#Toolkit Case

[rohirric-hunter]

Appreciation post for LotRO NOT being a pay to win game. The only thing you have to pay for is access to certain content, after which point everyone is on even footing. And that's great!

#lotro #with the slight exception of the toolkit that gave you bonus landscape tokens that was released with gundabad #as this almost doubled the rate at which you could earn embers of enchantment from gundabad repeatables #not a full mark against them because you were still cut off by the hard quest limit #it just took less time to get there #but yeah anyway this post brought to you by someone swearing up a storm in the say channel at the forester event just now because #get this #someone was using a store toolkit #which in case anyone was unaware are no better than the best crafted toolkits and come as freebies with basically any paid content #and half of mine came for free from hobbit gifts anyway #'pay2win' my ass go touch grass sir #also your equipped toolkit doesnt affect gathering times for that event #the foresters axe that you pick up at the beginning of the event acts as your 'tool' for the duration #and theyre all the same

[blizzard-nightlamps]

bad silly gun idea for the game: the gun shoots you (i.e. teleports you to the first raycast intersection). it is also full-auto rapid-fire.

this will be very jank and unbalancia

okay first of all balance is like the LAST thing on my mind right now so this is definitely Not a bad idea - ive been considering something along these lines for an upgrade already. i think it could potentially be even more fun if it did something interesting with momentum, maybe alongside the teleport. it might just be me but i believe momentum-based movement mechanics tend to be more satisfying to use than purely position-altering mechanics

thank you very much for the feedback though i really really appreciate it!! ive put a good chunk of time into this project and im glad someone digs what im doing :)))

#i want to make upgrades that synergize really well together so maximizing the potential use cases of a mechanic is important to me #something like rocket jumping for instance is incredibly versatile and analog compared to like #a big jump powerup. game makers toolkit on yt has a good video on making movement interesting if you're interested #related: i think physics engines in games tend to be fun because of the HUGE amount of emergent mechanics that result from them (e.g. totk) #ask #game development

[dravidious]

yro’ue awesome

Yesterday I was thinking about playing as a Glavenus with tail sharpening and bursa activating and I'd seen this video a while back and thought it was a neat fit. So here's a game in that style (you get like 30 hp or something idk i just made this this morning)

GLAVENUS

ABILITIES

Sharpness: 0/7

Your tail starts out sharp. When your sharpness becomes 7, your tail becomes hot for the next 4 rounds; your Tail attacks deal double damage, and you take 1 more damage from Precision attacks. At the end of the 4th round after your tail became hot, it becomes dull; your Tail attacks deal 1 less damage. Use Sharpen to reset your tail.

CARDS

Double Snap Attack, Melee, Precision

Deal 1 damage twice.

If Bursa Ignition is in play, this gains "Linger: Deal 2 damage on the next 2 rounds."

Lava Spit Attack, Ranged

Deal 2 damage. If Bursa Ignition is in play, deal 4 instead.

Linger: Deal 2 damage next round.

Bursa Ignition Buff

Lingers for 4 rounds. When you take damage from a Precision attack, reduce the duration by 1 round.

Tail Slam Attack, Melee, Tail

Deal 3 damage.

Gain 2 sharpness.

Tail Roundslash Attack, Melee, Tail

Slow (This takes 2 rounds to play, and can't be staggered next round.)

2nd Round:

Deal 6 damage.

Gain 6 sharpness.

Sharpen Status, Recover

Recover a Tail card.

If your tail is dull, it becomes sharp and your sharpness becomes 0. Otherwise, gain 3 sharpness.

Roar Status, Roar

Stagger (Negate your opponent's played card.)

Gain 2 sharpness.

Sleep Status, Recover

Vulnerable 2 (If you would take damage this round, increase it by 2.)

Recover this and up to 4 other cards.

MIZUTSUNE

ABILITIES

Bubbleblight: Cards with Bubble linger for one round. If play another card with Bubble next round, you'll stagger your opponent's attack.

CARDS

Double Snap Attack, Melee, Precision

Deal 2 damage twice.

Tail Slam Attack, Melee

Deal 4 damage.

Water Beam Attack, Ranged, Precision

Slow (This takes 2 rounds to play, and can't be staggered next round.)

1st Round: Deal 4 damage.

2nd Round: Deal 4 damage.

Bubble Spit Attack, Ranged

Bubble

Defend 1 (If you would take damage this round, decrease it by 1.)

Deal 2 damage.

Tail Sweep Attack, Melee

Bubble

Deal 3 damage.

Big Bubble Status

Bubble

Linger: Opponent has Weak 2 and Vulnerable 2 next round (If they would deal damage, decrease it by 2. If they would take damage, increase it by 2.)

Tail Flip Attack, Melee

If your opponent played a status, stagger it.

Deal 2 damage.

Sleep Status, Recover

Vulnerable 2 (If you would take damage this round, increase it by 2.)

Recover this and up to 4 other cards.

