Tumgik
#Theorycrafting
hydropyro · 5 months
Text
Raphael Theory
Raphael is not a just cambion.
Evidence –
First evidence is his ability to create contracts. We can see from the in game cambion, Mizora, who works on behalf of Zariel, that she herself is not capable of granting power or creating contracts. In order to amend her contract with Wyll she requires witnesses.
With Raphael we see regular independent contract making. From his contract with the Infernal Mason: which causes Raphael to lead an army against the Goddess of Loss, to his contract to Yurgir, a powerful baatezu (Devils, natural inhabitants of Baator) in his own right, Raphael answers to, seemingly, no one, and exerts as much power as he likes, when he likes.
Continuing with his contract with the Infernal Mason, first we see a “cambion”, which tend to fall quite low on the hierarchy tree of baatezu, *having*, *controlling*, and *mobilising* an army of fiends onto the mortal plane to contradict a goddess’s will. He addresses Yurgir as ‘commander’ before the fight in the House of Hope, indicating that Yurgir has significant status among the Baatezu. Orthons are commonly used as personal guards, bounty-hunters, and generals for Pit Fiends, Infernal Dukes/Duchesses, and Arch Devils.
In the fight with Raphael in the House of Hope we also see Raphael command a personal army of fiends which he’s able to summon to himself from elsewhere in the Hells.
Final evidence, Raphael’s Ascended form. While it’s something we haven’t seen elsewhere in the game, his form does actually align with a Pit Fiend: and a powerful one. In baatezu hierarchy the devil’s *form* changes based on their rank. They are ‘purified’ in the fires and emerge a more powerful self, with an accompanying form.
Raphael’s Ascended form best matches a Pit Fiend, the second highest rank in the hierarchy.
I posit that Raphael is an Infernal Duke. Not only that, but he is powerful enough in himself not to need to serve a specific Arch Devil. (((When meeting Haarlep he says he sometimes takes the shape of Archduchess Raphael. This is not confirmation of my theory, rather it is a testament to his ego and ambitions, as he is in no way an ARCHduke — yet)))
If I’m correct, this *most likely* explains why Mephistopheles would send Haarlep to distract, and potentially spy on, Raphael. The only rank above Infernal Duke is Arch Devil. Raphael, then, is a genuine threat to the current ruling of the Hells: Mephistopheles included.
If Raphael was born a cambion eons past, which we have no reason to believe otherwise, he has torn upward through the infernal ranks. This is not only difficult, but would be incredibly painful for Raphael himself, as each evolution would require his previous form be burned away and purified by the fires.
Raphael revels in subverting expectations, and likely enjoys being underestimated. He masquerades as a cambion because they are nobodies on the infernal plane — but he is far from nobody.
I believe that Raphael chose Avernus for his House of Hope because Zariel isn’t able to kick him out, nor is she able to subjugate him. While in Avernus Raphael has the freedom and power to do what he wants, when he wants.
A cambion wanting the Crown of Karsus to achieve godhood is laughable. But an Infernal Duke, son of Mephistopheles, wanting the Crown to achieve godhood is *possible* and *terrifying* for all of the baatezu.
I haven’t found any answers regarding this final thought: but I don’t think we’ve seen the last of Raphael, whether we killed him or not. His story shows that he is crafty, has backup plans for his backup plans, and has ambitions that can feasibly topple the hells.
Raphael *was* a cambion. He is *now* an Infernal Duke, and the only ‘rank’ above him is Archduke (that — and God)
393 notes · View notes
necronatural · 17 days
Text
Tumblr media
Someone did an EGO analysis of Heathcliff so in anticipation for Don here's mine
(Unrelated: Couldn't help but notice Gregor's EGOs besides AEDD are about his arm being part of a tree (even the base ego, which has the kabbalah-referencing symbols of the library tree floors). That dude for sure has a branch of light cutting in his arm.)
81 notes · View notes
aimzicr · 1 year
Text
I always associated the Three Ladies of Castle Dracula in my mind as ‘Brides of Dracula’ because pop-culture osmosis and/or adults around me specifically referencing Hammer Films, even if that isn’t accurate to the text. 
Still, with Dracula being a representation of inversions of the ‘natural order’, we have here a ‘til death do us part’ in which he’s Still Single but he hasn’t let go of his other possessions. He’s a warlord, boyar, master of all, and they’re part of what he owns. He doesn’t just treat employees and guests as property to do with as he wishes, but also the women he apparently once loved. Love and possession are apparently the same thing to him. Messed up.
Given the descriptions of the women, two of them seem to be at least locals, or of the same cultural background as Dracula himself (he did go into great excited detail about his history and his empire before, and the strength of his people, so it wouldn’t be that odd for him to be wife-shopping in the European region he conquered). 
On the other hand, we have a woman described in a more Victorian style of beauty, and Johnathan has a ‘dreamy fear’ that he kind of recognises this third woman, the blonde woman. What if he does recognise her, from posters from music halls or theatres that he would have seen as a child? What if this third bride is a famous Englishwoman? An actress or performer who went missing on some tour decades ago? Hence the odd recognition he can’t place - she was a celebrity, and her pictures were around, but a young Johnathan would have no association with her because she was just before his time.
But Dracula had to get the idea to take over London (and then England) from somewhere. What if his new foreign bride wouldn’t stop talking about The Empire Where The Sun Never Sets, and possessive, obsessive Dracula went ‘I want that, too’?
Also, when the women come across Johnathan sleeping, the agreement of who to kiss him first is very quick. ‘Yours is the right’. What if she gets first dibs not because she’s Dracula’s current favourite or best or strongest wife/consort, but because Johnathan is her fellow Englishman? That she misses home so much, and her homesickness has been tainted by her vampirism that she just needs a little taste of home, no matter what that means? And her ‘sisters’ recognise that, and give her the right to kiss first, before they drain him dry?
459 notes · View notes
elementroar · 22 days
Note
I thought the reason ABA wants Paracelsus to be human is because she’s based their whole relationship on what she’s learned through osmosis about romance and humanity? So like, she wants to be husband and wife specifically because of societal expectations, and wants him to be human to fit into that image even more?
I would say she did base her ideas on how to 'act human' from prolly books and things around Frasco in her 10 year isolation. We dunno what books she was reading in Frasco, other than apparently a lot of books containing idioms and things that she never quite remembers right (this is based on her random quotes back in XX/ACCENT CORE). She was also obsessed with laws, so I think that's how she view society really - through the words of law dictating behavior. And that included the idea of men and women, married couples etc. etc.
Her GG World Xrd entry implies she immediately fell in love with Paracelsus, decided they were married, and the natural next step in her reasoning is that he needs to have an artificial body like her to as you say, fit the image/idea of what they should be in her head.
Honestly, I think Daisuke kinda wants to move away from this being her sole focus for years in STRIVE, hence why no one brings it up during the conversations between all characters in any route in the arcade mode, other than when ABA falls back to that plan and drags a protesting Paracelsus away off-screen.
I think it's kinda resolved in her conversation with Elphelt, where she admits she understands what 'love' means academically, but she doesn't know what it really means to be in love. So it kinda applies to her singleminded plan to put Paracelsus into a human body? Like the 'why' of it is not even clear to her, and her getting better is her finally let go of that obsessive plan.
