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rest-in-being · 3 years

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Bismillahi Babuna, wa Sallallahu 'ala Sayyidina Muhammad. Mawlana Shaykh Nazim Haqqani (qaddas allahu sirrahu) taught a more Merciful way of Sufism and thus is (Ghawth al-Anam the Support/Helper of the People). Now, and even more from the Unseen, being taught of Sufism that is not found in books of the past, but he gave a more fluid modern feel approach. Mawlana Shaykh Nazim Haqqani (qaddas allahu sirrahu) simply taught Short-cuts and tips to save a lot of time with this method of Teaching, to arrive to openings.

Anyway, Tasawwuf or simply Sufism of the past has completely changed its face and its rules today. Most of what the books of the past say, is now redundant-(no longer needed or useful) but not useless, today (generally Speaking) The books of the past, serve more as rough (Guidance - Irshad) rather then as True (Guides Hadi) today. And I will explain this as some people's Nafs will jump up and down like monkeys, usually the ones that profess of studying basic Islam and thus due to the little amount of (Book Knowledge). Thinking themselves as some type of authority. They think themselves clever rather than thinking maybe it (this ilm) should make me more humble! This is a Major sickness of those brothers and sisters that have studied only some of Deen, some Arabic and suddenly they know better. There two types of knowledge (Kasbi) and (Wahbi). Kasbi 'ilm is what you earn by studying. Wahbi 'ilm is given or bestowed from Allah. Sayyidi 'Abdal-'Aziz Dabbagh was (Ummi Unlettered) but the ability to understanding very difficult Hadith and given commentary of Quran. As Sayyidi 'Abdal-'Aziz Dabbagh (The Unlettered Sufi was given (bestowed) 'ilm Wahbi Knowledge given directly to the Heart) As to what we are saying and this Daleel; Near the End of Time People will receive many Powerful True Dreams as a form of Mercy, Good News, Sabr and Protection as Compensation to stay Steadfast with their (Iman Faith). This is based on Hadith Near the End of Time People will receive the reward of 10 Sahabi of Badr or Ahl Badri (Ahl Badri are the higest ranking Sahabah) this is Hadith based. Near the End of Time People holding on to one Sunnah will be like holding onto HOT COAL. this is Hadith based. (Thus the rewards for the Muslims of the End of the Time is Different) The Shadhili Masters have said "if you don't have a Sufi Shaykh, then take Dalail al-Khayrat as your (Sufi Shaykh and Guide Hadi)" Why Sufi Masters will be hard to find. in the old says the Shadhili Masters and other Tariqahs too. But Shadhili Masters said you had to be 40 years to join the Tariqah, know Matn of Text (meaning know 'ilm to some degree) fast 40 days and Have a JOB! yes you must have a job to join the Shadhili Tariqah this is found in the foot notes. None of that applies today! Hazrat Sabir Pak of Kalyari Chishti qaddas allahu sirrahu about Middle of 14th Islamic year (we now in 1441 AH) The Great Chishti Hazrat Makhdum Ali Ahmed Sabir Kalyari (qaddas allahu sirrahu) gives reference to his Grandfather Shaykh Abdal Qadir Jilani qaddas allahu sirrahu who describes the Coming of Imam Mahdi and modern day, In middle of the 14th Islamic year (we now in 1441 AH) That Hasad-(Jealousy) and Ghill-(Grudes) be will be widespread. The Authoritative Gnostics (Sufi Shaykhs) will be indulging in (Excessive Backbiting Ghiyba). The Sincere Sufi Shaykhs will be Rare and Weak. (Weak could mean they are not well known or famous like the Authoritative Shaykh or will have limited resources). *End the near of Time, Salawats of Great Power be Unleash and from some Salawat will unleash Great Power too* Near End of Time the rules change and energy changes, many Salawat will Open up like (Sayfallah Swords of Allah) to protect you and feed you against evil as evil is Dark and Salawat is Nur Light. Dalail al-Khayrat was composed just under 500 years Sidi Ahmad Ibn Idris (qaddas allahu sirrahu) (1760–1837) so roughly about 15/160 years ago he was given Salawat Azimyyah which if read one is said to be 1 Million Dalail al-Khayrat and outweighs Shadhili Litanies. "O Khidr recite all Shadhili Litanies, which he did, now recite that which encompasses all Litanies, Salawat and Istaghfar, best in Reward and Greatest in number. What's that he asked? The Prophet (salllahu `alayhi wa salam) And this was the reply: The Three Idrisiyyah Keys were then given directly by Prophet (salllahu `alayhi wa salam) to Sidi Ahmed ibn Idris; Salawat Azimiyyah, Tahleel Idrisi and Istaghfar al Kabir. Thus from this one can easily "The Three Idrisiyyah Keys outweigh all the Shadhili Litanies" Note: Sidi Ahmad ibn Idris was Born in (1760), which is 25 years after Sidi Ahmed Tijani and passed away 22 years after Sidi Ahmed Tijani in (1837). Thus Salawats at the (End of Time) seem to be Eclipsing -(significance or of power) to some degree it looks based on the above and making making Spiritual stations easier to reach, in this time period. about 70 years ago, Sayyid as-Salawaat (The Master of Salawaats) of Shaykh Sharafuddin ad-Daghestani qaddassAllahu sirrahu. Shaykh Sharafudeen Dagestani's (Sayyad as-Salawat) is the (Khatm Seal) of the Haqqani Dhikr, within it lies All Unseen Secrets. Sayyid As-salawat Power will unleash Armies of Angels with Huge Makhlook (Beasts) with Swords to Fight the Army of Dajjal's Jinns. The Tijani Master, Shaykh Sidi Ibrahim Niasse has talked about Salawat al-Fatihi will unleash Great Power, that hasn't been released yet, in the Time of Dajjal. Due to the Fayd Spiritual power of Salawat al-Fatihi. Salawat Ya Wahhaab uses similar wording as Salawat al-Fatihi and its Secrets are within the (ism Name of Wahhaab) (adding Sayyidina has Secret of Dunya needs) and within this (..Fatihil-Abwaab). Thus Near the End of Time, Salawat is the Key! and it will save you, not these books of the old, which have some benefit but don't talk about this time we are living in. And this Sufism has changed it, its secrets can be opened and given to many today easily if they came their focus 5000 Salawat Ya Wahhaab that will indeed help them with many of a crisis we are living today. Salawat Ya Wahhaab; *Allahumma Ya Wahhaab, Salli ‘ala Sayyidina Muhammadin Faatihil-Abwaab wa `alaa aalihi wa sahbihi wa sallim*

