#Purchase Online Essays

[itphobia]

Pros and Cons of Buying an Essay

Pros and Cons of Paying Someone to Write Your Essay Embarking on the academic journey, students often find themselves at a crossroads, especially when deadlines loom and the balance between academic responsibilities and personal life tilts. Using essay writing services presents itself as a beacon for many in these times of need. It’s a complex decision, influenced by the pressures of achieving…

View On WordPress

#advantages and disadvantages of buying essays #benefits and drawbacks of buying an essay #best practices for purchasing essays #buying an essay pros and cons #buying essays online advantages #buying essays vs writing them #ethical concerns of buying essays #is buying essays a good idea #pros and cons of purchasing essays online #risks of buying essays

[rollercoasterwords]

the tiktokification of ao3

or: some of you fundamentally misunderstand ao3 and it really, really shows

i was talking about this with a friend a few days ago and since then i've seen multiple posts of various sorts that have just made me think about it more, so. here is me breaking down a disconnect i see particularly with younger members of the marauders fandom (i say marauders specifically just bc that's the only one i'm plugged into):

okay, so i've seen many (usually younger) marauders fans either talking online about how they wish ao3 was more like social media (specifically regarding algorithms) OR talking about ao3/fanfiction/fanfic writers as if they are operating under the same etiquette/guidelines/assumptions they would bring into social media platforms. this ranges from being mildly irritating to genuinely harmful, and i want to talk abt why.

first - you have to understand that social media, in this day and age, exists in a profit economy. and when i say social media here, i'm referring to platforms like tiktok, twitter, instagram, etc. all of these platforms exist in a profit economy where content is a product that can be monetized. this leads to a few important distinctions:

people posting on these social media platforms are generally posting with the intent to get their content seen by as many people as possible, as quickly as possible

they post with this intent because once their content is consumed by enough people, it becomes a product that they can monetize

therefore, if that content gets popular enough, these people can become influencers, where content creation is an actual job and their audience are, in a sort of vague and obscured way, similar to consumers purchasing a product

because of the profit economy surrounding social media, there are certain assumptions + forms of interaction that bleed across almost all social media platforms. the ones relevant to this little essay include:

operating under the assumption that anyone posting anything on the internet wants to go viral, ie. be seen by as many people as possible as quickly as possible in order to grow an "audience"

these influencers are creating content for us, their audience, so they should want to please us. they should also be trying to appeal to the broadest possible audience. therefore, if we dislike their content, we have a right to make that very, very clear.

in that same vein, we have a general right to critique content creators, as they are making a profit and we are the consumers purchasing their product--much like you might feel entitled to a certain standard of service in a restaurant where you are paying for the food.

when you carry these assumptions over to a platform like ao3, it creates problems. why? in a nutshell: because ao3 exists outside the profit economy

ao3 is a non-profit. it does not have an algorithm because it is not trying to sell you anything. this means that the writers posting their work on ao3 are not making a profit. we are not influencers. we are not creating monetized content to sell to a consumer-audience. where consuming content on other social media platforms might be comparable to eating at a restaurant, reading fanfiction on ao3 is more like coming over to someone's house and eating cookies that they made for free. you are in their house. the cookies are free, given as a gift. so what happens when those assumptions outlined above start to bleed over from other social media?

assuming that anyone posting fanfiction online wants their work to go viral -- i've seen this with popular fic writers getting questions like, "are you worried x isn't going to be as popular as y?" those questions are usually not ill-intended, but they demonstrate a fundamental lack of understanding about why writers post work on ao3. it's not to go viral. it's not to build any sort of online following. most of us who post on ao3 have jobs or schoolwork or other commitments, and writing fanfiction is something done for fun, out of a love for writing. those sharing their work online might be seeking community, but that is fundamentally different from seeking an audience, and in no way involves internet virality. if someone is posting fanfic on ao3 with the hope that it'll "go viral," then they likely either won't continue writing fanfic for long or will reach a point where they have to re-evalute their motivations, because seeking joy and validation by turning your art into a product for consumption just isn't very sustainable.

influencers are creating content for us, so we have a right to let them know if we don't like it -- nope!! fic writers are not influencers. yes, even the popular ones. no matter how much other people might blow their work up on social media, fic writers are still outside the profit economy. they are not creating content for an audience. they are not creating content for you. they are writing because they love it, and they are generously sharing it. if you don't like it, don't interact with it. you are never entitled to loudly and publicly proclaim how much you dislike a fic. i talk about this more here

we have a general right to critique fic writers, the same way we do with content creators/influencers -- again, no. you should not be treating fic writers the way you would treat an influencer on another social media platform, no matter how popular they may be. this is not to say fic writers are beyond all reproach; rather, it is a call-in to check your entitlement. fic writers are not little jesters entertaining in your court. they are not subject to your whims. they do not have to do things for you. they do not have to write things you like. in that post i linked on point 2, i talk about what etiquette might look like if you're really concerned that a fic writer is doing something harmful, but that is not what i'm talking about here. i am talking about the proliferation of negativity i have seen, especially on twitter and tiktok, where people essentially just talk shit about fics or fic writers as though they are entitled to have those fic writers working to please them. this is gross, and it needs to stop. you wouldn't go over to someone's house, eat the cookies they baked to share, and then spit those cookies back in their face and start shouting about what a shitty baker they are. or maybe you would--in which case, congratulations! you are Not A Good Person.

anyway, at the end of the day, a lot of this can be boiled down to: Because ao3 exists outside the profit economy, fic writers are not influencers, and you should never be treating them as though they are. i think i see this disconnect largely with younger people just because they've maybe only ever really understood social media within this sort of influencer-consumer-culture economy, and genuinely don't understand how to interact differently with the internet. so, consider this post a call-in to reevaluate the way you interact with fic writers and the etiquette you use when it comes to engaging with fanfic on ao3! i promise that ao3 being different from social media is a very, very good thing, and also a very, very rare thing, so let's treasure it and focus on fostering community rather than trying to morph it to fit the mould of influencer-audience dynamics that we see almost everywhere else <3

#tldr: fic writers aren't influencers #stop acting like they are #it only creates problems!!!! #anyway if you have engaged in some of these behaviors that doesn't make u a bad person #it just means u should maybe shift ur perspective moving forward #capitalism is a lifeless desert that grows every day and ao3 is a little oasis #let's all enjoy it while we can #instead of trying to place it within a consumer economy #ranting and raving #txt

[shopsalary]

Advantages and Disadvantages of Online Shopping

Advantages and Disadvantages of Online Shopping

Advantages and Disadvantages of Online Shopping; Digital wallets and automated checkout systems have made shopping online more convenient than ever. Now, you can buy just about anything without leaving your home. The convenience of online shopping extends beyond the virtual realm, too. With the rise of e-commerce websites and mobile apps, purchasing from a merchant has never been easier than it…

View On WordPress

#credit #credit card #online shopping #Purchasing #shopping #advantages and disadvantages of online shopping #advantages and disadvantages of online shopping essay #is the limitation of online shopping the risks and challenges of credit card purchases #online shopping with a credit card? #protect yourself while shopping online #shopping online. #The Limitation of Online Shopping: The Risks and Challenges of Credit Card Purchases #what are the advantages and disadvantages of online shopping #What are the risks of credit card purchases

[jamsandsuch]

advice for first year uni students from a uni senior

the roommate(s) will always be more important than the room

+ for roommates, SET. CLEANING. EXPECTATIONS. EARLY. don't wait until you're uncomfortable with how much mess is in the kitchen for you to start thinking if you should bring it up or not. set standards and make them clear.

put your key on a lanyard and hang it from your doorknob when you’re at home so you don’t forget it on the way out

if your dorm has a shared laundry room, set your timer for when your laundry finishes ~5 mins early to give you time to walk from your room to the laundry - especially during weekends/evenings/finals people wont have the patience to wait for you - even if your load just finished

If you have noodle arms like me, buy yourself one of those collapsible grocery carts you drag behind you like a luggage - best purchase i've ever made

Or if you're lazy, order online - but order on a free day because even if you schedule a time they're always gonna come stupid early and you dont want any frozen items to get spoiled or have your groceries stolen

DONT BUY ANY TEXTBOOKS/MATERIALS UNTIL THE FIRST WEEK/CLASSES ARE OVER. sometimes you’ll have early access to the booklist or syllabus and go ahead and start buying textbooks, but increasingly often you’ll buy the materials and show up to class just to find your prof has uploaded scanned copies of everything. *save your money*, wait!