Also since Paracelsus is revealed to be able to shapeshift into whatever she wants, or what he wants for that matter, that means there's a natural way Paracelsus can get a human body now. With consent from both parties. I personally think that may actually be where the story is headed, plus if Para learns to shift between any form he wants, then ArcSys won't have to worry about how A.B.A. remains playable in future games! Para just turns back into an axe-key when needed (or she swings him around in human form lol).
66 notes · View notes
Text
What if the stars in Aled’s room (where he painted the universe) represent all the paths Aled could go down and his mum painting over them in radio silence represents how she was controlling his life and chose one path for aled
267 notes · View notes
askdacast · 4 months
Text
Life Series SMP/Eyes and Ears AU Thematic Discussion + Theorycrafting (pt. 1)
Tumblr media
WARNING: Extremely long post
Kachow what’s poppin fellas, I’m back at it again talking about boomer block Youtubers and their surprisingly in-depth improv series. Now that the Life Series’ 5th season has finally concluded, I’m back on the lore train and poor Scar is left to suffer the consequences, and Martyn’s concluded yet another lore stream, I decided to compile a long master post of lore notes and theories about what we have so far.
Obviously all the ‘lore’ of the Life Series is purely unofficial; Grian has not approved any of it as being actually official/set in stone for what he intended the series to be. Most of it has been us in the crazy fandom extrapolating their really good storytelling, and also “semi-canonized” by Martyn in what he calls the Eyes and Ears AU (and this post assumes you are familiar with it). As someone who’s been a fan since the beginning way back in 3rd Life, I’ve pretty much hopped on the lore train since the beginning as well (if casually) and enjoying all the different extrapolations/analysis/angst written around the players. Rather than just theorizing lore details in a vacuum, however, I’ve always liked imagining the lore based around the reoccurring themes, symbolism and arcs we’ve seen across the series. I’d been bouncing my various thoughts and theories around these themes for a while, and finally I decided to compile my notes together.
This post is basically my imagining what the Life Series/Eyes and Ears AU story is “about,” as if it were a fleshed-out, long-running and story-driven tv show. Initially this post started as simply a gigantic “Eyes and Ears Theory,” me trying to sus out my own theories/ideas of what the Life Series’ mysteries were based on Martyn’s lore. However, considering that Martyn is ALSO writing the lore on the fly, and I have some details I would interpret differently or change, this ended up less a ‘theory’ and more ‘me writing an entire AU/interpretation of the Life Series as a whole.’ My intention is NOT to ‘correct’ Martyn’s lore, nor to claim my theory as the ‘right’ interpretation; rather, this is my personal interpretation of what the Life Series story is about, based on information shown in the original SMP and in Martyn’s AU.
One last disclaimer: I am ONLY drawing on lore details from the Life Series, Martyn’s lore streams, and Minecraft EVO, and also references to the iRL creators. I am not drawing on any story from other SMPs such as Pirates or Empires; there may be some Hermitcraft references here and there.
This is going to be very long, and a multi-parter, because I can’t summarize to save my life. And I promise I’ll come up with a proper name for my series of posts another time. If you’ve stuck around to read, I thank you.
Part 1: The Overall Plot + Understanding the Watchers
Recap of official lore details
Although Martyn hasn’t given specific details on the Watcher + Listener species (he hasn’t come up with a name yet), we know the following details for sure (from EVO, lore streams etc.)
Watchers + Listeners + The Council are all deity-like beings of the same species, and they all consume human emotions
The Council are the upper ranks/possibly leaders, whereas the Watchers + Listeners are separate factions
The Watchers are at LEAST two high-ranking members of the species (the two dots being outcast from the wider circle, as is their logo)
The Watchers were behind Minecraft EVO, where they gave all the players tasks (much like Secret Life) and eventually ending in them fighting the Ender Dragon separately
While the Watchers may not have been evil in EVO, they certainly became so AFTER, when they began to crave more negative human emotions, viewing them as “tasty” (Martyn’s words), s p i c y
They first kidnapped Grian at the end of EVO season 1, turning him into a Watcher to possibly have him join their ranks, but he’s gone rogue after realizing what their plans for the Life Series were, and plans to rescue his friends from them
The Life Series was the Watchers’ ploy to trap the players in an infinite death game where they betray and cause each other pain, all to harvest their negative emotions. Grian, in defiance to this, takes control as the ‘game master’ to make the whole thing…well, a game, so that his friends can enjoy, have fun and ease their anguish. In Martyn’s words, this is like “pouring ketchup all over the Watchers’ sundae.”
The Listeners (EVO season 2) are an opposing faction to the Watchers who disagree with their methods, although why is unknown. They’ve attempted to contact some players (e.g. Jimmy) before back in EVO in order to oppose the Watchers, but it’s not known how successful they were. They’ve also tried to swap in players in the Life Series before (e.g. subbing Lizzie and Gem for Pearl and Cleo in Lim. Life) in order to sneak them in and try to subvert the game. The Watchers kidnapping Gem for Secret Life is partially in retaliation to the Listeners. The Listeners may not be good and may have nefarious intentions also, it is as yet still unknown.
There’s potentially a third faction, the Speakers, but very little is known about them and Martyn doesn’t want to elaborate on them yet.
Okay, but what are the Watchers even after?
Tumblr media
"Accept your fate."
From here on out is my real conjecturing/theorizing. The main question on my mind has been why are the Watchers doing what they’re doing? Obviously Martyn has confirmed that they are malicious deities who find negative human emotions tasty, but this raises further questions. Why exactly do they desire such emotions, or need them to survive (if they do, anyway)? Why do they favour negativity, when the other members of their species consume a wide range of emotions? They were confirmed to be outcast in some way from the other factions for this ploy, so what does that say about them then?
The whole species fundamentally do not understand human emotions (or perhaps do not even possess them)
This seems to me the most logical conclusion. These are powerful deities who can create miniature worlds/dimensions, life, and time to an extent (death loop). They should theoretically be self-sufficient, so I doubt that their consumption of human emotion is for survivability reasons (i.e. I don’t think Watchers will literally die if they don’t consume emotions, the same way humans die without food). What seems more likely is that human emotions bring them some benefit to their intelligence or power that they’d otherwise be quite non-functional without. (Think like the demons in The Promised Neverland, who regress to feral natures/lack of sapience if they don’t eat humans)
The Watchers’ powers and their lab-rat experimentation on the players gives a huge vibe of not being able to understand human emotions in an involved way, but only from a distance. They know methodically things like murder and betrayal cause panic and anguish, so they enforce these experiences through the game, mechanics like the Boogeyman, the Secret Tasks etc. But they don’t really know internally why these emotions come about the way humans do. Being above time, they probably don’t understand why the funny small animals have so much attachment to their transitory experiences and memories (more on this later).
