#also Katara—I need to write for her more. and Aang. | Explore Tumblr Posts and Blogs

hazashiovo · 1 month

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Omg that kuvira sub req was lit! Could you do one for Zuko please? Maybe after he’s become fire lord?

I decided that instead of writing nsfw, to just make it angst to fluff. Sorry that it's not what you asked for ,but this is what I got.

Genre:Friends with benefits to enemies to lovers ,angst to fluff,

Tw: mentions of trauma, burning and leaving a scar.

Zuko x Fem reader

Ever since you ran away from Zuko to help the avatar restore peace to the world,you kept thinking that he would let go of you.

But no, you can't catch a damn break, since you ran away he's been chasing you. He swore to find you.

How? You have no clue. But you never doubted his devotion for this cause,you knew that Zuko had that burning will in him.

I mean,you were his soldier,and things between you two were...complicated.

Sometimes you would have heart to heart conversations. Maybe about your life,or what you would be in the future, and other times it was just making out after a stressful day. But you never did more than that,he wanted you ,and you wanted him but there was always something holding you back.

Now this is something that fuels Zuko, his need for revenge is powered by those moments between you two. And not only that,but if he finds you he also finds the Avatar. Which is the perfect reason for him.

You get to be punished for treason,and at the same time he would finally have his honor restored. That's what he says to himself at night. It's not like he wants more.

So for months, almost a year he searched for The avatar,and for you,each time you managed to slip right trough his fingers.

The last time he saw you was at the northern water tribe,when he tried capturing Aang you fought Zuko while Katara protected the younger boy. Zuko knew he could do so much damage to you,but he simply couldn't.

You unfortunately lost,after all Zuko was stronger than you. You both knew it,but it never stopped you before.

You tried talking to him,you always thought that if you got a chance you would be able to at least get him to think of another way,a better way. Maybe this way things wouldn't be so complicated between you two.

But no matter how much you tried,he was just too stubborn.

You tried putting a fight again,he was so angry that he didn't even realize with what force he sent that fire at you,not even throwing you a second glance.

Too blinded by anger,now that you weren't in his way anymore he went for Aang.

If you wouldn't have blacked out you would've saw the way Katara fought the prince,after all he harmed you, and wanted to take Aang away.

You woke up on Appa,Katara was tending to your burn mark, trying to completely heal it.

"I'm sorry (Name),but it's going to leave a pretty big scar here." Her hand would lay on your shoulder comforting.

It was rough looking in the mirror,but you started getting used to it. The bad part was when you started having nightmares of your fight with the prince,the burning feeling awaking you in cold sweat.

You healed with time, fortunately for you,the prince and you didn't meet again after that. You split from the team,it was necessary for you to find a way to heal the scar that Zuko left in your mind.

Imagine the shock on your face when you finally got reunited with your friends.To see Zuko there was something you never expected. Deep inside you knew he could change but never actually thought he would.

He would be so awkward, and yeah he would talk to himself, trying to find the right way to apologize to you for hunting you down and kicking your ass. It was also this little thing, he never realized how much you affected him when you were around until you left,and it drove him mad. Never quite understanding why.

He kept his distance from you, mostly because he didn't really know how to approach you. It's not that he's as mad as he was before when you betrayed him, but it's still awkward.

So you two just stayed away from each other. The group could see something was up with you two,I mean they knew about your scar and journey ,but Zuko didn't.

Nobody told him about the scar he left on you back then, and you never confronted him about it.

One night when you wanted to take your mind away from all that's happening ,you found yourself in the lake near your camp.

A swim would do you good.

Unfortunately for you ,that's what the young prince also had in mind.

He was left speechless once he saw your naked form in the water. A certain part of you got his attention,your back.

There was this big part of your shoulder all the way to your waist that was just burned.

And then it clicked, when he fought you in the north water tribe,he did this.

"Stop staring." You speak,loud enough for him to hear you, getting deeper into the water so your back would no longer be visible to his longing stare.

"I wasn't staring." He turns his head away embarrassed,his face hot just thinking that you caught him staring at your form. He acted like a pervert. How could he be so stupid?

Zuko quickly took off, not allowing you to say anything else.

He spent the night thinking,about you ,your scar your body. It annoyed him so much that all he could think was you.

So he left the next day with Sokka, on a mission to free Sokka and katara's dad from a high security prison. Totally no big deal.

Each day he spent there he hoped he could get you off his mind,but no matter how hard he tried you were just stuck on him.

Let's just say that he had some pretty unusual taughts while he was locked away.

After he saw Sokka with Suki he got this weird feeling, it was some inside him pushing him to be this way,with you.

So there he was,back at the camp with a complete mission, trying to find a way to speak to you. And he couldn't really bring up the last time he saw you, 'Yeah I saw you naked and I stared at you, wanna date?' no way in hell, unless he wants to be seen as the biggest creep ever.

"Mind if I sit?" Zuko's eyes dart up at you,he didn't even hear you coming her.

"No one's stoping you." You sit down next to him, noticing how he quickly looks away.

"It's been a while huh?" Your eyes look up at the dark starry sky, hoping he's willing to talk to you.

Zuko furrows his brows, searching for the right words to say. He never had to think so hard while talking to you,why is it so hard now?

"I won't bite if you say something." You nudge him with your elbow, sending his thoughts away for now.

"Listen,I'm really sorry for what I did to you back in the north,I was just so blinded by my desire for honor that I was willing to cut trough-" your lips stop Zuko from saying another word, already hearing what you wanted.

He's sorry for hurting you,and he admitted that he was blindly chasing something useless,and that's all you wanted to hear from him.

He whidens his eyes for a second,finally realizing what's happening he cups your cheek with one hand and closes his eyes, kissing you back.

You break the kiss, looking at his face for any sign of reluctance. But all you can see in his eyes is this soft look,it's really cute.

"You have no idea how much I wanted to hear that from you." You whisper, afraid that if you would speak any louder you would break this comfortable feeling around you.

He smiles, closing his eyes. All this time he thought so much , wondering how your next interaction would go,or what would you say to him.

He missed the kisses,soft ones were his favorite,but the making out had a tool on him too.

"I missed this." He speaks,hand trailing down your lip, carefully touching it.

"I never thought you'd forgive me." Zuko allows his head to meet with yours gently stroking your cheek.

"Thank you for becoming a better version of yourself."you smile, placing your hands on his wrist in a gentle manner.

"Okay what's going on here?" Sokka looks at the two of you like he witnessed a war crime. Did he drink cactus juice without realizing??

I couldn't do it.

I couldn't write Zuko smut yet ,I'm sorry 😭

#atla x reader #avatar #avatar the last airbender #atla #x reader #fem reader #zuko x reader #prince zuko #zuko atla #atla zuko #zuko x fem reader #sokka #aang #katara #toph #reader #fan fiction #reader x character

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xabura · 1 month

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I never understood why the Avatar Extras said "Kataang wins!" at the end if Kataang was always meant to be the "obvious endgame" and Zutara supposedly "wasn't even a contender". I thought it was a joke making fun of the fandom, but now that I have learned that Zutara was pushed by many of the ATLA writers (despite Bryke denying it was even considered for years), I think it was referring to the ship war that was going on in the writer's room.

"Kataang wins!" was originally a line that came from the script notes written by Bryke for the final episode, Elizabeth Welch directly references Zutara in her script notes for The Southern Raiders, John O'Bryan said that he supported Zutara but "lost that fight", and M. Night Shyamalan said that Bryke hadn't decided on who Katara would end up with even as Book 3 was being produced.

This would also help to explain why Guru Pathik said Aang needed to let go of Katara which was happening at the same time Zuko and Katara were bonding. Zuko was supposed to join at the end of Book 2 but after they decided against that, they totally dropped that arc of Aang needing to let go of Katara in Book 3. They had Aang resolve his issues with a rock. The lion turtle was silly but the rock was just ridiculous.

The writing in this part of ATLA was always so strange to me. It seemed like it was being pulled around in different directions. If it was because the writers were having an argument over how the story should play out then the strange writing choices make so much more sense now.

#zutara #book 3 was a mess

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aangarchy · 2 months

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Netflix atla live action review ep 4-6

So, they completely ruined Bumi. Spoiler warning.

The more episodes pass by the more confused i get with the choices that were made. I wrote down commentary for the episodes and the thing that i wrote down the most was "why does this happen?". The writing is incredibly confusing and messy, feels too rushed in some spaces and too slow in others. There's just... so much going on and so little at the same time. They brought in elements that in the OG don't get introduced until later in s1, s2, the comics, or even the legend of Korra. The reason these things get introduced so early here is not clear at all, because they don't serve any purpose other than to be an obstacle to Aang, Sokka and Katara on their way to the North.

Mai and Ty Lee are.. there. They get introduced earlier but they don't serve any purpose at the moment other than stand around, watch Azula train, ask questions so that Azula can give us the answers the viewer needs. My guess is they only got introduced for the audience who watched the OG to go "oh we know them!". We get the secret tunnel story earlier too, but it has absolutely nothing to do with love. Somehow "love is brightest in the dark" now correlates to the badgermoles being able to sense a human's emotion. It's a waste of a storyline, doesn't teach us anything about love, gives us Omashu lore which is useless bc neither Sokka nor Katara actually use love to escape the tunnels. Also Oma and Shu are lesbians now, but you only know that bc they changed Shu's pronouns. Wow, so progressive! We have lesbians in the story now! Boy do i feel represented as a sapphic!

We get Koh early on as well, but his entire gig got changed. Now suddenly he doesn't steal faces but he "feeds", and hunts using the fog of lost souls (which is tlok lore mind you) as a tool to trap humans. We introduce the mother of faces (comic book lore!), or rather pendant of her that Koh owns. There's no reason for her to exist in this story though other than to be an easter egg to everyone who read the search (Not even the majority of the fandom!) and to offer a solution to this problem we've created, which is Koh capturing our friends in order to eat them and us not being able to convince him into letting them go. There's no feeling of dread in the Koh scenes at all because the whole problem of not showing emotion is just not a thing now. No suspense, no fear, just a weird cgi clown face worm. The worm doesn't even menacingly circle around Aang to invoke a feeling of being surrounded, it just sits there. I also just don't understand why Koh is here already bc now who is going to give us information about Tui and La?

This decision also creates a problem that Hei Bai's story just isn't about Hei Bai anymore. We get fed a few lines from a talking fox about how the forest spirit got hurt, but there's really no solution? Aang buries a pinecone in front of the statue and tells him not to give up hope but he didn't even really need to do that, because Hei Bai wasn't the one kidnapping villagers! It was Koh. Why did we appease Hei Bai if Koh was the real villain? Hei Bai/Koh's story leads us to Roku, but Roku is completely useless. All he does is undermine Kyoshi's advice to Aang, tell Aang about the mother of faces pendant so he can appease Koh, and then we leave. I knew in advance Roku wasn't going to warn Aang about the comet here bc Albert Kim already told us working with a deadline like that with child actors is just impossible. But with Roku suddenly not being Aang's main Avatar guide he just gets nothing to do. There's no suspense in this part of the story either, bc the time limit of the winter solstice isn't a thing here at all. Aang also ends up flying over Fire Nation borders without issue, and gets led right into the sanctuary without the puzzle of figuring out how to open the door, and without the problem of Zhao's soldiers waiting for him when he comes out. It creates this issue of there not being any excitement, at least for me. I genuinely am getting a bit bored with the show, which was never an issue with the OG for me. There's a reason all of this extra material didn't get introduced until later on. There's too many characters and they all get too little time to really do anything useful, they're not fleshed out, the stories aren't thought through and it ends up getting very confusing and boring. I'm genuinely curious for the perspective of people who have never watched the OG cartoon, bc i wonder if they're even able to follow along without prior knowledge of this universe.

Bumi is just... not Bumi. They completely changed his character to be this bitter old senile man that resents Aang for abandoning the world. This doesn't make any sense because in this version of the story Bumi shouldn't know that Aang is the Avatar at all, because Aang was told right before he disappeared! So why does Bumi immediately know that Aang is the Avatar, and why does Aang immediately recognize him? Also the original point of Bumi's tests is to get Aang to approach fights and puzzles from a different angle, so he can learn versatility as the Avatar. But here the tests are just happening because Bumi is mad at Aang for leaving and wants to get back at him for being gone so long. He says some lines about Aang having to learn to make hard choices and you can't rely on your friends, but Aang ends up proving him wrong in the end! What is even the point of Bumi's part in the story now, except for him just being another obstacle on the way to the North Pole?

There's a lot of instances where I feel like the bond between characters gets completely lost. We barely spend any time with the side characters like the mechanist, Teo, Jet and the freedom fighters, and the people in the spirit village. It makes some scenes feel very out of place. These storylines all happen at once, and they don't get their individual moments to shine. We have no room to feel betrayed by Jet or Sai, because we barely got to know them to begin with. Jet and Sai only spend time with One member of the gaang each, but when their betrayals come to light the rest of the group acts devastated, as if it was their dear friend. Sokka also gets really mad about the Jet thing, but he only met Jet once when he smuggled them into Omashu, and Jet didn't even tell Sokka his name. He said it afterwards when Katara met him again. It makes absolutely no sense why Sokka is yelling at Katara for trusting Jet only bc she finds him attractive, when Sokka wasn't even there during all of that!

