#Vale Film Productions

[vintagerpg]

Right, so, this year marks the 50th anniversary of the publication of the original Dungeons & Dragons box set, and the subsequent birth of the RPG hobby. To celebrate, I’ve decided to, over the course of the year, post all of Mayfair Games’ Role Aids products that I own (well, the one’s I haven’t posted yet, anyway — you’ll have to look in the archive for the Demons box sets and module based on the Michael Mann film The Keep). Role Aids was a line of third-party D&D supplements that irked TSR to various degrees for many years and inspired at least one lawsuit; TSR wound up buying then mothballing the brand when they couldn’t sue it out of existence in the mid-‘90s. Profiling these books seems somehow more appropriate a celebration to me, if nothing else because it highlights the importance of third-party creators in the hobby’s ecosystem (there’ll be plenty of official D&D stuff in the feed this year, too, never fear).

Anyway, this is Wizard’s Vale, the first in the series of adventures about Fez, the wizard of time travel. This is the 1987 second edition; the first was originally published in a folder with a cut-out cover that looks more appropriate for a small business’ P&L (as were the first three Role Aids adventures — they’re rare, expensive and I don’t own those). David Cherry did the cover art, Tim Bradstreet and Gerald O’Malley were on the interiors.

The Fez series is pretty well regarded. It isn’t the high point of the Role Aids line, but its still pretty great, funny and horrible in turn. The players use pre-generated characters, but awaken with amnesia and have to recover their memories. They are, as a group, instrumental in a prophecy to defeat Fez’s ancient enemy (Scarsnout the dragon), but that’s in danger of being disrupted by an untimely case of lycanthropy. It’s lightly plotted, moves at a brisk clip and ends with the defeat of the dragon and the culmination of Fez’s saga. Sort of.

#roleplaying game #tabletop rpg #ttrpg #dungeons & dragons #rpg #d&d #Role Aids #Fez

[wuntrum]

Oooh I just started rewatching Twin Peaks yesterday! The last time I saw it was around 4 or 5 years ago. Just putting on the first episode again made me realize how much like home this weird little show feels like to me. It’s been nice to see your enthusiasm for it on my dash :)

may I ask what you enjoy most about the show, or why it appeals to you, if anything comes to mind? I find it’s a bit of an odd one to try recommending to people - I love it, of course, but my taste is a little strange, and I don’t find other fans out in the wild that often.

oooh, that's an interesting question! i think theres a lot of aspects that appeal to me about twin peaks...on a very surface level i love the aesthetics of the show, as someone who lives in new england (pacific northwest and new england are connected pacman-map-style in my mind), the settings and fashion are all excellent. i also love its absurdity, i love the fact that no one talks like a real person and theres people with such weird and distinct archetypes and over the top emotions all colliding with each other---that, and the way it approaches the sort of worldbuilding going on, plus the importance of dreams in the narrative contribute to such an interesting and dreamy atmosphere. i think what makes twin peaks special compared to things that were made after it and were inspired by parts of it is that even when its confusing and strange on a literal level, its always emotionally resonant--you don't need to understand it, because you feel it. the way they're able to set up all the people and relationships in this town so quickly, you really feel like you're a fly on the wall in this living and breathing place, even when its strange. you rarely see how buildings and places connect, but you don't need to because its all so convincing as a woven together location (and of course thats for like logistical/filming purposes, but it creates an interesting effect lol). it uses the familiarity of americana tropes (and even television tropes) and distorts them to create meaning, while still keeping parts of their signifiers intact. even watching it for the first time in 2021 was shocking throughout, so i genuinely can't imagine how it felt catching it live when it was airing, like there was nothing else like it! the fact that david lynch helped to make a prime time television show is something that like logically should never have happened, but i'm so glad it did. i also think on a production/creative level, its so interesting to see how it sort of morphed and developed as the original run and fire walk with me and the return unfolded, like what themes were dropped versus what (at first) insignificant details were given meaning and expanded upon.

i do think it can be a hard sell to convince people to give it a chance--i've had a friend or two try to watch it and say its too slow for them, or it just wasn't clicking. but i've also had more friends really get into it, probably because i have a lot of weirdo artsy friends (i say that with love of course). but i think it's a great gateway into other weird and absurd stuff, or at least it was for me. i also enjoy a good ol "weird thing happening in small town" story, and so it was interesting watching twin peaks and then revisiting stuff that was clearly inspired by it, or at least partially (welcome to night vale, s1 of stranger things...s1 of riverdale. but also i think the return has its own sort of inspiration fuel, like season 4 of barry and beau is afraid struck me in the same way that the return did)

#asks #twin peaks #idk if all that makes sense but its my truth ! #i reaaaally really gotta do a full rewatch. its been a minute #my taste is also strange so i think thats why it appeals to be in the way it does LOL

