Really quick doodles of a few scenes from the stream yesterday. Including combat flirting taunting, gale’s magnificently distracting shoes and.. whatever you wanna call gale agreeing to give 15 gold to astarion 😐😑😐😑😐 (that’s me blinking)
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thinking about clara bow and how her art defined that era but then married her husband who denied their marriage and then she never acted again and ariel who lost her voice after chasing the man she loved and how masie peters says in her song wendy "if i'm not careful, i'll wake up and we'll be married and i'll still flinch at the sound of the door" and "you could take me to neverland baby, we could live off of magic and maybes, but i know the girl that you want and it scares me, behind every lost boy, there's always a wendy" and "lose the world that you live in, pretend that it's what you wanted, it's a life i could have, i know" and "what about my wings? what about wendy?"
and i'm just feeling like the theme of the tortured poets department is going to be: what about my art? what about my voice? what about my wings, what about wendy?
What if Etho was a unicorn, and Bdubs was like one of those maidens that unicorns always appear for, and they lived in a faery wood together and had adventures but also there was constant drama.
Just a silly AU idea we've been daydreaming about <3
I think one of my favorite parts of nami’s character is like. she may not be as much of a powerhouse fighter as her crewmates, but she has a kind of fierce protective streak that rivals even luffy’s. there’s something to be said for the way she sees herself as specifically luffy’s protector, too. she looks at luffy and understands that he is trusting her to help him navigate which social rules he can keep ignoring and which ones he needs to obey and when; to know which way they need to go and what they need to do to keep the ship and crew safe. I’ve called her his replacement for pragmatism before, but it’s more than that! nami gets upset with him after Jaya and when she realizes he’s gonna make them wait 2 years bc in those moments he has made it impossible for her to protect him and she HATES that. I think it’s why she and zoro understand each other so well sometimes, especially when it comes to luffy; they’ve both built their sense of self and purpose on protection and a refusal to ever just accept a loss as inevitable, as differently as it presents in each of them.
after 3 centuries i finally managed to properly redesign my dumbass sona, i was gonna initially just change their hair for a more androgynous look but then i. changed their lore a bit too
basically they volunteer for various jobs like delivering mail and milk, nursing and gardening (even though that's also their hobby)
no one knows their gender or their real name but they go by various plant/nature related names (like willow or sunflower)
He’s so much bigger than you, everything about him is so big. His large and powerful hands that hold you close against his hot body as he has you seated on his lap taking his cock. He’s intimidating as he looms above you from your position. With his glowing eyes gazing down at you and the way his tattoos flicker, you can’t help but feel small with how he has you closed in with his muscular arms. He holds so much power over you and yet you know he would never use that power to hurt you, only to protect you and it makes you clench down on his cock that’s deep within you, a low sound pushing from his parted lips as you do.
You can see the way Liu Kang gazes down at you curiously, like he knows you’re thinking about something, about him. Nothing escapes the fire god and he’s asking you what’s on your mind, voice gentle as his calloused fingers dig into the meat of your thighs to fuck you a bit harder on his cock. Your eyes flutter and roll in your head as his thick length pummels into your cervix, eyes becoming glassy as you gaze up at your lover. You tell him that you’re thinking of him, thinking of how much bigger he is than you.
You tell him of how you like the way his fat cock splits your cunt in half, practically tearing you in two. You tell him how you like the way his hands dwarf your own and guide them to cup your bouncing breasts, keeping your hands over his as you take control. You rock up and down on his twitching length, using your legs to continue the momentum. Liu Kang has a smug expression on his face as you reveal to him your thoughts and the bit of control you have doesn’t last long. He’s changing your positions and pressing you to your back, spreading your legs and folding them so that you’re in a mating press.
The fire god is unhinged as he fucks you with slow but firm thrusts, your cunt spasming erratically to accommodate his big dick. it seems your words have awakened something in him. Before, he fucked you slow and gentle, taking all the time in the world as he did. But now, even though his thrusting remains slow, he grinds his pelvis into your clit every time he bottoms out and it has you seeing stars, quickly hurtling toward your release. His cock bully’s its way into your squelching pussy and you squirt all over him at the sight of how his imposing form looms over you, breath catching in your throat.
Liu Kang continues to fuck you through your orgasm, whines spilling freely from your lips as overstimulation begins to set in. It’s too much, his cock is too big as he essentially fucks you stupid while chasing his own high. He shushes you gently and coos to you that he’s almost there. You feel his rough thumb start to circle your clit and you’re falling off the edge again with a loud cry of his name, faintly feeling his hot cum fill you to the brim with his release.
NOTE:
I’ve had writers block for a whole month and I think I’m finally breaking free of it, idk🤷🏽♀️
This got way longer than I wanted it to be, but I just let it flow since my brain wanted to finally decide to work. So I can’t complain about the length ig😭
The motorcycle scene: Touga is obviously imitating Akio and failing miserably. Represents an attempt at achieving maturity and adulthood through adopting empty symbols of power. Gives the impression of movement and progress, but in reality is going in circles. It gets faster and faster, there's a sense of danger and agitation. Touga is driving and Saionji sits in the sidecar, they're not on the same level and Saionji disapproves. Seems like they're heading towards some destination, but they're going nowhere.
The bike scene: A reference to their shared memories. Represents clinging to the past and trying to return to the time of childhood. The wheels may be turning, but the bike stands in place. It get slower and slower as Touga gets more tired until he finally stops completely. There's a sense of nostalgia and emotional fatigue. Touga is the only one pedaling, but Saionji doesn't comment on it (meaning that perhaps Touga being in control wasn't the problem in the first place. Maybe it was always about wanting to restore their lost connection and equal footing). They're facing opposite directions, but at the same time leaning on each other.