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mrcowboydeanwinchester · 2 months

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🧡 The Past and Pending 🐎

jo & young claire fic - 4.7k - rating: G - canon compliant - read on ao3

Jo watches the family hold hands over her shitty bar food and close their eyes in grace, in prayer. Even when they’re all hungry they take the moment to thank their god for their meal. Claire looks like a little blonde angel as she mouths along to her father’s amen. Jo supposes she once looked like that, too.

16th May, 2004. Nine years to the day since Jo's father's death, she is nineteen and working her usual shift in the Roadhouse bar. The Novak family stop by during a summer storm as they travel through the state, and Jo has the chance to bond with a seven year old Claire over horses, their love for their fathers, and leather jackets.

written for my 2024 jo's joyous birthday celebrations!! prompts were orange, horse girl, and leather jacket, which were fun to weave in. enjoy <3

read below the cut!

16th May 2004.

It’s been a slow day at the Roadhouse, the tepid May heat turning beers warm but the bouts of summer rain keeping Jo from her usual restless walks outside. The bar is gloomy and a little stifling and it’s nine years to the day since the death of her father.

By the evening Jo is working the bar, in view of the entrance. Every time the door scrapes open and the creaky floorboard goes, she is hit with one of two alternating images. The first is her father, home from his hunt, leather jacket fitted on his solid body with a smile on his face. His arms are spread wide waiting for her hug. Each time it is not him, she is forced to remember how his leather jacket is hanging emptily from a hook behind the bar and that every time she pictures his face she gets it a little more wrong.

The second image is of Uncle Bobby, hunched and sad, his grief silhouetted in the doorway light as he brings the sorry news. Her dad’s leather jacket in his hands, all that was left of him. What news does he bring this time? How many dead? The first image fills her with sorrow, the second with fear, both memories rising to the surface on the anniversary like crumbs in beer.

Jo mindlessly wipes down the bar, any tears that land on the countertop instantly disappearing beneath the cloth. It’s just one of those days. Ellen is in the back, unpacking the delivery that came in the morning, also quieter than usual. At least they’re not screaming at each other. That’s something.

The front door scrapes the floor as it swings open and Jo is called back to the present. She brushes her eyes once with the back of her hand, the one holding the rag, as if she’s only wiping sweat from her forehead. When she turns to face the new customers Jo knows no one will be able to tell she was crying. She’s good at things like that.

“Heya, what can I get for you?” she calls over the bar, and then instantly sighs as she sees the newcomers. Neither of the images in her head have materialized, but a third, more frustrating one has: civilians.

A man and a woman, married, but still fairly young, hover uncertainly in the doorway. The wife’s hair is that uninteresting midway between blonde and brunette, cut sensibly to her shoulders but clearly styled. The husband’s hair is much darker and would probably curl if not for his serious and slick side parting. The first thing Jo notices about them is their hair because this is the most immediately interesting thing about them; other than that, they look incredibly boring. Normal.

Then, from behind the man’s legs, peers a young girl. A child with a sweet tangerine gingham dress and curious eyes, maybe seven or so. Jo watches the girl take in the Roadhouse, with its burly, surly hunters hunched uninvitingly over tables marked with the questionable stains from fights and alcohol which make every surface slightly sticky.

The husband is shaking his head, gesturing round at the bar with a displeased hand. “We should go,” Jo catches him saying, “this isn’t our kind of establishment.”

Jo is too used to this happening to be offended. Besides, she always thinks why cater to civilians anyway, when they’re a hunter bar first and foremost?

But the wife stands her ground. “She needs to eat, Jimmy. We all need a break, we’ve been driving for so long. And the sooner we get home, the sooner we outrun that storm.”

Jimmy sighs, then nods. The trio shuffle awkwardly towards the bar, the child nervous at her father’s heels. She’s very blonde, as blonde as Jo.

“I know we look like it, but we don’t bite,” Jo says, mainly to the girl. She earns the trace of a smile for her troubles.

Jimmy has the decency to look a little regretful. “I’m sorry, it’s been a… long drive. We haven’t had to travel quite this far before.”

“Well, that’s what the Roadhouse is here for. What can I get you?”

