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#actually called me out on this

talaricula · 5 months

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Things I've seen tumblr memeing about James Somerton doing à la "How did no one see how bigoted he was!" as if those things haven't been a significant part of tumblr culture for over a decade :

Presenting untrue and bordering on conspiratorial versions of (queer or otherwise marginalised) history without any sources

Completely disregarding and disrespecting any expertise on socio-cultural topics/humanities and distrusting academics and historians (incl. acting as if no academics or historians could be queer or marginalised)

Downplaying the role misogyny played in the historical oppression of queer women and concluding that queer men must have been more oppressed than queer women

Bi women are, at best, not as queer as "real" queer ppl, and at worst, simply equivalent to straight women

Despite nominal trans inclusivity, transmasculine ppl are functionally women when convenient (combined with the above, bi transmascs are functionally straight women)

Despite nominal trans inclusivity (bis), shamelessly attacking, threatening and actively endangering any trans woman who questions them or smth they find important (often by unfairly presenting her as violent or as a threat)

Having absolutely fucking wild and reductive takes about ace ppl, the oppression they face and their place in the queer community

Stating that marriage equality is an assimilationist fight while completely ignoring its direct roots in the horrifying consequences of the AIDS crisis for partners of ppl who died of AIDS

Praising western media creators from the past for queer coding even under censure and in the same breath condemning current non western media creators for being homophobic bc their representation isn't explicit enough

Blaming China for all existing homophobic censoring in western media

Assuming all queer media would be better told by western creators and by western standards

Only out queer ppl get to tell queer stories

Heavily criticising almost all queer media created by women or ppl they see as such (see above points about trans ppl) or involving/starring a significant amount of women for any perceived or real amount of "problematicness", but fawning over and praising and negating criticism of queer media created by and starring mostly or even functionally exclusively men (even when it could be argued that, you know, not involving/seriously sidelining women is a pretty clear example of misogyny which should probably be considered "problematic")

And I'm probably forgetting stuff or there's stuff I have internalised myself and don't recognise as an issue

Like idk but I feel like the takeaway from Hbomberguy and Toddintheshadow's videos should maybe be "be aware of such patterns in your communities bc they definitely exist" and not "this guy is uniquely awful" and I feel like a lot of the discussion I've seen surrounding this has been severely failing at that. Most ppl who've spent any significant amount of time on tumblr prob either have internalised at least one of those thought patterns, have had to de-internalise them, or have had to be extremely vigilant to not internalise them (which is done by, you know, seeking out other sources, which also seemed like an important takeaway from the videos)

#Also I'm saying this as someone who actually watched quite a few of Somerton's videos #And noticed those patterns and stopped watching bc I recognised them from here #and had already learned to unlearn them after being so exposed to them here #And tbh I think anyone who hasn't had the luck or made the conscious choice to seek out ppl who pushed against those narratives #Would absolutely have fallen for this man's bullshit. Like let's not kid ourselves we see takes like this every day on this hellsite #2014 me would have. For sure.#This is next to the plagiarism issue which as Harris points out is an Internet wide issue and this includes tumblr #James Somerton #hbomberguy #todd in the shadows #This brought to you by a conversation with my wife yesterday #So many ppl on here don't deserve to meme or be this self absolvingly critical of this man #The call is coming from inside the house #The man has a tumblr it would legit not surprise me if some of the things he supposedly made up himself he did actually get from somewhere #And that somewhere was a tumblr post

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inkskinned · 1 year

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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

#this was much longer i had to cut it down for legibility #but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion #that is because it deserves its own post with a completely different tone #i am an environmental educator #so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering #that people are going through #without doing my research and providing real ways to help #this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning #to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering #unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this #and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this #and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity #(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself #for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion #i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out #rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free #is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i #which is more than their CEOs can say

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lauraneedstochill · 1 year

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Can't help falling in love

summary: 5 times Aemond was in love with you + 1 time he finally confessed his feelings

warnings: friends to lovers (at the age of 9, 10, 15, 17, 19), a pinch of angst (Aemond healing after losing his eye), but overall so fluffy and sweet you may want to skip dessert

words: ~ 5500 (I got reeeally carried away with that love confession)

Aemond is weeks away from his tenth birthday and he feels as miserable as ever. That feeling is an iron weight upon his heart, his mood irritated and face features grim more often than not. He is still without a dragon — and it’s the only thing he can think of, day and night, steadfast and stubborn in his obsession that most of his family finds to be blown out of proportion. It might have stang him less if only it wasn’t for the constant teasing and pitiful jokes that added to his distress and the never-ending heartache. He learns to keep a straight face and act as if he doesn’t really care, but deep down he does, way more than he’ll ever admit.