The sense of family between the gaang that we get from the original also just doesn't happen here. Especially because these characters so far have spent more time apart than together. Aang constantly gets separated from Sokka and Katara, leaving no room for them to bond. We get Katara and Sokka bonding, but they shouldn't need those types of scenes because they're already siblings (which isn't very clear in the show either btw!). I ended up forgetting that Sokka and Katara were trapped by Koh, bc we spend so much time away from them (a whole episode, which is now an hour!).

I have little to no criticism for the Blue Spirit story. Want to guess why that is? Bc they left it pretty much untouched. We even get a little bit of an extra scene, with Zuko and Aang talking while Zuko recovers after getting hurt during the escape. I liked this choice, especially bc it highlights how conflicted Zuko is.

This is where we get Zuko's backstory. I have one question here: why did they make Ozai more sensible and less ruthless? Was that a Daniel Dae Kim decision? Bc it feels like a Daniel Dae Kim thing to do. They're very on the nose with the way Ozai is abusing Zuko and Azula, but then they turn around and make this man visit Zuko after he burned him and praise Zuko about finding the Avatar. I understand that they did this to show how Ozai uses Zuko's accomplishments in order to push Azula, but even if it were to do that: the original Ozai would NEVER. The problem here as well is that they don't let the viewers draw any conclusions themselves anymore. They're holding the viewer's hand through the whole thing, leaving no room for nuance or doubt.

I just finished episode 7 and 8 and I have Things To Say. None of which are good. Writing it down is challenging so it might take a day or two.

#atla #avatar the last airbender #avatar #netflix atla #atla netflix #natla #netflix #atla live action #atla live action spoilers

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zutarasbuff · 2 months

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I watched the Netflix adaptation of ATLA today and being a hardcore fan of the OG series who knows every nook and cranny of the ATLA world, here’s my unbiased and truly honest review (It contains both the negatives and positives of the series, so dear reader please enter to read at your own risk).

Firstly, let’s talk about the wonderful additions to the already magical world of ATLA.

1. The depth of the genocide

Well, I always wanted to know how the air nomads were suddenly wiped out and how it would have been for them? Why didn’t they resist? I got my answers in the first episode where we explore how the unhinged power of the comet was “actually” used to create a genocide on a massive level. Before that, I had only heard about it in the OG series. Those few scenes were so powerful that they had left me sobbing uncontrollably and Gyatso’s concern regarding Aang had me bawling.

2. Suki’s Characterization

In the OG series, we do find our Suki the fiercest warrior, but here in the live action, she’s an absolute goddess. She is perfect in every sense. She understands the responsibilities she has being a non-bender and is fearless. Her character is what I believe to be was the strongest one of all.

3. Graphics & Music

We never talk about a film by M.Night (that didn’t happen), but this one is really a visual treat for you can readily set yourself up for some mind-blowing bending scenes, plus the fight scenes are quite impressive. It seems that the VFX team had really done their homework this time. Plus, both Momo and Appa are so freaking cute. I loved the fluffy Appa. Good work over there. The revival of the OG theme is also a highlight plus the sun warriors’ chanting in the end is given a new but intriguing twist. The background music especially in scenes where Aang unravels his Avatar powers is mystical in every aspect.

4. Life in motion

I don’t know about others, but I have always been a sucker for animation as well as live-action where characters are operating even in the direst of the circumstances. Life is there and even after they know what happened a hundred years ago, they are still trying to believe and regain their past confidence. This is beautifully portrayed and I was very much impressed by the way people are continuing their day-to-day activities even in the middle of a crisis.

Overall, the series serves the purpose of an adaptation carrying its unique colors (at least better than the previous live-action disaster that didn’t happen).

Now let’s move to the bad side, and when I say it’s honestly what I felt, you need to take my word on it being a hardcore Atla fan.

1. Weak writing & lots of exposition

ATLA remains at a 9.2 IMDB rating even after years because of its writing, strong plot, and very few plot holes. This time, the writers are the real amateur ones. Despite addicting more to the already flourishing universe of ATLA, sadly, they killed the quest of the viewer to find answers. There is too much exposition. It seems that every character just wants to see the end of the war and keeps on revealing things after things. Plus, some of the OG moments that were the soul of the series are not even included. The way Aang finds Momo and then decides to keep it with him as a last remnant of their bygone air nomad civilization is nowhere to be found. In fact, the replacement of Roku with Kyoshi is the biggest disappointment. I love Kyoshi like no one else but that was unnecessary as per the cycle.

2. Bland acting

Even the worst writing shots can be digested only if the acting appears real good. Sadly, this is another issue that I found with the NETFLIXED version. No doubt the characters must have done a lot of hard work for this, yet, they lack the expressive power. Gordon as Aang is super cute but the goofiness is not even there. Katara seems a nerd who doesn’t like to talk much even when it’s necessary and Sokka’s jokes are forced. Meanwhile, Dallas seems to save the day at one point, but again his over-the-top angry young man attitude ruins it for me. Maybe the actors will learn from the criticism in the upcoming season (if Netflix plans to go with it).

3. Major changes

Yes, it’s okay to change the narrative while you are working on an adaptation, but targeting the loyal viewers who are OG fans of ATLA means that you have to be very careful when you are trying to implement your changes in scenes that are the real soul of the OG. You can’t change the Omashu myth as if it’s nothing when we actually see even the cute animated version of the folklore. You cannot portray Roku more as a perpetrator of the genocide and Bumi as the evil king when in truth he’s the mad king who’s known for his genius ways of teaching. I hated that. Plus, reducing Zhao’s authority and taking Uncle Iroh’s sarcastic attitude is just meh. Mai again doesn’t even seem perfect as a cast. Jet is good as far as the aesthetics are concerned but Jet being in Omashu doesn’t even sit right with me. The amalgamation of multiple storylines creates so much confusion and this persists till the end.

4. Bending at convenience

We all know how Katara’s bending progressed throughout the first season and it’s little effort each day. However, in series, one day she’s unable to bend even a droplet of water and the next day she is capable of producing ice crystals. This was unacceptable for me because I was anticipating her learning strategies. Besides, Aang doesn’t learn much water bending throughout this season and in the end, it’s him being the savior in Avatar state. Thoughtless bending sucks despite the great VFX and that’s one thing at which you can’t convince me otherwise.

5. Forced friendships

We all know how it took some time for Sokka to embrace Aang as a chum. However, here Sokka keeps on calling him “the kid” and remains mostly alienated from Aang. Talking to Katara, then she also seems more interested in helping Avatar fulfill his goal than being with a friend. I hated the scene where Aang comes into the Avatar state and instead of hugging him just like in the OG series, Katara runs along Sokka and keeps on calling his name. How is that going to build any organic friendship? I think the first mistake began right from the very moment when Aang was taken back to Wolf Cove on a boat in his unconscious state. Upon opening his eyes, the first person he finds near him is neither Katara nor Sokka but a tribesman who’s playing guessing games. Writers were really high when they wrote that.

6. Lack of the four nations’ biodiversity

Maybe in live action, it’s difficult to create all the marvels of the four nations when we talk about their natural biodiversity. In the OG series, it is indicated by Aang that even after 112 years, he has still not forgotten the animals that define different regions in the four kingdoms and that’s exactly why he wants to finish those “important tasks” alongside saving the world. His important tasks included keeping a check on the natural biodiversity of the lands and exploring whether the Hundred Years’ War had not damaged the majestic animals. Actually, his first dialogue right after regaining consciousness is to go for an otter penguin’s ride with Katara. When I thought about that I felt that somewhere in Aang’s mind he was always connected to nature and that’s why he wanted to regain that connection by being an avatar. Sadly we never see much of the biodiversity but I hoped that maybe they will.

Also, how come Aang had that silent whistle for one hundred years when in the series he only discovers that accidentally? I missed the OG Yip Yip for our Appa. There are lots and lots of problems with the Netflix version, and no I am not being a nitpicker. I appreciate how the current creators credited the original ones, but now I know why Bryan and Michael bade farewell to this project. On a scale of 10, it’s a 4 for me or 4.5 if I am being too generous.

If I am asked to review the live action in a single line, I would only say this:

“The Netflixed ATLA makes you go back to the OG series and you end up watching the animation to give your mind a much-needed respite from a carefully crafted artistic disaster aimed at the sensationalized generation.”

#atla #avatar the last airbender #atla live action #atla netflix #avatar aang #atla katara #avatar zuko #avatar roku #avatar the legend of aang #iroh & zuko #zutara atla #kataang #avatar canon #avatar review

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burst-of-iridescent · 2 months

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I’ve been reading a series where a guy is in a near identical situation to Katara was in The Southern Raiders. But what I find interesting is that no one really tries to stop him and the fandom considers it completely justified. I can’t help but think despite it being two different series and fandoms that Katara’s gender has at least something to do with this. When a male character wants to seek revenge and kill the murderer to do it, the narrative and fans justify it but when it’s a female character she’s vilified, seen as out of control and letting her emotions get the better of her. I hate when people say Aang was right to say what he did and try to stop Katara from making her own choice. It doesn’t help that we know Bryke is misogynistic based on well everything to do with their female characters post series after they didn’t have the talented writers who actually understood the characters helping them. And sure I know Bryke themselves didn’t write The Southern Raiders but we know from script leaks that there were more shippy Zutara moments that were cut and I think we know who’s to blame for that. So I wouldn’t be surprised if they still influenced the more problematic parts of that episode. Such as Aang and Katara never talking about or resolving their conflict, Sokka calling Aang wise beyond his years and never talking about or resolving his side if things with Katara, and even Zuko weirdly agreeing with Aang at the end that “you were right about what Katara needed.” Even though she literally just told Aang a second ago that he was wrong and she would never forgive him and doesn’t know why she couldn’t kill him. If you couldn’t tell I have rather mixed feelings about TSR episode.

Sorry for the ramble. How do you think their conversations (Katara, Aang, and Sokka) would go if they were to talk about it all after the episode?

oh misogyny definitely plays a part - just compare the way people react to inigo montoya from the princess bride vs katara in tsr - but i think the bigger issue is the overt narrative framing of the episode.

on a first watch, tsr appears to push a very simplistic idea of "violence = bad" and strongly favours aang's perspective, which encourages the viewer to see him as being in the right while katara and zuko appear to be in the wrong. the fact that aang never changes his perspective and both zuko and sokka are (forcibly and very uncharacteristically) made to take his side by the end naturally inclines the audience to do so as well.

it's only with a closer reading that you see a more nuanced take which highlights the flaws in aang's thinking and treatment of katara. katara herself makes it clear that what aang wanted her to do would not have helped her find closure, and she began her healing process without ever forgiving yon rha - which is exactly why i hate people attributing her decision not to kill yon rha to aang when she explicitly stated she did not and would not ever do what he wanted her to!

these are the same people who will also blame zuko for being a "bad influence" on katara, as if the only reason she hunted down her own mother's killer is because zuko convinced her to do it. katara isn't some weeping willow to be bent to the will of zuko and aang; her decisions are her own, not based on the whims of the boys in her life. can we please stop stripping katara of all her agency in the one episode that actually focuses on her trauma and healing?

rant aside, i do wish that katara had talked to sokka after this episode and i imagine there would be some apologising on both sides. sokka - a realistic sokka, because my god was he wildly out of character - would probably check in on her and admit that he was afraid for her safety and well-being. katara would likely apologise for the "you didn't love her the way i did!" remark and i think it would've been nice for them to finally talk about kya and for katara to bring up the conversation she overheard from the runaway about how sokka confessed to seeing her as a surrogate mother.

(imo the impact hearing that would've had on katara was largely downplayed in the show, and is likely part of the reason she reacted to sokka the way she did in the southern raiders, but that's a post for another time.)

the katara-aang conversation would probably have gone the same way that it did in canon, because the issues with their dynamic in tsr are part of the underlying problems with the kat.aang relationship in general. i would've liked to see aang have a little more of a reaction to katara saying she never forgave yon rha (he doesn't seem affected at all in the show), and for that to maybe prompt him to really reflect on what he said.

but ultimately what really has to be tackled here is aang's idealization of katara and his focus on clinging to air nomad values at the expense of those from the other nations - and those problems run too deep to be fixed in a single episode or conversation. the southern raiders would have been a good starting point, but unfortunately the finale never engages with these issues, and so what could've been a great arc ends up going nowhere at all.

#anti kataang #zutara #katara #the southern raiders

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calderacitylovers · 9 months

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Zutara SlowBurn FanFiction: Personal Favs, part II

· DESTINY IS A FUNNY THING by Megara Pike | Published: 2020-08-21 | 198K Words | 45 Chapters

ATLA Season 3 rewrite, fills in a lot of blanks between canon scenes. From the Southern Raiders to Sozin's Comet through coronation and aftermath. Growing friendships, bonding, being there for each other, a carnival & a cave, epic spirits' appearance on the Ember island, sparring, nightmares, assassination attempts, political ruses, and covert operations. Lovely, sweet. Exciting plot.