BEFORE SCHOOL STARTS - look at your class schedule and walk around campus to find each classroom. you will probably get lost on day 1 and so will many other students so this will save you a lot of walking around bumping into other lost first years

trust me after a few weeks you won’t be waking up for that 8am class. i know you did it 5 days a week in high school, but there’s a reason uni students are allergic to morning classes. know your natural energy/attention levels and take advantage of the freedom to build your schedule around your energy fluctuations

compress/stack your class schedule as much as possible. if you absolutely do need breaks, make them at least 1.5-2 hours long or you probably wont get anything productive done and minimize these long breaks as much as you can so you can just get your day over with sooner

work smarter, not harder - when school starts note each course’s assessment type by quizzes/finals/essays. if i ever have a course thats just essays, i only do lecture notes + write my own annotations about readings rather than taking notes on them which saves time i can dedicate to textbook notetaking for courses with frequent quizzes + finals

if your school has benefits/discounts/insurance - know what it is and USE IT.

most clubs wont be like high school where there are regular meetings you attend. unless youre in the exec team the membership fee you pay/when you sign up for membership it’s just for access to their events when they happen. if you want to be involved in a club in a way thats as involved as high school, look at their social media pages for hiring.

+ as someone who has had to hire before - if you’re nervous, literally just do it. i was in an exec position for our student union services and once only had like 3 applicants to pick from

if you want to be noticed by a professor, sit in the front row. and always answer/ask questions - it doesn’t matter if you said anything of substance or not, they will remember that you contributed

that and also always make the point to say hello and goodbye! eventually (in my experience) if you come early enough and are just waiting for class to start, a conversation will happen - make these regular enough and you could have an important connection!

disclaimer: of course, not all of this might be something that resonates with you/possible for your course or school, so in the words of my cousin - take what resonates

+ anyone else is free to add on!!

#studyblr #studyspo #college life #academia #university student #aesthetic #college student #university #college #study #mine

[bfpnola]

Trans Reads is an ambitious project created by and for transgender people to openly access writing related to our communities. We believe education should be free and writing shouldn’t be behind a paywall. Transreads.org provides the opportunity to access, discuss, and distribute texts for free.

If you’re looking for books, chapters, texts, essays, or articles by, for, or about people who transverse or transcend western gender norms, you’re in the right place!

Trans Reads was formed through the work, consulting, and creativity of an anonymous group of trans people of various genders and races around the U.S. involved in organizing, academia, and trans liberation efforts. Trans Reads was launched in 2019 following increasing violence against trans people alongside the lack of accessible resources for trans people to learn about our own community.

There is a serious barrier for most trans people accessing content from our community. Trans people on average have less disposable income, time to read and purchase literature, and knowledge of the available texts. We created Trans Reads to address this problem directly. We offer the largest collection of free trans texts on the internet.

Get Involved:

Trans Reads is almost entirely generated through user content. By uploading, you can help a trans teen in a rural area learn about other girls like her. You could help a trans student who can’t afford a textbook easily pass their class. You can even share your own writing with the world on an easy-to-use platform exclusively for trans content. You can help grow our collection on our upload page. If you are interested in helping us upload texts for our collection, you can reach out on our contact page.

Ethics:

We are faced with the common ethical question about hurting the sales of trans authors. However, the largest ever study on piracy actually found that the piracy of copyrighted books, music, video games, and movies has no effect on sales. In the case of video games, piracy actually helped sales. As far back as 2002, we can see piracy boosting sales of media. Trans Reads strongly encourages you to purchase the books that you enjoy here or find other ways to support the author.

Academic authors rarely – if ever – see income from sales of their books, articles, or chapters. Most want to remove the paywalls withholding their content. Trans Reads is open to collaborating with authors, publishers, and journals on making this a possibility through our website.

History:

In 2014, Leslie Feinberg published the 20th-anniversary edition of Stone Butch Blues, one of the most influential works of transgender literature. The novel was a way for trans, gender nonconforming, and queer people to realize ourselves. It told us we aren’t alone. However, when the publisher went bankrupt, Leslie had to struggle to regain ownership over hir own novel.

“I had to work to recover my rights to Stone Butch Blues. When the first publisher went into Chapter 11 court, I had to spend thousands of dollars of my wages on legal fees to recover the right to this novel… While very ill in Spring 2012, I recovered my rights again.”

Ze didn’t want the book to be released as a film adaptation exploiting hir story for straight fantasies. Ze also used the opportunity to make the book more accessible. First editions shot up into hundreds of dollars. The least expensive print versions are still over $30 on Amazon. This simply isn’t affordable to most queer and trans people. The fight ended with Leslie publishing hir novel on hir website as a PDF, a strategy of reclaiming transgender narratives from greedy publishes by collective ownership of the text.

Trans Reads is dedicated to the memory of Leslie and all those who feel alone. Most individuals don’t have institutional access and cannot afford to pay for texts. Transreads.org allows visitors to effortlessly read texts by, for, or related to trans people online for free as PDFs. Trans Reads is the space where anyone can easily discuss, add, or download trans content.

This project is intended to foster discussion around the current state of learning. We refuse paywalls and withholding education. Trans Reads provides the opportunity to access, discuss, and distribute texts related to our community on its website in a matter of seconds.

Knowledge, learning, and community must be de-commodified for our collective liberation. Take it from Leslie:

“And on the day those paper deeds of ownership are torn up, it won’t matter about protecting Stone Butch Blues anymore from commercial exploitation.”

Authors shouldn’t live in fear of their work being exploited or inaccessible. Trans Reads is just one small part of trans autonomy from corporate publishers. However, it is a necessary step toward engaging with our radical history, politics, and futures.

Click here to upload a text.

#trans #queer #resources #educational equity #reaux speaks

[mostlysignssomeportents]

Everything advertised on social media is overpriced junk

In “Behavioral Advertising and Consumer Welfare: An Empirical Investigation,” a trio of business researchers from Carnegie Mellon and Pamplin College investigate the difference between the goods purchased through highly targeted online ads and just plain web-searches, and conclude social media ads push overpriced junk:

https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4398428

If you’d like an essay-formatted version of this thread to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/04/08/late-stage-sea-monkeys/#jeremys-razors

Specifically, stuff that’s pushed to you via targeted ads costs an average of 10 percent more, and it significantly more likely to come from a vendor with a poor rating from the Better Business Bureau. This may seem trivial and obvious, but it’s got profound implications for media, commercial surveillance, and the future of the internet.

Writing in the New York Times, Julia Angwin — a legendary, muckraking data journalist — breaks down those implications. Angwin builds a case study around Jeremy’s Razors, a business that advertises itself as a “woke-free” shaving solution for manly men:

https://www.nytimes.com/2023/04/06/opinion/online-advertising-privacy-data-surveillance-consumer-quality.html

Jeremy’s Razors spends a fucking fortune on ads. According to Facebook’s Ad Library, the company spent $800,000 on FB ads in March, targeting fathers of school-age kids who like Hershey’s, ultimate fighting, hunting or Johnny Cash:

https://pluralistic.net/jeremys-targeting

Anti-woke razors are an objectively, hilariously stupid idea, but that’s not the point here. The point is that Jeremy’s has to spend $800K/month to reach its customers, which means that it either has to accept $800K less in profits, or make it up by charging more and/or skimping on quality.

Targeted advertising is incredibly expensive, and incredibly lucrative — for the ad-tech platforms that sit between creative workers and media companies on one side, and audiences on the other. In order to target ads, ad-tech companies have to collect deep, nonconsensual dossiers on every internet user, full of personal, sensitive and potentially compromising information.

The switch to targeted ads was part of the enshittification cycle, whereby companies like Facebook and Google lured in end-users by offering high-quality services — Facebook showed you the things the people you asked to hear from posted, and Google returned the best search results it could find.

Eventually, those users became locked in. Once all our friends were on Facebook, we held each other hostage, each unable to leave because the others were there. Google used its access to the capital markets to snuff out any rival search companies, spending tens of billions every year to be the default on Apple devices, for example.

Once we were locked in, the tech giants made life worse for us in order to make life better for media companies and advertisers. Facebook violated its promise to be the privacy-centric alternative to Myspace, where our data would never be harvested; it switched on mass surveillance and created cheap, accurate ad-targeting:

https://lawcat.berkeley.edu/record/1128876?ln=en

Google fulfilled the prophecy in its founding technical document, the Pagerank paper: “advertising funded search engines will be inherently biased towards the advertisers and away from the needs of the consumers.” They, too, offered cheap, highly targeted ads:

http://infolab.stanford.edu/~backrub/google.html

Facebook and Google weren’t just kind to advertisers — they also gave media companies and creative workers a great deal, funneling vast quantities of traffic to both. Facebook did this by cramming media content into the feeds of people who hadn’t asked to see it, displacing the friends’ posts they had asked to see. Google did it by upranking media posts in search results.

Then we came to the final stage of the enshittification cycle: having hooked both end-users and business customers, Facebook and Google withdrew the surpluses from both groups and handed them to their own shareholders. Advertising costs went up. The share of ad income paid to media companies went down. Users got more ads in their feeds and search results.