His training sessions are a way to channel his anger, and he lashes out at a straw man, again and again, clinging to the thought that, at least in these moments, he is not entirely powerless. He keeps his focus on the target, attentive to Ser Criston’s advice — “Soften your knees”, “Keep your feet light, your hands heavy”, and for a couple of hours he forgets about his misery.

It’s when the training comes to an end, the dreaded realization sinks in again, and Aemond is lost in his thoughts, mindlessly twirling the wooden sword in one hand, his gaze wandering around the yard.

And then his eyes fall on a bright green spot — and all of a sudden, he sees you. A girl of his age, the hem of your green dress a bit dusty, boots covered in dirt, a few strands of hair fallen loose, a coy smile on your face. You meet his gaze and wave at him excitedly.

Aemond looks dumbfounded. A girl in the training yard. Waving at him. He blinks once, twice — and in the next moment, you're standing merely a few steps away, glancing curiously at his sword.

"It looks so hefty! Is it heavy? What is it made of?" a string of questions, your voice sweet and joyful.

There’s a brief pause and maybe you mistake his stiffness for arrogance as you are quick to add:

“Oh, my manners!” gasping but showing no actual regret. “Forgive me,” you curtsy, your smile growing even wider. A timid smile appears on his face in return and he finally comes to his senses.

“It’s made out of red oak. It’s not very heavy, you get used to it,” Aemond raises the sword, letting you take a closer look. Within another blink of an eye he finds himself talking to you, your questions endless and maybe a bit naive but he genuinely enjoys it.

That’s until you both hear a loud cry:

“Lady Y/N!” your nanny comes running in, out of breath and scowling. “I told you not to wander around...,” she chokes on her words at the sight of the young prince. She curtsies, too, but it isn’t nearly as cute as when you do it.

She sprints decisively in your direction:

“It wasn’t very polite of you to interrupt the prince’s training, you little menace!”

And then Aemond, to his own surprise, moves to stand in her way.

”Y/N didn’t interrupt a thing,“ he disagrees, lips thinned into a tight line.

The nanny stops and looks at Aemond dubiously, switching her gaze from him to you.

Ser Criston is the one to resolve the conflict — he comes from behind, with a polite smile plastered on his face.

”Young lady can watch from the balcony. The guests are very much welcomed,“ he calls for the maid to escort you and your nanny up there. While you’re away, he looks at Aemond with a grin:

”Already wooing the ladies, my prince? Let’s hope you are as good with your sword as she thinks you are.“

He does make Aemond work for it but the prince fights back, winning one bout after the other. He keeps glancing at you and you wave at him every single time.

Aemond is too young to know what love is, too shy and guarded to even entertain the thought of it. But when you look at him, with your childish grin and your eyes bright with mirth, he doesn't feel lonely anymore.

It's been two weeks since Aemond lost his eye and he hasn't left the bed once. The pain is still blinding, burning and constantly making his only eye water. But what hurts even more is the humiliating disability. The triumph of claiming Vhagar died down, and now the prince was faced with the harsh reality he needed to adjust to and the process wasn't an easy one. The fever has only recently gone down, leaving his body weak and freezing from the lack of movement, but he couldn't bare the thought of stepping out of the room.

His mother wouldn't leave his side and even Aegon often came to visit, clearly blaming himself for not being there for his little brother. Yet their presence barely brought Aemond any comfort and most of the time he would pretend to be asleep to avoid any conversations. He knew they only meant well and he was being cruel but he couldn't help it as his pride was shattered and he gave in to sadness.

That is until one night he wakes up to a weird sound. He's only half-awake when he hears a vigorous tapping that clearly comes from the outside. Except it's not from the other side of the door — but rather outside his window.

He's startled by this guess and suspiciously walks closer. It takes him a few seconds to focus his gaze and discern a human's silhouette — and then another few to realize that it's you standing on the window sill. He feels like his heart will jump out of his chest as he rushes to open the window.

You climb through and clumsily drop to the floor. But before he can get worried, you are on your feet again, eyeing him with concern.

“Oh, Aemond,” your gaze and voice are both so soft, it makes his lower lip quiver. You carefully approach him and put your hand on his shoulder, gently sliding it on his back in a soothing motion and then cuddling him. He welcomes your company with a sigh of relief. You smell of oranges and you give the best hugs.

"They told me no one was allowed into your chambers," your hushed whisper burns his ear. "The silliest thing I've ever heard!" you pull away from him, still lightly panting, cheeks flushed and hair messy. "I knew I had to find a way to come see you."