Tumblr media
world's angriest pumpkin
The Watchers are Losers, Actually
Going further, don’t you think the Watchers have a very misanthropic mindset all around? “Anguish and panic are s p i c y.” They conversely have a complete disgust for positive emotions, and can’t stand Grian making things fun for everybody. It almost feels like they have the mindset that only things like hatred and fear are exciting, bringing motivation and life to the humans, whereas things like happiness and fun are ‘useless’ because they don’t bring about the same results. Let’s also not forget their name – Watchers – and that Martyn’s confirmed them to be symbolically based off us, the audience. It’s almost like a commentary of the worst of the entertainment industry, of an audience who crave watching anything and everything to satisfy their own desires, even at the expense of the privacy and safety of the entertainer. Given the current state of the internet and social media, I don’t think I need to elaborate how awful things can get.
In other words, I believe the main motivation the Watchers are eating humans emotions is because they WANT to understand and ‘take into themselves’ such emotions. I don’t think they’re totally emotionless – Martyn does portray them with moments of glee and anger. But their understanding of emotions is superficial (self-centered, if you will) at best. As deities with no needs, being above time, they have nothing to be afraid of and nothing to feel sad or anguished over. It’s a boring, dull and empty existence. And that’s precisely why they’ve set up the Life Series game: by kidnapping a few humans and putting them through the artificially constructed wringer of panic and betrayal, they think they can create a human farm of such rich, complex and exciting emotions, all for themselves to enjoy at their own pleasure and fill the void they have.
(Listeners’ side note: If all that is the philosophy of the Watchers, it’s probably not difficult to see how/why the Listeners oppose them. The Listeners likely disagree that negative emotions are the most optimal state of humans, and unlike the Watchers do not think human suffering is just tasty popcorn one can eat at one’s pleasure. Their name – Listeners – implies they’re a more sympathetic faction, as in they listen to one’s troubles and heart rather than take delight in suffering at a superficial level. But if they are the same species, it’s very likely they have the same lack of instinctive understanding of human emotions that the Watchers do, and this could cause…problems.)
Why turn Grian?
All this is also why I believe the Watchers kidnapped Grian + turned him into a Watcher in the first place. Firstly, if they were going to concoct their plan to trap humans, they needed a collaborator from the humans in the first place. Secondly, and most importantly, this collaborator was going to be their only direct source of how human emotions work/feel like, and therefore what were the most optimal conditions needed to ensure their death game would generate the most pain and anguish. They picked Grian because he’s always the ‘leader’ of the SMP players, the person gathering and organizing everyone, so logically, he is the most ‘representative’ of the humans, and the one with the greatest ability to control them.
Of course, it’s also true that Grian was a little $#@% throughout EVO and actively rebelled against the Watchers’ tasks, so making him their collaborator might seem strange. Ignoring the meta reason that the ending was written to explain Grian’s exit from the series. But I figured in this case, they considered the benefits more than the costs. Grian’s chaotic nature is not unlike the Watchers’, considering how much he loves causing pranks and trouble to others. So, as a huge oversight, they think Grian is just like them: he loves to see people suffer, so they think. Additionally, the Watchers are desperate to understand how Grian gets his fellow humans to follow him and do what he asks with little effort. You’ll notice the Watchers have very direct, authoritative ways of trying to wrest control (e.g. the tasks, “do this or you fail”), and they get very petty and upset when people rebel against them (re: Scott’s refusal to be the Boogeyman, their motto is a very demanding “OUR WILL BE DONE.”) They see Grian’s charisma as yet another aspect of human emotions they fail to understand and thus WANT to possess for themselves.
Tumblr media Tumblr media Tumblr media
Pictured above: The Watchers, coping and seething
Of course as we know, the Watchers believing Grian would help them is a major oversight. Becoming a god doesn’t just fundamentally change who Grian is, and he definitely doesn’t want to consign his friends to an infinite death loop of suffering. That being said, I don’t think Grianhas truly gone ‘rogue’ so much as taken as much advantage as possible of his ‘deal’ with the Watchers. We can guess the Watchers promised to him some kind of control/leadership over his friends’ circumstances as long as he worked for them, which led to them giving him the keys to the Life Series. In other words, so long as he fulfils their requirements of things being a death game that will generate ‘food’ for them, and lets them revive everyone each loop, he gets to decide how the games go.
And we know exactly what Grian’s done with this: he created the green-yellow-red lives system, he creates a fun gimmick each season, he inserts himself into the game as a player, all to bring out the best and most creative side of his friends rather than the worst. The Boogeyman probably is the only gimmick the Watchers added on their own initiative (re: Martyn’s POV in Last Life) in order to make things more spicy. Probably Grian’s conversation with the Watchers each time goes, “hey, I got an idea on how to bring out the most creative ways for everyone to cause pain in each other, [comes up with some bullcrap justification for the game’s fun mechanics].” I like to think the Watchers were going to make the death games even more vicious, cruel and competitive, but because of Grian’s wrangling he’s convinced them that a slow burn from joy to horror creates better results, and they tolerate it as long as they see him useful.
Memories and Emotions
There is also one BIG detail of the Watchers’ plan I’d like to mention: Martyn claims that the Watchers do NOT erase the players’ memories. At the end of each season, they consume everyone’s emotions so that there’s no more angst/ill will towards each other, and they start each season afresh. The players remember what’s happened in past seasons, but they don’t continue to hold the pain and negative feelings they had towards each other.
I don’t buy this, for numerous reasons.
For one, Martyn has confirmed the Watchers ARE capable of removing people’s memories. The one memory they have outright altered was the ex-EVO players’ (Martyn, Jimmy, BigB etc.) memory of what happened to Grian: they don’t remember that Grian was taken to be turned into a Watcher, and instead remember it as him either going missing or dying after the Ender Dragon fight. All this presumably to not give away the Watchers’ schemes and to ensure they still listen to Grian as if nothing ever happened.
More importantly, however, memories are vital to humanity’s emotional experience and mental health. I am not an expert by any means, but there are studies showing how people with amnesia, PTSD or other conditions affecting memories have flashbacks/emotional reactions to trauma they don’t remember consciously. The Watchers have (supposedly) done something far more simplistic yet fantastic by just eating up everybody’s emotions. All this, even though they see humans as emotion factories, constantly able to generate emotions just by existing, by their ability to draw and create meaning through emotional experiences, and by creating memories – the clearest embodiment of a mortal’s attachment to time (which if you remember, I believe the Watchers have no concept of).
You cannot just tell a human to stop feelingcompletely (under normal circumstances anyway), but especially not if they remember something very very traumatic.
Besides, there ARE clear instances when some of the players remember the events of past seasons and are STILL not over them! Impulse and Tango still being bitter/distrustful after Bdubs betrayed each of them separately, Cleo distrusting BigB for the same reason, Scott referencing Flower Husbands a lot, Pearl feeling betrayed by Cleo/Scott when they supposedly broke up the Gaslight/Gatekeep/Girlboss trio at the start of DL, Bdubs’ “I wanna be your favorite son” in Secret Life, the list goes on. Note that I’ve only listed negative/bittersweet instances; there are plenty more cases of the players remembering past seasons and alliances positively which the Watchers may have ignored. The point is, if the Watchers truly consumed everyone’s emotions to the point of a clean slate, they haven’t exactly been thorough. Nor do I think it’s very conducive for them either – don’t they want players to have enduring, unending, unresolved pain, the sweetest of all (to them)?
