#Media Placements

[pressreleasearticles]

Mogul Press: Unveiling the Power of B2B Content Marketing in Business Growth

In the fast-paced world of digital marketing, businesses are constantly seeking innovative strategies to stand out amidst the noise and capture the attention of their target audience. One such powerful tool that has emerged in recent years is B2B content marketing. And when it comes to mastering this art, Mogul Press leads the way.

Introduction: Navigating the Landscape of B2B Content Marketing

B2B content marketing has revolutionized the way businesses engage with their audience, offering a more personalized and informative approach to building relationships and driving conversions. Mogul Press, with its expertise in media placements, personal branding, and marketing strategy, harnesses the true potential of content marketing to propel businesses towards success.

The Dynamics of B2B Content Marketing

In today's digital ecosystem, where competition is fierce and attention spans are fleeting, businesses need to adopt a proactive approach to content marketing. Mogul Press understands this dynamic landscape and crafts tailored content strategies that resonate with target audiences, driving brand awareness and fostering trust.

Crafting Compelling Content: Mogul Press's Approach

At Mogul Press, content creation is not just about churning out generic pieces of information; it's about telling compelling stories that captivate and inspire. Through meticulous research and creative flair, Mogul Press delivers content that not only educates but also entertains, leaving a lasting impression on the audience.

The Role of Personal Branding in B2B Content Marketing

In an age where consumers crave authenticity and connection, personal branding has become a cornerstone of effective content marketing. Mogul Press specializes in helping businesses and individuals develop a strong personal brand that resonates with their target audience, ultimately driving engagement and loyalty.

Navigating the Media Landscape: Mogul Press's Expertise

In today's hyperconnected world, securing media placements is essential for establishing credibility and reaching a wider audience. Mogul Press leverages its extensive network of media contacts and industry expertise to secure high-impact placements that elevate brand visibility and reputation.

Measuring Success: The Metrics that Matter

In the realm of B2B content marketing, success is not just about generating likes and shares; it's about driving tangible business outcomes. Mogul Press employs a data-driven approach to measure the effectiveness of its content strategies, tracking key metrics such as website traffic, lead generation, and conversion rates.

Frequently Asked Questions (FAQs)

1. What is B2B content marketing, and why is it important? B2B content marketing involves creating and distributing valuable content to attract and engage a specific business audience. It's important because it helps businesses build brand awareness, establish credibility, and drive conversions.

2. How does Mogul Press help businesses with their content marketing strategies? Mogul Press specializes in crafting personalized content strategies tailored to the unique needs and goals of each client. From media placements to personal branding, Mogul Press offers a comprehensive suite of services to drive business growth.

3. What sets Mogul Press apart from other content marketing agencies? Mogul Press stands out for its deep understanding of the media landscape, creative storytelling abilities, and commitment to delivering tangible results for clients. With a focus on quality over quantity, Mogul Press ensures that every piece of content is impactful and effective.

4. How does personal branding tie into B2B content marketing? Personal branding plays a crucial role in B2B content marketing by humanizing the brand and establishing trust with the audience. Mogul Press helps businesses and individuals develop a strong personal brand that resonates with their target audience, driving engagement and loyalty.

5. How does Mogul Press measure the success of its content marketing strategies? Mogul Press employs a data-driven approach to measure the effectiveness of its content strategies, tracking key metrics such as website traffic, lead generation, and conversion rates. By analyzing these metrics, Mogul Press can optimize strategies for maximum impact.

6. Can businesses of all sizes benefit from B2B content marketing? Absolutely! Whether you're a startup or a Fortune 500 company, B2B content marketing can help you connect with your audience, build brand credibility, and drive business growth. Mogul Press offers tailored solutions to meet the unique needs of businesses of all sizes.

7. How long does it take to see results from B2B content marketing efforts? The timeline for seeing results from B2B content marketing efforts can vary depending on factors such as industry, competition, and the quality of content. However, with a strategic approach and consistent effort, businesses can start to see positive outcomes within a few months.

8. What types of content does Mogul Press specialize in creating? Mogul Press specializes in creating a wide range of content, including articles, blog posts, press releases, social media posts, videos, and more. Whatever your content needs may be, Mogul Press has the expertise to deliver impactful and engaging content that resonates with your audience.

9. How does Mogul Press stay ahead of the latest trends in content marketing? Mogul Press is committed to staying at the forefront of industry trends and innovations in content marketing. Through ongoing research, professional development, and collaboration with industry experts, Mogul Press ensures that its strategies are always fresh, relevant, and effective.

10. How can businesses get started with B2B content marketing with Mogul Press? Getting started with B2B content marketing with Mogul Press is easy! Simply reach out to our team to schedule a consultation, and we'll work with you to develop a customized content strategy that aligns with your goals and objectives. From there, we'll handle the rest, helping you navigate the world of content marketing with confidence and ease.

Conclusion: Elevating Your Business with Mogul Press

In the ever-evolving landscape of B2B content marketing, Mogul Press stands as a beacon of innovation and expertise. With its unparalleled understanding of the media landscape, creative storytelling prowess, and commitment to driving tangible results, Mogul Press empowers businesses to unlock their full potential and achieve lasting success. Whether you're looking to build brand credibility, expand your audience reach, or drive conversions, Mogul Press is your trusted partner in navigating the journey to business growth and prosperity.