You examine his face, frowning at the scar that's still healing.

"Does it hurt?"

He only nods, afraid that if he opens his mouth, he won't be able to hold back a sob. You move closer, resuming the gentle motion of rubbing his back.

Ever since that day in the training yard, you kept in touch, regularly sending each other letters, chatting about everything and nothing, sharing your little secrets and observations. You recently mentioned that your parents allowed you to come see him again, but with the tragic change of events, Aemond completely forgot about the preplanned visit.

"I will take his eye," you say out of the blue, caressing the unharmed side of his face, your voice laced with anger. Aemond thinks he might've heard it wrong.

"...Whose eye?"

"Luke’s! I shall take his eye, as payment for yours," you tell him with zero hesitation. For a girl of your age, you’re way too eager to plan such a thing, yet he somehow has no doubts that you can actually do it.

Aemond shakes his head:

"You shouldn't," his voice quiet but firm. "The King was very adamant about that, no payment is needed."

"Well, maybe he is too old to think straight," you retort. "You are his son and you lost an eye! Justice must prevail," you tilt your head at him, clearly thinking that you’re in the right.

And he knows that you are but he also knows no justice will be served. It’s the last straw for Aemond — he looks away in shame as tears, hot and angry, start falling down his cheek. You waste no time hugging him again, letting him cry on your shoulder, and the two of you stay like that for what feels like an hour.

And then, in the comfortable silence of your embrace, he hears you asking, very seriously:

"Are you sure I can't take his eye?"

At that moment, he can't stop himself from letting out a laugh — a weak one and barely audible, but still, he laughs, for the first time in two weeks, and you are the sole reason for it.

Your cheek is pressed to his, your fingers running through his hair, and Aemond realizes he can't lose you.

He begrudgingly persuades you that taking Luke's eye isn't worth the trouble.

By the age of fifteen Aemond becomes quite accustomed to the eyepatch and it gives him a boost of confidence. Losing an eye only made him train harder and his persistence pays off when he’s the one to win, time after time, no matter who his opponent is. His hair grows longer, now silky smooth and with no sign of his boyish curled ends, his face features sharpen. He learns to walk with his head high and hands clasped behind his back, mastering the intimidating look that makes most people want to stay away from the one-eyed prince.

His tricks could’ve never worked on you, though.

You come to visit him a few times a year, and he eagerly awaits your arrival. All the days in between, you keep talking through letters, them getting longer as you get closer. He keeps those letters locked in a hidden compartment of his table. And sometimes, for no specific reason — or maybe for the reason he can’t yet formulate — he is drawn to reach for them, which always ends with him rereading the letters for hours. Some of them he knows by heart and yet it never stops him from having the pleasure of seeing your handwritten stories and little jokes that were only meant for him.

Today is no exception and Aemond is so enthralled by reading, he almost misses the knock on the door. The sound brings him to reality but he is in no hurry to react. The knocking comes again, and the prince groans, annoyed at the maid's persistence. He carefully puts the letters back and goes to the door, armed with his cold gaze.

And then he opens it — and it's you standing in front of him.

Aemond barely has time to register what's going on when you launch yourself at him, your arms immediately enveloping him in a tight hug, your laugh ringing in the air. He hugs you back and, while you can't see it, he's grinning from ear to ear.

“I swear you’re getting taller every time we meet!” you look up at him, beaming, and he lets you in. “I soon will need a ladder just to hug you properly".

"I’ll be sure to let my body know of your disapproval," he sneers and you stick out your tongue.

"While you are at it, shall you also work on your friendly face? I overheard the maids being frightened to go into your chambers," you try giving him a scolding look but end up giggling at his reddened cheeks.

"I am friendly enough!"

“Yes, nobody glowers quite like you,” you snicker and flop right on the floor, the move always making him smile. Aemond tried persuading you to sit on any other surface that’s actually meant for sitting but you insisted that his fluffy rug works just as well, so he eventually gave up, deciding to join you. He never complained since.

Before he knows it, he’s immersed in the conversation while you enthusiastically share the recent news and everything that’s happened to you on the road. Only about half an hour in, he notes a small bag you're clasping in your hands.

“You come bearing gifts?”

“Oh, I almost forgot I had it,” you laugh, abashed. “I decided I should bring you something to replace this crumpled-looking thing".

It takes Aemond a minute to realize that you're talking about his eyepatch. But he has no time to protest as you silence him with a gesture of your hand:

“I took it upon myself to count for how long you’ve been wearing this one already,” your tone gets serious. “I must say, that number is disturbing.”