The options are limited, so it doesn’t take long for the family to decide on burgers, fries, and juices all round. Jo manages to keep her face straight at the drinks order. Most of the Roadhouse clientele would drink the rainwater outside rather than order fruit juice. If it wasn’t obvious enough already, the glimmer of evening light making its way through the window catches on the cross pendant visible through the open top button of Jimmy’s collar, and confirms the family’s faith.

They go and find a table, choosing one by the window, to sit and drink their juices at. Jo sets about sorting the rest of their order, pottering about between the kitchen and the bar to serve it all up.

She’s halfway through plating the fries when movement catches the corner of her eye and she spins to see the young girl clambering up one of the high stools at the bar, the seat teetering a little under her weight.

“Hey,” Jo says, maybe a little meanly. Mostly caught by surprise. “What are you doing?”

The girl’s face falls into a round, guilty oh as she finally settles, kneeling, on the seat. “I just wanted to see what was behind.”

Jo nods, calming now that her initial panic at the girl’s movement has subsided. “That’s fine, just make sure you’re careful up there, alright? It’s a tall seat and you’re a—a small little body.”

“One day I’m going to be bigger and every seat in my house is going to be a tall seat,” the girl decides with a jut of her chin.

The comment hits Jo at such an angle it cracks her, and she barks out a laugh. “Sounds like a plan, kiddo. What’s your name?”

“Claire,” she answers. Then, with the precision of a child who has had politeness strongly instilled in her, asks, “and what’s yours?”

“Jo.”

“I thought that was a boy’s name.”

“It is,” Jo says. She gets a familiar burst of pride with it, but it feels awkwardly shallow with Claire looking up at her, so she follows with, “but it’s a girl’s name too. My full name is Joanna-Beth.”

Claire breathes a little woah . “That’s such a pretty name.”

“Huh. Um, thanks,” Jo manages. She’s never liked it, the way her mom only uses it in anger, the way her dad never used it. Joanna-Beth is someone else. Joanna-Beth is a bad daughter. Claire, though, doesn’t know any of that.

As Jo’s cheeks tinge pink, Claire’s mom comes hastening over, ready to lift Claire down from the bar stool and back to the table.

“Is she distracting you? I’m so sorry. Claire, love, come on—”

“No, it’s fine, really,” Jo placates earnestly. “I really don’t mind it. I was enjoying our chat.”

Claire beams at her. “So was I, mommy.”

Claire’s mom looks between the two of them—Jo wonders what goes on in her head as she does, two such naive-looking girls set against the backdrop of the Roadhouse—and then nods. “Well, you just give me or Jimmy a shout if you need a hand.”

“Thanks. I’m not great with kids, so I might need to,” Jo answers with a smile. It’s the truth; she’s never had much practice.

The woman raises a doubtful eyebrow. “Well, you seem to be doing a good job so far.”

Jo nods, unsure what to do with the praise.

“I’m Amelia, if you need me,” supplies Amelia instead.

“I’m Jo.”

“It’s short for Joanna-Beth,” Claire pipes up, the awe still palpable in her voice.

Amelia laughs, nodding, and runs a hand through Claire’s sleek pigtails. “Pretty name,” she tells Jo, before heading back to her husband at the table.

It’s the complement of the hour, it seems. Jo nods again, head bobbing unassuredly like one of the lame figures in Ash’s room, as she gets back to plating up the meals under Claire’s careful surveillance.

“You’ve got horses on your butt,” Claire says after ten full seconds of silence.

“What? Oh,” Jo laughs, turning in vain to glance at the horses embroidered over the back pockets of her jeans. She found them in the thrift store in town. They weren’t cheap, the horses stitched in mid-gallop over the pockets boosting the price considerably. But it’d felt wrong to leave the horses trapped in the sterile light of the thrift store. They deserve some warm lighting, Jo’d thought, where they can complete their run for freedom when no one is looking. The jeans are just a tad too small, so the plushy middle of her stomach bulges over them slightly, but she tries not to mind it. Anything for the horses.

“Do you like them?” she asks, wiggling her butt a little, much to Claire’s delight.

