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#Izuku analysis
zaiban2989 · 1 year
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That dweeb 💚
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Sooooo... I don't know about you guys, and these are only my thoughts but... Remember in ep1 when Izuku's teacher is voicing out that he's also trying to get into UA and everyone laughs and shit and then Kacchan gets up to mock him/bully him and we see this scene of the rest of the class with like evil mocking faces and shit?
Here 👇🏼
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Izuku is feeling the pressure of being quirkless, an outcast made fun of by everyone, everyone looking at him like he doesn't belong and he's unwanted, right?
Now... After Deku vs. Class 1-A and the apology and them bringing our boy back to UA... We have another scene like this. Izuku is facing the wrath of the crowd (unfairly my poor kid I swear) and he's once again seeing them as those evil assholes who are rejecting him.
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Idk about you guys, but this gives me the chill... Like Izu is having a flashback of how shit used to be in the past for him with everyone seeing him as a useless quirkless shit that doesn't belong here. I mean, imagine the hurt he's been feeling having to face that crap again, I'm... 😭
Anyways I love him, thank you Kacchan and the others for bringing him back 😭😭😭💚
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hotpotatopotat · 4 days
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Why I don't think Shigaraki or his legacy is over.
I don't normally do canon delves but I am compelled as a Tomura fan to dissect the final battle. This isn't a post on whether it's good or bad, but observations on what's been told.
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Shigaraki's crux has always been that he feels like no one can possibly understand what he is trying to accomplish, that his message and suffering is pushed under the rug, and that society is so rotten there's nothing to be done. Deku's goal is to try and understand this.
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When Deku breaks through in mha417, Tomura challenges him on this. What would even change if you saw what happened to me? What would you even DO about it? Deku declares to the one person that needs it most: To reach out and give you peace, and "that is why...I am here"
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But... When given the chance to go back to a time when he was happy, Tenko chooses not to. "Nah." he says. I think this is often overlooked, but Tomura didn't WANT to leave behind everything he's done.
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Tomura says, even if you got rid of my hatred, even if you succeed in "saving me", it doesn't change the fact that I still believe in the future I'm fighting for, to destroy. The villains need a hero, the suffering needs to end, and things need to change.
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Hang on to that for a moment. All for One shows up. He mocks him, his dream, his goals, claiming that they weren't real, that they weren't his, that his heart doesn't matter, that none of it does. He's evil.
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All for One does kill Tomura here... or at least he would have....
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With Deku's final blow, he ignites any remaining embers, Shigaraki, included. They land the final blow to All for One. Without that spark, and without Nana having saved Tomura from fading away, he wouldn't have been able to do this. Tomura would have died before.
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Tomura's vestige is still decaying away, and he laments the fact that maybe...he wasn't more than the crying kid Deku said he was. He couldn't do anything. He didn't even destroy Deku's hands. His dreams are over.
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Izuku says that he wanted to stop the cycle of grief and suffering. Tomura gives him a soft "hah..." This is such a cathartic moment for them, because I believe that Tomura finally feels understood. He's actually quite relieved.
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Strangely, Tomura is soft here. He's not decaying away anymore, he's solid, he's wearing his old shirt. He's NOT the same. He declares how he wants to be remembered, as the one who never stopped fighting to change the world. Izuku says, it's already been...but...
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In mha424, Tomura instantly challenges this. With a giant smirk, he tells Deku that he better do his damn best to make sure that things change. It depends on the choices that he continues to make, not the conclusion of one battle.
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424 feels like a giant wink wink nudge nudge for the reader. Deku is dissatisfied with not getting that instant gratification of "saving" Tenko, just like after a final battle, he won't get the instant gratification of changing the world. We don't get the gratification either.
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But honestly, I really do believe that Deku will carry on Shigaraki's legacy and internalize it just like All Might's.
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One final thing... You see his hair change textures. Left to right, It's decaying like in the final form, it's defined and stringy like in his early days, and it's airy and blocked like in his liberation days. This is such guardian angel energy, I swear.
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I don't think this is the last we will see of him. And if it is, at least physically the last we see of him, I'm happy Deku will carry on what was truly in Tomura's heart.
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dekusleftsock · 19 days
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I think about this sometimes but I personally love that Horikoshi took the Yandere trope, split it in two, and gave one half to Izuku and Himiko.