#public relations #Mogul Press #Business growth strategies #Media placements #Personal branding #Marketing strategy #Content creation #Brand credibility

[mostlysignssomeportents]

“Brand safety” killed Jezebel

I'll be at the Studio City branch of the LA Public Library this Monday, November 13 at 1830hPT to launch my new novel, The Lost Cause. There'll be a reading, a talk, a surprise guest (!!) and a signing, with books on sale. Tell your friends! Come on down!

Progressives: if you want to lose to conservatives, all you need to do is reflexively praise and support everything conservatives turn into a culture-war issue, without considering whether they might be right. Because sometimes…they're right.

Remember early in the Trump presidency, when conservatives all woke up and discovered that America's spy agencies – excuse me, "the intelligence community" – were dirty-tricking psychos who run amok, lawlessly sabotaging democracy? Progressives have been shouting this ever since Hoover's FBI tried to blackmail MLK into killing himself:

https://en.wikipedia.org/wiki/FBI%E2%80%93King_suicide_letter

But millions of progressives forgot about COINTELPRO, CIA dirty tricks and CIA mass spying when this "intelligence community" temporarily set out to wrong-foot Trump. Remember James Comey votive candles?

https://www.usatoday.com/story/opinion/2019/08/30/james-comey-fbi-memo-leaks-trump-inspector-general-report-column/2157705001/

Anthropologists have a name for this phenomenon, in which one side reverses its positions because their sworn enemies have done so. It's called schizmogenesis, and it goes like this: "If they hate it, we love it":

https://pluralistic.net/2021/12/18/schizmogenesis/

Schizmogenesis is an equal-opportunity delusion. Within living memory, white evangelicals supported abortion, because their sworn enemies – Catholics – opposed it. Some of those white Boomer women who voted Trump because abortion was literally the only issue they cared about held the opposite position on abortion not so long ago – and completely forgot about it:

https://text.npr.org/734303135

The main purpose of the culture war isn't immiserating marginalized people – that's its effect, but its purpose is to distract low-information turkeys (working people) so they'll vote for Christmas (the ongoing seizure of power by American oligarchs). For the funders of conservative movement politics, the cruelty isn't the point, it's merely the tactic. The point is power:

https://pluralistic.net/2022/03/09/turkeys-voting-for-christmas/#culture-wars

Which brings me to "woke capitalism." Conservative string-pullers have whipped up their base about the threat of companies embracing social causes. They (erroneously) claim that corporations have progressive values, and that big business is thumbing the scales for causes they despise. The purpose here isn't to sow distrust of capitalism per se. Rather, it's to stampede talk-radio-addled supporters into backing the oligarchy's agenda. Remember when culture war leaders told their base to support being gouged on credit-card junk fees "to own the libs?"

https://pluralistic.net/2023/08/04/owning-the-libs/#swiper-no-swiping

That's schizmogenesis working against the conservative rank-and-file, tricking them into taking the side of a cartel of wildly profitable payment processors who are making billions by picking their pockets (credit card fees are up 40% since the covid lockdowns), because (checks notes), Target pays these profiteers a lot to process its payments, and Target sells Pride merch (no, really):

https://pluralistic.net/2023/08/04/owning-the-libs/#swiper-no-swiping

It's easy to point and laugh at conservative dopes when they're tricked into shooting themselves in the balls to own the libs. This is not a hypothetical example:

https://pluralistic.net/2020/05/28/holographic-nano-layer-catalyser/#musketfuckers

But progressives do it, too, particularly when they embrace monopolies as a force for positive social change. Remember 2019, when people got excited about playing loud pop music at Nazi rallies in the hopes that the monopoly video platforms' copyright filters would make any video from that rally impossible to post?

https://memex.craphound.com/2019/07/23/clever-hack-that-will-end-badly-playing-copyrighted-music-during-nazis-rallies-so-they-cant-be-posted-to-youtube/

I warned then that if this tactic worked, it would be used by cops to prevent you from recording them when they're macing you or splitting your skull with a billyclub, and yup, within a couple years, cops were blaring Taylor Swift music in hopes of preventing the public from posting videos of their illegal conduct:

https://pluralistic.net/2022/04/07/moral-hazard-of-filternets/#dmas

Conservatives are (partially) right about woke capitalism. It is a threat to democracy. Concentrating the power to decide who gets to speak and what they get to say into the hands of five or six corporations, mostly run by mediocre billionaires, is bad for society. The moderation decisions of giant platforms are a form of (commercial) censorship, even these don't violate the First Amendment:

https://locusmag.com/2020/01/cory-doctorow-inaction-is-a-form-of-action/

(The progressive delusion that censorship only occurs when the First Amendment is violated is a wild own-goal, one that excuses, for example, the decision by school book-fair monopolist Scholastic to remove books about queers and Black and brown people from its offerings as a purely private matter without consequences for free speech):

https://www.themarysue.com/scholastic-response-to-authors-and-illustrators-on-diverse-books/