#asks #added subtypes like “melee” to the cards just in case i make mechanics for that later #could be useful for a flying mechanic #all monster hunter for now 'cause i think it works neatly as a clash of titans sorta thing #a good fit for playing as big monsters #mtg treats monsters as soldiers and tbh monster hunter monsters need more spotlight than that #i should confess i don't actually know anything about pocket paragons besides that video #i just liked the concept #no counter mechanic though #and while the sleep card can be staggered there's an emergency rule where if you start your turn with 0 cards you get one back #but then your opponent knows what you're gonna play so that's not a good situation #making this makes me want to try out pocket paragons #this is pretty far from my card game comfort zone so i'm thirsty for effect ideas #but honestly it's less about making an actual game to be played and more about the creation #i just wanted to make mechanics for playing as glavenus #and hey it looks fun for making other characters' toolkits too

[ibtisams]

the ICC is taking claims from people who have lost family due to the genocide in Gaza

Justice For All

idk if you've seen this already, but I wanted to pass it on just in case

[post talking about it on Instagram]

Thank you, I had not seen this!! It looks like you can submit a claim if you know a victim from as far back as 2014

#I am going to do a little more research before submitting my claim #if people know that this isn’t actually trustworthy please let me know 😭 but it seems legit #palestine #resources

[gael-garcia]

PALESTINE FILM INDEX

Palestine Film Index is a growing list of films from and about Palestine and the Palestinian struggle for liberation, made by Palestinians and those in solidarity with them. The index starts with films from the revolutionary period (68 - 82) made by the militant filmmakers of the Palestine Film Unit and their allies, and extends through a multitude of voices to the present day. It is by no means a complete or exhaustive representation of the vast universe that is Palestinian cinema, but is only a small fragmentary list that we hope nontheless can be used as an instrument of study & solidarity. As tools of knowledge against zionist propaganda and towards Palestinian liberation.

The century long war against Palestinians by the zionist project is one waged not only militarily but also culturally. The act of filmmaking, preservation, and distribution becomes an act against this attempted cultural erasure of ethnic cleansing. The power inherent in this form as a weapon against the genocidal project of zionism is evidenced in the ways it has been historically & currently targeted by the occupation forces: from the looting & stealing of the Palestine Cinema Institute archives during the siege of Beirut in 1982, through the long history of targeted assassinations of Palestinian filmmakers, journalists, artists, & writers (from PFU founder Hani Jawharieh, to Ghassan Kanafani, Shireen Abu Akleh, Refaat Alareer, and the over 100 journalists killed in the currently ongoing war on Gaza).

It is in this spirit of the use of film and culture as a way of focusing & transmitting information & knowledge that we hope this list can be used as one in an assortment of educational tools against hasbara (a coordinated and intricate system of zionist propaganda, media manipulation, & social engineering, etc) and all forms of propaganda that is weaponized against the Palestinian people. Zionist media & its collaborators remain one of the most effective fronts of the war, used to manufacture consent through deeply ingrained psychological manipulation of the general public agency. Critical and autonomous thought must be used as a tool of dismantling these frameworks. In this realm, film can play a vital roll in your toolkit/arsenal. Film must be understood as one front of the greater resistance. We hope in some small way we can help to distribute these manifestations of Palestinian life and the struggle towards liberation.

This list began as small aggregation to share among friends and comrades in 2021 and has since expanded to the current and growing form (it is added to almost every day). We have links for through which each film can be viewed along with descriptions, details such as run time, year, language, etc. We also have a supplemental list of related materials (texts, audio, supplemental video) that is small but growing. We have added information on contacts for distributors and filmmakers of each film in order to help people or groups who are interested in using this list to organize public screenings of these films. The makers of this list do not control the rights to these films and we strongly urge those interested in screening the works to get in touch with the filmmaker or distributors before doing so. This list was made with best intentions in mind, and in most cases with permission of filmmaker or through a publically available link, but if any film has mistakenly been added without the permission of a filmmaker involved and you would like us to remove it, or conversely if you are a filmmaker not included who would like your film to be added, or for any other thoughts, suggestions, additions, subtractions, complaints or concerns, please contact us at [email protected]. No one involved in this list is doing it as a part of any organization, foundation or non-profit and we are not being paid to do this, it is merely a labor of love and solidarity. From the river to the sea, Palestine

#this is incredible #palestinian cinema #palestine film index #link on title!! #world cinema #film #dailyworldcinema #albertserra

[gugu-plum]

yay blue oni palefire affection lv 7!

i just showered all of my gifts to this boyo so i can unlock his memory fragment ch7 story..... only to find out that............. he doesn't have it. no ch 7 and 8. im in shambles

#tag:pgr #I SAW LUNA WITH 8 CHAPTERS #so im like 'new affection stories are out?????????' #my entropy affection lv 6 stash........... all gone................................ #i have 50+ toolkits before this #i also sacrificed my s karen stash....... #i need to check my jp account to see if lv 7+ affection stories will be added retroactively but pls let it be the case :''(

[foxcantswim]

FNAF Movie / / Vanessa x F!Reader [Safety Latch]

(gif by me)

Vanessa teaches you how to repair Freddy. She's definitely feeling platonic things right now. Contents: Fluff, Angst(ish), First Kiss Warnings: N/A WC: 1,598

(Freddy repair process is based on Help Wanted 1 gameplay)

You nervously circled around Freddy. Even as he sat on the chair he still towered over you. You had only been working at Freddy Fazbear's Pizzeria for a few months now as the new overnight security guard, you were quite surprised when you got a call telling you to repair the animatronics despite no prior training.

You had thankfully met an officer called Vanessa on the first night on the job, she seemed to know quite a bit about the animatronics.