Like it’s so fascinating how you can just SEE how purposeful Himiko was as a character in hindsight standing next to him.
Himiko is a really interesting subversion of her trope for two reasons:
She hurts people because she loves them, not for isolation or destruction of the competition (gore/blood is love to her, not necessarily a means to love someone)
She’s not possessive. Like at all.
I’ve seen that hc a few times and it always bothers me. Ochako is for sure a possessive character (we saw that with Hatsume around Izuku way back at the sports festival arc), but Himiko? Really?
You mean the girl who had a crush on a boy AND the girl who also had a crush on the same boy? Her?
You mean the girl who doesn’t hurt people who love who she loves, rather actively encouraging it in the first place? That one? Really?
Like it’s such an integral part to her subversion too. It’s what makes her such a weird and fascinating character. Possessiveness is supposed to be whats ugly about love itself, yet her love remains ugly without it. She is ugly because the fundamental ways in which she sees and feels about the world are considered “wrong”, “dangerous”, and “deviant”.
But Izuku… ohhhh Izuku…
He holds this trait like a badge melted to his skin. My man cannot escape these allegations. It’s to the point where it’s honestly a fundamental to his narrative. Izuku does not act nor feel the same without it.
Izuku holds a cutesy nickname that literally every other childhood friend of Katsuki’s has long left behind, saying his real name instead (this is honestly why I’m also uninterested in a scene where Izuku calls him “Katsuki” instead of “Kacchan”, Katsuki doesn’t represent the same things the name Izuku does, imo at least), izuku “give him back to me” midoriya, holds his dead body to his chest on a cover, freaked out on someone either hurting/offending Kacchan.. 3 times(?), keeping big boy ofa secrets…. The list goes on.
So it’s this main reason that I think their characters are just so. Fucking. Intertwined. I’m glad this has become a more common interpretation because there’s just so much that aligns between them.
Both of them call their “special people” with -chan endings, both by their first names, both deemed deviants/irrelevant by society. It’s no wonder Ochako fell in love with Izuku, just like she did toga, they’re fucking freaks. They’re interesting. They’re weird. They’re overly friendly and socially inept and a little beaten down by the world yet have too much passion to stay on the ground. They’re envious of the ones they love (Ochako of her freedom to be a normal girl, Katsuki for his raw power and harnessed skill), and I guess I just wanted to make this post because I adore how it’s all done.
I LOVE how the yandere trope is used as societal commentary here. Not necessarily as a way to make the main love interest jealous and feel she must protect the main character, nor for some kinky reason surrounding her character, but because the trope is built off of real, ugly feelings that can and do happen. That love can and is considered truly beautiful in all its forms, especially those of queer people.
So I especially love it because it isn’t just limited to Himiko, but Izuku as well. He may never hurt the ones he loves, but he would hurt for them.
A perfect narrative foil on queer and deviant forms of love. Big fan Horikoshi.
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coladaminx · 5 months
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So if you watch this scene izuku and kacchan are sitting on both ends of the couch and what makes this scene so sweet and kinda sad is that izuku consciously or maybe unconsciously brings himself closer to his kacchan with the Manga version you can actively see him scooting closer (HE WANTS TO BE CLOSE TO HIM) and be able to actually talk with him Normally ;A; which we find out later he feels blessed being able to be near him and ya know talk and katsuki didn't push him away THEIR INSANE YA'LL!
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rirururu · 2 months
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Can we talk about how this entire My Hero Academia season 7 stage preview panel was just the voice actors/actresses of Izuku, Katsuki, Toga, Ochako, and Shigaraki discussing Bakudeku and Togachako for 50 minutes? 😭 These screenshots were certainly a choice.
We're getting close to endgame. Season 7 or 8 will probably be the last season. We know Horikoshi had recently confided in Bones on what the ending of MHA was going to be so they could start the production process sooner. Now there's a sudden shift of promotional material and interest towards these two ships in particular which is-- interesting.
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Izuocha also briefly appear in the stage discussion but only at around the 40 minute mark near the end. They also made sure to put those screenshots below the Bakudeku apology scene. No hate towards Izuocha of course. I'm just saying: this is not how you treat a pairing in marketing if they were meant to be endgame.
Does this mean anything? Probably not. We've all sung this song before with shounen manga and been hurt in the past. But Bakudeku and Togachako might actually stand a chance here. Regardless if this comes true, I'll still love both pairings and appreciate the time these VAs took to discussing them.