Conservatives are only partially right about woke capitalism, though. Here's what they're wrong about: corporations don't have values. Target isn't selling Pride tees because they support progressive causes, they're selling them because it seems like a good way to increase returns to their shareholders. Individuals – even top executives – at Target might endorse the cause, but the company will only durably support the cause if that endorsement is profitable, which means that when it stops being profitable, the company will stop supporting the cause:

https://www.cnn.com/2023/05/23/business/target-lgbtq-merchandise/index.html

The idea that corporations have values isn't merely stupid, it's very dangerous. The Hobby Lobby decision – which allows corporations to deny basic health-care expenses for women on the basis that a Bronze Age mystic wouldn't approve of an IUD – rests on the ideological foundation that corporate personhood includes corporate values:

https://en.wikipedia.org/wiki/Burwell_v._Hobby_Lobby_Stores,_Inc.

Citizens United – the idea that corporations should be allowed to funnel unlimited funds to politicians who'll sell out the public good in favor of investor profits – also depends on a form of corporate personhood that includes values:

https://en.wikipedia.org/wiki/Citizens_United_v._FEC

There are undeniably instances in which corporate monopoly power benefits progressive causes, but these are side-effects of corporate power's main purpose, namely: taking money and power away from working people and giving it to rich people. That is what monopoly power is for.

Which brings me to ad-tech, "brand safety," and the demise of Jezebel, the 16 year old feminist website whose shuttering was just announced by its latest owner, G/O Media:

https://www.metafilter.com/201349/This-is-the-end-of-Jezebel-and-that-feels-really-really-bad

Jezebel's demise is the direct result of monopoly power. Jezebel writes about current affairs – sex, politics, abortion, and other important issues of great moment and significance. When we talk about journalism as a public good, necessary for a healthy civic life, this is what we mean. But unfortunately for Jezebel – and any other news outlet covering current events – there are vast, invisible forces that exist solely to starve this kind of coverage of advertising revenue.

Writing for the independent news site 404 Media, reporter Emanuel Maiberg and former Motherboard editor-in-chief Jason Koebler go deep on the "brand safety" industry, whose mission is to assist corporations in blocking their ads from showing up alongside real news:

https://www.404media.co/advertisers-dont-want-sites-like-jezebel-to-exist/

Maiberg and Koebler explain how industry associations like the World Federation of Marketers' Global Alliance for Responsible Media (GARM) promulgate "frameworks" to help advertisers automatically detect and exclude real news from consideration when their ads are placed:

https://www.peer39.com/blog/garm-standards

This boycott makes use of scammy "AI" technology like "sentiment and emotional analysis" to determine whether an article is suitable for monetization. These parameters are then fed to the ad-tech duopoly's ad auction system, so Google and Meta (who control the vast majority of online advertising) can ensure that real news is starved of cash.

But reality is not brand-safe, and high quality, reputable journalistic outlets are concerned with reality, which means that the "brand safe" outlets that attract the most revenue are garbage websites that haven't yet been blacklisted by the ad-safety cartel, leading to major brands' ads showing up alongside notorious internet gross-out images like "goatse":

https://www.404media.co/sqword-game-dev-sneaks-goatse-onto-a-dozen-sites-that-stole-his-game/

More than a fifth of "brand safe" ad placements end up on "made for advertising" sites, which 404 Media describe as "trash websites that plagiarize content, are literally spam, pay for fake traffic, or are autogenerated websites that serve no other purpose than capturing ad dollars":

https://www.ana.net/miccontent/show/id/rr-2023-06-ana-programmatic-transparency-first-look

Despite all this, many progressives have become cheerleaders for "brand safety," as a countervailing force to the drawdown of trust and safety at online platforms, which led to the re-platforming of Nazis, QAnon conspiratorialists, TERFs, and other overt elements of the reactionary movement's vanguard on Twitter and Facebook. Articles about ads for major brands showing up alongside Nazi content on Twitter are now a staple of progressive reporting, presented as evidence of Elon Musk's lack of business acumen. The message of these stories is "Musk is bad at business because he's allowing Nazis on his platform, which will send advertisers bolting for the exits to avoid brand-safety crises."

This isn't wrong. Musk is a bad businessman (he's a good scam artist, though). Twitter is hemorrhaging advertisers, notwithstanding the desperate (and easily debunked) stats-juking its "CEO," Linda Yaccarino, floats onstage at tech conferences:

https://www.techdirt.com/2023/10/11/math-problem-for-linda-yaccarino-if-90-of-the-top-advertisers-have-come-back-but-are-only-spending-10-of-what-they-used-to-how-screwed-are-you/

But progressives are out of their minds if they think the primary effect of the brand safety industry is punishing Elon Musk for secretly loving Nazis. The primary effect of brand safety is killing reality-based coverage of the news of the day, and since reality has a well-known anti-conservative bias, anything that works against the reality-based community is ultimately good for oligarchy:

https://en.wikipedia.org/wiki/Reality-based_community

We can't afford to let schizmogenesis stampede us into loving things just because conservative culture warriors have been momentarily tricked into hating them as part of oligarchs' turkeys-voting-for-Christmas project. "Swivel-eyed loons hate it, so it must be good," is a worse-than-useless heuristic for navigating complex issues:

https://locusmag.com/2023/05/commentary-cory-doctorow-the-swivel-eyed-loons-have-a-point/