#sufism #tasawwuf #salawats #let that sink in

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berlysbandcamp · 4 years

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Mazouni - A Dandy In Exile - 1969/1982

1958, in the middle of the liberation war. While the rattle of machine guns could be heard in the maquis, in the city, the population listened at low volume to Algerian patriotic songs broadcast by the powerful Egyptian radio: "The Voice of the Arabs". These artists all belonged to a troupe created by the self-proclaimed management of the National Liberation Front (FLN), based in Tunis and claiming to gather a "representative" sample of the Algerian musical movement of the time.

1960, cafe terraces were crowded and glasses of anisette kept coming with metronomic regularity, despite the alarming music of police sirens heard at intervals and the silhouettes of soldiers marching in the streets. The mood was good, united by a tune escaping from everywhere: balconies, where laundry was finishing drying, windows wide open from apartments or restaurants serving the famous Algiers shrimps along with copious rosé wine. Couples spontaneously joined the party upon hearing "Ya Mustafa", punctuated by improvised choirs screaming "Chérie je t’aime, chérie je t’adore". The song, as played by Sétif-born Alberto Staïffi, was a phenomenal success, to the point that even FLN fighters adopted it unanimously. Hence an unfortunate misunderstanding that would trick colonial authorities into believing Mustafa was an ode to the glory of Fellaghas.

1961, Cheikh Raymond Leyris, a Jewish grand master of ma’luf (one of Algeria’s three Andalusian waves) who was Enrico Macias’ professor, was killed in Constantine, making him the first victim of a terrorist wave that would catch up with Algeria at the dawn of the 1990s by attacking anything that thought, wrote or sang.