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mishy-mashy · 2 months
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Something I made in a post that I think'll be lost in the texts + expanded a bit more
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These panels are chronological events following AFO's pursuit of Yoichi's Factor.
AFO could tell if people were related through a Quirk. AFO and OFA also are connected to each other. In Kamino, AFO could confidently tell All Might that OFA had been passed on, so all that All Might had left were leftover embers.
When AFO killed Kudo, he asked where Yoichi was. He knew Kudo wasn't the holder of Yoichi's Factor at that time. He also realized when looking at Yoichi's hand that Yoichi's natural Factor was so weak he hadn't registered its existence. This implies AFO could sense Factors since he was young, and Yoichi's natural Factor never stood out to him.
Below are three panels of Bruce (right to left). Bruce fought, AFO killed him, and looked away in disinterest.
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When he beat down Bruce, he already had a sense that Bruce didn't hold the Factor anymore. That's why, rather than yell in his face to figure out where it is and interrogate for a long time, he pulled up his corpse to inspect him better.
Bruce's corpse isn't resisting anything. Look at his feet; AFO literally dragged him. Bruce is already dead. Yet he's looking for something from him.
Bruce doesn't have anything for him. Nothing AFO wants.
When he looks away, he's dismissing Bruce, because Bruce doesn't hold Yoichi. AFO is wondering where Yoichi is, because he knows now that he's out there somewhere. Thus the pensive look to the wind.
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After Bruce is killed, AFO and Garaki meet for the first time. Shinomori has Yoichi at this time, and AFO never comes close to him, so AFO is lost. He doesn't have any leads, and Yoichi has vanished.
Now that he knows Yoichi can transfer, it's possible for Yoichi to be kept out of his reach for the rest of his life. So meeting Garaki and having access to Life Force gives AFO more time to search.
Yoichi is still missing for 18 years though, because Shinomori is in hiding. AFO couldn't find him during the Fourth's turn.
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This is why, when he encounters Banjo, the Fifth and active wielder of OFA [Yoichi], AFO is smiling.
It's been a long time, but Yoichi's in reach again. He knows where he is now. And this is the first time he's encountered the current holder.
Thus his shock.
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[Yet... you never behave as I wish.]
It was the first time a Quirk wouldn't let itself be stolen. This was AFO's first encounter with this wall: it doesn't transfer without the holder's consent, and requires willpower stronger than all the holders combined to override that.
The holder is never going to give him that consent. To override the collective willpower, he's going to need something greater.
Meanwhile, look at Banjo's arms. Shinomori is the catalyst to tip OFA over the edge, that an unprepared vessel will be destroyed by how strong the Quirk is.
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Banjo's arms are both messed up below the shoulder, just like Midoriya used to be. And like Midoriya uses Blackwhip to reinforce himself and stay standing, Banjo uses Blackwhip to hold his fist / arm together. His hand is being wrapped to stay in a fist.
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(What I think is) The reason the limbs turn red, and then purple, from breakage, is a matter of blood vessels. Small, itty bitty, fragile things.
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Using OFA breaks the whole area, from bones to blood vessels, causing internal bleeding. Thus the redness. But breaking those vessels again in a second go turns the area purple, because it causes instantaneous internal bruising.
But En wasn't ripped apart by using OFA. There's a cut on his thumb that lines up with the path of destruction; AFO sliced him in half. Otherwise, he wouldn't have that cut if it were just OFA.
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It's hidden by the text in [... you never behave as I wish], but depending on where you see this chapter, you can see he got cut on the thumb. It's clearer where we see Nana take his hair from him, in [I only want... to make you mine!]
I have a post in drafts about En being cut in half rather than it being because of OFA, but I also hit an image limit, so I'm gonna end here. Ta.
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aeryzdoesstuff · 1 year
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Look at how small Midoriya is compared to Bakugou and Todoroki in these seats! He's so tiny and squishy and adorable! His little feet don't even touch the ground in the chair! It's just way too adorable.
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ladymiria · 3 days
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I also want to give my opinion on Chapter 424 because it's really... HUGE. As I've been saying for years, Mha is a story of two: the story of Deku and Kacchan, or rather, Izuku and Kacchan, since Bakugo hasn't used that nickname anymore since his apology.