A much better rule of thumb is "If oligarchs love something, it's probably bad." Almost without exception, things that are good for oligarchs are bad for the rest of us. I mean, this whole shuttering of Jezebel starts with an oligarch imposing his will on millions of other people. Jezebel began life as a Gawker Media site, beloved of millions of readers, destroyed when FBI informant Peter Thiel secretly funded Hulk Hogan's lawsuit against the publisher in a successful bid to put them out of business to retaliate for their unfavorable coverage of Thiel:

https://www.theatlantic.com/business/archive/2018/02/hogan-thiel-gawker-trial/554132/

This, in turn, put Jezebel under the ownership of G/O Media, who are unwilling to pay for a human salesforce that would – for example – sell advertising space on Jezebel to sex-toy companies or pro-abortion groups. G/O has been on a killing spree, shuttering beloved news outlets like Deadspin:

https://deadspin.com/this-is-how-things-work-now-at-g-o-media-1836908201

G/O's top exec, an oligarch named Jim Spanfeller who answers to the private equity looters at Great Hill Partners, is bent on ending reality-based coverage in favor of "letting robots shit out brand safe AI-assisted articles about generic topics":

https://www.msnbc.com/opinion/msnbc-opinion/ai-articles-disinformation-future-g-o-media-rcna95944

Three quarters of a century ago, Orwell coined a term to describe this kind of news: duckspeak,

It was not the man’s brain that was speaking it was his larynx. The stuff that was coming out of him consisted of words but it was not speech in true sense: it was a noise uttered in unconsciousness like the quacking of a duck.

When investors and analysts speak of "content" (rather than, say, "journalism"), this is what they mean – a warm slurry of platitudes, purged of any jagged-edged fragments to render it a perfectly suitable carrier for commercial messages targeted based on surveillance data about the "consumer" whose eyeballs are upon it.

This aversion to reality has been present among corporate decisionmakers since the earliest days, but the consolidation of power among large firms – ad-tech firms, online platforms, and "brands" themselves – makes corporate realityphobia much easier to turn into, well, reality, giving advertisers the fine-grained power to put Jezebel and every site like it out of business.

As Koebler and Maiberg's headliine so aptly puts it, "Advertisers Don’t Want Sites Like Jezebel to Exist."

The reason to deplore Nazis on Twitter is because they are Nazis, not because their content isn't brand-safe. The short-term wins progressives gain by legitimizing a corporate veto over what we see online are vastly overshadowed by the most important consequence of brand safety: the mass extinction of reality-based reporting. Reality isn't brand safe. If you're in the reality based community, brand safety should be your sworn enemy, even if they help you temporarily get a couple of Nazis kicked off Twitter.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/11/11/ad-jacency/#brand-safety

#pluralistic #jezebel #publishing #brand safety #adjacency #adtech #media theory #censorship #surveillance advertising #dynamic ad placement #quackspeak #Global Alliance for Responsible Media #garm #debated sensitive social issue #Third Party Safety and suitability #schizmogenesis #woke capitalism #duckspeak

[strawberrybyers]

the duffers really said “we have TWO opportunities to do something really funny with camera and actor placement”

#the big reveal will forever be the sound i hear when i look at the image of mike and el reuniting 😭😭 #if you’ve seen media with love triangles then you know exactly what these placements mean 😭 #will is directly in the middle of mik and el for a reason #and then will and mike are stranding side by side for a reason #remember noah said the duffers purposefully put them there #byler #stranger things

[astrosky33]

𝐒𝐎𝐂𝐈𝐀𝐋 𝐌𝐄𝐃𝐈𝐀 𝐅𝐀𝐌𝐄 𝐈𝐍𝐃𝐈𝐂𝐀𝐓𝐈𝐎𝐍𝐒 𝐈𝐍 𝐀𝐒𝐓𝐑𝐎𝐋𝐎𝐆𝐘

𝐈𝐧𝐝𝐢𝐜𝐚𝐭𝐢𝐨𝐧𝐬

✦ Mercury in the 3rd/10th house

✦ Uranus in the 10th/11th house

✦ North Node in the 3rd/11th house

✦ 3rd house ruler in 1st house

✦ 10th house ruler in 3rd/11th house

✦ 11th house ruler in the 1st/11th house

✦ Part of fortune in 3rd/11th house

✦ Placements at 11°

𝐄𝐯𝐢𝐝𝐞𝐧𝐜𝐞

✦ The 1st house represents our identity/self

✦ Mercury/3rd house represent social media

✦ 10th house represents fame

✦ Uranus represents technology

✦ 11th house represents technology/gains

✦ Part of fortune shows your prophesied fortune in life

✦ 11° is the social media fame degree -> more info

MY MASTERLIST

MORE INDICATIONS

© 𝐚𝐬𝐭𝐫𝐨𝐬𝐤𝐲 𝟐𝟎𝟐𝟑 𝐚𝐥𝐥 𝐫𝐢𝐠𝐡𝐭𝐬 𝐫𝐞𝐬𝐞𝐫𝐯𝐞𝐝

#astro community #astrology #zodiac #astro placements #astrology tumblr #astro chart #birth chart #social media #social media fame