There's a moment of silence and then he clears his throat, his voice unsure:

“Very kind of you to think of that, I shall replace it later on.”

He reaches his hand to take the bag but you quickly cover it with yours, fingers brushing over his, and he freezes.

“Are you still not convinced that I can take a look at it?” you try to make eye contact but he averts your gaze.

“Aemond, I was with you and I think I’ve seen enough back then — none of it scared me.”

“It is not a sight for the faint of heart,'” the prince mumbles, his bravado faltering.

“Well, I don’t remember fainting the first time. You should have more faith in me,” you try to reason, holding his hand.

Aemond ponders for another minute — or maybe ten, he isn't sure, and you patiently wait, not wanting to press him any further. Then he finally makes a decision and, after taking a long, sad sigh, he removes the eyepatch and looks at you, the sight of him is the very definition of insecurity.

You stay silent for about five seconds before concluding:

“Oh, it healed so nicely!” with no hint of uncertainty in your voice. Your smile reassures him a little as you peer at the sapphire, looking very pleased.

"The gem compliments your eye very well," you give him your verdict, taking the new eyepatch out.

"We might have a different understanding of what a compliment is."

"This is me trying to say that I really like the way it looks," you chide him lightly. "And I consider myself to be quite understanding, thank you very much. Will you stop pouting and let me put it on?"

At this point he surrenders, giving you permission, and you move closer, giggling with excitement. You gently fix his hair, making sure it’s all combed back, and then lean to put the eyepatch on. You have a habit of biting your lower lip when you're too concentrated on something, and Aemond can't help but gaze at that part of your face while your teeth graze over the pillowy surface.

He’s never let anyone this close — and not just in the sense of physical proximity. The moment is very intimate, and the softness of your movements tugs at his heart. He is suddenly very aware of the very short distance separating you two, and he holds his breath. You are oblivious to his stare and soon lean back, satisfied with the result and glaring at him with something akin to fondness.

He wishes he could paint a picture of you right at this moment, so tender and caring and sitting by his side.

He also wishes he could kiss you — and that thought scares him to death. And yet, once it appears, it never goes away.

Aemond is seventeen and his life has been pure torture since you stopped visiting him. He hasn't seen you in over half a year (seven months and eleven days, not that anyone's counting). It's not your fault as your father has unexpectedly fallen ill and you couldn't leave his side. The prince exhausted the maester with questions, asking for advice to write back to you, worried sick that your separation would be stretched for way longer than he could handle.

Luckily, the Gods took pity on him, and he was glad to learn that your father got better, and you will come to the King's Landing soon. Your visit coincided with Aegon's birthday, but Aemond didn't care about the feast, his mind only occupied with the thought of seeing you. He was both nervous and excited to the point of not even hiding it, which led to Aegon teasing him relentlessly. Helaena, on the other hand, wholeheartedly supported Aemond's sympathy for you.

“She will be delighted to see you, too, I am sure of it,” his sister tells him the day before the event.

“But the reason for it might be of a different nature,” Aemond remarks, and Helaena gives him a compassionate look.

“You will never know her true feelings unless you ask,” she encourages. “The two of you are so close, I consider Y/N part of the family.”

Aemond knows that he’s of age and his mother hinted that, despite him showing no interest in courting, some ladies still found him attractive. He dismisses the idea but then finds himself thinking of it from time to time. When the realization forms in his head, it’s nerve-wracking but oh so compelling — he thinks he would’ve really wanted to marry you. He just doesn’t know how to tell you about it.

The day of your arrival comes, and Aemond wakes up at dawn in anticipation, determined to confess his feelings. He tries to come up with a speech, but it feels wrong and sounds weird, and he decides it will be better to improvise. He all but runs to the courtyard to be the first one to greet you. However, when you step out of the carriage, smoothing your dress, and your eyes meet, Aemond stops dead in his tracks and the world around him stands still.

His confidence might’ve blossomed — but not nearly as much as your beauty did. Somehow in those recent months, you’ve matured into a woman that takes his breath away.

It’s not a drastic change, it's all in the details: the contours of your face are more defined, the cheekbones prominent, your hair knotted up high in a perfect style and even your pace is much slower and gracious. You walk towards one another, both suddenly cautious. But when you are a couple of meters apart, a well-known smile appears on your face and you hold your arms out to him and he finally hugs you again, after all this time. Aemond relaxes, inhaling the familiar scent of fruits that you undoubtedly munched on your way here.

“You look exactly as I remembered you,” you say as you slip from his embrace.

