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#Page 166
infobotbot · 11 months
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the ooloi are learning about slurs on youtube
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pesterloglog · 2 months
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Jade Harley
Page 166-167
JADE: they arent your friends!!
JADE: you took them from me!
JADE: do you really think any of them would side with you over me??
JADE: you keep saying that youre doing all of this for my own good, but youre just lonely!
JADE: i know you are, because so am i!
JADE: if you are so utterly convinced of your virtue, then let me do this
JADE: you said that being a space player is all about sacrifice
JADE: well
JADE: bet
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sharry-arry-odd · 2 years
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The only problem they had, as they cruised sharkishly back and forth across the cool marble floor of the court, was in drawing the fine differences between war–mass murder of people wearing a uniform not your own; justifiable loss–mass murder of your own troops, but with substantial gains; and criminal negligence–mass murder of your own troops, without appreciable benefit. I sat in the courtroom for three weeks listening to them dress it like a variety of salads, and with every passing hour the distinctions, which at one point I'd been pretty clear on, grew increasingly vague. I suppose that proves how good they were.
Altered Carbon, by Richard K. Morgan
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cerealforkart · 7 months
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Dungeons and Daddies the Manga Lesson 42: Spirit Hallow Peen
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[masterpost]
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good-fwiend-in-wome · 10 months
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you know what it's 2023 and I'm done arguing. next time someone goes "oh man scp used to be cool and scary but now LONG and YOU SOMETIMES NEED TO KNOW STUFF ABOUT THE SETTING like oh no what happened to the good ol days of spooky monster men that kill you that was peak horror" I'm just gonna explode them
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deadfictionalpoet · 1 year
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neil puts the dead in dead poet
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I finally am reading Stellarlune and Sophie telling Fitz that she doesn’t see why she’d need his help is my favorite part so far
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bettyrightnow · 1 year
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anyways this is my full thing
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tiixij · 10 months
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July 4th is truly the worst day of the year why is it twenty degrees hotter than it was yesterday and I can't even get my packages?? evil day
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heahven-2023 · 11 months
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june 15, 2023
i had an observation this morning. i think it went pretty well?? let’s hope..? eh and i’m pretty sure i have covid bc i have body aches and i’m cold.. but the test told me i’m negative. so much headache from this week abut deciding whether or not i should go to canada- and i finally decided on no. i’m ok with being single for awhile. just gonna take it easy and work on myself more. good thing i took off tomorrow. whew time to rest my body
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freshstitches · 25 days
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I finally published the project for my dice roll scarf that went viral last month. If you love dice games, you'll enjoy knitting this pattern.
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The color work in this project is determined by an algorithm, a set of rules that determine the final outcome. There isn't an exact set of instructions for this project. Instead, the knitter uses four 10-sided dice or a random number generator to pick the length of the colorwork in each row. 
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The result is a staggered stripe sequence along the edge of the shawl. There are trillions of unique outcomes, so no two projects turn out exactly alike. The pattern uses about 500 yards of yarn in total, but the amount of each color that you'll need is randomly determined. Before publishing, I wanted to find out the minimum and maximum amount of each color required to make the project and the probability of each outcome.
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The knowledge needed to calculate the yardage was a bit beyond my skill level, but my friend Mary W. Martin helped me gather this info. I used an online probability calculator to find out the probability of each unique stitch count. The results are slightly different depending on whether you use four 10-sided dice (blue) or pick a random number (yellow), but 99% of all possible results fall within a very small range. 
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It was an interesting little tangent, but not hugely important to the actual knitting pattern. I can, however, confidently say there is a >99.9% chance that you'll need a 2nd skein of the main color. If you want to know more about the math, you should check out my project notes on Ravelry. 
The thick and thin striped colorwork is created with a super simple "long stitch" technique. The pattern looks great in fluffy mohair or contrasting colors of basic wool and the instructions include some basic tips for substituting yarns or changing the gauge.
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Finished Size: 18 x 68” (46 x 172 cm) rectangular wrap.
Yarn: Approx. 315 yards (288 m) of MC and approx. 264 yards (241 m) of CC. Yardage may vary, see notes on yardage below and yardage chart in photos.
• Main Color (2 skeins) - JMR Studio Worsted Weight Mohair, 245 yards (225 m) per 4 oz; 78% Mohair, 13% Wool, 9% Nylon.
• Contrast Color (1 skein each, both yarns held together) - JMR Studio Fingering Weight Mohair, 320 yards (293 m) per 100g; 63% Silk, 23% Kid Mohair, 11% Nylon, 3% Polyester Held with Lavender Lune Yarn Co. Suri Alpaca, 328 yards (300 m) per 50g; 74% Suri Alpaca, 26% Silk.