[gaylactic-fire]

#fires posts #poll #loz #the legend of zelda #FYI this poll isn't whether or not you AGREE with the timeline #it's how much the this idea of a timeline is important to you and your engagement with the media #you can disagree w game placements but still be very invested in the idea of the timeline

[badnewswhatsleft]

a little snippet about joe's contributions to heaven iowa that i thought was actually rlly sweet in its own way.. (from tape notes 128)

#and it's so tru the placements and pitches of those pedal fx are so interesting......... #smthing about..... joe rlly paying attention to patricks vocals and the lyrics.......... #smthin about................ joe saying he really likes collaborating with his band................. #smthin about..... ''this is the kind of thing you see when bands have grown up''............................................... #media blitz

[mantisgodsart]

so very small Worm (Wildbow), Bug Fables Graphic Depictions Of Violence, Skitter | Weaver | Taylor Hebert, Post-GM, Transmigration, Spiders, Bugs & Insects, Canon-Typical Violence

Taylor Hebert wakes up in the middle of a grassy field with an aching head, a massive blank in her memory, and approximately four more limbs than she remembers having. Approximately, of course, because one of her original four limbs appeared to be gone, and she wasn't sure how to qualify an entire abdomen suddenly spawning off of her backside. Something ingrained deeply into her skull told her she should be blaming someone, but she couldn't quite remember who.

Author's Note: Bugtober, Day 19 - Mimic. We think that Taylor would be a mimic spider if we swapped her over to BF. We have no major justification for this, but we are open to suggestions if anyone has a better idea, seeing as it's been nearly three years (we think) since we've read Worm and there are likely people on this website who are not operating on three years of character drift.

#our art #bug fables #worm #parahumans #taylor hebert #watercolor #bugtober #finished #what canon is the violence typical for? good question. #losing access to swarm tactics doesnt defang taylor but it Does mean she would have to put in more effort for gore #this is not a real fic and will not be a real fic at any point in the forseeable future btw #in order for us to write a fic we have to have read the source media within at least six months of writing #and we have been procrastinating on rereading worm #this is just a vague idea that came about from discussing what bugs the undersiders would be #generally we agreed she would be a social insect of some description but this is more Fun for the setting #she is a perfectly normal ant. who is normal. and standard. #we have previously drawn taylor approximately Never and we have not figured out mimic spider anatomy with their weirdass two segments #ehh. her disguise is perfectly passable. ants will not bat an eye at her because she smells right and ant eyesight sucks ass #for those wondering on other placements rachel is a weevil lisa is an orchid mantis brian is a ladybug and alec is a parasitoid wasp #we also decided that squealer would be a bombadier beetle. we feel no desire to clarify this decision. take it as you will #we will now fail to post anything even vaguely worm related for approximately five trillion more years

[chronic-invisibility]

I really resent all the people saying “oh, the Barbie movie is just one big ad, don’t go see it” like, OF COURSE it’s an ad! Most pieces of media these days are! You think the DND movie wasn’t an ad? The Last of Us show? Any Marvel or DC movies or show? What about every single product placement in basically every single piece of radio, TV, movie, etc? All those Apple products you see in shows or movies? The branded food products? The recognizable fashion brands? Do you seriously think none of that is an ad, and the Barbie movie is the first and only piece of media that’s selling you something? Grow up. We live in a capitalist world, everybody’s selling you something, you’re just so desensitized to it you don’t notice anymore.

#barbie #barbie movie #dnd movie #the last of us show #marvel #dc #product placement #ads in media #hollywood #movies #cinema

[nebulous-nevermore]

im actually going to commit crimes with this new discord layout it sucks. and i hate that every article that i looked up trying to see if i could get the old layout back was trying to hype up how good these changes are for the service and how wonderful it is that we’re moving forwards. NO you lukewarm refrigerator i specifically looked up how to go back!!! why can’t i even just have the option to use the old layout. like if people want the new layout fine whatever but why not just??? make it a new option??

#discord #discord update #i really hate this trend lately of social medias changing their whole layouts #like unless you’re adding a WILD amount of new features what does overhauling it even DO #and what gets me is they added NOTHING with these updates. just fucked around with the placement of everything #i was used to how it was before. i don’t like that my notifications are in two different places now #i am considering downgrading the app so i can have the old version back so long as it like. actually still works

[reachingworldlive]

Significance of Product Placement: How to Get It

#Business #General #Product Placement #Social Media #Social Media Platforms

[jrueships]

is that tags post about zach wilson or joe burrow I can't tell 😭

any! and all of them !