· ATLA Book 4: Ashes by elayne_cypher | Published: 2018-10-27 | 306K words | 34 Chapters

This action-packed story picks up right after Ember Island Players and continues well after the war. Zuko is facing many challenges as a new Fire Lord. Romance, tough decisions, rebels, traitors, out-of-body experiences, secret headquarters, angst, teamwork, fire jets. The story has a bunch of OCs.

· Refraction by caroes3725 | Published: 2020-09-09 | 215K Words | 37 Chapters

After breaking up with Aang, Katara needs to figure out her place and role in the patriarchal world. As determined Katara stubbornly bulldozes her way through Fire Nation political scene, her feelings for Zuko grow. Diplomatic visits, Gaang reunion, bonding with Kanna, insights into the life of Caldera city, stuffy politicians, cute correspondence, tropical storm, women supporting women, assassination attempts, personal boundaries. A sweet well-written coming-of-age story with a healthy measure of slow-burn and mutual pining. Katara and Zuko are both POVs, but the story mostly follows Katara. Bonus: Mai is NOT a clingy resentful idiot, but a smart person and a good friend. Some explicit language here and there, a bit of mild smut.

· I Asked You First by halfhoursonearth | Published: 2020-10-03 | 142K words | 22/? Chapters

Ongoing, incomplete. Post Southern Raiders ATLAS3 rewrite. Mostly canon-compliant with blanks filled in between familiar scenes. Zuko and Katara develop a close friendship built on trust and sharing each other’s fears and hopes. Includes mentions of implied child abuse, Lu Ten’s diaries, exploring Avatar Roku’s legacy, sharing a balcony, heart-to-hearts, a hot spring under the stars, an actual date, and artbending. It’s incomplete, but what we have is bliss. Slowburn, mutual pining. Zutara-centric, but also explores the personalities of Team Avatar and their relationships.

· Katara Alone by cablesscutie | Published: 2020-05-31 | 21K words

Katara is not an “unnecessary accessory to a more powerful man”. After the war, she is willing to forge her own path as she turns to people who need her the most on her journey of self-discovery. Features character exploration, correspondence, exploring outback villages of Fire Nation and Earth Kingdom, sweet reunions, and new firebending skills.

· THE PHOENIX AND THE DRAGON - THE COMPLETE SERIES by JasmineTeaLatte | Published: 2021-06-11 | 100K words | 31 Chapters

This story picks up after The Ember Island Players. Zuko and Katara get to know each other during a late-night conversation by the campfire. In this story, you will find healthy boundaries, protective Sokka, a dash of Taang, sparring, funny banter & lots of flirting.

· HESITATE by tiffaniesblews | Published: 2020-07-11 | 22K Words | 12 Chapters

This story picks up right after Zuko's coronation and spans two years afterwards. Zuko & Katara talk, share a few beautiful moments, write to each other, and reunite for the 2nd anniversary of the war ending. Very sweet, fluffy story about two sweethearts figuring out their feelings for each other.

· LIKE WE'RE MADE OF STARLIGHT by Naladot | Published: 2021-11-28 | 5K Words

Katara leaves her post as the ambassador to the Fire Nation to take up a new one as the ambassador to the Northern Water Tribe. Her absence makes Zuko realize that he's got an unfortunate crush, which he is determined to keep secret. Unfortunately for him, subtly has never been one of his strengths—especially when he arrives in the Northern Water Tribe and she keeps taking him on what seem to be dates.

· FIGURE IT OUT by clearascountryair | Published: 2021-12-20 | 35K words | 13 Chapters

After choosing not to kill Yon Rha, Katara rethinks her sense of self and others' perceptions of her. Or, In which Katara learns that there’s a really big difference between being kissed when you don’t want to be and being kissed when you do. Aged-up 3B/Ember Island AU.

- I FOUND YOU by that_turtleduck | Published: 2020-11-01 Completed: 2024-02-24 Words: 157,541 Chapters: 28/28

After divorcing Aang, Katara uproots her family and travels to Caldera. There she finds comfort, kindness and support from an old friend. Katara tries to find her footing as an independent political figure. Great story & relationship dynamic of Momtara & Dadko in their early 30s (Ember island, diplomatic meeting, dancing, turtleduck pond, letters). Delicious slow burn with rewarding spicy resolution in the end (explicit open door). Titters on the side of Anti-Aang.

Here’s a link to Part I of my personal favorites.

Here’s a link to Wholesome Zutara Short Stories.

#zukoxkatara #Katara x Zuko #zutara #zutara fanfiction #zutara fic

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comradekatara · 4 months

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if someone in the main cast besides aang were to be born the avatar, who would you want it to be? i think toph with access to all elements would be an unstoppable menace, but i’m curious to hear your thoughts

okay so obviously AUs that entertain an avatar during atla besides aang himself clearly have no interest in upholding the fundamental themes of the show, since aang is the only possible avatar/central figure of this show. it is explicitly structured in such a way that aang’s protagonism is no sheer coincidence or accident (ie, it’s good writing). so when entertaining who would make for a compelling avatar in an AU, we also must entertain how such a figure would necessarily shift the themes of the narrative, and whether such a transformation would be interesting.

1) katara wouldn’t be interesting, because her narrative role is too proximate to aang’s to change the themes of the show in any significant way, and even though seeing katara as the avatar would undoubtedly be cool as fuck, we already have korra, who is basically like if katara was the avatar (personality and skill-wise at least) and she is, indeed, cool as fuck. so not katara.

2) zuko is also proximate to aang, and his role as the avatar would be relatively similar to his role in the show already—unlearning the dogmas of his nation to align himself with justice and balance through learning the techniques of multiple elements. it is literally not different in any way.

3) toph would be extremely powerful of course, but she is already extremely powerful, so nothing much would change. her parents would attempt to restrict her, she would escape, travel the world, hone her craft, and defeat ozai. not very interesting.

4) suki would similarly not be interesting. she is an extremely diligent and talented warrior, so she would simply train and defeat ozai with no real obstacles in her way.

5) iroh as avatar also wouldn’t change much imo. azulon would see it as a blessing and wield him as a weapon in much the same way he does in the show. iroh’s failure and betrayal would maybe put a slightly bitter target on his back, but his emotional journey would be much the same.

that leaves 6) azula, 7) sokka, 8) mai and ty lee (yue and jet would also make for pretty interesting avatars, but you did say “main cast,” and we don’t have all day besides). they would make for interest avatar AUs specifically because this role reversal necessitates a reversal of the show’s core themes.

6) avatar azula. she finds out as a child (perhaps ursa is there with her, perhaps she dies with azula’s secret), and is urged (by her desperate, terrified mother) to secrecy. no one, especially not her father, can know of her burden. she hones her firebending in broad daylight, and trains her other elements under the cover of darkness. her waterbending is more powerful under a full moon. her earthbending is so precise she can use it to pick a single flower from the garden without disturbing the feng shui. but despite ostensibly being her secondary element, her airbending still needs work (here is where she and korra happen to converge). then, one day, her precarious existence experiences a seismic shift—her older brother has been banished, and his task is singular and seemingly impossible: capture the avatar and return them to the palace in chains.

for all of zuko’s flaws, he is relentlessly stubborn, and azula knows that he will not rest until his task is completed. of course if she remains in the palace, zuko will never be able to find her or return home, but she cannot take that chance because she knows that iroh can sense what—who—she is. so she runs away. elegantly, of course. she puts it in ozai’s head that he needs to send her away for a special mission only she can complete, that will take an indefinite amount of time to accomplish. and she leaves the palace under ozai’s authority, disguises her identity, seeks out as many masters as she can find to train her, and plans her coup. she is able to recognize how palpable her fear of ozai truly is, because she has been hiding from him her whole life. and she knows that the only way to stop hiding is to defeat him. as you can see, this version proves a very different story, with different themes, different characters, and a vastly different ending. and so it compels me.

7) avatar sokka. sokka finds out he is a bender after katara finds out that she can waterbend, and after she is nearly killed for it, their mother in her place, and so he keeps quiet. especially because he first finds out he is a bender by lighting a fire in his palm. once all the men leave for war, sokka goes to the farthest outskirts of their land, under the guise of hunting, and trains with his firebending every day (of course he does also hunt. his village needs food after all). one day, while attempting a new firebending move, he launches himself ten feet in the air. and that’s how he discovers that he is also an airbender. as if being a firebender wasn’t enough of a hideous curse, he’s also the avatar. what a cruel joke life is.

one day, a fire nation ship docks in their village, and a scarred young soldier demands to know the whereabouts of the avatar. sokka clumsily fights him with his spear, his club, his boomerang. but when zuko attempts to burn him to a crisp, nothing happens. the flames merely dissipate inches away from his skin. then, in a moment of sheer desperation, sokka airbends him and his retinue back, all the way into the freezing waters of the south pole. of course, freezing waters are not enough to kill a firebender, but he’s also somewhat concussed by sokka’s boomerang, so iroh insists that zuko recover in his chambers until morning. zuko insists that he just found the avatar and has no time for recovery, but iroh claims that without his health he will never capture the avatar, and promptly locks him in his room.

sokka says a hasty goodbye to katara and kanna and makes his escape on a boat with enough supplies to last him until kyoshi island. of course katara somehow manages to stow aboard, which doesn’t surprise sokka in the slightest. after her initial shock wears down, she’s just like “so were you ever going to tell me you were the avatar???” and sokka’s like “uhhhhhh eventually…” they make it to kyoshi island, seconds away from being fed to the unagi until sokka reveals his true identity. zuko tracks them down to kyoshi island and sokka and katara are given a stronger boat and more provisions with which to escape.

since katara wants to go to the north pole, and katara always gets her way, that’s where they head, except sokka insists that he should at least find an earthbender while they traverse the massive continent before reaching the north pole. katara’s like “noo it has to be in order of the cycle!!” but sokka’s like “fuck that i’ll take what i can get.” he finds jeong jeong, and even though jeong jeong calls him an oaf, he turns out to be a pretty good student. he fears fire and values discipline, which is all jeong jeong really asks for. by some pure happenstance (because sokka and toph will always find each other) they find the perfect teacher in gaoling. she escapes with them as they head to the north pole, but once they arrive her feet are freezing and she’s forced to wear boots, at which point sokka agrees to carry her everywhere. then he meets yue and accidentally drops her.

pakku agrees to train sokka but refuses to train katara. at first sokka’s like “well it’s fine because you can learn from master yagoda how to heal and i’ll learn how to fight and then we can swap notes,” but he quickly realizes that this is a bad plan because they refuse to listen to each other, so instead he just demands that pakku teach katara. pakku is obstinate, so katara fights him, at which point he realizes that she’s kanna’s granddaughter so problem solved i guess. sokka also learns healing from yagoda, because having the ability to heal and not exercising it is silly. during the siege of the north, sokka goes to the spirit oasis to attempt to ask the spirits for aid, but the only times he’s ever been to the spirit world have been when the spirits allowed it, and as it turns out, he’s really bad at meditating. which is for the best, because it means he’s prepared for zuko’s attack, and he and katara work together to stop him. they don’t kill him, but only because yue is looking at him with fear and it makes him hesitate. then before they can stop him, zhao kills tui and yue sacrifices herself, and sokka turns into a giant spirit koi and goes apeshit in his grief.

sokka, katara, and toph decide to trust a general who will help sokka harness the power of the avatar state to defeat the firelord. sokka is all for it. he’s like “yeah i’ll be used as a weapon and kill as many people as it takes to end the war.” he’s fine with this. it’s his duty as avatar after all. so the war ends quicker than in the show. he finds a map of the fire nation, toph helps him enter the palace through a secret tunnel (cue the song), and alone he enters ozai’s throne room and fights him. he doesn’t even need to enter the avatar state to kill him. he just uses the waterbending techniques he picked up from yagoda to reach into his chest and explode his heart. sokka uses his influence as avatar and firelord-killer to end the war and navigate all the complicated postwar politics.

the end.

see? it’s not as good.

but there are still some elements that make this version compelling. for one thing, sokka would have to interact with the spirit world. a lot. and he wouldn’t be happy about it. he doesn’t like that they pose questions that don’t have answers. and so he decides to wield his power as a tool for war, rather than against it. he wields his cultural influence to exert control over the world. a story where sokka is avatar (and with no aang to temper him and make him laugh) is necessarily a story as cynical as sokka is. but if that’s what you want, then there’s no better candidate. (also, he'd come up with some really creative bending techniques, and that would be pretty interesting.)

(however, if that is really what you want, just read the kyoshi and/or yangchen novels. they’re basically just worlds populated with sokkas.)

