#and I disagree completely

[acesammy]

I know I get so blinded by Sams plot when watching spn that I often overlook deans, but do you ever think about deans s2 arc? Bc it’s batshit good.

John sells his soul for dean and dean spends the entire season suffering for it - to the point that he /explicitly/ makes the point that selling your soul for a loved one is a selfish and cruel act - only to do that to Sam. Bc Dean just cannot fathom living while Sam is dead. and thinking about all this makes me want to start chewing drywall bc Dean KNOWS how selfish he is being here, but the idea of sacrificing yourself for someone else’s life - regardless of how much that person WOULD NOT WANT THAT - comes across as the most selfless caring thing you can do.

#Anyways I wish they had pulled on the thread more after s2 #Morally grey dean who is still deeply caring is so interesting #and I LOVE that they spent a whole season focusing on how shitty Dean felt over johns deal #for dean to be like ‘I know how this felt. I don’t care. I need him to be alive’ #and it puts Sam in such a vulnerable position too bc now dean is not only his big brother #but Dean /sold his soul/ to bring him back #good stuff #and it really makes me frustrated when I think about the conversations I’ve had about this show over the years #bc people bring up selfishness as one of sams flaws #and I disagree completely #self righteousness; self isolation; bullheadedness #those are flaws of sams #but he never does anything on the show that makes me go ‘oh yeah that’s /selfish/. That’s out of the bounds of what is reasonable’ #going to college is a /reasonable/ ask #but bringing Sam back from the dead; knowing full well that Sam would rather be dead than /dean/ be in hell? #that IS selfish #but it feels so kind and self sacrificing #Idk id argue this is one of the few truly selfish moves in the show #lea speaks #spn #meta

[thesaintofnevergettingitright]

Have you ever wondered how Dimension 20’s Intrepid Heroes (+Aabria) would react to being told “I’d die for you”? Because my brain would not allow me to rest until I shared my thoughts on the subject.

#dimension 20 #d20 #mine #I have no explanation for this #other than I saw a Brennan Lee Mulligan edit on tiktok and thought #‘I’d die for him’ Immediately followed by ‘he WOULD NOT let me’ #and then I blacked out for a few hours and woke up at 4am having completed this #lmaoooo #ally beardsley #emily axford #brian murphy #zac oyama #siobhan thompson #lou wilson #brennan lee mulligan #aabria iyengar #as is true of all of my original posts: #if you disagree with me ✨ no you don’t ✨

[whoisspence]

pics of mgg that you probably never saw before or at least you don't see often <3

#last one is giving tony stark #if you disagree you’re wrong #i love how each of these has a completely different vibe #the fourth one is my fav #him in a hoodie is so not fair #matthew gray gubler #whoisspence

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

#blue eye samurai #mizu blue eye samurai #akemi blue eye samurai #blue eye samurai meta #just in case... im gonna tag this as #mizukemicritical #akemizucritical #though this post isnt actually criticising the ship itself but rather fanon's portrayal of the ship and the characters #for that reason lemme also tag this as #wank.mp3 #feel free to disagree of course but please be civil #and if you need to rant about how wrong i am without any convincing evidence kindly feel free to make your own post. peace and love <3 #fandom.rtf #meta dissertations.pdf #shut up haydar #edit: for full disclosure. i do rather dislike this ship. but obviously it's fine for anyone to enjoy it. please do! have your fun! #it's just that as usual! popular fanon and fandom around a ship is what has completely deterred me from any sense of enjoyment of it #it's a shame too because i was very open and even eager for some mizu/akemi romance in the future #but out-of-character fanon + the rudeness of certain fans has definitely soured it for me #but that doesn't mean people can't enjoy it obviously! ship and let ship!!! #plus it has its appeal which i DO STILL see and enjoy!!!! #i would even go as far as to call them soulmates because their narratives and characters are LITERALLY intertwined!!! #but. yeah. my gradual distaste for this ship is indeed very unfortunate.

