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#also i've given the artist a big follow
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Red Hot Chili Peppers - Otherside 1999
"Otherside" was released as the third single from Red Hot Chili Peppers' seventh studio album, Californication, and confronts the battles addicts have with their prior addictions. "Otherside" refers to former band member Hillel Slovak, who died of a heroin overdose in 1988. The track was released in Australia and New Zealand in 1999 and was given an international release in January of the following year.
It was highly successful, peaking at number 14 on the US Billboard Hot 100, and number one on the Billboard Alternative Songs chart, where it remained at number one for 13 consecutive weeks, one of the longest runs at the top of that chart. It was also a big success in Iceland, where it became the second single from the album to reach number one, and in New Zealand, where it charted at number five.
The gorgeous video was directed by Jonathan Dayton and Valerie Faris in a black-and-white/monochrome Gothic style similar to Robert Wiene's The Cabinet of Dr. Caligari, all influenced by German Expressionist art. Elements of Cubism and work by the graphic artist M. C. Escher are also seen in the video.
"Otherside" received a total of 76,3% yes votes!
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motziedapul · 23 days
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If you don't mind my sharing my own, probably less spicy POC rep in audio drama take: the AD community's tendency toward celebration of "representation" within the medium as if this rep applies to anything substancially besides queer characters is exausting. Sure, queer rep is important but so often reading "there's rep for everything!" and the cast is like, 95% white? Or, bafflingly, people claiming diversity for something that is entirely fanon? Mmh.
Hi anon!
My take is just about as spicy, honestly.
There's a tendency to value "racially ambiguous" characters played entirely by White actors over actual BIPOC characters
(usually with BIPOC actors, though I'm not as strict about this since I don't mind White actors playing BIPOC characters so long as BIPOC voice actors can play White characters and no BIPOC actors lose voice acting opportunities. And as long as more attention is given to BIPOC creators than we're getting currently).
It sometimes feels as though BIPOC (Black, Indigenous, People Of Colour) characters and creators are overlooked in favour of characters who are ostensibly White but drawn by fandom as BIPOC.
I've seen a lot of support in the community from fellow audio drama people; I've felt uplifted by my fellow creators who are White, and I always appreciate and value that. And obviously some shows are just well made and part of their success is based on other factors.
But as someone who's also aware of audio drama fandom, it's easy to see how much favour is given to White Characters drawn as BIPOC in comparison to characters who are BIPOC in text, and I'm not sure why.
That's my spicy opinion. I follow a few BIPOC creators but I can only name two that have an amount of success comparable to White audio drama creators (Gabriel Urbina of W359 fame and Octavia Bray of Atypical Artists), but my knowledge is limited.
And that's not even getting into female led audio drama, but I do love the success of creators such as Lauren Shippen in the space.
I'm not here to yuck anyone's yum or blame anyone for this phenomenon, but I do think it's worth thinking about. Why I see 50 brown Jonny Simses for every canonically brown Samama Khalid. Maybe it's all a coincidence based on other factors. Maybe White characters invite more imagination in their depiction or something.
I don't mind BIPOC depictions of ostensibly White or "racially ambiguous" characters, but I'm not a big fan of if they outnumber depictions of canon BIPOC characters. I just think the latter deserve more love.
I'm no expert. Also I'm mostly in the horror space, apart from my love of Life With Leoh (a sci fi romcom). My knowledge is very limited so if anyone would like to contradict me, I welcome it (especially if it means discovering more BIPOC led shows).
I don't want this to just be about complaining, so please feel free to shout out some fantastic BIPOC led audio drama (either created by or with a majority BIPOC cast) or even share some art you've done of characters from them and I'll happily share them.
My favorites are Wolf 359 (by Gabriel Urbina) and Life with Leoh (by Octavia Bray)!
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tennessoui · 3 months
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so i've been thinking about this premise for so long but it wasn't working for obikin (which of course i took as a challenge) and i think i finally got it where i want it so
au where 35 yo obi-wan is a music sensation across the world but he's recently divorced and going on tour again after releasing a very cutting, personal, and well-received album
and 19 yo anakin joins his tour with his very small band of two other people (ahsoka, padmé) to be his opening act - they have a small but loyal following, a pretty big social media presence, and there are even people who ship anakin and padmé which you know means these are die-hard fans
anakin has definitely looked up to obi-wan and his music for a good portion of his life and he's like. beyond excited that he's going to tour with The Obi-Wan Kenobi - this is big, not just for his music career but also for himself and the little boy he was listening to obi-wan's music for the first time!!
i'm just imagining like....obi-wan and anakin meeting after a few days of rehearsal for opening night, and it's not the most auspicious start because obi-wan's going through like 20 different emotions at any given moment (he's on tour, he's divorced, he's tired, he loves the music, he can't be the person he was in his twenties when he was first on tour but that's a whole different matter, he has all the media training and charismatic instinct to cover up these less than savory emotions with flirtatious empty words) and anakin is just like. sorta starstruck sorta shy sorta eager sorta awkward so:
"i'm uh, i'm a singer it's nice to meet you. hi yeah. hello. i'm on tour. as well. with you. actually." "ah no, are you one of my backing vocal artists? we can't have that - you're much too gorgeous and my ego is much too dependent on the audience focusing on me." "um 😳"
so it's a relationship that begins with a lot of flirting and being flustered and progresses through moments of vulnerability and honest emotion which turns into mutual affection which turns into anakin's celebrity crush becoming very real....meanwhile obi-wan googled anakin and the opening band after the first show/introduction and finds all the stuff about him and padmé being together and that's. that's fine. young love. how sweet. any sort of disappointment obi-wan feels is because he's recently divorced and bitter about it and he's going to have to spend at least half his tour watching the lovebirds snuggling up together.
and even when all the misunderstandings about relationship statuses have been addressed and the pretense has fallen away to leave just attraction, both have to think about their careers - it's all well and good for obi-wan to date someone sixteen years his junior, post divorce, but that's an image he's never wanted to deal with or be associated with. and this is the biggest shot of anakin's career - his best chance to make it in the music industry. in the words of his bandmate, is he really, honestly thinking about risking it for a chance to sleep with The Obi-Wan Kenobi?
but what his bandmate doesn't seem to really understand is that for anakin, obi-wan hasn't been The Obi-Wan Kenobi in a long time. he's just been obi-wan. and that makes a world of difference.
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littlemisssquiggles · 11 days
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The Missed Potential of WISH
It’s funny.
Last year, I really wanted to watch the new Wish animated film from Disney.
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While everyone else were hating on the art and animation style, I actually kind of liked it and was genuinely looking forward to possibly viewing it on the big screen.
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Then the reviews came in. Needless to say, I didn’t watch Wish.
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I remember a time when people used to complain about Disney making “too many love stories”. Then Disney stopped making love stories leading to films like Moana, Coco, Encanto and even Turning Red, which weren't bad.
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Following the failure of Wish, the biggest complaint I’ve heard for that film is that “it probably would’ve been more successful if it were a love story”.
The last romance Disney had we’re the protagonist was a “black girl” was Tiana from The Princess and the Frog which was technically their last 2D animated feature film.
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And don’t get me wrong, til this day, The Princess and the Frog still tracks. Second to Tangled, I still very much love TPATF and it's one of Disney's classics that definitely have the rewatchability.
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That being said, Wish is the first Disney film I've seen where the missed potential of what its story was originally supposed to be (herego a love story between a human girl and shape-shifting star boy) versus what we actually got is more popular.
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Aww Disney, what were you thinking?! How could you think a film where the main character, who is a PoC, the first "black girl" (well technically I think Asha is meant to be mixed) female lead/love interest that you've had since Tiana in The Princess and the Frog in 14 YEARS where she is actually human for all of the movie and gets to share a love story with a handsome "star boy" who can literally make all of her dreams come and think that that's NOT gonna make you money!
I haven't even watched Wish yet I've seen more artwork and fan-made animatics of Asha and Star Boy than anything from the actual film.
At this point, Disney should just take all of the original ideas they left on the chopping block for Wish and revise them into a future title which is an actual love story they could market from.
Or…as an audience, we can just wait for one of their competitors, like Dreamworks to smell the blood in the water like the sharks they are and capitalize on Disney’s latest flop by taking the ideas they didn’t use and coming up with something that could potentially usurp the popularity of Wish’s failure.
In the case of Dreamworks, they don’t even need to make a new star boy since, technically, they already have potential “star boy” they can use.
Remember Rise of the Guardians?
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Hahaaaaa OF COURSE you do, since it gave us the original immortal boy internet heart throb (also ironically voiced by Chris Pine who played King Magnifico in Wish) ---Jack Frost.
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I find it hilarious that another reason why folks are hating on Wish so much is because Disney could've given us another potential immortal boy heart throb "Star Boy" to finally usurp the chokehold that Jack Frost has had on our generation of weebs and artists for the past 12 years since RoTG first dropped.
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We could've had it all.
