There were days
And there were days
And there were days I know
When all we ever wanted
Was to learn and love and grow
Once we grew into our shoes
We told them where to go
Walked halfway around the world
On promise of the glow
Walked upon a mountain top
Walked barefoot in the snow
Gave the best we had to give
How much we'll never know we'll never know
August 1, 1942 - August 9, 1995
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hey! for todays protest, i made this little zine about palestine (holding just simple and basic information).
you can download the zine here, fold it yourself, and distribute it around.
no credit is needed. feel free to leave it around bars, protests, or wherever. simply print it (borderless) and fold it. here is a tutorial on how to do it.
dont stay silent. there is a genocide of horrendous, atrocious proportions going on. also if you are a zionist here to argue with me, i dont plan to entertain you at all, not on my art blog. fuck off, you'll be swiftly blocked. i see enough of you clowns on my main and i have no energy for you. you can skip the death threats too bc i dont give a shit.
(i'm off to get ready for a surgery now, i just wanted to post it before this. if you need anything, i might take a bit to reply)
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Tell me why I’m just realizing the fact that ima be going back home (Mexico) in December and gonna have to see family members and tell ‘em im a single pringle…again - most likely for good because dating is a fucking joke man 🙃 - but most of all cuz that one was supposed to be it. Ah I hate it here. AND DURING THE “ROMANTIC” MONTHS BITCH PLEASE.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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sleeping habits
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what makes us any different?
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Batman: and this is my precious son
Red Hood: FUCK you
Batman: he bites sometimes but we still love him
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my brain is saying 141 with a reader that sees dead people. like they notice how respectful she is to the dead. when she kills she moves the bodies, sometimes says a small prayer to herself. they see her looking at things that aren’t there. “Did you see that? Never mind.” or she mentions she feels something weird in the air, or something wrong. talks to the team about the sleep paralysis she gets, always leaving out the grayish dark figure that accompanies her on those nights.
She’s never told anyone until she got drunk enough to were she’s literally laughing saying
“oh yea i see dead people.” And the guys obv think she’s joking and egg her on about said dead people she sees.
but then she tells them about the entities that follow them, the people they’ve killed, always following them around. some are very angry, she feels their malicious intentions. ends up describing them in grave detail, they way they looked, what they wore, the last words they spoke before her teammates pulled the trigger. Something that only THEY would know.
“oh man, let me tell you about Gilbert my sleep paralysis demon. I swear he’s been visiting me more and more recently.”
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they would destroy the competition at a Halloween party
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guys please consider policeman gojo—he sits in a parking lot he knows you'll drive by when he's off duty/on break and just waits until your car drives past him. he recognizes it immediately—and then the sirens go off, and a cop car is tailing you, and you sigh and pull over as you think to yourself here we go again. it's the most annoyingly irritating white-haired man to EVER exist strolling up to your car, grinning at you as you say "can i help you officer?"
and he sighs dramatically and says, "i"m afraid i'm gonna have to charge you with theft," as you roll your eyes.
you just indulge him as you dryly ask, "and what did i steal?"
"well," he starts, just barely containing his giggles, "you've stolen my heart."
you look at him wholly unimpressed—but then the corners of your lips tug into a smile against your will before you shake your head and snort, muttering a quiet, "come here, you idiot," before letting him bend down and kiss you sweetly.
he grins and winks as he says, "next time i'll have'ta handcuff you, y'know," before he pecks your lips one more time and murmurs, "see you at home."
it'll happen again tomorrow. and the day after that. and the next day after that—but you just keep stealing his heart, and he just keeps letting you get away with it.
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Prim's name wasn't the only one in the reaping bowl because the entire point of Prim being chosen is to show that life in Panem is random and cruel. These kids truly are selected and die for nothing, based on nothing, most of the time. There is often no grand cosmic plan or 4D chess conspiracy at play in awful circumstances unfolding, just systems of oppression working as they were designed. And you can do everything right to the letter - be the youngest eligible tribute from an unknown family whose name is only in the bowl once, not take out any tesserae - but it still won't save you.
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DpxDc AU: Tim as a child was never given a lot of information regarding the scribbling messy handwriting that appeared over night all over his arms- naturally he came to his own conclusions.