First of all, Chapter 424 makes it clear to us once and for all that Kacchan cares about Izuku, but it goes much further than that. Kacchan cares much more about Izuku's fate than the fact that he may have lost the use of his dominant arm forever. The fact that he shows that he cares more about Izuku than himself is related to and clarifies the scenes that come after.
Showing vulnerability:
Izuku says "this isn't like you," surprised by his tears, but it's not new! It's already happened several times, especially in Deku vs Kacchan 2, and there was a lot of desperate crying and vulnerability. The huge difference is that back then, Kacchan was talking about himself. His quotes to All Might and Deku were all centered on himself and his own perceived failure. His frustration was entirely personal and Kacchan-centric. Now, his despair is entirely projected onto the injustice suffered by another, and when he turns back to himself, it's always in relation to the other person.
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His panic is about their entire future together - and I don't think it's a coincidence that he turns away right as he says these words. He's not embarrassed by the crying, but by the intimacy of the speech. In the distant past, they were friends, but with the new Izuku, he's built a relationship that is almost (almost) healthy, based on competition. It's no wonder that, having to give that up, he fears that he won't have any other kind of relationship with Izuku. It's not just a matter of desire; it's the unknown, the difficulty of relationships, and the fact that Kacchan DOESN'T know how Izuku feels. It's certainly not just Kacchan who has been solely focused on competition since the U.A. arrived on the scene.
He will probably overcome this fear soon. After all… in the end, they laugh and cry together. And their attitude is open and relaxed. They are facing each other without any challenging attitude. We've never really seen them like this before. And it is All Might himself who tells him: their relationship has changed, they have changed.
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darkcircles4lyfe · 5 months
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Behind the locked door
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In honor of Izuku’s mask disintegrating into rubble, I think it’s finally time for me to really dig deep into his character. I’ve been keeping this one in my back pocket for a while. Amid all the talk about Izuku’s fading narration, the “control your heart” subplot, I’ve been trying to find the words to articulate how I know exactly where this is going, at least on a certain level. Most recently, I read this meta from pika who brings up how the word “control” alone can be misconstrued (by us). And then I thought about how a while back I made a similar point, although I said Izuku was the one who got it wrong. At that time, I was holding back a huge piece of evidence because it was external to the story and I wasn’t sure it would be received well. As a result, my argument fell a little flat. Well, now—after 411, right before leaks for 412—it might be my last chance to play this card.
So about that external evidence. I struggle to bring it up because it’s gonna sound an awful lot like I’m projecting onto Izuku if I don’t do it justice. But… I look at the way his storyline has been going lately and I see a pattern emerging that I’m very familiar with. Fortunately, I don’t have to dump a bunch of personal junk on you in order to illustrate this pattern, because a certain personality typing system already has it all figured out: the Enneagram.
Now, hang on. I’m not one to put people in boxes. My trans ass? I managed to get a different result every time I retook the P0ttermore quiz. MBTI, zodiacs—not my thing. But the Enneagram comes the closest I’ve ever seen to covering all the bases and revealing actually meaningful insight, at least for myself. On top of that, I find it extremely useful for fleshing out fictional characters, hence this post will be taking advantage of that.
For those who aren’t familiar with it, here’s a quick overview: The Enneagram consists of 9 individual personality types, each arranged carefully in a sequential, circular manner. They are also simply named 1 through 9. While this might seem kinda basic, there is actually a surprising amount of nuance and fluidity involved. Typing is done largely through personal introspection (you don’t really have to take a test). Adjacent numbers share some core themes with each other, and according to a web of arrows between them, one type can take on either positive or negative traits associated with other types depending on how emotionally ‘healthy’ they are, causing a lengthy spectrum of different ways each type can manifest. That part gets kinda complicated to explain here, so for more info, the Enneagram Institute website is a decent place to start. I also highly recommend the Enneagram album by Sleeping At Last (and if you really want to dedicate some time, the accompanying podcast) to really get inside the heads of the types on a deeper level.
My interest in applying the Enneagram to Izuku comes from observing how differently one can interpret his character based on whether you read him as a 2 or a 9. And even though no one uses this language to talk about him, the distinction accounts for a bunch of different rifts in the fandom: whether you appreciate bkdk’s relationship, whether you can acknowledge Izuku’s flaws and weaknesses, the severity of his vigilante/rogue phase, and most importantly the gravity of his concealed heart, his rage, and what it all means—what he needs in order to grow and triumph.