But as I mentioned Rise of the Guardians, did you know that there is character in the original series it was based off of called Nightlight?
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While technically not a “star boy”, Nightlight is the closest thing to one in an already established universe from a Dreamworks property and since this squiggle meister never misses a beat to push for continuation of Rise of Guardians, hear me out:
Imagine a Rise of the Guardian prequel-sequel about the character Nightlight and make it a love story.
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(Because apparently there's a girl that Nightlight grows close to in his story called Katherine. It's just a friendship but needless to say, there is potential there).
I know it’s been 12 years since Rise of Guardians first dropped and I know I've be hollering for a sequel since 2012.
But c'mon, if there was ever a time for Dreamworks to capitalize on an RoTG sequel, it's now.
As Wish has proven, the internet is hungry for another handsome immortal boy with magical powers.
Dreamworks set the ball rolling with Jack Frost.
If Dreamworks were to revisit RoTG again, take Nightlight's story. Take his design and give him the "Jack Frost" treatment and make it a love story on top of that.
I'm not saying it will happen. Not even saying it could happen.
But if somehow thought becomes reality and something like this does actually happen, whoever does it will be rolling in dough.
This is just a longwinded way of me to say that somebody needs to bank on the concept of a star falling in love with a human and do it now since as the internet has shown, it's what the people want and what Wish failed to give.
~LMS (2024)
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genericpuff · 29 days
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Big steps are scary, but not moving forward is scarier u.u
So I've been sitting on this post for a little while now, I had planned to post it a few days ago but then I crashed for a nap and woke up to the news of LO ending so wound up using that as another excuse LOL
The last few months have been, to put it lightly, brutal. It's not that anything has happened, it's more like nothing is happening - the usual slow season in tattooing has been especially long, with especially less clients coming through the door, so while it's given me loads of free time to prepare for my conventions and work on other projects, it also means I'm not making as much as I'd usually make. And what I usually make is typically what supports everything I do here.
This has basically been me for the last half a year:
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(riding it out, just riiiding it out, whoof)
I'm very fortunate to have a job that satisfies my dream of making a living off art, controlling my own schedule, and making money doing it to boot - but the caveat to it all is that it's a luxury service that relies on the economy around me doing well, and the economy around me right now is very much NOT doing well. I'm also very fortunate that my savings are capable of supporting me, but that's all they are, savings - if I'm not making anything, they'll burn up eventually. I'm not sure how physically capable I would be of going back into retail / food service, and it's honestly just not something I want to do after coming this far as a tattoo artist.
I've also learned how valuable and necessary collaboration is during projects like these. Not just to supplement the quality of the work itself, but to supplement the working experience as a whole. Working with an assistant has been an eye-opening experience in that regard.
When I set out to make this account, it was for the purpose of LO shitposting, edits, essays, and nothing much more than that. I wanted to keep it separate for the sake of my mental health and for the sake of my separate audiences, because when I started here, it just... wasn't a popular opinion in the slightest to have opinions about LO and comics like it outside of the positive norm. I had a lot of fear for a long time built up in my head over it, but as time has gone on, I've fortunately had mostly positive experiences and even when they aren't positive... I've proven to myself that I'm capable of moving forward through it all with my head held high and that these scary experiences aren't as scary as they tend to seem in my head. That's really just the funny thing about fear over any sort of 'risky' endeavor.
That said, I've also branched out a lot more from this blog's original purpose. I've talked about the process of making webcomics, Webtoons as a platform, offered alternatives to creators seeking refuge from the more corporate platforms, given out writing and art advice, discussed topics concerning Greek myth, shared my own original works, and basically just naturally progressed into talking about and doing other things because LO will end eventually and I don't want to restrict myself to talking about the same comic forever LOL
This is a crossroads that I've been at for a few months now. And I know nothing will change unless I take a step forward. It might wind up not being in the right direction in the end, but it's forward, and that's all that really matters to me, because staying in the same place forever isn't good for anyone.
So, I guess I'm gonna stop yapping and just show y'all what I've been working on! I brought this up in a Twitch stream the other day and people in the chat were all very supportive and optimistic, so I'm hoping those of you who follow me here will be too ╭( ・ㅂ・)و (and if not, well, you can kick my ass in my inbox later LOL)
I've applied for my genericpuff account on Twitch to become an Affiliate channel and am just waiting on the approval process. Assuming everything goes through well enough, y'all will be able to subscribe to my channel or support it with bits. If I do get approved I'll be doing a rehaul of the channel design and offering some fun lil' goodies for the chat, and I'll be trying to stream at least twice a week.
So please go follow my Twitch account if you haven't yet! It's the best way to get early sneak peeks of Rekindled, as I'm usually working on new episodes, but we're usually also chatting about LO, webtoons related stuff, and other fun topics ٩(。•ω•。)و
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But now for the biggest new addition - I've started a Patreon account specifically for my genericpuff stuff ! Normally I would redirect anyone who asked to my main Patreon, but it's not as active nowadays simply due to my original projects being on hiatus. And it's not exactly the best space to share any bonus goodies related to my genericpuff account.
That said, I want to make it clear that I will still be putting limitations on what I offer on this page. Anything related to early access sneak peeks will still be free for all. This will be a glorified tip jar first and foremost, most of what I will be offering as bonus goodies and incentives will be stuff like time lapses of pages, art tutorials, original character designs, critique requests, early access adoptables, deleted scenes, etc.
Basically it'll be stuff that I'm already making (or want to make) but will be exclusive to patrons that won't be tied exclusively to the reading experience of Rekindled. The comic will always be free to read, not just because of the legal stipulations of it being a fan project, but because I want it to be.
Alternatively, if you want to access the stuff I have planned for my original work that I will be posting as early access to my Patreon once it rolls out, you can support that Patreon here!
From the bottom of my heart, thank you all so much for supporting what I do here, in all of its niche craziness. Building this little community over the past year has been life-changing, and I don't say that lightly. I've worked very hard to maintain what I'm doing here, and I'm going to continue doing so - it's a privilege to write and draw for you all week after week, and I appreciate any and all support you can give so I can keep managing what I do.
And if you can't, that's okay! The best way you can support my work is to read it, share it, and engage with it! Remember that reblogs will always be more beneficial than likes, and please don't ever be afraid to pop in to our streams or into our Discord to say hello! It would be a joy to have you ( ´ ∀ `)ノ~ ♡
Thank you all so much. This has been a big barrier to overcome on a mental level, my anxiety is through the ROOF right now, but I'm so grateful and glad I have such a wonderful circle of readers, community members, and friends who have offered their reassurance through this slow season and process of seeking support. Whether or not this is a step in the right direction, it's at least forward <3 And whatever comes of it, we'll see. But I'll be riding it out all the same ~
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ahgasegotarmy116 · 7 months
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Semantic Error | A Jeon Jungkook Series | Chapter 3
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Based off of Semantic Error (bl) by J Soori Summary: y/n meets Jimin and makes Jungkook jealous Pairing: Techie inexperienced fem!reader x Artist fuck boy Jungkook Word count: 2.7k~ Warnings: Explicit language, Idk that's pretty much it for this chapter. A/N: This is heavily based off of the original bl (boy love) Semantic Error and it covers chapters (episodes) 4,5 and 29. I've switched around the timeline quite a bit and got rid of some scenes here and there to make the story progress a bit faster so they're not exactly alike but I would like to stick close to the original story so let me know what you think! P.s. If you don't mind spoilers I would highly suggest reading the original story. I read it on the app Manta with the english adaptation being done by Angy and you can also find the Kdrama on Viki :) Read from the beginning
The next day as I'm walking to the cafeteria I see a guy fall dropping some books and papers all over the floor. I decide to walk past because honestly it's not my problem but unfortunately once I'm in his line of sight he decides to call out to me. "Hey sorry do you think you could help me pick this stuff up? I shouldn't have tried to balance all of it on top of each other" he says clearly regretting his actions. I start picking things up quietly, not making an effort to make conversation and once we're finished I decide to turn and go. 
"Wait! What's your name?" he asks preventing me from leaving. "y/n" I state and wait for him to continue on with whatever he had planned to say. "Well y/n would you mind helping me carry this stuff over to the music building? I'm just worried I might drop it all again" he says taking all of the heavy books and hoping that I'll pick up the folders full of sheet music. I stand there for a second trying to calculate the time it would take me to help him out and if I can fit it into my schedule. 
"If you help me, I'll buy you lunch" he says with a bright almost perfect smile aside from his cooked front tooth. Thinking about it now with that incentive clearly tips the scale, providing him with a favorable result. I wordlessly pick up the things he couldn't manage to carry and wait for him to lead the way. "You don't talk much do you?" he chuckles giving me a sideways glance. "Not unless it's necessary" I say and continue to follow hoping I'll get this over with so I can get back on schedule.