“And you are a sight to behold,” he breathes out, taking you in, and your cheeks heat up at the compliment. You’ve never been shy with him before, so this is also new. He wonders what might’ve caused this change.

As the two of you walk around the castle, it feels a bit awkward at first, and you keep glancing at him with emotion he can’t read. But Aemond is too happy to see you to give it much thought, and within an hour you ease into the conversation, too. By the time the evening comes, the tension disappears, and you are laughing at his sarcastic remarks again, and he savors every second of it.

The feast in honor of Aegon is lush and crowded, but you stay by Aemond’s side, enjoying each other’s company, and he only has eye for you. When the music gets too loud, you sneak out and soon find yourselves in his chambers, just like in the good old days. Aemond is in the middle of telling you about Aegon’s recent foray to the Flea Bottom, when you say:

“It’s just the two of us,” your fingers sink into the fluffy rug. “You don’t have to wear it with me. You know it, right?”

He wears the eyepatch with everyone, only taking it off before going to sleep. Moreover, he actually cherishes it because it’s a gift from you. Aemond hesitates:

“I thought you quite liked it.”

“I only gave it to you because yours started to look like it was pulled off a dead man’s body!” you laugh.

Before he can think of an answer, you lean closer — your shoulder brushing his, your hand touching his face, the same gentle warmth he remembers so well, — and remove the eyepatch yourself. The sight doesn’t bother you in the slightest as you confess:

“I accept you the way you are, Aemond,” and then, a moment away from him opening his mouth and saying the thing that’s been on the tip of his tongue for the duration of the day, you add: “That’s what friends are for — and you are my best friend.”

And just like that, with this word alone, his plan goes out the window.

A friend. Aemond can’t even be upset at the reveal, because, honestly, being your friend feels like a blessing in itself and he wouldn’t trade it for the world. How could he be so selfish and foolish to even think about risking it all, risk losing you?

So he keeps his feelings to himself, locking them away deep in his heart, and doesn't argue with you.

Maybe he should have.

By the age of nineteen Aemond reaches the conclusion that he wants to take the risk. Otherwise, he thinks he might actually die as his heart can not hold all his feelings anymore. In two years' time, there isn’t a single thing about you that he hasn’t come to love, and keeping it a secret becomes harder with each day.

Aemond is ridden with doubts to the point where he can't hide it any longer and he decides to seek advice — and the prince can't think of a better person to talk to than his mother. Unbeknownst to him, Alicent was the first one to notice. Years ago, when you were kids, she quickly sensed the effect you had on her son, and it brought her joy as she watched the two of you get closer with time.

So when Aemond bursts into her room, anxiety radiating off of him as he starts jabbering away, his pacing erratic and voice trembling, it takes her about a minute to realize what's going on.

“My dear, I think you must talk to Y/N,” she approaches him, an understanding look on her face.

Aemond cuts his speech short, eyeing her with wonder:

“You don't seem surprised.”

“Your affection for her is as bright as a fire blazing,” Alicent chuckles. “I believe Y/N is the only one who doesn’t see it.”

“Should I tell her...?” he doesn’t dare say it out loud, not yet.

Alicent briefly takes his hands in hers, squeezing them.

“You should tell her the truth.”

Her encouragement gives him a dash of hope, lifting a weight off his chest. Aemond knows in an instant that the letter won’t cut it, and you must have the conversation face-to-face. Fortunately, your next visit is in a month, so his suffering won’t last for much longer.

Aemond almost reaches the door but then sharply turns to his mother again, his cheeks flushed:

“Will you give me your approval?” and this time, he looks straight at her as he wants to see her genuine reaction.

Alicent smiles, quick to reassure him:

“Yes, Aemond. Your betrothal would only make me happy.”

The prince feels elated, almost euphoric, as he finally goes to meet you and runs the remaining distance from his chambers to the yard. But when he sees you, the smile disappears from his face because he notices that something is wrong.

You look visibly upset, your eyes watering and fingers fumbling with the dress, even though you try to force a smile in return. The hug you give him is weak and you keep looking at your feet.

“What is the matter?” he’s never seen you this sad, but you brush him off.

“It’s just a headache, no need to worry.”

Yet that’s exactly what he does, offering to call for the maester, or to prepare you a warm bath, or bring you some tea...

“A cup of water would be nice, thank you,” he leaves you in the hallway to go and get it himself, the task only takes a couple of minutes. When he returns, you stand with your back to him, your shoulders are shaking — and he hears quiet, muffled sobs. If it wasn’t for the nearby table, he would’ve thrown the cup away, his focus on you alone. As he rushes to envelop you in a hug, you don’t fight it, instead nestling your face against his chest, not hiding your tears anymore.