[kvetchlandia]

Glenda Jackson As Charlotte Corday Singing "Of Brotherly Love We Sweetly Sung," from Peter Brook's Filmed Version of His Production of the Peter Weiss Play "The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade" (Marat/Sade), the Royal Shakespeare Company 1967

Glenda Jackson - 1936-2023 - Ave atque Vale

#Youtube

[heavenboy09]

Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To You

The Most Iconic Blonde Haired American Actress Of The 1970s, 80's, 90's and Early 2000's Of Hollywood Cinema 🎥

Basinger was born in Athens, Georgia, on December 8, 1953. Her mother, Ann Lee (née Cordell; 1925–2017), was a model, actress and swimmer who appeared in several Esther Williams films.

Basinger began her career as a model and switched to acting in 1976. She appeared in several television productions, including a remake of From Here to Eternity (1979), before making her feature debut in the rural drama Hard Country (1981). Hailed as a sex symbol of the 1980s and 1990s, Basinger first gained widespread attention for her performance of Domino Petachi in the James Bond entry Never Say Never Again (1983). She went on to receive a Golden Globe nomination for her role in The Natural (1984), starred in the erotic drama 9½ Weeks (1986), and played Vicki Vale in Tim Burton's Batman (1989), which remains the highest-grossing film of her career. For her femme fatale portrayal in L.A. Confidential (1997), Basinger won an Academy Award for Best Supporting Actress. Her other films include No Mercy (1986), Blind Date (1987), My Stepmother Is an Alien (1988), Cool World (1992), The Real McCoy (1993), I Dreamed of Africa (2000), 8 Mile (2002), The Door in the Floor (2004), Cellular (2004), The Sentinel (2006), The Burning Plain (2009), Grudge Match (2013), and Fifty Shades Darker (2017). Basinger's portrayal of Elena Lincoln in the lattermost earned her a Razzie Award for Worst Supporting Actress.

She is an American actress. She has garnered acclaim for her work in film, for which she has received various accolades including an Academy Award, a Golden Globe Award, a Screen Actors Guild Award, and a star on the Hollywood Walk of Fame. Initially a TV starlet, she shot to fame as a Bond girl in 1983 and enjoyed a long heyday over the next two decades. In 2011 Los Angeles Times Magazine ranked her third on the "50 Most Beautiful Women In Film".

PLEASE WISH THIS ICONIC & INCREDIBLELY TALENTED LEGENDARY, A VERY HAPPY BIRTHDAY 🎂 🥳 🎉 🎈 🎁 🎊

YOU KNOW HER

YOU LOVE HER STYLE OF MOVIES 🎥

& SHE HAS A SEDUCTIVE WAY OF PIERCING YOUR MIND & BODY WITH THOSE BEAUTIFUL BLUE EYES 👀 💙

THE 1

& ONLY

MS. KIMILIA ANNE BASINGER AKA KIM BASINGER👱‍♀️ AKA VICKI VALE OF BATMAN 🦇

HAPPY 70TH BIRTHDAY 🎂 🥳 🎉 🎈 🎁 🎊 TO YOU MS. BASINGER & HERE'S TO MANY MORE YEARS TO COME

#KimBasinger #NeverSayNever #Batman #LAConfindental #8Mile #Cellular

#Kim Basinger #SoundCloud

[ludrii]

Do you base your Mettaton only on canon or do you have any favorite headcanons borrowed from fandom. Like, do you have any voices (voiceactors etc) that you think are perfect for him?

I'm not just asking about MTT, but about other UT/DR characters as well!

I mostly (try to) base him on canon, although I have so many headcanons about him now that he's basically my own character haha. Mostly stuff taken from my dreams or own ideas tho, I don't really tend to borrow unless it fits my very specific vision that I developed for him. But I do have a few headcanons that I borrowed from others. Like the plug tail. Or that he tastes make-up, nailpolish and hair products to test their quality. Or that his eyes flash red when he's angry. Or that he's aro and pansexual, although idk if I borrowed that.. I think it's actually my own. I just didn't really think about it until I saw other people bring it up as well. Hm. Or that he can feel ALL of his mechanics cause he like. literally became his body. Or that he's ticklish. Those two may or may not correlate. Or cooling fans. Sort of like the ones computers have. As in, instead of blushing his fans start to whirr to try and cool him down. I've seen it in some fanfictions and since it appeared in one of my dreams too it's basically canon to me.