8) finally, mai and ty lee’s stories as the avatar would be much the same, so it doesn’t matter which. they are both enlisted to join azula’s small, elite team to return zuko home in dishonor, and to capture the avatar. so they must hide in the lion’s den, obscuring their identity from those they keep closest. their world is already one of dual loyalties and secrets; what’s one more? mai and/or ty lee only reveal their true powers at the boiling rock, to keep the other safe. together, they defeat all the guards holding them back, go into the avatar state to reach the cliffside before azula’s airship departs to the western air temple. azula is outraged, shocked, and hurt. ty lee somehow talks sokka into letting them hitch a ride back, and that’s how mai and ty lee join team avatar. of course, one of them is actually the avatar, so that’s not what their team is named in this scenario. although it gets named that after they join. and mai and/or ty lee defeats ozai. the end.

this version is a version that, like azula’s, specifically explores the costs of lying and keeping your identity hidden. it is similar of course to their actual narrative, while also exacerbating the impact of aang’s initial introduction, but the stakes necessarily become even higher, and the story becomes focalized on their internal struggles in a way the show never truly did. so to any mai and/or ty lee fans, it’s compelling on those grounds alone.

in conclusion, even the more compelling alternate characters—exploring deception, secret identities, ruthless violence, and spiritual conundrums—do not actually make for more interesting protagonists than aang. i would say that azula definitely comes closest to being the most compelling alternate avatar, with sokka, mai, and ty lee being compelling insofar as it presents opportunities for their internality and cynicism to be explored. jet would also be pretty interesting thematically, but you know i hate his vibes. and yue’s narrative would completely reshape the story, so that could be compelling as well. but ultimately, aang needs to be the avatar for the story to work, and even in azula’s case, as a fascinating replacement figure, her original role in aang’s story is fascinating enough. without aang in the central role, the show just isn’t as good.

#ecothroat #asks #the gaang and #AUs #azula #sokka #(mostly)#had to put most of it under the cut because i started rambling for way too long #even though the short answer here is simply: no. aang must be the avatar #that was a lot of words to dismiss the question entirely huh?

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oneatlatime · 4 months

Text

The Guru

Happy 2024 everyone and welcome to the first time I managed to type 2024 without first typing 2023! Oh and also a write up of The Guru. That too.

Me too Iroh. Me too.

So Zuko is riding high on that post-crisis 'time to get my life together' buzz that, similar to 3 am life plans, should absolutely not be listened to. Wonder how long before he crashes and burns? There's literally 2 episodes left, so I'm guessing one and a half?

Poor Sokka. My boy's got anxiety.

I don't know if it's a monk thing, an airbender thing, an Avatar thing, or an Aang thing, but I envy his complete lack of nerves.

How is Appa ok with them splitting up for a week after JUST getting them back?

I paused in a funny place. Have bonk-eyed Appa.

I love them comparing heights. What do you want to bet that that guy on the right was one of the youngest allowed to go fight, and Sokka made a big deal about how they're almost the same age and surely that means he can go too, right?

A lot of these Southern Water Tribe people have dreads or braids. That's neat.

Bato's arm is still messed up. That's some good continuity.

I've found the source of Katara's cheek bones. I guess Sokka takes after his mum.

Ok I know this is a really emotional moment (and it is! Sokka's spent two seasons earning this!) but my brain fixated on the furs and briefly thought they were sky bison pelts.

"It's been a difficult week for me." This guy thinks the Kyoshi Warriors are there to provide him therapy. Someone please just crown the bear instead.

He just gave away literally every relevant plot point AND outlined how to make sure all these plot points don't succeed. Crown. The. Bear.

Maybe if these generals spent less time playing with their giant model Earth Kingdom and more time general-ing, the war wouldn't suck so much?

Pretty.

I LOVE LOVE LOVE the designs, the colour palette, the music, the sound design of this air temple. I love everything about it. If I had the chance to live anywhere in the Avatar universe, it would be here. Even in its ruined state it's such a refreshing contrast to the claustrophobia of Ba Sing Se. I can feel the freshness of the breeze through the screen.

"A spiritual brother of your people" an adult perspective on a near extinct culture! What a resource!

"and a personal friend of Monk Gyatso" an old as balls perspective. He's got to be at least 130.

Anthropology cul de sac time: this guy is so valuable as a resource on the Air Nomads. There's probably parts of Air Nomad culture that Aang can't ever accurately talk about, because he was a kid when he left, and there was almost certainly stuff that the adults kept to themselves, or only shared with the older Air Nomads. This Guru doesn't seem to be an Air Nomad himself, but there's a good chance that there is knowledge that he has, that Aang doesn't. Aang should be nerding out more about this. I'll do the nerding out for him.

Aang just breezes right by that Gyatso name drop like it's nothing. Huh.

Oh hey Toph. I'd forgotten she was in a box. Tweedle dum and Tweedle dumber really are quite the pair. What's their plan for keeping her fed and watered? Actually, these guys apparently don't know that maps exist, so it's probably never occurred to them that humans need sustenance. They'll rock up to the Bei Fong estate with corpse Toph and wonder why they aren't getting the reward money.

Mai gets called out in-universe for shopping at Hot Topic.

Ty Lee's buttering up of Azula is getting less and less subtle as the season progresses. It's a testament to Azula's lack of awareness that she's hasn't noticed that, and that Ty Lee can get away with it.

Azula's right that it's an extraordinary opportunity. The King gave them quite literally every piece of info required to overthrow his kingdom in a 25 second conversation. I can't blame her for taking advantage of such an easy win.

That's a very effective unimpressed face. And a very impressive beard.

It's funny to see a spiritual concept from the real world pop up in a show that includes things like bending and giant fish possession. The mention of Chakras kind of sticks out. They couldn't invent a Avatar universe version?

"Once you begin this process, you cannot stop until all seven are open." Well that doesn't feel like foreshadowing at all.

This episode should be called "Aang's self-care Journey." It's about time the kid had a me day that wasn't avoidance-based.

Fear: Losing Katara - makes sense. Losing control of his powers via fish possession - makes sense. The Fire Lord - makes sense. But the Blue Spirit? He helped. Doesn't make sense.

Guilt: Running away - makes sense, although I thought he'd worked through that with Katara in the storm. Nuking that idiot General's base - makes sense, but boy did he quite literally ask for it.

This guru is saying some wonderfully accurate, and realistic, things. I love that he's not taking the Katara route of denying anything is wrong. He's going for the acknowledge, then heal route. And yes, it's unfair of me to compare the emotional maturity of Katara to a century+ old spiritual expert.

I'm going to ruin the immersion here and point out that Sokka's dad's voice actor voiced a bunch of characters in season 1. He's doing an excellent job, but couldn't they get a unique voice for a character that's so important (albeit offscreen) to Sokka?

That's an incredibly roundabout way of avoiding pointing out that the Southern Water Tribe are active participants in a bloody war. Sure, we can show multiple characters with visible scarring from horrific burns, but heaven forbid we imply that the Southern Water Tribe sinks ships. The parameters for what is and isn't appropriate on this show sometimes make no sense.

"Aren't you listening? I said the rest of you men get ready for battle." He hasn't seen his boy in two years, but fifteen minutes in his company and he knows exactly what needs to be said and how. That's some top tier parenting. Dad of the year. Dad of the century. Only decent Dad in this show that isn't technically an uncle.

"Follow your passion Zuko, and life will reward you." Great advice for your eight year old audience. Also a great way to end up unemployed.

Positive Sokka creeped me out a few episodes ago. Now positive Zuko is freaking me out too.

Pretty.

Back to Chakras! Shame: Burning Katara - makes sense. But that's it? To have the inner peace of mind of a twelve year old who's somehow only ever done one thing that he's ashamed of.

Is there anyone in the earth kingdom who isn't stupid? Once again wondering at the network's standards. Visible burn injuries are fine, but Mai can't say 'Shut up." It's got to be Shush up. Although I do seem to recall of brief time in the early 2000s when Shut Up was treated as a curse on par with Shit or Fuck. Maybe that was just at my school.

Chakras again! Even for a show that often has an A, B, and C plot, this narrative is ping ponging around a bit much.

Grief: nothing major, just a whole nation. Makes a horrific amount of sense. but I don't buy that he can get over grieving the whole world as he knew it by thinking about his crush. That's way too high a pedestal for Katara to be placed on.

Lies: Not accepting he's the Avatar. Interesting that not accepting that he's the Avatar and not accepting that he's a firebender are two different problems.

I see you reusing the opening credits footage. Your blue filters can't fool me.

PRETTY

Illusion: So we're relearning what we learned in The Swamp. Aang's probably the person currently alive least likely to believe in the rigid separation of the nations anyway. This doesn't feel like an illusion he's subject to?

The way this episode dances between its narrative threads is so great. It's all woven in so beautifully. And this makes perfect sense! Toph's spent her life secretly doing things excellently that everyone says are completely beyond her capabilities. Life has taught her that the statement "you are not able to" doesn't apply. Of course immutable laws of bending physics are treated with the same respect as an adult telling the champion of the Earth Rumble that she's can't earthbend beyond breathing exercises. If you told her that humans can't fly, she'd figure out how within the week.

Plot collision incoming.

Interesting that Katara initially recognises Zuko by his voice rather than his scar.

I'm pretty sure that Zuko and Iroh don't know about the whole brainwashing thing, but wouldn't it be hilarious if Zuko introduced himself to Katara as Joo Dee, and his uncle Joo Dee, welcome to the Jasmine Dragon, can I take your order? That would throw Katara into one hell of a moral quandary.

Katara being framed as the solution for Chakra number four comes back to bite Aang, as she's the problem in Chakra number seven. I knew that pedestal was too high.

I've changed my mind. This episode should actually be called "Half a dozen reasons why everyone should just learn to keep their goddamn mouths shut already."

So is anyone going to let Zuko and Iroh know that they're now in immediate danger and need to leave, like, yesterday?

I think the Guru is going for the whole 'if you love them, let them go, and they'll come back to you' thing. Don't cling, in other words. But for the sake of the plot he's suddenly lost his ability to explain Chakras in a way that makes them seem like the logical thing to do. The only clunky bit of this episode so far.

May I introduce you to our Lord and Saviour Toph?

"I am the greatest earthbender in the world." Yes. Yep. Yeah. That's now a quantifiable fact, and it's correct. Look on ye mighty and despair. She's even got Bumi beat.

Earth Tongue Running is a bit wonky looking but it covers a crazy amount of distance.

What's the range on Toph's earth sense? Can she sense what direction Ba Sing Se is?

I hope those two idiots' horse bird is ok.

"You don't know how much this means to me dad." He does. Very much so.

Every word out of this guy's mouth is precision engineered to make Sokka feel like a million bucks and I for one think it's about time someone built him up. Also, seeing this makes me realise how few good parents there are in this show. It's a trope of kids' adventure shows that the parents fundamentally can't be there, but I also think it's a commentary on yet another thing that this war has messed up.

Hey look! Being a man is knowing where you're needed the most, and right now that's in Ba Sing Se, protecting your sister! I love narratives that tie their themes up with a pretty bow on top.

This is Azula laying a trap, right? Which means that Katara squealed to someone about the exact location of Iroh and Zuko's tea shop. Don't like the implications of that.

Photos taken seconds before disaster.

Final Thoughts

This episode was a lot! I mean that in a good way! But I felt a bit like the Maxell Blown Away Guy, the way I kept getting assaulted by yet another plot thread. Don't get me wrong, this isn't a criticism. I think the switching between plot threads and the amount of info in this episode worked 99% of the time. But I'm kind of in awe at the balancing act the writers pulled off and I'm sort of sitting here blinking a bit trying to fit all this stuff in my head. I'm probably going to forget half the stuff I wanted to talk about in this write up, so here goes nothing.

Given the Azula reveal in at the end of last episode, I thought that this would be the episode where the shit hits the fan. I was wrong. I'm glad I was wrong. An episode of set up is required and is nice breathing room, even an episode as busy as this. And I got to leave Ba Sing Se! But this does mean that next episode is going to be calamity after calamity.

Aang and his Chakras: I'm fascinated by this guru. I hope he comes back. That brings the total number of people who were alive before the war started up to three: Aang, Bumi, Guru Patik.

I'm impressed that the run through of the Chakras rarely felt like an info dump. The onion and banana juice thing didn't work for me, but I'm sure it worked for people in the target age bracket. Kids love burp jokes.

So many shows sprinkle in tragic backstories for flavour and then never have them influence the character in the present. It was a nice contrast to see a show take a whole episode to tell Aang "yeah all that sucked. It's ok to feel down about it. Here's how you move forward."

Sokka and his dad: Love it. Love it so much. I love seeing Sokka built up, and he definitely deserves it, but I wonder if this is the reward for a character arc well done, or the set up for a character arc that's about to start? Is his dad's praise his prize for crossing the finish line, or is it so he's built up with farther to fall?

I loved seeing more of the Southern Water Tribe. I loved the fashion. There's a lot of variety in accessories and variations on a few basic elements like those knee guard things. I loved their hairstyles. I loved how cozy and communal that command tent felt. I loved their ships. I wonder how often these guys work out, that they can make loading ramps that are presumably deployed and stashed out of the way frequently, out of whole logs rather than planks. I have a bone to pick with the child-friendly sea mine. But it provides a good set up for a dad joke, so I'll let it slide.

Zuko and Iroh: Of course the one time Zuko is allowed to be in a good place, it's so that he and Iroh both have farther to fall when the inevitable happens. Poor guy just can't catch a break. I'd be mad at Azula for the party crashing that I'm assuming she'll do next episode, but it's been established that Zuko has all nice things taken away from him as soon as he gets them, and I can't blame Azula for being a tool of the universe.