"So...what's your major?" he says obviously trying to maintain a conversation with me. "Computer Engineering" I answer giving his as short of answers as possible. I'm not one for casual conversation, let alone conversation at all. Like I said, only when necessary. "I'm Jimin by the way, and if you couldn't guess already my major is music. Well, music and dance but my course load this semester is very music centric" I nod my head and he decides to keep rambling which seems to be something he's used to doing.
From the casual glances we're getting it seems like he's pretty well known in this department. "Hey Jimin you down to go grab some lunch in a sec?" a guy in a big group of people yells out. "Nah that's okay, I promised to buy y/n lunch for helping me out" he says motioning to me as best as he can with his hands full. "Oh...okay well have fun" the guy says and goes back to one of the many conversations going on over there. 
I turn my head and look back up at Jimin confused, "You could've just given me enough for the cafeteria and have gone with them" I say hoping to brush him off and go back to my solitude. "I'm not gonna buy you food from the cafeteria silly, let's go somewhere! There's a cool pizza place right outside of campus that I've been wanting to check out. You wanna go?" he asks asks and nods towards the classroom that we're meant to leave these things at. "I guess" I shrug not really caring at this point. Since my class doesn't start for another two hours I guess I could afford to go off campus to eat for a change, especially since it's free. 
As we make our way into the pizza place (creatively named Pizza Planet) we're greeted by a pretty big crowd but luckily we're able to find a table near the entrance right away. "Welcome in" someone yells letting us know they saw us come in and they'll be with us in a moment. "This place is pretty cool huh? He says referring to the theme that seems to be trendy these days. "Spaceships, nice" I say barely looking up while scanning the QR code to get the menu.
"Have you never watched the movie Toy Story?" he says, surprised that I don't have a better reaction to it. "No I'm not big on American movies or whatever. My family really only showed us media that was Korean or Japanese" I say hoping to show that I'm not interested on elaborating on the topic any further and luckily before he can say anything again our server comes to our table. 
"Welcome to Pizza Planet guys, what can I get you?" he says with a bright smile until his glance falls on me. For some reason his expression changes to that of annoyance and I'm slightly confused but not enough to comment on it. "Do you know what you want y/n?" Jimin asks me and I take a quick glance over the menu and settle on the most expensive item. It's a free meal so might as well milk it for all it's worth.
Jimin places his order and the server looks back down at me and asks if we wanted anything else to which Jimin denies. "You guys do student discounts though right?" he asks holding out his card and the server takes his eyes off of me to inspect his student ID and confirms his suspicions. 
Once he hands him back his student ID the server's gaze for some reason falls back on me. "Do you need to see my ID too?" I question suddenly weirded out by his glaring. "No" he says full of spite, pushing up the bridge of his glasses. "Okay well then you can go now, don't you have other people to serve?" I say shooing him off, to which he looks down at me with utter confusion and opts to just turn away to go put in our order instead of making an further discussion. 
"Are you okay?" Jimin asks, clearly aware of the weird tension between the server and I. "Yeah I'm fine, he was just acting really weird" I say and shake it off for the time being. "Do you know him?" he asks tilting his head at me. "Why would I know a random guy in a pizza place?" I say confused as to how this all connects in his head. "Well because he goes to school with us, I believe his name is Jungkook, I had a class with him last semester and he seemed like a cool guy or so I thought. Are you guys okay?" he asks clearly concerned, seeing my face contort into an uncomfortable realization when I finally put the pieces together. 
I guess I didn't recognize him because he was dressed so differently while sporting a hat and glasses. Looks like he clearly recognized me though, and he definitely wasn't happy to see me. I watch as Jungkook makes his way out of the shop as another server comes to relieve him. "Would you mind it if I went outside to go talk to him for a second?" I ask already standing up not really caring to wait for his permission. "Oh um yeah okay, I guess I'll just stay here" he says awkwardly while watching me walk out before I'm finally out of his view. 
Looking around I notice that there's a small alleyway between this pizza place and the next building over and I can see a puff of smoke coming out of it as well as hear someone's voice sounding like some sort of argument. I walk over and thankfully it's the exact person I've been looking for. "Hey can you get off the phone?" I say and he looks up glaring at me and he stops leaves a pause in the conversation happening before he tells the person on the phone that he has to go. "What do you want?" he says before taking a drag off of his cigarette. 
"We need to talk" I say seeing if he's open to it. "So talk" he says and purposefully blows smoke in my direction which leaves me having to wave away the smoke and clear my throat before I'm able to start. "I owe you an apology" I start off, "No shit you do" he mumbles under his breath. "Are you gonna let me talk or should I just go back inside?" I say getting short with him. "Yeah go back to your boyfriend, see if I care" he spits out and throws his cigarette on the floor to stomp it out before pushing himself up off the wall and making moves to walk off.
"He's not my boyfriend, in fact not that it's any of your business but we just met today and the only reason I'm here is because he offered me a free meal for helping him carry some stuff across campus" I say in one breath and open my mouth to continue "That doesn't sound like you" he interrupts laughing bitterly at my story. "Well it's the truth and you can ask him yourself if you really don't believe me" I say crossing my arm, becoming aware that this has now become my defensive stance of choice against him.
"No that's fine I believe you, I just find it adorable that you could be so food motivated. Helping out a perfectly good stranger and then making a trip with him off campus. That wasn't very smart of you y/n" he says taunting me. "Just because you're older than me doesn't mean that you get to talk down to me" I say getting even more irritated at this situation. "That's funny that you say that" he says getting closer until he's sure to tower over me, "because it looks like I have to love" he says trying to get some sort of reaction out of me. 
I'm not sure exactly what it could be I decide to take a step back but as I do I find myself slipping on something and I mentally brace for impact but it never comes, now seeming to notice a firm grasp on my waist instead of my back on the cold hard street. "Be careful there y/n, we wouldn't want to have an accident on our hands" he says amused at our forced proximity and my facial expressions because of it. I get back up on my feet and push him away after I've sure I regained my balance. "I apologized okay? Now stop being so hostile, it's annoying" I say while straightening out my clothes. "But I like seeing the faces you make when I'm annoying you" he says with a smirk. 
"What faces? I don't make any faces" I deny. "Why don't you go look in the mirror pretty, I'm sure you'll see why I like it so much" he says before walking past me. "Hey where are you going? Aren't you going to apologize too?" I call after him before he gets too far. "Sorry love, I've gotta go back to work, why don't we pick this up later?" he says sending me a wink before opening the door and walking inside. "But I don't want there to be a later" I say under my breath kicking the rocks that I had no doubt slipped on just moments ago. I shake myself out of whatever headspace he had me in and take a deep breath trying to calm myself down. 
I've never had a rush of so many emotions running through me before, and the only other times it has gotten close to this it seems like Jungkook has been the one to triggered them. I groan and make my way back inside as well and I sit back down at the table not making an effort to say a word to Jimin. "So how did it go? It seemed like he was pretty happy when he walked in" he says intrigued by our polar opposite returns with me being the one who looks upset now. "He's happy because he was able to irritate me and get a reaction out of me. Ugh I should've never went out there" I groan and take a drink of my water.
"Why did you end up going out there?" he questions, clearly interested in the story behind our weird behaviors. "I said some things that were probably interpreted as being mean, I'm not the kind of person who cares much about others but I'm adult enough to admit that what I said was out of line" I say rolling my eye irritated that I let him get the best of me time and time again, but for some reason I end up being the bad guy.
"I swear this man is going to put me in an early grave" I say and then speak of the devil Jungkook shows up with our order. "That's not very nice, are you already trying to be mean to me again" he pouts jokingly. "No but you are being rather rude listening in on people's conversations" I roll my eyes and go back to taking a drink of water. "It's not my fault that you're talking about me right in front of me. Anyways is there anything else I can get you guys?" he asks looking between the two of us.
"No I think we're all set" Jimin responds sending me a smile which I return with a nod. "What about you pretty? Do you need anything else from me?" Jungkook says leaning towards me and tucking my hair behind my ear to see my face better. To which I respond to by choking on my water while also spilling some on the table. "Shit y/n are you okay?" Jimin asks clearly concerned for my welfare. I cough a few times and send him a thumbs up trying to calm my coughs down. "I'll go get you guys some napkins" Jungkook chuckles walking off. 
"Man I swear guys like him think they can get away with anything just because they're more attractive than the average male" he says rolling his eyes at him and handing his napkins over to me. "Thanks" I say and clean up as best as I could while we wait for the rest of the napkins. "It's fine I'm over it" I say clearing my throat hopefully for the last time right as Jungkook returns with more napkins.
"Sorry guys I was just teasing, your meal's on me this time okay?" he says giving us both a charming smile. "You sure?" Jimin asks looking surprised as ever. "Yeah it's the least I could do for interrupting you guys and making y/n upset" he says but I can tell he's still teasing me even though he's behaving in front of Jimin. 