No, I think the Watchers HAVE been erasing/suppressing the players’ memories – they’ve just been very selective which ones. Martyn’s said that the Watchers do not care what families or connections they separate so long as they get the people they want and the plans they want. I’m going to assume the players in my theory/the Eyes and Ears AU are exactly the same as their CC counterparts. In other words: they’ve stolen Grian away from his wife. They stole Martyn away from his and his daughter. Ditto with Skizz, Impulse, Tango etc. They stole Scar away from his family. Joel and Lizzie are the only couple they didn’t separate, perhaps because they needed both for their plans, and also so they can inflict the most torture on them by ripping them away from each other, over and over again. And in order to ensure the complete submissiveness of the players to the game, the Watchers have taken away their memories of their past lives, their families, basically anyone who isn’t a fellow player in the game. The Watchers don’t erase the memories of bonds between seasons, because it’s a pain to have to teach the humans how to play all over again, but they erase any memories they find disadvantageous to keeping the game running.
They might even go one step further: while they haven’t erased the players’ memories of who each other are (so as to not cause confusion), they do try to suppress important memories. Things like how they met, the times they confided in each other after a bad day, cried on each other’s shoulder, laughed in each other’s successes, the times they hung out with each other’s families. Imagine the different alliances constantly gravitating to each other, but never being able to remember why they care about each other so much. Imagine Bdubs’ “Come on, you know you and I go way back!” when trying to justify taking Cleo’s stuff, and Cleo laughs back, even though she can’t quite remember what exactly Bdubs has done to warrant that. Imagine Joel or Lizzie trying to remember why they loved each other so much.
They fight and kill some of their friends, and protect others, because…because why again? It’s for survival value, surely, so the Watchers whisper. It’s because the strong must congregate with the strong and leave the weak to die, surely. It’s because Martyn’s always been a loner, and always will be, and should remain so. So they tell him. So they whisper, this is a deathmatch for a reason.
Grian’s Fundamental Rebellion
I think all this is the real reason Grian is rebelling against the Watchers. The most immediate reason is obvious: he wants to free his friends from this death loop. But the deeper reason as to why he’s rebelled is that the Watchers are torturing and robbing his friends of their humanity. They’re taking a tight-knit group of friends who love and would do anything for each other, and turning them against each other in a cruel and unescapable death game. On TOP of this, the Watchers have constantly messed with their heads in order to make them obedient and submissive to their schemes and the worst of their human nature, trapping them in fear, pettiness and paranoia. Of course Grian is upset. Of course he wants to save them from this fate. It’s an insult to who he knows these people to be.
This all leaves Grian in a pretty precarious position. While outwardly the Watchers want to make him a lackey as the “game master”, both he and they know he really wants to save his friends (they probably see it as their ‘cattle’ showing a bit of resistance, which once again they need to suppress). And while on one hand he’s making the games fun to ease his friends’ pain and bring the best out of them, this is just a hotfix rather than a real solution. In order to really rescue the players, Grian’s got to get them to rebel against the Watchers as well. Refuse to play by the rules, by the expectation that they must murder and kill without mercy, without any attachment to their alliances or past friendships. Make everyone like Scott refusing to be the Boogeyman, or Skizz constantly trying to be wholesome (until the bloodlust gets the better of him anyway).
Ironically in order to achieve this, Grian’s best bet is to try to jog everyone’s lost memories of each other and the things they lost, both good and bad. But ultimately, this is going to make them (in the short term) suffer more. This is where you can insert all your Desert Duo/Flower Husband/whatever alliance you like most angst. But more practically, I like to imagine when “the cameras” are not watching, when Grian knows no one will notice or catch him, he sneaks around to the different alliances, even the ones he’s not part of, to ask them how they’re doing, if they remember anything from the past etc. (in a meta sense, the players edit and cut stuff from their videos all the time; who’s to say he isn’t trying to catch a quick chat while everyone’s mining?!) It also reflects in why Grian is constantly trying to make alliances with different people instead of just gravitate to one person, he needs to check on everyone and capitalize on every single opportunity. (besides the meta reason, being that cc!Grian wants to be creative, and sticking to the same person all the time isn’t very entertaining from a content creator perspective)
One last detail about the winners: I don’t have much to say about the fragments yet, because Martyn (sneaky boi) hasn’t yet revealed the significance of the fragments nor of their healing, although he has hinted Bad Things™ will happen if a player gets too fragmented. But I do think the winners are important: with the game finished, they give Grian a very short window of time to talk to one person directly, without Watcher interference. They’re always the last to be killed/swept away/revived by the Watchers, and I can imagine there’s a brief period of time when their souls are being transferred to The Void w/e where Grian can step in and interfere. In my theory, Grian passes on some sort of clue/push to the winners, as like a subtle message about what they can do to stand up to the Watchers. I’ll detail on what I think these individual messages were in part 2. Needless to say, 3rd Life was a traumatic experience for Grian for many reasons, but the nail in the coffin was the fact that he won, and therefore there was no way for him to pass a message onto anyone.
Conclusion
Hooooooo jeepers that was long @A@; Thank you so much for your patience reading this if you made it to the end, I really appreciate it. As I said, I’ve had these lore ideas bouncing in my head for a LONG time, and with the end of Secret Life I couldn’t get out of my head the different trends/symbolism that was popping out of an improv series. It honestly speaks a lot to how genius our favorite block dudes are at improv, that they can turn their improv nonsense into a coherent narrative. I really wanted to try my hand at fleshing out such a narrative, and with Martyn constantly drip-feeding lore to the fans, I had more than enough material to not just put out guesses but construct something a full XYZ. As I mentioned, I enjoy workshopping themes and characters a LOT more than just worldbuilding or “what if this or that” details in a vacuum, hence why I’ve written all that I have, so this was a fun exercise for me all around!
Next time in part 2 I talk about Character Development™, or character specific notes and details I’ve noticed and extrapolated from what we’ve seen of each individual player, as well as what their different arcs across the seasons mean for them within the lore. Stay tuned for another wordbarf!
Bonus list of works I was inspired by for this loredump:
Log Horizon
The Promised Neverland
Danganronpa (ironic as I’m not really a fan of this franchise, but the first game has an otherwise solid premise which I found really similar to the Life Series)
The Fate franchise (when Martyn asked “what’s Fate?” on the latest lore stream, let me tell you I couldn’t stop laughing; NO MARTYN DON’T GO INTO THE WEEB RABBIT HOLE)
Various amazing animatics from the Traffic fandom: Earth, Bang!, most of Melloz Heist’s works, and of course all the amazing fanart
Way too many conversations with my friends about fantasy species
91 notes · View notes
karniss-bg3 · 4 months
Note
Okayyyy so here’s a thought that made me happy
After the Emperor shields Kar’niss from the Absolute, (pretend his mind is restored too) and everyone is chilling at camp, Kar’niss goes up to Tav and is trying to figure them out. Where did they come from, why did they save him, etc.
So he goes up and starts waving his pedipalps and front leggies around them, smelling and tasting the air around them, basically just going 🤨🧐
And Tav just stands there calmly sipping their tea.