"Try not to worry too much," Vanessa said as she leaned over to fumble around in some drawers nearby.

"What if I break him?!" you exclaimed, worry in your voice.

Rolling her eyes with a smirk, she looked over at you, "You won't break him. I'm here to teach you the basics."

"I'm surprised you even know how to..."

She shrugged, "There's a lot you don't know about me, Y/N."

Vanessa brought out a small strange looking box and placed it on the desk near Freddy, "What's that?" you pointed towards the box.

"His music has been glitching out a lot lately. That is a music box. I think it's about time he got a replacement, god knows when he last had one," she stood up from her stool which was directly in front of Freddy, she then beckoned you over with her finger, "Sit."

Gulping harshly, you walked over and sat down. Freddy was currently deactivated, yet a slight twinge of fear ran through you. Your eyes landed on a blue bin to your right, there was a couple of different clothing items within it.

Vanessa noticed your curiosity, "That's just in case he has anything inside him that doesn't belong. We always make sure he's thoroughly cleaned out."

You let out a shaky breath with a nod, "Okay... Okay." Vanessa switched on some extra lights to give you more lighting, hoping to help you out a little bit more. Her hand soon landed on your shoulder in comfort. Both of your eyes soon landed on the huge animatronic in front of you.

"Right. Lets get this over and done with." She removed her hand from your shoulder, sadly, and she grabbed a toolkit from a shelf, "Hopefully he doesn't have any irreparable damage," she really did hope it was just the music box that needed switching out.

"Where do we start?" you said, your eyes not daring to leave Freddy.

The blonde put the toolkit onto the desk before moving back to your side, "Okay. First things first we need to get into his chest cavity. I'll walk you through it." She pointed up towards Freddy's chest, "First you need to grab his bowtie and pull it out towards you."

"Wh-What? What if I break it, I-"

"Y/N..." she sighed, "You won't break it. It was designed to do this. You're not scared of this little teddy bear, are you?" she teased as her hand landed on your upper back, pushing you forwards ever so slightly, you shivered under her touch.

A pout had landed on your face at Vanessa's words before you decided to finally raise a shaky hand up towards the bowtie, attempting to face your fears. You had been saying that you were merely afraid of breaking the animatronic... But truthfully you were worried about what this thing was capable of, after all it seemed to be sentient from what you had seen in the past few months.

Finally your hand grasped the bowtie and pulled gently, you didn't expect the chest cavity to fly open so quickly causing you to flinch back.

"There... Good job. That's step one done," her hand moved to your shoulder and squeezed it, "Thankfully there doesn't seem to be anything that doesn't belong in here... Now here comes the fun part," she said through a sigh, sarcasm in her words.

Within the chest cavity you could see some sort of mechanism swinging from side to side, behind it there was a device that seemed to resemble a music box.

"Right, this thing here," she pointed towards the mechanism that was swinging, "Is the safety latch. It causes a shutdown if anything gets in the way. So don't touch it. And don't touch any of his wiring, you can get a nasty shock from it," she eyed the music box in the bottom right of his cavity, "All you need to do is take that out, and then push that red button right there on his endoskeleton to reset his safety latch. Easy?"

You nodded, "Y-Yeah... Sure."

All you had to do was grab the music box without touching the safety latch that was occasionally swinging in front of it. Simple.

"And then you have to reconnect the new music box. Then we are all done. There doesn't seem to be any other damage, so that's all we need to do."

Your already shaky hands seemed to shake even more as you slowly reached towards his chest cavity. You stopped yourself just short of the music box, narrowly avoiding the safety latch.

"Hey... Take it easy. No rush," Vanessa reassured.

A few moments passed and yet your slowly retracted your hand, unsure of what to do. You definitely didn't expect for Vanessa's own hand to slowly lay on top of yours, "Here... I'll help you," her voice was soft, her face flushed a slight red.

You could feel your heart beating rapidly as Vanessa's cool skin smoothed over your warm hand.

"And... Here we go," she slowly guided your hand towards the music box, the safety latch still slowly swinging left and right. Her head was next to yours, her breath tickling the side of your ear. You could feel her chest resting against your back as she leaned over your shoulder, "Just one quick grab, okay?" you flexed your fingers as Vanessa moved your hand closer.

It was over before you knew it, Vanessa had successfully guided your hand to the box and helped you remove it with no complications. You were surprised at how easy the box seemed to detach.

"See. You did it," her voice was quiet as she still kept her head next to yours, "Nice job, Y/N," she removed her hand from yours finally, you had to stop yourself from reaching back out for it, "Lemme get that for you." She expertly pressed the red button whilst dodging the safety latch, the latch then slowly came to a stop.

You placed the damaged music box onto the desk before grabbing a new one. Vanessa stepped aside so you could put the new music box inside the chest cavity. At least the safety latch no longer moved, this was a piece of cake.

"You'll be a natural in no time," Vanessa smirked at you as you finished connecting the music box, "I'm proud of you for not fucking it up at least."

You couldn't help but smile.

Vanessa proceeded to close Freddy's chest cavity and put the bowtie back in place.

You didn't really know what came over you, but you decided to stand up from the stool and walk over towards Vanessa, "I definitely couldn't of done it without you." She turned around to meet your gaze. You could already feel the blush spreading across your cheek as you reached up to kiss her on the cheek, "Thanks, Van."

