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#and i'm sad about both scenes
buttercupshands · 13 days
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can you even call it a warm up if I'm going to bed without drawing anything big
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and a sketch I made while sitting in the park today
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poorly-drawn-mdzs · 21 days
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Daddy, don't go.
[First] Prev <–-> Next
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thelilylav · 29 days
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We only see each other at funerals
(On Jason, Thalia, Nico, Bianca, and their parallels/connections)
The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art
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chloecherrysip · 1 year
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We're going to save your brother.
#mario movie#mario movie spoilers#super mario bros#super mario bros movie#super mario bros movie spoilers#princess peach#mareach#cherrysip edits#I FEEL LIKE THIS MOMENT DID NOT GET THE ATTENTION AND APPRECIATION IT DESERVED ON HERE#man i could write you an essay about this#i do think that the 'i'm not afraid! i'll do anything for my brother' line actually ISN'T said during this scene - it's probably earlier#but that this line IS in the right place (peach's mouth movements match)#which means that scene is going to break me because it just seems like a very vulnerable sweet moment between them#where peach and mario get to talk about the situation they're in and their fears and how big the stakes are for both of them#peach fighting to protect her kingdom and her subjects - the immense pressure on her to stop bowser because of her role as a leader#and mario desperately trying to save his brother - not knowing if luigi is ok or not and not being able to keep him safe is so painful#i think that's why mario doesn't have his hat on - the adventure is starting to weigh on him and he opens up to peach for the first time#about him and luigi and their closeness and how he CAN'T lose his brother he CAN'T let him down when he needs him more than ever#and peach reassures him and it means the world. even in this quick clip there's something a little sad about his face#but also there's relief and gratefulness to her for saying that. they're the absolute sweetest :) :) :)#i could be off base but that really does seem like the vibe of this scene from what we've seen and i am ALL ABOUT IT
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alaynestone · 15 days
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3.15 TIME IS ON MY SIDE 5.01 SYMPATHY FOR THE DEVIL
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aziraphalalala · 7 months
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We screech and we laugh and we make gifs. But have you considered how utterly excruciating it is to realise that the one person you trusted to have your back, doesn't? That in the end, for whatever reason, they did not choose you?
If they ever want to be together, an apology dance is so far from being enough it's heartbreaking. Somehow, they need to process their emotions. They need to re-establish a trust that's been broken. They need to convince one another that, given another choice, they would put Us first.
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tothepointofinsanity · 7 months
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what are your thoughts on Madoka and Sayaka's relationship? I always thought it was underrated for how complex and tragic it is.
Madoka and Sayaka's relationship function similarly to that of a knight and a princess, so both their friendship or couple pairing are interesting to me. It seems to be intentional that Sayaka was crafted with a knight motif in mind to click with Madoka's vulnerability. The tragedy is that Sayaka was way too young and inexperienced to be shouldering such expectations in a friendship. Taking up the role of a protector at every turn because she wanted to protect everyone has always been a contributing factor to how fast Sayaka burned out.
Contrarily, Madoka's struggle with her own helplessness throughout the show was also part of the reason why Sayaka said a lot of terrible thing to her, but deeply regretted her actions to the point where she succumbed to Witching out away from Madoka. Madoka, at least in this "final" timeline, was not there to see her own childhood best friend change into something else. To, in a way, "die", and be reborn as the same monster that all magical girls were hunting after in a frenzy. Homura was right that Sayaka brings Madoka grief — it seems that in almost timeline, since Sayaka becomes a Witch as long as she becomes a magical girl unlike Mami or Kyoko, Sayaka is a consistent source of Madoka's grief. Whenever Madoka becomes a magical girl, then, her aspirations are based on Sayaka's sacrifice and ideals, except Madoka actually has the power to "save everyone". I believe Madoka loved Sayaka as Sayaka may not have been an "effective" magical girl, but she was the one who was willing to sacrifice her soul for her ideals, regardless of how naïve they were. To Madoka, who was so ensnared by her sense of uselessness, Sayaka was the closest thing to an idol or a star for the courage required to be a magical girl. Sayaka's desire to make the world a safer and justified place for people was so inspiring to Madoka that even when Madoka becomes Kriemhild Gretchen, the Witch's whole gimmick is "creating heaven on earth, a Witch content only if there is no more grief in existence". A prospect deeply held onto by Madoka that even Gretchen embodies it.
It's probably why Madoka's wish to save all magical girls would definitely sound equally impossible to he audience and the incubators, but Madoka herself says, "If someone says it's wrong to hope, I will tell them that they're wrong every time." Sayaka was often called foolish for her ideals and hopes, and Madoka was the only other person aside from Kyoko who understands Sayaka's struggles so much that she outright tells people that Sayaka was never wrong — this is how Madoka protects Sayaka. Madoka would never want anyone to say any of the magical girls' wishes were wrong or foolish. It was how Sayaka also found her peace at the end of the show: to be understood and not viewed as an object that would eventually be replaced in the cycle of magical girls and Witches.
Madoka and Sayaka eventually learned how to protect each other. Sayaka doesn't need to suffer from her own overbearing expectations anymore, and Madoka can finally be something even more to protect her angel: A God.
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huxianposts · 1 year
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I know what you are...
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ATTACHED
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cienie-isengardu · 7 months
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MK1 Sub-Zero (Bi-Han) <<&>> MK11 Sub-Zero (Kuai Liang)
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bitternace · 3 months
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if youre still taking the top 100 song rqs - how about 34 and something kairi related? ❤️ (dont worry about it if you're already swamped with rqs!)
