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#VAT Procedure
taskmastergulf · 23 days
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drforambhuta · 4 months
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Thymectomy is like a carefully choreographed dance in surgery, with different moves. The classic open thymectomy is the main act, involving a big cut in the chest for surgeons to carefully take out the thymus. While it works well, it also means a longer recovery time and more discomfort afterward. On the other hand, modern methods like video-assisted thoracic surgery (VATS) and robotic-assisted surgery bring a fresh approach. They use smaller cuts and special tools, making thymectomy less painful, with shorter hospital stays and quicker recovery.
1. Open Thymectomy: In the open thymectomy routine, the surgical team makes a big opening to access the thymus. It's like a big performance, allowing thorough exploration and removal. However, this grand show comes with a downside – a longer recovery time and more discomfort afterward, things to think about when choosing the surgery.
2. Minimally Invasive Techniques: New techniques like VATS and robotic-assisted surgery are changing the game. VATS uses a camera and special tools for precise work with less invasion. Robotic-assisted surgery, with its robotic arms, adds a level of precision. These methods give the thymectomy a fresh feel, making it less painful and speeding up recovery.
Postoperative Recovery:
After thymectomy, the recovery is a process marked by initial pain and discomfort that gradually lessens. Managing pain is crucial in this recovery process, often involving carefully prescribed medications. How fast you recover, like a musical piece, depends on the surgery method and individual factors. While most people can get back to normal activities in a few weeks, full recovery may take months. This recovery phase shows how the chosen surgery method impacts the experience, with less invasive methods often making the return to normal life quicker.
Efficacy and Risks:
The success of thymectomy for myasthenia gravis is like a dynamic performance with varied outcomes. Some see a big improvement, but it's not the same for everyone. Responses, like different harmonies, are nuanced, making it a complex situation. Risks in this surgical performance include bleeding, infection, and possible reactions to anesthesia. Dealing with these risks needs a careful preparation before surgery, with open communication between patients and healthcare providers being crucial.
It is advisable to undergo a full body health checkup following a thymectomy to check the success of treatment and evaluate the overall health of the patient after the procedure.
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gokhaledr · 11 months
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Video-assisted thoracoscopic surgery is a recently developed type of surgery that enables doctors to view the inside of the chest cavity — learn more about innovative uses of VATS procedure at Dr Gokhale official website.
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hughmanbean · 3 months
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Separate Identity
After falling into a vat of chemicals while being chased by the Batman, a man finds himself at the desk of a waiting room. He looks around in confusion. The receptionist(?) behind the desk hands him a piece of paper.
Name____________
Death: Chemicals leading to Identity Death New Position: To be decided upon review Waiting Time: Unknown
He looks at the receptionist.
"Why is my name not on there? You have other information about me already."
"It's an old procedure. Just write your name to have the identification be validated." The receptionist responds with a dull tone.
He looks at it. He thinks.
"I don't remember."
---
Danny hums to himself as a man walks into the throne room. He explains that he can't remember his old identity, and that he would be eternally grateful if Danny would be able to help. Danny's not omniscient, so he doesn't know either.
His clothes aren't very indicative, nor his features. His memories lack history of his life, but he does remember how to do certain things. The most unique thing he remembered was a man in a bat costume and the vat.
At that point, it would be easier go to where he died and follow a trail. Somebody in the royal family would need to be with him to ensure nothing goes wrong.
Danny's way too busy with work, Dan is trying to learn how to cook with Realms ingredients, and Fright Knight is just overkill.
Ellie, of course, has already rushed in and taken the opportunity to go somewhere. It wouldn't be too hard, would it?
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memories-of-ancients · 6 months
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The Hymn of Ninkasi
The Ancient Sumerians loved their beer.  In fact they loved their beer so much that thousands of years later ancient recipes and artwork depicting beer making and beer drinking survive to this day. Many of these recipes are being recreated and brewed thousands of years later by crafted breweries today.  They drank it for ceremonial and religious reasons, they drank it for nutritional reasons, and they drank it for the same reasons we drink it today. You know ... to get pissed.
The Sumerians were so serious about their beer that they had their own deity devoted to the beverage named Ninkasi.  Ninkasi was the goddess of beer and alcohol, who brewed the beverage daily to  to “satisfy the desire” and “sate the heart.”  One of the earliest known devotions to Ninkasi was a hymn written on clay tablets dating to 1800 BC.  Called “The Hymn to Ninkasi” it was more than just a devotional script or prayer, it was a recipe and procedure for brewing, written as a poem so that it would be easy to remember in an age when most people were illiterate.  The beer that was produced was a very sweet beverage with around 3.5% alcohol by volume, created by brewing with malt and a twice baked honey bread (bappir) that had the taste and consistency of granola. It would have been very sweet compared to modern beer as the Sumerians lacked hops which gives the bitter flavors of beers today.  Traditionally the beer was stored in clay pots and sipped using long drinking straws to filter out left over particulates.
The Hymn of Ninkasi
Borne of the flowing water,  Tenderly cared for by the Ninhursag,  Borne of the flowing water,  Tenderly cared for by the Ninhursag,  Having founded your town by the sacred lake,  She finished its great walls for you,  Ninkasi, having founded your town by the sacred lake,  She finished it’s walls for you,  Your father is Enki, Lord Nidimmud,  Your mother is Ninti, the queen of the sacred lake.  Ninkasi, your father is Enki, Lord Nidimmud,  Your mother is Ninti, the queen of the sacred lake.  You are the one who handles the dough [and] with a big shovel,  Mixing in a pit, the bappir with sweet aromatics,  Ninkasi, you are the one who handles the dough [and] with a big shovel,  Mixing in a pit, the bappir with [date] - honey,  You are the one who bakes the bappir in the big oven,  Puts in order the piles of hulled grains,  Ninkasi, you are the one who bakes the bappir in the big oven,  Puts in order the piles of hulled grains,  You are the one who waters the malt set on the ground,  The noble dogs keep away even the potentates,  Ninkasi, you are the one who waters the malt set on the ground,  The noble dogs keep away even the potentates,  You are the one who soaks the malt in a jar,  The waves rise, the waves fall.  Ninkasi, you are the one who soaks the malt in a jar,  The waves rise, the waves fall.  You are the one who spreads the cooked mash on large reed mats,  Coolness overcomes,  Ninkasi, you are the one who spreads the cooked mash on large reed mats,  Coolness overcomes,  You are the one who holds with both hands the great sweet wort,  Brewing [it] with honey [and] wine  (You the sweet wort to the vessel)  Ninkasi, (…)(You the sweet wort to the vessel)  The filtering vat, which makes a pleasant sound,  You place appropriately on a large collector vat.  Ninkasi, the filtering vat, which makes a pleasant sound,  You place appropriately on a large collector vat.  When you pour out the filtered beer of the collector vat,  It is [like] the onrush of Tigris and Euphrates.  Ninkasi, you are the one who pours out the filtered beer of the collector vat, It is [like] the onrush of Tigris and Euphrates. 
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yuri-is-online · 3 months
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My brain is whirring in the blender right now so here are the things I think twst characters would find interesting/horrifying
Atom bombs. Why would they need atom bombs? Wars were either fought with magic or swords if lilias backstory is standard war procedure. And in endless halloween, leona tells a (fake) story about a terrorist group on a yaht party or something that attacked with a magic cube. Also that whole moment with Oppenheimer where he didn't know if igniting that bomb would set off a chain reaction that would ignite all the other bombs and basically destroy the world. AND HE STILL FUCKING DID IT.
Gun. Same reasons as the atom bombs.
French revolution and the reign of terror. What do you mean 40,000 were executed and over 300,000 locked up in the time span if a few years? Why did the "french" switch between so many governments so fast? Who the hell is napoleon?