Mohamed Mazouni, born January 4, 1940 in Blida – “The City of Roses" both known for its beautiful ‘Blueberry Square’ (saht ettout) in the middle of which a majestic bandstand took center stage, and its brothels – had just turned twenty. He was rather handsome and his memory dragged around a lot of catchy refrains by Rabah Driassa and Abderrahmane Aziz, also natives of Blida, or by 'asri (modern music) masters Bentir or Lamari. He would make good use of all these influences and many others stemming from the Algerian heritage. The young Mohamed was certainly aware of his vocal limits, as he used to underline them: "I had a small voice, I came to terms with it!". But it didn’t lack charm nor authenticity, and it was to improve with age. He began his singing career in those years, chosing bedoui as a style (a Saharan genre popularized among others by the great Khelifi Ahmed).

1962, the last French soldiers were preparing their pack. A jubilant crowd was proclaiming its joy of an independent Algeria. Remembering the impact of popular music to galvanize the "working classes", the new authorities in office rewarded the former members of the FLN troupe by appointing them at the head of national orchestras. In widespread euphoria, the government encouraged odes to the recovered independence, and refrains to the glory of "restored dignity" sprung from everywhere. Abderrahmane Aziz, a star of 'asri (Algiers’ yé-yé) was a favorite with Mabrouk Alik ("Congratulations, Mohamed / Algeria came back to you"); Blaoui Houari, a precursor of Raï music, praised the courage of Zabana the hero; Kamel Hamadi recalled in Kabyle the experience of Amirouche the chahid (martyr), and even the venerable Remitti had her own song for the Children of Algeria. All this under the benevolent eye (and ear) of the regime led by Ahmed Ben Bella, the herald of the single party and vigilant guardian of the "Arab-Islamic values" established as a code of conduct. Singers were praised the Egyptian model, as well as Andalusian art intended for a nascent petty bourgeoisie and decreed a "national classic"; some did not hesitate to sell out. These Khobzists – an Algerian humorous term mocking those who put “putting-food-on-the-table” reasons forward to justify their allegiance to the system – were to monopolize all programs and stages, while on the fringes, popular music settled for animating wedding or circumcision celebrations. Its absence in the media further strengthened its regionalization: each genre (chaâbi, chaouï, Kabyle, Oranian...) stayed confined within its local boundaries, and its "national representatives" were those whose tunes didn’t bother anyone. The first criticisms would emanate from France, where many Algerian artists went to tackle other styles. During the Kabyle-expression time slot on Radio Paris, Slimane Azem – once accused of "collaboration" – sang, evoking animals, the first political lines denouncing the dictatorship and preconceived thinking prevailing in his country. The reaction was swift: under pressure from the Algerian government, the Kabyle minute was cancelled. Even in Algeria, Ahmed Baghdadi aka Saber, an idol for fans of Raï music (still called "Oranian folklore"), was imprisoned for denouncing the bureaucracy of El Khedma (work).

For his part, Mazouni was to be noticed through a very committed song: Rebtouh Fel Mechnak (“They tied him to the guillotine”). But above all, the general public discovered him through a performance at the Ibn Khaldoun Theater (formerly Pierre Bordes Theater, in the heart of Algiers), broadcast by the Algerian Radio Broadcasting, later renamed ENTV. This would enable him to integrate the Algerian National Theater’s artistic troupe. Then, to pay tribute to independence, he sang “Farewell France, Hello Algeria”. 1965: Boumediene's coup only made matters worse. Algeria adopted a Soviet-style profile where everything was planned, even music. Associations devoted to Arab-Andalusian music proliferated and some sycophantic music movement emerged, in charge of spreading the message about "fundamental options". Not so far from the real-fake lyricism epitomized by Djamel Amrani, the poet who evoked a “woman as beautiful as a self-managed farm". The power glorified itself through cultural weeks abroad or official events, summoning troubadours rallied to its cause. On the other hand, popular music kept surviving through wedding, banquets and 45s recorded for private companies, undergoing censorship and increased surveillance from the military.

