[WVW Exchange Event 2023!]
"The kisses on your lash, your ears, on the nose that keeps scrunching. The kisses on your hand, on your cheeks, and the exchanging soft words waiting for the break of day."
----- ID under break -----
A total of 6 pages of comics, starting with a close up shots of vash kissing sleeping wolfwood's nose, eyes, lashes, and he furrows them a bit. an overhead shot of the two of them in a motel room, on the bed with vash leaning over wolfwood from the left, laying soft kisses on him. their legs tangled. their normal outfits are thrown haphazardly on the floor, instead donning comfortable clothes. on the outside, the very first ray of lights are yet to shine.
"what a face you're making pfft" - vash says as he grabs both of wolfwood's cheeks, squeezing them a bit. wolfwood mumbles, "There's something that keeps landing on my face, it tickles." he grabs the hand that is on his right cheek. "Well you're letting it happens anyways right?" Vash muses, bringing the hand up to kiss on its knuckles. "Good morning Wolfwood. It's almost dawn"
"… Isn't it way too soon?" - wolfwood asks, but keeps to himself the prayers he's sending to god because the the boy on top of him was such a sight to behold. Vash flops down onto him, leaving the hand hanging and lace his own hand into Wolfwood's hair, peppering kisses to the side of his face. "Yep" - he answers - "But you woke up on your own tho" - facetiously. He giggles, saying that it was a joke after a beat of silence. A sigh, "don't make me upside you first thing in the morning." Wolfwood closes his eyes, hand combing through golden strands. "Heh, how merciful~" "We have a meet up with Milly and Meryl today, remember?" Vash reminds him, which does raise some vague memory. wolfwood hums, the other hand reaching around vash's torso, hugging him. " So, the sooner we arrive, the less likely she'll chew through my head." - Vash adds. "riiiight. And you were SO urgent in waking me up." in wolfwood's hold, both of them slowly turn to the right, towards the edge of the bed.
Well, you were just soooo cute, I couldn't help it! didn't thinkk you'll actually wakE UAA-!"
the bed creaks under the sudden shift in weight as wolfwood tosses vash over and under him, arms firmly hugging him, one at his back and one at his head, hungrily dives down to kiss. "!! Wolf-! Wait-!" Vash yelps, leg instinctively curls around the other's man hip to hang on, trying his damnest to grip on his shirt as HE is now half airborne, barely has any contact with the bed on his upper body. However, wolfwood seems to have another idea as he keeps deepening the kiss, pointedly holding Vash close, hands spread guarding the back of his head as both of them are sliding off the soft fabric.
"THUD!" a resounding fall, possibly enough to wake the room downstairs, followed shortly by laboured breaths amist wet smacks of lips. Heaves and huffs of air exchanging between the two bodies when the need to breath made itself necessary. They press close, cradling each other, and are lost to their own world.
After a while they had to part. Metal arm shifts through black locks, caressing down to his nape and they hold eye contacts there, with lidded eyes, strands of saliva thins then breaks.
Wolfwood pushes up on his arms, looking smugly down at his now disheveled partner: "Now this is how it's done, Needlenoggin." he remarks. Vash tries to wrangle his thoughts back in order, but strings of Wolfwood's name and a wonderous question keeps filling his mind, of whether he should risk it all and have fun for a bit more. Regardless, snapping out of his trance, Vash sourly asks, with a wry smile and an aching head: "But did you really need to roll off the bed?"
"Wrong side, whoops" - Wolfwood anwers unseriously, laughing as he finds the situation quite amusing.
----- End of ID -----
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Curse of the Nitghborne.
Guys, I haven't had time to play a lot, but I think the god of this land MAY BE the bad guy, but don't listen to me much.
Get up, folk! Flor did another Curse of Strahdanya crossover after Derek mentioned Lethica fused with Strahdanya as one throw joke in a stream!
The style is indeed inspired by the great art in Hades (the videogame), and the background is by Hades II.
The drawings without text:
Also, this was written at four in the morning, and I refuse to correct my insomniac ramblings this is the beta experience:
Lethica Nightborne as Strahdanya
----LORE------- In Barovia, a land of the dead, of suffering and grief, a new god has appeared out of nowhere covering the land in an eternal night... Of happiness? Lethica Nightborne, known as the Divine, has presented herself as the saviour that the land needed it, for what seems like decades. Her light, her kindness, her power, has changed the region and the hearts of the people to their core, as the land has been reborn... As there's new blood...