Discussion of Enneagram types in the fandom is pretty scarce, but where it exists, I have only seen him labeled as a 2. Type 9 and type 2 can be similar at a glance in a lot of ways (actually, 9s can be mistaken for any type because they are like all of them combined). It’s easy to see Izuku as a 2 because he is the helping hero archetype. He puts others’ needs above his own and he is always ready and eager to help. If you listen to Sleeping At Last’s song for 2, you’ll notice that it’s all about care and noble sacrifice with the underlying theme of neglecting or even harming oneself: “I just want to build you up, until your good as new, and maybe one day I will get around to fixing myself too.” Sounds pretty obvious, right? Well, here’s the thing. You really get to know what your type is by how it hits you where it hurts, so I like to focus on each type’s basic fear and basic desire, first and foremost, as a tell. A 2′s basic fear is of being worthless and unloved. Consequently, their most basic desire is to be loved. And 2s have been taught through their negative experiences that love is conditional, something they have to earn from others. They need to be needed. So let’s say you think Izuku is a 2. This means you consider his heroic, self-sacrificing tendencies to be a result of his growing up quirkless and being told he is worthless and powerless because of it. Through this lens, he is trying to prove himself to the world by being useful. Along these lines, you may also assume he is trying to prove himself to Katsuki. Taking this train of thought even further, you may interpret Izuku’s relationship with Katsuki as an obsession of his, where he is either blind to Katsuki’s more negative traits in favor of gaining his love and praise, or else bitterly determined to prove him wrong. This is how a 2 might behave in an unhealthy relationship with an 8, which, yes, I do think Katsuki is an 8. That’s a tangent for another time, though.
But does Izuku ever “need to be needed?” It’s worth noting that while 2s’ search for validation might seem insincere, it is actually motivated by a deep, heartbreaking insecurity. They think they don’t even deserve love unless they are useful to someone, so they do everything they can to be worthy. Does Izuku show signs of this motivation?
If I stop to think about it, I can’t exactly see this in Izuku’s character. Yeah, his dream is to be a hero, and in his childhood, he was denied that dream. However I think we need to take a step back from that for a second if we want to dig deep. I mean, a lot of the other characters also behave heroically, act selflessly, and strive to help. Does that mean all of them are 2s as well? Of course not. So let’s instead turn to observe how Izuku acts with his loved ones, friends, and peers in other/adjacent contexts:
Inko: He is committed to protecting his mother from fearing for his safety. He wants to be good enough to not cause her to worry, rather than good enough to make her proud or make her love him. Idk about his father but at this point I think it’s safe to assume he is deeply unimportant.
All Might: I would describe their relationship as one of mutual responsibility. Izuku feels a responsibility to uphold All Might’s legacy, All Might feels a responsibility to teach him well. Because of this mutuality, I don’t think it quite makes sense to say Izuku deliberately seeks approval for its own sake. You know what I mean? They may be a mentor and a pupil but in practice they are almost more like co-conspirators. They don’t really have a power dynamic going on.
Shouto, Tenya, other friends: Izuku seems to take an interest in what makes his friends tick, and he sets himself aside in order to both analytically and intuitively determine what’s wrong and how to solve it. Examples include his fight against Shouto in the sports festival, and his stubborn concern for Tenya’s reaction to his brother’s forced retirement. He will put himself in the line of fire specifically when confronted with another person’s inner demons. This is not a labor that is asked of professional heroes, it’s just who Izuku is. You can also extend this observation to how he sees through Tomura to Tenko, but I’ll get to that later. Basically, while 2s seek to help in all kinds of ways, a 9’s strategy is always centered on the realm of the mind.
Kota: Adjacent to the paragraph above, before Izuku literally gets into a position where he needs to save Kota, he becomes interested in the boy’s point of view out of genuine curiosity. He doesn’t go “oh no, this kid doesn’t like heroes, I better get him to like heroes.” Instead he seeks out information as to why he thinks that way, and patiently listens. He’s sorry about what happened to Kota, and he understands. Twice (ch 71 and 72), he recognizes the fact that everyone has their own point of view on quirks, and he can’t really do anything about that.