As for the voice.. In Mettaton's case, I got a rather complex, VERY specific headcanon voice for him (mostly based on what he sounds like in my dreams) and I haven't heard anyone sound close enough to it. As for the other UT characters, I conducted a research (stole other people's headcanons basically xD), and made a list of voice(actor)s for them, behold:

Flowey: Kotetsu from Kamisama Kiss (Josh Grelle) Toriel: Kala from Tarzan (Glenn Close) Sans: Patrick Seitz. Papyrus: Alan Oppenheimer Undyne: Lalaco Godspeed from Space Patrol Luluco (Monica Rial) Alphys (not really but eh,): Lara Jill Miller Mettaton (ex) (take with a grain of salt, it's the closest I found to my headcanon anyway): Zarbon from Dragon Ball Raging Blast (J. Michael Tatum) (also James Carter Cathcart kinda) Asgore: King Frederic from Rapunzel's Tangled Adventure (Clancy Brown) Asriel - young: Armin Arlert from Attack on Titan (Josh Grelle) - adult: Xbalanque from SMITE (Josh Grelle)

Burgerpants: Sanji from One Piece Film: Gold (Eric Vale) Bratty: Kobayshi from Miss Kobayshi's Dragon Maid (Lean Clark) Catty: Junko Enoshima from Dangaronpa 3: The End of Hope's Peak High School (Jamie Marchi) Snowdin shopkeeper: Shion Kananomori from Psycho-Pass (Lydia Mackay) Gerson: Kaseki from Dr. Stone (Kenny Green)

They're colour coded so you can see where exactly I stole what from where, and to hear it too, if you want:

Green (timestamps) Flowey - 0:00 Undyne - 2:11 Mettaton - 3:47 Snowdin shopkeeper - 7:34 Gerson - 8:30 Bratty - 9:04 Catty - 9:30 Burgerpants - 10:03 Asriel (adult) - 10:36 Asriel (young) - 11:09

Red Toriel - 0:24

Blue Alphys - 0:22 Mettaton #2 - 0:35 Asgore - 1:32 Papyrus - 2:49 Sans - 3:01

As for the DR characters.. Dunno, I didn't really look into it. When it comes to Spamton, my headcanon voice(actor) for him is Alex Rochon ig. For the others- L Void cuts it for me just fine. Especially for Queen, Susie and Kris. Although for Berdly and Jevil it'd be Revtrosity instead.

I can't bother with links there, too lazy.

#noodlez #ludrii asks #I know it's been years but I was too lazy to type all the voiceactor names and stuff and do the link stuff xD #I also had no idea how to go around with it in the first place #It's still so messy xD

[westeroswisdom]

Actor Robert Rhodes has been cast as a dragonseed named Silver Denys. A dragonseed is a Targaryen bastard or a descendant of a Targaryen bastard.

Here are non-spoiler excerpts of that article.

The cast of HBO's House of the Dragon may have gotten a bit larger. According to Redanian Intelligence, the Game of Thrones prequel series has cast Robert Rhodes as Silver Denys for Season 2 of the series. [ ... ] In addition to Rhodes, it was recently reported that Raised By Wolves star Amanda Collin had been cast as Jeyne Arryn, Lady of the Eyrie also known as the Maiden of the Vale. It was also recently reported that Gayle Rankin is playing Alys Rivers, a healer, and resident of Harrenhal, Simon Russell Beale is playing Ser Simon Strong, the Castellan of Harrenhal and great-uncle to Lord Larys Strong (Matthew Needham), and Freddie Fox is playing Ser Gwayne Hightower, the son of Otto Hightower (Rhys Ifans), brother to Queen Alicent (Olivia Cooke). [ ... ] Even with the ongoing WGA and SAG-AFTRA strikes, production on Season 2 of House of the Dragon continues. The series is able to continue filming in the U.K. as its actors — who are also from the U.K. — are working under contract with a local union, Equity. The series also reportedly had completed scripts for the season ready ahead of the WGA strike.

It may just be a coincidence, but Denys is the Latin alphabet transliteration of the Ukrainian version of Dennis (Денис). The prime minister of Ukraine is named Denys Shmyhal' (Денис Шмигаль). 🇺🇦

BTW, Robert Rhodes wrote this piece related to the scarring on one side of his face.

If I catch you staring at my scars, prepare for me to ask you why

He seems pretty cool – which makes him typical of HotD cast.