Russian revolution and Anastasia. that revolution was MESSY. But imagine telling leona or someone about how everyone thought that princess Anastasia and her brother escaped execution cause they couldn't find their bodies with the rest of the royal family. So all these middle aged women just started coming out being like "I am Anastasia", and one of these women was eventually accepted as Anastasia. Until they found out that thr royal family were submerge in vats of acid after they were killed, and because children's bones aren't quite solid, the just. Melted in the acid.
The whole mystery of those villages getting up one day and dancing themselves to death and we still don't know why.
Medieval torture devices. Like the crowd cage or when you get covered in honey and sent away on a boat to be eaten alive by bugs (jamil throws up)
The black plauge. Just. The black plauge.
Early Industrial revolution working conditions. I think even azul would get uncomfortable with those.
Mansu Musa going on tour and giving away so much gold that he collapsed entire economies.
The cold War. "Yeah so the US and the USSR were in a war-not-war because of paranoia of nuclear atom bombs but they couldn't actually go to war because if they actually went to war that would just be the end of the world so they just had a massive dick messering contest. Oh yeah! That's actually why we got the space race!"
The space race. ("The fucking moon in the sky!" "Yes azul, the moon in the sky. And Mars. And there are satellites that literally went to the cold cold edge of our solar system" "...why are you guys insane?")
American prohibition laws and the outlawing of alcohol that everyone hated so much that the government legalized alcohol again and now we have this thing called moonshine.
Mexican revolution and the solid century where their presidents just kept getting assassinated.
The greatest night in pop "we are the world". Just as a treat for the pop music club.
The entire age of exploration honestly. "What do you mean half your world didn't know the other half of the world was there until a few centuries ago?" "Oh you're gonna shit yourself when you find out what Europeans did next"
What the Europeans did next.
The world wars. Lilia has a fucking stroke while listening to it. But some of it was funny! Not really but yk! A polish bear loading an artillery Canon, an unsinkable cat, that British guy that carried a bow and arrow and played bag pipes when the nazis found him only to be the most unkillable yet unserious guy ever, a US naval captain that literally FLOODED HALF HIS SHIP on D-Day just to tilt that bitch back so they could hit the Germans better, and the US just converting a spare ship into a massive ice cream machine is pretty fucking hilarious.
The coups of the ancient past. I don't really remember who but I think this Indian (?) Prince literally threw his brother out a window, dragged him back upstairs, only to throw him out again for good measure is fucking hilarious.
The mono Lisa wasn't famous until this Guy™ stole it from a museum. The museum employs didn't even realize it was gone until someone asked where it went 💀
The way we name our countries tbh. Most of them translate to some ancient language (Spain translates to "rabbits" and Columbia is "dove"), but twst really has countries like. "Scolding Sands ✨️ and Queendom of Roses ✨️. So our country names are probably really weird to them. Especially the full country names. Do you know Hong Kongs official name? It's long as shit.
The first chainsaw was invented by two socttish doctors in the early 1800s to help with childbirth
I have many more historically rambling I could go on but this shit is getting long.
If anyone at any point wants to ramble about history they are very welcome to do so in my literal dms and not just my ask box. I love history and I love talking about it!!!
I think out of all of the things you listed the atom bomb, the space race, and the Cold War would probably be the what I think the various twst boys would find most interesting. Even in the history of our own world those things were extremely unusual, the sheer scale of something like a world war is really hard to grasp and I doubt Twisted Wonderland has had a similar event. I think the concept of such a thing would really scare the cast, though I imagine Idia, Leona, and Lilia would be grimly impressed at just how creative people can be when it comes to destroying each other. Magic isn't required to make a mess of things, sure they already knew that but oh wow. Now they're really thinking about it.
Now you know who would want to talk about all of these things? Professor Trein! He'd be really interested in learning anything and everything Yuu can remember about the history of their world. As an educator it allows him better insight into his student, and as a lover of history he gets to learn a lot of new things no one else knows.
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public-trans-it · 1 month
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Figured I would make a post of all my various FFXIV OC's.
Warning: There are more than just these 4, those are just the big ones. Also, this is like 5 years' worth of weekly RP with my FC, and we very much leaned into the absurd over-the-top fantasy of the FF series. So, like... boy HOWDY is this gonna be a lot. Edit after finishing writing this draft: it was far more than I thought oh my god I forgot how bullshit all of this was. However I added a clear indicator of where you can skip the most bullshit parts.
(All infoblocks are how the character would describe themselves. Summaries are (mostly) my own words, unless I think its really funny to not do so.)
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I also have redacted a lot of info about other people's characters cause I'm not entirely comfortable sharing all of them here. So the names of other characters, and also my FC's name, are entirely removed. I've also tweaked some of the details slightly, mostly just the timing of certain events, and combining/removing a couple of the T'alia's (yes there used to be more). Also spoilers for a few bits of MSQ, but does include things up to the end of Endwalker.
If you don't want what is basically a summary of a four year long RP campaign, you can get the short version by just reading the entries for the four characters listed above.
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Name: T'sraetn Slein Race: Miqo'te/Garlean (Mixed race) Clan: Seeker of the Sun Gender: Cis(ish) Woman (She/Her)
T'sraetn was born in the capital city of Garlemald, child of a garlean scientist, Varrick lux Slein, and a miqo'te conscript-engineer, T'alia Raio. Her father was researching the Echo, trying to find ways to replicate its effects with a garlean soul. When the Garlond Ironworks rebelled and fled for Eorzea, T'sraetn's family fled with them, though Varrick was killed in the process, his research stolen by his former boss, Aulus mal Asina.
T'sraetn became fascinated by all forms of magic in Eorzea, following the paths of the Arcanist before branching out to other fields. She continued to find stronger and stronger opponents to test her magical prowess against, eventually awakening to the Echo and being recruited to the Scions.
The events of 1.0 through Stormblood happen relatively the same as they do in the game, though T'sraetn went missing after the battle with Shinryu. She reappeared once again after the events of Shadowbringers 5.3 (sort of, see below), now sporting several cybernetic augments throughout her body, with all of her limbs being fully cybernetic.
She initially had no issues with her augments, barring a few exceptions. However, after the events of Endwalker, she grew to hate them. She believed these augments were the only thing that allowed her to survive her fight against Zenos and that he should have been the one to walk away from their final confrontation. She eventually underwent a dangerous procedure to remove her augments and replace her limbs with vat-grown cloned organic transplants.
T'sraetns version of the Echo manifests it in a bizarre temporal distortion. Time feels as if it passes differently for her, with her experiencing weeks or months in the span of time that others claim to only experience days. In combat, she experiences her own death over and over again until, eventually, she survives the fight. The way that Zenos and Fordola experience their Resonance makes her feel a kinship with them in this regard, and has lead to her developing an unhealthy obsession with both of them.
T'sraetn has grown disillusioned with the life of adventure, and now spend much of her time drinking and reliving her fight with Zenos, hoping at some point she will discover her life since that point was just a very long vision, and if she just did something different in the fight, they would both have survived.
The rare times she is sober, she spends studying the primal Alexander, as well as the remains of the Tycoon in the depths of the Crystal Tower on the First, hoping to someday unlock the secret of how G'raha managed to change the past, while she continues to fail.
She funds these expeditions by selling her services to the goblins of the Wolves Den, helping them refine and test their designs for human pilots.
(Here she is, Ms. Warrior of Light herself. I do find it hilarious that 'Mech Pilot' is a lore friendly profession to have, so I had to go for it. I technically have two versions of T'sraetn! (Well... 3) One is the version I used in my Free Company's weekly roleplay for about 4 years, who is not actually the Warrior of Light, and the other is, in fact, the Warrior of Light herself. However, everything canon to the FC version is more or less canon to the WoL version. We won't be getting into the third version on a SFW blog. The bit about her dad was written back in Heavensward. Needless to say, I was absolutely DELIGHTED once Stormblood was released, and a large chunk of the plot focused on exactly that.)