Aemond gives you some time before asking again:

“This doesn’t look like just a headache. What is the cause of your anguish?” now he’s the one running his fingers up and down your back.

You let out a sound that’s a mix between a groan and a whine.

“My father says I am to be betrothed soon. He says I am of age already and... and he wants me to meet some of my cousins,” you sniffle. “I told him I have no wish to get married but he refuses to listen,” you bite your lip, not wanting to cry again.

Surely, that’s not how Aemond wanted to ask you. But he decides to take his chance.

“Mayhaps there is another way out that could make you feel better.”

“Please don’t tell me Vhagar will burn them down,” you jest but the smile doesn’t reach your eyes. Aemond thinks your idea isn’t that bad — but he has to try his first.

“If he insists you should marry but doesn’t have a particular candidate, maybe you can pick one yourself?”

“I’ve met all my cousins — and half of them are imbeciles, the others are too old to survive a wedding,” you scoff.

“Then pick someone you are not related to,” Aemond suggests.

“Do you have a particular candidate in mind?” when you ask with a tinge of annoyance, you don’t think he will answer. And then you look at him — and see him grinning before he says:

“Me”.

You glare at Aemond with eyes wide and mouth agape, the expression frozen on your face for a good minute.

“Are you laughing at me?” you manage to say.

“I wouldn’t dare,” his nerves are as tight as a wound-up string.

In the blink of a moment, your face lights up. You're looking at him indecisively, searching for words, agitated. But Aemond mistakes your confusion for rejection.

“At the very least you will marry someone you know,” he tries to reason — but it backfires, wiping the joyfulness off your face. Taken aback, you inquire:

“You pity me?”

He doesn’t grasp the poor choice of his words yet.

“You pity me and that’s why you want to marry me?” you give him a look of disbelief, your eyes glossy, and he can't get his head around what just happened.

“Oh, it was so silly of me to think that...,” you choke back a sob, putting your hand over your mouth.

Never in his life he thought he would be the reason for you looking so heartbroken. Aemond covers your hand with his palm — and you let him, as he tries to gather his courage.

“Y/N, I only meant to say that I —”

And then you recoil, snapping your hand back.

“Aemond, don’t,” you take a step back from him, then another one. “You have said enough. Please, let me be,” you turn away and leave the hall in a hurry before he can utter another word.

... 1.

He finds you at your usual spot, under the blossoming cherry tree. You’ve always said you liked the color of it, little white flowers reminding you of early spring, your favorite time of the year. You don’t know that Aemond insisted on planting that tree specifically for you. Just so he can sit nearby and, as you were basking in the sunlight with your eyes closed, he would get a chance to look at you with all his unconditional love and have those moments engraved in his memory.

Come to think of it, he had so many memories of you — and every single one of them was bliss, and he can recall them so easily like it was yesterday.

And so he does.

“When we first met, you wore a green dress,” his voice startles you, but you don’t turn to face him, sniffling with your arms folded. “It was the color of forest trees. Black lace around the hem of it, the matching hair ribbon that you kept losing,“ he keeps his distance, his hands shaking.

"Yes, I remember it pretty well," you sigh, avoiding his gaze, baffled by his sudden outburst.

"The second time was when you climbed through my window, almost gave me a heart attack," there’s a hint of a smile in his voice that you catch even without looking. "Blue dress, you tore a huge piece of it and couldn’t care less. You were the first person to make me laugh in two weeks even though it seemed impossible. But not with you."

He sees your eyebrows furrowing, hands sliding down to rest on your knees.

"Helaena’s name day came next, your dress was bright pink. Luke tried to make fun of it and you threw a cup full of water in his face. To this day, it’s one of my fondest memories."

You dare to look up at him, perplexed, your eyes wet from crying.

"Three months after was the light-blue dress, then the peach one and the brown one. Then the white one which didn’t survive the horse riding lesson, and Helaena gave you one of hers. Light green, too long for your liking, even though you pretended otherwise to please her," the corners of your lips tremble, your face softening.

"Then for a year you only wore violet, much to your nanny’s dismay as she thought it made you look ill. And I thought you were the prettiest girl I’ve ever seen, no matter what dress you were in," he can’t take his eye off you.

Your face expression melts into a stunned one.

"I didn’t realize it back then. Or maybe I didn’t know how to call it. I just knew that your visits only brought me happiness," he takes a step toward you, uncertain, but you don’t move from your spot.