#disturbed man staring is how i picture my moots after i randomly start complaining abt smthing stupid #but YES anon! YES! #my exact point!! #u CANT tell!! #bcs it's a Bad generalization that strips people!! of being! the people they are! #it becomes less abt the nuances of ppl and more 'which fav of mine can i slot into the angel side #and which shithead can i input as the villain' #i dont WANT to focus on certain repeated attributes so much #but theyve been basically striped of any other identifying personal information BESIDES whatever can fit #the perceived notions of the PLACEMENTS! #oh of COURSE the pallid little posterboy can be the angel. the Good guy. media agrees! the World agrees! it makes SENSE #and the dark side gets. well. it's in the name. we dont have to do much thinking for that huh #a white person being confident is goofy. a poc? is telling of experience they can force onto the shy and the small #bcs the physical information matters more than the personal #apparently #IT'S SO!! ARGH! LIKE! #EVERYONE gets HURT! #IM NOT J U S T MAD ABT O N E WASTED POTENTIAL #wasted potential in GENERAL is! AGGRAVATING!! #i feel like shit trying to explain how i feel like shit sometimes #argh agrh argh whatever

[historyhermann]

Kizuna no Allele Spoiler-Filled Review

Kizuna no Allele is an idolish music series directed by Kenichiro Komaya. Wit Studio and Signal.MD produce the series. The latter is known for series such as The Ancient Magus’ Bride and Spy x Family, and the former for FLCL Progressive and Atom: The Beginning. In addition, Deko Akao wrote the show’s scripts. Reprinted from Pop Culture Maniacs and Wayback Machine. This was the forty-sixth article…

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#artifical intelligence #BanG Dream! #Cleopatra in Space #crunchyroll #Do It Yourself!! #Gosick #idol anime #Ippon Again! #Kizuna no Allele #Komi Can&039;t Communicate #LGBTQ+ #Love Live! #Marvel&039;s Moon Girl and Devil Dinosaur #My Roommate Is a Cat #NFTs #Pop Culture Maniacs #product placement #social media influencer #Spy X Family #Star Trek: Lower Decks #VTubers #Your Lie in April #yuri subtext

[what-shitfuckery-is-this-ew]

Product placement is literally winning

i got an oishi green tea drink cause even if it isn’t the exact drink it’s still the Thai BL brand

Bonus points for having Zoro from One Piece on it

#my post #western media just does product placement wrong #thai bl #roronoa zoro #ronoroa zoro #one piece zoro #one piece #bad buddy #my school president #thai drama

[hosticaaa]

𝕯𝖆𝖇𝖎 ; Fandom stuff.

How do I tell the fandom that Dabi was a useless, weepy, ill adjusted little runt ( AFFECTIONATE ) who wasn't allowed anywhere near Shoto and not a tall, responsible but troubled older brother figure who mother hen'd his younger siblings, especially Shoto, and that Dabi wasn't close to Shoto or particularly close to Fuyumi either but him and Natsu had a toxic codependent sibling thing going on hard core and I'm so sick of the Natsuo erasure and/or Shoto being put in Natsuo's place when that makes no fucking sense w/o pissing off the Horny Dabi simps who cant let go of bad/outdated flavorless wooby fanon characterization. How do I tell the fandom that their portrayal of the Todoroki family dynamic is severely wrong but can be drastically improved by understanding that while Endeavor ( and to a much lesser extent Rei ) were not actually narcissists, the parenting style at the forefront of the family is almost identical to narcissistic parental abuse and looking into this, along with things such as "Narcissistic devaluation" and the "Scapegoat" and the "Golden Child" explains so much that this fandom can't wrap its head around in regard to the extreme emotional / psychological abuse suffered by the Todoroki children without pissing off the Enji simps neck deep in abuse apology cause their fav has fat dilf tits.

Anyway on that subject children who grew up in households that were heavy on the narcissistic parental abuse often fall into "types" with particular traits and heres the Todorokis to a T ( Not including Shoto because his role is very obviously golden child (Masterpiece) and wasn't ever one of the Scapegoats ("failed creations") I mean I could def put him under "Problem Solver" but since he was never actually a scapegoat child its more complex than that for him so heres just my fav little failures ):

Fuyumi - the caretaker

Scapegoated children may provide emotional and/or physical caretaking to one or more parent/stepparent, functioning as a stand-in best friend, spouse, therapist, or nurse. They may be given household responsibilities such as cleaning, cooking, and caring for siblings, while also being targeted with anger and blame for the family's woes. Often intuitive and empathetic, caretaker scapegoats can become powerful healers as adults. But if they continue to prioritize the needs of others over their own they are likely to experience anxiety, poor self-care, resentment, and burnout.

Natsuo - the protector

Children in the protector role step in to defend a parent and/or younger sibling(s) from the dominant narcissist's verbal and/or physical abuse. Such children may be driven to try to protect family members because of their own experience with being scapegoated, or they may become scapegoated in the family system as a result of standing up to the abuse. As adults, children who have confronted the aggression of abusers may become fierce and compassionate advocates for justice and the underprivileged. But they often struggle to recognize their own limits, vulnerability, and need for support.

Toya - the collapsed

Some scapegoated children experience such harsh neglect and abuse, with few sources of support to build resiliency, that they fail to thrive and become mentally unstable, chronically ill, suicidal, institutionalized, homeless, consumed by addiction, and/or incarcerated. As adults, they may experience a trajectory of low functioning, repeated crises, or collapse that ends tragically in early death by illness, addiction, suicide, or violence. Kids who are "different" in some way, such as queer or neuro-atypical, are often targets of extreme scapegoating, both within their family and society at large.