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Name: Killer Kweh Race: Unknown Clan: Unknown Gender: Unknown (They/Them)
Killer Kweh is a vigilante who began to harass T'sraetn's FC around the events of late Shadowbringers, keeping tabs on the various villains and scoundrels that the FC let slip away, thinking the power of friendship would be enough to save the day. Together with their chocobo, Wark Warrior, the two would track down and kill those the FC had spared. They eventually began to confront the FC, trying to pressure them into no longer forgiving those who wronged them.
Their identity remains a mystery to this day, and will likely never be discovered, no matter how often the other FC members says things like "T'sraetn the mask doesn't even cover all your hair, and we can clearly still see your tail." or "Can you hide your chocobo's costume somewhere else? We need to clean the stables."
(I kept this glam and now use it for PLD/RDM. Originally I was actually planning to have Killer Kweh be an entirely different character, but the FC kept making jokes about the tail showing, and I decided to roll with it cause having it just be T'sraetn the whole time was FAR funnier tbh, and we needed something light hearted at the time.)
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If you don't want to read a whole boatload of FC lore, you should skip all of this. (Scroll down until you see the quest complete)
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Name: T'alia Raio Race: Miqo'te Clan: Seeker of the Sun Gender: Cis Woman (She/Her)
The first of the many, many, MANY faces of T'alia, who served as one of the central antagonists for much of the FC's life.
As mentioned above, T'alia was an engineer working in Garlemald before her family attempted to flee alongside the Garlond Ironworks, her husband being killed in the process. Wrought with guilt over his death, T'alia vowed to attempt to continue his research once they arrived in Eorzea, studying the soul and how various things could affect it.
Where her husband turned to the Echo, T'alia instead turned to the void, and to the tempering effect of primals. She made a pact with a voidsent, offering it not her own soul, but the soul of her research subjects, in return for studying its effects on them.
She eventually joined a Free Company, finding them to be perfect test subjects and developing an obsession with helping them grow stronger. She carefully examined and documented the effects on them and their aether after various fights with primals and voidsent, all under the guise of helping them grow stronger.
The idea of the FC needing to grow stronger became more and more compulsive, culminating in her trying to graft the soul of her voidsent into the aether of an injured FC member, an act which was the last straw and resulted in the FC turning on her.
She harbored no ill will against the adventurers, and continued her experiments from a distance, using facilities within abandoned garlean bases to construct various monsters for the free company to "train" against, frequently against their will.
(The FC I was with from 1.0 up to Stormblood Launch had a lot of drama. I originally made T'alia as a way to shop around and play with other FC's. When I joined my current FC, they mentioned not having any real dedicated antagonist for their RPs, and so I decided before the first RP I joined that T'alia was eventually going to make a heel turn, and played her as friendly but also very clearly having an ulterior motive. Also T'alia is still my MCH glam!)
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Name: T'alia Raio Kime Race: Disembodied Soul Chimera Clan: Specter Yeah :) Gender: Monster (It/She/He)
T'alia's research into metempsychosis culminated in the preservation of her soul, at the cost of the willing destruction of her own body, obtaining a state not unlike those of the Ascians. She began growing multitudes of clones of herself, experimenting on them, merging them with beast men, and creating terrifying new chimerical bodies with which she continued to 'test the potential' of the FC.
However, these bodies and her soul mixed like water and oil, and she was never able to fully utilize them. While each one was quite powerful on its own, under her control they were exceedingly frail, and she would find her soul being ejected from them long before the point the body itself failed. This eventually forced her to turn back to her original field of engineering, augmenting these bodies with cybernetic enhancements.
Eventually, she invited the FC to one of her most ambitions plans to date, which she referred to as "The Merger", a combination wedding ceremony and business merger between both herself, and another rival of the FC's who also was heavily proficient in the field of engineering. This event was, in truth, an experiment where she splintered the timeline and merged it together again. During one timeline, an FC member was killed and replaced with a cybernetic replica crafted by T'alia and her new wife, while in the other timeline the FC member lived on as normal.
T'alia's plans for all of this were seemingly lost when her corpse was discovered in some ruins, impaled by a chunk of white auracite that kept her from escaping the vessel she was inhabiting. This drove her wife deeper into despair, and the widow blamed the FC for allowing this to happen, becoming a far bigger threat to them in the process.
(It was a running joke in our RPs that T'alia would keep getting called an Ascian, only to respond, "I still don't know what that is..." While she did achieve a similar form, it was elusively through her own research, and she never had any affiliation with the Ascians/Ancients)
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Name: Tali Race: Various Clan: Various Gender: Nonbinary (She/Her)
Shortly after T'alia's death, one of her augmented clones began interacting with the FC. She revealed she was the one who killed the 'real' T'alia, an action she had no choice in taking. Several of this clones augments allowed T'alia to control her remotely, and she had taken control of her body to kill herself. These augments still remained in place, and even with no one controlling them now, they still prevented certain actions, such as revealing what T'alia was planning.
This T'alia clone continued to work alongside the FC, eventually being welcomed with open arms as a full fledged member, with the FC renaming her 'Tali' to differentiate her from her creator.
While Tali already differed significantly from her creator, she felt a deep unease about being compared to her. She took up the gunblade and began to dabble in various shape changing magics in order to further differentiate herself from T'alia, resulting in frequent damage to her body and need for replacements of her various artificial limbs. All the while, unfamiliar memories began to surface in her mind, revealing that the memories of T'alia's own past that she had planted in Tali weren't sticking.
While she was unable to reveal T'alia's plans to the FC, she was more than able to be reckless about leaving around too many maps about where T'alia's various facilities were located, leading the FC on missions to shut them down and uncover more details about T'alia's plans, with Tali quickly piecing the details together and becoming both more distressed and more frantic to get the FC to uncover the rest.
Over the course of these expeditions the FC found T'alia's main base: a facility located in a rift in spacetime filled with a massive number of clones. Thousands of clones of T'alia, as well as hundreds of clones of every single FC member.
This facility housed enough clues for the FC to realize two things: first, that T'alia was being coerced into her actions by some other entity that she had been plotting against, and second, Tali's differences to T'alia came not from her augmentations, but from the the fact that she was never a clone of T'alia at all, but her own daughter T'sraetn, augmented and brainwashed into becoming a pawn for T'alia to use.
(Yes the DPS symbol on the blue background is intentional. It's a joke about me always off-tanking at the time, and being a 'Blue DPS'. The name Tali was actually a typo from an FC member addressing her, but everyone immediately realized it would be a great way to differentiate this other version of T'alia, and so we kept it. Also, we had a running joke in our RP's that Tali's arms just fell right off about once per RP night.)
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Name: T'alia Allengray Race: Miqo'te Clan: Seeker of the Sun Gender: Cis Woman (She/Her)
Pouring over T'alia's research notes, T'sraetn and the FC eventually found the source of what T'alia had been pushing them all towards, the entity that had plagued her for her entire life: T'alia.
This other T'alia eventually made her presence known by possessing a shape changing quicksilver construct that the FC had defeated, forming a new body for herself. Taking the old T'alia's role as antagonist (though never posing anywhere near as much a direct threat), she was happy to monologue to the FC, and even gave them a linkpearl to answer any questions they might have.
This other T'alia (who the FC simply refered to by her surname, Allengray) was a copy of herself from a different timeline, who had trapped herself in a perpetual timeloop that lasted from the moment of her birth, to the moment of her death. Her original self became nothing more than a disembodied specter within the loop, forced to observe the same events play out over and over again. Over the course of the more than 5 million years she spent trapped in the loop, she slowly gained the ability to subtly influence the members of her FC, with a far bigger influence on each loops iteration of herself.
