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joycrispy · 8 months

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Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

#good omens #ineffable husbands #aziracrow #good omens 2 #crowley #aziraphale #good omens meta #I have no idea if I've made a coherent point here but I'm tired of this being in my drafts; RAW FEELINGS IT IS #it's about being sent to destroy and instead staying to love and protect and nurture I'M CRAZY I'M CRAZY RAAAAAAAGGHHHH #gnu terry pratchett

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supercutszns · 4 months

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Hi!! Just had to drop in and say I LOVED your Luke fic and I can’t wait for more. I would love protective Luke with hurt/comfort, if that sounds interesting at all. Thanks for sharing your writing!!! 🌸

fighting chance; luke castellan

wc + pairing: 4.2k, luke castellan x daughter of ares! reader

synopsis: when an enemy takes advantage of your kindness during capture the flag, luke intervenes with a sword in hand.

warnings: a creepy boy👎, threats/harm to reader, she’s going through it, blood/injuries (nothing major), angry ANGRY luke, violence, lots of fluff/reassurance at the end<3

notes: thank you SO much for your kind words & your request!! hurt/comfort is my bread and butter my favourite fic genre of all time i think. & protective luke is just a bonus bc he’s already crazy so it can go as far as i want🤭 i’m not exactly sure what this turned into but if i fix it any more i'm going to go insane so hope you like it!

You’re not much of a fighter.

That alone is a normal thing to admit—plenty of people don’t like violence, the frisson of a challenge, the bruises that come with them. It’s nothing to be ashamed of.

Unless you’re a child of Ares.

People at camp often ridicule your gentle nature when they see you with your half-siblings. They’re all gritted teeth and sharp edges, born warriors that take up all the space they can get. You, on the other hand, are lousy with weapons and even lousier with your fists. You’re quiet, attentive. While your siblings charge into battle without second thought you stay back, flitting around to adjust armour, change out weapons, oversee the terrain. Planning isn’t Ares’ style so you’re pretty much useless but nobody wants to admit it. You’re usually mistaken as a child of Hephaestus or Athena.

Unfortunately, you are a child of Ares, through and through—just in none of the ways that matter.

There are rare times your father’s influence peeks through. Not with bursts of rage or fists flying, but with thoughts. And sometimes those thoughts turn into words. Well, not sometimes. One time. This one.

The evening before the camp’s Capture the Flag game, every cabin gathered around the bonfire past dinner. To burn offerings, to chat, or in Luke Castellan’s case, to admire.

He watches you laugh with Clarisse from a distance. The Ares cabin leader always had a certain fondness for you. When Luke first started dating you he had to ask Clarisse for her blessing beforehand just to be sure she wouldn’t kill him. He’d do it a million times over just for the moment you look back, your face warming when you catch his stare. He rolls his eyes at you to lessen his smile, but he’s not sure it works. You giggle and turn back to your friend.

He’s always loved your softness; your capacity to defend and not attack. Your body rejects any skill you could possibly develop for violence. Believe him, he’s tried to teach you sword fighting, but the last time he gave you a lesson you nearly impaled yourself thirty seconds in. He loves your wit and your tenderness, your proficiency at preventing conflict, your refusal to argue. But a selfish part of him loves the fact that he’s your protector even more.

The night wears on with the flickers of fire and friendly banter. One of the times Luke looks back at you, his brows wrinkle. There’s a guy talking to you. A group of them, actually, but there’s one clearly leading the pack. Some Aphrodite kid. Luke’s jaw twitches.

“Hey, princess,” the voice makes you pull away from your talk with Clarisse, but you’re confused. Luke is the only one that calls you that.

“Um, me?” You ask when you see the boy in front of you. He’s tall, chest puffed out. It’s not an endearing silhouette. “What’s up?”

“You wanna be on my team for Capture the Flag tomorrow?” He asks nonchalantly.

You laugh politely, “Sorry, but I don’t think we’re allied with Aphrodite tomorrow. That’s your cabin, isn’t it?” You feel bad that you can’t remember—his face is so … plain.

He chuckles back, but it’s a lot less nice. “No, doll, that’s not what I mean.” He steps a little too close, and even though you know Clarisse is behind you it feels like she’s a thousand miles away. “Well,” he drawls, a smirk drawn out, “you meet me in the forest after we start, and then we can … you know. Confer.”

“Confer?”

“Yeah. You get what I mean, pretty girl, don’t play dumb.”