[wumiings]

i’m sorry are you telling me that after everything he said about his family supposedly being close— doting on his little sister and having a warm older brother whom yue qingyuan reminds him of— shen yuan was never once properly hugged before he died???

like i know he immediately tries to cover it with an uncomfy aside about how it wasn’t a pretty young woman hugging him or w/e, but he clearly isn’t talking about a first romantic hug specifically, because the context is being tackled by a crying 15-year-old whom he calls a huge baby for it.

so this is literally his first real, tight hug in his 20ish years of life and it happens in a ‘fictional’ world with a child he thinks might grow up to brutally-yet-justifiably (to his mind) torture him after he died alone and had his soul transplanted into someone else’s body.

babe??? i really don’t think your life was nearly as idyllic as you implied and i would love to know what the fuck is up with that

#NO ONE HUGGED HIM EVER??? #😭 #shen yuan #shen qingqiu #svsss #scum villian self saving system #note: i know not everyone likes/enjoys hugs and that’s completely fine #i’m not saying everyone without a lot of hugging going on is traumatized #the scene just doesn’t read (to me) like someone who is naturally touch-averse #it reads like someone being horribly flustered by a display of affection they’ve never been offered before #if you disagree i 100% respect that

[elspeth-catton]

i'm so so sorry to the people that didn't get to see saltburn in theaters because imo it was truly the best way to watch it

feeding off of the energy of all the other people in a packed theater, it feels SO much more voyeuristic with strangers sitting right next to you in a dark room with all your senses heightened, the soft gasps, the shocked laughs, people mumbling "what the fuck" to their movie partner next to them under their breath, i cannot describe the high i got off of seeing it in theaters

the genuine goosebumps i had from the soundtrack in surround sound, from rosamund's gut-wrenching scream, it is just not the same at home

i feel like if you didn't see it in theaters, it's not fair to give it a terrible review because it is really a completely different experience

#saltburn #saltburn 2023 #genuinely i don't think you can get the same thing out of it just from streaming it #and i don't know if i would be as madly and completely obsessed if i didn't see it in person #it is the greatest movie theater experience i've ever had #tomorrow is the official for real last day in theaters and i'm going to miss it so much #there's so many bad takes i'm seeing in the main tag that i think would be fixed if you saw it in theaters idk #but also i really don't want to debate with people how good i think it is if you disagree with me you can just block me it's fine

[aquickstart]

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

#saltburn #farleigh start #i think someone mentioned how the race commentary was fleeting in that scene abt his mom but i disagree #it runs thru the whole movie #because oliver is white and because they're pitted against each other #im not saying its the best commentary ever and also like the movie is not about it at all #but it's there and it's pretty prominent #also on a completely different note can we talk about how oliver correctly assumed everyone at saltburn desires him carnally #dude pulled all the bitches by being strange and off-putting. i mean i completely get it. completely get it. i'd fold so fast you've no ide #also while i was writing i realized that yes indeed both farleigh and oliver perform for felix and its so fascinating #and it works for oliver because of course it does because hes white #anyway! again! let me know if this sucks #in like any way at all #i needed a masterpost of all and every thought i have about farleigh #i think this pretty much covers it so i'll let it go now #HES SO. like do you UNDERSTAND #the DEFINITION of doomed by the narrative but i LOVE that he survives #as he SHOULD #emerald is so right. he does come back and quickstart just torture each other in that house forever. besties for life #god im gonna shut up now this is so horrendously long #mine #saltburn journaling

[helga-grinduil]

Saw the most insane take on this chapter today, and I feel like I need to say something.

Toga decided to die… NOT because she accepted Ochako’s feelings and her ‘healthy love’. If you were to actually read the chapter with your eyes instead of your ass, this is what you would see:

The structure of Toga’s monologue (and the monologue itself) here mirrors Jin's monologue. The narrative is basically throwing it in your face that Toga is copying Jin, even if unknowingly. Her entire 'sacrifice' is a parallel to Jin, who also decided to sacrifice himself for the people who accepted him (The League in Jin's case, Ochako in Himiko's case) because he didn't really care about himself anymore and didn't think rehabilitation was possible for him. She's not doing this because she accepted the 'healthy' concept of love, she's literally copying Jin's version of love - self-sacrifice.

Toga literally gives us an actual reason for why she's doing it: she doesn't believe (yet) that the world can change for the better and that the society would try to work with her instead of completely supressing her. She doesn't believe that she would have a future if she'd allow herself to be captured by heroes. This entire thought process is coming from the core ideology of the League of Villains. Not believing that the world can change and help them so the only thing left is to either destroy it or die is Tomura's ideology.

(Destruction is the main point. Destroying as much as they can and feel like before they're killed off or before they're left with nothing but ashes is the real purpose behind this entire war.)