A shy laugh escaped Vanessa, "No worries, Y/N."

The pair of you still stood face to face, neither daring to move away. You barely caught Vanessa's gaze flickering down to your lips, you felt as if your heart was about to beat out of your chest.

Vanessa took you not moving away as a sign, and she slowly leaned in. Her lips brushed against yours, almost feather light. Your eyes closed shut at the contact. She couldn't stop herself from smiling into the kiss as she decided to deepen it ever so slightly. You were shocked at the sudden kiss, you never even thought about Vanessa having feelings towards you.

You stepped forwards to get closer to her, but Vanessa abruptly pulled away as her back banged into Freddy.

She let out a laugh, "Sorry, Freddy," she pat Freddy's knee. She looked back at you, a soft look in her eyes. You were about to speak but were cut off by Vanessa pecking your lips once again, "We'll have plenty of time to talk about this later, Y/N," she smiled.

"Y-Yeah..." you gulped.

Vanessa's hand cupped your jaw and her thumb rubbed your cheek. You were just about to lean into her touch but she suddenly pulled away. She nodded her head towards the door, "Come on, Y/N. It's about time we go and check up on the others. They're not going to repair themselves." Her hand interlocked with yours to your surprise.

Your breath hitched as you were dragged out the room, she shot a wink your way.

A part of you didn't want to do this anymore, another sense of dread washing over you. But an even bigger part of you would do anything to be that close to Vanessa again. You'd do anything to get her to guide your hand again. In any way she wanted.

Vanessa opened the door.

You simply smiled once you saw Bonnie.

Vanessa x F!Reader - Jealousy (Fluff,Angst,Established Relationship)

Vanessa x F!Reader - Total Insecurity (Angst,Hurt/Comfort)

#fnaf movie #fnaf #vanessa shelly x reader #fnaf vanessa x reader #vanessa fnaf #fnaf movie fanfic #vanny x reader #vanessa shelly #vanessa monroe #fnaf x reader #fnaf gif #security breach

[stoutstoatpress]

VAST Guides are here!

By using VAST, you can learn how to add accessibility tags for screen readers to your PDFs, by using Adobe InDesign and Adobe Acrobat.

I'm super excited to release a brand new publishing community resource: VAST (or Visual Accessibility Skills Toolkit).

>> WWW.VAST.GUIDE <<

VAST is a collection of short articles aiming to spread awareness about what visual impairments are, and how folks in the small press industry can accommodate them.

The guides are split into four sections:

Visual Impairment 101 explores what visual impairments are, how visually impaired people navigate digital content, and introduces some current language and definitions (circa 2023).

Screen reading PDFs explores the basics of how screen readers navigate through digital content. Includes video examples!

Using InDesign introduces different tools that designers can use to make their documents more accessible.

Putting Into Practice presents case studies of common structures in roleplaying games, and how they could be given accessibility tags using tools covered in section 3. (Coming soon!)

VAST was developed by Brian Tyrrell (me!), and disability advocate and accessibility consultant Yubi Coates. Visually impaired consultants and InDesign experts were brought in to corroborate the guides.

All of the information in the guides is up to date, and we’re committed to reviewing and updating the guides in 2024 and 2025.

This project was completed using a small pot of funding provided by Creative Scotland’s Create: Inclusion program in 2022.

#ttrpg design #indie ttrpg #tabletop rpg #publishing #visual accessibility #screen reader #visually impaired #blindness #accessibility #pdf #indesign #acrobat #adobe #free resources #I always get anxious when releasing stuff #brb going to sit in a corner now #hope you like it!

[psychic-waffles]

With the announcement that the UK Government plan to start detaining people for the Rwanda flights today, here are some resources if you are at risk of detention.

IF YOU OR SOMEONE YOU KNOW HAS BEEN DETAINED OR YOU BELIEVE THEY WILL BE DETAINED SHORTLY:

If you are being made to report Right to Remain have an action plan toolkit for BEFORE you report

If you have received a letter from the Home Office dated after March 1st that mentions Rwanda or Notice of Intent, send a photo of the letter and your full name to Care4Calais via Whatsapp at [phone]

If you are detained you can call any of the following for legal advice:

Detention Action 0800 587 2096

Care4Calais 0800 009 6268

Soas Detainee Support 0743 840 7570

BID (Bail for Immigration Detainees) 020 7456 9750 (mon-thurs 10-12)

JCWI (Joint Council for the Welfare of Immigrants) 0800 160 1004 (mon, tues, thurs 10-1)

If you do not have legal representation:

Duncan Lewis are taking on cases for anyone detained for the purposes of removal to Rwanda, contact [email protected] or call 0333 772 0409

Wilson are also taking on cases, contact [email protected] or call 0208 808 7535

IF YOU ARE DETAINED DO NOT SIGN ANYTHING WITHOUT LEGAL ADVICE, AND IF THEY OFFER YOU TO GO TO RWANDA 'VOLUNTARILY' OR FOR MONEY SAY NO.