"Thank you so much" Jimin says giving him a thankful shallow bow. "It's fine don't mention it, also you can call me Hyung if you want to, I don't mind" Jungkook offers, clearly trying to get on Jimin's good side. This whole act he's putting on is ridiculous, I haven't known him for long but I can sure as hell tell when people are lying. "Okay, thank you Jungkook hyung" he says and smiles back at me. "You can call me Oppa if you want to y/n" he says offering it to me as well, waiting for me to take the bait. 
"Jungkook is just fine for me, I'll call you JK if you want me to, but that's it" I say not bothering to show any sort of respect and grace to the person who just bought my meal which is probably cold by now. "Aw come on just once?" he says mercilessly taunting me still. "Don't you ever get tired of being a pain in the ass?" I say finally fed up with all of his antics "Nope" he says popping the P at the end before leaning down to whisper in my ear "You look cute when you're feisty" he says making sure to blow on my neck again making me shiver slightly. 
I stand up abruptly and he straightens his posture and takes a step back giving me the tiniest bit of room to pass by. "Jimin I'm leaving if you want I'll wait for you outside so we can take the food back to campus" I say and make moves to leave as quickly as I can, not missing the way Jungkook chuckles at me on the way out. "Um yeah I'll be out in a second. Hyung do you think you could box this up for us?" he asks using the new term he had been encouraged to use. "Sure, see you around y/n" he says making sure I hear it before the door closes behind me.  
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blue-thief · 2 months
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@galaxynajma here are the actor/artist/writer isakainess hcs i mentioned earlier 🫡 (this got wayy longer than i was expecting it to be so it's basically a fic outline atp
kaiser started off as a child actor which explains... everything
when he was really young he popped up in a few roles for some pretty big movies
his biggest role as a kid though came when he was about ten where he played a big supporting character in a long-running kids' sitcom (think stuff like hannah montana, icarly, etc)
he's more or less cut off contact with his parents but he was fortunate to get a hold of his money once he turned 18
he's since moved out, rents out his own modest apartment, and he's shown up in a few moderately successful things
he's far from being an a-list actor but he's got a decent following
even though most people wouldn't be able to recognize his face, he can mention the stuff he's been in and people will be like "ohh yeah i've heard of that, i've been meaning to check it out"
he usually has to wear makeup to cover up his tattoo. most of his notable roles came before he cut + dyed his hair
his goal is to become an oscar-winning actor and he was able to get the lead role for a really serious film. his new hair just happened to suit the role
meanwhile there's ness the writer
he started off studying something STEM-related to appease his parents. besides, he needs a backup plan just in case the whole writing thing doesn't work out
but he soon dropped out due to being overwhelmed by how intense his competition was
fortunately enough he's still in contact with an ex classmate and he got some money doing copywriting for their side gig's website
on top of that he started submitting flash fiction and poetry to different competitions and magazines like CRAZYYY just to make a little more money
kaiser stumbles across one of his pieces, looks into him a little more, and finds ness's personal blog
he reads up on ness ranting about his parents and how he has no money
at this point kaiser's kinda fallen in love but he doesn't wanna seem too weird
and he reaches out to ness saying, "hey ik this sounds kinda weird but if you really wanna pursue your dreams but you're low on money you can become my roommate"
at first ness is like "wtf is this guy gonna try to kill me"
but he's late on rent and about to get evicted so he's DESPERATE
he agrees to meet kaiser to assess the vibes
and well. obviously ness falls head over heels in love with kaiser
(obv kaiser isn't gonna kill ness but don't follow in ness's footsteps guys you probably won't end up being as lucky)
and it works out great. kaiser's more than happy to cover most of the rent, he's out most of the time filming, and ness just has this bigass apartment where he's got ample space to work
anyway while kaiser's out and about one day he's at this cafe
there's this one worker on break, still in his apron and everything
he's off in the corner doodling something
the worker is isagi
and kaiser notices isagi is drawing HIM
kaiser goes up to him all smug like "wow, are you a fan? you want an autograph?"
and isagi's like "bro idfk who you are i just really liked your tattoo"
they talk a bit and isagi tells kaiser where he can find more of his work
isagi's mostly focused on digital art and commissions but he's also studying animation
kaiser finds his instagram and commissions isagi
"that napkin doodle you made of me was pretty good but i'd love to see how well you can capture my beauty given ample time (and money) ;)"
kaiser quickly becomes isagi's most frequent and highest paying client
you can say he's basically become isagi's (and to an extent ness's) sugar daddy
but kaiser likes to think of himself of those wealthy patrons from the renaissance
kaiser loved swinging by the cafe to ask about isagi's progress on his latest commission
one day he overheard isagi panicking about not being able to pay rent
and kaiser's like "you can move in with me and my roommate if you want"
and well. isagi does exactly that
ness kinda gets all crazy and possessive like "WHO'S THIS HOW DID YOU MEET HIM HOW DO YOU KNOW HE'S NOT-"
suffice to say he and isagi don't get along at first
but kaiser's never home so it's mostly just them on opposite sides of the apartment, sending glares at each other every now and then
it's BECAUSE kaiser is never around that isagi and ness are forced to bond with each other eventually
FUCK THIS POSTED INSTEAD OF GETTING SAVED AS A DRAFT
oh whatever i'll probably make this into a fic and fill in the rest that way 😭😭
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bonzos-number-1-fan · 20 days
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TMAGP 11 Thoughts: Anchors Aweigh
We're finally back. Not much to say up top except it was a long wait.
Spoilers for episode 11, and light spoilers for TMA season 5, below the cut.
A very strong cold open to welcome us back. Celia doesn't just wake up in a strange location, she's got no memory of getting there, it's not her first time doing it, and she's looking for a character we've not yet been introduced to. Honestly there are a load of things this could be. If she's TMA's Celia it could be after effects of her time in the domain that stole her name. Or it's not after effects but the same effects now being re-triggered if she's in a universe with the same entity that did it. Or it's a side-effect of crossing between universes. Or the way she crossed between universes isn't how Anya Villette did it and she's actually occupying TMP's Lynne Hammond's body but not entirely suppressing Lynne in the process. Or Lynne has taken on Celia's memories and Celia never truly left TMA's universe at all. Lots of ways I can see that playing out.
The first office section is a bit of a recap of last episode with some banter more than it is anything substantive. However, Alice does think she's being followed which is probably something that'll come up later. I think the obvious thing to jump at here is that it's [Error]. It's not the first time we've seen someone dig through the Institute's soggy ruins only to come away with some paranoia though. It doesn't seem to be hitting her quite as hard as RedCanary but it certainly mirrors their reaction. Either way I think this could easily be a RedHerring and [Error] has nothing to do with it and it's just TMI magic.
For a small thing during that interaction there is another "lie detector" audio distortion. I'm not sure I've been mentioning all of these in these posts but when Alice says "Hm? Nah, it’s nothing." there is a distortion afterwards. Likely because such distortions signify lies. This exactly a new observation but I can't remember if I'm making an effort to note when they happen.
So for the first case back it's a pretty chill one all in all. Some spooky happenings where nothing major really happens but does contain a good bit of world building.
So for some general musings in order. First off Alison Leshi's email address is G.Leshi instead of A.Leshi. It's not likely important as there isn't a Leshi in CHDB (see masterdoc link below), so it's probably nothing. Could just be some subtle trans rep but I figure it could somehow come up later and so is worth a mention.l
Next up we've got our second mention of ink5oul. The "big snake tattoo" on their arm is pretty clearly the same as the "gorgeous floral serpent design" Daria mentions in episode 2. Daria also explains that ink5oul is a popular influencer and like most of those they try and throw that weight around here. They're a very big deal online don't you know. Something that I think is interesting, but maybe not intended, is that ink5oul's Instagram account is flagged with the alchemic symbol for salt and this case is deeply tied to the sea. That account might not be official but it's a nice connection if it is.
There are a couple of name drops that will likely prove pretty important. Oscar Jarrett is likely a character we'll meet later and as of right now the name is all we have. Sutherland Macdonald, on the other hand, is a very real person and given how TMA likes to use historic characters I have a feeling they'll be quite important. Macdonald was Britain's first professional tattoo artist. Insofar as he had a public business in which he tattooed people as his work. He was exceptionally talented, very popular, and highly sought-after. More than that though of his documented works serpent-motifs, both snakes and dragons, are very common. Given ink5oul's own, well, ink I'm pretty sure that's not a coincidence. Sutherland Macdonald could very well be another figure like Smirke. A real historic person with embellished and occult history for the show. Oscar Jarrett could be a protégé or rival of Sutherland, and tattoos might end up being the new Leitners.
There isn't much to dig in to beyond that but I will say I really enjoyed this episode. Excited to see where this all goes.
Back in the office we've got Gwen trauma, Celia trauma, and Lena being Lena. Which is all great stuff. Bonzo is likely hunting Klaus given that conversation too. That's the only figure Gwen has any real knowledge of and Lena obviously has some unresolved business there. The transcript sheds some additional light on the interactions here too as both times external is mentioned it's capitalised. Which does seem to imply it's an official position at the OIAR rather than something euphemistic. Mr. Bonzo getting more detail here is also great. It's another reinforcement that whatever he now is very much isn't how he started. "Green custard" getting a shout out is also very welcome. That's not so much a Mr. Blobby thing but people getting slimed was a big fixture of that era of children's TV in Britain.