Jo normally keeps her movements minimal, behind the bar, knowing how hunters’ eyes glue grossly to all the places she’d least like them look. She often feels like somewhat of a dancing monkey because of it, but here it’s an innocent movement with no repercussions other than Claire’s laughter.

“They’re so fun. I wish my dress had horses on like yours,” Claire says with a plaintive sigh which sounds amusingly beyond her years.

“You like horses?”

Claire nods eagerly. “For my next birthday mommy says I can have a riding lesson.”

“Woah! That’s so cool!” Jo says, and she’s genuinely quite excited at the idea. “I’m jealous, I wish I could ride. Then I could saddle up and go wherever I wanted all by myself.” California, she’d decided sometime long ago. Or maybe Arizona. Just somewhere west of this wasteland.

“I’ll come back and teach you once I know,” Claire answers, so earnestly Jo knows she fully believes it.

Somehow, she can see it: Claire with her little arms crossed staring up at Jo perched precariously on a horse, calling instructions up to her. “I’d like that,” she says with a grin. “Where will you ride to, once you can ride absolutely anywhere?”

Claire considers the question deeply, the cogs whirring away visibly behind her eyes. “Well, I’d have to teach daddy and mommy how to ride too. I don’t want to go anywhere without them. But then I don’t mind.”

Jo hums. It’s a cute image, the three of them as one family riding off into the sunset. Not lost, because they’re together. It feels distant, familiar in the way the memories of a dream are; foreign. Whenever she has those fantasies of riding away now, she’s alone. She supposes that wasn’t always the case.

“That sounds real lovely,” she finally gets out, staring down at the burger she has started stacking. She hadn’t really realized she was doing it, just running on automatic. Thinking of her father and running on automatic, the story of her life since she lost what Claire still has.

But Claire’s concentration has dwindled and she wriggles in her seat. “Are you going to be done soon? I’m starving .”

“Hey, you’re the one distracting me!” Jo rebuts, shaking her head clear with an exaggerated sigh for Claire’s benefit. “But tell you what, I have an idea to help you grow bigger so you can always sit on the tall seats.”

“What?” Claire asks, perking back up with excitement.

Jo hunkers down to Claire’s level on the bar, resting her chin on her arms so they’re completely eye to eye. “If you help me carry the food to your table it’ll be like lifting weights and then you’ll get big and strong,” she says, voice low like she’s letting Claire in on a secret.

“You mean it’s ready?”

Jo pulls away with a roll of her eyes and fishes the basket of burger and fries from the countertop to present them on the bar. Impatiently, Claire reaches out to grab one, but Jo bats gently her hands away.

“Hey, kiddo, gotta get down from the seat first.”

“I can do it myself!” Claire protests.

But still, she doesn’t struggle as Jo comes around from behind the bar and helps lift her to the floor, Claire steadying herself against Jo’s arms. Once her feet have touched the floor, she prods at Jo’s toned tricep again with a podgy finger.

“Your arm isn’t soft,” she points out, rather frankly.

Jo gives her arm a squeeze in the same place Claire just did, to feel for herself. She always thinks she is too soft, too willowy; china doll in a bull farm. So although she trains as much as she can, shooting with her bow and arrow in the yard and sparring with the other hunters when they pass through, it never feels like enough. At least Claire thinks differently.

“It’s because it’s all muscles,” she explains. She give the smooth, plushy skin of Claire’s arm a gentle poke in return. “See, you just haven’t got any yet.”

Claire frowns as she squints down at the difference between them. “I didn’t think girls could have muscles.”

Sometimes Jo looks at herself in the mirror and wishes she’d never trained at all. That she looked like all the other girls her age. Even like Claire. Here she is, jealous of a seven year old, yet knowing that this world of comparison is what Claire will inevitably grow into. Distantly and regrettably, she reminds herself of her mother.

“All girls can have muscle if they want to, and train enough,” she says, trying to keep her words on an even keel. It feels important. But she attempts to imagine little Claire in her gingham dress with muscly arms and fails.

Claire giggles, gorgeously oblivious as she jabs at Jo’s arm again. “None of the girls at school or Sunday school are like you, Jo.”