Tumblr media
If Kar'niss is no longer simpin' for the Absolute then his horizons broaden dramatically. He likely hasn't been around anyone who doesn't insult him at every turn or make outlandish demands. I think he wouldn't know what to do with himself at first, now devoid of his prior purpose. Desiring stimulation of some sort he would stalk Tav and company from the shadows. If they're in an enclosed space then he'd likely be glued on a wall somewhere or wandering at a high vantage point.
He'd conclude that this group is most peculiar. But none fascinates him more than Tav, his savior. He watches them from a distance at first as he's fully expecting to be betrayed in one form or another. It's what he's accustomed to. As time marches on and the rug doesn't get pulled out from under him he will become a bit more bold in approaching others and integrating himself into this bag of misfits. Soon he'd discover that everyone in camp is as damaged and traumatized as he is. He's not alone.
Now he comes sniffing around Tav. A silent guardian that watches everything they do during their downtime. Do they have hobbies, interests or other noteworthy quirks? What can he do to show gratitude? In time Tav would go to their tent and find little gifts waiting for them. A shiny rock, articles of clothing, weapons, balls of webbing formed into various shapes, and so forth. When Tav peeks out of their tent they'd see a collection of reflective ovals peering from the darkness in their direction, quietly anticipating the reaction to his offerings. Kar'niss has evolved from enemy to a devoted companion. Tav has earned his loyalty through patience and understanding, two things the drider wasn't afforded in life before.
I think it's a cute scenario the entire way around and very viable in terms of canon. Kar'niss is like the other companions, broken and lost. With some TLC he will come around and become Tav's shadow. The more those pedipalps wiggle the happier he is and that thought makes me smile.
Also, that gif is too cute. Wittle baby, I hold gently.
Thanks for the ask!
106 notes · View notes
itsapmseymour · 12 days
Text
youtube
Chapter 1 of theory audiobook is up!! Enjoy!
51 notes · View notes
sageofanys · 1 year
Text
Tumblr media Tumblr media
Theorycraft promotion for Rhea (beyond Archbishop) – reference sheet and class data
1K notes · View notes
ageofzero · 3 months
Text
Yuna is the antagonist of a potential Final Fantasy X-3, thank you for coming to my TED Talk
edit: okay I'll put it under a read more since it'll be a long post (but not as long as my entire conversation was), but what's promised is due.
Now that I have to make the post for real I had to do some wiki reading on what the actual Things going on in the novella were, and… well, a lot of my theorycrafting was based on incomplete and kinda inaccurate information. BUT I can’t read Japanese, the book was never released here, and I am going to go with rule of cool for a little bit of this even as I keep the stuff that sounds kinda dumb on the surface. I’ll be the first to say that Tidus exploding from a bomb he thinks is a blitzball is dumb (true), and Chuami thinking she’s Auron’s daughter is a dumb plot beat (petty), but I’m weaving this bridge and I’m not going to rewrite those. I am going to change some contexts and make them exist in a narrative that I hope is compelling. That’s my disclaimer, now I’m gonna get into it.
SO.
The scenario from the novella and audio drama is thus: Tidus died again in an accident, and Yuna brings him back. But he’s not back in the same way that the Fayth gave this dream a real living body at the end of X-2. The official term for it is “beckoned”, but I probably won’t use that to describe him based on my previous understanding. No matter if he’s beckoned or not, or whatever terminology you want to use, the thing is that Yuna summoned him back. She’s holding him to life, and he can never know. It’s been a year since the moment Tidus died, and Yuna has seemingly regressed into patterns that put her into what was once Yevon’s circle. Tidus is looking injured/weakened (“Chuami: It wasn’t just [Tidus’s] words that felt hollow. When I shook his hand, his grip felt weak and lifeless... I think he’s injured. Or maybe he’s sick or something.”), and people are looking to Yuna for help or information regarding the strange not-quite Unsent (the beckoned) that are appearing in places in Spira. Help she is not capable of giving. Wakka and Lulu are protecting her as she prays in Besaid Temple. The world is seemingly acting out, with a second shoopuf appearing in the Moonflow and its energies overflowing and drawing more illusions into reality. (“Yuna: The Moonflow energy is responding to the will of the living. It’s as if… we’re in the Farplane.”) And it’s more vivid than what the Farplane is capable of, even breaking the rules of “beckoning”. This is something new, something worse. Something worse enough to bring back Sin (which I thought was just me extrapolating a potential, but they actually mention it in the audio drama that it happens). Yuna promises the people that she will defeat Sin, but Wakka tries to keep her from being made to promise such a thing at first, which is an interesting choice (“Wakka: Yuna, let’s go back to Besaid. They’ll push this all on you… Sin is for summoners, in their minds.”).
Where does the world go in this present circumstances? Why IS Yuna seemingly content to do what chafed her in the Eternal Calm short movie and stay praying in Besaid and helping the elders who are lost now that Yevon as they knew it is in shambles? Why are Lulu and Wakka enabling and protecting her in that? Why is Tidus looking injured and weak and why is Yuna keeping him at arm’s length? Why does she tell him that she’s fallen in love with someone else?
I know the typical story beat interpretation is “Yuna told him that and pushed him away so he wouldn’t be in danger for what she needs to do, bc defeating Sin caused his death last time”. But hear me out. Yuna knows Tidus isn’t alive. She knows that revealing that information to him will cause him to disappear again. She’s actively summoning him back to life and he has no idea (but he must suspect something is wrong, even before Yuna formally pulls away from him, he’s weakening and he probably doesn’t feel right in his own skin). I posit that her maintaining Tidus’s life is what she’s really doing praying in the Besaid Temple. She doesn’t want to get involved with the Moonflow situation, the shoopuf or the overflowing energy of the Moonflow itself. She doesn’t even really act when seeing all the ghosts in the crowd, and actively stops Kurgum from acting (plausible deniability: she and everyone else decide that sending them in that moment would be the wrong call and riots would break out, but that density of ghosts means that’s a significant amount of pyreflies that could become fiends at any moment).
I posit that Yuna’s powers are working, that people close to her think her powers aren’t working (Lulu and Wakka), and she’s hiding it from everyone else. That her powers aren’t working because she’s currently using them to maintain Tidus’s existence. And this maintaining is breaking the Farplane in half, because she’s powerful but has no idea what she’s doing. (Why would she really know what she’s doing or the consequences? Who has any information of what she’s doing and what will happen if she does it?) I posit that Yuna’s love for Tidus is so strong that it corrupts her sense of right and wrong. X-2 is Yuna largely going on a personal quest, and incidentally helping people but separating herself from the title of High Summoner and doing something she wants to do. Rikku encourages her to do something for herself for a change right before she agrees and runs off to become a sphere hunter. She still saves the world, this time from an ancient danger Old Yevon buried and an Unsent is threatening to use (for love, notably), but she did it in the course of looking for Tidus. Who the Fayth return to life, who she hugs and is so so relieved to have in her arms again.
She’s not going to let him go, she couldn’t let him die again so much that she called him back to life.