Azula & Long Feng: Azula's acting in Long Feng's prison cell was miles ahead of what Long Feng was doing in front of the Earth King, so I'm wondering if Long Feng has bitten off more than he can chew. Also: conspiring with the enemy to bring down your own city just so you can reinstall yourself as the power behind the throne that will presumably cease to exist as soon as the Fire Nation takes control? That is both treasonous beyond description and an incredible case of shooting yourself in the foot. What's Long Feng's plan here?

Toph and the Dunderheads: it says something about the consistency of Toph's characterisation from her introduction onwards that she breaks the universe this episode and my reaction was "that's neat." It's obviously a huge moment, but of course Toph can do that. Toph can do anything. More importantly, Toph knows that Toph can do anything, so Toph routinely does do anything, especially things she shouldn't be able to do. If you had asked me a few episodes back which character would be most likely to fundamentally redefine bending, I would have said Toph, since she's already fundamentally redefined bending with her earth sense sonar vision.

Also Toph just breaks stuff. Things that come into contact with her cease to function as intended and instead function as Toph requires. Look at the two idiots: both successful business owners, one also a successful hoodwinker of the richest family around. But they come into contact with Toph and their brains take an extended vacation.

Katara & the Generals: this plot was more like an extension of Azula's plot than its own standalone thing. You can't blame her for spilling the news about Zuko and Iroh to someone she honestly thought was Suki. Not much else to say about it, although it's cute that she asks for a table for two at the tea shop. Momo gets a chair!

I like that there's a theme this episode of things going wrong despite the best intentions. No one's acting maliciously here apart from the Antagonists. The Earth King is having an honest chat with people he thought were friends. Sokka vouched for people he honestly thought were the Kyoshi Warriors. Katara shares information about a presumed threat with people she honestly thought were her allies. You can quibble with the wisdom of some of these decisions, but there were all done with good intentions. The best laid plans of mice and men oft go awry and all that. It brings to mind that Star Trek quote about how you can do everything right and still lose. And this set up is going to hit harder when whatever goes wrong next episode happens. And something will go wrong. A few months ago I figured that the Season 2 finale would be a triumph, but all signs are pointing towards a tragedy instead.

This episode was visually stunning, the soundtrack in the Air Temple sections especially was very evocative, and I applaud the minds that could juggle that many plot threads at once without dropping any. This one is definitely going on my rewatch list.

#atla #avatar: the last airbender #avatar the last airbender #the guru

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the-badger-mole · 14 days

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Help. I wanted to write a broken, misguided, almost-but-not-quiet-villain Aang, but my hand slipped and I am turning the Kataang relationship in my fic into an absolute fucking nightmare T_T I just didn't want the characters to be so black-and-white, you know, but the longer I write, the more this turns into a story about emotional abuse. Now I'm trying to kind of do both angles.

It doesn't have to be a choice. The thing about most abusers is that they aren't outright villains. A lot of them are very charming, fun, and smart. A lot of them are pillars of the community, and even genuinely believe in their causes. But they are also selfish, possessive and think that their partners are an extension of themselves. Maybe Aang doesn't think he thinks that of Katara. Maybe he thinks the way he treats her is normal until it's pointed out. Maybe he tries to course correct, but then backtracks because he thinks he's losing her because she did her makeup or hair in a new way that gets her compliments from other men.

If you're writing from Katara's POV, maybe she still sees the sweet, fun loving boy she met a long time ago. Maybe she blames herself for being too quick to jump to anger for him lashing out and tries to fix herself. Maybe she thinks if she does everything he needs -keep his schedule, cook his meals, take on all the domestic and childcare labor- he can focus on being the best Avatar/whatever his career is in this fic. The thing about abuse is there's a lot of rationalizing going on on both ends. After all, no one goes into a relationship thinking their s/o is going to turn out to be a monster. And a lot of times, they don't even see how bad it was until well after they leave. If you're worried you're making this relationship too one note, ask yourself why Katara hasn't left yet. Or why it's taken this long for her to decide to leave.

#atla #anti aang #anti kataang

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sokkastyles · 1 month

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This is something I've turning around in my mind due to the general discourse around Katara "hating" Zuko, and obviously she doesn't hate him at all after TSR, but do you think she truly even /hated/ him after Ba Sing Se? She was absolutely within her right to be hurt and angry about his choice, and I'm glad the show actually let her hold onto that for awhile b/c so often K has to be the bigger person and manage everyone else's emotions, but being hurt and angry at someone, even lashing out at them b/c of that, isn't the same thing as hating them imo. Like tbh their entire vibe to me from the moment Zuko turns up at the Western Air Temple until TSR is exes after a bad breakup but there's still unresolved feelings there, which was certainly an interesting writing choice for them to go with (only made more so by the textbook romance writing grovelling in TSR.)

Yeah, she isn't mad at him because she hates him, she's mad at him because she cares about him, because she wanted to care about him, and because she thought he cared about her. Even when she tells the gaang that Zuko was "pretending to be a human being" in the catacombs, it gives the impression that she is trying to convince herself that what she's saying is true, that the moment they shared and the vulnerability Zuko showed in that moment wasn't real.

The other thing that gives the lie to the idea that Katara hates Zuko or just sees him as an enemy is that when she confronts him when they are alone, and threatens him, she doesn't react to him like she thinks he's lying about wanting to do the right thing, she confronts him about how "you and I both know you've struggled with doing the right thing in the past." In front of everyone else, she makes it seem like she thinks Zuko is just evil, but when she's alone with him, she makes it clear that she knows he isn't, and that this is really about how she can't trust him, how he broke her trust. It's personal, not just about him being fire nation.

And the fact that she waited to tell him this in private, while denying her feelings in public, is absolutely romantic coded. I've also pointed out before that the framing of the confrontation mirrors the final scene between Zuko and Mai (or rather, that the Zuko and Mai scene, which is explicitly romantically coded, mirrors this one), Katara standing in the doorway to interrupt Zuko's triumphant moment with a reminder that his past isn't so easily moved past, and a reminder of who he's hurt. It absolutely gives vibes of an ex who you still have feelings for.

Which is why it's hilarious that Bryke made that comment about zutara being a relationship you experience before realizing what you really need (with the implication that Katara really needs Aang and Zuko really needs Mai), because what it actually feels like is two people who were immediately drawn to each other, ended up hurting each other, broke it off, but then still had feelings for each other and ended the series closer than they were before. If Bryke really wanted us to think zutara were not good for each other, then there could have been a moment where, when Zuko and Katara get their closure with each other, there's also the G-rated equivalent of "let's just be friends." Maybe have Katara say something like, "I forgive you, but I can't make the choice you want me to make." This is also in an alternate universe where Zuko more explicitly encourages Katara to kill Yon Rah. But none of that happens. The episode does not tell us that Zuko is not good for Katara or vice versa. It has Katara end the episode by explicitly disagreeing with Aang and enthusiastically embracing Zuko without any hesitation at all.

That hug is so meaningful because it's the release of tension that the narrative has been building up since that moment in the catacombs. It's not that Katara hated Zuko but now cares about him, it's that she wanted to care about him way back in the catacombs and now she's able to express that without being afraid that he'll break her trust.

#zutara #zuko #katara #the western air temple

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theskysungqueen · 2 months

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to make things brief cause I suck at organizing what I have to say, the live action was definitely Something™.

Cast: 10/10 kinda biased personally but yall can't take this from me

Gordon as Aang and Dallas as Zuko were the standouts imo. Gordon needs some direction on line delivery and the angstier scenes but overall he's very charming and I'm so proud of him for getting so much exposure!

Ian as Sokka was great, I just wish he was allowed to be more...messy? like Sokka pretends to be chill and all that but he's actually dramatic so I hope that gets improved in the next season if there is one

speaking of improvement, Kiawentiio as Katara brought out a softer side to the character but sadly diminished her spark and passion. I like that Katara now actually feels like a younger sister, it makes sense within the context of the story that Sokka and Gran Gran would shelter her after what happened, but as someone said, her anger is so central to her character and I just wish that got shown more. It's more of a script and direction problem tbh, if you look at Kia's interviews she has the sass and feistiness Katara needs

Lizzy as Azula is great, the writing is a bit clunky though so she did the best she could with it. Can't really comment on Mai and Ty Lee yet because they're kinda just there but it's a nice setup

Maria as Suki? perfection show stopping never the same she is a queen and I love the tidbit of Suki backstory which she never really had in the og show. I love her being such a loser around her crush we love to see girlfailures girlfailing. I wish the writers didn't make them KISS though 😭 slowburn ftw

the adults were great

Writing: 6.5/10

There were genuinely good moments and I love the concept of mixing up certain plot points to condense the story

But they just suffered from too much Telling instead of Showing WRITERS PLEASE LISTEN TO THE CRITICISM YOU HAVE TIME TO IMPROVE PLEASE

Omashu, mechanist, and Jet plot mixing as a concept was fine, but it dragged on and my friends and I got bored of it. I like it in theory but if it was going to take THAT long couldn't they have just separated one of those storylines for a different episode?

I appreciate that they tried to develop the water siblings' relationship by making them the stars of the Secret Tunnels, but I would've changed the way they "conquered" the problem (really? badgermoles respond to love? cute in theory but like why). If anyone's watched Barbie: A Fairy Secret there's a part where Barbie and her frenemy accuse each other of why their friendship failed, and it helps them make up and breaks the curse put on them. So that's what I would've done, force them in a life or death situation in which they have to say the unsaid things, maybe hug it out and boom

The way they handled Koh and the Spirit World was a Mess™ but the effects were decent

Zhao meeting horrible ends in every incarnation is so deserved

Yue having more agency was a welcome change AND I LOVE THAT SHE WATERBENDS. Then waterbends even when the moon is gone. It's such a nice visual nod to the fact that she has the moon spirit within her

That said, the show could definitely use more visual storytelling, less weird dialogue. Like it's so strangely common for shows or adaptations these days to exposition dump. Like they did not have to make Yue say that the ocean spirit was angry, literally just show me the dead moon fish and I'll get the idea. Then Iroh says "That's Wrath" that's just redundant now isn't it

I like that they saved Katara bringing Aang out of the Avatar State until last even if it could've been done better

HOW DARE THEY MAKE ME LIKE HAHN HE WAS A JERK IN THE SHOW BUT THEY MADE HIM A GENUINELY GOOD CHARACTER. Yes to brown men not being portrayed as jerks but also in the original it was a nice contrast to how far Sokka had come because Hahn reflected who he used to be. But live action Hahn </3

I like that they showed the deaths and blood. I wanted a live action that was both lighthearted but more realistic when it came to the injuries and death, and that'd kind of what I got

Other thoughts + overall

You can tell they put so much heart into this show, watching the bts, the bending boot camp with the correct martial arts, the easter eggs, the nods to the comics, the beautiful adaptations of Cabbage Merchant and Secret Tunnel nomads, there's so much passion behind the show it's a shame it suffered in its writing

which is why if they read reviews and criticism from the bigger name fans (TheAvatarist, HelloFutureMe, etc.) it would really help them improve for future seasons! The cast is stunning already and they have great chemistry (hopefully gets improved too!)

The live action is just a different angle to the show. And I'm saying this as an Avatar fan–the original wasn't perfect, either. I had some problems w it but the overall show was genuinely so good and heartfelt, those problems weren't glaring enough to put me off (unlike The Dragon Prince, sorry). The live action definitely wasn't perfect, but it tried to give us a new look into Avatar. Again, no adaptation will ever be a 1:1 remake and none should be. Where's the fun in that? But while the show is so full of heart and with actual fans working behind the scenes, I doubt if they listen to any criticism that they can't pull this off better next season.

#atla #avatar the last airbender netflix #avatar netflix #netflix avatar #avatar the last airbender #netflix atla #avatar live action #aang #katara #sokka #zuko #iroh #azula

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itsmoonpeaches · 2 months

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Netflix's Avatar: The Last Airbender: A show with its heart in the right place but questionable execution

[An objective spoiler review from a fan of the original Avatar: The Last Airbender animated series who watched the live-action adaptation pretending to not know a thing about the original show.]

Episode scores

Episode 1: 7/10

Episode 2: 7.5/10

Episode 3: 6/10

Episode 4: 1.5/10

Episode 5: 7/10

Episode 6: 8/10

Episode 7: 5/10

Episode 8: 2.5/10

Overview

Netflix's Avatar: The Last Airbender is a show with some heart. When there are highs, they are very high, but when there are lows they take away from the rest of the story. The visuals are overall stunning with an attention to detail. The set design in particular is done with love including incredible pieces, CGI design, and beautiful cultural references. The fighting is creative and fun to watch, though waterbending fights seem too slow. Surprisingly, the CGI animals work very well. A highlight is Momo who works in the same way Grogu from The Mandalorian works. However, the close-ups of calligraphy pieces should have warranted more research.

The costuming is detailed, but there are some instances when it would have been better to interpret certain characters more realistically rather than try to copy the original animated design.