#⊰ ° ‧: ｡* ⚘ ��� ━◞ 𝒯𝒶𝑔 ↝ From The Mun ⊱ #⊰ ° ‧: ｡* ⚘ 🥀 ━◞ ℳ𝓊𝓈𝑒 ↝ Dabi ⊱ #⊰ ° ‧: ｡* ⚘ 🥀 ━◞ ℱ𝒶𝓃𝒹𝑜𝓂 ↝ My Hero Academia ⊱ #Dabi headcanons #Dabi also has a hint of the rebel but hes obviously not healthy enough to truly fit it in canon. IN MY vigilante au tho hes def The Rebel. #People may question my placement of Natsu but theyre not remembering hes the first to fly for Enji's throat at the drop of a hat #Enji so much as breaths the wrong way around Natsu and Natsus throwing hands. Iconic behavior honestly. #anyway its another post but I think its very cool that it seems Hori is going hard to avert Dabis fate as the collapsed #extremely sexy of him actually people who say Hori doesnt know what hes doing with the todorokis and that #the recent chapters are OOC/written bad lack so much narrative awareness and media literacy its insane to me they say those takes #with their whole chests and think theyre right get off that mans balls u know nothing like little baby hes doing great with the todorokis #LET GO of bad outdated fanon! Embrace Canon! Stop Erasing Natsuo and Fuyumi & mischaracterizing Dabi TODAY we can do it! PLUS ULTRA!

[james-stark-the-writer]

the difference between the fourth wall breaks of something like the Deadpool movies compared to something like Birds of Prey and the Fantabulous Emancipation of One Harley Quinn and She-Hulk: Attorney At Law is that every joke in Deadpool feels masturbatory like the writers think they're so hilarious for doing a fourth wall break like that's never been done before whereas both of the other two not only feel right at home with the characters' personalities but are much more natural and much more well done compared to the jokes in Deadpool or its sequel. (do not get me started on Deadpool 2, the movie sucks ass in basically every way except for the characters of Domino and Yukio. every single joke in it was outdated before it was even written. they were making fucking dubstep jokes in 2018. it was a 2012-ass script made way too late and riding on the coattails of the first with even less effort into being actually good.)

but the difference between those properties is that Deadpool wants to be congratulated for being some insanely crazy shocking movie that's pissing off the studio system or whatever but every single joke in it was approved by those people because it makes them money like it's so antithetical to the entire point they're trying to make and it makes for a very infuriating watching experience sometimes. the cognitive dissonance is hard to swallow with that one. but the way BOPATFEOOHQ and She-Hulk do their bits feels so much more authentic and less self-congratulatory and also just like they're clearly done with so much more passion and effort and care? when I watch either of the Deadpool movies, I feel like I'm watching a bunch of executives jerking themselves off. when I watch the other two, I feel like I'm watching a passion project that the executives clearly didn't give a shit about and thus the creative team were actually allowed genuine creative freedom with not a lot of oversight. that's a little less true with She-Hulk (especially in terms of that glorious finale although even that feels more authentic and artist-driven than most things in either Deadpool movie. Kevin Feige's boring, sanitized ass does not have the range to do that finale) being a MCU property although Phase 4 was so fucking experimental and it was a joy to behold even if not everything hit but it's still true and more authentic for the most part. with Deadpool it feels like the only person who really really cared about it was Ryan and like maybe a few of the other actors who actually did do commendable work with what they were given but with the other two projects, it feels way more collaborative because every single person showed up and cared deeply about what they were making.

(this is an addition to the tags bc I ran out [apparently i forgot there was a 30 tag limit] but. anyway the point is. Birds of Prey and the Fantabulous Emancipation of One Harley Quinn is a phenomenal movie in basically every single way and you should watch it.)