And even when Toga speaks about the League creating an easier world for her to live in, the flashback shows them before MVA - alive and well. Twice is dead. Touya (as she thinks) is dead. Compress was captured. Currently, as far as Toga is aware - only Shigaraki (who isn't even Tomura anymore, the last time she saw him), Kurogiri and Spinner are left standing (and Spinner is actually currently laying on the hospital floor, dying). Ultimately, the League creating that world for her is an impossible, unachievable dream by now - and she knows it. It's not something that is going to happen. She gave up on that idea. She doesn't believe that she has a future if heroes capture her, and she doesn't believe that she has a future if the League 'wins' (and she knows they won't).

She believes that dying is the conclusion all of them are heading towards, the League came there prepared to die - that's why she chooses to save Ochako (the person who accepted her and made her happy) and kill herself instead of getting locked up or dying in some other way. Dying on her own terms, dying by saving the only person who actually accepted her (like Twice did) is the only way she can see herself going out happily now. There is no other option left in her mind.

And hey! There is actually another huge factor at play here, which I feel like some people forget for some reason? Toga thinks that Touya is dead. Moreso, Toga thinks that Touya killed himself. Dying on her own terms, killing herself while smiling?

She is following in his footsteps.

That's why she 'asked' Touya if he'd managed to smile/laugh before dying, because *that's* what Touya's entire speech about laughter was about. Dying while having a fucking blast, dying while doing whatever they want and laughing at the world, accepting the fact that they will die, but at least they'll cause as much harm and pain to the world that hurt them as possible before that. Himiko has decided to kill herself while doing what she wants (sacrificing herself to save a person who made her happy) with a smile on her face.

It's not love & justice that lead to self-destruction, it's self-depreciation and inability to believe that things can get better that do.

P.S. She’s not dead btw.

#I know that vaguing is not the best thing to do when you disagree with someone... #But since that person constantly vagues me and my friends I think this is completely justified in this case. #If they're reading this and think that it's targeted at them - yes‚ it is. #bnha #bnha spoilers #bnha meta #bnha 395 #toga himiko #uraraka ochako #bubaigawara jin #twice #todoroki touya #dabi #lov #league of villain

[carlyraejepsans]

for real WHERE does the idea that [utdr humans] are nongendered so that "you can project on them" come from. their literal character arcs are about NOT being a blank slate to be filled in by the audience

i think i understand the assumption on some level for undertale, because there is a very intentional effort to make you identify with the "player character" in order to make your choices feel like your own (the beating heart of undertale's metanarrative lies in giving you an alternative path to violence against its enemies after all, and whether you're still willing to persue it for your own selfish reasons. YOUR agency is crucial).

of course, the cardinal plot twist of the main ending sweeps the rug from under your feet on that in every way, and frisk's individuality becomes, in turn, a tool to further UT's OTHER main theme: completionism as a form of diegetic violence within the story. replaying the game would steal frisk's life and happy ending from them for our own perverse sentimentality, emotionally forcing our hand away from the reset button.

i think their neutrality absolutely aids in that immersion. but also, there's this weird attitude by (mostly) cis fans where it being functional within the story makes it... somehow "editable" and "up to the player" as well? which is gross and shows their ass on how they approach gender neutrality in general lol.

but also like. there's plenty of neutral, non PCharacters in undertale and deltarune. even when undertale was just an earthbound fangame and the player immersion metanarrative was completely absent, toby still described frisk as a "young, androgynous person". sometimes characters are just neutral by design. it's not that hard to understand lol.

anyone who makes this argument for kris deltarune is braindead. nothing else to say about it.

#this is a very difficult topic to discuss imo because on Some level I don't completely disagree with people who make that argument for chara #in SPIRIT. if not in action. like my point still stands characters can just Be neutral. and if that level of customization had been intended #well Pokemon's been doing the ''are you a boy or a girl'' shtick for ages. no reason why that couldn't have been included as well #but i do feel that we're supposed to identify with chara within the story. not as in chara is us but as in we are chara #and i think someone playing the game without outside interferences and (wrongly) coming to the conclusion that chara IS literally #themselves in the story. and thus call them by their own name (the one they likely inputted at the start) and pronouns #will be someone who grasped undertale's metanarrative more than someone who went in already spoiled on the NM route who thinks of chara #(and on some level frisk as well) as completely separate from us with independent wills and personhoods at any time #who treats them as nonbinary. even if their approach is more ''appropriate'' to a gender neutral person #systematic error vs manually changing every measure to fit what you already think is going to be the correct result. ykwim? #of course this opens a whole new parentheses while discussing the game outside of your personal experience #because even if you DO see chara as a self insert then they are a self insert for EVERYONE. women men genderqueer people #i don't call chara ''biscia'' even though that's what i named the fallen human in my playthrough. neither do i use they because i also do #if you're describing the character/story objectively in how they are executed then you're going to talk about them neutrally #because you ain't the only sunovabitch who played the darn game sonny #so like. either way you turn it. even in the most self insert reading you'd STILL logically use they/them so ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯ git gud #answered asks

[winterstorm032802]

#a lot of reddit says that stella is weird and gross #i completely disagree #tdp #the dragon prince #stella #stella tdp #the dragon prince stella

[gooboogy]

The problem is they both make sense.