In her original timeline, Allengray and the FC had fought a devastatingly powerful primal, Lich. As they began to realize their conventional methods of killing primals would not affect it, they eventually chose to build a temporal cage, crafted from the remains of Alexander. The device would contain one aetheric being, and one mortal being, binding the two together. Lich would be trapped within it, and bound to the lifespan of whoever activated the device. While Allengray was not the one selected to bear that burden, she stole the device in the dead of night and sacrificed herself to it, rather than watch any of her friends suffer. Instead, she was left to be tortured for millions of years, watching Lich kill her friends over and over again while she could do little more than watch, and whisper to each version of herself to beg them to find a way to stop it.
(Another kept glam! Allengray is my BLU glam. I actually introduced her as a palette swapped version of another FC members 'Monster of the Week', which was the quicksilver construct that Allengray possessed. She was a bit of an amnesiac trickster for a bit, as her soul adjusted to her new body.)
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Name: T'alia Allengray Lich Race: Primal Clan: Aetheric Parasite Gender: Primal (It/Its)
Eventually, Allengray revealed Lich's true nature. Unlike other primals, Lich did not exist as a body. It was more of a parasite that existed in the lifestream, devouring the souls of those who died, which is why it had been so difficult to find a way to stop. And over the course of hundreds of loops, it had grown and adapted to exist within a person's aether, feeding off of them.
Specifically, that of Allengray, where it had latched itself into and fully consumed her. While the timeloop was still connected to the lifespan of each timeline's T'alia, Lich was free to wreck whatever havoc it wanted on the FC, manipulating the timeline to ensure they would suffer over and over again to amuse itself. Even if they found a way to kill it, which the FC occasionally managed to do, the timeline would still be reset on its death, meaning the most the FC would ever be able to do to it is doom another timeline to be the victim of its wrath.
Moreover, with this timelines T'alia now trapped in white auracite, she could never truly die, allowing Lich to remain in this timeline indefinitely.
This timelines T'alia (which is T'alia Raio, in case you lost track. Very understandble if you did.) still managed to get the last laugh. Through their various interactions, the FC of this timeline had become a force of abominations. Fractured primals, artificial constructs, temporal anomalies, and voidtouched avatars, all untouchable by Lich. A fierce battle ensued, Lich toying with FC with the knowledge that killing it wouldn't stop it, even as it clearly grew frustrated.
In the final moment of the battle, the FC revealed their ace in the hole, one of their enemies who had a far bigger grudge against Lich than anyone in the FC. The wife of this timelines T'alia, holding a recreation of the device that trapped Lich and Allengray in the timeloop in one hand, and the white auracite that held her wifes soul in the other. Binding the device to herself and her wife, the two became banished from this timeline to spend eternity with one another, replacing Lich and Allengray in the loop.
Lich did not have time to make its feelings on this development known, as the FC shredded it apart and destroyed it for good.
(I've always fucking loved the concept behind Lich, because in case it wasn't clear by now, I am ABSOLUTELY FASCINATED by death and how we relate to it, and wish Lich had a bigger role in Final Fantasy (I love you Stranger of Paradise). In XIV in particular I felt it had so much potential as a primal. Plus "Killing the embodiment of death itself" is such a final fantasy ass final boss. We did later get something like that in Endwalker, but I'm still very happy with my take on it.)
(Additional fun fact: this timeline is the 72,323nd loop that Lich and Allengray were trapped in. Since I'm going with a dumb quest formatting for this, I'll say first person to correctly guess why I chose that number gets... idk... a trust banner of their character and/or a wallpaper made of them? This post contains all the information an FFXIV player would need to guess why I chose that number.)
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Name: Noraliene Haillenarte Race: Elezen Clan: Wildwood Gender: Cis Woman (She/Her)
Despite all appearances, Noraliene is an elezen born to House Haillenarte in Ishgard. A member of House Dzemael dosed her drink with a fantasia during a banquet, and when she awoke the next morning as an Au Ra, she found herself the target of a horrible campaign to undermine House Haillenarte by claiming they are heretics, as well as an attempt to use her as "proof" that Au Ra are companions to dragons and must be purged from the city.
She was exiled by her family and escaped the city the next day, being pursued by several members of the Ishgardian Church seeking to kill her for her supposed heresy. Cold and exhausted, she eventually collapsed in the snow, where she claims she froze to death before being resurrected. In truth, she was rescued before that point by Ysayle, and her blue skin is a result of being tempered by Shiva.
After Ysayle's death, Noraliene took her place and helped lead her followers in reintegrating into Ishgard. She had no desire to return to the place of so many bad memories, however, and decided to join up with T'alia's FC shortly after T'alia revealed her true colors, granting them her aid as the new avatar of Shiva.
Despite her tragic past and icy aesthetic, she actually has a very warm and bubbly personality, eager to share her love of Doman Romance novels with anyone who will listen, and excitedly prying into the love life of anyone who was willing to share. She eventually grew tired of the constant stress and drama of being an adventurer and married another Ishgardian exile, choosing to move far away from Eorzea with her new wife.
(Did I make this character just as an excuse to spam the Diamond Dust emote during RP nights? You can't prove that. She was actually made so that I could join the RP easier when other people wanted to host an RP, instead of trying to bullshit together another reason why the FC was just willing to team up with T'alia again. The Diamond Dust spam was just a bonus. I also have a 26 page screenshot comic about her origin story that I've written out, and just need to actually take the screenshots for, but EFFORT...)
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Name: Muddied Glory Race: Au Ra Clan: Raen/Xaela (Mixed race) Gender: Cis Woman (She/Her)
Muddied Glory is the orphan daughter of a Raen and a Xaela who were both killed touring Eorzea while she was just an infant. She was placed into the foster care of a Hellsguard woman, who gave her the name she has now.
At a very young age, Glory was adopted by the Church of Halone, where she became a devoted follower of their doctrine. As she grew, she would eventually find herself blessed by Halone with visions into the lives of those she would grant absolution (Its just the Echo), and very rarely, she will wake up in the morning with no memory of the previous night, the events of her own life falling away so her memory could instead be filled with the knowledge of a killer who must be brought to justice, delivered to her through the eyes of their victim.
Her conviction of faith is never stronger than when she faces on these killers, and from the moment they lock eyes with her, before even a single word is said, they are filled with the terrifying knowledge that she is there to bring them to justice. (This is the usual reaction people have when the woman they killed last night shows up in front of them.)
(Glory is me going "Hey remember that one Sahagin Priest in MSQ? Where we learned what a fully realized Echo was capable of? Yeah we need more of that", with the additional silliness of the character in question having no idea it's happening to her. Once again, I was very excited when Zenos exhibited the same ability, and then again with the In From The Cold solo duty in Endwalker.)
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Name: Ifrit's Bride Race: Tempered Clan: Thrall Gender: Seemingly Trans Woman (It/She)
While there has not been a cure until very recently, being tempered has never been a 'one and done' affair. A primal is fully capable of tempering a single person multiple times, corrupting them far beyond the point of recognizability, as seen most commonly in Leviathan's drowned.
Ifrit's Bride is an example of that. It is unknown what rank or purpose she served among the followers of Ifrit, only that it was far more aetherially corrupted than was the norm for the followers of Ifrit.
After plaguing them for years, she was eventually captured by the Brotherhood of Ash where they worked with the immortal flames and the new anti-tempering magics lent to them to attempt to see if the process could be combined with the Brotherhood's Sacred Ash.
(Technically, she wasn't given the name Tempered Lass until after she was cured, so I should have used a different name for the trust banner. But also fuck making another one, I'm almost done with this post. Also I can't do tribal dailies on this character anymore, because I refuse to complete 'Losing One's Tempered' so that I can always keep some Sacred Ash on hand.)