Her throat gets a little dry. “Is that a bad thing?”

“Just a thing,” Claire notes absently, before taking the basket of greasy food from Jo’s distracted hand and sauntering over to her family with it clutched tightly in her fists. She hands it straight to her dad, who runs an affectionate hand over his daughter’s head.

“Thank you, sweetheart, this looks very lovely,” he says patiently, as she scrambles over him and onto her own seat. “Have you been kind to the nice lady?”

Jo doesn’t like that word but doesn’t have time to deal with that, recovering as she is from Claire’s rapid-fire insights. She follows the kid to the table and slides Amelia and Claire their portions, receiving grateful smiles from both Amelia and Jimmy.

“Thank you,” the family chorus, their voices naturally falling in a pleasant harmony.

Jo’s voice is lonely in comparison as she asks if she can get them more drinks. They turn down the offer and thank her again, Claire’s eyes glued to her food now that it’s properly in front of her. Slowly, Jo returns to her spot behind the bar, unabashedly gazing at the family from across the room.

She watches them hold hands over her shitty bar food and close their eyes in grace, in prayer. Even when they’re all hungry, when Claire has confessed dramatically to starvation, they take the moment to thank their god for their meal. Jo doesn’t think any food prepared by her hands is really worth it, but the prayer comes out in a low and sincere murmur from Jimmy’s mouth. Claire looks like a little blonde angel as she mouths along to her father’s amen . Jo supposes she once looked like that, too.

The next half hour passes with little incident, aside from a repeat round of whiskey for Shawn, Jake and Caleb in the far corner. Jo mainly watches Claire and her family eat their blessed dinner and chat, the flow easy between them. They don’t talk like most people in the Roadhouse do. They sound posher, somehow, their sentences free from apostrophes and curses. Jimmy eats his burger with a knife and fork.

Another shower of summer rain falls, the noise heavy on the Roadhouse roof. Jo expects it to pass, but instead the weather settles like that, a consistent rumble over the bar. The storm she heard Amelia mention earlier must have caught up with them, despite their desire to outrun it.

Jimmy and Amela must notice this too. They peer out of the window by their table into the ever-murkier evening, resignation growing on their faces.

“We need to make a move,” Jimmy says. “Get ahead of this before we get stuck.”

As if to emphasize the point, a crack of thunder echoes out around the Roadhouse. The sound travels potently over the flat Nebraska plains and the din of the first clap gives even the hunters in the corner a start. Claire lets out a small yelp and buries herself into her father’s side.

“It’s just thunder, sweetie,” Jimmy pacifies.

Claire mumbles something into his middle in return, but Jo can’t make it out.

“You guys finishing up?” she asks, walking over and clearing the baskets. “I’d head out before it gets worse.”

“Yes, we’d like to,” Amelia agrees, “but someone here is a little bit scared of the thunder.”

“I’m not scared,” Claire grouches, lifting a protesting head from her dad’s chest. Jo knows a liar when she sees one, knows it as she knows herself. “I just don’t want to get wet.”

Jo choses bravado and Claire choses nonchalance, but it looks like they both bury their fear. She remembers the performances she used to put on for her father to show she was capable enough to keep up with him, how loved it made her feel when he believed in her. An idea, easily shattered, starts growing in her mind, and she surges forward with it before it can break.

“So we gotta get you out to the car without getting wet, hmm?” Jo poses quizzically. Claire looks at her suspiciously, but nods along. “I have an idea,” Jo draws out, hands on hips. “We’ll have to go behind the bar to make it work…”

Claire leaps up from her seat, curiosity winning out over anything else. Jo hasn’t even got to ask Amelia and Jimmy’s permission, their looks of gratitude are already enough. They start gathering their jackets as Jo leads Claire around, to the tantalizing world behind the bar.

“Cool,” Claire whispers. It’s the closest thing to slang she’s said all day.

Jo smiles despite herself, then readies to go through with her idea. She’s sharing the one thing of her father’s which is truly hers. If it were anyone but Claire, she wouldn’t be doing it, but something about Claire makes it feel different—makes sharing feel more like a gift which grows rather than diminishes.