The cast is not bad, especially considering the focus on younger, less experienced actors. Of the younger cast, Ian Ousley (Sokka), Dallas Liu (Zuko), and Maria Zhang (Suki) are the standouts. Gordon Cormier (Aang) also has good scenes but is not always consistent. The kid is cute and embodies Aang well. The most disappointing was Kiawentiio Tarbell (Katara) who I so desperately wanted to be good, but was either not given the direction needed, or was told to keep the same flat face.

The writing in the show could have been a lot stronger, and many actors suffered from poor writing choices including clunky lines. They acted their hearts out with these but suffered for them at the same time. The show overall felt like a first draft of something that could have been great but fell flat because of either outside sources or a lack of trust in the audience.

For my short and sweet tweets on each episode click here. For a long, detailed review on each episode and my final thoughts keep reading.

Episode 1: Aang - 7/10

This episode started out incredibly strong. Immediately, I was immersed in the world and intrigue. We had an earthbender running through the streets of the Fire Nation Capital City with an intercepted missive that Fire Lord Sozin would attack the Earth Kingdom. The action was very cool to watch and the earthbending stood out. When Sozin captured him and warned that this information was just a diversion and that he had his sights set higher, the tone was exciting and interesting.

Seeing the Air Nomads and what their life was like, then being introduced to the main character, Aang, was fun. I enjoyed seeing the interactions between Monk Gyatso and Aang. They felt like they had an incredible bond.

The violence starts soon after when Aang runs away during the Comet Festival and Sozin's plans are revealed when he uses its power to attack the temples and boy is it brutal to watch. This scene was tough, but in a way that made the audience really hope that the Fire Nation loses because what they did was so incredibly cruel that it can't be put into words.

Where this episode begins to fall off is when we hit the Water Tribe. The writing here becomes a bit clunky and stilted. Gran Gran in particular was a choice. By a choice, I mean that out of all the actors she was unfortunately the worst. Every line that came out of her mouth was grating and poorly delivered, which was sad because her scenes weren't written particularly badly.

Sokka is a stand-out as well as Zuko, though they gave Iroh a scene and lines with Aang that felt so out of place. It felt like a disservice to Paul Sun-Hyung Lee (Iroh) who is an incredible actor to give him these awkward sentences to act around. Katara acts like (maybe?) she cares. It's hard to tell when she has no emotion and keeps telling me things that she supposedly cares about and I'm not seeing it.

Episode 2: Warriors - 7.5/10

It is here where things begin to pick up. I had a good time with this episode because to me it was so much fun, and it wasn't necessarily because of the main story going around. It was because the chemistry between Sokka and Suki was so unexpectedly good that I could not peel my eyes off the screen.

No seriously, it was fun. In just one episode, they made me believe that this was the couple for the show. Suki is portrayed as a silent, yet awkward warrior whom the village admires. She's blindsided by Sokka who is definitely not as good a warrior as she is, but is interesting for her to watch.

What's so refreshing about this take is that it's Suki who makes the first move and Sokka awkwardly flirts back with clearly no experience in talking to girls he's interested in. Suki starts peacocking for him! That's hilarious and endearing. We never see that in most media. It's usually the guy who does it, so him being the bumbling fool while Suki also flirts with absolutely no understanding of how to do it was a joy to watch.

Katara exists I guess? Aang's story with Kyoshi honestly was good enough for me to give it a pass, but they also gave Kyoshi so many long lines with nearly nothing to say. They could've cut her lines into a more condensed, stronger thing but instead left them long-winded. However, watching Kyoshi make a tornado of bodies is an experience I'll never forget. Continue what you're doing, fight choreography department.

Episode 3: Omashu - 6/10

This episode is fine. I enjoyed the beginning with Jet being revealed as the guy on the cart who lets the main characters into Omashu. However, the writing really starts falling off here. It starts to feel like they're cramming storylines into one episode.

The set design in Omashu in particular is incredible. I cannot emphasize how beautiful the markets were from the food stalls to the costuming. South and Southeast Asian foods, dried herbs and chilis, gold!!! Just watching the background was fun.

Katara's acting, however? Not fun. She's given so many good emotional beats here and does nothing with them. They keep showing me her flashbacks and I think seeing less of it would've made it more impactful. This is the episode when I realized that she is the most useless character in the trio. Does she need to be there? Does she do anything for the story? No. Sokka feels like the glue of the group while Katara merely causes problems. It doesn't help that everyone acts in circles around her. I wouldn't feel anything if they wrote her out.

Episode 4: Into the Dark - 1.5/10

I don't want to talk about this episode, but if I must, know this: It was awful. It was some of the worst written TV I've ever seen. They took the feeling of cramming too much in the previous episode and multiplied it by 100.

There were too many plot threads and not enough time to let any of them breathe. It felt like watching a show that didn't know what it was doing with itself and in the end, I still don't know what this episode accomplished other than making me frustrated as a viewer.

Sokka and Katara being in the Cave of Two Lovers was an...interesting choice. It looks very strange and borderline incestual considering the out-of-place story right beforehand about two lovers meeting up in the same cave Sokka and Katara had to venture through. The fact that Oma and Shu are both women was something I didn't even notice because of how terribly presented it was. It did not need to be there and was a disservice to the representation they wanted to include.

Sokka and Katara are siblings, so that was something. In fact, using that storyline at all felt so weird. They used it as an excuse to build their relationship when all I felt was confused about it.

Aang and Bumi could have been interesting if they executed it better. Instead, they TOLD me they were best friends and that Bumi went through a lot during the war and that Aang knew Bumi well. I needed to SEE it. (Show don't tell is a very real thing, and this episode is rife with crimes against the rule.) Instead they showed us a brief flashback that wasn't nearly enough. They had one strong plot point with Bumi making Aang the same bison whistle he had from the first episode to call Appa, but it didn't work because the rest of it was executed so badly.

This episode felt unnecessarily preachy and in a bad way. They kept telling us the war was bad, that Iroh hurt people, that Aang hurt people by leaving, yet they showed us none of it. This would've been a really impactful message otherwise, but all it gave me was a load of nothing dipped in nothing sauce.

I loved the orchestral rendition of Leaves From the Vine, but the lines were so long and awkwardly written during Lu Ten's funeral that if it weren't for the music, I would've felt nothing. From the perspective of a viewer who doesn't know anything about Avatar: The Last Airbender, I would still feel confused because it didn't fit with the convoluted tone of the episode in the first place. Why was this here? Why was any of this here?

From a fan and story perspective, we could've had a strong episode just combining The King of Omashu and Jet. Using Jet to try and assassinate King Bumi was such a good intrigue plot, but again the writing was terrible. We didn't also need The Northern Air Temple plot lines here. Danny Pudi deserves better than that.

Episode 5: Spirited Away - 7/10

I don't know if this episode was elevated because the previous episode was vomit level, but I really, genuinely enjoyed this one. After stepping back for a while, I've deduced that yes I liked this episode. This was also the one that I actually felt something emotionally.

I can tell why this one would be controversial from a fan perspective, but looking at it as a story that works within this universe and this version of Avatar: The Last Airbender, this really works. It finally felt like an adventure with stakes and characters I could feel for.

From a fan perspective, I enjoyed what this did with the Spirit World here, combining lore from different books in Avatar: The Last Airbender and The Legend of Korra. It felt fun and creative and worked for me.

From a new viewer perspective, it was the first episode that ended that I actually said, "Wait no, it can't end there!" The visuals of the spirits were so fun, the flashbacks emotional. Katara acted finally! Plus, her younger child actress was phenomenal. Gran Gran was...hm. Sokka stood out immensely. He melted down and I really felt for him. Aang's meeting with Gyatso was gut-wrenching. I teared up.

It was here I discovered the show really shines when they're not trying to copy the original show, and when they try to do their own thing with lore that exists as long as it fits with what they're trying to tell. It works, and it's enjoyable, and gives characters more depth. The kicker? This episode was so strong in comparison because they did a lot of showing us things, not telling us. But it's not without its flaws. There was some weird dialogue here and there. Really, I enjoyed Sokka's and Aang's scenes the most.

June of course, was such a perfect casting choice, and her scenes with Zuko and Iroh were fun. Though once again, they wrote Iroh's lines in a way I don't understand. Why make him this one-note wise man? Sometimes less is more.

Episode 6: Masks - 8/10

This is hands down the best episode of this show. I hardly have any complaints about it. Even Iroh's wisdom lines were doable. Zhao was such a fun ride. They made him this whiny officer with too much to prove and a cocky attitude, and I enjoyed every minute of it. He's like a grown man who is a child, but it works. Oh goodness it works. Give me more of him nitpicking the heck out of the way his speech is written. It was such a refreshing take on a villain.

The rest of the episode? BRILLIANT. Absolutely. Zuko as the Blue Spirit will never get old, but the live action presentation was so good I have no complaints about it at all. The fighting and choreography really worked, and boy was it a fun thing to watch come to life. I don't normally love when things are copied one-to-one from animated shows to live action because it doesn't always work, but this was one of those instances that I'm glad it did work. It was iconic of them to bring back the bamboo pole fight and what's crazy is that it ended up being some of the coolest fight choreography I've seen. They must've had a blast with it!

Zuko and Aang were so good in this. They have a lot of chemistry as actors, and I could believe they want to be friends but circumstances don't allow them. It makes their extended interaction trapped together and hiding from the Fire Nation in a shack that much more impactful. Adding in the fact that Aang stole Zuko's Avatar journal paid off from episode 1 because now they talked about it, bonded over calligraphy and brushes, and I wanted them to be friends with all my heart. Their inevitable separation hurt me.

But oh no, you thought that was all? They made Zuko's backstory better. They showed us more of the scene where Zuko speaks against his father, and it's actually worse than the original show. Worse, as in better story-wise but worse for Zuko. Ozai asks for Zuko's opinion in the war room, Zuko gives it, Ozai disapproves. Then, when the plan is made to sacrifice the 41st Division, Zuko speaks out and says it's a terrible plan.

I could unpack that scene forever. This makes Ozai seem more manipulative, and I love it. He tests Zuko, disapproves, yet punishes him for saying his opinion later when Ozai had asked him before.

They show us the Agni Kai. I enjoyed the choreography. It helps that Daniel Dae Kim (Ozai) is a sight to behold. His cloak was a good choice, and I'll leave it at that. He is also a perfect Ozai. He has the aura of a man who doesn't play around, and he is menacing. It's also his line delivery and voice.

But the thing that I could also obsess about forever? The fact that Ozai punished Zuko not just by banishing him, but by making his crew the same 41st Division he saved. Zuko and Iroh never told them either, not until Iroh decided he should by the end.

So when Zuko comes back injured from freeing the Avatar, it is a great earned scene when his crew bows to him and calls him their prince.

Episode 7: The North - 5/10

After the previous episode, this was such a let down. Not much stood out here, but the Northern Water Tribe was a great set design. I loved looking it at. Unexpectedly, Kuruk was in this, but it worked so well. So unbelievably well.

From a fan perspective, I've always loved Kuruk and when his backstory was revealed in the Kyoshi novels I felt validated. He has a tragic and interesting back story, and they delivered here. Meegwun Fairbrother (Kuruk) has such a commanding presence. I cannot state this enough. He is the Avatar. He is Kuruk. I genuinely want more of him and I want to know more about him. I wouldn't mind if there was a whole live action show about Kuruk with him as the star.

The rest of this episode though? I mean. It was fine I guess? It wasn't episode 4 level of terrible, and definitely had more that elevated it, but the writing started downgrading immensely from here. Also, Yue, girl, what was that wig? And it's so obviously a wig that it was distracting. Why?

Katara felt like she should've had a presence here but she barely did. She had a fight with Master Pakku that felt unearned. It was also the first fight I've seen in this show that I didn't enjoy watching. The choreography wasn't bad, but it wasn't good either. It was also slow-paced for some reason. It was like I watched two people decide they need to make a move with each move. Everything Katara did felt unearned this episode.

Episode 8: Legends - 2.5/10

Why. What was this finale and why was this the finale? Ignoring the fact the Yue is apparently a spirit trekking lady which could've been cool if they executed it better, this was a whole mess. I'm going to ignore this plot because apparently she was the three-tailed fox in episode 5, and I like episode 5 and don't want to bring that one down so I'll pretend this doesn't exist.

I wouldn't mind if this was the route they went with Yue, but it was so rushed. Her being a waterbender was new, but I also didn't mind it. It was just...shallow. Seeing Yue's romance with Sokka after Suki left a sour taste in my mouth because it was badly done. The actors had no chemistry, and Sokka seemed like a playboy.

The writing was so terrible. Everything was mashed together last minute, Kuruk was there for a cool second, and then my expectations fell past the floor of an outhouse.

Momo, the cute CGI animal, died for some reason saving a person from a falling ice block. Then Yue had to go revive him for some reason. My first reaction was "NO!! MOMO!" Then it was confusion, and then I started laughing because none of it felt right and none of it felt earned, and I was laughing so hard I started crying.

I forgot Aang never started waterbending.

Oh yeah, Katara called herself a master I guess? I don't know how that happened because she's been crap the whole season and never got Pakku to teach her, so I guess she's self-taught now and proved herself by fighting Pakku and convincing him to let the women fight even though they showed no indication of wanting to...so yay feminism? Katara has only been looking at a scroll and failing badly the whole season and learned from no master so I don't know where she got this "master" idea from.