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Name: Tempered Lass Race: "Prefer not to disclose" Clan: "Prefer not to disclose" Gender: So Fucking Much (She/It)
The result was... mixed. While they managed to cure the Bride of Ifrit of her tempering, she had no memory of anything prior to the point of being cured, and her body remained warped.
She was given into the care of a Hellsguard woman who gave her a very... on the nose name, and there it was discovered that without regular treatments of the Brotherhood's Sacred Ash, she would once again begin hearing the whispers of Ifrit compelling her. She is also particularly gullible, but it is unclear if that is a result of the process that cured her, or simply a natural character trait for her.
While the Brotherhood of Ash welcomes her with open arms and is happy to provide her with Sacred Ash at no cost, Temmie prefers to try to live in Ul'dah. She is frequently found among the refugees, helping them for far too little coin for what she needs to sustain herself.
(The reason she can't remember anything is cause there is nothing to remember. Despite appearances, Temmie is not an Au Ra, she is a Miqo'te. Specifically, Temmie is a clone of T'sraetn created by T'alia to test the effects of tempering. Also, if it wasn't clear, her and Muddied Glory are foster sisters.)
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Name: Gyococo Gyoco Race: Namazu Lalafell Clan: Namazu Dunesfolk Gender: "Depends on how much you are paying." (She/Him)
Gyococo is a lalafell adopted and raised by namazu. Once the Far East started becoming a more popular tourist destination for Eorzeans, she began seeing more and more lalafells, eventually growing curious enough to wish to visit and explore the land her real parents hailed from. At least, that's what he told people.
In truth, Gyococo cared little for pursuing his ancestral culture and just saw what she assumed would be an ignorant and unassuming market she could swindle as a merchant. What she found when she arrived in Ul'dah, however, was a society of cut throats and swindlers worse than any namazu could ever hope to achieve.
After months of barely scraping by, he eventually turned over a new leaf. She befriended an illiterate playwright and now acts as her scribe and editor. While he is far from the rich woman he was hoping to become, she lives comfortably and is happy with where her life is at.
(I don't touch Gyococo much, mostly because the playerbase is really fucking weird about lalafells and really fucking weird about trans women, and the overlap is... not fun, honestly.)
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Name: Gaeli Cat Race: Gaelicat Clan: Gaelicat Gender: Gaelicat
Gaelicat.
(Gaelicat.)
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deadhumourist · 11 months
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YSC: Euphoria
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Pairing: Pero X GN! Reader. No pronouns used for reader, some physical description of reader that is non-indicative of race. Vague but you'll see what I mean with that. POC friendly.
Summary: Something is afoot in Pero's village, and he has no interest in it...but it starts taking an interest in him.
Warnings: Fantasy and science fiction themes, mentions of medical procedures, gambling, unfaithfulness and religion. Please DM me if you have any questions before reading.
Words: 2700ish
Rating: 18+
A/N: It's been an extended break, but I'm determined to make up the months I missed in @oonajaeadira and @writeforfandoms' fabulous Year Of Creation Challenge. So here we go - Year of Science Fiction! Special shout-out to @beskarberry whose fantastic sci-fi stories warped my brain in the best way possible and @just-here-for-the-moment for generally being an angel and putting up with me and my writing.
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PART 1 (Part 2 to follow)
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It started in the dead of night in a small village in Seville, Spain.
A woman came running out of her cottage, hysterically screaming that her marido was gone. In the cold moonlight, her anguished sobs echoed against the worn brick-and-stone houses, with the wind carrying it further down the cobbled streets to be swept away into the night.
Slowly, doors on the street creaked open, the neighbours’ curiosity too much to contain behind windows and curtains. One or two of her acquaintances helped her up from where the grit between the cobbles was digging into her knees, and took her back inside, shushing and talking softly to her in scant comfort. A few men resolved to find him, as he could not go far in the small village surrounded by fragrant orange orchards.
They pulled on their jackets and work trousers, setting off with firelight to bring the wayward man home.
When the first rays of daylight painted the sky in light blue and gold, the intrepid men had not found a single trace, not one tell-tale sign that the man might have made his way over the hills.
That week, the strange occurrence was spun through the town gossip like twine. The fact that it was inexplicable didn’t stop the villagers from making it decidedly human.
“He always did have an eye for beautiful women, it looks like he has run off with one of them. Poor Lucía.”
“Gambling debts will be your downfall. I heard that he had unlucky fingers if you know what I mean.”
The woman bore the heavy brunt of judgemental pity. She could feel eyes following her, conversations suddenly hushed when she came closer. The scandalised widow, or divorcee, depending on which branch of gossip you were following.
Until another disappeared.
One by one, villagers seemed to be snatched from where they slept.
Men and women of working age.
Never children.
Never elders.
For weeks, in the darkest hours of night, the people of Seville would disappear without a trace, never to be seen or heard from again.
The town got scared.
—---
Pero Tovar picks up a lemon from the crate of fresh produce in the market, holding it to his nose - the fresh, invigorating smell was something he would never tire of. After his ordeal in the East all he wanted was to settle down in a small village and lead a simple life. The bag of gold that he was sent back with had allowed him to make a home here as the resident cooper - his casks, barrels and vats were known to be of excellent quality.
If Pero was completely honest with himself about his chosen profession, he enjoyed the repetitive, rote nature of the task. Taking something forged in fire and forged from nature and making it one, over and over.
For the last two years, Pero had delighted in enjoying the simple pleasures that life as a mercenary did not allow. Sleeping in the same bed, a relatively soft one. Going to the market to buy food for the week. Seeing the same faces in the predictable rhythm of a small town.
A rickety wagon barrelling down the street interrupts his reverie, and he turns in his stead to watch it.
The greengrocer leans over conspiratorially, answering a question that Pero didn’t ask.
“He’s arrived. The town elders have sent for a priest from two villages over to bless this place. Dark spirits are behind this, you know.”
The grocer smirks by himself like he is sharing the most delicious gossip.
“It is a pile of shit.” Pero replies in his usual blunt manner. But his eyes track the cart until it disappears around the corner of the street on its way to the church.
Huffing, he tosses the lemon back into the pile and picks up his purchases to walk away. He takes little notice of the people milling around him as he stalks home. He is no stranger to the supernatural, but he refuses to believe that there is something as simple, as banal, as evil at work here.
At home, he starts a pot of stew for supper and sits down at his rough-hewn table to sharpen his knives. Chants from the church are carried on the wind late at night - a haunting imploration for the spirits that have brought misfortune on the village to cease their machinations.
The sound grates Pero’s nerves and he tries to refocus on cleaning his hunting knives, gritting his teeth as he finds a tiny scuffmark on one of the blades. His sword lays to the side on a soft leather cloth, already polished to a glimmer even though it has not seen a battle for many years.
The chants die down eventually and Pero methodically sheathes every blade, carefully wrapping them up in the cloth and putting them away. Only his dagger remains, which he keeps under his bed, because he is retired but not naive.
After having a solitary meal of bread and game stew, Pero gets into bed and expects to drift into the dreamless sleep of a man that does physical labour all day and is at peace with his life.
But tonight Pero dreams.
In his dream, he drifts, feeling cold air rush past his limbs and through his hair. The warm light around him feels thick, tangible, and he tries to curl his fingers around wisps of it that shimmer around him. He can’t see much but the sensation of falling forward into warmth is comforting, enjoyable even. A smile curls around his sleep plush lips as he feels his body become heavy again.
When the cold air rush stops, his eyes flicker open and for a moment Pero tries to focus. When he does, he scrambles out of bed like lightning.
This is not his cottage.
He crouches by the side of the cot, looking around wildly. Bright blue lights bleed through a thick white smoke that surrounds him. A soft whirring sound, with an occasional crackle and snap, which sounds strange to Pero’s ears, are the only sounds in the space. Until you cough.