#rwanda #rwanda scheme #uk #uk politics #immigration #migrants rights #detention #immegration detention #resources #please share #ukpol #current events #deportation

[themeasureofasim]

Okay, they're here! WSOs for better-looking fat male sims, based on ambodypoloshirtoverhang (as sugested by @episims). These are meant to cause minimal texture stretching and can be used for full body outfits (ambody_Morphs_Clothed) and long, untucked tops (which is most tops) (amtop_Morphs_Clothed). I wouldn't use these for bottoms or tucked tops though, since the waist placement differs from standard Maxis fat waist (which is the source of texture stretching). Preg morph is included as well, and based on ambodymaternitycomfy. In my testing, morphs still needed some manual edit to look really smooth™, but I think these still look decent enough to share.

Download SFS | Dropbox THESE ARE RESOURCES FOR CREATORS!

As a general rule for WSOs: the more similar your base and reference meshes are, the better results will be. In this case, the reference mesh is 2K polys. Results will be better if you use a high "number of interpolation points" (the highest value posible is 10 in the version of the Mesh Toolkit I have).

I made a bunch of morph edits while testing these, which you can have if you want. Most of them are pictured below.

Blond sim is preg, black-haired sim is fat.

MDP 4t2 Denim Shirt. MDP 4t2 Shirt Collared. MDP 4t2 Button Down Open. MDP 4t2 Half Tucked Shirt. WBP 4t2 Pullover Loose. WBP 4t2 Sweater Jacket (this one is for Will :P).

Download SFS | Dropbox These are just the meshes; you need to download the recolours from the links above.

I swear I will update my default replacements at some point 👉👈

Please let me know if there's anything wrong with these, I've never made a WSO before (it was suspiciously easy), and I'm very far from being an expert mesher. Anyway. Enjoy! Credit and thanks go to Maxis, Epi and Lifa.

#HOW DO I TAG THIS? #uh #sims 2 #sims 2 download #sims 2 resources #btw can anyone recommend another alternative to SFS #because i like to have alt links but i fucking hate dropbox now

[formulatrash]

I was working on gaining experience in motorsport but now I don't want to anymore due to the news. I have been torn up about this since it was announced. Am I even safe working in this industry? Is it only a matter of time?

I think there are two things to take from this: even in an organisation as closed-ranks as Red Bull, this was investigated. And although it's depressing to see many people either expressing disbelief or seeking to discredit the victim, there are a much larger number of people outraged. Not just that it happened but with the entire process, including the way it is being played as a political trophy within Red Bull as an organisation and the wider reaction of Formula 1 and the FIA.

In every industry, there are imbalances in power that lead to exploitation. Ableism, racism, sexism and homophobia go hand in hand with unfairnesses like nepotism and favouritism. Some industries, especially those that people really want to work in and where there are limited opportunities, have it worse - you see it in acting, in games, in music, in motorsport.

Nowhere is safe from the structural inequalities that frame the world. In any job you'll be in some level of danger. That's not intended as a blanket scare or as some way to minimise or dismiss the specific (and extremely unpleasant) case being brought this week.

I definitely have experienced sexism and outright attempts at exploitation/abuse in motorsport. A man who's still a popular pundit spent several years lying to me and even though I'm really not this naiive, somehow convincing me to exchange lewds. Another one who's in a senior editorial position routinely sends me obscene messages. Men from teams and championships and heritage programmes have tried to get me to fuck them and I'm not young or hot or particularly desirable - it's just that I was there and a woman and so it's almost seen as obligatory that they do it, so they can dismiss you as a slut.

I wrote a little about this when the Mazepin thing came out a few years ago. It resonated with a painful number of women across motorsport, I got hundreds of messages after it was posted.

But. This is being taken seriously. There is a clear level of discomfort within the wider paddock about Horner's presence - some of that is political, it is in the teams' interests for there to be disruption at Red Bull. But a lot is clearly pretty visceral horror and anger at both the reputational damage to the sport and what's happened.

Do not let the fact that there are gross people out there deter you from a dream. Do let yourself be angry about it and mould that anger into a toolkit to address it. Look out for the people around you, try to promote positive workplace cultures, call out unpleasant behaviours, especially in scenarios where you are relatively unaffected. (eg: if you're a straight woman and someone says something gross about a gay man, if you're a white person and someone says something racist, etc)

Motorsport needs good people to work in it to change. It needs you far more than you need it. Don't let it reverse or exploit that and you will have a level of power that constitutes safety because you won't let it damage you for the sake of getting something it isn't offering. (If someone is behaving exploitatively then they are not giving you anything, they are trying to see what they can take)

It's been a shit week. I feel awful for the woman who's been doxxed, robbed of compensation and had her career ruined. Who's being discussed and discredited by the paddock, by journalists, by the most toxic fans. In a just world, people would be protecting her but that would need the population of all those groups to change significantly.

So don't let it put you off. Let it make you keener to displace them.

#f1 asks #cn: christian horner

[howtofightwrite]

Taekwondo Groundfighting

how does taekwon-do cover grappling? Or at least traditional taekwon-do? -justhugsplz

From asking Michi, the short answer is that it pilfers a lot of it's ground fighting from Jujitsu. Which, ironically, means we share the same ground fighting fundamentals. Taekwondo works from the perspective that you're not going to be spending much time on the ground, so it's not a focus, and a result, probably never really developed its own groundfighting toolkit.

There is a element of, “if you can't make your own, store bought is fine,” to martial arts. If a martial arts master identifies a gap in their curriculum, in a lot of cases, they simply find someone else's solution to that situation, and incorporate it, or adapt it to fit their needs.