John lacks any agency, and as his abilities start "failing" he loses more of what little he has. The only things he can do is perceive the world through Arthur's eyes and talk to him in his head. That's it. He has no material effect on the world around them. He is solely 100% reliant on Arthur for his continued existence and influence on the world. He can't ignore Arthur whatsoever (unlike Arthur who can ignore John easy peasy) he can't Do anything but talk and observe (and also experience the deaths of people Arthur touches but ultimately that does nothing). Of course he is going to be distrustful of other people and possessive over Arthur.

Arthur feels like suddenly he can't rely on this very reliable thing that has been keeping him alive this whole time. It would shake anyone up. Especially with the shit they have to deal with? If he can't rely on directions he will be sliced to ribbons or shot without a chance of fighting back. They may as well be dead already. And for all of John's lack of agency, it's Arthur who has to actually deal with the consequences. He's the one who's getting wounded and torn to bits and has to fight all that. Plus it's HIS body. If someone's existence relies on your body, you have the right to refuse, bodily autonomy is a human right.

The problem is they've gone through this cycle before (cycle of learning and forgetting and learning that they are One Unit and need to work Together vs The Problems and forgetting) but never has it shaken Arthur so much. Even when they've argued before he would still listen to John's directions. But now? Everything is in question (as is probably the intent behind John's "failing" abilities.) They DO need other people to help and they DO need to be careful and include John. They cannot truly trust someone else while keeping John a secret or without his input. Arthur has the most control over the situation and the onus is on him to make the compromises. Yeah it's his body but 1) countless times he promised to John that they were in this together and 2) at this point separating them would be so traumatic that they may as well be One.

All of this is to say, curious that Arthur is so willing to tell Oscar about literally everything EXCEPT John. What happens if he does? What if there's someone else to assert for John in a way Arthur can't ignore so easily? Would that legitimize the shared ownership of Arthur's body? What does it mean for John to gain agency by the loss of Arthur's autonomy?

#im being Bold today and not saving this in the draft #pls be nicey if you disagree #i have a lot of confusing thoughts and feelings about what bodily autonomy means when youve got a guy living in your head #that is somehow separate from yourself #malevolent #malevolent spoilers #goobabble #also to be clear I think Arthur is being complete major dickhead #i understand why he feels the way he does #or at least how i think hes feeling #and i think john would stab him if he could #slap him upside the head for being a dummy #i wouldnt blame him lol #i cant include all the intricacies of their dynamic so theres def things that may be missing here but you get it #also yeah i watched the fionna and cake finale lol #to be completely honest i dont think these guys even know what Trust is #they are all men of faith #posting before i can overthink myself into a spiral about this

[aqours]

i've shared my thoughts on this in dms with like 3 people so i wanted to put it on paper so i can always get it

so i think one of the biggest questions that goes around tcoaatl is regarding it's incest, asked in both good faith and by annoying antis: "so is the incest... actually like portrayed as bad? or is it just hot and fetishized and romanticized?" and y'know, i think the most genuinely HONEST answer regarding that is this: "it's both." (the later mostly romanticized)

the Graves siblings have a horrifically co-dependent relationship which even the steam page is very happy to make you remember, multiple characters acknowledge it, it's a fucking awful terrible thing and you can make decisions that acknowledge it and its obvious to anyone with two eyes and a brain capable of basic critical thought that realistically while you can do w/e you want in a fanfic in a canon sense there's no way gravecest cannot result in what will ultimately be a lifetime of suffering even if both parties don't want to admit it. you're condemning them both to a chance of ever finding real genuine happiness that can exist without the other

that being said? they're both conventionally attractive and the game doesn't really shy from making its physical intimacy look hot and it's clear that nemlei doesn't want that physical intimacy to be disgusting or something that will make you feel ashamed if you intentionally pursued