Mirio: This might be one of the most telling examples. Mirio is the platonic ideal of an All Might successor. He’s “perfect.” He even looks the part. While this initially makes Izuku uncomfortable, he doesn’t become insecure and defensive over it. On the contrary, he easily comes to the conclusion that actually, Mirio should have One for All. Just like that (ch 172). If Mirio hadn’t dismissed the “hypothetical,” he probably would have gone through with giving it to him. That’s not how a 2 would respond. A 2 would double down and aim to be better than Mirio by trying to establish some relationship of need, fueled by the insecurity. Their shared subplot with Eri would have looked pretty different, I think.
Katsuki: I’ve mentioned before that I believe their rivalry only exists because Katsuki put it there. First of all, we can see that after the sludge villain incident, Izuku weirdly takes Katsuki’s dismissal of Izuku’s help as practical advice. Like, “oh yeah, I guess what I did was pretty stupid and dangerous, and I’m not cut out for this hero stuff. Now I can move on and find a realistic career.” Hello?? He accepted that so easily. So Izuku clearly isn’t motivated by a desire to prove himself to Katsuki. Even when he proclaims he’s going to surpass him, it’s like he’s happily mimicking Katsuki, not reacting based on insecurity or pride. Izuku is content to meet Katsuki wherever he is, and he’s satisfied with whatever kind of relationship they are able to have, including a rivalry, so he isn’t vying for his affection either. We can observe this when he gives up the role of reaching out a hand to save Katsuki to Kirishima, and also when he thinks about how “blessed” he is to even have a normal conversation with Katsuki. He doesn’t push things. It’s also stated in Deku vs. Kacchan 2 that Izuku doesn’t excuse or overlook Katsuki’s “bad side” but still admires him for his other traits. This is not at all characteristic of a toxic 2x8 relationship.
When 2s are at their very worst or pushed into unhealthy situations, they tend to become more needy and self-centered, even downright manipulative. But at Izuku’s worst, when he went rogue, he pushed everyone away to avoid being a burden. When the refugees at UA tried to prevent him from returning, he was like, “you’re right” and would have turned back immediately if not for his friends, loved ones, and other people who care about him telling him it was all okay. Meanwhile, Katsuki, in true 8 fashion, was pissed off at being rejected and having to deal with Izuku’s stubborn and evasive side (oh yeah, have I mentioned 9s are actually stubborn as hell?), but he made sure to establish that they are (he is) here to step in when Izuku can’t handle things by himself. Katsuki even opened up and admitted to his own weaknesses to show why mutual support is so important. Tbh, a lot of the above can be construed as just super healthy type 2 behavior, but not this. The way Izuku acts at his lowest, and his dynamic with Katsuki? Totally different. Dead giveaway for a 9.
Let’s get into the type 9 itself in more detail to show how it applies to Izuku more deeply—seriously, it’s beat for beat. One of the key differences is, while 2s seek validation, 9s are actually resigned to the belief that they aren’t important. Similar to 2s, a 9′s basic fear is of separation, but their basic desire is actually just peace or harmony rather than love. Notice how these motivations are just like a 2’s, except they have the “self” part taken out. With that in mind, they “achieve” their basic desire through selflessness in and of itself, without the need for recognition. That’s not to say that 9s are better than 2s. In fact, a 9 can be worse, in a way. If unhealthy, they will seek peace at almost any cost to themselves. In other words, they can be more self-destructive while still under the impression that they are doing just fine. “Peace” may refer to the expression of empathy, fulfilling the needs of others, sheltering someone, or mediating a fight—but also to repressing their own opinions and needs, not “rocking the boat,” ignoring negative emotions, or becoming a vessel for someone else to vent to.
What about inner peace? 9s value serenity, and thus they have a complicated relationship with the most tumultuous of emotions: anger. On the surface, 9s look like the type that is extremely slow to anger and highly tolerant. However, as much as they would like to believe this about themselves too, deep down, 9s are afraid of what might happen if they lose control. My phrase for it is this: I feel like a bottled tornado. Personally, I also think of anger as a basic desire to make others feel your pain—not necessarily sadistically, but in an effort to be known, to be understood. The difficult thing to grasp, especially for a 9, is that this is NOT inherently a bad thing. It isn’t wrong to seek sympathy. On the contrary, it is harmful to tell yourself that getting angry is wrong, because it’s like telling yourself that your pain is wrong, your pain doesn’t matter.