“This,” Jo says, gently lifting the supple material from where it hangs dutifully on its hook, “is my daddy’s leather jacket.”

She takes a deep breath and kneels beside Claire, offering the leather up to her for her little hands to touch. Despite the warmth of the day, the leather is still cool, and Claire’s smile grows as she slides her chestnut-sized palms along the smooth material.

The leather is brown and worn, but still in pretty pristine condition for a jacket now going on thirty years old. Jo doubts Claire even notices the small set of hand stitches around the collar from when she stupidly tore it and needed to fix it up. It had taken her a whole afternoon tucked away in her bedroom to stitch it back together, but she’d played her dad’s vinyls the whole while and the time had spun away quickly. Even her mom was impressed by Jo’s handiwork, in the end. This jacket is the one thing of her dad that Ellen lets Jo keep, and Jo keeps it well.

Claire’s blue eyes are wide and wondrous in her head. “It’s very nice,” she says shyly.

Jo smiles. “I know. And it’s really special to me, because my daddy isn’t around any more, so we’re going to take good care of it together.”

“Why isn’t your daddy around?” Claire asks, her forehead wrinkling with the question. She’s a kid clearly trained in courtesy, but the constant frankness to her questions give her a harder edge. If the questions didn’t sting so much, Jo would love it about her. Claire continues, “my daddy loves me so much I think he’ll be around forever.”

“Well,” Jo says carefully, slowly, stringing her words along the tightrope of her taut throat. “Sometimes it’s not a choice. My daddy died nine years ago.” She swallows the ‘today’ she could add onto the end of that sentence, feeling that detail might be a little too much for both of them in this conversation. “Here’s something I find very important to remember: just because someone leaves, doesn’t mean they stop loving you. And it doesn’t mean you stop loving them.”

Claire looks as if she might start chuckling, but then catches onto the sincerity in Jo’s tone. Her mouth falls open slightly and her plump fingers squeeze tighter at the leather jacket. “I don’t want my daddy to leave me.”

“I bet he won’t,” Jo says, placing her hands over Claire’s. They’re so small beneath her own. Warm too, like holding a little heart between her hands.

Jo looks up at Claire, at her sandy blonde hair tied neatly into pigtails and the pretty orange gingham of her summer dress. Seven years old and so sure her daddy will never leave her. It is only the crystal blue of Claire’s irises that differ from the umber of her own, but even then, Jo supposes that they both have their father’s eyes.

“I think we’ve got the best daddys in the world,” Jo whispers. “They love us all the time. When they’re out at the shops, when they’re away with work, when they’re up in heaven. They love us right now.”

She swallows, hard, blinking away the tears that are refracting rainbows in her eyes. There’s a burning in her throat but she’s glad she managed to say those words, to finally get them out into the precious ears of a young girl. She smiles. Her vision is still slightly watery but clearing when she realizes Claire is giggling, a sweet blush on her cheeks. Her laughter is light and bubbly, like a stream tumbling over rocks in the sun. Like if Jo bathed in it, she would feel clean.

“Come on, we can use my daddy’s leather jacket as an umbrella to run out to the car,” she says, the idea finally coming to fruition as she stands back up again and dusts the Roadhouse floor muck from her knees. “I’ll hold it over your head so you don’t get wet.”

Claire rolls her eyes, something Jo wasn’t sure seven year olds knew enough to do, but apparently so. “But then you’re going to get wet!”

“Don’t worry about me, I’m big and strong! I can take some rain.” Jo makes a performance of flexing her arms, the odd proportions of her wide-muscled shoulders and lean frame suddenly a cause for celebration rather than insecurity when looked at through Claire’s eyes.

“Hmm.” Claire ponders hard at Jo’s words, those cogs visibly turning again in her brain. “Okay. But you’ll have to be fast to keep up with me!”

The kid makes a dash for the door and is surprisingly speedy on her little legs, her gingham dress swishing behind her. Jo starts after her, pitching both arms upwards so the jacket hangs from them like a tent over Claire’s head. They dash out the front door and into the delicious rain, giggling all the way until it turns into full belly laughter. The lights of the car flash when Jimmy unlocks it, and Claire kicks up water as she runs to fling open the backseat door. Jo’s jeans are splattered with it, but the rain is coming down in sheets so her whole body is soon soaked through anyway.