A revulsion coats your gut. “I’d appreciate it if you didn’t call me that,” you say as firmly as you can.

“What, pretty or dumb? Why not both?”

It’s demeaning, the way he says it, and it stirs a temper in your stomach you know you inherited from your father. You’re not big on confrontation. Or embarrassment. But this weirdo is talking to you out in the open and people are starting to stare. He wouldn’t dish it out if he can’t take it, right?

“I’ll pass on your offer. I have a boyfriend and I’m actually on his team tomorrow, so I’d rather confer with him, sorry.” Your hands wring together but you do your best to quell them, imagining it’s the string of Luke’s camp necklace, threaded between your fingers. You try to look for him out of the corner of your eye.

He snickers, even though it’s common knowledge you and Luke have been together for months now. “So you are dumb, huh?” He tries to smirk and you assume is supposed to be sexy, but it’s just gross. His hand tries to slide around your waist.

“Don’t touch me, please,” you hit his hand away. Your skin is crawling and the knot inside you tightens.“Just leave me alone. People are looking, you know.”

“We could go somewhere where nobody looks,” he sneers, and the grin on his face is so sleazy that you just can’t stand it anymore.

You pray to your father for strength. And to yourself for forgiveness.

“I’m sorry, are you stupid or something? I told you, no.” You snap. “Maybe you’re the pretty dumb one, but for a child of Aphrodite it’s shocking how little the first one applies.”

His eyes are wide, and the posse he’d assembled behind him has attracted quite the view. You almost feel like crying, all these eyes on you, but you’re so sick of people thinking they can walk all over you just because you’re not like your siblings.

“What the fuck is wrong with you? I’m just trying to be nice—” He grabs your wrist as you leave but you yank it hard.

“Don’t. Touch me.” People are staring at you now, but the only one you care about is Luke, who looks equally ticked and equally proud, and all you want to do is kiss him. “Hope the only time we confer tomorrow is if somebody’s sword is at your throat.”

It’s the last thing you say to him. He starts to go after you but Luke is already at your heels. “Back off, man.” You can spot how all his muscles are already rearing themselves for a fight. You wrap a hand around his wrist, and he meets your eyes. Not now.

The altercation is lost the second the two of you leave the bonfire. Nothing matters when Luke has you in his arms, kissing you outside of your cabin, telling you how damn beautiful you looked.

You’re fixing a new Ares boy’s armour when Luke finds you. “Hey, angel,” he says, leaning down to press a kiss to your cheek. He relishes in the way your face heats up. “You ready for battle?”

You smile, “Always.” You pat the kid on the cheek and send him on his way. He gnashes his teeth and roars, joining his siblings at the front. Luke catches the longing in your expression.

“All good?” He asks gently.

It takes you a second for your eyes to meet his. “Mmhm,” you swallow. “Just hope his armour doesn’t fall off.”

Luke sighs for a moment, then wraps his arms around you. “He’ll be fine, sweetheart. Be safe, okay? Stay close.” He kisses your temple, rubbing circles on the nape of your neck.

“Yes sir,” you reply against his chest. His insides flutter.

He pulls your face up to his and kisses you, tender and wanting. “Let’s show these hooligans who’s boss,” he quips.

“You’ll show them. I’ll hide in the woods until some idiot comes along and tries to ambush you.”

Your dulcet tone has him wrapped around your finger, and you don’t even know it. “You’ve always got my back,” he croons, kissing your brow.

“And you’ve always got our flag.”

You kiss him again and he lets you slip out of his arms no matter how badly he wants to keep you there forever. He watches you vanish into the trees, and his heart goes with you.

He gears up with his team and the horn sounds. Game on.

There’s yelling, sweat, adrenaline, and Luke embraces it all like a man starved. This is his chance to be ruthless, to let all his untapped rage cycle through him. This is why he’s unstoppable. This is why he’s the best.

Clarisse is unusually cooperative today, but competent as always, and whenever someone’s weapon breaks or they lose their team she just barks at them to go find you. You, the smartest person in Ares, who can mend a weapon with nothing but blades of grass and determination. Luke is pretty sure your cabin would be lost without you. He wonders if you know.

The groove of the game has fully enthralled him. He’s alert, his wrist nimble, his sword a living, breathing part of him. There’s almost nothing that can take him out of his victory path until he hears one of the younger campers tell Clarisse he can’t find you anymore.