“Be greeted.”
A long beat follows.
You tap the translator arc lodged in your ear, turning to your colleague.
“Is this thing set to the correct dialect? He looks confused.”
Friiptrin crosses his arms and sighs. “He looks confused because he just woke up from their daily dormancy. At least this one is not screaming.”
You are thankful for that too. The screaming always rattles you, no matter how many times you hear it.
The man in front of you hesitantly waves in front of him, seemingly trying to clear the air.
"What is this smoke? Where am I?" he roars.
You chew your lip, trying to think of a way to explain what he calls smoke.
"It's an incorporeal containment field. It's just to keep you in one spot until you adjust to the new environment. We previously had physical restraints but they hurt themselves and…well that's just no good. Injury releases prostaglandins which muddy the har…"
Friiptrin gestures for you to cut it off, scowling. Your voice dies away as you realise you're rambling about something he won't understand.
Another long beat passes and you attempt to answer his second question.
"And you're aboard the Atriscemy, mark four." You finish lamely, half-sure he won't know what that means either.
Pero is no wiser and the words you’re using go over his head.
"What do you want? Are you going to kill me?" He hastily crosses himself, an old habit and source of comfort that started with his abuela.
You sigh, feeling a twinge of pity.
"No, no we aren't. Look, I'll even come say hello. But please promise not to hurt me, I don't have weapons."
Your colleague's face says that this is at least the third bad idea you've had since the human dropped into your ship.
Stepping out from behind the console, you slowly approach the centre of the room, the octagonal floor tiles softly illuminating as you step forward.
"I'm coming towards you, and I'm going to clear the containment field so you can see, okay?"
Pero huddles in tighter, anxious of what will appear in front of him when the thick smoke clears.
When it starts moving and swirling away from him, his jaw drops.
A human but very much not human.
He looks you up and down like he had never seen anything like you. You're humanoid alright, but your eyes are a warm purple colour with an overly large pupil, edged by a half-moon silver arch that almost glitters when you turn. On the outer edge of your hands, light, feathering scales run up to the edge of the pinky on your six-fingered hand. The fine gradient that fades from dark purple to light teal shimmers as it catches the light in the teleport bay.
"Heh, no one's looked at me like that since I showed them my glorbs at the triangular solstice party" you attempt a joke, laughing feebly. If it is meant to break the tension, it does nothing and you can feel the air change around you. Time to change tack.
"Okay, I know you have questions, but I think we need to get you into the lab first. There we can look you over and make sure you're fed and watered and free of any ailments and diseases. Sometimes the displacement field disrupts their gastrointestinal tract and.."
Pero doesn't like the sound of any of those words except for fed, but as soon as he moves to stand up, his body bends in half of its own volition and he vomits on the floor.
“...they forcefully empty their food organ. Great.” You finish your sentence flatly.
Pero wipes the last traces from his mouth with his sleeve and looks at you accusingly.
"Send me home, what do you want with me anyway? I am a simple cooper."
You slowly sink down onto your haunches, taking a risk because the human still looks like he wants to throw something at you.
You hold out a hand to him. "Come on, let me show you. You have so many questions and I can't fully answer all of them yet."
You beckon to him.
"Well do you wanna know or not?" you huff impatiently.
Pero scuffles closer like a feral cat reluctantly coming closer to a bowl of food.
You look him over for any obvious injuries and spot one.
"Okay, you have a near-ocular bisection. Now we just need to…"
The moment you raise your hand to touch it, he flinches away, hands raised in defence.
"I'm just going to touch it, okay?" you lie.
He brings his hands down but watches you from under a furrowed brow.
The moment your finger smoothes over his brow, a sharp pain shoots through it and Pero feels like he's reliving the blade slicing through his skin again.
He growls at you, pulling away but you grip his bicep and keep him steady.
"Hold on, it's almost over."
When you remove your finger Pero reaches up to feel the scar and…there's nothing. Disbelievingly, he pats his eyebrow in different spots, trying to find the puckered scar that had been there for years.
"Neat, huh?"
"How did you do that, witchcraft?" He scowls.
"I don't know what that is, but this? Localised temporal absolution, something we learn from a young age. It's really simple, all you do…"
"Stop talking, por favor" He growls at you.
You straighten up again, his bluntness reminding you that there's protocol to follow. This human doesn't seem to have any items on him and healing his scar seemed to have mollified him enough to reduce him to a simmering grumpiness instead of fury and fear. You could work with that.
Holding out a hand to him, you deactivate the containment field completely and pull him upright. Pointing to a sloped corridor behind him, you jut your chin out. "Lab's that way. I'll be accompanying you to your quarters once they've looked you over."
Walking by his side, you pass several pods on the way to the lab. The man seems to be cocking his head every now and then like he is trying to hear something. Occasionally as you pass a pod you can hear a low moan, sometimes a released sigh of breath. Nothing you haven't heard before passing these pods.
He decides not to ask yet, and you're grateful.
Entering the lab, you motion for him to stand under a moulded rubber frame. He opens his mouth to ask something but never gets to because the next moment his clothes disintegrate from his body and a fine mist bursts out of sprayers overhead.
When the spray dies down, his mouth opens in big sucking gasps, filling his lungs and he glowers at you.
You hold up your hands. "Earth is dirty, don't look at me like that. We washed a seriously contagious strain off someone just last week. It made humans break out in small red dots and some even perished from a high internal temperature. We lost three pods just from that."
Pero's brow furrows.
You motion for him to stand under the second frame, and a warm current of air slips over his naked body, drying him completely in the space of a few minutes.
While he stands there you forget all professionalism and allow yourself to take in the details of the human's body. Broad shoulders taper into a narrow waist, the lean but strong cords of muscle moving in the bright lab lights as he lightly shakes his arms to remove some of the wet residue from the impromptu shower.
A tuft of dark hair dusts his chest and when your eyes drift further down, you see strong legs move impatiently as the dryer whirrs back down and eventually stops.
This human is clearly not uncomfortable being in its natural state, and you find no reason to apologise as he meets your eyes.
"Seen enough?" he grumps at you.
"Your biology is not compatible with mine, so this is quite literally, for science." You quip.
A physician bobs into the lab, two of the lab technicians on his heels. He seems in a great mood and smiles at you both. "Well, well, a new incumbent. A male this time, fantastic." He sits down on a flat-seated chair and motions for the man to move closer to him for inspection.
Pero reluctantly steps closer. The darker, green colouring of the doctor is slightly different from yours, and he marvels and the brilliant colouring. The last time he saw anything like it was when a Taotie was barrelling towards him.
Even though you are clearly not from earth, no one here seems dangerous. And there was a promise of food. Even though his starving mercenary days are behind him, he never can resist a meal.
After some prodding at Pero and tapping on a small screen in his hand a few times, the doctor smiles up at the man, then turns to you.
"Excellent specimen. Highest levels of testosterone I've seen in a while, actually. Ensure he is comfortable, and you'll likely have a record harvest. His endocrine system is healthy, as are his extremities."
You nod knowingly. "So his shlip is in good condition."
The doctor looks baffled.
"His what?"
"His schlip" you repeat, pointing at Pero’s lower half.
The doctor flatly responds "You mean his penis?"
"His what now?"
Pero, alarmed at the turn of the conversation, anxiously pipes up with "What about my penis?"
"Wait, that thing is called a penis?" You ask.
"Yes" the doctor looks at you flatly.
"So I've been calling it the wrong name this whole time?"
The doctor just stares at you.
One of the lab techs unsuccessfully suppresses a giggle and disappears around a corner.
Embarrassed, you bring your palm to your face and motion to Pero with your other hand.
"Just…let's get you to your quarters."
------
Comments and reblogs appreciated, thanks for reading!