#James talks #sorry I just wanna scream about how much I love BOPATFEOOHQ again #the first CBM since 2014's The Amazing Spider-Man 2 that felt more like the voice of artists than the voice of a studio. #I love Shazam but even that felt like it was a little studio driven instead of being a David F. Sandberg movie. #like BOPATFEOOHQ feels artist driven the same way The Batman does and the TASM movies do. #not to derail this tag rant but the TASM movies are Marc Webb movies through and through. #yes they have Sony's grubby hands on them with the product placement and shit but they are inseparable from Marc's vision #they are what Marc cares about more than what the studio cares about. the thematic interests are all Marc Webb. #anyway point is: more art like BOPATFEOOHQ bc it actually cares and less shit like Deadpool that is just pointing and laughing. #Deadpool feels like it's laughing at the concept of superhero media and it's a horrible boring deconstruction of it bc it doesn't get it. #it feels bad to the psyche the same way those meme disney show record scratches do— #like 'my life is kinda crazy' but it's 'ironic' now so it's 'funny'. #'see it's funny bc they're self-aware!' okay but what are they doing by being self aware??? #I'm not saying every piece of art has to be some profound exploration of whatever but Deadpool feels bad to watch in a way the others don't #BOPATFEOOHQ is actually fucking commenting on something using its gags! #the fucking 'they call her... the crossbow killer gag' is actually thematically relevant!! women telling their own stories!! #a subversive joke actually playing into the themes of the project!! imagine that! care ajf effort put into saying something!! #anyway Birds of Prey and the Fantabulous Emancipation of One Harley Quinn is phenomenal. #genuinely one of the greatest CBMs out there. also just a phenomenal time. even tho Parasite is a better movie overall #— BOPATFEOOHQ was my favorite movie of 2020. #some of the best action around with a great script with amazing pacing and phenomenal acting and a great score and soundtrack!! #literally nothing more to ask for. #one of my usual criteria for evaluating how good a piece of art is how much I'd add to it to help it do what it was trying to do. #like not cutting anything from it unless absolutely absolutely necessary. just adding like maybe 10-15 minutes to the runtime and— #helping maybe a few weaker elements shine more. with BOPATFEOOHQ the only change I'd make is to have more of the characters. #let us see more of Cassandra and Black Canary. more of their inner lives and backstories. #Christina Hodson tells us their stories with great efficiency and it's done really well but visually I'd just like to do more with them. #give them each maybe a 2-3 minute scene with what their daily routine is like. #maybe explore Canary's history with her mother more. see how it ties into the GCPD more effectively. #maybe actually see Cassandra's parents and how she deals with them daily instead of hearing about it from her hiding outside

[pressreleasearticles]

Mogul Press Reviews: Strategic Engagement of Stakeholders Through PR

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In today's digital world, personal branding is more important than ever. Mogul Press works closely with entrepreneurs, influencers, and industry experts to develop and amplify their personal brands. By crafting compelling narratives and leveraging various media channels, Mogul Press helps these thought leaders establish themselves as authorities in their respective fields.

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In today's competitive marketplace, establishing thought leadership is key to standing out from the crowd. Mogul Press works closely with clients to position them as experts in their respective industries, whether through speaking engagements, guest blogging opportunities, or industry awards. By leveraging the power of thought leadership, Mogul Press helps clients build trust, credibility, and influence among their peers and customers.

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In an age of constant scrutiny and rapid change, brand resilience is more important than ever. Mogul Press helps clients build resilience by proactively managing their reputations, preparing for crises, and responding swiftly and effectively to challenges as they arise. By building strong foundations and fostering open communication, Mogul Press helps clients weather the storms and emerge stronger than ever.

Measuring Impact: The ROI of Strategic PR

While the value of strategic PR is undeniable, measuring its impact can be challenging. Mogul Press takes a data-driven approach to measuring ROI, tracking key metrics such as brand sentiment, website traffic, and lead generation. By providing clients with clear, actionable insights, Mogul Press demonstrates the tangible impact of its PR efforts and helps clients make informed decisions about their marketing strategies.

FAQs

1. What sets Mogul Press apart from other PR agencies?

Mogul Press stands out for its innovative approach to PR, its focus on building meaningful relationships, and its track record of delivering results.

2. How does Mogul Press work with clients to develop PR strategies?

Mogul Press takes a collaborative approach to developing PR strategies, working closely with clients to understand their goals, target audience, and unique selling points.

3. Can Mogul Press help with crisis management?

Yes, Mogul Press has extensive experience in crisis management and can help clients navigate challenging situations with professionalism and sensitivity.

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Mogul Press uses a variety of metrics to measure the success of its PR campaigns, including media coverage, brand sentiment, social media engagement, and audience surveys.

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Mogul Press works with clients across a wide range of industries, including technology, finance, healthcare, entertainment, and more.

6. How long does it take to see results from a PR campaign with Mogul Press?

The timeline for seeing results from a PR campaign can vary depending on factors such as the client's goals, target audience, and the complexity of the campaign. However, clients can typically expect to see tangible results within a few months of launching a campaign.

7. Does Mogul Press offer ongoing PR support?

Yes, Mogul Press offers ongoing PR support to help clients maintain and strengthen their media presence over time.

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Mogul Press has a team of seasoned PR professionals who are constantly monitoring industry trends, attending conferences, and staying up-to-date on the latest developments in the media landscape.

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Yes, Mogul Press offers social media management services to help clients build and maintain a strong presence on platforms like Facebook, Twitter, Instagram, and LinkedIn.

10. How can I get started with Mogul Press?

Getting started with Mogul Press is easy! Simply reach out to our team to schedule a consultation, and we'll work with you to develop a customized PR strategy that meets your needs and goals.

Conclusion

In conclusion, strategic PR is essential for engaging stakeholders, building brand credibility, and driving business growth. Companies like Mogul Press understand the power of effective PR and are committed to helping their clients navigate the ever-changing media landscape with confidence. Whether it's securing strategic media placements, amplifying personal brands, or developing innovative marketing strategies, Mogul Press has the expertise and experience to deliver results. By focusing on building meaningful relationships and delivering measurable results, Mogul Press continues to set the standard for excellence in the world of PR.

#Public Relations #Media Placements #Personal Branding #Marketing Strategy #Stakeholder Engagement #Thought Leadership #Global PR #Crisis Management #Brand Resilience #ROI Measurement