Sam finally looking to cross reference these things is great to hear as well. I crave more data. Speaking of data, now it's time for the nerd shit.
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Incident/CAT#R#DPHW Master Sheet
DPHW Theory: 5246 is pretty unremarkable and so I don't think I've got much to explain there. 4 is a little lower than I was expecting but not off by so much that I think something is wrong.
CAT# Theory: CAT23 sure is a category. I was hoping to have something solid by the time the break was over. There are enough outliers in every theory I've seen to pretty confidently think no one is on the right track with this or some people are but the data we have is faulty. Which to be fair we know is the case. It's just about which parts of the data should we be ignoring.
R# Theory: C fits in perfectly with my theory. Not much to say on that one.
Header talk: Tattoo (corpse) -/- compulsion is mostly interesting because of how it creates problems with Daria's case. If Tattoo is a section that would strongly imply that Daria's case should have been Tattoo rather than Transformation. But that one did also show up on Klaus which implies that it's correct. Just a weird section in general. The subsection is about the sort of mess you'd expect at this point. The crosslink is also just a crosslink.
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arom-antix · 8 months
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Yuri!!! On Cards collaboration!
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So, I know I've been pretty inactive recently, at least in posting my own art but for good reason! In the Yuri on the Web Discord server artists and writers alike have all collaborated to illustrate a deck of cards and write stories for each of them. And as a resident artist myself, I couldn't not take the opportunity to draw for this project UuU
Oh and if anyone was wondering, yes, I am to blame for inflicting this giant project onto the server BUT I REGRET NOTHING AND NEITHER WILL YOU IF YOU CHECK OUT EVERYONE ELSE'S WORKS. Trust me, they are amazing! The masterpost can be found here!
GIANT thanks to @lines-on-ice and @yaoiconnoisseur for helping so much and being amazing co-administrators and basically making this entire thing possible! You really saved me from my own overambition XD
The guidelines for this project can be found on the Yuri!!! On Cards blog as can the masterpost with all the links to everything. All the art that gets posted to Tumblr will also be reblogged by the blog.
With all that said, here's the actual art I made! (Break for those who don't want their dash to die UuU)
Okay, I lied. First, I'd heavily recommend for you to check out the guideline posts, both the general and artists' and even the writers' if you're up to it to get a grasp of the perimeters of this project. There's also some vague lore and AU stuff about the whole thing to find which will give you context for why the art looks the way it does to a certain extent.
You can also just jump right in and take everything as I ramble about it which, I mean, I won't stop you, the guideline posts aren't short. I will not blame you. You can still just look at the art. If that's your choice, go on ahead!
First up!
Ace of the Kingdom Otabek, The Deep Shadow
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Being of the Kingdom of Diamonds, he's skillful and sharp. He moves quietly as a shadow and is just as mysterious.
Okay, I can't comment much on how he actually is, you'll have find that out by reading his fic(let?). They were supposed to be ficlets but as writers tend to do, none of us could manage that so take "ficlet" with a big grain of salt for every written work.
I've, by the way, not read any of the ficlets for this project beside my own so I'll get to experience the reveal with y'all and I'm gonna perish waiting.
Anyway, about the art. The yellow of course comes from the Kingdom of Diamonds' designated colour. As for the outfit, it's based on this handsome fellow I found who's supposed to be a Kazakh archer which I thought fit Otabek's whole shadow thing perfectly (and Writingfromtheshadow's fic Equivalent Exchange has me in an iron grip and I don't want to be released).
If there are any Kazakhs in the audience, you are free to laugh at me for any inaccuracies or missteps, I am but a humble little not-Kazakh, I don't expect to have gotten it all right UuU
Next up!
King Yuuri, Wanderer of Dreams
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The ruler of his realm, he is as the mind flows. Kind and benevolent yet of fickle thoughts, the spirals of the subconscious are ones he both masters and bows to.
Again, gonna be waiting for his fic with everyone else but like. It's Yuuri. Anxiety is kind of a given.
In terms of art, I don't know if you can tell but this was where I started writing my will because oh my stars, what did I get myself into. If you follow me or my art, you'll know that I don't draw lineless. Like ever. And apparently I decided this project on a deadline that others were depending on me making look nice was the place to go all out.
And the worst part is that I'm not even mad at it so I have no argument to not do it again.
Anyway, the blue is from the designated colour of spades and yes, you've guessed right as to why this colour was picked for this suit. I'm predictable, leave me alone. As for the rest, the outfit is inspired by traditional Japanese dress that the Internet told me about (again, Japanese may laugh at me all they want UuU Your culture is very cool but also there was so much info, I hope I got it at least a bit right).
Also I spent like eight hours looking at hanakotoba for this and I've never been this happy about a decision I regretted so much while I was having to draw that many flowers. And you know I had to include The Gay Flower^(TM).
The Japanese iris is now Yuuri's btw.
All the flowers used are: Japanese irises, Jasmine flowers, Forget-me-nots, cherry blossoms, white roses, green carnations and blue roses (Viktor's flower. Read: I am predictable).
And finally!
Queen Minako, Tamer of Minds
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Of the Realm of Dreams, she sees your fears, the snares laid by the subconscious and, strict and blunt as she is, she clears a path for the motivated and lets no potential go to waste.
Again, haven't read a word of the fic.
This one was by far the one that I made the fastest and I would've loved to do more with it but like deadlines. I'm gracefully skipping over the fact that I set the deadline and am fully to blame for being late.
But, as with Yuuri, blue is for spades. And since I wanted her to have a leotard but still match Yuuri and make her outfit look even slightly Japanese inspired, sheer fabric to the rescue! With cherry blossoms, of course, because CSP had the pattern preinstalled UuU
And I don't know if it worked but I tried to make her hair both look like her signature style, traditional Japanese hairstyles I found on the good ol' Interwebs and then kind of a spade by having that middle stick be the stem and the hair the spade's butt.
Also this probably goes without saying but the ranks of the characters are just titles. Yuuri is not married to Minako, she is just the Queen and he the King, don't worry.
Again, a BIG thank you to everyone who also participated, it was so fun to work together on this and see everyone's progress! Nic and Lil, you're amazing, thank you so much for everything you've done for this!
And to everyone who's made it this far, thank you for sticking around and please go check out all the other art and the ficlets! I promise it's worth it!
Masterpost | AO3 collection
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dustedmagazine · 2 months
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Listening Post: Kim Gordon
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Kim Gordon has long been one of rock’s female icons, one of a tiny handful of women to get much play in Michael Azzerad’s underground-defining Our Band Could Be Your Life and a mainstay in the noise-rock monolith Sonic Youth. It’s hard to imagine that quintessential dude rock band without Gordon in front, dwarfed by her bass or spitting tranced out, pissed off verses over the storm of feedback.
Yet Gordon’s trajectory has been, if anything, even more fascinating since Sonic Youth’s demise in 2011. A visual artist first — she studied art at the Otis College of Art and Design before joining the band — she continues to paint and sculpt and create. She’s had solo art shows at established galleries in London and New York, most recently at the 303 Gallery in New York City. A veteran of indie films including Gus van Zant’s Last Days and Todd Haynes I’m Not There, she has also continued to act sporadically, appearing in the HBO series Girls and on an episode of Portlandia. Her memoir, Girl in a Band, came out in 2015.
But Gordon has remained surprisingly entrenched in indie music over the last decade. Many critics, including a few at Dusted, consider her Body Head, collaboration with Bill Nace the best of the post-Sonic Youth musical projects. The ensemble has now produced two EPs and three full-lengths. Gordon has also released two solo albums, which push her iconic voice into noisier, more hip hop influenced directions. We’re centering this listening post around The Collective, Gordon’s second and more recent solo effort, which comes out on Matador on March 8th, but we’ll likely also be talking about her other projects as well.
Intro by Jennifer Kelly
Jennifer Kelly: I missed No Home in 2019, so I was somewhat surprised by The Collective’s abrasive, beat-driven sound though I guess you could make connections to Sonic Youth’s Cypress Hill collaboration?
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The more I listen to it, though, the more it makes sense to me. I’ve always liked the way Gordon plays with gender stereotypes, and “I’m a Man” certainly follows that trajectory. What are you guys hearing in The Collective?
Jonathan Shaw: I have only listened through the entire record once, but I am also struck by its intensities. Sort of silly to be surprised by that, given so many of the places she has taken us in the past: noisy, dangerous, dark. But there's an undercurrent of violence to these sounds that couples onto the more confrontational invocations and dramatizations of sex. It's a strong set of gestures. I like the record quite a bit.