What saved this episode from being episode 4 was that the fight choreography was the coolest I've seen. As a fan, I was scared about how they were going to interpret the black-and-white lunar eclipse scenes but they delivered well! The blasts, the bursts of fire and color, holy heck it worked so incredibly well. I was impressed. Genuinely. I loved watching all those scenes. The Fire Nation blasting through the walls was so cool.

Oh yeah I guess Aang not learning waterbending explains why him being a giant Ocean Spirit fish didn't allow him to waterbend the waves to beat the Fire Nation, but instead he crashed into them.

Katara, Sokka, and Aang were finally together most of the time. I still hardly know anything about them though. Are they friends?

The ending scene with Zuko and Iroh was heartfelt, but could've been stronger. Azula took over Omashu I guess? Sozin's Comet is coming "soon" I guess? None of it felt earned.

Final thoughts

Honestly, if this show ended on episode 6 maybe I'd want a season 2, but after that I don't feel any interest in seeing this iteration of the show. Half of it doesn't work and the writing is questionable. If I were a new fan, I don't think I'd like it just from the weird writing alone. I'd stop after episode 4.

I genuinely wish the cast and crew well, and I love many of them from previous works, but they do not need to be in more of this. They deserve better projects.

It was telling that once I finished the series and saw who wrote what, the original creators were the ones who had a hand in writing episodes 1 and 6, which are episodes on the stronger side. Especially 6, which is the best one. If anyone tells me that I am crazy to be skeptical over an adaptation of any kind without the original creator(s) involved, I'll point to this fact.

My advice? Watch Michael DiMartino and Bryan Konietzko's original Nickelodeon series, Avatar: The Last Airbender which you can also stream on Netflix.

#atla #natla #natla spoilers #avatar the last airbender #natla critical #netflix avatar #lok #legend of korra #netflix

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simpywriter · 4 months

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Flames (Bonus Chapter - 2)

Hot fire

Pairing: Zuko x Reader Universe: Canon Words: 3.2k

Flames - Main

Summary: With his new position of Fire Lord, Zuko is so stressed that not even you can calm him. After a big fight with him you both need to reconcile, what a perfect opportunity to finally take that step. (This is a bonus chapter for my three-chapters fic ‘Flames’, but you can also read it separatly)

Warnings: emotional sex, kinda bossy Zuko, 18+, MINORS DO NOT INTERACT

‘I’ll kick his ass’ You kept thinking as your clenched fists were surrounded by flames, crankling your toes to get rid of the sand between them caused you to constantly lose balance, losing control over every technique you tried. Frustration and anger stiffened your arms, making your movements clumsy and unsuccessful.

This all started a little less than a week ago, when you and Zuko moved to Ember Island together with Katara and Aang, in order to have a quiet and calm place to discuss some matters about the four nations; Sokka and Suki caught up with you a day later, Toph shortly following. The first days were peaceful, you spent your mornings on the beach, writing down ideas you discussed over lunch and in the afternoon, while the evenings passed while sitting in front of a bonfire, telling each other about your lives now that you weren’t all together anymore.

But then the topics became heavier and more complicated. And Zuko started to freak out. Every word, every doubt you tried to bring into conversation was an excuse to get mad and lash out on you or the others; his role was difficult and his father left on his shoulder a big burden, but it couldn’t be an excuse to treat poorly the friends trying to help him. So, you decided to hang out more with Katara and Suki, train your bending on the beach and ask Sokka for help in hand-to-hand combat. But avoiding him seemed to make the situation worse, Zuko started sending you digs whenever he could, the little gestures he usually reserved for you, like pouring your tea first or intertwining your fingers under the table, were gone, replaced by huffs and clenched fists when you stood up to get away from a discussion.

«You know what? Tonight you stay alone», you once bust out during dinner after yet another contemptuous comment about your laziness. «I’m done with you for the next twelve hours» «Oh yeah? And where would you like to sleep?», the others were looking between you two without a word, their eyes scanning rapidly your expressions in turn. You were almost embarrassed to be fighting with your boyfriend in front of all your friends. Almost. «It’s not of your business. And you made clear that you don’t care about me. That wouldn’t be the first time either», you could see a glimpse of pain in his eyes and immediately regret saying those words. However, you didn’t had time to go back on what you said because Zuko quickly got up, sending you and icy glare. «Then I won’t care» He stormed out of the door without a second thought.

«So… are we still going to the theatre tomorrow?». Katara quickly summoned a wave from her cup, showering her brother’s head.

You tried to convince Toph to let you stay with her since she was the only one with a free spot in her room, but the little girl was strict about sleeping alone; after nearly an hour of prayers and promises, you found yourself forced to knock on the door of your and Zuko’s shared room. ‘Spirits, that girl is so bossy. Ugh.’ «I don’t want to talk Aang. Just leave me alo-» «It’s me».

You could sense him freezing just from the soft gasp he let out. You impatiently waited for him to open the door, dreading the thought of sleeping on the little couch in the living room. Just as you were preparing yourself to relight the fireplace, Zuko opened the door, leaning against the frame with a tired expression. You regretted your previous words even more: his hair was a tousled mess, the robe asymmetrically tied on his waist. «I…», you couldn’t look at him in the eyes «Toph wouldn’t let me stay…». Without a word he moved away, letting you in. You nodded in gratitude and quickly found yourself climbing into the bed next to him, facing the other side. At first both of you remained silent, listening to the waves shattering on the beach; then, you sensed him moving on the mattress, leaning closer to you «Y/N… Can we talk?», he brought his arm around your side, squeezing you lightly against him, but you moved away, standing up quickly to prevent him from trying again (also because you knew you would give in easily, especially when he was giving you the puppy eyes… Focus).

«I’m still mad, Zuko. You’ve been awful to me these days» «Excuse me??» He got up, harshly throwing the blankets away «I may have treated you badly, but you told me that I don’t give a damn about you. Even though you know how bad I feel about everything that happened!» «Don’t scream» «I know», he took long steps in your direction «And then it’s you who is… well…». «I what?» «You know it…» «No, I don’t», you said, crossing arms against your chest.

You could see his cheeks flush even with just the little light coming from outside «It’s not important» «Evidently it is!» «Don’t scream» «I know», you sighed «Tell me» «No» «Zuko» «You’re… You’re always clinging to Sokka» «It’s not… huh?»

You blinked, replaying his words in your mind two or three times more before you really understood what he was saying. And when you did you had to turn to all your self-control to not start laughing right there in front of him, Sokka came here with Suki, they were like glue and the water tribe boy always looked at her with heart-shaped eyes. You couldn’t believe what your boyfriend just said. «Oh Spirits… you’re jealous». Zuko felt even more ashamed hearing the amusement in your voice «I’m not jealous! It’s just… you’re mine», he muttered the last part, face twisted in a pouting frown.

«You just… always ran to him and… ask to practice together, on the beach. And that happen every single time I can’t stay with you because of the work or after a fight, a-and… maybe you think I’m not enough and-» The words died in his throat as you took his face in your head, delicately holding his gaze «Just calm down». His golden eyes stared into yours, the pupils were shaking in a whirlwind of self-doubt. When he saw the corners of your lips curl up, his ragged breath calmed. «I’m not going anywhere», thumbs traced gentle circles on his cheekbones «I know it’s hard for you, but don’t you ever think that you might not be enough. Okay?», Zuko nodded shyly, never making a move to distance himself from your grip. «Even if sometimes you piss me off a lot», you stifled your laughter as you saw his skin turning crimson, from neck to ears. «You’re so cute~», you teased him, giggling even louder when his eyes widened and he hurriedly hid his face sinking it into your neck, muttering a ‘Stop’ against your skin. The boy felt the vibrations of your laughter across his chest, making his heartbeat even faster; but along with that familiar feeling that came over him when he heard you laugh he felt something else, something heavier.

«I’m sorry», he whispered, and you closed your eyes as he wrapped his arms around your sides. «I’m really sorry for everything I said to you», his voice trembled and you could feel him seeking refuge in the warmth of your body, just like you had done with him years before, when your family abandoned you: «It’s ok», you reassured him «I’m sorry too, I know you care.». His hands moved from your hips to both your cheeks as he rested his forehead against yours with shaky breaths. He gave you a little peck and you couldn’t contain a soft smile, «I love you», he whispered before kissing you again, and again, and again until your lips were glued together; you could feel the passion Zuko was conveying in his kiss, the previous softness left space for something warmer. His hands moved from your cheeks down your neck, caressing you back until encircling your waist. His naked forearms were hot against the soft fabric of your nightgown.

Before you knew it you were pressed against a wall, Zuko’s finger kneading the skin of your hips, moving awfully close to your butt. You ran your nails through his hair, shivering at the sound the boy made when you scratched his nape. He muttered your name, being quickly silenced by your tongue on his. A leg found its way between yours and you let out a trembling moan, a warmth in the pit of your stomach, forcing you to clasp a hand on his shoulder. «Are you alright?», he slightly pulled away, just enough to leave your lips touching. Your mind took a bit to regain control over your body, the way his breath grazed your skin didn’t help. At all. «More than okay». Your hand traveled across his robe, moving the hem to expose his skin, the soft light from outside highlighted the muscles of the chest, tensing under your lingering touch. Zuko had to summon all his willpower to hold your gaze; he was sure he was red all the way to the tips of his ears but at least your cheeks looked flushed too (he just didn’t know it was because of his sudden exposure).

He was gathering his thoughts when you spoke, fingers timidly going their way through his hair. «You know all those times we… we kiss» «Yes» «And we kind of… kiss really…», you moved a hand between your two bodies, trying to push the concept out of you without words. But you just got a quizzical look from your boyfriend, making you let out an exasperated sigh «We kiss hard, Zuko» To this the Fire Lord’s face burst out in flames «O-Oh yes. Yes! We kiss h-hard», the way his stuttering was interrupted by an embarrassed cough was nearly enough to make you forget your own uneasiness. Nearly.

«We’ve never gone further than… your hands» «M-my…», he gulped «Hands» «On my body» «On your body» «Over the clothes» «Over your clothes» «I think I might want them under» «You think you might want th- what?! Oh Spirits». He tried to escape, turning his head toward the wall, the bed, the window, anywhere but you. At this point you wouldn’t be surprised if you saw smoke coming out of his ears; his lips moved hysterically, but you couldn’t really get what he was trying to say. With a small chuckle you cupped his face.

«Is it because of Mai?», you asked, as gently as you could. Zuko opened the mouth to contradict you but was quickly silenced by your soft look, he just couldn’t lie to your sweet gaze. With a sigh he leaned forward, pecking your lips, and caressing your cheekbone he whispered «Yes. I know you’ve never done anything and I don’t want you to feel forced by the fact that Mai and I…» «I don’t feel forced», it was your turn to kiss him «I appreciate your caring and I love how thoughtful you are. But if I’m telling you this it’s because I want this». It was as his golden eyes lit up for a second, the warmth from his body completely overwhelming yours. «Are you sure?», he asked, lips grazing yours with every word. «Yes»

And the same heat from before was back in a second. It was back in his kisses, in his touches around your body, in the feeling of his tongue exploring your mouth. It was back in the way you two stumbled across the room, trying to find the bed without distancing from one another, as both of you pulled on your night clothes. When you finally felt the blankets under your back Zuko’s robe was completely off, the hem of your gown rose as the boy moved his leg between yours, straps sliding down your shoulders. Both your hands explored his body, drawing imaginary patterns on his exposed skin; the goosebumps raised with your touch made him shiver with a sigh, hot fingers tracing your sides, playing with the silky fabric, lifting it until you helped him taking the piece of clothing off. You always thought that on this occasion you would’ve been ashamed as hell, that you would’ve wanted to grab the sheets and hide from every gaze. But you were proved wrong. You didn’t feel the need to cover yourself, you let his eyes scan every inch of you that was uncovered.

«You are beautiful», Zuko wasted no time before kissing you again, taking your breath away before trailing his lips down your neck; a surprised moan left your lips as his teeth and tongue played with your skin and his hand kneaded your left breast. The lower part of both your bodies began to move in unison, making the desire of both of you evident, «Can you feel what you’re doing to me?», you heard the boy whisper and you couldn’t respond with anything other than another moan. You could feel how much he needed you against your thigh, his erection pressing to be freed from the boxers; your skin was on fire, you could feel the heat that spread from his hand as it traveled down the valley between your breasts, tracing the curve of your abdomen until he hooked two fingers inside the hem of your panties.

You could feel only the warm and pleasure he was giving to you, trying to let out only whimpers and soft moans, not willing to risk the others hearing you. «You’re so wet…», Zuko’s fingers traced your slit under the panties, his mouth glued to your neck. The others might not even hear you but certainly the marks the boy was intent on leaving on you would be very visible the next day. It would’ve been difficult to hide even those on your chest, considering the hunger with which the boy sucked the skin of your breasts. He inserted two fingers inside you and another moan, higher than the others, left your lips. «Zuko…», you whimpered, hips moving on their own to follow his pace «I need you» «I know». He shifted, propping himself up on one elbow and giggling breathlessly when he saw the look of frustration on your face when he pulled his fingers out.