Facebook and Google illegally colluded to rig the ad-market with a program called Jedi Blue that let the companies steal from both advertisers and media companies:

https://techcrunch.com/2022/03/11/google-meta-jedi-blue-eu-uk-antitrust-probes/

Apple blocked Facebook’s surveillance on its mobile devices, but increased its own surveillance of Iphone and Ipad users in order to target ads to them, even when those users explicitly opted out of spying:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Today, we live in the enshittification end-times, red of tooth and claw, where media companies’ revenues are dwindling and advertisers’ costs are soaring, and the tech giants are raking in hundreds of billions, firing hundreds of thousands of workers, and pissing away tens of billions on stock buybacks:

https://doctorow.medium.com/mass-tech-worker-layoffs-and-the-soft-landing-1ddbb442e608

As Angwin points out, in the era before behavioral advertising, Jeremy’s might have bought an ad in Deer & Deer Hunting or another magazine that caters to he-man types who don’t want woke razors; the same is true for all products and publications. Before mass, non-consensual surveillance, ads were based on content and context, not on the reader’s prior behavior.

There’s no reason that ads today couldn’t return to that regime. Contextual ads operate without surveillance, using the same “real-time bidding” mechanism to place ads based on the content of the article and some basic parameters about the user (rough location based on IP address, time of day, device type):

https://pluralistic.net/2020/08/05/behavioral-v-contextual/#contextual-ads

Context ads perform about as well as behavioral ads — but they have a radically different power-structure. No media company will ever know as much about a given user as an ad-tech giant practicing dragnet surveillance and buying purchase, location and finance data from data-brokers. But no ad-tech giant knows as much about the context and content of an article as the media company that published it.

Context ads are, by definition, centered on the media company or creative worker whose work they appear alongside of. They are much harder for tech giants to enshittify, because enshittification requires lock-in and it’s hard to lock in a publication who knows better than anyone what they’re publishing and what it means.

We should ban surveillance advertising. Period. Companies should not be allowed to collect our data without our meaningful opt-in consent, and if that was the standard, there would be no data-collection:

https://pluralistic.net/2022/03/22/myob/#adtech-considered-harmful

Remember when Apple created an opt out button for tracking, more than 94 percent of users clicked it (the people who clicked “yes” to “can Facebook spy on you?” were either Facebook employees, or confused):

https://www.cnbc.com/2022/02/02/facebook-says-apple-ios-privacy-change-will-cost-10-billion-this-year.html

Ad-targeting enables a host of evils, like paid political disinformation. It also leads to more expensive, lower-quality goods. “A Raw Deal For Consumers,” Sumit Sharma’s new Consumer Reports paper, catalogs the many other costs imposed on Americans due to the lack of tech regulation:

https://advocacy.consumerreports.org/wp-content/uploads/2023/04/A-Raw-Deal-for-US-Consumers_March-2023.pdf

Sharma describes the benefits that Europeans will shortly enjoy thanks to the EU’s Digital Markets Act and Digital Services Act, from lower prices to more privacy to more choice, from cloud gaming on mobile devices to competing app stores.

However, both the EU and the US — as well as Canada and Australia — have focused their news industry legislating on misguided “link taxes,” where tech giants are required to pay license fees to link to and excerpt the news. This is an approach grounded in the mistaken idea that tech giants are stealing media companies’ content — when really, tech giants are stealing their money:

https://pluralistic.net/2022/04/18/news-isnt-secret/#bid-shading

Creating a new pseudocopyright to control who can discuss the news is a terrible idea, one that will make the media companies beholden to the tech giants at a time when we desperately need deep, critical reporting on the tech sector. In Canada, where Bill C-18 is the latest link tax proposal in the running to become law, we’re already seeing that conflict of interest come into play.

As Jesse Brown and Paula Simons — a veteran reporter turned senator — discuss on the latest Canadaland podcast, the Toronto Star’s sharp and well-reported critical series on the tech giants died a swift and unexplained death immediately after the Star began receiving license fees for tech users’ links and excerpts from its reporting:

https://www.canadaland.com/paula-simons-bill-c-18/

Meanwhile, in Australia, the proposed “news bargaining code” stampeded the tech giants into agreeing to enter into “voluntary” negotiations with the media companies, allowing Rupert Murdoch’s Newscorp to claim the lion’s share of the money, and then conduct layoffs across its newsrooms.

While in France, the link tax depends on publishers integrating with Google Showcase, a product that makes Google more money from news content and makes news publishers more dependent on Google:

https://www.politico.eu/article/french-competition-authority-greenlights-google-pledges-over-paying-news-publishers/

A link tax only pays for so long as the tech giants remain dominant and continue to extract the massive profits that make them capable of paying the tax. But legislative action to fix the ad-tech markets, like Senator Mike Lee’s ad-tech breakup bill (cosponsored by both Ted Cruz and Elizabeth Warren!) would shift power to publishers, and with it, money:

https://www.lee.senate.gov/2023/3/the-america-act

With ad-tech intermediaries scooping up 50% or more of every advertising dollar, there is plenty of potential to save news without the need for a link tax. If unrigging the ad-tech market drops the platforms’ share of advertising dollars to a more reasonable 10%, then the advertisers and publishers could split the remainder, with advertisers spending 20% less and publishers netting 20% more.

Passing a federal privacy law would end surveillance advertising at the stroke of a pen, shifting the market to context ads that let publishers, not platforms, call the shots. As an added bonus, the law would stop Tiktok from spying on Americans, and also end Google, Facebook, Apple and Microsoft’s spying to boot:

https://pluralistic.net/2023/03/30/tik-tok-tow/#good-politics-for-electoral-victories

Mandating competition in app stores — as the Europeans are poised to do — would kill Google and Apple’s 30% “app store tax” — the percentage they rake off of every transaction from every app on Android and Ios. Drop that down to the 2–5% that the credit cards charge, and every media outlet’s revenue-per-subscriber would jump by 25%.

Add to that an end-to-end rule for tech giants requiring them to deliver updates from willing receivers to willing senders, so every newsletter you subscribed to would stay out of your spam folder and every post by every media company or creator you followed would show up in your feed:

https://pluralistic.net/2022/12/10/e2e/#the-censors-pen

That would make it impossible for tech giants to use the sleazy enshittification gambit of forcing creative workers and media companies to pay to “boost” their content (or pay $8/month for a blue tick) just to get it in front of the people who asked to see it:

https://doctorow.medium.com/twiddler-1b5c9690cce6

The point of enshittification is that it’s bad for everyone except the shareholders of tech monopolists. Jeremy’s Razors are bad, winning a 2.7 star rating out of five:

https://www.facebook.com/JeremysRazors/reviews

The company charges more for these substandard razors, and you are more likely to find out about them, because of targeted, behavioral ads. These ads starve media companies and creative workers and make social media and search results terrible.

A link tax is predicated on the idea that we need Big Tech to stay big, and to dribble a few crumbs for media companies, compromising their ability to report on their deep-pocketed beneficiaries, in a way that advantages the biggest media companies and leaves small, local and independent press in the cold.

By contrast, a privacy law, ad-tech breakups, app-store competition and end-to-end delivery would shatter the power of Big Tech and shift power to users, creative workers and media companies. These are solutions that don’t just keep working if Big Tech goes away — they actually hasten that demise! What’s more, they work just as well for big companies as they do for independents.

Whether you’re the New York Times or you’re an ex-Times reporter who’s quit your job and now crowdfunds to cover your local school board and town council meetings, shifting control and the share of income is will benefit you, whether or not Big Tech is still in the picture.

Have you ever wanted to say thank you for these posts? Here’s how you can: I’m kickstarting the audiobook for my next novel, a post-cyberpunk anti-finance finance thriller about Silicon Valley scams called Red Team Blues. Amazon’s Audible refuses to carry my audiobooks because they’re DRM free, but crowdfunding makes them possible.

Image: freeimageslive.co.uk (modified) http://www.freeimageslive.co.uk/free_stock_image/using-mobile-phone-jpg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/

[Image ID: A man's hand holds a mobile phone. Its screen displays an Instagram ad. The ad has been replaced with a slice of a vintage comic book 'small ads' page.]