Bill Meyer: I'm one of those who hold Body/Head to be the best effort of the post-Sonic Youth projects, but I'll also say that it's very much a band that creates a context for Gordon to do something great, not a solo effort. I was not so taken with No Home, which I played halfway through once upon its release and did not return to until we agreed to have this discussion. I've played both albums through once now, and my first impression is that No Home feels scattered in a classic post-band-breakup project fashion — “let's do a bit of this and that and see what sticks.” The Collective feels much more cohesive sonically, in a purposeful, “I'm going to do THIS” kind of way.
Jonathan Shaw: RE Jennifer's comment about “I'm a Man”: Agreed. The sonics are very noise-adjacent, reminding me of what the Body has been up to lately, or deeper underground acts like 8 Hour Animal or Kontravoid's less dancy stuff. Those acts skew masculine (though the Body has taken pains recently to problematize the semiotics of those photos of them with lots of guns and big dogs...). Gordon's voice and lyrics make things so much more explicit without ever tipping over into the didactic. And somehow her energy is in tune with the abrasive textures of the music, but still activates an ironic distance from it. In the next song, “Trophies,” I love it when she asks, “Will you go bowling with me?” The sexed-up antics that follow are simultaneously compelling and sort of funny. Rarely has bowling felt so eroticized.
Jennifer Kelly: I got interested in the beats and did a YouTube dive on some of the other music that Justin Raisen has been involved with. He's in an interesting place, working for hip hop artists (Lil Yachty, Drake), pop stars (Charli XCX) and punk or at least punk adjacent artists (Yeah Yeah Yeahs, Viagra Boys), but nothing I've found is as raw and walloping as these cuts.
“The Candy House” is apparently inspired by Jennifer Egan's The Candy House, which is about a technology that enables people to share memories... Gordon is pretty interested in phones and communications tech and how that's changing art and human interaction.
Andrew Forell: My immediate reaction to the beats was oh, The Bug and JK Flesh, in particular the MachineEPs by the former and Sewer Bait by the latter. Unsurprisingly, as Jonathan says, she sounds right at home within that kind of dirty noise but is never subsumed by it
Jennifer Kelly: I don't have a deep reference pool in electronics, but it reminded me of Shackleton and some of the first wave dub steppers. Also, a certain kind of late 1990s/early aughts underground hip hop like Cannibal Ox and Dalek.
Bryon Hayes: Yeah, I hear some Dalek in there, too. Also, the first Death Grips mixtape, Ex-Military.
It's funny, I saw the track title “I'm a Man,” and my mind immediately went to Bo Diddley for some reason, I should have known that Kim would flip the script, and do it in such a humorous way. I love how she sends up both the macho country-lovin’ bros and the sensitive metrosexual guys. It's brilliant!
This has me thinking about “Kool Thing”, and how Chuck D acts as the ‘hype man’ to Kim Gordon in that song. I'm pretty sure that was unusual for hip hop at the time. Kim's got a long history of messing with gender stereotypes.
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Bill Meyer: Gordon did a couple videos for this record, and she starred her daughter Coco in both of them. The one for “I'm A Man” teases out elements of gender fluidity, how that might be expressed through clothing, and different kinds of watching. I found the video for “Bye Bye” more interesting. All the merchandise that's listed in the video turns out to be a survival kit, one that I imagine that Gordon would know that she has to have to get by. The protagonist of the video doesn't know that, and their unspoken moment in a car before Coco runs again was poignant in a way that I don't associate with her work. And of messing with hip hop!
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Tim Clarke: “Bye Bye” feels like a companion to The Fall’s “Dr Buck’s Letter.”
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Bill Meyer: From The Unutterable? I'll have to a-b them.
Tim Clarke: That’s the one.
Jonathan Shaw: All of these comments make me think of the record’s title, and the repeated line in “The Candy House”: “I want to join the collective.” Which one? The phone on the record’s cover nods toward our various digital collectives — spaces for communication and expression, and spaces for commerce, all of which seem to be harder and harder to tell apart. A candy house, indeed. Why is it pink? Does she have a feminine collective in mind? A feminine collective unconscious? The various voices and lyric modes on the record suggest that's a possibility. For certain women, and for certain men working hard to understand women, Gordon has been a key member of that collective for decades.
Jennifer Kelly: The title is also the title of a painting from her last show in New York.
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The holes are cell phone sized.
You can read about the show here, but here's a representative quote: “The iPhone promises freedom, and control over communication,” she says. “It’s an outlet of self-expression, and an escape and a distraction from the bigger picture of what’s going on in the world. It’s also useful for making paintings.”
Gordon is a woman, and a woman over 70 at that — by any measure an underrepresented perspective in popular culture. However, I’d caution against reading The Collective solely as a feminist statement. “I'm a Man,” for instance, is told from the perspective of an incel male, an act of storytelling and empathy not propaganda. My sense is that Gordon is pretty sick of being asked, “What's it like to be a girl in a band?” (per “Sacred Trickster”) and would like, maybe, to be considered as an artist.
It's partly a generational thing. I'm a little younger than she is, but we both grew up in the patriarchy and mostly encountered gender as an external restriction.
As an aside, one of my proudest moments was when Lucas Jensen interviewed me about what it was like to be a freelance music writer, anonymously, and Robert Christgau wrote an elaborate critique of the piece that absolutely assumed I was a guy. If you're not on a date or getting married or booking reproductive care, whose business is it what gender you are?
There, that's a can of worms, isn't it?
Jonathan Shaw: Feminine isn't feminist. I haven't listened nearly closely enough to the record to hazard an opinion about that. More important, it seems to me the masculine must be in the feminine unconsciousness, and the other way around, too. Precisely because femininity has been used as a political weapon, it needs imagining in artistic spaces. Guess I also think those terms more discursively than otherwise: there are male authors who have demonstrated enormous facility with representing femininity. James, Joyce, Kleist, and so on. Gordon has always spoken and sung in ways that transcend a second-wave sort of feminine essence. “Shaking Hell,” “PCH,” the way she sings “I Wanna Be Your Dog.”
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Jennifer Kelly: Sure, she has always been shape-shifter artistically.
The lyrics are super interesting, but almost obliterated by noise. I’m seeing a connection to our hyperconnected digital society where everything is said but it’s hard to listen and focus.
Bill Meyer: Concrete guy that I am, I’ve found myself wishing I had a lyric sheet even though her voice is typically the loudest instrument in the mix.
Andrew Forell: Yes, that sense of being subsumed in the white noise of (dis)information and opinion feels like the utopian ideal of democratizing access has become a cause and conduit of alienation in which the notion of authentic voices has been rendered moot. It feels integral to the album as a metaphor
Christian Carey: How much of the blurring of vocals (good lyrics — mind you) might involve Kim’s personal biography, I wonder? From her memoirs, we know how much she wished for a deflection of a number of things, most having to do with Thurston and the disbandment of SY.
Thurston was interviewed recently and said that he felt SY would regroup and be able to be professional about things. He remarked that it better be soon: SY at eighty wouldn’t be a good look!
Andrew Forell: And therein lies something essential about why that could never happen
Ian Mathers: I know I’m far in the minority here (and elsewhere) because I’ve just never found Sonic Youth that compelling, despite several attempts over the years to give them another chance. And for specifically finding Thurston Moore to be an annoying vocal presence (long before I knew anything about his personal life, for what it's worth). So, I’m in no hurry to see them reunite, although I do think it would be both funny and good if everyone except Moore got back together.
Having not kept up with Gordon much post-SY beyond reading and enjoying her book, I wasn’t sure what to expect from this record. After a couple of listens, I’m almost surprised how much I like it. Even though I’m lukewarm on SY’s music, she’s always been a commanding vocal presence and lyricist and that hasn’t changed here (I can echo all the praise for “I’m a Man,” and also “I was supposed to save you/but you got a job” is so bathetically funny) and I like the noisier, thornier backing she has here. I also think the parts where the record gets a bit more sparse (“Shelf Warmer”) or diffuse (“Psychic Orgasm”) still work. I've enjoyed seeing all the comparisons here, none of which I thought of myself and all of which makes sense to me. But the record that popped into my head as I listened was Dead Rider’s Chills on Glass. Similar beat focus, “thick”/distorted/noisy/smeared production, declamatory vocals. I like that record a lot, so it's not too surprising I'm digging this one.
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Jennifer Kelly: I loved Sonic Youth but have zero appetite for the kind of nostalgia trip, just the hits reunion tour that getting back together would entail.
Jonathan Shaw: Yeah, no thanks to that.
RE Christian's comment: Not sure I see deflection so much as the impossibility of integration. We are all many, many selves, always have been. Digital communications interfaces and social media have just lifted it to another level of experience. Gordon sez, “I don't miss my mind.” Not so much a question of missing it in the emotional/longing sense, more so acknowledging that phrases like “my mind” have always been meaningless. Now we partition experience and identity into all of these different places, and we sign those pieces of ourselves over, to Zuck and the algorithms. We know it. We do it anyways, because it's the candy house, full of sweets and pleasures that aren't so good for us, but are really hard to resist. “Come on, sweets, take my hand...”