Neither of us know what historical groundfighting looked like in Taekwondo. It should probably be said, but Taekwondo is not really a, “traditional,” martial art. It has its origins in the 20th century, so the integration of Jujitsu may have always been with Taekwondo, to some degree. It's also possible that the original intention was to supplement Taekwondo with some other groundfighting martial art, like Ssierum.

Traditional Korean martial arts include Ssierum, Subak, and Taekkyon. I'm not especially knowledgeable about any of those. Of those, Taekwondo sometimes styles itself as a successor to Taekkyon, but more in the sense of, “loosely inspired by,” rather than a reconstruction.

Though, in recent years there have been some genuine attempts to revive Taekkyon. I'm not saying, “reconstruct,” because I think there's an unbroken line, it just that Taekkyon fell out of favor in the 19th century, and almost died out, not that it actually had died off.

Taekkyon does have its own set of joint locks and grappling techniques, but I'm not familiar with those, so I don't know if they're unique to Taekkyon, or, “the same thing everyone else does.” There is a legitimate element to the idea that basic physiology doesn't change, if an arm lock works one way, that doesn't mean you copied from someone else.

As far as I know, Hapkido was developed independently of Taekwondo, so they probably weren't intended to work in concert, but some Taekwondo schools do pull their grappling from Hapkido.

So the short answer is, Taekwondo tends to lift its groundfighting from other sources, whether that's Jujitsu, Hapkido, or another available martial art, and as a result, it's quite possible that the original expectation was that practitioners would supplement their groundfighting from another source. Especially given that groundfighting isn't a priority for Taekwondo.

-Starke

This blog is supported through Patreon. Patrons get access to new posts three days early, and direct access to us through Discord. If you’re already a Patron, thank you. If you’d like to support us, please consider becoming a Patron.

#writing reference #writing advice #writing tips #how to fight write #starke answers

[qweerhet]

To your latest post: https://www.tumblr.com/aronarchy/723133162841047040/

mmm... i can understand why twitter user butchanarchy's rhetoric sounds good to people who posit "survivor" as a coherent category that is in direct opposition to the ontological category of "abuser," and i can definitely understand why some people see "reclaiming power" as a positive (in that their frameworks see "power", as in "the ability to control others via negative consequences," as a thing that must continue to exist, and we should support existing), but i've had a long and storied history of disavowing butchanarchy's critiques in the general anarchist online sphere precisely for these reasons--that is not the lens i am coming from, and i disagree fundamentally with multiple of their premises.

i do not agree that the power to control other people via threat of violence is good, nor that it should be utilized in community contexts. social contexts that arise out of necessity during class struggle are, imho, inherently flawed and dysfunctional in the context of forming strong community on equal footing. treating community members as if they were militant arms of the state (provided they are not, in fact, literally acting as militant arms of the state i.e. police officers, prison guards) is fundamentally flawed as a mode of operation.

i also do not agree that victims of harm are necessarily experts on how to stop that harm from happening by virtue of being traumatized; again, i'm speaking as someone who decided almost a decade ago, due to my own trauma, that the best community response was to attempt to run the person who date raped me out of town, and now regret that because it caused more harm and did not stop future harm from occurring. positioning "survivor" as an ontological category of expert on harm reduction necessitates believing that victims of harm not only always and invariably have a robust emotional toolkit with which to operate and to make decisions for other people who are not themselves, but also never have any material reason to perpetuate further harm and abuse, and that's... simply not true. it gained me a significant amount of social clout to run an impoverished 18-year-old transfem out of every community space and isolate her with her abusive father--i operated for a handful of years on the social clout i gained from that! i got popular in the local communist scene because of that!

i don't think that any one person should direct any community response to interpersonal harm, tbh, and harm reduction/prevention requires a large support network of dozens of people working in parallel. it also requires robust social welfare networks that inherently predispose someone's ability to get their crew to run someone out of town or kill them; unconditional housing, food, utilities, medical care, and home aid (i.e. cooking and cleaning) cannot coexist with the ability for these things to be removed based on someone's individual desire, regardless of if that desire is morally justified or not (and i don't agree with frameworks that apply a universal system of morality to begin with, but that's a digression).

i think it's rather shortsighted and myopic to overlook basic principles of community care in order to justify furthering pre-existing systems of violence in non-state contexts, and i also think it's pretty myopic to not integrate the inherent power structures of targeted violence into your analysis + your harm reduction praxis... like. it's literally already the case that a white woman can point at a black guy she has literally never met before, say "that guy raped me," and get all her white friends to jump him at a bar. it is literally already the case that she can utilize her social networks to get him run out of town. it's not particularly revolutionary to be like, actually, we should make that more possible and do more of it.

#i also don't think this addressed much of my latest post to be honest lol #anonymous #ask

[renecdote]

a wound to close

For @homerforsure 💛 I hope you enjoy this sprawling post-6b Buck angst Allison!!