#pluralistic #ad-tech #ads #surveillance ads #commercial surveillance #behavioral ads #contextual ads #link taxes #platform economics #enshittification #instagram #julia angwin #end to end

[fiercynn]

palestinian poets: yahya ashour

yahya ashour is a touring poet and an awarded author.

ashour was born on april 22nd, 1998 in gaza, where he grew up and continuously resided until september 2023, when he came to the united states to participate in a festival, and wasn't able to go back home since the beginning of the genocide in gaza. he is currently staying in saline, michigan.

ashour was a 2022 university of iowa fellow and is a current 2024 mizna fellow. he has been published in numerous outlets around the world in arabic and in translation, and his first two books were the 2018 poetry collection لهذا ريان يمشي هكذا and the 2021 children's book لهذا ريان يمشي هكذا. he has also taught creative writing and literacy skills to both children and adults at various community organizations in gaza.

on march 29, 2024, ashour released A Gaza of Siege & Genocide: excerpts, a poetry book in english written and illustrated by him and published by mizna. all proceeds from this collection go to helping ashour's nineteen family members escape genocide, so please, please, please purchase this e-book before you read his other poetry, and give generously if you can.

since fall 2023, he has been reading poetry and talking across the united states about the genocide in gaza. his poetry reading is called: “What the World’s Silence Says: A Reading With Gazan Poet Yahya Ashour”. his current tour schedule and and ways to contact him are all listed at his website. he is also looking to be connected with any university, speaking organization, or media outlet around the world that might be interested in having him speak in-person or online about the book, so please get him touch with him if you have any leads.

IF YOU READ JUST ONE POEM BY YAHYA ASHOUR, MAKE IT THIS ONE

OTHER WRITING ONLINE I LOVE BY YAHYA ASHOUR

so the war would know i'm here, short film directed by andrew burgess of ashour reading aloud two poems translated into english

Gaza Under Siege (translated from arabic to english by atef alshaer) at poetry translation centre

From loss to solitude and not the other way around!, an essay in 28 magazine's special issue "coronaphone"

Enjoy the Rain at iowa writers' program

you can find the full list of poets featured in this series here!

#yahya ashour #free palestine #poetry #short film #palestinian poets series

[t00thpasteface]

Hiiiii₍⁠₍⁠◞⁠(⁠ ⁠•⁠௰⁠•⁠ ⁠)⁠◟⁠₎⁠₎

Could you explain the hipster Vs fandom war. I've been on here for like four years and I never knew that existed lol and btw I really really love your art and you are one my biggest inspos for how I imagine and draw my Clark.

i'm not sure i can explain it in a way that makes sense, and certainly not in a way that makes you say "i understand why this was such a big deal", but gl'bgolyb knows i can try.

first, let me take you on a sensory experience... picture in your mind the following things... skinny jeans... nerd glasses... a weirdly dapper fashion sense in a time where everything is baggy and neon... boom, you have 2010-2014 online tumblr hipster culture. and also 70s elvis costello, oddly enough.

although admittedly i don't know his stance on pumpkin spice lattes.

anyway. now that that's burned into your brain, consider a significant population of this exact type of person that has already been well-established on this microblogging platform around the turn of the decade. tumblr doesn't really have an app yet because smartphones haven't taken over everyone's life yet, and online fandom culture is still largely dominated by deviantart as the main "fandom hub". most people, myself included, are getting their main meme fixes from facebook (which your parents were not yet on) or the icanhazcheezburger image-aggregator network. THEN EVERYTHING CHANGED WHEN THE FANDOM NATION ATTACKED.

somehow, a huge crowd of people who considered their favorite books/movies/games to be core personality traits began to set up shop on this fair slate-blue isle. i number myself among this crowd, having been lured here by google-image-searching for miscellaneous fanart in 2011. the "old guard" largely belongs to, and continuously attracts new bloggers within, a burgeoning subculture that 100% defines itself by bucking popular trends and social expectations... whether or not this is actually accomplished by purchasing beverages from starbucks and putting old film filters on every photo, i cannot say.

you may be seeing an issue already arising: hey, if the hipsters hate everything that's popular and gatekeep all their interests, and the fandom bloggers are obsessed with extremely popular franchises and are hell-bent making them even more popular, isn't that going to cause a little friction?

well, yes. it caused a fuck ton of friction. a division arose early on between "the fandom side of tumblr" and "the hipster side of tumblr." some people, like myself, played both sides. others abstained from the rigid dichotomy and considered themselves to be on another "side," like the science side of tumblr, known for explaining relatively straightforward STEM concepts in large essays that began with something like "listen up fuckers."

ahhh, unfriendable. such a narrow little window in time where cheezburger sites and facebook had equal sway in the online zeitgeist.

interestingly, as someone who trawled a LOT of aesthetic tags, the most popular of which was simply #aesthetic (it was shockingly consistent in there), i never actually saw hipster bloggers complaining about fandom bloggers. it was always the other way around, with fandom bloggers bragging about how much they're freaking out the squares to get cool points with other fandom bloggers, all while never actually engaging with the hipster bloggers because their tags rarely overlapped.

hi, marge! we're freaking out the hipsters!

regardless of whether there was any material reality to it, or if it was simply a Minitrue level of entirely fictional warfare, this concept entrenched itself into the fandom bloggers, likely as a way to still feel "edgy" and unique while, again, obsessing over extremely popular and mainstream things like doctor who, pokemon, avatar the last airbender, the brand-new mcu, and other decidedly non-counterculture media. even with things it felt like no one irl had heard of, like hetalia and homestuck, those were online juggernauts nonetheless, the former of which had dominated deviantart for years and the latter of which prompted hotels and convention centers across the world to implement very strict rules about unsealed body paint. people treated fandoms like they were some sort of exclusive country club with membership fees and a dress code. and dunking on hipsters became an entire genre of Fake Internet Story, which were already pervasive on this website.

what's the point of being in a clique if there's no outgroup to flex on? #swag

this whole phenomenon ran concurrently, even symbiotically, with other tumblrisms like "tumblr university" and those horrendous "not like other girls" memes...

which means, of course, it was absolutely dead in the fucking water once DashCon happened in 2014. i don't need to tell you what happened at DashCon (there's a million essays and videos about it if you're one of today's lucky ten thousand who's never heard of it), but all across the fandom side of tumblr, it felt like finding out your parents lied about santa claus. turns out the fandoms you're in don't actually say anything about who you are as a person, a bunch of tumblrinas can't just will a fully functional micronation into existence just by wearing tacky merchandise in a public venue, and magic probably isn't real.

i wish i had some grand way to end this story, but really the moral is the same as it ever was: online drama is eternal, inescapable, and completely fucking worthless. if you only post to get mad at shit, especially if you're just making up a guy to get mad at, cut that out. touch grass. look at images of cats. i don't remember any of the enemies i made from this era, but i fondly remember all the friends, and i'm richer for making those positive connections. that's all for today's episode of Tumblr History with Toothpaste Face... remember to tip your waitress and stay minty.

#also fellow Clark Enjoyer rest assured i'm going to draw him for his birthday later this month!!!! my beloved big blue boy scout... #shebbz shoutz #shebbz editz #tumblr #tumblr history #tumblr culture #ask

[readychilledwine]

Hey Liz! I've noticed you don't use MDNI for your smut. Can I ask why?

Warning - controversial opinions below cut and a long post

I have several reasons, but I want to start by saying that I respect everyone's opinions on this, and I hope that even if our opinions are different, we can discuss this like civilized humans.

To give you all some background:

I grew up in a fairly strict traditional midwest home. My parents held my purity to a very different standard than my brothers. My virtue was to be a gift to my future husband, and my body was to be a temple and treated with kindness and worship. We can get into my whole sexual awaking later, but I will tell you all, smut fanfics, lemons as they were once lovingly called, were part of my sexual education and how I learned my body was reacting normally as a teen. I lied about my age on fanfiction websites constantly because I have always preferred fanfiction smut over traditional porn. So, as someone who grew up in my background, let me first say, I can understand why a minor would make the choice to read on here instead of watching.

Anyways, to my reasonings:

1. The children I legally have responsibilities to and monitor are my daughter and occasionally my nephews and nieces when we are watching and caring for them. If my daughter came to me as a teen and said she found a smutty story online, we're going to discuss it and make a plan that best fits us regarding everything. As all parents should, from jump, when allowing children and teens access to the internet.

2. Legal ages are different everywhere. 18 to 19 is a good standard, but there are countries where teens as young as 16 are considered adults and countries where you are not considered an adult until 21. I ultimately am not creepy enough to stalk your page, ask where you live, figure out how old you are, and then look into majority laws in your country. That's how you end up on the registry.

3 - Putting MDNI will not stop a minor from reading my fics. They're going to do what they're going to do, and there are very few jurisdictions where I can legally be held liable for that due to the following reason:

4 - Nothing is preventing a minor from lying on their profile regarding their age. We've all done it. Let's be adults and admit that. As long as you are not actively sending "pornographic content" (which in itself is debatable as to what that means in different locations,) you normally cannot be held liable.

5 - Trying to message me is like pulling teeth from a bear right now, so I very rarely interact with people in my messages, and I am getting horrible regarding my comments (and I'm working on that, please know I see them and am always grateful.) The people I do actively message back, I do stalk you all a little (because i do love you and want to talk to you💕) and I do not actively send those people smut related things.

6 - video related porn is incredibly harmful to the young mind. That's coming from someone who has a sex positive lifestyle. Porn sets unrealistic expectations for teens and young adults regarding how sex should look, how it feels, and how it should sound. It's actually a huge topic of debate and discussion in the psychology and sex therapy world. I personally would rather have a teen read smut instead of watching porn. I could write an essay on this alone.