(side note: I never truly knew how this happened so I had to consult the wiki page on the novella, and I suspect what original information I was working with was misrepresented and misinterpreted. I openly admit that the wiki page doesn’t really help me fully understand what happened, aside from explaining how Tidus ended up in proximity to a bomb. My understanding from someone’s explanation was that an Unsent summoner on the island Yuna and Tidus got washed up on after a storm told her she could call back the dead if she wanted, as a summoner. They’re all made of pyreflies, Aeons and Fiends and People and Unsent alike, and summoners are in the business of manipulating pyreflies. Either calling them from the Fayth to form an Aeon, or Sending them to the Farplane so they do not become Fiends. A summoner with enough power could summon someone back from the dead, could they not? And this Unsent summoner knew how it worked, and told Yuna how to do it. But I don’t know how real that scene could be, or how accurate it is to what’s written in the book. It’s my rule of cool moment, though, and I worked with that as my understanding when I made this theory. We have to make our peace with that, if you’ll allow me this extrapolation of Spira’s rules and a summoner’s powers.)
(The meme is Tidus kicking a blitzball and it turned out it was a bomb and his head gets blown off, but wiki says they ended up on a vision of a Besaid from 1000 years ago, and the bomb was something neither Tidus or Yuna had seen before and to them it looked like a blitzball. So, Tidus approached what he thought was a blitzball, wondering who’s ball it was, and it exploded as he reached it. I still think that’s really dumb but I’m not editing it out bc Tidus’s death creates very interesting consequences.)
So, if Yuna is summoning Tidus back to life, and she desperately doesn’t want him to find this out so she avoids him and pushes him away through any means necessary, but he’s still weakening and fading enough to be noticeable by people… perhaps also himself… Yuna returning to Yevon in some capacity could just as likely be her looking for a means to keep feeding power to this summoning she’s doing so she doesn’t lose him. And what kind of consequences does it have to do this? He’s being summoned, but he’s not actually an Aeon. He’s not an Unsent, he’s not just being beckoned. He wasn’t even real, he was a dream in a summon held together by the raw power of Yu Yevon turning into Sin. The Moonflow overflowing and seeing a long-dead shoopuf is the least of the consequences. The Farplane is delicate, it requires careful maintenance, and here Yuna is shoving her foot in the door and holding it open for a solid year! And no one knows she’s doing this! Spira’s past is full of history, some of that long-buried secrets that no one was supposed to find again. Sin wasn’t supposed to be able to come back, but the ghosts aren’t staying ghosts anymore (“Lulu: I mean Sin came back, right? What’s to stop anything else from coming back?”).
Even people who only know her by reputation seem to think she’s acting strangely (“Kurgum: I thought Lady Yuna was… a righteous person.”), because something is wrong and no one can put their finger on what. Who would have the pieces to put any of this together, and who would even suspect Yuna in the first place? She’s actively not getting involved in politics, she’s locked herself in Besaid, she seems reluctant to answer someone she worked with and should be amicable with now (Baralai).
I think the story should follow down this path, I think it should find Yuna at the end of it, once savior and now destroyer. She’s willing to let the world rip apart in order to keep Tidus, and I think that’s a compelling premise for X-3. The past surging forward like ghosts, vengeful and lost and wanted and terrifying. Who sides with Yuna (Wakka, Lulu) and covers up the problem? Who bands together to face down the High Summoner (Tidus, Rikku)? Who doesn’t know where to place their allegiance, or who changes sides when they realize the extent of what Yuna’s hiding? What does she do when she’s faced with her friends, and the person she loves so much, telling her to stop?
There’s a line in Eternal Calm where Yaibal (named in X-2 but not in the movie itself), after asking about whether or not she’d be joining one of the factions, if she’d be making a faction of her own. And I think in this potential X-3, she’s making her own faction through the actions of becoming antagonist. She’s made Wakka cover for her, she acts in a way that make Lulu and Wakka both protect her regardless of whether or not they know what she’s doing. I think it would be so fascinating to make this a conscious decision on her part. Things have broken so utterly, and she’s desperate to hold them together, and becomes the antagonist in the process.
Squeenix would never do it, they’d never be so bold as to make Yuna the antagonist and follow through on this trajectory of her lying to people to hide that she’s the one breaking the world in half (up to returning the ghost of Sin itself to terrorize Spira). Sin isn’t the final boss in this one, it’d have to be Yuna, we have to stop her and fix what went wrong. It’s not ever gonna happen, but I still think Yuna should be the antagonist of X-3.
57 notes · View notes
greenchlorine · 10 months
Text
Spoiler thoughts on Medicine Girl
So I have been thinking a lot about Kihel's presence in the game lately. Thoughts under the cut.
My opinion is that we see suspiciously much of her for it to be just a random thing, throughout the story unfolding.
The first time we ever see her on screen, she's in Kostnice, in the Dhalmekian Republic, peddling medicines on the streets, and she approaches Jill. We see Jill stops and summarily refuses her with a sorry, and then Kihel immediately leaves, disappointed.
Tumblr media Tumblr media
The second time we see her, she's on The Crystal Road, walking towards the Crystalline Dominion. She sees Joshua is hurting and quickly goes to his side to offer him a tonic. Joshua treats her warmly, thanking her and telling her that he'll be fine, and that she should save her medicines for those who truly need them. She replies: "Oh, if you're sure." and then leaves.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The third time we see her, she's in the Sanbrequois camp near the Crystalline Dominion, trying to sell her salves and potions to a random soldier, who shouts at her before we move to Dion's tent, so she is in the vicinity of where Dion and Joshua meet.
Tumblr media Tumblr media
The 4th time we see her is when she saves Dion in Twinside, and takes him to the slums to patch him up. This is also the first time she isn't refused her healing, since Dion is KO lol.
(Not going to screenshot this since this scene is the longest)
She quickly brings him fresh water and they have a nice heartfelt moment before Dion leaves. He's very grateful for her help and she wants to see him again. When he exits her abode, a gust of wind ruffles his hair and he looks up at the moon, remarking how he owes Joshua his wings.
I think it's very interesting how she interacts with Jill, Joshua and Dion in particular, and how her interactions with each of them become more meaningful every time.
How is she such a proficient healer at such a young age? How does she find clean, drinkable water in the slums? How come she's seemingly so attracted to Dominants, that she's able to find them repeatedly?
I have a nagging feeling that she's tied to Leviathan, maybe even is Leviathan's Dominant who has yet to awaken, because of her connection to water and her healing prowess.
And I think the main characters she interacts with are important, if we are to see future content for the game. I believe Jill to a lesser extent, but in particular Joshua and Dion will be tied into it. Why them two? Because Kihel is in their vicinity twice, if we add her presence in the military camp.
This might be a huge reach, btw, and I could just be overthinking it, but it is very interesting to me to think about.
Edit: Well things just got a lot more interesting:
https://twitter.com/mssaifox/status/1681537453516296193?s=46&t=44odRqVxFzgrQaqdEPYmwg
Tumblr media
154 notes · View notes
hydropyro · 5 months
Text
Tumblr media
You can’t look at this man and tell me he is a vicious narcissistic sociopath on a runaway train of his own elaborate design toward godhood and total domination.
You’ve got the wrong guy. Leave this man alone.
