omg guys I just found my beautiful, hardcover, illustrated, deluxe 30th anniversary edition of The Princess Bride and I forgot how fucking stunning this fucking book is 😭😭😭
I thought it was so gorgeous when it was gifted to me for Christmas several years ago from my mother that I never even opened it up long enough to read any of it because I fucking cherished this copy of one of my all time favorite book and film adaptions so so so much, I didn’t want to mar the book at all by reading it because it’s just so beautiful that I packed it away, in a separate box, cushioned by my own shirts since I don’t have a bookcase anymore, and just kept it safe there and, UGH !!! it still looks pristine now that I’ve taken it back out !!! 🥺🥺🥺
but now I have the urge to actually open it and read it, because I haven’t read the book in like 20 years now and it was one of my favorites the first time my mom let me borrow her copy when I was 7-8 years old. and then when I bought my own hand me down falling apart ass paperback version I found at the library for like $2 during one of their like book sale things when I was 10, and read it over and over again until it was missing pages. like, that’s how much I love this book. I read it to DEATH. like. that book was so loved that I read it until it couldn’t be pieced back together anymore. and even though it was in rough shape when I got it, I didn’t care. I loved it because it was finally MY copy. and now I have this just absolutely gorgeous copy to replace that old falling apart book I had lost ages ago and was devastated about, and it’s one of my most prized possessions.
I’m going to be much more careful when reading this version, seeing as it is a deluxe anniversary edition that was gifted to me, and has quite a lot of beautifully illustrated pages and even some extra chapters. and because, eventually, I want to pass it down to my kids so they can read their mother’s favorite book, from her own copy of it (if I ever have any kids, that is), like my mother did by letting me read her copy and just fall in love with the story. which is a big part what instilled my love for this book/film at a very young age, that connection over it that I had with my mother, because her and I have never really connected on much so this book holds a lot of sentimental value to me. and I want to one day pass that down to my children for them to read (not keep, just read and decide if they want their own copy so I can go buy them an edition of it, like my mother did by gifting me this edition when it released even though it was years and years after I’d first read the book and fell in love with it, she just remembered how enamored I was with the story and the characters that she wanted to surprise me with a brand new, beautiful copy of my own). so I’ve def gotta keep it in really good condition. that’s my drive to not ruin this book and read it to death like my poor old paperback version I had, lol 🥺🖤
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started getting really into Cosmo Sheldrake and though he needed some merch as interesting as his music!
the album, The Much Much How How and I (Deluxe Edition), looks like this (fig. 2) while the merch looks like this (fig. 3)
which is all well and good and realistically feasible with screen printing and whatnot, but i have photoshop and some assignments to procrastinate so i drew these up. (fig. 4)
+ an alternative backing with the albums songs (fig. 5 and 6)
I might try my hand at Eye to the Ear after this but we'll see :P
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did niall ever go in detail to why the show is 30 minutes long compared to his last 2 albums that were way longer?
idk actually? i kinda fell off as he was still in the middle of promo, so i def didn't watch or listen to or read every single thing that's come out about it. if i had to guess, i'd say it's probably down to industry-wide trends due to streaming? a shorter album / shorter songs means you can rack up streams a lot faster in the same amount of time than you could if the songs / album was longer 🤷♀️
but if anyone has any links where he talked about it, feel free to share a link cause i'm very interested now that it's been brought up!!
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I really love the personality descriptions on the character sheets that came with the digital deluxe edition of the game:
"Astarion drips with charm before everyone he meets. How much of it is an act, even he himself isn't sure of anymore."
"Gale uses his intelligence as a shield for navigating most areas of his life. Behind that wide vocabulary he hides a wounded heart, one more vulnerable than he cares to admit."
"Karlach is overwhelmed by her good fortune at every turn: She had given up on leaving Hell, but now finds old scars might heal after all."
"While Lae'zel is determined to solve her problems as efficiently as possible, she increasingly finds her curiosity sparked by the new world she is in."
"Personality is a luxury to Sharrans who regularly must travel clearminded without it. The odd thing slips through: [Shadowheart's] favourite animals are mice, and she finds herself humming songs that she never heard before."
"The very picture of selflessness, Wyll has never put himself before anyone in his life. Even his very pact was a personal sacrifice made to bring others out of peril."
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Hard to believe Nine Inch Nails' classic The Downward Spiral is 30 years old today! Here is some detail photography I took of the original album cover painting by Russell Mills for the 10th anniversary deluxe edition release, which I had the unique honor of designing, and somehow that is now 20 year old.
Everyone has that one album that hit at just the right moment of adolescence to change their perspective on music and get them through their teenage angst. The Downward Spiral was that album for me, released as it was in 1994, when I was a freshman in high school (and an absolute banner year for music/films/games all around). I must have stared at the artwork for hours over those years, without even much detail to draw from on its tiny 5” CD slip case. So five years later, when I found myself inexplicably working for Nine Inch Nails, it was surreal to see the actual original painting in the flesh, hanging as it was at the time in Trent Reznor’s office at Nothing Studios, New Orleans.
I was struck by how much dimension and texture there was in the artwork that never translated on that tiny slipcase printing, how much detail was happening in the physical materials of the art: Flies, moths, wires, blood… I had been staring at this “painting” for so long, yet suddenly it was like I had never seen it before. I also noticed that it had aged - the wires had wilted over the years, drooping down from their original position as captured in the original album cover (interestingly, judging by the photo posted today by NIN, the piece has since been restored); a tooth was missing from the other main piece.
That experience stuck with me and it was the first thing I thought about when the task of re-imagining the album package fell upon me in 2004. I wanted to re-photograph the artwork, subtly updating the cover to show that ten years had changed it physically, much like our perceptions of art and music and memories change over time with perspective. I also wanted to dig into the previously unseen details of the work and explore it with my macro lens, so that fans like me, old and new, could have new layers of texture to pore over for hours while listening to a legendary album.
Happy birthday, old friend.
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