7 - Smut novels are also easy to purchase and access for teens. I do not see a difference in allowing in allowing a teen to read a smut novel versus smutty fanfiction. Again, AS LONG AS THE AUTHOR IS NOT DIRECTLY SENDING IT TO THEM.

8 - Using the "You are responsible for your own consumption" divider with my warnings and a cut is typically warning enough. By seeing that divider, seeing the warnings, and making the choice to open it and read any ways, the minor is now choosing to do something and accessing it by their own choice.

Is all of this to say I want minors actively interacting with my smut? Negative. Please don't.

I think it's very important to make sure you are marking it with something, but I do not think explicitly putting MDNI is going to do much more than just using the above divider.

Again, this post is NOT me saying minors should interact with my smut stuff or message me about it. Read in peace and don't tell me.

I'd like to leave you all with one of my favorites poems:

Fantastic Breasts and Where to Find Them by Brenna Twohy 💕

#elizabeths.updates #send asks #send anons

[stormblessed95]

Of the many things that bother me about fansites, the main one is probably that the boys don't get to approve which photos of them are published or used for merchandise when it's not official content. The second thing is that we see how they get mobbed at airports and how much pressure they're under to act friendly and smile for photos no matter how they feel. Especially since big hit has asked fans not to show up at airports and the only reason we know when they're traveling is because the information gets leaked without their consent.

When I saw people supporting black n white I assumed that she at least followed the rules about not going to the airport and not sneaking cameras into concerts, but I've seen both types of photos from her. So I was wondering if you could explain why jikookers seem so okay with her and not other fansites?

So I'll post this ask, with the very clear statement at the beginning that I'm not opening this up for debate. Because this is one of those topics of debate that continuously circle around constantly and it's exhausting and repeating myself is something im trying to do less over here this year. My essay of an answer starts here...

Okay, so I'm pretty sure that this came from you seeing this reblog post below. But I'm curious if you actually read it. Because I'm pretty sure it answers your question. Along with the post I LINKED in my reblog because that goes into the culture of fansites in kpop even more.

But then if we want to talk about it more... we can I guess. Since you asked nicely. Fansites in kpop can kind of be linked to the equivalent of concert photographers in the US. If you know what those are/are more familiar with the concert scene in the US. Idk where you are from though. Concert photographers are in general pretty respected and hyped up in the US, even at times have their photos from the concert purchased by the artists themselves. They aren't employed by the stadium, by the artist or the artists companies though usually. They aren't shunned by fans or banned from the concerts. And they share the photos they take online and even sell them, no issues. It's basically the same thing.

Fansites are, for the most part, a very normal, expected and intricate part of kpop culture. Most of the boys often recongize, smile, wave and bow at their fansites (and no, not just at places where they are forced to act like they are okay with it when they aren't, like airports, but at concerts and award shows or going back further in time, fansigns and ISAC events). Or they will move to let the fansite get the best shot of the members they are a fansite for. Compared to when it's a known problematic fansite who are more stalker then fansite, they don't do that and there are even videos/photos of them looking uncomfortable when recognizing that fansite, rather than smiling for them. Like Headliner, for example, A JK "fansite" where we have examples of him looking displeased in her direction and an example of Jimin standing in front of JK in her line of sight, "ruining" the shot and looking right at her, hands on hips.

And because I mentioned above airports, like you did. Let's talk about that too. Because I DO have a post up here reeming people out for showing up to and crowding the boys at airports. It's horribly disrespectful and not okay. Fansites (like BnW and other respectful ones) aren't generally the people you see shoving their phones in the guys faces, they tend to hang back with the media mostly and not get so far up their asses, invading personal space. And media is tipped off when the guys are traveling so they can go and report on it. Its FANS who invade privacy to show up that's a problem, not necessarily the media or fansites, which is expected as an idol. Do I LIKE they are expected to be photographed to hell and back when leaving and entering Korea? Not really, but it's also not the same thing as invading their privacy either. Following them into the airport and onto the plane or to their destination to take photos of them on the plane, at the waiting areas or getting off the plane? Yeah, that's an invasion of privacy and then upgrades you (general you) to stalker. And here is my post about how you shouldn't go to the airport when BTS is traveling. Again, please actually read my posts I link to you.

As for the consent about the boys aproving photos/videos argument, I then have to ask are you against everyone who livestreams the concert on their phones for ARMYs who aren't there to tune in? Or all the people who put the photos up they take at concerts or other events up onto the timeline? Or because it's not a fansite photo, just a watermarked photo from some random fan account, that's then okay? I don't know you, so idk how you personally interact with everything like above, but it's food for thought. It's also something to consider to make sure if you ARE so against fansites, that you aren't liking, retreating, saving, etc photos of any of the members that come from fansites. (The jikook photo above comes from a Jimin fansite btw) Because I'm pretty sure Almost every ARMY has, intentionally or otherwise. Because MOST concert/event photos end up coming from fansigns. And the boys KNOW that and are okay with it. And the company isn't struggling anymore. If they didn't want people "filling in the gaps" of available photos, they could hire more themselves and release more too.

To address your comments about them selling or distributing merch with their photos of the boys that the boys didn't get to pre-approve. That's fair. And it's also your choice to support that or not. Personally, I probably won't buy fansite photobooks, I'd rather spend my money on what I know will go towards the boys pocket directly, or at least towards them. Such as their official photobooks, albums, DVD packages, etc. But all the photos the fansites sell, they also normally just release for free too online. At least that I've seen. And then all those photos they have, they will sometimes hold events for people to buy them as merch. But that's a customer choice for sure. And it's 100% valid to not like that and not spend your money there. BlacknWhite for example, held her own little merch photo exhibition thing last year. Idk what to call it, but I posted here so it did happen for sure. Bighit hosts these same similar types of exhibitions at the end of various eras/concerts you can also purchase from more officially too.

But also again, all idols know about fansites and often start recognizing the ones that are there for them and don't mind them (as long as they aren't crossing privacy boundaries, which I will touch on later here too). For some examples, here you've got Jimin being playful and silly with his fansite here when he saw them...

Changing to make sure the fansites could get better photos during the fansign....

Using/wearing and loving gifts given to them and sent by their fansigns

He still has these focal speakers in his studio. Which was a gift from a fansite way back when

Jikook engaging with BlacknWhite when she is there taking their photos.... AND you'll see in my reblog (first linked post) the post I shared in there, Jimin seeing, acknowledging and moving out of the way for a Hobi fansite so they can get a better shot of him too

Tae had a photo from his fansite blown up and hung on his dorm wall.

Hobi shared a photo taken by his fansite on his Instagram too

Plus, Jimins family (idk about the others, Jimins is just more in the public eye because of his dad's Cafe) had fansite photos of Jimin and BTS hanging on their cafe walls. Jimins dad recently gave a fansite photo to a visiting dignitary that he got framed.

JK blushing over seeing his first ever fansite back during their debut.

The reason Fansites will sometimes get kicked out of concerts is because they are blacklisted (which most are not) for various reasons but mostly due to proven stalking or for misconduct during a concert (which again. Doesn't happen as often as stan twt will lead you to believe.) Bighit baned all photography, so it's not even necessarily about fansites, it's about Hybe wanting to bottle and sell the air the guys breathe because they know ARMY would buy it. Lol they are a corporate company and are focused on the bottom line more than alot of fans like to think at times I believe. A lot of the hate towards fansites comes from people who don't really understand idol culture at times and almost always exlculsively from I- armys. I don't see K army fans complaining about fansites. I see BTS members complaining about media, fans and fansites following them to places like, the mall, or on the private schedules, and overcrowding them. But never about fansites being in events, concerts, or airports from afar. In fact, from the ones who aren't problems, I see the opposite from the members. Jikookers like BnW because she is a jikook fansite and focuses on getting photos of them together and seperate, so it's like a one stop party. Lol other JK and JM fansites will share photos of jikook together when they are glued at the hip (which is often) along with when they with other members too, which is also nice and you'll see plently of people sharing those with no problems either. Again, as long as they aren't problematic accounts.

Fansites who take photos of the guys on private schedules? No. Who get on planes the boys are on? No. Who shit talk the boys and use them only for the cash flow their photos bring them? No. Who stalk them and show up places they shouldn't be and turn into sasaengs and doing anything for a quick buck? No. Fansites who crowd into the boys personal space for the perfect photo or are rude to them/others? No. Fansites who don't take no for an answer? No. But that's a small portion of fansites. Not all of them. Not even close to all of them. And alot of this hate towards fansites comes off more performative for most armys then anything else. Plus saying all fansites are bad is kinda like saying all ARMYs are 15 year old girls who bully people online because a small faction are and that's what people latch onto in an effort to continue to perpetuate hate towards the fandom and BTS themselves through their fans. Not the same exactly, but similar enough I'll make the comparison.