216 notes · View notes
necronatural · 3 months
Text
Limbus Company theory
Okay, I have absolutely no idea if anyone's noted this yet. Did anyone pick up that the Sinners are held down by a Sin, represented in their EGO, and their Canto are about their struggles against another sin entirely. The branch creates a space for 'penance'. When Rodya entered the field of effect of the branch, Baba Yaga went crazy, freezing the entire mine. There's clearly some paralleling at work here.
So let's go through.
Gregor, Canto 1: Sloth V Gluttony (survival); note that this expedition failed, and we later explore Sloth with Yi Sang
Rodion, Canto 2: Pride V Gloom; note that Rodya refused to actualize
Sinclair, Canto 3: Gluttony (Greed) V Lust
Yi Sang, Canto 4: Sloth V Gluttony (greed); Dante's resonance begins
Ishmael, Canto 5: Gloom V Envy; Dante's resonance progresses
When we look at the dominant sins of the remainder...
Heathcliff, Canto 6: Envy...
Don Quixote, Canto 7: Lust…
Hong Lu, Canto 8: Gloom…
Ryoshu, Canto 9: Wrath…
Meursault, Canto 10: Pride…
Outis, Canto 11: Pride…
Faust, Canto 12: Pride…
Dante, Canto ?: ????
Sins not confronted yet: Sloth, Pride, Wrath
Sinner sins left to explore: Envy, Wrath, Lust (If we're talking strictly what progressed Dante's clock, Gluttony & Pride)
Assuming Dante's doomsday clock setting is moving in 5 minute intervals, Dante currently has 2 positions left on their clock; 5 minutes to midnight and midnight itself. It's made almost explicit that their resonance with sinners is the tool with which they resonate with the branches. By obtaining each sin, they're building to some sort of complete whole.
Predictions based on this theory; Pride being so back-heavy probably means we're going to scramble for branches with Hermann. It gives the impression that for whatever reason Pride is necessary, which is interesting.
My own theory: Rodya says she'll settle in the cold [Gloom] for a little longer, and Sonya says she doesn't have the mark. I'd say this might mean Rodya hasn't sufficiently resonated. Sonya may have tried to bait her in hopes of getting better results in this regard.
This may mean ...
The last few Cantos will be a losing streak (LOL)
Someone who hasn't cleansed themselves of their opposing sin/formed the mark of cain will get the branch; I'd imagine this person shares sins with Dante, Vergilius, or Charon, who I believe are probably Envy, Wrath, and Lust respectively (OOP @ WHO WE'RE MISSING ⬆️)
In that respect Vergilius V Sloth, Charon V Pride, Dante V Wrath. I even think the wrath Dante is opposed to could be Vergilius
Very notable there's only 3 sins missing; it could be possible we already have Dante's branch; they were very obviously part of the group of Cain Marked, and again, their clock started at 25-to-midnight and just kind of sat there for a little while. It's also possible it didn't move until Yi Sang because their sin was Gluttony (ambiguous manifestation)? If Hermann also represents Lust ..... Think about it
Rodya's refusal of the call of Cain might become plot-relevant, just as our failure to observe what happened to Gregor on the myth arc timeline of 3 years ago and relationship with the Big Bad makes it obvious he's going to be a core character in the future. We can tell based on those who have the mark of Cain that he just doesn't have the chops, so mayhaps their mutual exclusion will be a surprise tool that will help us later.
And of course, my theories for the sins that weigh down our remaining Sinners: Heathcliff V Sloth, Don Quixote V Wrath, and Ryoshu V Pride. I predict all the Prides share Rodya's opposing force, which is Gloom; we see this in the books these characters are based on, with Meursault's despair of being sentenced to death being overcome by his Pride, Outis putting herself through grueling trials for the sake of returning to her family, and Faust beginning with suicidal depression leading to her pride creating(summoning) Mephistopheles.
I think it would be pretty funny if Dante was Gretchen's evil baby. Or that Gretchen might have been their previous self, manipulated into giving birth to Dante (extremely vulnerable and exploitable state), which they will be disgusted by and put to death. How many representations of the Divine Feminine in classic literature can Dante represent any% speedrun
116 notes · View notes
aimzicr · 29 days
Text
Hunter The Parenting plot thoughts (because I love mysteries and roleplaying and I keep waking up at 2am Thinking About This Plot).
Things that seem important (in various nonspecific order, though somewhat from timeline of video):
Giles is a better fighter than his mates, actually showing some skill (compared to Simon's existence as a wet towel and Brok's brute force)
Harry's focus on Highland Legend seems a bit at odds with his muscles being 'just for lifting things', given the link in pop culture with Highlanders being warriors who fight to be the only one. Still, there's more to study beyond the Hollywood thoughts, and I'm very curious to see what Scottish myths get brought up (if any). He also has access to Storage and Security.
Followup thought: if all the characters are in the World of Darkness (specifically The Reckoning/Vigil), then perhaps each staff and student's respective areas of study reference specifically to one of the games. Fatigue with The Apocalypse/Forsaken, Elise with The Dreaming/Lost (Lost seeming more appropriate because 'I haven't found a single fairy'), and so on. Horse's prophecy referenced 'kine, kindred, garou, milklings, elohim', so that's Hunter, Vampire, Werewolf, Changeling and Demons specifically mentioned. Would Harry's 'highlander studies' be on Mages or Prometheans? Will we see Wraiths/Geists, now or in the future?
Elise does not have access to Storage and Security. Also, I will respect her pronouns at all costs.
The Doctor - Scholar of Psychotronic Studies - the has taken at least two bumps over the course of the night (visible residue on her face at Occam's collapse and just before Brok kicks the door down). You can't show any withdrawal symptoms if you're high on something else (though as Chapman mentioned, even high-level drugs 'don't even compare', but it might take the edge off for a while). Considering her academic focus, she might have been able to make herself a Very Powerful Cocaine. (Actually no 'psychotronic' refers to low-budget movies so WHAT??)
Lord Fatigue - of Lycantropy (not Lycanthropy? A typo, or something else?) - I saw someone posting about him being quickest to recognise the symptoms of someone going through a change, and I highly agree. He's also a lovely old man ('toffee pud', wreathed in golden light from the Archives, etc) so maybe he just doesn't want to see anyone suffer? Kindness often gets punished in WoD games.
Brok is sitting on a different chair. His mother's chair follows him everywhere he goes, does it?
I'm calling it, Chekov's M60s Mounted On A Bus. BUT. Not for this particular arc.
If there are keys to steal, in order to get into the Archives, they would be taken from Occam, Blacklaw, Dr Waters, or Lord Fatigue.
There are no other entryways to the Archives but there may be passages around, beneath, or above the Archives. Walls thin enough to use Vampire Magic through?
Giles knows that Spit is out of Ritalin, which serves as an explanation for Spit's symptoms and proof that the guys keep an eye out for each other.
Spit seems to be the biggest red herring. Something is very wrong with him but it isn't being Ghouled (and it isn't just something that can be managed with Ritalin). Still, when he gives his blood sample, he doesn't give two drops: he hides out of sight and only delivers a blood-smeared chalice. We don't see him giving blood, and the sample is darker than the rest. Older blood? Stored and poured?
It's Elise that pickpockets Giles of all his worldly possessions (while Spit is being consoled by Fatigue). She even takes one of the smokes for herself, having it in her mouth at the top of the stairs and then as she descends. So, then, she handed the smokes over to Olivia at some point. Maybe when Elise was 'looking for Grimal at the time'. A gift? A trade?