Summary:

“What happened?” Eddie repeats, and he does touch when he reaches out this time, taking Buck’s arm gently by the wrist and turning it to see the damage. “Did you fall?” The slightest catch in his voice over fall, there and gone so fast that Buck can’t reliably say it was there at all. “I took my bike out early, got taken out by some loose gravel. I’m fine, Eds, really. It wasn’t that bad.” Eddie just shakes his head, gently dropping Buck’s arm only to lift up his shirt like he knows what he’s going to find before he sees it: a mottled mess of dark bruises and angry red scrapes. For BTHB: road rash

There’s a first aid kit in the Jeep. Two of them, actually, one stocked to overkill strapped into the trunk and a mini one tucked into the glove compartment. There’s a mini fire extinguisher, too, and a toolkit, and rope, and two umbrellas, and a box of disposable gloves sitting snug with a box of protein bars. Just in case .

“In case of what?” Maddie asked him once, her eyebrows lifted in disbelief as she fished a flashlight out of the passenger door along with a spare pair of sunglasses (Eddie’s, Buck was pretty sure, although they’d been there so long it didn’t really matter who they once belonged to).

“I don’t know,” he shrugged, hands steady on the wheel when he really wanted to rub at the flush he could feel crawling up his neck. “Just in case.”

Maddie didn’t push it. When Buck glanced over at her at the next red light, he was expecting amusement, maybe a little sisterly judgement, and he didn’t know what to do with the sadness he saw there instead. He turned back to the road, kept his hands on the wheel, and let the radio carry the silence until Maddie changed the subject and they were back on solid ground.

Maybe it’s that conversation, or all the childhood years between them, or just the fact that she’s his sister, the person who taught him how to fix things, who always fixed him , but Buck’s first thought when the bike lurches on the trail and skids out from under him is Maddie.

Maddie is going to kill me .

Maddie is never going to let me live this down.

I wish Maddie was here .

And then he’s hitting the ground hard, skidding and rolling and rolling, and for a long moment, he can’t think at all.

His elbow takes the brunt of the fall, stealing his breath with the kind of white-hot pain that numbs everything for a moment, for a second that feels like a minute, and then his fingers start tingling before feeling returns everywhere else as well, a wave crashing over him. It hurts. It fucking hurts. Wounded animal instinct has Buck clutching at his arm before his brain is fully online and he can’t say whether it’s the flash of pain or the feeling of gravel pushed further into flesh that makes his stomach turn. Fuck.

[Read on AO3]

#Evan Buckley #Eddie Diaz #911 Fox #fic #badthingshappenbingo #this one is somehow 7.8k?? #idk how that happened but it is way too long for tumblr posting so #pls click the ao3 link if you would like to read <3 #only two more bingo fics to go now!!

[dduane]

...So I was noodling around with the above image as preliminary work for a piece of Middle Kingdoms concept art that's going to illustrate a chapter-heading rubric from The Door Into Sunset. And while working on it, I belatedly realized that to correctly set up that scene, I was first going to have to tear up the entire left-hand side of the image (and the space beyond it), because the new covered fish market I had in mind wasn't going to fit in the space.

So I rolled my eyes at myself (I should have seen this coming...), got busy tearing it up, and then built the fish market. It's very loosely based, as I think I mentioned somewhere here earlier, on the famous Vismarkt, the covered fishmarket in the center of Brugge in Belgium (a.k.a. Bruges). (Image via Carto.net.)

Back in medieval times, right through to the Renaissance and beyond, fish was originally sold in Bruges in the open, from wooden pallets. But other stallholders in the main market complained about the smell, and the fish-sellers themselves weren't happy with the venue: selling such perishable goods out in the broad (and often hot) daylight was suboptimal. A permanent, covered place for the fishmongers' stalls makes more sense. Yet at the same time, you want decent light on what you're selling or buying... just not direct sun.

Choosing the architecture for a market like this in Darthis city was also going to be an issue. The Vismarkt was installed in a new dedicated market square in 1821, with the architect opting for a Victorian-cum-Classical look: not something that would make sense in this alternate Earth—if I was seriously considering a straightforward copy, which I wasn't. However, the Darthene architectural aesthetic does contain both building styles very like our Romanesque style, and elements similarly reminiscent of Gothic. (Though in the Middle Kingdoms the AU-Romanesque wasn't abandoned when the kinda-Gothic came in, but coexists with it).

After I'd given the situation some thought, I found myself wanting something that drew on those two traditions... or would maybe kind of split the difference between them: a building open on all sides that would be relatively light and airy, recalling a tent or canopy. This kind of design's unquestionably made a lot easier in that universe by the availability of magic-workers able to pull stone out of the ground without excavation, and also able to fashion it into the desired shapes without the use of physical tools. So finally I settled on a broad, vaguely Gothic-styled cross or groined vault as the preferred shape for the roofs: then rummaged around to see what I could find in the local toolkit that would enable me to build it.

Semi-plan view:

Diagonal side view:

(Please note that all of these images are the result of the digital version of kitbashing, as I don’t currently have anything like the skills to create shapes like these in Blender.)

Better lighting in this case is fortunately a materials-technology issue, long since solved on our own Earth. The stone of the roof segments is what architects now would refer to as an "alabastrite marble", about an inch thick—light enough to need relatively little in the way of external supports, and thin enough to transmit light readily. This marble's name comes (probably obviously enough) from alabaster, which has been used on and off in European church windows since medieval times as an affordable alternative to glass, in times and places where that’s been expensive.