#game of thrones #house of the dragon #robert rhodes #silver denys #dragonseeds #gra o tron #ród smoka #la maison du dragon #дім дракона #juego de tronos #jogo dos tronos #a casa do dragão #la casa del dragón #龙之家族 #ejderha evi #হাউস অফ দ্য ড্রাগন #하우스 오브 드래곤 #آل التنين #σπίτι του δράκου #gia tộc rồng #lohikäärmeen talo #isang kanta ng yelo at apoy #בית הדרקון #ड्रैगन का घर #sárkányok háza #rod draka #ハウス・オブ・ザ・ドラゴン #дом дракона #huis van de draak #haus des drachen

[byneddiedingo]

Lana Turner and Juanita Moore in Imitation of Life (Douglas Sirk, 1959)

Cast: Lana Turner, Juanita Moore, John Gavin, Susan Kohner, Sandra Dee, Robert Alda, Dan O'Herlihy, Karin Dicker, Terry Burnham, Troy Donahue, Mahalia Jackson. Screenplay: Eleanore Griffin, Allan Scott, based on a novel by Fannie Hurst. Cinematography: Russell Metty. Art direction: Alexander Golitzen, Richard H. Riedel. Film editing: Milton Carruth. Music: Frank Skinner.

John Gavin was Hollywood's ultimate decorative male, there to look good in bed with Janet Leigh in Psycho (Alfred Hitchcock, 1960) but otherwise to play no significant role in the film. (When he shows up later with Vera Miles, playing Leigh's sister, to find out what happened to Marion Crane, she's the one who does all the work, including the discovery of the mummified Mrs. Bates in the cellar.) It's no surprise that when Gavin died a few years ago, several of the obituaries mentioned the scene in Thoroughly Modern Millie (George Roy Hill, 1967) in which his character is paralyzed by a poison dart: He's been presented as so handsomely wooden that it takes a long time before anyone notices he's just sitting there. He's not quite so inert in Imitation of Life, but that's because Douglas Sirk, like Hitchcock, knew how to make use of him: He's there to hang as nicely on Lana Turner's arm as the Jean Louis gowns do on her body. Unfortunately, this makes for some of the film's weaker scenes, the ones in which Sandra Dee's Susie develops a crush on him, but even there the fault is more Dee's limitations as an actress than Gavin's as an actor. He comes off much better in one of the key scenes, in which his Steve Archer proposes to Turner's Lora Meredith. It works because Turner is skillful enough to make Lora into a woman who knows how not to get trapped by male expectations of what women should be. It's not quite so well-played as the scene in Now, Voyager (Irving Rapper, 1942) I wrote about a couple of days ago, in which Charlotte Vale rebuffs Jerry Durrance's suggestion that she should be looking for a man instead of taking care of his daughter, but that's because Lana Turner wasn't Bette Davis. Still, the scene comes off, and it's reinforced later when Lora is the one who proposes to Steve, after she's gotten what she wanted. The film belongs, of course, to the women, not only Turner but also and especially to Juanita Moore and Susan Kohner, who got the Oscar nominations they deserved. It's possible to fault the film for "whitewashing" by casting Kohner as the Black girl who tries to pass for white, especially since in the earlier version of Imitation of Life (John M. Stahl, 1934), the corresponding character was played by Fredi Washington, who was indeed Black. But even to raise the issue of "passing" in 1959, especially in a film that some considered little more than soap opera, was audacious: The Production Code had long forbidden any treatment of miscegenation. And Sirk artfully turns the issue into a generational one: Sarah Jane's desire to be white as a reaction against the subservience of her mother, foreshadowing a generation gap that would be operative in the coming decade's civil rights struggle. Sirk's films have a way of working themselves into your head unexpectedly, putting the lie to my observation that drama makes you think and melodrama makes you feel. Sirk's melodrama -- Imitation of Life is unashamed of the clichés it exploits and usually transcends -- undoubtedly makes you feel. Is there ever a dry eye at showings of the film's funeral finale? But by confronting the problems that underlie the melodrama it also has a sneaky way of making you think.

#Imitation of Life #Douglas Sirk #Lana Turner #Juanita Moore

[thatiranianphantom]

I’m happy with BAs having a whole meltdown for the BH memories and VA kiss (courtesy of Betty). They’re timeline is off. They didn’t have a baby, they hasn’t had a love confession even when there has been plenty of opportunities for one already and the engagement party is probably not even BAs but Tangs (ew). All they have now is riding the Tabitha wave and being offended in her behalf because they don’t want to acknowledge that those memories were Betty’s surface ones. Jughead saw their first kiss and that conversation when he did what Archie should’ve done (comforting her instated of making it about himself) memories because those are in the very core that is Betty. They know Jughead reminding the love story he had with Betty (is that’s even the right Jughead because I believe in the cross over theory), they’re in danger. They also know Archie being the only one that can now interact safety with Veronica means something. They know this connecting story lines with the OG couples are going to something and I’m sure Toni will develop powers that connect to Cheryl’s soon. And the theory of this whole thing being another universe is getting more and more accurate by the day. The theory of theses versions of them being from another universe are getting very real really fast and they know it.