Another roar of thunder booms across the open space but Claire doesn’t even notice, too busy sheltering under Jo’s jacket as she scrambles up into the car. Jo slides the leather jacket on to free up her hands and help Claire wriggle into the backseat. The girl is a step ahead of her, and clicks her seatbelt into place with a smug little grin at Jo.

“See, I am faster than you!”

Jo laughs, feeling rainwater pool in the corners of her mouth as she does so. “Okay, you win. But I did help keep you safe from all the horrible rain and thunder.”

“Yes, you did,” Claire concedes graciously. She clearly has a self-righteous streak. Smiling, she opens her arms wide for Jo to hug her, but Jo backs away.

“I’m very wet still, I don’t want to make you damp after all this.”

“Oh, okay,” Claire says, looking crestfallen. “But I want to hug you anyway.”

Jo pauses. “You sure?”

“Of course!” Claire says, the words come on, silly, evident in her tone.

Jo grins, and wraps her drenched, leathery arms around Claire. Squeezes her tight. With her face buried in Claire’s hair, she inhales the strong and familiar scent of strawberry shampoo, the kind she used to use when she was small. She’s got a young girl’s warm body in her arms, and the scent of her dad’s leather and her childhood shampoo mix in the May evening air.

“I want to be just like you when I grow up,” Claire’s voice whispers in her ear.

Jo wants to sob, but doesn’t. She instead gives Claire one last, big, humongous squeeze and untangles herself, her arms leaving damp patches across Claire’s dress. Claire doesn’t seem to mind, she’s only seven.

“I was just like you when I was small,” Jo manages to reply. She doesn’t know if that’s a good or bad thing anymore, or if it’s just—as Claire said—a thing. Some small part of her feels like she’s damning Claire as she says this, to a life like her’s. But then again—maybe it’s just a thing, and her life is neutral. There does not have to be a curse to pass on. She smiles. “It’s been really nice to meet you, Claire.”

“And it was nice to meet you too, Jo!”

They do a final high-five (Claire’s hands only spanning Jo’s palm) before Jo steps back into the rain proper, closing the car door in front of her with a wet thunk.

The driver’s door opens and shuts beside her, Jimmy having climbed behind the wheel. Amelia’s footsteps splash around to the far side of the concrete and then the whole family is sheltered in the car, safely stowed together behind the windows.

In the low lighting of the Roadhouse sign, for a moment Jo looks into Claire’s window and only sees herself, rain pouring down her face and shoulders wide enough to fill her father’s jacket. Then the driver’s window rolls down and Jo steps to meet it.

“Thank you,” Jimmy says. He has dark hair and a face she will meet again. “You were very good with her. Your parents should be proud.”

Jo goes to shake her head but then allows herself the nod, to tentatively agree. Her wet hair is plastered to her scalp, but the rain isn’t cold; it’s just right.

“Have a safe journey,” she calls. Then repeats herself as the man revs the engine so Claire, winding the window down too, can still hear her. “Have a safe journey!”

To where, Jo realizes she isn’t quite sure.

Both her and Claire wave like wild things as the car turns back out onto the road, Jo chasing the car for a few meters, to Claire’s growing grin. As the car pulls away Claire’s blonde pigtails are the last thing Jo can make out of her.

She stands there, in the parking lot outside the Roadhouse where the dust is being beaten into the road by the summer rain. The taillights of the car rumble out of view and Jo still stands, waving, unsure if she’s just met the past or future, until her mother comes and beckons her inside.

#i started writing this yesterday and so it's slightly rough BUT i stand by it all !!#this concept is so precious to me. my author's notes on ao3 go into that with more detail #this most defintely exists in the same universe as jo daily btw <3 fun to write her a little younger than i have before!#and write jo interacting with children... my heart #anyway i hope you enjoy reading another roadhouse jo fic from your roadhouse jo girlie #jo harvelle #claire novak #jimmy novak #jo & claire #spn fic #spn women #josjoyousbday #ola writes

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s0lairee · 3 months

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USUALLY i keep the incoherent rambling to @xanyiaz's dms, but y’all know how i feel about vincent. so, here: roughly 2000 words of me talking abt him and the house of solaire.