Your opinions are your own and are very valid. I'm not trying to change your mind about liking fansites. I don't love them necessarily either because I would HATE the constant flashing lights everywhere I went ever if I was them. But I also understand the nuance here and the difference between the hysteria stan spaces have made the fansite issues sound and what they actually are and how long they've been around for. Again, your choice over how you engage with them and how you feel about them. And all choices around that are valid. In my opinion. As long as you aren't supporting antis disguised as fansites, I don't see a problem with them in general. For me personally.

Hope that helped answer your question anon. Thank you for asking it respectfully.

#jikook #kookmin #boundaries as fans and shippers #boundaries as fans #jikook fansites

[chaos0pikachu]

tldr: bitches want gay shit, not het shit, with data and numbers to back it up; bonus Bible’s booty

so thinking about @discluded​‘s essay on Mile and Apo’s upcoming historical drama, and Thailand’s bid for soft power got my brain thinking thoughts. I’ve talked about Thailand noticing the soft power of their BL media before along with why I think Chinese, South Korean, and other East Asian media (from television to novels, etc) are popping off in popularity in the last 5 years or so. Idk where those posts are and I’m to lazy to link them thus is life

The point! The point is tho reading discluded’s post made me think about F4 Thailand. Ironic, I know, since F4 is a het drama based off Boys Over Flowers a shojo manga from Japan that was released in 1992 and ended serialization in 2008. 

Firstly, Boys Over Flowers FACINATES me b/c the god damn chokehold this series has on various Asian countries. I told a friend it’s comparable to like, Romeo and Juliet, in that it’s been adapted, remade, re-adapted, re-booted, re-imagined, and so on over and over and over again. Like there’s audio dramas, there’s films, there’s multiple live action TV shows, there’s an anime. Japan’s made two feature films, and two seasons of a TV. Taiwan had two seasons of a TV show, Korea had a tv show, China had two versions of the same show (one was a remake), Indonesia had two tv shows, India had a tv show, and finally Thailand was the latest to adapt it into a TV show in 2021 - 2022. The legacy of this story can’t be denied. 

Now, my point? Okay so my point is I witnessed online the marketing for F4 Thailand in real time. It was interesting to me b/c I very rarely - and have not since - seen a ton of talk about a Thai drama that wasn’t BL or a horror or action film. 

When it comes to the Thai film industry, the three genres I see discussed are: BL, Action, Horror. You can see this in what Netflix (America) offers in regards to Thai series specifically what ones they dub which shows like: Girl From Nowhere (which Netflix invested in a s2 and is a thriller/horror drama), The Whole Truth (a horror film), and Thai Cave Rescue (which they also have a documentary based on). Netflix is still (STUPIDLY) reluctant to purchase a license for any SK or Thai BL content (I know Semantic Error would blow the FUCK up on Netflix you idiots!!!) probably b/c investors are like, hmmmm but would gays of color sell? I would say they also have Your Name Engraved Herein but that’s an easier sell b/c its a drama and has more of that classic gay Oscars vibe (this isn’t an inherent bad thing don’t come for me). 

Okay back to my point I s2g I have one. 

So marketing for F4 Thailand was interesting b/c I actually saw it. I don’t see marketing cross over into my international waters for Thai het dramas. What helped this, and I fully believe this was done purposely, is the casting of Bright and Win who gained international popularity from 2Gether. Like, it seemed pretty obvious to me that casting Bright and Win was a bid to peak the interest of the international market, combined with casting them specifically in an adaption of one of the most famous and well known Asian romantic dramas of the last 30 years or so. This show was set-up to be A Hit. 

But I don’t think it really worked internationally; bare with me, numbers time. 

Now, ratings for F4 averaged at .441% on Thai TV, higher than Bad Buddy (which aired on the same network) which averaged at .121% and Kinnporsche which averaged at .314%. 

I compared F4 to these two shows specifically b/c they aired in a similar timeframe (all three shows aired over the course of 2021 - 2022 except KP which only aired in 2022) and arguably Bad Buddy and Kinnporsche were the biggest BL shows in Thailand in those respective years. 

F4 also did well in the Philippines, and ended up dubbed into Filipino, and it’s scheduled for re-broadcast in 2023. Honestly, it’s difficult to see how well F4 did internationally as there’s not a ton of information available on it. When I google “F4 Thailand reception” there’s not a lot of results, if I google “boys over flowers Thailand reception” I get this: 

ngl I think it’s pretty funny that one of the top four most asked questions is if F4 is BL and again, it’s def b/c of Bright and Win’s casting. But given that there’s not a ton of information available, I glean that F4 didn’t do great in the western (American/Latin American/European) market. Not to say it didn’t do well. 

On Google ratings: F4 Thailand lands at a 4.9 rating with 2619 reviews/ratings and Bad Buddy stands at a 5.0 with 1085 reviews/ratings

On MyDramaList F4 has a rating of 8.5/10 from 11,982 users, and Bad Buddy has a 8.5/10 from 26,445 users

On IMDb: F4 has a rating of 7.8/10 from 2.3k users, and Bad Buddy has 8.8/10 rating from 5k users

This isn’t a comparison about quality, but activity. I’m not here to make judgements on either shows quality, but rather international impact and relevancy. Outside of Google, Bad Buddy has more active users who left a rating or review on the website than F4, almost double in fact. 

If you go to GMMTV’s official Youtube page and look at the most popular videos on the channel it’s majority....2Gether. Like my god so much 2Gether the CHOKEHOLD this show had on y’all:

More date and a comparison of F4 and Bad Buddy’s international numbers below, we’re getting into the meat now. 

Now the actual F4 official trailer has 3.7 million views on GMMTV’s channel. Bad Buddy official trailer, also on GMMTV’s official channel, has 2.7 million views. Both are set at 1 year ago so they’re within the same or similar time frames for comparison. 

To throw in there, the Kinnporsche official trailer was released 10 months ago and has clocked 7.1 million views total on Be On Cloud’s official channel. To keep up with the comparison, F4′s OST Who Am I clocked 21 million views at 1 year, while KP/Jeff Satur’s OST Why Don’t You Stay has clocked 36 million views at 8 months. 

(completely unrelated sidenote but Vegas/Bible’s ass has 3.4 million views and I just find that fucking hilarious, the man’s booty got more youtube views than other studios episodes. The power of Bible booty) 

You can watch episode 1 of F4 on GMMTV’s official youtube channel, but only episode 1 the rest are just previews for other episodes. Idk why, other series whether het or BL they have all the episodes available. There’s apparently 80 videos that are hidden, I’m wondering if you have to pay Youtube premium to access those. Since I only have episode 1 to compare, for comparisons sake, we can look at those numbers of F4′s ep01 and Bad Buddy’s, both of which are clocked at 1 year each, are as follows:

Bad Buddy ep01 [1/4]: 9.6 million

Bad Buddy ep01 [2/4]: 5.4 million 

Bad Buddy ep01 [3/4]: 4.9 million

Bad Buddy ep01 [4/4]: 5 million

F4 Thailand Begins ep01 [1/4]: 1.7 million

F4 Thailand Begins ep01 [2/4]: 848k 

F4 Thailand Begins ep01 [3/4]: 3.3 million 

F4 Thailand Begins ep01 [4/4]: 747k 

If you crunch these numbers, Bad Buddy’s total view count for episode 1 is around 25 million views. F4′s total view count is around 7 million views (if I’m doing my math correctly a bitch doesn’t work in maths). 

Now, I don’t know what the premiere numbers for either of these series was. BUT, this shows that one series, Bad Buddy, has legs and the other, F4, didn’t. 

Either way that’s a pretty sizable gap and a lot of international fans use Youtube as a means to legally watch and support these shows as shown in the availability of subtitles.

F4 has subtitle options in: English, Korean, Chinese (Taiwan), Portuguese, Turkish and Spanish

Bad Buddy has subtitle options in: English, Turkish, French, Indonesian, Spanish, Chinese (Hong Kong), Korean, Chinese (Taiwan), Vietnamese, Arabic, Portuguese, Polish, Italian, Burmese, Chinese (Simplified) and Bulgarian.

Bro, BULGARIAN.

As far as I can tell, IQIYI doesn’t release streaming data that I could find, so idk what the numbers are for Kinnporsche. I do know that Kinnporsche, since airing, has never let the sites Top 10 list which is an impressive feat after ending months ago. 

So like, what does all this information mean~ exactly? Am I saying F4 Thailand was a flop? No, not even a little bit lol I don’t have enough data to really say definitively F4 was a flop nor is that really the point here. 

The point here is about international impact, and the fact that in my humble ass opinion, Thailand’s het shows ain’t hitting internationally all THAT much. Not as much as their BL shows are and have been. 