Bill Meyer: I would not mind hearing all of those SY songs I like again, can’t lie, although I don’t think that I’d spend Love Earth Tour prices to hear them. But given the water that has passed under the bridge personally, and the length of time since anyone in the band has collaborated creatively (as opposed to managing the ongoing business of Sonic Youth, which seems to be going pretty well), a SY reunion could only be a professionally presented piece of entertainment made by people who have agreed to put aside their personal differences and pause their artistic advancement in order to make some coin. There may be good reasons to prioritize finances. Maybe Thurston and/or Kim wants to make sure that they don’t show up on Coco’s front door, demanding to move their record or art collection into her basement, in their dotage. And Lee’s a man in his late 60s with progeny who are of an age to likely have substantial student loan debt. But The Community is just the kind of thing they’d have to pause. It feels like the work of someone who is still curious, questioning, commenting. It's not just trying to do the right commercial thing.
Justin Cober-Lake: I’m finding this one to be a sort of statement album. I’d stop short of calling it a concept album, but there seems to be a thematic center. I think a key element of the album is the way that it looks for... if not signal and noise, at least a sense of order and comprehensibility in a chaotic world. Gordon isn’t even passing judgment on the world — phones are bad, phones are good, phones make art, etc. But there’s a sense that our world is increasingly brutal, and we hear that not just in the guitars, but in the beats, and the production. “BYE BYE” really introduces the concept. Gordon’s leaving (and we can imagine this is autobiographical), but she’s organizing everything she needs for a new life. “Cigarettes for Keller” is a heartbreaking line, but she moves on, everything that makes up a life neatly ordered next to each other, iBook and medications in the same line. It reminds me of a Hemingway character locking into the moment to find some semblance of control in the chaos.
Getting back to gender, there’s a funny line at the end: one of the last things she packs is a vibrator. I'm not sure if we're to read this as a joke, a comment on the necessity of sexuality in a life full of transitory moments, as a foreshadowing of the concepts we’ve discussed, or something else. The next item (if it’s something different) is a teaser, which could be a hair care product or something sexual (playing off — or with — the vibrator). Everything's called into question: the seriousness of the track, the gender/sexuality ideas, what really matters in life. Modern gadgets, life-sustaining medicines, and sex toys all get equal rank. That tension really adds force to the song.
Coming out of “BYE BYE,” it's easy to see a disordered world that sounds extremely noisy, but still has elements we can comprehend within the noise. I don’t want to read the album reductively and I don't think it's all about this idea, but it's something that, early on in my listening, I find to be a compelling aspect of it.
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lilacsmothership · 4 months
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kind of debating whether i even want to bother turning the queue back on. maybe i'll pare it down to just sharing art from mutuals and slow down the posting rate some more.
i sometimes feel like i've grown a particular kind of audience here whose interests don't quite align with what i really want to be doing. i'm not judging anyone for that, though - people have their tastes and it's not their responsibility to answer to mine just because some of my art happened to resonate with them, nor does that make them shallow or anti-artist. a lot of my follower growth definitely came from cute furry posting, with a few cute furries in particular that outshine everything else i've posted, and cute furries are a big part of what i'm all about!
but i'm not just a cute furry artist, these characters have stories i want to write and belong to these vast science-fantasy worlds i've been laboring for years to articulate. and although i originally started running the queue because i noticed that it seems like people are reminded to go check my blog and actually see my art when there's a consistent stream of posts throughout the day, instead of simply not noticing that i posted that day at all - i worry it just ends up burying the more idk "literary" aspects of my art further out of mind for most of my viewers, cementing the problem.
on top of that, as i've said on my new SFW twitter, building an audience for my worldbuilding continues to be a learning process. i took the past couple years as an opportunity to try a kinda coy approach, being indirect, minimally descriptive and more letting the art speak for itself. i think that can work, but given my observations of other artists, it often pays to be explicit, especially if you don't have lots to show. people Want words and names to latch onto, characterizations and data sketching out the contours of the story beyond the picture. the mysteries of your world need context.
and perhaps a bigger factor is how focused i've been on cute ocs and their mundane lives, without leaning much into the weirder sci-fantasy aspects distinguishing the world itself. so without compromising either aspect, i aim next to start giving the latter more showtime.
anyway, thanks for being here, all 1600+ of you. (wow!) whatever the reason you're here, it really does mean a lot that so many of you enjoy my work, in one way or another, even if that doesn't always align with my ambitions. and i hope that, whatever you came to me for originally, you'll also enjoy the dive deeper into my lore and characters.
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gamebunny-advance · 8 months
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Pikmin 4 Planet Generalizations
I added this to the big Pikmin 4 Character Trivia post, but I know most people aren't going to be checking for updates on that (btw, there's been a few, so check that out if you're interested).
These are observations I've made about similarities between castaways from the same planet. Since Pikmin has made a habit of saying that certain traits are inherent to specific races/planets, such as the Koppaites' inability to plan and being picky eaters and the Hocotatians' preference for vegetables and seeking treasure, it may be safe to say that similarities found between castaways from the same planet might be reflective of their respective races.
However, this is all speculative on my part. Do not take any of the following as fact.
I also haven't included any castaways/planets where there was only 1 castaway to get info from since unless they explicitly said so, there's no way to determine what traits are theirs and what could be attributed to their race/culture. Info like that would be a part of the main trivia post.
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Sozor (Dalmo, Grace, Horatio)
Have anti-social personalities. Dalmo prefers creatures to people, Grace seems disinterested in society as a whole, and Horatio is inept at social interactions (compared to other castaways).
Flukuey (Jin, Molly, Dash, Patch)
Have unstable professions and/or are adventure seekers. Jin is an explorer, Molly is a streamer of limited success, Dash is a spelunker from a well off-family, and Patch is unemployed but purposefully puts himself in dangerous situations for the thrill.
Ooji (Francois, Kingsly)
Love flowers/plant life. Francois studies plant-life, and Kingsly is a florist. Given that Ooji is also said to have "lush jungles," flora may be very important to everyday life on the planet.
Koodgio (Lapi, Boris)
Artistic types. Lapi is a painter and Boris is an author.
Siguray (Shnauz, Kit, Osa)
Interested in the qualities and history of materials and items. Shnauz appraises treasure, Kit is interested in minerals, and Osa is interested in archeology.
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The following are castaways where it's difficult to determine if their similar traits would be found in their race due to other factors:
Ogura (Sy, Pitunia)
Both are interested in studying the onion and their environmental factors surrounding it, but both are also a part of the Research Task Force, a group made of individuals that are interested in studying the planet in general, so it's hard to say if this would be something inherent to all Ogurains, or if they just happen to have a mutual interest in this area of study.
Enohee (Ren, Frise, Muggs, Wolfgang)
3 of the 4 are a part of the same TV crew, so would have common interests by default. Arguably all 4 are interested in entertainment as Ren was on a cooking show, so TV might be a very important industry to Enohee.
Neechki (Kaia, Sheeba, Keesh, Mika, Chewy)
4 of the 5 are in the same club and would have similar interests by default (and even then, Mika admits that she knows very little about planetary science), and Chewy has little in common with the rest of them. However, Chewy notes that Sheeba also resembles her boss, so it's possible that the "small" body type is very common (but not exclusive) to Neechikians.
Nijo (Santi, Bernard)
Both became pilots and were prone to changing jobs frequently, but their "Dynamic Duo" shtick of always being a part of each other's lives is played as a joke, so their similar lives/interests may not have anything to do with their race/culture.
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Planets where I couldn't identify a common thread:
Enohay (Puddle, Vonda, Bernise)
I would have said creative/artistic fields due to Puddle being a stylist and Vonda being a singer, but I don't think a fortune-teller really falls under that umbrella. Perhaps they're all "dramatic"?
Conohan (Twyla, Chowder, Alpin, Fawks, Beaux)
They all have different professions and interests, two are siblings, and none have especially similar personality traits. In a sense, I suppose this would imply that Conohan is a very diverse planet.
Ohri (Yonny, Dingo)
Neither seems to have much in common with the other aside from being in the Rescue Corps.
Giya (Shepherd, Collin, Russ)
Another diverse group of only rescue officers. However, given the stark difference between Collin's and Russ's financial situations, there are implications that Giya has significant class inequality.
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jmdbjk · 10 months
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They are different y'all...
Keep scrolling if kinkiness makes you uncomfortable.
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While I've been watching JK's live (post coming soon) someone pointed out the rings JK is wearing in his Seven schedule poster... the ring with the ring on it...has connotations in the BDSM world... those who wear it are signaling their submissiveness. In that same line of thought, Jimin was wearing thumb rings on both hands in his Like Crazy MV... thumb rings in a homosexual context...