All they have now is making the theories about Lili and Cole not wanting to film together when they know the break up sex scene, Jughead’s dream and 605 were all filmed when they were broken up. They would rather make Lili look unprofessional because they also hate Lili. They used to call her all type of things when she would say her preferences on interviews. They’re using the Lili/Cole break up for their own benefit when they are not the first and only actors that have broken up off screen that have to do romantic scenes (Nina and Ian from TVD. Katie and Joshua from Dawson’s Creek). Even Camila and Charles have broken up.

I am smiling because the story line is going exactly where I theorized it would. BH having to remember Vale to save the universe again is going to come up. I don’t feed myself of delusions, i watch the WHOLE episode not only scenes on YouTube and I don’t trust biased reviewers/writers that have not true input on the finishing product. BAs excuse when they feel threatened is going for Lili/Cole and projecting things onto Lili who’s a profesional actress. They’re losing it.

Also the cuddling during prom was when they'd broken up. Strangely, they seem to have no comments about Veggie, tho it was all filmed after Camila and Charles had broken up. Odd that the theory doesn't apply to them.....

In any case, they're professional actors, who probably have less trouble separating their personal lives from their jobs than some BA fans....

#answered #Anti-B*rchie

[desert-bluffs-and-me]

WTNV quick rundown - 38 - Orange Grove

Welcome back, the 3 or so people who give me a like on these things, I see you, I love you (platonic) , hello.

You take the good. You take the bad. You take them both, and there you have spiders crawling out of a red velvet cupcake. Welcome to Night Vale.

John Peters (you know, the farmer?) reports an absolutely amazing crop of various oranges this year. He is looking for a particular orange that holds secrets to what is behind the old oak door he found in the desert. Anyone who touches his oranges begins to blink rapidly in and out of reality.

*Cecil asks Carlos (his boyfriend, the scientist -wink- ) about the oranges, since oranges are not native to a desert climate. Carlos says he doesn't study nature or plants, just science. He does confirm that it's very unlikely John Peters grew an orange grove at least naturally.

Despite this, the Ralph's now only sells JP's oranges and juice made from those oranges. Adam Bair, who works there, is seen taking endless oranges from his pocket.

Intern Maureen tells us that JP has actually been gone for 4 months now and was last seen by Dana (who is also gone, and still able to text him despite being without a phone charger or able to pay her phone bills for 8 months) so it's unsure where JP even is. Carlos clears this up by confirming that JP is in the House That Doesn't Exist so the JP in NV is not the real JP. Intern Maureen then drinks some of the orange juice and starts to flicker in and out of reality until she finally completely disappears.

'John Peters' (you know, the imposter?) then appears in the studio and attacks Cecil. He tries to get Cecil to eat an orange and Cecil unsuccessfully tries to talk him down. So instead, he smacks him with his phone which enough to knock Not-JP out (after Cecil decides that texting an assurance to Carlos that if he doesn't come home it's because he doesn't exist any more, not because he doesn't love Carlos or want to hang out tonight).

The SSP start to arrest not-JP, but Strex stops them. Daniel gives Cecil a disapproving smile. Strex has the majority stock in the orange juice (which has also taken the carpet where it was spilled) and is recalling it and all related products due to -dark red smudge-.

Weather: "Black White and Red" by Emrys Cronin soundcloud.com/emrys-cronin

Cecil and the real JP apparently hang out sometimes, being in the same bowling league, Cecil attending JP's old wood shop class, standing silent and trance like in front of the Ancient Chalk Spire (predecessor to the Brown Stone Spire) with their mouths frothing, minds spinning and ventricles showing - you know, fond memories.

*“As far as your other question goes, let's stay home tonight. We ate out last night. Plus, there's a new documentary about scatterplot matrices on Netflix I've been wanting to see. Also The Man Who Shot Liberty Valance is on TBS again. We could re-watch that. I'll make pasta, if you can pick up some-” Et cetera et cetera. Carlos goes on about weekend bowling plans.... You don't need all this. Okay I think that's all he had about the orange trees. I do hope we watch Liberty Valance, though. I love that film. Awww~ however they end up not having pasta, instead there is left over falafel and an unopened bag of nutmeg seeds to snack on. Carlos ends his text with 'xoxo' AWWWW

He also ends it with a curiously detailed emoji of a two dinosaurs chasing a car.

Cecil apologizes for saying that anything is objectively real, as our perceptions of reality and things being real are only personal.

'Stamps.com. You live in a dying world. We love you.'

It is confirmed that City Council does not go by 'they/them' because they are non-binary, but because they are literally many people/entities merged together or a hivemind. They argue with each other when a smokescreen trick they try to use to get away because they are 'just can't be here any more' fails, instead of speaking in unison as usual.

And for now, let me make my own special announcement: Cecil Palmer would like to not be late for dinner. Stay tuned next for an hour that will feel like minutes but will in actuality take weeks. Good night, Night Vale. Good night.