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but i regret just one thing: i never got to change your mind
[ID: a digital drawing of kairi from kingdom hearts. the background is a sketchy rendition of the tunnel in Traverse Town's secret waterway. the shadows are a little chunky, and the circular waterway frames her from the shoulder up.
she is in her kingdom hearts outfit, shown from the thigh up. with her back to the audience, kairi holds her right arm behind her back, shoulders tense. her right hand is curled into a fist. /End ID.]
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shinjaeha · 2 years
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i’m still crying (mostly from happiness) over the ending of to my star 2, but i just want to talk about something i love so, so much about the scene between ji woo and seo joon in the beginning of ep 10.
it’s obviously a parallel to the confession kiss scene in the first season where seo joon takes the initiative, says the whole “if it’s too hard, i’ll go to you” line, and takes all the steps up to ji woo before kissing him.
what i love is that it’s so intentional in how it one ups that scene. the scene in season one is pretty much all seo joon. HE says the line, HE goes up to ji woo, HE kisses him (and we see in the intro how HE is the one that clasps ji woo’s hand first, unfurls it like he’s opening ji woo up, and holds it). obv we know that ji woo wanted all this, but it’s still extremely one-sided. they kiss, and there’s no extra conversation about their relationship. that’s just how it starts.
i was always hoping that ji woo would be the one to go to seo joon this time bc it would make sense as part of his character arc, and i’m so, so glad that’s what ended up happening. but what makes this scene better is that, even though ji woo is the one ‘confessing' this time around, it’s a lot more reciprocal. ji woo finally explains how he felt this whole time, begs seo joon to come back to him, asks for a hug. JI WOO is the one that literally takes all those steps up to seo joon (except for that last one), grips onto seo joon’s shirt, and reminds him of what seo joon said to him in the last season. but seo joon has to be the one to take that last step forward and accept ji woo into his arms too. the both of them need to make the effort, amend and understand one another in order for them to work out this time. i love that the hug feels much more reciprocal this time bc they’re both hugging each other now, nothing one-sided about it.
ji woo put seo joon through a lot...and i can understand how this moment might not be enough for some people if they were in seo joon’s position, but that’s what makes seo joon and ji woo so compatible with one another. seo joon can SEE the effort that it takes ji woo to be doing this. for ji woo, going back to seo joon and begging him like this, is an extremely difficult thing to do. it takes so much out of him...seo joon’s a lot more persistent and thick-skinned (he’s prob had to learn to be seeing as he’s been in the entertainment industry since he was a child). it’s why ji woo says that he can’t keep coming back in the same way that seo joon did for him...his personality isn’t the type that can keep taking rejection like seo joon can. he’s mustered all his courage up to open up to seo joon completely for this one moment. it’s a huge step for ji woo, literally and figuratively. like this scene intentionally takes plays on a STAIRCASE. and seo joon is deliberately positioned higher than ji woo here bc he’s the one that’s holding all the cards now. ji woo’s taken the steps, and now seo joon’s the one that determines what happens between them.
but we all know seo joon is loyal, and forgiving, and madly in love with ji woo. he’s also always understood ji woo. he seems cold on the outside, but he’s fragile on the inside (it’s one of the things that he mentions he likes about ji woo in season one). he knows that ji woo self-sabotages as a defense mechanism to prevent himself from getting more hurt...but he also knows that as much as ji woo hurt him, ji woo’s in just as much pain himself. he just doesn’t wear his heart on his sleeve in the same way that seo joon does...he keeps it all hidden inside himself.
so seo joon doesn’t prolong the pain, or punish ji woo for what happened. he’s not bitter, or resentful, or holding onto the hurt anymore. the moment he saw ji woo there staring up at him in tears, all of that fell away and he only wanted to accept ji woo back into his arms (his heart) and make all that pain go away. all he’d ever wanted was for ji woo to COMMUNICATE with him instead of keeping everything to himself, so when he finally does, that’s more than enough for him. he immediately reassures ji woo that he’s there for him.
i love how as soon as he does that, ji woo knows he’s in his safe space and starts apologising and spilling all the feelings he’s kept inside of him for so long. i esp love the difference compared to the season one scene in that they actually TALK to each other and address their issues and insecurities this time. they’ve had time to think, to know what’s at stake now, and are better equipped at handling any problems or conflicts that might arise in the future. they’re not jumping back into this uncertain or unaware anymore.
i just feel so warm inside knowing how they accept one another and their limits. that's what makes them work as well as they do. it's tougher for ji woo to take more steps in this way than it is for seo joon, but seo joon is always there to help nudge him along when he needs it. to hold his hand. to go to him when things are too hard for him. he's just so, so supportive of ji woo. and ji woo has learnt to let himself love and be loved now. it’s really beautiful :’) gonna miss these boys soooooooooo much.
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akagamiko · 6 months
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here's my hot take as a shanks appreciator & a buggy stan: bro buggy's the one who left shanks! 😭
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plantaagomaajor · 7 months
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so sad (but also happy and fulfilled) after watching "marry my dead body..." I really need to see Nick smile tomorrow in order to calm my nerves
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npdclaraoswald · 10 months
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I've decided to be okay with movie!Hobie being British if and only if they establish that he killed the queen
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imminent-danger-came · 5 months
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more music stuff but the song Solitary Confinement by Everybody's Worried About Owen is so so either MK or Wukong 
So send your condolence cards Thinking I've been held against my will It's better, you believing I'm fighting for some greater good, I know I know that I believe in nothing And that I like being alone I like being alone And there is bliss in solitary Isn't it sobering? And there is bliss in solitary Isn't it sobering? And there is fear in solitary Isn't it sobering? And there is pain in solitary Isn't it sobering?
(Link)
Speaking to my MK's complacency loving heart
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snowflop · 8 months
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