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and this could be an outdated thing, but a man is signaling he is open to certain types of sex... this is definitely outdated but at one time men wearing a single earring in the left ear signals he's straight, in the right ear he is gay. In the Like Crazy MV, Jimin had his single earring in the left ear but he looks into the mirror and it is in his right ear.
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The bisexual/bigender coding in the MV was off the charts.
And we already talked about Jimin's Like Crazy MV Mapplethorpe pants and how David Mapplethorpe was deep into the BDSM world.
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We've heard Jimin asking JK if he liked it when he was tied at the wrists and running through the woods... ahem... I've already talked about their lil kinky selves before... I can't find the posts but if you've been following me a while, you know what I've been saying...
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They have a thing for strappy, tying things...
I've been saying... they are different y'all. Listen to me.
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So what are Jimin and Jungkook trying to tell us? Why show us these things? Are these just stylists choices? I think not. There are too many instances for any of it to be coincidence or just a "stylists choice."
The members are too involved in how they express themselves individually during this solo era. Sexual kink is not really a big deal but why even go there? Personally, I love seeing them express ALL sides of themselves. The hints Jimin has given us are more and more explicit as time goes on. I don't buy the argument that "they don't know what that means." Of course they do. They are grown men. They are not virgins. They are living breathing red-blooded males in the prime of their lives.
The way they are presenting these concepts to us is still very conservative when compared to what I see from western artists. What Jimin and Jungkook have shown us, especially Jimin... is very tasteful, elegant, teasing and thought provoking, not raunchy and in-your-face. I want to say to some western artists: I would prefer not to have your twat in my face so please close your legs. But alas...
And now it is Jungkook's time to show us his colors. For some reason I don't mind his crotch in my face... I digress...
Anyway... JK live post coming soon. He's a hoot.
EDIT: Whoa someone got triggered (lmao). Yes, its a very cool ring. And its ok if its just a cool ring for some or most people. Cuz, wow, cool ring. What I said though was the ring "has connotations". I did not say this ring was designed specifically with this in mind. (Reading comprehension is appalling these days.)
But you know... the designer doesn't have to be associated with the lifestyle or even had any intention of associating their design with anything specific. But someone IN the lifestyle would recognize the design motif. This particular ring's attached ring is a "spring" clasp? Like what you use to clasp necklaces? So um... you could attach a chain easily to this ring? I see. Well. Cool ring bro.
And it's also ok if you don't want to see the message Jimin is expressing. I'm sure he's used to people turning a blind eye on what he's trying to say. It's also ok to say your opinion differs from mine and not try to make your opinion the correct one because honestly, no one knows anything and to think you do know, well... that would be next level dumb wouldn't it?
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dearorpheus · 1 year
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(that last anon again) Thank you so much for the recommendations! I'm truly in awe of how well read you are and how thorough your answers are. May I ask if you have any fiction recommendations with the same themes?
(following on from this ask)
hi!! you're very kind, apologies for taking so long to get back to you! i've been snowed under with assignments+readings for uni and the slowly encroaching exam crawl... but yes absolutely♡
- The Story of O, Anne Desclos - The Bloody Chamber ; The Infernal Desire Machines of Doctor Hoffman ; The Passion of New Eve, Angela Carter -> Angela appreciated and referenced symbolist artists like Rops:
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Woman Putting on Costume, 1848-1898, Rops; The Bloody Chamber, Angela Carter; excerpt from Romana Byrne's Aesthetic Sexuality: A Literary History of Sadomasochism (mentioned in previous ask) which seems esp pertinent given the Bloody Chamber is a Bluebeard tale (but which is actually referencing Story of O)
I also mentioned Giger in the previous ask, and Hans Bellmer was an influence of his whom I enjoy viewing alongside Rops...
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this is Sans Titre (Jeune Fille et la Mort), 1963
- The Torture Garden, Octave Mirbeau
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(Le Jardin des supplices (1976) dir. Christian Gion; screencap from estateofinsanity)
- Exquisite Corpse, Poppy Z. Brite - Necrophilia Variations, Supervert - Story of the Eye; My Mother, Madame Edwarda, The Dead Man; Blue of Noon, Bataille - Justine, or The Misfortunes of Virtue ; Juliette ; 120 Days of Sodom, Sade - The Claiming of Sleeping Beauty, Anne Rice -> supplement w Sleeping Beauty (2011) dir. Julia Leigh - Venus in Furs, Leopold von Sacher-Masoch - Monsieur Vénus, Rachilde - Le Necrophile, Gabrielle Wittkopp - The Apprenticeship of Big Toe P, Reiko Matsuura - The Damned ; Against Nature, Joris-Karl Huysmans - Empire of the Senseless, Kathy Acker - Crash, J.G. Ballard (+ the Cronenberg of course) - Salomé / Teleny, or the Reverse of the Medal, Oscar Wilde - La Morte Amoureuse, Théophile Gautier
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^Romuald bitterly remembers his lost love, 1904, Eugène Decisy—his etchings for Gautier's story are beautiful (x, x)
- The Image, Jean de Berg - Trois Filles de leur mère, Pierre Louÿs - House of Incest, Anaïs Nin - My Dark Vanessa, Kate Elizabeth Russell - Naomi, Jun'ichirō Tanizaki - “Dolores”, Algernon Charles Swinburne:
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-> first of many stanzas^ ; I also like his “Laus Veneris” - Trouble Every Day (2001) dir. Claire Denis - Belladonna of Sadness (1963) dir. EIichi Yamamoto
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(screencap from eternal--return)
- Nekromantik (1988) dir. Jörg Buttgereit - Thirst (2009) dir. Park Chan-wook -> supplement w Zola's Thérèse Raquin and In Secret (2013) dir. Charlie Stratton
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separatist-apologist · 10 months
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What’s the best cassian fanart you’ve seen
I had to consult with the counsel of Cassian lovers (@dustjacketmusings @c-e-d-dreamer @areyoudreaminof) and here were our thoughts. I've linked all the artists rather than put their art up, so people are FORCED to go to their instagrams and support the folks in our community, which felt like the right thing to do given how much shit talking I do about AI art
Here is Merman Cassian, by Inkye [but a quick scroll through her page shows a TON of Nessian/Cassian)
I personally love @naariels Big Boy Cassian (he's my favorite Cassian so far)
Mads and her portrait series did Cassian with windswept hair, we have no choice but to stan
Niru.Sky has a very handsome, very interesting and MEAN looking Cassian
Artofviccolatte did some Cassian sketches that show off the different facets of his personality
@melphss commissioned artist @linarttz for this lovely Nessian
@podemechamardek has this domestic scene of Nessian dancing (featuring shirtless Cassian)
amaya_bookart has THIS sexy nessian
You can't forget @emiliamildner and her Mummy Inspired Nessian
There are so many more, too many to possibly link. I think fandom IS community, and we have a responsibility to the people within it to support them. A lot of this art is made for free, it's a labor of love and shared with people who also love these characters. Even if AI artists DO love these characters (And I question this given most of them seem unaware of even basic facts about the characters themselves), participating in fandom isn't about getting clout and followers- it's passion, it's fun.
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sad-ocevns · 6 months
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I remember the first time I saw Phoebe, she was on the iPhone commercial, in her old band, Sloppy Jane, playing guitar and singing "gigantic" by Pixies (which I'm also a big fan of). I don't know why but within a few seconds of video I fell in love with her voice and decided to find out more about her. She had an EP and some videos (Chelsea and Georgia if I'm not mistaken. Very different from the versions we have now), covers (Teenage dirtbag with her friend Charlie Hickey. Which was my favorite cover) and small performances on YouTube, and I remember like it was yesterday how difficult it was to find her name, I just found it on a Blogspot that said exactly "if you searched about her because of the iPhone commercial" lol and there were pictures of her with very short hair and leather clothes and a yellow cover EP "killer EP". I remember I took videos on YouTube and downloaded them as mp3 to post on my old Tumblr account. I posted all that I got and when I posted "killer" suddenly an account with the name "phoebebridgers" liked it, and I really don't know if it was her, but given the circumstances where she wasn't famous, I'll keep it in my heart that it was her lol. I'm not a "I knew her before she became famous" person, I just wanted to say how great it is to see a good artist grow so much in music. Since I first heard her I knew she was going to be big in music. No matter how big she is, she is getting the recognition she deserves. The same I say for Julien and Lucy. Julien I met the following year, 2016, and the album "sprained ankle" was one of the best ever. I don't think I've ever identified so much musically with an artist as I did with Julien's songs. She was small and shy, still with few tattoos and now she is gigantic, It's like she was other person, but with the same essence. I know a little less about Lucy because I only got to know her music a little before boygenius, through the song "I don't wanna be funny anymore"... Who wouldn't want to hear a song with such a cool name? It was so fucking good just like all of her songs and I've been a fan ever since . I don't know if the boys will win these Grammys and honestly it doesn't matter, they are bigger than what this award could bring in terms of certification of "good music" (which honestly, no award means something is really good). What they are surpasses all that and, as a fan, I'm already fucking proud of these guys.
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