Proverb: A journey of a thousand miles begins with a single command from a satellite-activated mind-control chip.

#wtnv #welcome to night vale #wtnv quick rundown #wtnv ep 38

[mzviella-archive]

·  、      ⊱ ⠀      ❪  𝐂𝐋𝐎𝐒𝐄𝐃  ❫      ：     @chrssywakeup​    ·、

⊱  ヽ     qualquer ambiente de trabalho tem rixas e competições, porém na briar esse limite parecia ser ultrapassado das demais empresas. e claro, a divisão entre arthurianos e castigados é explícita, por mais que dizem que todos sem seu espaço para brilhar. palavras do próprio diretor, vale ressaltar. a grimhilde engolia todo seu orgulho quando tratava-se de trabalho, mas nos bastidores a língua afiada sobressaía. já começou a se estressar quando o segurança tentou a barrar da barraca da equipe da briar productions, que exibiria um filme nos próximos minutos, e quando virou-se deu de cara com chrissy, assustando-se. “por merlin! virou estátua, foi?” indagou, tentando controlar a respiração para que ficasse mais calma. “de qualquer forma, precisava falar com você mesmo.” deu de ombros, não entendendo o porquê dela ter que passar o recado para a outra. “terá uma sessão de autógrafos em quinze minutos, e já precisamos ficar posicionadas.”

#usando gif icons pois internet lenta ne amores #inclusive esse hunt da sofia eu que fiz estou orgulhosa #⊱ ヽ her eyes said more than words can say. ◟ ： ❪ 𝐂𝐎𝐍𝐕𝐎𝐒 ❫ ·、 #@chrssywakeup

[remixinc]

ALL SORTS OF THINGS for DAZED (subs) from ale ruiz-zorrilla on Vimeo.

Production by STUDIO 11:40

starring Eren, Cora, Gigi, James, Lenny, Lukas, Nathalie & Vale

Film by Ale Ruiz-Zorrilla & Rosalisa Di Natale

Styling by Ourania Marmara

Photography by Michele Di Dio

Cinematography by Hee-Song Han

Casting by Julie Sinios

Executive Producer: Ronja Prinz Producer: Sophie Maus Production Coordinator: Jana Oberdörffer Production Assistants: Vera Horstmann, Marielle Begic, Theresa Braun, Joy Fischer

1. AC: Chris Hövel Gaffer: Barton Kirchmann Gaffer: Felix Gundlach Spark: Fabian Dotzler

Set Design: Kristin Baumann Set Design Assistant: Lisa Majuntke Styling Assistant: Valentina Mike Styling Support: Louisa Goltz Hair Stylist: Rabea Richwien Make Up Artist: Linda Sigg

Idea by Ourania Marmara and Ale Ruiz-Zorrilla

Painter: Mike Schön

Colors: Delfina Mayer Title Design: atentamente.duo Sound Design: Ethan Houser

Special thanks to Juri & Cinegate Berlin, Nathalie & MIRRRS MODELS, Cecilia & Nest Model Management, Aylin & Girls Club Management, Lily & Neu Casting, Marie & Junior Models, Jessica & Let It Go Management, Andy, Immanuel Hick, Franziska Kaul and Silverway Paris.

[kvetchlandia]

Glenda Jackson and Patrick Magee "De Sade is Whipped," from Peter Brook’s Filmed Version of His Production of the Peter Weiss Play “The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade” (Marat/Sade), the Royal Shakespeare Company 1967

This scene is more Magee than Jackson, but she's still great in it. It's also one of the more kinky scenes in 1960's British theater.

Glenda Jackson - 1936-2023 - Ave atque Vale

#Youtube

[deadlinecom]

[rusocialpod]

What is Inflation? Economists constantly refer to inflation and tend to suggest it is a Very Bad Thing. But why exactly, where does it come from and what could one do to tame it? Please subscribe here: http://tinyurl.com/o28mut7 If you like our films take a look at our shop (we ship worldwide): http://www.theschooloflife.com/shop/all/ Brought to you by http://www.theschooloflife.com Produced in collaboration with Vale Productions http://www.valeproductions.co.uk Music Lanquidity by http://www.purple-planet.com

[nerdrabugento]

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[fredborges98]

E tudo viraria um grande lance comercial de " product placement", se não fosse por um detalhe: o ser humano depende de outro ser humano para sobreviver e Wilson era o Ser Humano que todos buscam dentro de si, dentro do outro, numa utopia e distopia, mas fundamentalmente, nascemos e morreremos sós, em solitude ou em solidão?

Por: Fred Borges

Dedicado a meu amigo, você sabe quem.