As for Mazouni, he followed his path, recording a few popular tunes, but he also was in the mood for traveling beyond the Mediterranean: "In 1969 I left Algeria to settle in France. I wanted to get a change of air, to discover new artistic worlds". He, then, had no idea that he was about to become an idolized star within the immigrant community. During the 1950s and 1960s, when parents were hugging the walls, almost apologizing for existing, a few Maghrebi artists assumed Western names to hide their origins. This was the case of Laïd Hamani, an Algerian from Kabylia, better known as Victor Leed, a rocker from the Golf Drouot’s heyday, or of Moroccan Berber Abdelghafour Mociane, the self-proclaimed “Vigon”, a hack of a r&b voice. Others, far more numerous, made careers in the shadow of cafes run by their compatriots, performing on makeshift stages: a few chairs around a table with two or three microphones on it, with terrible feedback occasionally interfering. Their names were Ahmed Wahby or Dahmane El Harrachi. Between the Bastille, Nation, Saint-Michel, Belleville and Barbès districts, an exclusively communitarian, generally male audience previously informed by a few words written on a slate, came to applaud the announced singers. It happened on Friday and Saturday nights, plus on extra Sunday afternoons.

In a nostalgia-clouded atmosphere heated by draft beers, customers – from this isolated population, a part of the French people nevertheless – hung on the words of these musicians who resembled them so much. Like many of them, they worked hard all week, impatiently waiting for the weekend to get intoxicated with some tunes from the village. Sometimes, they spent Saturday afternoons at movie theaters such as the Delta or the Louxor, with extra mini-concerts during intermissions, dreaming, eyes open, to the sound of Abdel Halim Hafez’ voice whispering melancholic songs or Indian laments made in Bombay on full screen. And the radio or records were also there for people to be touched to the rhythm of Oum Kalsoum’s songs, and scopitones as well to watch one’s favorite star’s videos again and again.

Dumbfounded, Mohamed received this atmosphere of culture of exile and much more in the face. Fully immersed in it, he soaked up the songs of Dahmane El Harrachi (the creator of Ya Rayah), Slimane Azem, Akli Yahiaten or Cheikh El Hasnaoui, but also those from the crazy years of twist and rock’n’roll as embodied by Johnny Hallyday, Les Chaussettes Noires or Les Chats Sauvages, not to mention Elvis Presley and the triumphant beginnings of Anglo-Saxon pop music. Between 1970 and 1990, he had a series of hits such bearing such titles as “Miniskirt”, “Darling Lady”, “20 years in France”, “Faded Blue”, Clichy, Daag Dagui, “Comrade”, “Tell me it’s not true” or “I’m the Chaoui”, some kind of unifying anthem for all regions of Algeria, as he explained: "I sang for people who, like me, experienced exile. I was and have always remained very attached to my country, Algeria. To me, it’s not about people from Constantine, Oran or Algiers, it’s just about Algerians. I sing in classical or dialectal Arabic as much as in French and Kabyle”.

Mazouni, a dandy shattered by his century and always all spruced up who barely performed on stage, had greatly benefited from the impact of scopitones, the ancestors of music videos – those image and sound machines inevitably found in many bars held by immigrants. His strength lay in Arabic lyrics all his compatriots could understand, and catchy melodies accompanied by violin, goblet drum, qanun, tar (a small tambourine with jingles), lute, and sometimes electric guitar on yé-yé compositions. Like a politician, Mazouni drew on all themes knowing that he would nail it each time. This earned him the nickname "Polaroid singer" – let’s add "kaleidoscope" to it. Both a conformist (his lectures on infidelity or mixed-race marriage) and disturbing singer (his lyrics about the agitation upon seeing a mini-skirt or being on the make in high school…), Mohamed Mazouni crossed the 1960s and 1970s with his dark humor and unifying mix of local styles. Besides his trivial topics, he also denounced racism and the appalling condition of immigrant workers. However, his way of telling of high school girls, cars and pleasure places earned him the favors of France’s young migrant zazous.

But by casting his net too wide, he made a mistake in 1991, during the interactive Gulf War, supporting Saddam Hussein’s position through his provocative title Zadam Ya Saddam (“Go Saddam”). He was banned from residing in France for five years, only returning in 2013 for a concert at the Arab World Institute where he appeared dressed as the Bedouin of his beginnings.