(also, all non-art, original posts that i make, whether they’re just me keysmashing or me actually dissecting a video will now be tagged as #jo speaks <3)

(possibly incomprehensible) spoilers for “questioning the king” underneath (and a bit from sam’s latest vid). this isn’t really theorising, it’s more “jo analyzes fictional characters and cries”

first of all. CAN we get a round of applause for the voicing and the thumbnail. erik did such a good job - i wasn’t actually expecting a william vid since hedral has been mia for two years, but this was INSANE. erik’s voice is much softer than hedral’s (i think it’s because erik is used to voicing younger characters?) and it really adds to the tone of the video. also, the thumbnail is so perfectly in style with the summit thumbnails. everything is wonderful i just needed a moment for that.

anyways. i did not expect the video to go like this? i mean, everyone expected vincent to call william out for everything at some point, but dude, this caught me so off-guard. and in hindsight, it shouldn’t have. obviously the fandom paints (or painted, before the summit) william as the vamp dad, but he’s a king. he’s going to be political, pragmatic, and sometimes callous. callousness is why he survived. if he was as feeling as vincent is, he wouldn’t have survived his maker.

but like. i completely expected william to stand his ground against vincent’s criticism and mention how it was the right thing to do, but i thought eventually he’d give in and (at the very least) apologise. what i DIDN’T expect was for william:

to not do that.

to pretty much only apologise for keeping vincent out of the loop

to emphasise that this was what being a vampire prince entailed - this was what politics meant

and to GIVE HIM AN ULTIMATUM. it didn’t seem like one, but “if you’re one of us, that’s part of the deal” very much implies “be a solaire and do what is expected of you, or leave.”

i’m glad that vin and william, in some way, found a middle ground. but (as much as i was on will’s side this whole time bc vin always seemed too naive for the rough politics), vincent is right. william shouldn’t have given that burden only to porter. that’s one vampire against dozens that are at least centuries old. also, not to mention, vincent would NOT have trusted porter. can you imagine the mental strength it took vincent to not only hear porter out, but hear stuff that his maker was supposed to tell him from the one person he couldn’t stand? can you imagine how porter felt to be the messenger caught between these two??? and somehow, it’s worse when william doesn’t back down and just accept that vincent was right. he can excuse everything else as politics, but he can’t excuse this. and it’s so weird that he tried so hard to brush past that.

also. william’s favouritism is incredibly obvious. it’s insane. like, this entire audio, he’s prioritising vincent (and lovely, to some extent). his literal first lines are him choosing to speak to vincent and lovely alone, when sam is RIGHT THERE. he refers to sam as samuel, being one of the only people who does that. he also took the time to explain himself to vincent, but to sam he just says “say what you will.” it gives the vibe of the older sibling that the parent knows will understand, and i know sam doesn’t care about the house like vincent does, but GOD it really rubs it in. i know there’s that convoluted father-son dynamic between vin and william, but william put the pack, their mates, sam and darlin’ into the firing line. porter only gave vincent and lovely an alibi. none of the others. this was the pack's first summit too. if sweetheart was caught eavesdropping, they would have been in SO much trouble. it’s pure dumb luck they escaped.

also. my brain ran away here. but porter, who isn't will's progeny but acts like his dutiful son, doing whatever is asked of his king because he saved his life - porter, who can't help but feel slighted when after everything, william still fights to justify his actions to vincent (while porter understands). porter who watches (in his mind, at least) vincent throw all of that away for what's "morally right". porter who is faultlessly loyal but so goddamn alone. are you picking up what im putting down <3

^ going off on that, the different reactions (or possible reactions) to will’s ultimatum have me frothing at the mouth.

i want to say porter is fiercely loyal to william and the house but i do think a lot of it is desperation and his own version of “morally right”? like to porter, the right thing is listening to whatever his king - the man that took him in and saved his life - says. or it could be cowardice. if he doesn’t do what will wants him to do, he would have to leave the house… and where would he go? to treasure? imagine explaining this shit to them. he literally has no choice.