Yardage: The amount of each color used for this pattern fluctuates based on the random numbers used to determine the stitch pattern. MC uses approx. 233 to 315 yards (213 to 288m) and CC uses approx. 182 to 264 yards (166 to 241m). 99% of possible results fall within a much smaller range. The Yardage Chart shows the distribution of all potential yardage outcomes.
Needles: Size 8 (5 mm) straight needles, or size needed to obtain gauge. NOTE: Straight needles work best with long stitches. Circular needles with a thin cord allow the long stitches to tighten and stretch, making them harder to manipulate.
Gauge: 12 sts x 14 rows = 4 x 4” (10 x 10 cm) square in pattern.
Other Materials: 10 sided die or random number generator, stitch marker, scale, tapestry needle.
Generating numbers: In my sample, I used four ten-sided dice (D10) to choose a number between 4 and 40 sts. If you don't have dice, you can use an online app like RANDOM.org to generate your numbers. If you follow this link, you'll get a list of 63 integers between 4 and 40. NOTE: Each time you visit the link or refresh the page, the list changes. You can also just choose numbers as you knit.
Pattern is available on my website and on Ravelry.
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heahven-2022 · 2 years
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june 15, 2022
so it was quite an interesting day to say the least, bc one of the classrooms closed down. due to covid everything is just all over the place—it would have been easier to just close down the school until everything settles down again. it’s just crazy. now my class i doing the ceremony by themselves. oof. i can already feel the pressure and heat
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intergalacticfop · 7 months
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Minoan Kilt
The large, structural skirt worn by Minoan women in art is instantly recognizable, and when I made my own I combined current best guesses with my own personal tastes.
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My kilt shape follows the hypothesis laid out by Bernice Jones in her book Ariadne's Threads: The Construction and Significance of Clothes in the Aegean Bronze Age. She describes the shape of that of a labrys, a double-headed axe with apparent ceremonial significance in Ancient Minoan culture. This garment may be depicted in Linear-B logogram *166 + we, we-being the backwards-s-shaped squiggle in the center which identifies the piece as a garment.
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See pages 336 and 341 in Marie-Louise B. Nosch, The Textile Logograms in the Linear B Tablets
Actual details on construction and materials below the cut:
Construction:
The top and bottom edges of the kilt are concave, so the sides are longer than the middle. This gives the chevron-shape seen on layered kilts in art. In addition, the curved top half makes the skirt flare out, accommodating the hips and giving more freedom of movement to the legs. My kilt measured from my waist to my anklebone at the longest point, and about 1.5 times around my waist.
I chose to make a flounced kilt, with smaller strips of fabric and trim applied to a large base piece, rather than a tiered kilt, in which multiple kilt shapes of varying length are layered one on top of the other, so you end up wrangling 3 layers of fabric around the waist. The flounced kilt saves fabric and gives you a lot more freedom with whatever trim you might want. Jones' diagram for a flounced kilt is seen below:
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Unlike the version in the diagram above, I chose not to attach ties to the garment itself both because the linen I used was very heavy and I was concerned about weight, and also because folding the skirt and securing it with a separate tie worked just fine for my tastes. In total I had four flounces: 2 alternating rows each of fabric and fringe.
The vertical edges of most kilts are left plain, probably representing either the selvage or an edge otherwise finished off to prevent fraying. For my kilt, however, I ended up with a couple inches of self-fringe on either side as I adjusted the fabric to the correct width. At least three examples of kilts with fringed vertical edges are known, all three from the so-called "House of the Ladies" in Akrotiri
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Photos from Wikimedia Commons. Image 1. Image 2.
The vertical edges of these kilts are reinforced with a colored band or tape, probably to keep the garment from unintentional further fraying. Accordingly, I did the same on my kilt. I also like that it gave a nice vertical diagonal to counterbalance the horizontal ones.
Materials
I tried to use mainly linen and wool, the fibers most available on Ancient Crete, but some of my trim was cotton because sometimes you just have to use what's cheap and available in the today times.
The base of my kilt is a heavy, patterned linen in what's called a diaper weave, meaning that a repeating diamond pattern is woven into the pattern itself. A lot of the Minoan textiles depicted in frescoes are characterized by repeating geometric patterns, likely woven into the fabric itself, and that was something I wanted to capture in my own piece. My linen is woven with both cream and natural colored threads. The heavy weight is important to give structure to the garment--otherwise it would be kind of limp. My linen was from Burnley & Trowbridge (shameless plug), as was the plain cotton twill tape I used to bind the top and bottom edges of the kilt, and the dark red wool twill tape I used along the vertical edges.
