who could help El in a way his 14 year old self could not. It’s also why he immediately seems okay with letting her go once she says she wants to + throwing away her letter, right up until he realizes where El went is dangerous again, which meant he has to restart the protector-in-Hop’s place worry (which he doesn’t want, but feels powerless to step away from in his paladin-oath-responsibility mind).
When Mike & Will get into it at Rink O Mania over Will not telling Mike what was going on, Will interprets it as romantic attachment when it’s really giving “worried parent” not boyfriend.
That entire “you should have told me” also DIRECTLY REFLECTS the way Mike sees Will as his actual partner and equal no matter the time or distance (like in S2)—and expects him to help shoulder leadership responsibilities the way romantic/life partners would by helping him look after his charge (El).
The whole painting is confusing af for Mike because he does not see El as his partner or lover, but his responsibility in Hop’s absence—and Will, in his projection, is conflating his romantic love for Mike into the familial one between Mike & El. That's also why Mike feels so insecure about not being responsible enough (!!!) and why he looks dejected the way a parent would when you tell them you want do something they used to think was fun before having a kid when Will says “we could just play DnD and Nintendo for the rest of our lives.”
The van scene takes on a whole new meaning when you think about how the second Will made it about El, it forced Mike into a mental conundrum because he felt loved as himself at first…only to have it thrown back in with this wildly inappropriate parental responsibility he has for El because of Hop’s loss. (I watched the van scene again with this in mind and...lmao. Mike's expressions make absolute sense once you keep this conflation / confusion in mind)!
Yet another reason Mike and Jonathan need to have another conversation is because both of them have been suffering from a severe parentification—Jonathan for Will, and Mike for Eleven.
Hopper returning leaves space for both of them to move back into age-appropriate selfishness/relationships (aka think about their own wants and needs with Nancy and Will for a change) because Joyce doesn’t need Jonathan to fill the “man of the house” space, Will is going to “come of age” and have Mike, and El is gonna have her dad.
....all that to say these (and probably a million more things) become WAY clearer when you realize Mike is carrying the burden of Hopper's absence not as a boyfriend, but as 14 year old boy filling a parent space...which makes me really glad Hop didn't really die in S3 all of a sudden lmao. And also...Duffers. FREE MIKE WHEELER 2025
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Genuinely why do people think Steve can't be a fully actualized person and a love interest at the same time? Do you guys just passively consume media without, like, paying attention? Steve has been his own fully developed person since season two. We don't need to know ever detail of his life to know who he is as a person. We know the moral fiber of his character and the strength of his will. We know he loves passionately and will do anything to help. We know he's a catty bitch that doesn't get along with his dad.
Not... everything has to be shown to us for Steve to be a real fleshed out character. There are definitely places where things fall flat (letting him even feel pain after his many beatings or torture of being eaten) but being a love interest is not one of the things where the Duffers have fucked up on him. Besides Nancy, he has the most character development out of the teens and he has an actual character arc that's been percolating since season one.
You don't need to ship Stancy or like it. That's not necessary. I personally wasn't a shipper until recently (though I never hated it like some people, I've just always focused more on the Steve and the kids or Steve and Robin) and I have to say it makes a lot of sense in the scheme of things for the love triangle to be reignited. Steve and Jonathan are not just contenders for Nancy's love, they both represent something for her journey and her picking one of them will be indicative of the path she's taking. Steve's speech about learning to crawl forward wasn't just about him, that was a display of what Steve's character can offer to Nancy's character as a romantic partner. The ability to learn to MOVE ON. TO CRAWL FORWARD.
Nancy as we know is still trapped in her grief from Barb and while Jonathan has helped her get justice from that tragedy he never helped her move PAST the pain of it. One represents moving forward, and Jonathan sadly this last season, represented regression.
Personally, I think it's Jonathan more than anyone that needs to not be in a relationship. It hasn't ever seemed to make him happy. I don't think Jonathan will ever be happy until he's allowed to get away from his family a little bit. The parentification Joyce did to him really fucked that boy up and he needs, in my opinion, to focus on himself more than anyone.
Nancy has expressly stated before that she doesn't want to be alone! Steve has expressly stated he wants love and romance and a family! They're still young they can work out their future later, why can't they find some happiness in coming back together stronger and more fully self actualized? More mature and developed? I think it actually makes for a very fitting end from a narrative standpoint which is, honestly, what convinced me to switch over to the ship in the first place.
Neither Steve nor Nancy have ever been reduced to just love interests. Even in season one when Steve is explicitly introduced as only a love interest, he actually has his own character arc going on. All following seasons Steve and Nancy (whether dating, broken up, or flirting) have all had plots not related to their romance. No one is being reduced to just a romantic interest. Unfortunately, poor Jonathan is the one that got that treatment. He's the one that needs to have something devoted to just him; something that isn't just being a brother or a boyfriend. Giving him a friend was a step in the right direction. Let's give him a dream now and not just something that we hear from Joyce. A real dream from Jonathan's mouth. Because all we've heard from him are the things he DOESN'T want for the future.
Also Stoncy supremacy anyway. Let all three fuck nasty.
(Let's not bring up the whole six nuggets things. I highly doubt Steve is actually going to expect six children from his future partner. It was a reference to the party. It was him lightening the mood and trying to bring some levity to a serious, and frankly, terrifying, situation. It was him trying to make Nancy laugh while laying his heart on the line. He's not expect six literal children.)
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