Objectively, going by Thai ratings, F4 did a lot better than Bad Buddy, but internationally? Internationally there’s a pretty visible gap from everything I’ve seen. 

I think what GMMTV was hoping was by casting Bright and Win they’re pull in that international audience they had cultivated with the 2gether series. But het dramas are high key a dime a dozen in American/European/Latin American audiences. Folks go to Kdramas or Cdramas for het dramas (and I have theories on why those hit, namely Cdramas for the high fantasy aspects that Europe and America doesn’t deliver on and kdramas for being unashamedly high quality produced romances. Also the one-and-done factor). 

Given the juggernaut success of Kinnporsche, not just in the west but also in other Asian countries I imagine that’ll influence other studios to try to follow suit even more to gain even a half-slice of that visibility and profitability. Kinnporsche, imo, is an outlier, it’s success is sorta like 2gether and TharnType in that there were a lot of factors outside of the show itself that led to it’s individual success. 

Like, flat, argue with the wall, 2gether is NOT a good series. But, it was released right when lockdown began (literally, ep01 aired Feb 21, 2020), in a way 2gether was like Animal Crossing, GMMTV didn’t expect it to do THAT well especially internationally but it did partially b/c what the fuck else we people gonna do in lockdown? Watch a simple but cute gay romcom which there was a gap for - Love, Victor wouldn’t air it’s first episode until June 17th, 2020, and that was marketed less as a queer romcom and more as a queer coming of age story. There’s also the factor of The Untamed having ended - final episode August 20th, 2019 - and folks catching on to the growing and active existence of international queer media that wasn’t boxed in and tied down by American conventions. 

I think what we’re going to see is the “next era” of BL. We saw the uptick in overall content post 2019/2020 with the success of 2Gether and TharnType, following the success of series like Why R U, Love By Chance, 1000 Stars, Lovely Writer, etc along with other countries getting in more on the game (namely South Korea) and the overall uptick in the amount of BL (and now GL!) shows across the board. 

After 2gether we saw more BL shows, I think after Kinnporsche we’re going to see higher quality BL/GL shows. And I think we’re already seeing that. Semantic Error was a nice change of pace for SK b/c it was longer than 15mins, I think going forward given the success of SE we’re going to see SK branch out slowly into developing longer shows (no longer than 30 to 35mins tho to keep costs down) and better workshopping (some kisses in KBLs...my guys). While for Thailand I think we’re gonna see better quality shows. Not Me dropped the ball in some regards but visually the show was great. Cutie Pie’s story was incoherent sure but visually? Hot damn that was a good looking show. We’re also getting more interesting concepts out of Thailand too; like that Prince/bodyguard show coming out, the fact Kinnporsche did eventually get made and MileApo’s upcoming historical film. 

this all got away from me but whatever, bitches want gay shit, peace

#mileapo #kinnporsche #tharntype #thai bl #bad buddy #idk what else to tag this as #here ya go here are thoughts y'all #chaos pikachu talks to damn much #chaos pikachu metas

[da12thkind]

Tumblr and The Old Internet Re-Awakens, An Opinion Essay

This is going to be a super long post about my thoughts on the current state of the internet, with a chunk of what I'm about to say having been stuff I've already said elsewhere on other sites. To save your dash, I'll be putting a READ MORE break.

The fact that Twitter and Reddit have basically been destroyed by their own hubris is both hilarious and sad. It's funny because "ha ha rich man's hubris" but also sad because this is very emblematic of the current direction many social media companies that have been at the top for too long are going.

Ever since the muskrat purchased Twitter, it was clear from the beginning that something seriously wrong had happened, with worse decisions to follow. Something I hadn't realized was just how extensive the ripple effects of this would be. Reddit is now being destroyed by their leader's desire for more and more money, as if they needed any more.

I've been having this conversation with my friends via Discord and with strangers on the Starmen dot net forums. The writing is on the walls. The internet is moving towards a future that caters to advertisers more than its users. If there's even the slightest hint of getting more money by screwing over users, the higher ups of a given site will be chomping at the bit.

Where does that leave us?

Well, with Reddit and Twitter both now in a state of complete and total self-destruction, albeit rather slowly, we have seen an influx of new and returning users. Fantastic! I love when an old place gets new life breathed into it.

That being said, I don't believe that Tumblr is the bastion of The Old Internet, far from it, and many of you would agree.

Instead, I think that the resurgence in Tumblr's popularity could be just the first step towards the return of The Old Internet. We have the power to go back to the days of making our own websites. Information on web design and web programming are available online for free, in addition to many places offering free hosting services for a basic website or blog that don't need many bells or whistles (just don't go to GoDaddy).

Tumblr, in my opinion, once you know how to use the advanced editing tools, can make for a great "Baby's First Web Blog." There are some users on here that have made GORGEOUS blogs that will absolutely blow you away.

What about peer-to-peer communications?

We've seen that Discord has been another victim to the plague that is internet gentrification. They've removed the discriminators for usernames, had a store put in, and so many other little changes that have consistently annoyed the end users.

That being said... Discord is not going to be falling apart anytime soon. It's still a fantastic way to connect with many people at once and have quick access to all your different communities.

However, you could make the case, and I certainly try to, that internet forums fulfill the same thing. It is true that forums for many topics have drifted into the void of internet history, but is that not simply the nature of the internet? Communities sprout up, thrive, have an internal way, break apart, and start anew. We've seen that with many Discord servers, albeit rather small ones.

I will still hold my ground that forums should be revitalized if we truly want to go back to the days of old.

What does the future hold?

I... don't know. Despite my vast horde of opinions, research, and second-hand accounts of what The Old Internet was like and how The Current Internet is becoming, I cannot say for absolute certainty that we will see a total collapse of these tech empires. At the very least, however, I do believe that they will become hollowed shells of their former selves.

I have yet to talk about YouTube and its history, and, to be quite frank with you all, I simply must avoid that topic for now. All I will say is that I implore my fellow content creators, specifically those that create Video On-Demand content for YouTube and TikTok, to look into creating your own websites to host your content in the event that something happens to these empires, too. If you don't have offline copies of your videos, do so when you can.

That will be it for now. Thank you for reading this essay. I love your faces. Stay safe.

#da12thkind text post #opinion essay #opinion #essay #the old internet #internet #twitter #reddit #tumblr #twitpocalypse #elongated muskrat #reddit refugee

[kohakhearts]

hello I humbly request your silliest pokemon character headcanons thank you

HEY BRO ok confession: my head is pretty empty in general, so i'm making up most of these on the spot. all about anipoke characters specifically (and almost entirely exactly the handful of them youd expect) because they're the only ones i rotate with enough frequency to do this for lmao

-(not really a headcanon bc tbh i believe he CAN drive but it's funnier if he can't) ever since i realized that gary was chauffeured around and not actually driving that car himself i maintain. gary oak cannot drive <3

copy and pasting this one from the depths of my priv twitter because i was so right about it tbh:

>garys NOT edgy hes like. a kpop fan. >i feel like gary's like the kind of person who has a playlist for other people and a playlist for himself. the former is full of emo bangers and softcore grunge. the latter is bubbly pop music. goh is the exact opposite. in this essay i will >"what about ash" he doesnt listen to music. thats because his head is already full of elevator music

-i think that goh is the epitome of the like "writing this in my journal in sparkly pink gel pen will fix me" but on the rare occasions he DOES journal he just writes out his activities like a grocery list. hes simply too embarrassed about having feelings to do anything else

-pretty much all of ash's friends have, at some point, made a fake social media account impersonating him. the only ones who did so with any margin of success are misty and lana

-speaking of social media - goh and lana both seem like they've gotten into discourse on twitter. lana is a troll and goh's compulsive need to be right about everything means that if they ever met in the online wilds, he was absolutely victimized by her

-you know that tumblr post where op said when they were a kid they thought their pet rock died so they flushed it down the toilet and severely clogged it? ashcore tbh

-you know who'd be really into alien conspiracy theories? clemont.

-i think an adult ash would be capable of cooking but he would also have to commit really hard to the bit of being bad at it, for old times sake. as a result he routinely eats things like cereal with gatorade instead of milk just to piss people off (he probably thinks its tasty though. let's be real)

-gary is a romcom enjoyer but he'll never admit it

-ash's first independent just-for-fun purchase is a pair of heelies. he is immediately banned from every walmart within a 200km radius of him

-ash and gary maintain their rivalry in really ridiculous ways. like "i bet you won't eat this pepper so spicy it sends people to the hospital" or "i bet you cant do a flip over that park bench and land on your feet" or "i bet you won't throw your shoes into the river just to prove you can" etc.

ok im all out of braincells. hope this satisfies <3

#answered #magiwou-meowvin #ily bro <3

[kaitou-al]

Hello!

Hope it's going well. I'm taking part in Broken Pencil's online zine festival Canzine from April 13-21, 2024, where you will be able purchase zines from a large number of vendors and have them shipped together from the organizers. The organizers are based in Canada, but since this event is online, there's a lot of international people that can participate as well.