At the end of the 1990s, the very wide distribution of Michèle Collery and Anaïs Prosaïc's documentary on Arabic and Berber scopitones, highlighted Mazouni’s important role, giving new impetus to his career.

Living in Algeria, Mohamed Mazouni did not stop singing and even had a few local hits, always driven by a “wide targeting” ambition. This compilation, the first one dedicated to him, includes all of his never-reissued “hits” with, as a bonus, unobtainable songs such as L’amour Maâk, Bleu Délavé or Daag Dagui.

#Algeria #Arabic #chaabi #migrant #France

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instantturkeysuitcasebanana · 4 years

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Names around the world

Africa

Morocco

-Hakim Ziyech

-Yassine Bounou

-Zouhair Feddal

-Younès Belhanda

-Achraf Hakimi

-Amine Harit

-Fayçal Fajr

-Nordin Amrabat

-Mbark Boussoufa

-Sofiane Boufal

Tunisia

-Wahbi Khazri

-Aymen Abdennour

-Ellyes Skhiri

-Naïm Sliti

-Yohan Benalouane

-Yassine Chikhaoui

-Taha Khenissi

-Youssef Msakni

-Saber Khalifa

-Ammar Jemal

Algeria

-Riyad Mahrez

-Faouzi Ghoulam

-Aïssa Mandi

-Sofiane Feghouli

-Ishak Belfodil

-Ryad Boudebouz

-Youcef Atal

-Ramy Bensebaini

-Islam Slimani

-Nabil Bentaleb

Egypt

-Mohamed Salah

-Mohamed Elneny

-Ahmed Hegazi

-Ahmed Hassan

-Amro Tarek

-Mahmoud Alaa

-Ahmed El-Shenawy

-Walid Soliman

-Abdallah El Said

-El Shahat Hussein

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salalewz · 2 years

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ASSE : Wahbi Khazri blessé, forfait avec la Tunisie

Alors qu'il venait de reprendre la compétition ce week-end contre Troyes, Wahbi Kazri ne jouera pas avec la Tunisie pendant cette trêve internationale, la faute à une blessure à la cheville qui le gêne depuis quelques semaines. Le joueur des Verts avait raté le choc face au PSG le 26 février dernier et effectuait progressivement son retour contre Metz et Lille début mars.

Appelé en sélection nationale pour jouer les qualifications du prochain Mondial au Qatar face au Mali, le milieu de terrain est forfait et devrait rester à Saint-Étienne selon le journaliste Ahmed Adala.

#สล็อต pg แตกง่าย #สล็อตเว็บตรง แตกง่าย

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jefferyriggins · 3 years

Video

This advertisement by Coca Cola is an example of emotional advertisement. The ad starts with a man in a subway full of random people starts to laugh by himself. Then the more he laughed the more people laughed until eventually everyone in the subway started laughing. The Coca Cola team then started giving people a Coca Cola drink alongside a card that has a smiley face on it to convey that Coca Cola brings people happiness and joy. I myself started laughing by just watching the ad and thought about drinking a nice cold Coca Cola drink.

-Ahmed Wahby

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moore1952 · 4 years

Video

youtube

Ahmed Wahbi - Wahran Wahran

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tamerashry · 4 years

Video

vimeo

Daily Championships - Ataa Charity Fund from Tamer Ashry on Vimeo.

Ataa Charity Fund, Featuring real heroes with Mona Zaki voice over supporting the cause. Client :Ataa Charity Fund Advertising Agency: The Studio Sadek ElRazzaz , Amr Al Akhras, Mohamed Sadek ElRazzaz Creative Director: Ezzat Amin Copy writer: Reem Eid

Director: Tamer Ashry DOP : Kamal Samy Production Designer: Hend Haider Stylist : Farida Fouad 1st Assistant Director: Mahmoud Abd ElTawab 2nd Assistant Director: Yahia Gweifel Production house: A Film Production Executive Producer: Ayman Abd El Mon'eem Senior Producer: Hagar hammad Ass. Producers : Jessy - Fairouz El Taweela - Sara Hammad Production Manager: Ehab Wahby Casting Agency: Hazem Aswany Location Manager: Ahmed Shawer