Tim Drake was home entirely alone at 9 years old and was about to go out for the night to test his brand new long exposure camera lens when he sees the writing on his arm. It’s not English, like he assumed it was at first, but it was using the alphabet to represent… Tim isn’t bad at math but this formula is complex for his little genius brain.
Looking at his camera, he decides he can spare a moment to look it up, solve it, and get back out into old town Gotham in time for Batman and Robin’s final patrol lap. He does just that, finding the problem to relate to some aerospace engineering and then quickly deduces what laws and theorems need to be applied. He finds a pen, writes down his findings in much neater handwriting onto his arm, and goes out. It’s barely a remarkable night at all. He gets a much more memorable photo of Robin roundhouse kicking a hench person.
Things just continued on that way. Tim would find some complex math, physics or chemistry prompt on his arm (surrounded by various question marks or notes or sad faces)- he’d answer it as best he could and move on with his life. Perhaps his parents were manifesting these pop quizzes? Perhaps his subconscious felt guilty about abandoning his studies for more Bat related pursuits? Tim really didn’t care to think much about it once he became Robin- there was too much on his plate and too many peoples problems for him to fix.
Notably, however, after the attack at the Tower, the pop quiz appeared and Tim wrote back that he wouldn’t be able to find an answer to this one. It was the only time Tim questioned the markings appearance and it was because the next thing that appeared was “Hope you feel better soon.”
… his parents wouldn’t include that on a pop quiz. Cursed then. Tim decided it must be a curse, whatever, he’d deal with the implications later in life.
Tim then has the worst year of his life, hes 15, no longer Robin and the questions from his curse are getting less math oriented and more… philosophical. A lot of mentions of death that, in hindsight helped him actually grieve, and a lot of theories about dark matter and souls. Tim answers back as best he can but he’s drained and his answers aren’t very good in his opinion. He gets minimal feedback.
It all comes to a point that he’s at a family dinner, Bruce is at the head of the table, Jason has promised just to stay for dessert, Damian hasn’t thrown a single insult his way and Steph was laughing at him- when a new theoretical model appears on his arm.
“You’re just as bad as Bruce, Timberly. Hiding a soulmate from all of us, how fucking typical.” Jason points out, while watching Tim scribble back some math with a question mark onto his arm.
“A what? No, this is just a curse. I get pop quizzes every now and then.” Tim bats away Steph who rapidly approaches and began to analyze his arm (the rest of the family isn’t far behind).
“Drake. Explain how you came to this conclusion.” Damian seems more curious than anything, if his lack of insults was anything to go off of.
“Since I was young I’ve had at least weekly math check ins, I never had a parent or anyone else around so I assumed my parents had me cursed to ensure I stayed on top of my studies. Sometimes it’s physics or chemistry, for a while there it was a ton of philosophy and behavioral psychology.” He shrugs his shoulders.
“Master Tim, I believe the lack of adults in your life has led you towards a false conclusion. That is most certainly a soulmate mark. The individual to whom you are responding is undoubtedly your other half.” Alfred attempts to calm the room before explaining to Tim. Tim isnt sure if he believes the butler, though Alfred only very rarely lied, so he grabs the pen once more. He writes his first question back: “Who am I to you?”
The room waits in anticipation and within moments a brand new line appears on Tim’s arm and he is vindicated: “We do math together???”
——
The reason Danny is failing English is because his built in homework helper sucks ass at metaphors and has apparently never read any classic literature. The tutor on his arm is great at puzzles and math tho.
Danny gets a reply back one night that he wasn’t expecting (Who am I to you?) and he mentions it to Jazz. Who goes insane that Danny didn’t even question it and just went with “meh, probably haunted” as his explanation for the phenomenon for all these years.
Apparently, if Jazz was right, he had a soulmate who was uh, super fucking smart. That was an overwhelming thought.
The next day Danny is in crisis mode and writes back “Wait, WHAT AM I TO YOU??? Can I help on your homework??”
Danny gets vindicated when the writing on his arm presents a shit ton of dates and information for an unsolved Gotham cold case. See, Haunted.
———
Eventually between Danny becoming the top candidate for astrophysics at Wayne Enterprises and Tim Drake being outed as having contributed tips to the GCPD that solved cold cases- they meet and realize just how dumb they’ve been.
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late to the party but barbie meme ft. arthur and sadie
plus bonus sadie doodles 🤲 :
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