Whatever nincompoop he’s dealing with is left groaning on the floor. “What?” He barks, hand flexing around his sword. “Where is she?”

“Probably just moved,” Clarisse grunts as she kicks back an opposing camper. “She knows where everything is. Maybe she’s—oof—safer.”

“But how am I supposed to fix my spear?” The kid frowns.

Luke runs his tongue along the roof of his mouth, dry and laden with salt. He told you to stay close. Where would you go? “I’ll find her,” he decides, already sheathing his sword to walk towards the trees.

“Luke—”

“I’ll find her!”

He barely pays attention to the calamity going on around him. With a flick of his wrist he knows he can take out any person he wants. The second he gets to the trees, where the air is cooler, it’s startling how much quieter it is. No wonder this is your preferred hiding spot.

He thanks the quiet a thousand times over because if it had been any louder he wouldn’t have heard you scream.

It’s so short it’s almost indiscernible, but he knows it’s you based on how his body movies before his brain does. It snaps something in him, the adrenaline transformed into something acerbic, determined.

“Don’t fucking scream again.” A cluster of boys are stationed around you. You’re leaning back in the dirt. You barely feel the earth sticking to your skin. Just your heart jostling madly, your fingertips shaking in the ground beside you. “Okay, I won’t, just put the sword down—”

The snarling Aphrodite boy from last night takes a swing at you, and you scramble back just enough to avoid it. “No can do, doll.” His face is twisted with rage. The lackeys he had when you told him off are there too, cornering you against a cluster of trees like you’re some caged animal. There’s a dagger clenched in one of your dirt-ridden fists but you know it won’t do you any good. You can’t fight; you don’t have it in you. But these boys do. And they’re angry.

“Tell me where the flag is,” he orders. The tip of his blade comes under your chin, fogging up with the labours of your breath, your head pressed against the trunk of a tree.

You stutter, “You’re not—You’re not supposed to threaten like this—”

“You embarrassed me in front of all those people yesterday,” he cuts you off. “Thinking you’re so fucking smart. I didn’t even say anything that big a deal but you run your mouth to the entire camp and make me look like the idiot. I thought you were nice.”

The words are laced with poison. You know from the wild look in his eyes that this isn’t about the flag at all.

Tears sting your eyes and the sword grazes your throat. Of course this is happening to you. The one time you feel your father’s rage, when you exemplify the thing you’re told to be, you are punished.

You are never going to be the right kind of daughter.

“I didn’t mean to hurt you,” you try to say it evenly, but your breath is so ragged it’s barely audible. “I’m sorry, I shouldn’t have said all that.” You mean it, but they won’t care.

The boy’s face looks pleased at your tears. It makes you inexorably ashamed. “Some fucking Ares kid,” he snorts. “Can’t even fight, can you? Can’t even pretend to.” His sword leaves your throat and travels up to your quivering jaw. You’re wordless, white-knuckling the dagger at your side, praying that Luke is somewhere nearby.

“No wonder they stash you back here. You’re useless.” His eyes scan every part of you, and the idea of him knowing what you look like forever is so revolting it makes you want to vanish. “Too bad you’re alone, though. Nobody’s gonna know I was here because nobody’s gonna hear you.”

Your eyes get wide, and something in your mind rumbles through you like an engine. An urge buried in your blood.

Your dagger tears into his leg just as his sword dashes your arm. The pain is sharp, stinging, but the boy winces and you know you hurt him too. It gives you just enough time to roll out of the way as he lurches forward. “The fuck is wrong with you?” He swears.

Blood drips onto your shorts, splotched with tears. You know you can’t go anywhere because his friends are here and you’re almost certain you’ll be maimed, but you tried. At least you tried.

The Aphrodite boy picks his sword back up, stalks towards you, and then freezes.

Because Luke has just spotted you. And he’s spotted the boy that has you on the ground.

And he’s the best fucking swordsman Camp Half-Blood has seen in three hundred years.

“If you don’t get away from her right now I’m putting this through your skull.” He emerges from the foliage, his sword raised, sweat dripping down his face. You have never seen anyone look angrier. He has never felt angrier.

The boy blanches, and Luke sees how easily his lapdog friends shrink in his presence. Good.

“Woah, easy,” the boy holds his hands up in mock surrender and tries to flash a smile but it’s just fucking pathetic. His arms are shaking and his throat bobs about a million times. “We’re just playing the game.”