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Just me writing my Lancer characters last moments
He was a bioengineered clone with a 10 year lifespan. He's 5.
I am on fire. Molten slag sloughs off my mechs frame. I called it Day Of The Dead because it was the name of my favourite holiday. A festival to celebrate the return of those long past, not as poltergeists or hauntings or terrible things with a grudge, but family, friends. So long as memory would hold the idea that I would be able to come back and drink and sing and dance... And now it seems I am the one returning to them. The alarms roar through the speakers, warning lights flash through the melted displays as sweat builds between the rubber seals of me and the interface. Through heat-warped technicolor vision, Heavens Fall delivers a final devastating blow to my mech.
Total Structural Failure, my HuD reads, Core Criticality Security Procedures commencing.
Heavens Fall is bad, close to me in fucked up beyond repair but not quite there. I turn to Wasp, a cloud of drones breaking apart like clouds on a hot day. He'll be next. Monarch fires rockets from the river bank, she'll be right, she always is. But here and now as I sit bathed in a casket of fire, this is a choice only I can make. I will free Mary Hill. I rip out the safety module, sparks racing over my fist.
Core Reactor Critical Failure Imminent.
I turn on my comms to my fellow pilots, do they even know I think of them as family? It's a little too late for heartfelt confessions. "I'm not making it out of this guys. I can't control what you'll do or even if it's possible. But give her a chance, give her a choice, give her kindness."
My comms crackle to life, their voices lost in the static. I think Wasp is shouting my name... The counter ticks down, red pouring out from the bar like blood draining from a corpse.
I don't hear, or feel, or even see how I end. I simply cease. My whole vat-grown self, the cells and atoms and particles assembled together by algothrims and viral nanomachines, returned to white noise.
All I think of, before the wet electric chemistry in my brain gets atomised, is that night with Sarah. The night before everything went so wrong. Where she showed me the stars and I told her that under the choked skies Io, that gas giant with methane seas we found constellations in each other. I see those same stars in her eyes, I think she punches me when I see her again.
I-
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sharedink · 6 months
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RODNEY THE RELIABLE ┊how are toons created?
Nothing will ever make sense here I'm sorry - a small info dump for in-universe things in my au!! :)
Long text post under the cut!
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posts that are labeled as 'RODNEY THE RELIABLE' will include posts depicting Rodney as well as written by him. This is all just silly toon lore for the universe Shared Ink is in!
[RODNEY] Lets see...something something 1908.....something Fantasmagorie...Professor Knox Knoch - this is all BORING stuff. Where's the action?! The drama?! Can we talk about the fallout instead? No?! You don't pay me enough for this. You don't pay me at all.
[RODNEY] Fine. I'll read your dumb lore.
[RODNEY] In the near past of 1908 an artist named Émile Cohl created what film historians believe to be the first animated film named Fantasmagorie. Blah Blah Blah - all toons know this.
[RODNEY] Well forget about him because it was actually an art professor named Knox Knoch that is coined the father of toons - was that his actual name. What? Why.
[RODNEY] Anyway, since you're reading this I assume you know about DIP. The turpentine-acetone-deadly-stuff? In case you don't know: it kills toons. What the professor made is the opposite, it's got all sorts of paint hardeners in it! Allegedly.
[RODNEY] Legally it's named Animink.
[RODNEY] You know....animated...ink...ahah....yeah. Well, good old professor Knoch wanted to test his new pen, and being inspired by Fantasmagorie he decided to draw that weird little stick character. Supposedly, the ink dried incredibly fast and pointy hands pulled itself out of the paper like some horror movie.
[RODNEY] The original formula for Animink is kept under wraps by this old company named Inkwell inc. but OF COURSE that didn't stop people from creating their own homemade life givers - we're talking about humans here.
[RODNEY] Eventually, it became illegal to just pop out toons without official licensing somewhere around the 50's - maybe 40's? Geez, why didn't I study more in Toon history before taking this role. I do know the law was one of the first involving toons, as they started to become recognized as an entity that was alive. People still do it anyway because. They're people??? No idea.
[RODNEY] Now-a-days, it's law to have a team of at least 4 Animink specialist when creating a toon, though there is usually only one artist drawing the toon. It was found that an artists intent while drawing a toon has large control over how a toon acts. If there were multiple drawing the same toon with different intent the toon would become blank out of confusion.
[RODNEY] When it was decided that Mickey Mouse would be brought to life, the intent that Ub Iwerks had while drawing him brought out the personality that Mickey Mouse has.
[RODNEY] After the character is drawn and the pen has stayed off the paper for an extended period of time, the ink hardens. The toon won't immediately get off the page - give them some time man! Being granted consciousness is weird and frankly scary. Not a cool time.
[RODNEY] So that's it! That's how toons are created - happy now?
[RODNEY] No? You're not happy with that?! But I read the thing -- there's more? Right. Right of course, the whole section under this one. Of course. Yeah....that might be important...ugh.
[RODNEY] To recap before we get into more stuff, toons are largely created through the method of using Animink. It's now a very lengthy procedure and requires at least 4 Animink Specialist to be present. There are other ways but they're either not recognized by the government or are not used as much. Blah blah blah.
[RODNEY] Here's the tricky part - you get separated into two categories upon creation. At least you should, if you're created legally it'll be on your Creation Sheet.
[RODNEY] These two slots are medically known as ORIGINAL INK VAT DEPENDANT (OIVD) and ORIGINAL INK VAT INDEPENDANT (OIVI) - these basically tell you if you can repair yourself with other ink besides your original ink or not.
[RODNEY] Toons are tested for one of the two upon 'waking up' (coming off the page) by an INK COMPATIBILITY TEST, which involves a small drop of their ink being taken while its still wet and dropped in with positive-OIVI ink to see if it will mix or slide off.
[RODNEY] Lets see....lets see....what's a good example....oh! The Warner siblings - perfect! We'll be talking about those guys more so lets introduce them now.
[RODNEY] The Warner siblings are OIVD, not very ideal if you like living without holes in your body. A lot of toons created in the 30's and 40's are the same way because a specific brand of ink was used to create them that was discontinued after it was found out it couldn't meld with other ink, or pure Animink.
[RODNEY] If the Warner siblings sustain damage to their ink they can't just ask for a donation from other toons, it has to come from their original source. This is particularly sucky because the Warner siblings were created before the Ink Preservation Act (IPA) that became law in the 60's requiring studios to keep large ink vats of toons original ink in case of emergencies.
[RODNEY] The Warner siblings have a small reserve...somewhere. Part of the IPA is that ink vat location is kept secret so I can't disclose that. I don't want to go to jail. Not again.
[RODNEY] Toons with OIVI are in way less dramatic situations - they can use: other OIVI toon's ink, pure Animink, and in rare cases even regular ink to repair themselves.
[RODNEY] Ahem. Let's see...what else. Ah yes - most toons do not have parents. Well, at least a parent that is another toon. These are called ENTERTAINMENT BOUND TOONS (EBT), made by studios and used to preform in your Sunday morning cartoons.
[RODNEY] However, there has been a serge of non-EBT being created during the past decade. These are toons that typically have a parent/guardian that is another toon. They are still drawn by ink but they are created to be free as a child with rarely any copyright attached - really living the life. These little guys are called OFF-SPRUNG TOONS (OST), and they are usually drawn with some of their parent(s) ink mixed with their own.
[RODNEY] Speaking of which - toons don't have to have a partner to create a child. You know, since all toons are created via drawing. Most with partners combine characteristics of themselves to create what is essentially a fan-child.
[RODNEY] Finally the light at the end of the tunnel. Take me.
[RODNEY] That's all folks!
This was just some silly lore that I wanted to write out -- I think about this universe all the time and I was so curious about how toons could be created that my mind wandered and here we are!