Olho no olho? Tête-à-Tête? ( Tête-à-tête: Simone de Beauvoir e Jean-Paul Sartre), serve virtual? E se formos todos náufragos, vale conversar com uma bola chamada, obra do merchandising, Wilson?

E se sua própria filha não quer falar com você?

Pois renovou o processo de pensão alimentícia numa facada nas costas no pai? Perdoar?Seguir amando- a?Sim!Mesmo diante do sangramento...

Está cada vez mais difícil conversar, pois as pessoas colocam seus próprios interesses e conveniências em primeiro lugar e haja celular!

Se daquela conversa não existe retorno ou interesse consistente e tangível, para que valorizar o intangível?

E do atingível intangível que é feita a rara e preciosa amizade, as interações entre espíritos, almas, amizade é meta, metafísica, metáfora, metástase positiva, desordem, discussão, adversa oportunidade de consolidação, fusão e fricção nuclear, do atar, do desatar nós, nós que contaminam e vulnerabilizam e vulgarizam as pessoas que não querem ou tem temor ou medo de se "contaminar", pois amizade está para se desarmar, se entregar,se dedicar,amar, se desvencilhar do egoísmo, egocentrismo, narcisismo, orgulho,vaidade, da "egotrip" e revelar ser frágil, amável, amante da vida, da ida sem retorno, do não ficar no entorno, não fazer contornos, tomar sopa quente pelo centro da tigela, queimar a língua,água gelada, entrar numa gelada, detonar os dentes pelo choque, choque térmico,sonhar com dente é morte anunciada, bate três vezes na madeira é o conselho,conselho se dá, não se vende,amizade é mergulhar de cabeça em águas turvas e desconhecidas, que diga a vítima de tetraplegia( Marcelo Rubens Paiva) do Feliz Ano Velho, não ficar de costas numa praia, esquecendo- se do horizonte, do sol, das nuvens,mesmo estigmatizado, astigmatizado, míope de corais,de ouriços, de estrelas do mar, do livro e da Água Viva de Clarice Lispector, das embarcações ao longe, dos pescadores, amadores, armadores, tripulantes, dos passageiros, passageiros sem sextante ou bússola ou balestilha, quadrante ou astrolábio, perdido nos lábios da morena a beira mar, pois quando o barco fica a deriva, naufraga, é aí, neste exato momento, que descobrimos quão verdadeiros e verdadeiramente temos um ao outro,outro a um, amigos!

E tudo viraria um grande lance comercial, se não fosse por um detalhe: o ser humano depende de outro ser humano para sobreviver.

Chuck Noland, personagem de Tom Hanks, é um homem contemporâneo em todos os detalhes. Ele tem um trabalho estressante, uma vida corrida, uma namorada esperando por ele, celular, uma agenda lotada e uma dor de dente que incomoda muito.

O tempo é seu maior amigo e pior inimigo.

Quando acontece o acidente, Chuck embarca numa jornada do que é ser humano: ele tem de ser adaptar ao seu novo cenário.

Tudo que era importante na “civilização” do protagonista, celular, relógio, Pager( ainda existia), não pode ajudá-lo na ilha.

Segundo o roteirista, ele precisa aprender a sobreviver primeiro fisicamente, e depois emocionalmente. (Making of, Náufrago – DVD duplo, 2000, 00:02:44).

O espectador assiste a um homem que não é capaz de abrir um coco. E surge aí uma pergunta: até que ponto o ser humano é auto suficiente hoje?

O protagonista é a representação de uma sociedade moderna, controlada pelo tempo e completamente dependente da tecnologia, até mesmo para abrir um coco.

Uma das cenas mais importantes do filme é quando Chuck consegue acender uma fogueira. Isso representa a evolução do personagem enquanto humano, pois aprender a manipular o fogo em seu favor foi uma das maiores conquistas da humanidade.

Como ser humano, Chuck também precisa do outro. A necessidade de conversar e manter sua sanidade faz com que ele dê a um objeto inanimado – uma bola de Vôlei – características humanas e assim o eleja como companheiro. Nasce um personagem extremamente importante para o filme: Wilson.

Analisando a construção do personagem, vê-se que Wilson não possui alguns aspectos bem definidos, tais como nacionalidade, profissão e paradoxos.

Sua descrição física é algo óbvio, ele é uma bola e suas emoções, atitudes e detalhes, que lhe conferem exclusividade, existem a partir do protagonista e do espectador.

Wilson não demonstra emoção, quem sente por ele é o protagonista e o espectador. Um exemplo disso pode ser visto na cena em que Chuck chuta Wilson para fora da caverna.( Cena em trecho do vídeo).

Wilson está associado à amizade, ao relacionamento humano e à sanidade mental.

A bola é aceita como personagem porque o público associa a ela o medo da completa solidão e da loucura.

O contexto do personagem no filme é muito claro: ele é fruto da solidão de Chuck.