Post House: Lizard TV Editor: Mohamed Amir Colorist: Karim Mira Sound Design: The Garage Sound Studio - Hosny Ali Sound design & Mix Abdelrahman Osama "Ebdu"

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arabicalbumcovers · 6 years

Photo

Ahmed Wahby

#Ahmed Wahby #Ahmed Wahbi #Algeria #Algerian music #male singer #arab music #arabic music

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footballghana · 4 years

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North African football united against Covid-19

The coronavirus pandemic sweeping the globe at present is an invisible enemy that has quickly come to dominate our conversation.

Life has suddenly changed, as we long for the little things that we used to do routinely before the crisis and for life to return to normal. Governments around the world have taken measures such as closing schools and obliging businesses to send their staff home or lay them off to cut costs.

In such difficult times, the livelihoods of poor families in countries that are already experiencing economic hardship, such as Egypt, are greatly impacted.

Egyptian football: Yesterday's enemies, today's friends

Regardless of which of Cairo’s big two you supported, your favourite club and their arch-rivals have now joined forces. The stars of Egypt’s two largest clubs, Zamalek and Al Ahly, have decided that this is the time for action and giving. Al Ahly defender Saad Sameer launched the #good_challenge initiative under which he announced that he would sponsor 20 families until the crisis has ended, challenging fellow players from both clubs to follow suit.

The initiative soon snowballed, with many football stars signing up. Tarek Hamed, Ahmed Fathy, Mohamed El-Shenawy, Mahmoud Kahraba, Amr El Solia, Wael Gomaa, Sherif Ekramy, Shikabala, Mido, Ahmed Hegazi, Trezeguet, and Ahmed Hassan (Kouka) soon joined, and others are coming on board daily. Hundreds and perhaps thousands of households are benefitting from this challenge, which shows the beautiful side of the Egyptian people at a time of hardship.

Algeria welcome Rafik Saifi's initiative

In Algeria, former international Rafik Saifi, who participated in the 2010 FIFA World Cup South Africa™, launched a campaign in which he urged all current and former internationals to help finance Algerian hospitals. Many players, notably Yacine Brahimi, Carl Medjani, Ramy Bensebaini, and almost the entire squad who won last year’s CAF Africa Cup of Nations title, responded favourably to the campaign.

As well as this joint initiative, some players, such as Abdelmoumene Djabou, Salim Boukhenchouche, Andria, and several other footballers in local leagues, have individually decided to sponsor some impoverished families during the crisis.

Algerian Football Federation (FAF) President Kheiredine Zetchi announced that the FAF was placing all its financial and human resources at the disposal of the Algerian authorities in the fight against COVID-19. He said the football body would not hesitate to play an active part in helping the Algerian people overcome the plight. The federation’s technical training centre in Sidi Moussa will also be placed at the disposal of the government when works there are completed. The facilities will be used as a quarantine centre if necessary, with the exception of the Hôtel Les Fennecs, which will not be finished until next year.

Tunisian football family mobilise to fight the virus

Tunisian football is also rallying behind the state at this difficult time. Many national team players, such as Anice Badri, Fakhereedine Ben Youssef, Yousself Msakni, Taha Khenissi, Wahbi Khazri, Saif-Eddine Khaoui, Wajdi Kechrida, Bassem Srarfi, Ferjani Sasi, Ellyes Skhiri and all the Eagles of Carthage players who participated in the 2018 FIFA World Cup Russia™, made donations to the coronavirus solidarity fun.

For its part, the Tunisian Football Federation (FTF) placed the national team centre at the disposal of the Ministry of Health, which prepared the facility for a possible emergency. The FTF further allocated 100,000 dinars to provide the Borj Cedria and Ain Draham centres with medical supplies, also putting them at the disposal of the ministry. Moreover, it will cover the cost of the medical and paramedical teams that will temporarily supervise the centres, and has announced that its teams are ready to help the government in its response to the crisis.