But of course, you can't blame the nature of evil, so there's still death, suffering and pain in Barovia, but of course, our saviour, our dear wife, cleans it as she chooses.
And if she asks for a sacrifice, of course, we will bring it to her, if she asks for the firstborn of every family, we will name the second after her, and if she asks that we take care of her dinner guests, we shall take care of them.
-----DESIGN------- All I knew of Lethica was that I wanted her to wear a veil, and she couldn't only be a countess but a whole god, the saviour of Barovia. The churches don't talk about sun gods, only of her, their lady of dark, their god.
Her dress comes from mixing Stradhanya's and hers, ending in a very 19th figure, with a bit of Mesopotamian fashion (the metal belts and sleeves with the double skirt) to show her as a figure of the past, as somehow older than she appears.
Of course, she had to have some kind of knife so a knife fan, and a cup to show wealth and power (her cup is always full, full of what? Well, if you look at the very pale man under with not a lot of blood left-)
Marius Renathyr as Victoria Issacs
-----LORE------- Marius as a man of Ilmater seems to be QUITE interested in Barovia, a land of suffering and grief, to the extreme that seems too personal to just be a missionary mission to conquer pain.
The university doesn't trust him completely, but somehow, even as a new member of the university and resident of Druskenwald, Marius had found a way to get the vote of everyone involved and the funds for the crusade.
But what would be the real reasons for such travel? Or... WHO is the real reason?
------DESIGN ------ Inspired by the old missionary ropes of the 1800s and the typical vampire hunter, Marius stands as a very weird-looking holy man.
From Victoria's design, we get the rosary turned into this over-complicated necklace and the ropes around his hips that reference the bloody ropes of Ilmater. (Victoria's, and now Marius, god.)
And his sword has turned into a cane. (a cane with a blade.)
Yorgrim as Silas "Shepherd" Morgan
-----LORE-------- From the depths of Yona, a mercenary is invited to participate in an expedition to a land of death and suffering. He accepts stating that he has other business in Barovia and he could be glad to accompany the group under the condition he would work in peace when need it.
Of course, he refuses to say the kind of work, you know, "professional privacy policy" and all. But by his reputation... It can't be good...
-----DESIGN------- I was going to go with a funeral worker, but the scarf with teeth appeared and it changed the vision.
The design takes more inspiration from Shepherd than Yorgrim, with the hunter theme, with the shotgun filled with blue magic and a list of hunts on red clay (that would be broken when the hit is eliminated.)
Briggsy "The Kutlass" Kratch as Professor Clayton Azran
LORE------- Briggsy may take the role of the professor, but he's not the expedition's leader. He's contracted by the University of Druskenwald to keep an eye on Marius (since the university is suspicious of the holy man). He accepts, without even wondering or caring what Barovia is, only happy to finally obtain a title under his piracy by the lords of Druskenwald. (He's getting paid to be a pirate, oh the dream!)
DESIGN------ With his design, he was the last one and I was VERY tired, so... It's something weird? You know, a pirate trying to look like a "noble man". (but he's very much failing, he looks like a maniac I think)
Jericho Sticks/Virgil as Sarnax of the Edelwood
----LORE----- The cult of Gherix initially refused the university and the idea of letting them explore the runes in their forest. Until they accept but a month away from the expedition which is extremely suspicious.
When the group found themselves in the forest, there he is, Jericho, a sacrificial figure of sticks and straw offered by the cult as a guide. (Of course, the poor, only brought to life months ago, strawman is a sacrifice in the name of Gherix that, by burning in Barovia, will give the god control over the whole region. / Indeed, Virgil is now Gherix we get an asshole god, give it up!)
-----DESIGN----- Inspired by Wicker Man (giant figures of sticks and straw with animal sacrifices that are burned during Celtic rituals such as the Beltane.) Jericho is turned into a sacrificial figure who will burn when it's necessary by the light that keeps him alive.
Farryn of the Hartsblight as Kana Soyokaze.
-------LORE------- It isn't clear when or how, but Farryn ends up getting involved with the expedition. As a storm in sea, one day, the swordswoman appears out of the blue stating that she's also trying to find her way into Barovia. The deer refuses to explain her business with the "Divine" of all people, only holding her katana with anger and sadness, but she's clearly not looking to make friends. (She ends up being friends with the whole party.)
-------DESIGN----- Based on the Sika deer (a Japanese deer), the design lingers more around the fusion character while keeping Farryn's figure, with the open skirt covered by her leg armour that goes up to her hips and the war paint, fur, and bone that stays in view.
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