"When you were fourteen, you picked the autumn colors — orange, dark yellow, deep red. Your started braiding your hair, tried to braid mine," you can’t hold back a smile. He was fussy when you first voiced the idea but he ended up loving the process so much, he would allow it just to feel your fingers flowing through his hair.

"I think you actually enjoyed it", you mumble, and Aemond smiles, too.

"I did. I enjoyed every minute that I got to spend with you."

You stand up then, feeling your pulse quickening.

"The day you brought me the eyepatch, you wore emerald green. I was terrified to show you the scar," he pauses, catching his breath. "You assuaged my fears with your kindness. But then I was terrified to learn that I wanted to kiss you".

You think you are dreaming. Is it possible that you fell asleep under the tree? You don’t want to get your hopes too high, but when he looks at you like this, your own fears start melting away.

“Then was the black dress, the grey one, another white one. The golden one you wore to meet Vhagar,” when he saw you that day, he almost forgot how to breathe. You showed no sigh of apprehension as you fearlessly approached the dragon. He was absolutely besotted.

“And then came the agony of not seeing you for over seven months,” he closes his eye for a second, overwhelmed. He almost misses it when you speak:

“Seven months and twenty-five days. Not that I was counting,” his eye snaps open, instantly on you again.

You gravitate toward each other without even noticing. Aemond’s heart skips a beat when you’re at arm's length, your eyes shining and lips slightly parted. Even in the state you're in, you look so beautiful, it's mesmerizing, and the words are stuck in his throat. You are the one to break the silence:

"Aemond, please don't give me false hope," your heartbeat is too loud, you don't hear your own voice. He does.

"I do not wish to marry you out of pity," Aemond takes the last step. "I want you to be my wife because I'm in love with you," he wipes away the remaining tears off your face, his fingers linger, making you shiver. "I've been in love with you for quite some time. For a few years, actually," his voice gets low. "For what feels like an eternity," Aemond murmurs.

"Why haven't you told me?" you pout, nervously toying with the collar of his shirt.

"I was afraid you didn't feel the same. I still am but maybe... Maybe I am wrong?" his gaze is fixed on you, one of his hands following the contour of your waist, your body warming at the touch.

"Tell me that I am wrong," he whispers, begging.

You look at his lips, the soft curve of them that you’ve dreamt of for so long.

Aemond always thought yours were the most kissable he’s ever seen.

You don’t know who closes the distance first — but his mouth is suddenly on yours and the sensation leaves you disarmed. Kissing him is like being swept with a wave of tenderness, and you’re floating in it, his lips so fervid and supple — truly perfect — your head is spinning. The kiss is not awkward nor modest as you hastily cling to each other, his hands gripping your waist, your chest pressed into his.

Aemond feels like he’s drowning, and he wants more of you — all of you, and then your fingers tug at his locks, eliciting a groan from him, and it is simply a miracle that his heart doesn’t explode. You move in impeccable sync, in the passionate harmony that erupts from years worth of mutual pining. His lungs burn but he resists the urge to break the kiss and stretches it out the best he can until you are breathless, too.

"Never knew that you were so fascinated by my wardrobe choices," you tease, and his hum turns into a chuckle.

“You know what my favorite memory is?” you ask, your forehead resting against his.

“When we were thirteen, and you were teaching me how to hold a sword. I tackled you to the ground and scraped my knee,” you both smile at your then enthusiasm. “And you set everything aside to spend the rest of the day with me even though it was hardly a wound. And I remember thinking,” you hook your finger under his chin, “that there’s nowhere else I would rather be than with you, with this favorite boy of mine.”

The air around you tense, and you are enchanted by each other.

“Did that help to prove you wrong?”

“I may need some convincing,” his breath fanning over your lips.

“You can take your time,” you laugh — and then the sound of it is muffled by his athirst mouth.

His favorite memory will be this.

And every other moment with you that's to come.

author's note: I'm sorry if this came out messy and rushed. I tried my best to write a shorter fic (this is short for me lmao) and idk how I feel about it. I much rather prefer them longer because I'm a sucker for stories about two people getting to know each other and falling in love BUT I get it that others don't want to read long ass fics (which kinda breaks my heart but I'm being so very brave about it) anyways, I hope this was bearable, thank you for reading!

💙 the longer version of this fic might have looked like this (yes, this is a shameless plug! because I adore this one to pieces!! bite me) 💞 my masterlist 🎵 the title is a quote from Elvis Presley's song (duh). there are quite a few covers of it but one of my favorites is by Twenty One Pilots. there's also a female version — by Ingrid Michaelson — and I think both of them fit the story really well. P.S. I'm also on AO3 (lol, who isn't), in case you prefer to read fics there.