Wilson surge quando o protagonista mais precisa dele. Sua primeira aparição é quando Chuck precisa fazer fogo e não consegue. Os gritos do protagonista ao machucar a mão revelam que ele já está entrando em desespero.

A neurocientista cognitiva americana Maryanne Wolf costuma ser abordada, em suas palestras e aulas, por pessoas que se queixam de não conseguir mais se concentrar em textos longos ou "mergulhar" na leitura tão profundamente quanto conseguiam antes.

Segundo um livro de Wolf prestes a ser lançado no Brasil (O Cérebro no Mundo Digital - Os desafios da leitura na nossa era; ed. Contexto) e algumas pesquisas sobre o tema, o fato de lermos cada vez mais em telas, em vez de papel, e a prática cada vez mais comum de apenas "passar os olhos" superficialmente em múltiplos textos e postagens online podem estar dilapidando nossa capacidade de entender argumentos complexos, de fazer uma análise crítica do que lemos e até mesmo de criar empatia por pontos de vista diferentes do nosso.

E tudo viraria um grande lance comercial de " product placement", se não fosse por um detalhe: o ser humano depende de outro ser humano para sobreviver e Wilson era o Ser Humano que todos buscam dentro de si, dentro do outro, numa utopia e distopia, mas fundamentalmente, nascemos e morreremos sós, em solitude ou em solidão?

Em Eu, Robô, filme protagonizado por Will Smith, ele investiga a morte de um velho e querido amigo,que acredita ter sido assassinado por um robô. Robôs devem respeitar aos seguintes princípios éticos-morais programados pelo homem: as Três Leis da Robótica desenvolvidas pelo próprio Lanning( amigo e programador), que ditam que robôs não podem machucar humanos; devem obedecer humanos, caso isso não contradiga a Primeira Lei; e devem proteger a si mesmos, caso isso não contradiga a Primeira e a Segunda Leis.

Os próprios seres humanos respeitam essas leis?

Humanos não podem machucar outros humanos; devem obedecer ou respeitar outros humanos, caso isso não contradiga a Primeira Lei; e devem proteger a si mesmos, caso isso não contradiga a Primeira e a Segunda Leis.

Repetindo, a neurocientista cognitiva americana Maryanne Wolf costuma ser abordada, em suas palestras e aulas, por pessoas que se queixam de não conseguir mais se concentrar em textos longos ou "mergulhar" na leitura tão profundamente quanto conseguiam antes.

Na verdade o ser humano está lendo o mundo de maneira superficial, imediatista, líquida, plástica, homogênea, generalista, massificada e manipulada por uma elite que pensa de forma utilitarista, oportunista, mercantilista, consumista, política( pior conceito),sabendo que ninguém irá se desafiar a pensar ou ler nas linhas e entrelinhas miúdas, da pequenas coisas, dos pequenos detalhes que vencem conflitos existenciais ou não, com deveras profundidade o que acontece consigo e muito menos o que acontece ao seu redor!

Repetindo, segundo um livro de Wolf lançado no Brasil (O Cérebro no Mundo Digital - Os desafios da leitura na nossa era; ed. Contexto- 2019) e algumas pesquisas sobre o tema, o fato de lermos cada vez mais em telas, em vez de papel, e a prática cada vez mais comum de apenas "passar os olhos" superficialmente em múltiplos textos e postagens online podem estar dilapidando nossa capacidade de entender argumentos complexos, de fazer uma análise crítica do que lemos e até mesmo de criar empatia por pontos de vista diferentes do nosso.

Em várias décadas de pesquisas, envolvendo centenas e às vezes milhares de pessoas descobriu-se aquilo que instintivamente já sabíamos:

O SER HUMANO É GREGÁRIO!

Pessoas com conexões mais fortes com outras pessoas têm menor risco de morte, não importa a idade que tenham!

Promover uma parceria feliz pode atenuar as dores físicas do envelhecimento!

O estresse de cuidar de um ente querido pode afetar a rapidez com que as feridas cicatrizam!

Ficar de mãos dadas com alguém que se preocupa com você pode ser um tratamento anestésico leve!

No caso das pessoas mais satisfeitas em seus relacionamentos, mais conectadas ao outro, seu corpo e cérebro permanecem saudáveis por mais tempo!

Uma relação de qualidade é uma relação em que você se sente seguro, em que você pode ser você mesmo. Claro que nenhum relacionamento é perfeito, mas essas são qualidades que fazem com que a gente floresça!

Ser humano foi feito para ser girassol e quando não houver sol, aquece-se um ao outro, esquece-se de si, o si torna-se sol, sol e sombra para amigos que dividem guarda sol, para não desvanecer,falecer, muchar e morrer!