“Like hell you are,” Luke spits. “You gang up on my girlfriend and you expect me to believe this is fair play? Want me to tie you all together and push one of you off a cliff to keep the spirit going?”

“Didn’t know she was yours,” the boy tries to shrug but again, it’s a miserable attempt that only makes Luke feel stronger.

“Not that it matters but yes, you do,” Luke chuckles thickly. “I beat your ass in sword training last week. You know exactly who I am. And I’m sure you know who you are, so it’s obvious you’re playing out of your league here.”

Out of the corner of his eye he sees you still cowering, blood dribbling down your arm. He wants to tear the world apart. “Apologize and maybe I don’t send you to the infirmary.”

“We just want the flag, man,” the boy swallows.

“And I want your head on a stick. Want to see who gets what first?”

It’s too provocative an insult for a moron like this to ignore, so soon Luke has the pleasure of disarming five bitter boys that have clearly never been good at a single thing in their life. He tears through them like sheets of paper, knocking them to the dirt, ripping their clothes. He thinks of you, just you, your honest heart and patient hands, and it’s enough to fuel him for a millennia.

The last boy, the leader, is at Luke’s mercy, and he has none to give. The flat of Luke’s blade is pressed horizontally against the boy’s neck, an angering similarity to the position he had you in earlier. “If you ever do this again, I’m going to kill you.”

“You’re—fucking—crazy—” The boy wheezes, the length of the blade squeezing his throat against a tree trunk. “I’ll—I‘ll tell Chiron.”

Luke has to bite the inside of his cheek to keep him from doing something he regrets. “Oh yeah? You want me to tell Chiron how you harassed and terrorised a girl in the middle of the forest all in the name of play? Want me to tell him what you said to her last night at the campfire? Because I’m sure it won’t take much for him to get rid of your ugly face as it is, and I’m a camp counsellor.”

He knows it’s not the most morally correct use of his title. He knows he might be stepping over the line. But he also knows you’re always being ignored or trampled over and he’s tired of pretending like he doesn’t give a damn. He’s tired of people trying to force you into something you’re not. Of you crying in his bed at night because they’re trying to drag a violence out of you that isn’t there. Always in the name of fucking play.

Luke takes the sword off the boy’s neck and shoves him backwards. His calf is bleeding, not a deep wound, but a wound nonetheless, and Luke is full of pride when he realizes you did that. The boy’s bad leg makes him wobble and fall at the force of the push. Luke enjoys watching the scramble. “I—I was just trying to be nice, it’s not my fault she took it the wrong way!” The boy flails his hands in the air, rising to his feet again, and Luke shoves him down twice as hard. A piece of his shirt tears off in Luke’s hand.

“You’ve gotta stop talking or I really am going to kill you,” he seethes. “Don’t touch her ever again. Go.”

Luke is sure he looks homicidal right now because the guy finally tumbles his way down the hill. His body fades into the distance, swallowed up by shrubbery and sweat.

The second he’s gone Luke tosses his sword and armour and gets back to you. “Shit,” he mutters, kneeling down. You’re still shaking, your head in your arms, and all his hatred morphs into a love so desperate it terrifies him. “Angel, come here. Let me see.” He lifts your face with his hands and scans you rapidly. “Did he hurt you anywhere else? Anywhere?”

“Just my arm,” you whimper. “My arm.”

He knows it’s not the cut that’s hurting you; it’s long, but thin, and it’s not bleeding too thickly. He takes the cloth from the Aphrodite boy’s shirt and wraps it around your arm, knotting it at the end. “All right, that should be better.”

You look at him with watery eyes, and he knows all you need is for him to hold you. He folds you in his arms and leans against a stump. You can’t get close to him fast enough. The tip of your nose buries itself in his neck and he feels the dampness of your cheeks on his skin. “It’s okay, sweetheart, you’re safe,” he soothes, pressing a kiss to your hair. “I’m so sorry.”

Guilt swaths over him for a brief moment; he wonders if he shouldn’t have done all that, if he should’ve been more sensible. Then your lips form a ‘thank you’ against his skin and all is forgotten.

You feel so small. The shock is still running its course, so all you can do is cry it out. Your hands still shake when you thread your fingers through Luke’s necklace to steady them. He soothes you the best he can, running his hand along your spine, all the sharpness of his voice softened just for you. “You’re all right, angel. I’m not going anywhere.”