English is not my first language, so feel free to message me if you spot any major mistakes!

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kaladinkholins · 2 months

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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

#blue eye samurai #mizu blue eye samurai #akemi blue eye samurai #blue eye samurai meta #just in case... im gonna tag this as #mizukemicritical #akemizucritical #though this post isnt actually criticising the ship itself but rather fanon's portrayal of the ship and the characters #for that reason lemme also tag this as #wank.mp3 #feel free to disagree of course but please be civil #and if you need to rant about how wrong i am without any convincing evidence kindly feel free to make your own post. peace and love <3 #fandom.rtf #meta dissertations.pdf #shut up haydar #edit: for full disclosure. i do rather dislike this ship. but obviously it's fine for anyone to enjoy it. please do! have your fun!#it's just that as usual! popular fanon and fandom around a ship is what has completely deterred me from any sense of enjoyment of it #it's a shame too because i was very open and even eager for some mizu/akemi romance in the future #but out-of-character fanon + the rudeness of certain fans has definitely soured it for me #but that doesn't mean people can't enjoy it obviously! ship and let ship!!!#plus it has its appeal which i DO STILL see and enjoy!!!!#i would even go as far as to call them soulmates because their narratives and characters are LITERALLY intertwined!!!#but. yeah. my gradual distaste for this ship is indeed very unfortunate.

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inkskinned · 1 year

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she says he won't let her get a dog, which is fine, because they're in an apartment, and that's the kind of thing people say about their partners. he won't let me get a dog. and you're at a dinner party and you tilt your head a little to the side just like that dog he won't let her get, because is this the thing that's going to upset you? you don't know every corner of their relationship, she could be joking, they could have had so many healthy conversations about the dog, right, and maybe she's not letting herself get the dog because of money and time and whatever. but, like, she did say let

and she wants to move away from his hometown and he wants to stay and then he tells you with a wink and a conspiratorial stage whisper don't worry i'll convince her and she laughs about it - so clearly this is something they laugh about. but you do just stand there and stare at him like what the fuck, man. you can't say what you want to say which is why do you get the final say on everything because they're both obviously aware of the other person's stance on this and have obviously had private conversations about it and what are you going to do about it except make a scene and then he'll be mad at you and call you one of those bitches behind your back and she'll cut you off, which is a loss that doesn't feel worth it just because he makes you a little skeeved out every 3rd comment

and they both agree he just isn't the type to get flowers which is fine because everyone shows love differently, and are you really gonna judge someone based on their sense of individual relationship responsibility? maybe he's constantly cleaning her car and writing her poems and making her furniture or something. maybe she doesn't even like flowers and this is perfect, actually. and no you couldn't date him, obviously, ew; but like, she tells you she's happy. you almost send her a tiktok that says don't be 25 and the cool girl that doesn't need anything, you'll hate not getting flowers at 30, but that's like, starting drama & you shouldn't start drama needlessly.

and you're a little older than her but not so much older you can pull the whole trust me on this one babe thing and besides that wouldn't have worked anyway (when does it ever) and besides you have trauma so you and your therapist both agree that you're always looking for a problem even when there isn't one. and you tell yourself that just because you see them for 15 minutes every month does not mean you can identify every single red flag based on a single shitty half-joking(?) comment

and besides, what are you going to do? she says i actually wanted another stand mixer but thankfully he stops me when i'm about to spend too much money and you're standing there like are you okay? is this normal? is this just something people say? and again - what are you going to do?

to your therapist you try to language it - it's not, like, any of my business. but sometimes, doesn't it feel like - you should do something. there's got to be something, right? you've tried dropping little hints but they sail right through and you've tried having a single serious conversation and she got upset because why does it matter to you, yes it's different but we're happy, it doesn't need to make sense to you and you're like. really unwilling to push a boundary about it anymore; because the truth is that you know logically it shouldn't matter to you, as long as both parties are happy.

and besides, you've been wrong before. it's just... like, every time you see them both, something else happens, some kind of shiver down your spine like do you even hear each other when you talk. it's their strange, bickering orbit. just the way he's on his phone through dinner or watching sports instead of helping in the kitchen or, fuck, another one of these little throwaway comments he makes about we'll see about that, babe. she laughs when he calls her passions stupid shit and meanwhile she gets him tickets to see the knicks and he tells you well at least she's smart about something and still! it's none of your business.

you say get the dog anyway and she laughs. like, this is is you being funny. and not you saying - no really. get the dog. get the dog and get out of here. pack up and start running.