At some point after the 'I said FOLLOW MY LEAD' fight, Blacklaw and Brok work to get the Cold Tessellation out of the wall. Where the hell did D go (and why is it under the stairs, digging through old newpapers). How did he get out of that fight?
Grimal is in the Security Room, crying, when Occam is attacked. Could she have seen who attacked Occam, or did she miss it because of her tears? ('Noises of insecurity' in the Security room is pretty funny, I'm sorry.) HOWEVER. Grimal does NOT have access to Security, according to her chapter card... but Elise did steal Giles' keys, so perhaps Elise let Grimal into the Security room? Now the question is, was the door locked behind her? Did Elise leave other doors unlocked as well?
Spit says he knows where Giles' things are. How? A good nose for it? Or just an excuse to get out of the room (where a lot of dead animals are)? He then goes... downstairs, to the Music room. Lord Fatigue says he will go look for Spit, but goes upstairs to the Staff Break Room instead, diagonally above Occam. The minimap shows Spit stressed, Occam tense/in pain, and Fatigue with... the same facial expression. Is Giles doing something to the blood? Is Fatigue doing something to the blood? Is there some direct line of connection between the three? Is there really only one way into the Archives, or is there a way up from below, or down from above? The placement of Spit and Fatigue on the minimap feels incredibly important to figuring out who attacked Occam (even if that doesn't have anything to do with the ghoul).
Elise is in the middle of taking her ponytail out when Kitten returns from his pacing and fuming and brief stop in the kitchen. As a ponytail haver, the decision to NOT undo the hair after starting to do so is significant. But then again, maybe giving her a different animation model wasn't in the cards for the episode. (She's hot enough already idk).
There are large claw marks on a lot of walls and doors in the Chapter House…
There are 15 people in the Chapter House, but 16 cups are strewn about when Occam is found. All 16 cups are bloody. Someone else is present? Someone left an extra cup, some extra blood?
Kitten is focusing on 'who could have attacked Occam as we were leaving' but is that really the timing of the attack?
'Your papa could never take a punch like that' says the man who has been fighting Blacklaw all evening. Playfighting? They've been playfighting this whole time? Yet the man can handle a bottle being thrown at him by Marckus, so he at least has some grit.
"Look. It's the same. Indisputable." So if Blacklaw cannot tell the difference between 'a bleak British man and a middle-eastern meat-slab', either his eyesight is shitty and thus he cannot be trusted to give any trustworthy visual evidence, OR, he hasn't looked at D in actual decades because D is the Devil and must not be observed directly. Which is kinda countered by how often they face off and glare at each other, so.
Other things that might be of note and/or are things I noticed:
Amanda's blue gloves - does she have a latex allergy? Or does the Arcanum not provide boxes of disposable gloves for the staff and they have to just make do with one set each? As someone who worked back of house in hospitality, this seems... bad.
Both Blacklaw and D have yellow and black as a major colour to their outfits, but inverse to each other (jacket and tank top vs jacket and vest). IDK maybe that's something worth noting, or it shows how more alike than they like to admit.
Hardcore Kitten steadying inhale in front of the portrait of the dead knight made me think to how TTS ended... Then again, the man out here killed a vampire with a shove and an iron fence while being badly hurt so like. Man's badass enough on his own.
Git works with the Lady Regent's favourite daughter. Could Poly have slipped him something, made him a ghoul without his knowledge? Man can reverse-drink a beer but his favourite food being available at his place of work could lend itself to some Manager-induced tampering of the safety seals.
Kevin was invited to the 'funny phrenology library' but decided to stay in the basement. He might have recognised the ghoul right away. He also might have gotten D's family Blood Hunted AND targetted by the Coalition, if that were the case. For reasons of safety first, comedy second and plot third, Kevin stays at home.
Hey uh what's the Penis Explosion Room on the mini map and why is it Elite Access and also why is it there and why is there no doorway to it and also what
Harry being able to get dressed very quickly between listening in at the door and then D showing up with the keys. I know he doesn't really do Anime but I feel like that must have been a magical girl transformation somehow (/j)
Guy Chapman might be the most dangerous ghoul at the moment: 'sharpened senses, inhuman strength, even the power to bend minds' He did drink the blood of Kevin, a Vampire Wizard. I'm thinking about Marckus' night pubbing, and how Chapman heard the beginning of the vampire talk, as well as the fact that Brok's first and second knife broke dramatically. The cop did it, with his new vampire magic.
The portrait on the wall (when Elise is doing D's hair) - baby Occam is adorable, I'm sorry his mother is a Blacklaw but she seems far more hinged than Remold, is baby Brok okay, is Brok's mother the blonde woman from the interrogation room - if so who is the woman standing with Blacklaw? And the slacker behind her? A Blacklaw Family Drama photo, I'm very pleased.
'Amanda never sweats, she's lower class' I've never seen a Rich Bastard in media who thinks this, this is fascinating. Normally it's 'sweating is for the lower classes' but here we are in the reverse. Does Blacklaw think the 'lower class' are literal automatons or
Fatigue dies in the room where his younger Hunter self is immortalised in a portrait on the wall. Taller, younger, still with the same glasses, nose, and ears. Just how old is he?
Side note: 'did anyone find out if Mummies are real yet' - yes, Marckus, they did, in The Resurrection/Curse. You were right.
99 notes · View notes
flightyquinn · 4 months
Text
Since I'm once again reminded about how D&D 3.5 specifically encouraged players to pitch ways that their character is different from the standard statblock to their DM, here's a bit of theorycraft;
Eitrik Goldenbrook is a half-orc, born in a large trade city. He is the only child of an orcish workman and an elven barmaid (he counts as Orc and Elf, rather than Orc and Human). As orcs typically don't have surnames, he and his father use his mother's, and even Eitrik's first name comes from his dwarven godfather, one of his father's coworkers and a good friend of both his parents.
Physically, Eitrik takes more after his mother than his father, inheriting her slender, graceful build (he trades the +2 Con half-orcs get for the +2 Dex given to elves). On the other hand, he still has prominent tusks and notable green skin, making him mostly just look like a particularly lank and gangly orc. He has been teased by his peers about this, and developed a bit of a temper about it, which along with his difficulty speaking around his tusks makes it hard for him to make good impressions. However, he has still received a proper education, even if living in the city means he is less "in tune" with the natural world than orcs raised in the tribes (he trades his -2 Int for -2 Wis, but keeps the penalty to Cha).
58 notes · View notes
an-s-sedai · 8 months
Text
I expect this to be an extremely controversial opinion, but [end series Perrin spoilers ahead]
imho it would be a solid choice to kill Perrin mid-Last Battle. He never faces real consequences for his refusal to accept things about himself and his role in the end of the 3rd Age, and it would be thematically interesting. Rand 'dies' and lives incognito in Moridin's body. Mat's dreams die and he faces the task of a lifetime in changing Seanchan society with his channeler-potential-having wife. Perrin refuses to face his destiny and dies for it.
And in that vein, I really REALLY hope they choose not to kill off Egwene.
84 notes · View notes