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I bought my cotton fringe from a rug supply store. I had to search a while to find a fringe that would work for me, and I ultimately chose fringes with a woven header rather than the more common knotted one, so that it would lay flat against the kilt. I hid the woven header under a layer of cotton fringed trim from Michaels (yes, Michaels) with this really great diamond and dots pattern woven in black.
The blue layers are from a bolt of vintage wool Kimono fabric. Blue appears frequently in frescoes, likely achieved with indigo or woad dye, or even murex/mollusk dye. The fabric is printed with an imitation ikat pattern of diamonds and squares that made me think "the vibes seem right!" because quite frankly, you aren't going to get "historically accurate" Minoan textiles (which there probably isn't enough archaeological evidence to definitively describe) without, like, hand-weaving it yourself or paying someone hundreds of dollars to do it for you (and that price is if the weaver really likes you). Neither of which appealed to my desire to just make a fun, low stress project. Good enough is good enough.
The narrow trim on the bottom of the blue flounces is vintage cotton/poly woven trim. This trim, while narrow, was quite thick and stiff, which was great because it added more weight and structure to the end of my flounces since the wool fabric itself was quite thin.
The top layer is a custom tablet-woven wool trim that I commissioned from MAHTAVAhandicraft on Etsy. I imagined this as the "centerpiece" of my kilt, and I'd arrange everything to complement it.
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It's a kivrim pattern, which has itself only been traced to 19th-century Anatolia, but I didn't care. The way it looks like waves reminded me of how central the sea was to life in the Ancient Aegean and Mediterranean and it captured the idea and aesthetic I was pursuing. I mean, doesn't it remind you of these dolphins?
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(I like the dolphins)
The whole thing was machine sewn with the exception of hemming and adding trim to the blue flounces. If you were to look at it from the back, you'd see lots of zigzag stitches, because i wanted to be fast! and have fun! not chase some unreachable ideal of "accurate."
As for wearing it, I chose to wear it with the top part folded/rolled down over a belt, so I have a thick tube of fabric around my waist. Many images, like the frescoes above of women with fringed kilts, appear to just show the kilt being tied closed. Other images are so fragmented or stylized that it's unclear what kind of skirt closure was used. Sculptures and figurines definitely show some kind of SOMETHING around the waist, whether this is folded fabric or a kind of belt is unclear. Different art could show different things!
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I think I see evidence of a continuous line from the skirt to the waist-roll on the figure on the left, found in Troas, which I think indicates some kind of skirt-folding situation. The woman on the right, found in Crete, looks more like she's wearing some kind of long coiled belt, or perhaps snakes. Who knows? I don't! For my own part, I found the combination of rolled waist + tie belt the most secure for doing things like kneeling, stomping around, and wading into rivers to rescue bees. I also liked that it gave me the bulk around the hips that gives Minoan figurines such a powerful silhouette, and proportionally gives more of an hourglass shape. If you wanted to do something more firmly grounded in the sources, stick just with the waist tie or belt, wrapped around a couple times and tied in back. If you want to be like me, just say "well we don't KNOW it didn't happen" and just do whatever you want. Have fun! Whatever happens, it should be fairly easy to move around in the kilt--this is not a restrictive garment, just a heavy one.
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animusrox · 1 year
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LETTERBOXD
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Grade B
61.   This Place Rules 62.   Fresh 63.   Windfall 64.   Kimi 65.   No Exit 66.   Top Gun: Maverick 67.   “Sr.” 68.   Farha 69.   The Unbearable Weight of Massive Talent 70.   Weird: The Al Yankovic Story 71.   Nitram 72.   Speak No Evil 73.   Run Sweetheart Run 74.   She Said 75.   White Noise 76.   Puss in Boots: The Last Wish 77.   V/H/S/99 78.   The Wonder 79.   Women Talking 80.   Hatching 81.   Soft & Quiet 82.   Scream 83.   To Leslie 84.   Hustle 85.   Chip ’n Dale: Rescue Rangers 86.   Dual 87.   God’s Country 88.   Emancipation 89.   Vengeance 90.   Fire of Love 91.   Bullet Train 92.   Incantation 93.   The Valet 94.   Hellraiser 95.   Christmas Bloody Christmas 96.   Significant Other 97.   Cha Cha Real Smooth 98.   Lucy and Desi 99.   Not Okay 100.   A Christmas Story Christmas 101.   Blonde 102.   Deadstream 103.   Sissy
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jsab-corruptedbond · 26 days
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Page 158 - 166
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sparklecarehospital · 2 months
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💕 Sparklecare update 💕
VOL 4: Pages 166-168✨ Link to update
🎨 Promo art by @ausi-is-furry
✨ Patreon! ✨ Updates Mondays & Thursdays
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