I really hope you enjoyed <3 heres Yakko and Oliver - I feel that Yakko would be very happy to answer all questions that Oliver has. He gets to teach again and Oliver is amazed by everything!!
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nordholm · 5 months
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Achieving Financial Success with the Best Accounting Firm in Dubai
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trial of Titus Annius Milo
date: 56 BCE charge: iudicium populi [trial before the people] (misconduct as tr. pl. 57) defendant: T. Annius Milo pr. 55 advocate?: M. Claudius Marcellus aed. cur.? 56, cos. 51 prosecutor: P. Clodius Pulcher aed. cur. witness: P. Vatinius cos. 47 character witness: Cn. Pompeius Magnus cos. 70, 55, 52
Cic. Sest. 95; Vat. 40-41; Fam. 1.5b.1; Q. fr. 2.3.1-2; 2.6.4; Dio 39.18-19; Schol. Bob. 122St
Hearings were held on Feb. 2, Feb. 7, Feb. 17, and May 7.
Gruen, LGRR 298 n. 139 argues that there were three informal contiones and then a trial before a quaestio de vi. However, Cicero’s language (Q. fr. 2.3) strongly suggests that this was a iudicium populi held according to the procedure described in Cic. Dom. 45. See Lintott (1976) 242.
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gokhaledr · 1 year
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Video-assisted thoracoscopic surgery is a recently developed type of surgery that enables doctors to view the inside of the chest cavity — learn more about innovative uses of VATS procedure at Dr Gokhale official website.
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yowyowyaoi · 2 years
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Scenes or Comic Panels I Would Draw If I Could Draw BC Some Of My Chatpost Ideas I See Better As Pictures Not Words.
*(very large) Couch in the Akatsuki living room, Hidan and Kakuzu making out on left side, Kisame and Itachi snuggling under a blanket on the right, Konan sitting by herself in the middle, remote in hand, bowl of popcorn on lap, annoyed look on her face. Everyone in pajamas. In background Sasori and Deidara, Deidara sitting on counter, legs wrapped around Sasori who’s in front of him, also making out.
*Sasori is a Siren. beautiful mermaid leads sailors to crash into the rocks from listening to his song. Deidara a sailor, in boat by himself, is able to sail calmly right up to Sasori’s rock, Sasori wondering wtf is going on until Deidara starts signing (ASL) to him asking directions.
*Kakashi back after long mission, left Gai to watch dogs, Kakashi walks into apartment, is chaotic mess, dog food everywhere, fur on everything, pages of Icha Icha bitten out of books and shredded all over floor. Gai sound asleep on the couch.
*Orochimaru lair. Kabuto trying to teach Sasuke to play chess. Keeps insisting Sasuke is cheating. “Well let’s get Lord Orochimaru to settle this!” Orochimaru nopes-out of room.
*Itachi tells Kisame he can’t sleep, Kisame makes him tea. Deidara tells Sasori he can’t sleep, Sasori holds out tequila bottle to him.
*This would be graphic and/or censored but … Sasori’s detachable appendage coming loose and getting stuck in Deidara’s “special area” and them having to wake up Kakuzu in the middle of the night to remove it. Hidan was in bed with him and he’s laughing so hard during Deidara’s procedure that he wakes up everyone else so now everyone knows about Sasori and Deidara
*Deidara and Kakashi having a literal tug of war over Obito, Rin and Minato in heaven shaking their heads and Itachi and Kisame in heaven holding back a frothing at the mouth Sasori.
*Deidara wearing a kimono kneeling in front of Madara gritting his teeth sweating bullets asking for permission to marry Obito. Itachi in kitchen making eggs for Sasuke and trying to calm down a nervous Obito. 
*Kakashi checking on each of his sleeping students while babysitting. Goes into Sasuke’s room he’s stabbing his pillow with a kunai mumbling about Itachi. Goes into Naruto’s room he’s eaten half of his pillow mumbling about ramen. Thinks he’ll go into Sakuras room and she’ll be normal but she’s levitating several feet above her bed with her eyes glowing green. Kids wake up the next day find Kakashi hiding in a pillow fort, clutching a kunai, shaking, clearly hasn’t slept.
*Deidara and Hidan in prison, tough as nails prisoners. assigned to laundry duty. Hidan “accidentally” puts a red sock into a big vat of all-white uniforms. next day everyone is running around in a pink uniform. prisoners decidedly more calm. some embroidering flowers on their collar. warden comes in and there’s a line to Deidara waiting to get their nails painted.
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goblinmixtape · 1 year
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The Stygian Library is a procedural dungeon for the extra-dimensional space between libraries, where all knowledge can be found.
The Library is filled with all kinds of cool rooms, including the Dissection Theater, Ink Vats, and Paper Beehive.
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Inhuman librarians roam the halls, belonging to one of 5 different orders depicted by the color of their robe.
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There are also a couple character classes: the Mummified Sage and the Neurovore.
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It's designed for all Old School RPGs (including D&D) and is suitable for characters at any level.
Here's my video about the book.
Here's where you can find the book!
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roguedruid · 2 years
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R.E.P.O. Necromancy Division Blues
@rayshippouuchiha Congratuations, you won my insomnia’s hyper fixation for the night. There was one big benefit to working at the REPO organization, Assistant Necromancer R.D. mused, standing at the side of the big vat of ‘mysterious red fluid’ (Probably the Hemo-divisions spare blood they stole from medical storage. Or janitorial returning lost fluids again. One of them. Until he had a Blood Mage step in and check, he wasn’t planning to touch it.)
R.D. took a deep swig from the oversized coffee mug in his hand- shaped from the bones of one of his earliest failed experiments, the sealed skull of a fire demon kept the chai latte perfectly warmed, without being scalding.  Where was he? Right, big benefit of working at REPO. The dress code, and the loose definition thereof. As long as it was mildly modest, wasn’t an active safety hazard, and didn’t flash unmentional bits at random people who didn’t want it, meant that being called in, literally from his bed, meant he only had to grab his non slip work shoes and a lab coat before getting summoned in. He glanced down at his vibrant fuzzy pajama bottoms: covered with the gaudiest blue, green, and teal shark print, and the loose black and gray lab coat and black band shirt that completed his ‘3AM’ appearance and then looked back up and took another swig of chai. “Boss!” looking over, R.D. tracked his personal assistant: Benny B. Ones, the gleaming white bone and carved enamel designs flickering as the skeleton tumbled and jogged around the room, ducking around a cart of bone fragments that an apprentice osteo member was transporting. “Benny. Why am I here before noon.” The skeleton reached into his ribcage and flicked through a binder that was stapled to the left side of his spine. “We’ve got several memo’s from upper management, specifying both intern policy, recruitment drives, and the plans for the Inevitable Lich Conversion Drive.” “The ILCD is still on standby. Fatality rates are low enough that we don't need it yet.” R.D. flipped through the memo’s with only mild concern. “And if we don’t get enough Interns, those rates aren’t gonna stay steady. Medical keeps taking anyone with general healing abilities and the flesh crafters, considering they run the HRT and Body Customization wing, which is making the reconstructive procedures for the actual dead people a nightmare. Trying to get three Necro-specialists to work on the same problem at any point in time is a bitch.” Benny nodded, and rummaged through the various pouches and files in his chest, before pulling out what was very clearly an incident report: considering the edges of the paper were laminated with bright yellow and black hazard print. “And there’s also this!” Taking the report, R.D. gave it a long look, skimming over the basics until he hit the actual ‘Incident’ description… before pausing. “Why the hell do we have the reconstructed remains of six T-rexes in the first place? And who let the Bone Crew at them?” Sighing, R.D. folded the paper up and started marching through the hallway towards the Graveyard warehouses, gaudy Pj’s leading the charge while his labcoat gave a melodramatic ‘swoosh’ behind him. “I swear, it’s always something here.”
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