I have number of self-published zines/doujinshi that feature Tadashi x Ainosuke at the event. I recently completed a new 28 page comic that will be available, and will come with a bonus postcard as a thank you gift. Please note that all the prices are in CAD.

Canzine Online Zine Festival, April 13-21, 2024

Full vendor list

Event homepage

My storefront page

Catalog:

NEW Midnight amaretto Tadashi Kikuchi x Ainosuke Shindo (TadaAi) 32p, 28p black & white comic

Tadaai logs 28p, full-color Contains art from 2021-early 2023 Le bien qui fait mal :: R18 Tadaai logs | B-side 28p black & white fanzine Illustrations, 7p comic

Habanera 8p, color cover Tadashi Kikuchi x Ainosuke Shindo fanzine

Tadashi x Ainosuke: A Man & His Dog, A Shipper’s Manifesto 16p, black & white Zine written in the style of a ship manifesto meta essay.

+ various downloads that were previously published on itch.io.

Citrus Con, August 23-25, 2024

I will also be at Citrus Con later this year. You can register for Citrus Con for free, as it is a free online BL/queer media con. I will open my online shop at that time. I attended and did a panel last year, and it was fun!

#shop announcement #tadaai #zines #canzine #comics

[krtart]

Writing Blind & Visually Impaired Characters

A while back, someone asked me if I could share some of the resources I use. I figured maybe other people might find it useful as well! ^_^ Due to computer switches I could only trawl through the last ~5 years of research, but it’s still a fair collection.

(Obligatory disclaimer: I am not visually impaired! I just try to listen to people who are. The vast majority of these are written by and/or for people with visual impairments.)

.

Vocab

American Printing House key definitions — Wayback machine

.

Blogs, posts, essays, and speeches by folk with visual impairments

General sites:

Mimzy Writing Online (masterpost for writing blind characters) — Wayback machine

Where’s Your Dog — Wayback machine

Albinism Up Close — Wayback machine

Specific posts:

Why blindfolding yourself is misleading:

NFB member John Pere’s video & transcript — Wayback machine

Graduate researcher Arielle Silverman’s video & transcript — Wayback machine

Blind physician — Wayback machine

Missing eye / monocular vision — Wayback machine

Driving with albinism — Wayback machine (chronological series of posts, next post link is at the bottom)

.

Posts of unknown/mixed authorship

Writing blind characters (tumblr thread) — Wayback machine

.

Sighted guidance

How to Be a Sighted Guide by Vision Loss Resources — Wayback machine

.

Long cane use

Care and Feeding of the White Cane: Instructions in Cane Travel for Blind People by Thomas Bickford, hosted on the NFB website — Wayback machine

.

Orientation and Mobility

This is the term for specific training around navigating the world with a visual impairment. It will be a useful search term for you.

Additionally, I have purchased the O&M training course Step By Step that was published by the American Printing House. The actual video training modules are incredibly clunky to navigate through, and personally I’ve never had the patience. I’m also not comfortable redistributing their whole product like that.

But… the pdf study guides from the program are useful on their own, and those I will share! (Especially since they used to be available for free on the APH website. >_>;)

These are from the second edition.

O&M Training study guides (Internet Archive access)

.

Careers

American Printing House career connect — Wayback machine

.

Cooking

NFB: Suggestions for the Blind Cook — Wayback machine

APH: Safe Cooking Techniques — Wayback machine

BBC: Article about a blind Master Chef contestant — Wayback machine

.

Visualization tools

For remnant sight and color blindness.

Visual acuity simulator — Wayback machine (icons at the top switch between vision charts & illustrative photos, bar at the bottom adjusts acuity)

Color blindness simulator — Wayback machine

.

Thinking about disability

These aren’t specifically about visual impairment, and include other physical disabilities as well as autism.

But they’re important voices to hear, and can be useful for framing your understanding and general approach.

"Don't Mourn For Us" by Jim Sinclair — Wayback machine

“Confessions of a Bitter Cripple" by Elizabeth Barnes — Wayback machine

"If you can do X, why can't you do Y?" by Mel Baggs — Wayback machine

People can adapt to and accommodate for more than you might think (tumblr thread) — Wayback machine

.

And finally, some related tags on my personal blog: Disability | Disability rights | Writing resources: disability | Accessibility

#writing blind characters #blindness #visual impairment #blind characters #representation in fiction #writing resources #orientation and mobility #can you tell that I’ve been v. sad about masterposts with broken links in the past sldkfhsdg #the wayback machine isn’t a perfect solution but it’s better than nothing. Anyway! Please let me know if any of these links seem broken! #long canes #sighted guides #krtart #resources #masterposts #krt talks

[heeseung-min]

may i request witch! sunghoon making y/n drink a love potion that he made to make them fall in love with him

Hello!!! Thank you for the request😆 I hope you enjoy this

[01:15]

It's 2022 and technology has been advanced. People can do many things online such as purchasing something, reading, chatting and more. So, the new generation didn't believe into old shits about witch,vampire and werewolves. If someone really said those things are real, people would laugh at them and being called crazy.

But, that's okay for Sunghoon. As a witch and introvert person, he preferred to be alone and keep everything in a low profile. He can easily do what he want without people getting suspicious on him.

He stared at his bestfriend who was too focus on her assignment, Y/N. She and Sunghoon has been best friends for five years since they started their uni year.

Sunghoon really like Y/N. No,he loves her. The girl is so innocent and sometimes Sunghoon hates how people will take advantange of her because she is too kind. So, at the night he will poison all of them to make them regret by touching you at the first place.

Sunghoon also hates how you are so oblivious about his acts on you. How can you really think him cooking for you and always bring you to dates is a friend thing? Are you really that dumb or what?

And, the thing that he hates the most is your boyfriend, Soobin.

You guys just started dating five months ago. When Sunghoon knew about that, he can't help but to kill other people that were innocent just to release his stress.

Months after months he spent his time learning about making a love potion so he can easily break you relationship with your boyfriend.

As for today, you decided to study with Sunghoon since you guys take the same subjects and Soobin being a good boyfriend trusted you and let you study with him. Too bad,he didn't know what he did to himself.

Sunghoon decided to put the potion into your cold water and stir it. Luckily, the potion didn't have any colours so you will not noticed about it.

"Y/n, you have been looking on the screen for too long. Here, drink this."

"Thank you so much, Hoon. I didn't realised I just spent three hours on this essay."

Y/n smiled brightly and gulped on her water. The taste of water kinda odd but the girl ignored it and continued to do her work again. Sunghoon waited until few minutes for the potion to work on her body. It made the girl slightly dizzy and feel sleepy.

"You look tired, honey. Want to sleep?"

Sunghoon's voice is so soothing that made y/n sleep on his lap. He gather his strength and picked her up and went to the bed so they can sleep together. When she wakes up, it will be a new world for both of them.

"Uhm"

"Baby, are you awake?"

"..hoon?"

You stared at Sunghoon who was on top of your body looking at you with his eyes full of love. You couldn't help but to blush because of the close distance. Sunghoon looked so beautiful making you wanted to kiss his lips.

"What do you think about, baby?"

Sunghoon smiled and caressed your face. You tried to focus on his eyes but when he bit his lips, you lost.

"I want to kiss you, hoon."

"Do you love me, baby?"

"Yes, I love you so much."

With that, Sunghoon closed the distance and kissed your lips. His hands also keep moving and touched your skin under the shirt and lastly he went to unattached your bra.

"You are mine, y/n. Only I can do this to you."

The small camera between the books on the shelves become the audience for what Sunghoon did.

"Can you believe that, Soobin? Y/N loves me not you. You should realised about this from earlier."

Soobin glared at Sunghoon who was just finished showing the video. His body has been tied to the chair and he can't do anything because it was too tight and he already had difficulty to breathe.

"You did something to Y/N. She didn't cheat on me!!!"

"Yes, I made her fall in love with me. She should be together with me but you ruined it. You should not exist, Soobin.You should die. But, don't worry. I will help you to do that."

"W-what..?"

Soobin was confused at Sunghoon's words. But, before he could say anything Sunghoon already reading some words while poke a needle to the doll that dressed like Soobin many times until bloods coming out from Soobin's mouth.

"Nobody will disturb my life with y/n anymore."

Ayo, is that good? 🧍‍♂️🧍‍♂️ i'm worried bcs this is the first time im writing about witch🥺 I hope you guys enjoy it😆😆

#yandere au #yandere imagines #yandere kpop #kpop yandere #yandere enhypen #enha x reader #lee heeseung #nishimura riki #park jongseong #kim sunoo #sim jaeyun #park sunghoon #yang jungwon #enha drabbles #yandere enha #enha yandere #enha imagines #yandere x reader #yandere drabble #yandere sunghoon