to sam, it's the practical, good thing, and it's almost political. and this way of thinking is easy for sam, since he's not really as loyal to the house as vincent is. in fact, he's almost completely detached. so sam's idea of what's right is that william should've considered vincent’s opinion too, or have some kind of counsel, because they were the people who were most directly in the firing line. so when william so self-assuredly says he isn't wrong, and won't ever be wrong... he lost sam. (sam also never outright got the choice to leave like vincent did. he still made the decision. he's, like, 100% gone.)

and to vincent, it's almost completely emotional. he had this responsibility for the summit thrust onto him suddenly after william shielded him from a lot during his growing up as a vampire. he had so much information kept from him by his maker, his family, and he had to put up with the one person william knew he couldn't put up with. he also almost lost his partner, his brother and his friends in the whole mess.

+ need to add that vincent is very, very emotional. throughout the whole summit, there wasn’t one time when he was able to go with the (albeit fucked up) flow. partly, this is who he is; someone who feels everything in extremes, and partly because william had shielded him from the worst of the vampire world for so, so long. this isn’t a positive or negative character trait: it’s just a trait, and something will should have considered. then again, if not vincent, who would host the summit? not sam. certainly not alexis. and porter couldn’t.

(also, it’s precisely how emotional he is and how much importance he places on family that makes “a prince is supposed to answer to his king, not the other way around” STING.)

now the part that GUTTED me: the ultimatum, and why sam is most certainly leaving (and vincent might consider it, but GOD i fucking hope he doesn’t.)

erik has established both sam and darlin' as being completely self sufficient. like they've both expressed that they're better with each other, and that they've grown as people, but also they're not tied down by any obligations to anyone. darlin' may be fiercely protective of their pack and their identity as a wolf, but sam is heavily disconnected from the house. he might only be sticking around because of vincent, and those two are BROTHERS your honour. but like, he doesn't really feel anything emotional to them nor does he have an obligation to them, even as a vampire.

(especially as a vampire, a status he did not want and is going to give up some time in the future.)

but vincent has both emotional (and i wanna say political?) ties to the house. one, being turned saved his life. he didn't have the choice that lovely had, but he also doesn’t completely hate it like sam did (maybe bc he was unempowered before and the loss of power didn't hit as hard.) two, he's kinda reconciled with his status as a vampire prince. he really does love william. whatever relationship they have (had.) was good - there was some amount of trust there (that will broke now).

and also, being a vampire allowed him to save lovely. vin and lovely are COMPLETELY devoted to each other. they've had one of the most dramatic changes together.

more than that, the solaire house is family to vin. like, at least in the context of lore and the channel, it has been such a massive part of his life. he introduced his partner to his maker. he took them to the summit. he has confided in them abt princely duties. the house is, for better or for worse, his family.

(also, william bringing out all of vincent’s worst memories right in front of lovely (who was also there for those memories) is so fucking insane. wh. every argument he made in this video is so so insane.)

somehow, for all the analysing i'm doing, i can't predict lovely's emotions. i know they're gonna be angry in their own way: very soon after mastering their powers, they had it taken away from them; and very soon after being crowned in the house of solaire, they're watching it crumble.

will giving them an ultimatum felt very final. i know erik mentioned wanting to wrap up a few plotlines, and i’m totally ok with that (not . i need vincent. but i can make my peace w things) but if this is how it ends i will cry

in conclusion, will was fighting between politics and progeny. he tried, desperately, to have both. unfortunately, you can’t have both. fortunately, you can try to rebuild the relationship the choice broke. unfortunately, will didn’t do that. he wasn’t fair to a single person here. he still sees tasks and details as a privilege given to solaires, not something that is expected of him as vincent’s family.

most of erik’s plotlines have a theme, and this one seems to surround trust and choice and how the right thing isn’t always in black and white. so yeah it would fucking suck and i would bawl my ass off if vincent and lovely decide to leave the house …… i know it would be the right thing to do but also i wish porter could knock some sense into william or something.

i would love to see that, actually. feels shakespearean.

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