i feel like this is the aspect of tcoaal that is debated the most on all sides of the fandom and i just wanted to post my own two cents in that i think the answer is "its both." the extent of how co-dependent these two are is very clear that it's not good and that most likely in the final release the best outcome for these two will probably involve acknowledging it

but also if you were to approach nemlei and just told her "listen i just think it's hot i don't give a shit about any of that other stuff i just wanna ship them." i think nemlei herself would nod and respect your decision completely. probably feed you even more if anything

you're free to disagree with me, i just wanna state my own thoughts somewhere, so i think the answer is a very solid "it's both" when it comes to this. tcoaal portrays the incest as horribly psychologically damaging for these two but also at the same time it's obviously not gonna judge you for liking it and if you find it hot nemlei would never judge you for it i think

but i just cannot in any capacity really take the argument it's a hard one or another seriously. i think if tcoaal wanted gravecest to only be seen as bad and horrifying that nemlei would've made different decisions in writing it bc it's obvious she COULD have if she wanted to, but also it's not fair to say it just makes incest look hot and sexy when it does show how fucked up it's characters are because of it

so... just wanted to say yeah- i think it's both

#starposts #you are completely free to disagree with me i just want this written down #so i don't have to rewrite this 20 times bc i've already had to rewrite this like 3 times in private conversations #the coffin of andy and leyley #tcoaal #andrew graves #ashley graves #gravecest #coffincest #discourse cw #long post #nemlei #also its to my understanding nemlei uses she/her if i'm incorrect please let me know and i'll edit this asap

[luimagines]

IT IS I! THE WIZARD!

I wanna write a story, but it would be weird to write so here it is:

(Warning: swearing)

A reader who can speak to the dead, can see spirits. They chat often with the villains because they hang around them often, and often ask the reader to tell the Links messages.

The reader collects cursed items, having the strange ability to quell the corrupting powers (for example, they can use Majora's Mask with no negative effect). So they have like cursed knives, Majora, a few shards of the mirror of twilight glued together (I know it's impossible but let me dreeeeaaam-), that kind of stuff.

So like, something like this would happen:

»»————-　★　————-««

Reader walks up to Four, listening to thr whispers of their spirit friend, Vaati. He had asked to give a message to Link, 'The short one that looks like a f*cked up kinstone', and Reader was too kind to say no. They always knew that spirits that lingered often suffered in pain. Maybe it would help Vaati pass on?

"Hey, Four." Reader said, and Four turned.

"Oh, hello, Reader. Do you need something?"

"I have a message for you." They said, eyes glowing a dim blue, like a luminous stone. "Vaati said 'You're a loser, no maidens?'"

Four passed, a mix of confusion and horror on his face. "I'm sorry, WHO told me WHAT?!"

»»————-　★　————-««

Reader held Majora in their hands, staring into the great yellow eyes, invested in its whispers. A cough pulled them out of their trance, and Time sat next to it, giving a caughtous glance at the mask. "You seem enamored with that thing."

"I do. . . don't i?" Reader said wistfully. They sighed. "Do you know what it's like. . . seeing the dead? Hearing their woes and being able to do. . . anything? It's painful, watching them suffer."

"Why do you keep it, of you know it's story?" Time asked, frowning. Reader sighed, running a hand on their head.

"You probably wouldn't understand." They explained. "Spirits are more complex than a dungeon clever could be. . . this one has taken a liking to me. . . or. . at least is trying to control me."

Time stiffened. "I've worn it, Majora. He always throws a fit when I do because he cannot invade my mind." Reader explained, turning back to Time and pointing at the marks under their eyes. "These marks are like the ones you have. Proof of my power over it."

Time huffed and Reader suddenly snapped their head back to the mask, eyes glowing blue. Time watched them nod to it, and slowly turn back to Time, eyes still glowing creepily as they slowly asked "He wants to know if you've become a mask salesman too. . ."

»»————-　★　————-««

"You've lost someone important to you. . . haven't you?" Reader asked Legend on night. He was on watch duty, and the others were asleep. He glared at Reader.

"What?" Legend asked, sounding offended.

"I don't mean to insult!" Reader said quickly. "It's just. . ." Their eyes turned blue, as they looked next to him. The familiar humming of a tune oh so forgien yet familiar to their ears clwas heard only by them, sung by the spirit next to Legend in the pretty blue dress and red hair. "I can see her. . . Was she close to you?"

Legend froze. "What the hell are you talking about? Is this some kind of sick joke?!"