This approach has had occasional revivals in modern our-Earth architecture. However, since alabaster is only useful in relatively small pieces, and is vulnerable to heat and moisture, it's often replaced by thin-cut marble set in metal frameworks. One good example of this would be the Beinecke Rare Book and Manuscript Library at Yale. (image via Amusing Planet)

The thin-cut Vermont marble transmits light safely without endangering the documents. But sometimes genuine alabaster has been used, too: the Cathedral of Our Lady of the Angels in Los Angeles features tens of thousands of panes of it. (image via Expedia)

The equivalent use of marble in the royal Arlene library rr'Virendir, in Prydon city—replacing much ancient glass destroyed during the earthquakes accompanying the last battle of the Great War—is probably where the Darthene authorities got the idea for this implementation. And since the marble used in this construction would almost certainly have come from Arlen, light-colored marble being the country’s “vernacular" stone due to it being quarried all over the place there, it makes perfect sense for this marble to have been a gift of the Arlene Throne to the city of Darthis. And would also account for the presence of his grace the King over there by the market stall up against the wall, pretending to check out the produce while he also checks out the nearly-finished construction (and, idly, two of his spouses).

The Queen is after all very picky about making sure her contractors are getting things right. Yes, she jokes a lot about having lots of room in the dungeons if things go wrong... but sometimes, if you don't know her, it's hard to be sure she's joking.

Meanwhile, so far, it doesn't look too bad.

Things learned over the past couple of weeks, in between also doing other work:

Translucence is a bitch to master in Daz Studio

Certain aspects of Blender are conspiring with one another to make me scream

My rendering computer is displaying a tendency toward quirkiness in the memory department that would register as nearly endearing if I could figure out what was causing it

...But at least now that the set I need is pretty much done (except for some minor tightening, straightening, and tweaking of materials and color temperatures), I can turn my attention to the question of how to produce the rather specialized VFX required for the two shot I'm setting up. ...Yeah, all this work has been for a two shot. But that shot needs people in the background, and the right street furniture. And nature abhors an undressed set. ...See also: "the backs of the melons."

Next challenge: track down a source for heaps of digitized prawns. :)

#Middle Kingdoms #Darthis #fishmarket #Middle Kingdoms meta #Freelorn #Herewiss #Eftgan #and a cast of tens #also #Blender #argh

[donascozylivingroom]

HOW TO SHIFT PARALLEL REALITIES.

This is if u struggle to understand the concept.

I'm an old lady of 30 yo and I found out about shifting parallel realities when I was 22 so I've had quite some time to simmer on it and even some success with its application.

We are definitely in the era of shifting parallel realities, finally, now.

People talk about it much more, so I decided to make a logical written explanation of it.

For those of you that struggle with affirmations and mental diet, meditation is definitely important. it's a way of knowing urself and ur mind better.

The ability to silence ur mind at will or focus it on a "mantra" comes with a lot of mindfulness - observing ur mind and what it does w/o judgement.

To be smart and get to the age of 30, you start accumulating a lot of knowledge and kinda have a mental toolkit for a lot of things. So me posting this sh@# is from tried and tested things, not just my musings of the day.

ok so parallel realities.

i learned this from Bentinho Massaro in 2015, i don't really follow the guy anymore or would suggest u do it necessarily, i just wanna give him credit.

So he explained basically that when u get to tomorrow, u will be in the present moment, even though in ur mind it was the future. And yesterday you were in the present moment, too, although u call it past. One second ago and one second after are still in their own present moment. so there is no time, there is only the One present moment.

So basically because the Universe is infinite, all possibilities already exist.

In this reality, you can make choices, u could go to the grocery store today or stay home and play video games. You have free will. You could basically start those things you know would help you achieve your dreams, or not. It is a choice. Every second of the day you have choices. You could speak now or not speak.

But all these choices are parallel realities that already exist.

i believe the universe still creates by combining things/realities that were not combined before based on us, and our free will choices, so being infinite and mathematical it keeps on creating through us, free will agents of consciousness/gods.

Anyways, he explained parallel realities like this: imagine u are watching a movie on ur laptop/device. You could stop it at 1:06, print the picture, and then stop it again at 1:07, print that image too, and send one pic to China and one to Austria. Same way you could print pictures hours apart and place the screenshots one after another.

That's kinda how parallel realities work, u could "print" ur desired reality and bring it to ur next nanosecond.

Just moving ur hand up and down, u are going through thousands, possibly tens of thousands of parallel realities.

What brings your desire closer is focus on it, so affirming and visualizing for example are tools.

But just know, ur desire is one nanosecond close!

I personally first shifted when i affirmed that whatever I visualize becomes my reality in 3 seconds. And it was incredible, I shifted from my mom's studio apartment to a beautiful penthouse in NYC! But I shifted back really fast because I got scared.

I shifted a few times more, but this one was the most incredible!

Anyways be careful with this if you can't control ur mind to not visualize scary things or affirm bad things, but yea you could counteract that with a really good self concept that whatever negativity u affirm or visualize doesn t manifest.

Basically you shift all the time, getting ur desire in time is still shifting, shifting is always the case, we are always shifting through parallel realities. But be careful out there peeps!

#affirm and persist #affirmations #affirmdaily #affirmyourreality #law of assumption #loa #loassumption #persistence #robotic affirming #manifesting #parallel realities #shifting #shiftinconsciousness #shifting realities #visualization