You stay like that for a while. The sounds of the forest return to you; leaves in the wind, birds chirping, Luke’s breath tickling your hair. You crane your head up to nuzzle your nose against the faint stubble of his jaw. “My hero,” you murmur, and feel his skin shift as he smiles.

“Couldn’t have done it without you. Saw the cut you gave him on his leg.” He kisses your temple. “I hope it gets infected.”

You giggle weakly no matter how you try smothering it in his chest. “Gods, you’re awful.”

“He deserves it! I probably should have killed him!”

“You came pretty close, didn’t you?” You mumble. Luke’s expression is wary, but you smile to yourself and it dispels everything. “I was hoping you’d come.”

“Good. Serves them right, messing with you like that. Fucking idiots.” He kisses your face again for good measure, “You sure they didn’t get you anywhere else, princess?”

You nod but you know you look wounded. You nudge into the crook of Luke’s neck again. “They … you know, it’s just … the usual stuff.” Every word weighs a pound as it comes out. Your heart feels sore.

Luke tenses again instantly. “What usual stuff?”

“Um, just—” The shame gets caught in your throat. “They all think I’m useless, Luke. Why can’t I do this right?”

You start to cry again, but he just holds you closer. Sometimes it surprises you how much patience he has. He prides himself as the harsher one between the two of you, but you don’t know who he’s fooling with the way he always knows how to comfort people.

“I don’t know what to do,” you continue, blinking back tears, “I’m not—I’m just not good at this, I don’t know why I’m in Ares, I don’t know why I can’t … be that. Why is he my father? I’m no good at being angry. I want to be angry.”

Luke’s quiet for a moment. Nothing changes except his hand rubbing circles on the nape of your neck again. Then he sighs deeply and says, “You don’t owe your father a damn thing. You don’t owe anyone anything.” He’s resolute, firm, a sharp contrast to his gentle kiss on your hairline. “You’re the smartest, most generous person I know. You need those people in battle. You’ll lose if you don’t.”

The warmth of his skin prompts you to look up at him. He looks different so often, the way he can shift between so tough and so gentle. Sometimes, like now, he’s caught in the middle, the remains of a furious sweat hardening his face, but his eyes are nothing but tender. You think it’s how you like him best.

“Besides, we’re not our parents, right? Who cares about Ares anyway?” Luke shrugs.

“Luke! Don’t say that!” your tears turn into a giggle. “The Gods might punish you!”

“I’ll handle it. There’s enough fight in me for the both of us.”

“Okay, tough guy,” you mutter with a weak smile.

You’re still sniffling. He runs his thumbs across your cheeks, and his gaze softens. “You’re an Ares kid because you are a fighter, angel. You just fight a hell of a lot smarter than the rest of us. Best one I know. Well, other than me.”

It makes you smile. “So second-best?”

“Tied for first.”

He kisses you with that stupid roguish smile. It’s salty with tears and sweat, but it mends your heart anyway. There is nowhere in the world you’d feel safer.

“I love you,” he says against your cheek. “Be as sweet as you want. If anyone has anything to say about it I’ll mess ‘em up good.” Your face warms as his voice drops to your ear, “And I know you’re an Ares kid because you’ll encourage it every time. You might not have a violent bone in your body, but you sure don’t have a problem with me using mine.”

“Diplomatically, Luke. Diplomatically.”

“Sure, sure. Whatever you want.”

You can’t help but kiss him again. You’re not entirely sure why he loves you so much, why you love him so much, but you never feel quite as secure as when you’re with him.

Cheers boom from the other side of camp. Luke’s head perks up like a dog, and you turn back to search for spots of red or blue. “Did we win?” You ask, craning your head to get a better view.

“Don’t care,” Luke says.

You look back at him. His anxious face says it all. “Yes, you do.”

“Okay yes, I do, and I need to see if those douches found our flag so I can choke them out with it.”

You laugh, standing so Luke can jog off to see the state of your team. But before he goes, he picks you up and smothers you in kisses, holding you like you’re his prize.

You are not a fighter, but your boyfriend sure is. And you’re perfectly okay with that.

#perrie’s fics #perrie’s requests #luke castellan #luke castellan x reader #pjo #pjo x reader #charlie bushnell #luke castellan comfort #luke castellan x you #luke castellan imagine #luke castellan fic #luke castellan fluff #percy jackon and the olympians #pjo fic #i kind of hate this i think I’M SORRY #but some parts of it are interesting so oh well #luke castellan you are fucking crazy.

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