Sensing and watching him grow angry, Reader gave a sympathetic smile. "She likes to hum a pretty tune, you know. as if she is trying tell you it's okay. She can't speak, sadly."

He continued to glare, about combust until they began to him the tune. That tune which he missed of so dearly. The tune he'd trade EVERYTHING he own To be around again.

Reader continued to hum the tune, closing their eyes and doing their best to match the woman's tune when she felt Legend shaking next to them. They stopped and opened their eyes to see him shaking, head in his hands.

"D-dont stop" He said, his voice breaking and shaking. Reader nodded and continued, and his shaking voice started to sing the lyrics softly, leaning into Reader. They wrapped their arms around them, providing some warmth, to comfort the tired, broken, hero, that the lady in blue could not anymore. . .

»»————-　★　————-««

Either blunt as a dull butter knife or extremely creepy, or comforting. No inbetween. They've got three looks. And That's IT.

Thats all. Thanks for comeing to my Ted talk

I mean.... this could be a pretty decent story if you chose to write it out.

Thank you for sending this in.

This would be like... every Link's worst nightmare. The idea that the people who taunted them and nearly destroyed everything they held dear is still dissing them from the beyond? Horrendous.

They will never be free.

#pinky replies #anon stories #to be completely honest #from a philosophical stand point #I have to disagree with Reader #If ghosts are people stuck in their ways from before they died #then the person who was alive is more complicated than their ghost #and the villains- while alive- chose to do bad #I can't bring myself to feel sorry for them #because they made their choice when they had the chance to change #and you know #not suck #even if it this is fictional and I'm probably taking this too seriously #it just rubbed me the wrong way #probably not the take away you wanted me to get from this #but now I'm here ^.^*

[itsbrucey]

A little Darryl exploration before bedtime ( should’ve been asleep hours ago)

I might mess with this more but I wanted to like…. Rip some way I imagined him out of my head bc then I can See Him Better?? Also symmetry busts are sooooooo easy and so fun.

#darryl wilson #yeah I’ll tag it. Darryl Wilson fans please interact #dndads #the Forgotten Realms side would probably… be some months into it #He gets eyelashes bc he’s handsome btw. die if you disagree. #DARRYL WILSON FRECKLE TRUTHER BTWWWWWWW #if I complete this page I’ll post it to main but I love my side blog too much.

[robotsandramblings]

it's also so interesting to me to see reddit vs tumblr takes on Bad Batch stuff

so while 95% of us here on tumblr are certain that Clone "X-2" is Tech, it's the opposite on TBB reddit episode discussions

i'd say about 85% of them are certain it's Cody, and another 10% think it's a clone of Crosshair.

it's just... so interesting to see the differing (and strongly held) views of different fans 😏🤓

((and when i say "certain," i mean both parties are like really, it's-SO-obviously-him, certain about it lol. reddit is just as strongly convinced it's Cody as tumblr is with Tech!)

#tech #commander cody #the bad batch #i know many of y'all are immediately going to say ''well it's obviously NOT cody..of course it's tech!!'' and #they're saying the exact opposite on reddit lol #some ppl were like ''i think it's tech'' and everyone's like ''it's obviously NOT tech..of course it's cody?!!'' hgfdfghjkl #i was surprised is all because the tech is clone x-2 sentiment is SO strong and popular here on tumblr #personally i highly highly doubt it's cody..just for the mere fact that i highly doubt he got caught after going AWOL #i also completely disagree that it's a crosshair clone but it's an intriguing thought #P.S. yes on both platforms i'd say there's 5% ''other'' #who aren't sure or think it's another familiar clone or think it's a nobody #bad batch spoilers #star wars #anyone seeing any popular theories on twitter? instagram? youtube? who are they voting for? lol

[prisoner-000]

milgram is about moral dilemmas..... every character has done something wrong in their lives none of them are perfect even ur favorite characters... the project was written to make every character's situation a little morally grey... u dont need to erase a characters flaws to deem them forgivable/just like them in general

#prisoner's ramblings #milgram #yes even my favs have done things wrong. i like to jokingmy say they havent but they HAVE this is what i LIKE ABOUT MILGRAM!!!! #all of them r wrong about something. debates Should happen because people fundementally disagree with some of the stuff in the story #this is what its all aboutttt grahhhhh #kotoko isnt completely evil and heartless she is flawed she has sympathetic traits but shes not entirely forgivable eitherrrr listen to meee