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#My Heart Black and White
davidjrpalos · 2 months
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my warm heart for your cold hands
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poorly-drawn-mdzs · 6 months
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If I was in a lucid dream with a ghost, I would simply impress them with my blunt rolling skills
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myheartbeats4you · 2 months
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Joseph & his contagious smile…🤍
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mixtercandy · 3 months
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made bookmark designs for a zine that got canned :/
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animangabwedit · 11 days
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olmoonlight · 9 months
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♡ Love doesn’t always needs words. Let my kisses speak. Let my lips tell you how much I love you. ❤️‍🔥💕💋
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politemagic · 15 days
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the boys are back 🖤 (the shitposts never left, though)
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power-and-glory · 10 months
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hhoneycloves · 13 days
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This contrast in color makes it clear that what he wears is Not His. [please don't tag as ship]
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staincastle · 9 months
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⠀⠀⠀ ★ rina's message is here! minimalist headers
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hollywood-sadcore · 3 months
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Is it you and I.
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squidthesquidd · 1 year
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THE SUBMAS FLOOD GATES HAVE OPENED
NEW HYPERFIXATION HAS RELEASED
so have some doodles of the boys :D
bl*nkshippers get the fuck out of my house <3
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also!!! finished product next to first sketch cus i think its really cool how much my art changes from start to finish :]]]
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roberta4a · 6 months
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see-arcane · 6 months
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Feeling very fine and normal about the Harkers today.
If you're interested in a commission, my Ko-Fi info is here.
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dorianbrightmusic · 5 months
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i'm seeing a lot of Pokémon SV DLC analyses where people say 'Oh, Kieran's fixation on Ogrepon is because he sees it as a path to strength; Carmine's bullied him long enough that his shield against admitting his weakness to himself is adoring a legendary creature'. And don't get me wrong – these interpretations certainly hold water – but I've actually been working from basically the opposite angle for all this time.
By all means, Kieran idolises strength, but he inhabits Carmine's shadow – he's the weak sibling, and probably has been for a long time. Yet, rather than fixate on the fantastical power of the Loyal Three, he identifies himself with Ogrepon – the downtrodden, ostracised creature cast out to eke out a subsistence. A terrible demon that wasn't quite terrible enough to cause anyone any lasting harm. The creature defeated by heroes, rather than the perfect, heroic figureheads themselves. He's enamoured with the downtrodden; he sees himself in its grief, in its being cast out and excluded. He's been cast out and excluded all his life (and he can't be a bad person, right? It's not fair – he's hated senselessly, surely, rather than for some reason?) – he sees himself as harmless; so the ogre, too, must be harmless, mis-blamed. Strength is thus in resistance; in growing a shell to tolerate others' inexplicable cruelty. So Kieran looks to Ogerpon, and he thinks that the meek shall inherit the earth, and it gives him the strength to tolerate long nights with poor company. Others are villains – not him, not this creature – and he's safe in the knowledge that at the end of the day, at least an ogre can go down in mythology as the putative sole survivor of its trials.
In this sense, Kieran's like Penny – he finds himself in a position of weakness, of being victimised, and forms himself an armour of being an underdog, of being the thing that bites back. Yet while Penny's position is that the underdog might muster the strength to bite back and restore justice, Kieran's view is that at least the underdog was worth loving. He's inert and preoccupied with his inertia. He can't understand that maybe he could be a human, with the capacity to grow, the capacity to sin. And when Carmine is cruel to him, he reaffirms his own contrarian mindset more – she says I am worth little for my weakness, so my weakness is all I am worth; my weakness is my strength.
And yet he chases strength, because he has to to survive. So when the player comes by, and supports him, maybe he has the safety to walk away from his preoccupation with being an underdog, to enjoy strength for strength's sake. And then, he starts losing, but this time, there are stakes, since he can't just withdraw and be consoled by the fact that withdrawing is right, is right, is right. Thus, he must get stronger. And then, when Ogerpon turns out to favour Juliana, who's become Kieran's idol for all that strength means, rather than Kieran, who's Kieran's selfsame designated weaklingpatheticscumidiot——well, what can Kieran do but fracture, since his whole ideology, his whole premonition that he might have the right to inherit the earth, has been fractured? And, under stress, he pivots from one extreme to the other. All he knows is that weakness is now unbearable. He must get stronger. Must get stronger. Must get stronger—because otherwise he's doomed, he's nothing. He has no myth to dissolve his identity in any longer, so he reshapes himself around the only other standard he's ever known. And it twists him and it breaks him into tiny pieces, because suddenly, the last thing he can bear to be is Kieran: Kieran, the downtrodden and meek boy. He has to flip on his axis; he must become the designated villain of his story by popular imagination, or else be subsumed in the fact that he's going to die someday without any place in the world. He has to play a part, because he's been consigned to one so long, and he can't think of anything other than heroes and villains, enemies and martyrs. He can't be the bad guy. Strength is now goodness; weakness is now evil. And he can't reconcile who he thought he was with who he must become, and as a result, all he can do is try to destroy the person who's destroyed his ideology.
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tendernxss · 2 years
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can you feel my heart // bring me the horizon
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