You kicked off your underwear as he slipped off his boxers, stroking his shaft before aligning it to your entrance.

Zuko bent down to kiss your neck, moving up your cheek, towards your temple, the heated passion temporarily replaced by his usual sweetness as he intertwined the fingers of one hand with yours «It'll hurt a little… tell me if you want me to stop, okay?”, he whispered against your skin. You nodded, bringing a hand to stroke his hair, grazing the back of his neck with your nails «I trust you Zuko». He pulled away just enough to peer into your eyes, leaving his body on yours, careful not to weigh on you but close enough for you to feel all the comfort that the warmth of his body gave you. He smiled and immediately entered you, leaning in to kiss your temple as you let out a pained moan. He continued to enter, slowly, feeling your walls tighten around him with every inch.

«Zuko…!» you breathed out, clawing at his back almost in panic, torn between pleasure and pain. The boy squinted, cursing «Fuck, Y/N… you’re tight» The way his expression changed made your cheeks heat up. His mouth was half open, neck muscles tense and eyebrows furrowed in a pleasured expression, your whole body reacted to the idea of being the cause of what he felt and you immediately warmed up. The burning you felt between your legs began to ease and when Zuko narrowed his eyes to look at you, his breath caught in his throat. «You’re beautiful», he whispered. His lips assaulted your neck, leaving a trail of rosy hickeys up to the front. «Zuko…», you moaned, scratching his shoulders with your nails «Move». «Yes», he smirked before starting to rock into you.

It was like something exploded into your chest, the pain disappeared almost completely, just a small hint that made the pleasure stronger. You were overwhelmed by him, by Zuko. He was on top of you, inside you, all over you… His hands were grabbing the pillow next to your head, tightening at each thrust of his hips inside of you. He moaned against your ear, making the tightness you felt in the pit of your stomach even tighter; you felt the need to feel him deeper and before you knew it you had wrapped your legs around his waist, pushing him with your heels to go deeper. Zuko let out a surprised noise, immediately broken by a more pleasured one, his knuckles turning white as he bent down to take a nipple between his lips. «F-Fuck! You’re… mh… good», you murmured, causing a chuckle from him that vibrated against your skin. «Thanks, love», he whispered flicking his tongue and making your walls tighten around him.

His hands left the pillow to grip you thighs in a way that would surely leave visible bruises the next day, but you would worry tomorrow about which bathing suit to wear to cover them, what was occupying your mind at the moment was the way Zuko spread your legs, holding your pelvis up and starting to rock again leaving you to appreciate the new angle. His thrusts hand become erratic, his labored breaths sent shivers across your skin. He leant into your neck again, hiding in the crook of your shoulder. «I’m close» he whispered trembling against you, his tone was enough for your entire body to shake with a jolt of pleasure. «Me too», you panted «Please Zuko, I need you.. ah!» You were interrupted buy your own moan when he brought two fingers between your bodies, rubbing against your clit. The combination of his thrusts and fingers sent you over the edge, soon followed by Zuko, who moaned your name before pulling out and coming right away.

You fell into bed next to each other after cleaning yourself up, letting each other’s bodies warm you. You had a happy smile as you absentmindedly caressed Zuko’s chest, cheek resting on his collarbone. He had an arm embracing your waist, two fingers grazing your skin. «How was it?», he asked in a whisper and you felt yourself blush, instinctively snuggling into him. «Perfect. I didn’t think you had such a dominant side inside. You’re usually so shy…» This time it was his turn tu blush, you could tell simply by how he held his breath for just an instant, it wasn’t necessary for you to look at him. After a few more seconds of silence Zuko called your name, softly, his grip on your hip tightening almost imperceptibly. «What» «Let’s not fight anymore for these things»

You turned slowly, lifting your head to get a good look at him. The boy had a few strands stuck to his forehead and reddish cheeks. But you stopped with your gaze on his eyes, shiny and insecure. You immediately leaned towards him, kissing him slowly but deeply; he kissed you back, flicking his tongue against yours and stroking your cheek with his free hand. When you pulled away it was only a few inches. «Let’s not fight anymore for these things »

| The End |

Heyyy, so sorry for the late late late late so-much-late update but you know... things. Hope you liked this juicy bonus chapter! See you next fic!

#avatar verse #avatar zuko #avatar #zuko avatar #avatar aang #atla sokka #atla katara #toph beifong #zuko fanfic #fire lord zuko #prince zuko #zuko x you #zuko x y/n #zuko x reader #avatar x you #avatar x reader #avatar x y/n

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kataraslove · 5 months

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Do you think Aang is a neglectful father to Bumi and Kya II?

going from just what we are shown in legend of korra through kya and bumi’s perspectives? yes. not intentionally, of course. but it’s important to recognize the amount of hurt that aang caused his children, to the point where tenzin’s idealization of him starts to falter, and he acknowledges that his father isn’t as perfect as he thought he was (or wanted him to be). don’t get me wrong - I think the fandom tends to exaggerate parts of aang’s parenting. like comparing him to ozai? that is the most ridiculous thing i’ve ever seen. but i also see pro meta glossing over kya and bumi’s concerns with him, which isn’t right. there needs to be more nuanced perspectives than “he was as bad as ozai!” or “kya and bumi really were just overexaggerating their grievances with aang. he was a great dad!”

i think here is where it’s important to discuss authorial intent: bryke have said that they had not meant for their writing to come across aang being a bad father who set out to intentionally neglect his children. rather, kya and bumi’s concerns and resentment likely stem from how they perceived his role to the world. legend of korra as a series offers a meta commentary on living up to legacy, the legacy set by the heroes in avatar the last airbender, and the legacy of living up to a critically acclaimed predecessor series. kya and bumi’s concerns also stem due to legacy: the legacy left behind by aang and how the world views their existence in accordance to this legacy - as the non-airbending children to the last airbender. kya and bumi feel that they deserve the right to be part of their father’s legacy (and they do) just as much as tenzin. i don’t think their insistence to be part of avatar aang’s legacy is due to a desire for prestige and fame, as they’ve spent much of their lives shying away from their father’s legacy. i think it’s out of a genuine realization that they are grieving and missing their father and want to celebrate his successes.

in print media, we actually get a different perspective to his parenting. kya and bumi offer good words about their father (mostly). in turf wars (2015), kya shares how he was “nothing but supportive” in relation to her coming out. she offers some interesting lore about same sex relationships among the air nomads, likely quoting something that her father could have directly shared with her. in avatar legends, it is confirmed that aang did teach both kya and bumi about their air nomad heritage, and kya internalized his lessons on philosophy, meditation, and balance:

Although she developed a slight resentment toward Aang for teaching more to Tenzin about his culture,[3] Kya internalized some of her father's lessons on philosophy, meditation, and balance.[6] She developed a stronger connection with Katara, who taught her to develop her waterbending combat and waterbending healing abilities to proficiency.[3][6] - Avatar Wiki

in bumi’s recent comic called the cat owl’s cradle (2022) released in patterns of time, i was surprised to find that bumi held a much more favourable perspective towards his father than before. he thinks about his father’s great smile all the time and tells his nephew that meelo’d smile reminds him of his father’s. he mentions that aang and him used to go fishing (a water tribe practice). he’s understanding of his father’s many duties to the world; why - as the avatar - he often didn’t have infinite time in the world to spend with him. most importantly, through the advice he offers meelo, it is evident that bumi has realized that an absence of airbending couldn’t possibly make his father love him more than he already did - that he is fine the way he is, with or without airbending. in this story, we discover a vast growth in bumi’s self-confidence, as he no longer feels a sense of inadequacy, in his own skills and in his father’s eyes.

to answer your question: if you were to only watch the legend of korra, i can completely see why you’d arrive at the conclusion that aang was a negligent father who deliberately focused on his youngest child over his other non-airbending children. if you factor in print and comic media, it tells the story of a father who was trying his best to balance his responsibilities to the world and his personal life, succeeding in some ways and failing in others. at the end of the day, it seems like kya and bumi’s genuine love for their father overtakes their grievances with him. what’s interesting is that it’s not like an “he’s my father so I’m obligated to love him” type of love. it’s more along the lines of, “yes we have our issues with him but we do believe he loved us wholeheartedly and we want to be included in his legacy.”

now, just because i’ve grasped (after so many attempts) on what bryke was trying to do in korra does not mean that i don’t have my fair share of issues with the way bryke went about writing that storyline. i dislike the fact that they blamed the fandom on the overexaggeration - if all sides of the fandom came out with the take home message that aang was a deadbeat father who gatekept his culture to his literal family, the onus is on your writing, not on the fandom. the balanced perspective years later in the comics is appreciated, but we definitely needed to see this in the show from the get go.

ultimately, if they have an interest in redeeming aang’s arc as a father (which i suspect they might want to do given post-korra material), they need to show us, rather than just tell us, that he wasn’t as bad as how korra makes him out to be. the perfect opportunity for this is in this upcoming adult gaang movie with the birth of baby bumi. we have no details surrounding this adult gaang movie, so i don’t know if bumi will be in it or not. but it is the perfect opportunity, if bryke are interested in going that route.

I will end off by saying that i’d rather have aang as a father than my own any day lmaooo.

#aang #atla #avatar the last airbender

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be-the-glenn-to-my-maggie · 1 month

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Avatar: The Last Airbender Live Action Thoughts!

-First of all, ya'll need to leave those child actors alone, they are babies and they didn't write the show, nor was it their idea to do it. I have seen way too many people body shaming children; leave them alone they all did well!

-I think Gordon makes Aang just as cute and small and powerful as I always saw him as!! He manages to joke around and be fun even when the storyline is a lot darker and more serious.

-I really wish Sokka was able to be more of his goofy and silly self. I understand why he isn't, and his humor is more sarcasm and dark jokes, but I saw glimpses of him in there! His excitement when he was with the Mechanist, engineering and getting to do something other than be in charge. Also when he has any older brother convo with Katara or Aang. I'm hopeful with time he'll be able to loosen up!

-(Speaking of the Mechanist, my boy Danny Pudi was SO GOOD, I love him, him and his little son).

-I wish Aang would practice waterbending with Katara :( those scenes of them practicing together were always some of my favorites in the series. Just beautiful kataang moments. I'm glad they addressed it but I missed those moments.

-I don't understand how you guys can't be having fun watching this, I get so excited waiting for little moments of lore, or when Jet and Katara were fighting in the forest I was sitting in front of the TV like "WHERE'S SMELLERBEE AND LONGSHOT. OH MY GOD NO IT'S PIPSQUEAK!" It's just so much fun! The colors are beautiful, the effects are gorgeous, and the plot and characters are entertaining. Think about the piece as it's own thing and enjoy it!

-Adaptations are just that; adaptations, and things will be changed! I think so far I haven't minded their changes, I understand why they've been made. There are things to criticize, but I think this is pretty well done.

-Zuko is fantastic; I think all the child actors are fairly good but Dallas' pissy attitude and the faces he makes are so so fun! I feel for Zuko and I'm scared of him when he shows up, and he's just as annoying and bratty as ponytail Zuko should be. His physical motions are fantastic!

-TEO WAS SO LITTLE?? Oh my god, like as a kid I thought the cartoon version of him was kinda hot so when they wheeled that tiny baby in I was HORRIFIED.

-Idk why YOU ALL weren't scared of Lizzy Yu's Azula, but her little smile in her intro scene gave me a lil chill. Maybe it's because I was away when the show first came out so I saw post after post about how bad she was, but I just.... Thought she'd be worse?? She did really well! Ya'll better be careful though or Gaten Matarazzo will come for you, that's his girl.

-So far the mushing of plots has made sense to me. Yes, I miss the silly filler episodes and the traveling the Gaang did, but it allows us to sit in a scene longer, and to colorize the world better, when we're in one place and one plot for longer. I think that's important for this type of medium and this amount of episodes. They might be able to justify more next season if this show does well enough.

-I am OBSESSED with Zuko and the 41st division oh my god, what a fantastic and well thought out addition. The reveal, and they're bowing for him when he comes back was DEVASTATING.

-They we're GIVING us Sokka and Katara best sibling moments, I loved all of them. They are so cute, they just mean so much to me.

-I don't feel Appa or Momo as characters like I did in the cartoon. I'm hoping this can change, because rn they surprise me every time they get on screen. I'm like "WHAT- oh it's Momo, he's here." How are we going to feel Appa's loss as much as we did in the cartoon if they continue to like barely be in it.

-Ken Leung SLAYED as Admiral Zhao, I watched him go literally insane as the episodes went on.

-Aang's imposter syndrome and feeling of failure being focused on I will always enjoy, even if I hope he can be silly next season too. His entire character arc this season just made me want to cry.

-Bro the coloring during the the Siege of the North was A M A Z I N G. The way the color faded in and out with fireballs and the monster koi passing nearby, just so pretty. It looked awesome.

-Making Yue a waterbender? The best. Her freezing Sokka in place so he can't stop her? Heartbreaking.

-Iroh and Zuko paddling off looking for bestie Lt. Jee?? Okay.

-They really grew this show up for us adults that watched it in 2005 and focused in on the really painful moments, themes, and details.

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