The FTF also provided all quarantine centres with internet access and gave every Tunisian returning from abroad a mobile SIM card with data. In a separate move, it provided 700 Tunisian families with staple foods, cleaning materials and sanitary liquids, and placed five buses at the disposal of the Transport Ministry.

Moroccan FA and professional clubs make financial contributions

In cooperation with its professional and regional leagues, and women’s football bodies, the Royal Moroccan Football Federation (FRMF) announced that it would donate ten million dirhams to the anti-coronavirus fund.

Some professional league teams in the country also announced donations to the fund, and campaigns by current and former players, as well as coaches, continue to raise awareness among people about the seriousness of the virus and the need to adhere to instructions aimed at containing it.

The sun will definitely rise

No one know how long the crisis will last, but it will end one day and stadiums will reopen their doors. And when we see these players take to the pitch again, we will realise the importance of giving in this life, and that it can only continue through our unity and solidarity. The Good Challenge initiative in Egypt, the Saifi challenge in Algeria, and similar actions taken by the Tunisian and Moroccan football authorities prove that football is indeed "the beautiful game".

Source: fifa.com

source: https://footballghana.com/

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sankey2608 · 5 years

Link

Africa Cup of Nations – 2019, Nigeria vs Tunisia (NGA vs TUN )

Match Details and Preview

We are Working hard to get best Information for you.

The full Squad of Nigeria

(NGA)

The full Squad of Tunisia (TUN )

Updated News and Expected Playing 11

Nigeria (NGA)

Since the team is coming off a loss, they will be giving chance to some fringe players here. Samuel Chukwueze might be given a chance to come into the starting lineup here. Aina will be shifting to right-back whereas Jamilu Collins is expected to slot into left-back. Odion Ighalo:- Influence on the pitch: 8.5/10, the striker has delivered well so far in the tournament and hopefully would’ve learnt something new. Alex Iwobi:- Influence on the pitch: 8/10, the Arsenal man is one of the pillars in the roster, and he will be looking to become better as a player for both club and country. Ahmed Musa :- The winger possesses fierce pace and this might be the best time to showcase his ability on the ball. Injured – Abdullahi Shehu is also out as he is injured. Suspended – Chidozie Awaziem is suspended due to an accumulation of yellow cards.

Playing 11 :

Akpeyi (GK)

Aina

Troost-Ekon

Omeru

Collins

Ndidi

Etebo

Chukwueze

Iwobi

Musa

Ighalo

Tunisia (TUN )

The side too is coming off a loss here in the semi-finals, and they will be looking to give chance to some fringe players. Wahbi Khazri can be dropped as he needs rest, and his place is going to be filled by Anice Badri. All players available Taha Yassine Khenissi:- Influence on the pit1h: 8/10, The striker has only been able to score one goal for the side so far, but this might be the time he gives it his all. Ellyes Skhiri:- Influence on the pitch: 8/10, the central midfielder has been arguably the best player for the team so far, and he will be looking to show himself to be a leader for future. Yassine Meriah :- The central defender has been a rock in defence, and he has made almost no errors so far in the tournament.

Playing 11 :

Mustapha (GK)

Drager

Bronn

Meriah

Haddadi

Mohamed

Skhiri

Chaalali

Badri

Khenissi

Sliti

Captain and Vice-captain Choice

Dream11 Team :

We suggest you pick your Fantasy 11 from the squad listed above basis team news.

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bongdawap11 · 5 years

Text

Phân tích kèo Tunisia vs Nigeria, 02h00 ngày 18/7

Phân tích kèo Tunisia vs Nigeria, 02h00 ngày 18/7 https://ift.tt/2Y9deAC

Phân tích kèo bóng đá Tunisia vs Nigeria, 02h00 ngày 18/7,tranh hạng 3 CAN Cup 2019, sân Al-Salam. Không phải căng sức đá 120 phút ở trận bán kết như Tunisia, Nigeria được tin tưởng sẽ tận dụng tốt ưu thế về thể lực để giành chiến thắng trong trận tranh hạng 3.

Dù đang sở hữu trong tay lực lượng rất khiêm tốn và không có tên tuổi nào thực sự nổi bật trong đội hình nên việc Tunisia có thể tiến vào tới trận bán kết đã là rất thành công tại giải đấu năm nay. Ở trận đấu với Senegal vừa qua các học trò của HLV Alain Giresse đã thi đấu rất kiên cường, thậm chí họ còn có cơ hội giành chiến thắng sau khi được hưởng phạt đền ở phút thứ 75, tuy nhiên Ferjani Sassi đã không thể tận dụng được cơ hội và việc phải nhận thất bại do pha phản lưới nhà của Dylan Bronn trong hiệp phụ là rất đáng tiếc.

[caption id="attachment_3656" align="aligncenter" width="600"] Phân tích kèo Tunisia vs Nigeria, 02h00 ngày 18/7[/caption]

Phía bên kia sân, chuyên gia thể thao nhận thấy Nigeria cũng đã phải nhận thua ở những phút cuối cùng của trận đấu trước Algeria. Rõ ràng với lực lượng hùng hậu mà HLV Gernot Rohr mang đến giải đấu lần này sẽ không thể khiến người hâm mộ đội bóng có thể hài lòng. Tuy nhiên nhìn vào bảng xếp hạng việc gióp mặt vào 1 trong 4 đội mạnh nhất cũng đã giúp Đại Bàng xanh hoàn thành mục tiêu đề ra, nhưng sẽ hoàn hảo hơn nếu họ giành được chiến thắng trong trận tranh hạng 3.

Trong quá khứ đối đầu, dù vẫn thường xuyên được đánh giá cao hơn đối thủ nhưng Nigeria cũng không thể giành được chiến thắng ở cả 5 lần đụng độ trước đó, kết quả mà họ thu được chỉ là cả 5 trận hòa. Do đó đội bóng của HLV Gernot Rohr cũng không còn nhận được đánh giá khách quan từ giới chuyên môn dù họ vẫn đang sở hữu chất lượng đội hình tốt hơn đối thủ với những Wilfred Ndidi, Alex Iwobi hay Samuel Chukwueze đang thi đấu rất thành công tại châu Âu.

Một thống kê bóng đá thú vị khác đứng về phía Nigeria là trong lịch sử CAN, họ đã thắng tới 6/7 lần tham dự trận tranh hạng Ba, bao gồm chiến thắng trước chính Tunisia năm 1978. Trận đấu đó gợi lại không ít kỷ niệm buồn cho người hâm mộ bóng đá Tunisia, khi đội tuyển của họ bị xử thua với kết quả bóng đá 0-2 vì từ chối thi đấu nhằm phản đối trọng tài. Hành vi phi thể thao ấy cũng khiến Tunisia bị cấm tham dự kỳ CAN tiếp theo.

Sẽ là một chiến thắng cho những chú đại bàng xanh khi họ được mọi thứ ủng hộ dù tất nhiên, đấy chắc chắn không phải một trận đấu dễ dàng.

Trên sàn giao dịch châu Á, cán cân thị trường sớm nghiêng về phía Nigeria. Vào ngày 15/7, Tunisia còn chấp điểm ăn ở kèo cả trận 0:0 nhưng đến chiều 16/7, kèo chính đã đổi thành Nigeria -1/4. Sự thay đổi này thể hiện rằng đã có rất nhiều nhà đầu tư chốt kèo sớm đặt niềm tin vào thắng lợi dành cho Đại bàng xanh trong 90 phút tranh tài sắp tới.

Đội hình dự kiến Tunisia vs Nigeria

Tunisia: Mouez Hassen, Mohamed Dräger, Yassine Meriah, Dylan Bronn, Oussama Haddadi, Ben Mohamed, Ellyes Skhiri, Ferjani Sassi, Wahbi Khazri, Khenissi, Youssef Msakni.

Nigeria: Daniel Akpeyi, Chidozie Awaziem, Troost-Ekong, Kenneth Omeruo, Jamilu Collins, Oghenekaro Etebo, Wilfred Ndidi, Samuel Chukwueze, Alex Iwobi, Ahmed Musa, Odion Ighalo.

Lựa chọn tốt nhất: Tunisia +1/4 cả trận

DỰ ĐOÁN: Tunisia 1-0 Nigeria

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