The problem is it doesn’t stop there. A 9, in shutting down their anger, ends up with such a low opinion of their own heart, their other emotions dull along with it. They cry less, laugh less, love less. It’s often said that they “fall asleep” to themselves. It all starts with anger. It’s interesting to note how different this whole mindset is from toxic masculinity—where men only feel allowed/able to express emotions through anger. This is sorta like the opposite. Anger becomes the dam rather than the river. For Izuku, I want us to consider that his suppression of anger carries with it the implication that he is hiding other things, too. It’s a given. There’s a whole sea of feelings out there, and we can only see the waves hitting the shore. This brings me to the whole “control your heart” thing. I do think it is worth mentioning that Banjou didn’t just tell Izuku to exercise control. He also told him that his anger could be useful if it is harnessed. With this added context, “control” here means “to master.” And Izuku seemed to grasp this concept… sorta. I think that if Izuku is like a 9, we can assume he has trouble understanding how anger could be a worthy source of strength. His emotions in relation to Katsuki feel more like a weakness to him, a character flaw in a hero, who is supposed to be detached and selfless. But he’s trying to understand, even though he’s afraid of it. He essentially applied the same strategy he used for mastering OFA itself: incremental strength training. Which, okay. Take a moment to absorb how odd that is, in relation to emotions, specifically. Does one learn to cry incrementally? Does one learn to use anger by bottling a fucking tornado?? Like, what, you think you’re gonna be able to let out juuust the right amount of air to avoid an explosion??? No, man… if you want to be the master of your emotions you have to be willing to sit with them. Confront them. Listen to them. Take them in completely and accept them as a part of yourself.
For someone like Izuku, though, it is very difficult to imagine how this is even possible. Tomura, as with every villain, can be used to reflect his hero counterpart’s greatest fear about himself. Tomura literally touches everyone and everything with his rage, and as a physical manifestation of that desire to pass his own pain onto others, destruction radiates from his fingertips. Thus, losing control in this manner must be Izuku’s worst nightmare, as if he would be completely unable to stop the collateral damage like an infinite line of dominoes. But his anger is not something he can overcome, as such.
An overarching theme in this heroes vs. villains conflict is that the villains are not merely obstacles to be overcome. Just think back to Himiko’s bitter rejection of the heroic sense of superiority. She demanded not to be pitied, condescended to, or lied to. Likewise, the answer cannot be that Izuku needs to restrain himself where Tomura doesn’t. What purpose would it serve to show that Izuku is better than him? Certainly not saving Tomura. If this was a battle against AFO, it might have been a different story. In that case, Izuku would have to overcome his emotional manipulation tactics. Tomura, on the other hand, is not so strategic. With his strangely childlike tendencies, he must relish making Izuku mad because it brings them closer to the same wavelength. It’s his own twisted way or seeking sympathy, or at least, the closest thing to sympathy he can get anymore, because he believes he is beyond saving. With that in mind, Izuku isn’t going to get anywhere unless he rises to meet him. Izuku has to match Tomura’s hatred with equally strong emotions of his own, whatever they may be, or else face the loss of OFA (as established in 305). This is not an easy thing to ask of a 9, once they have started to pull the blood from their extremities, become cold and numb. Bringing back circulation is painful and makes the skin crawl.
In case you’re worried about the focus on anger here, I want to reiterate that concealed anger in a 9 is just one sign of so much more. Back when everyone started fretting about Izuku’s habit of self-sacrifice, which would have been the only thing we need to worry about if he were a 2, I was freaking out because Izuku was also starting to look like a person who has too many secrets. You don’t even have to acknowledge the possibility that he lied about what triggered blackwhip. It’s written all over his face all the time these days. It’s especially noticeable when you contrast him with Katsuki after all his own growth. Katsuki confides in people. He acknowledges his weaknesses. He enjoys being himself. He asserts his place. He thinks about Izuku all the damn time and now he even lets himself be soft about it. All this warmth while Izuku is distant, muted, and blank. I know all too well what this state of mind is like. Man, I hate secrets. You get to the point where you don’t know how to talk about even the simplest most inconsequential shit. And the bigger things? They’re like a growing snowball of words in your throat that cannot possibly fit out of your mouth. The “easiest” way to cope is to simply fade into the rhythm of life. Go with the flow.
Since 9s have a natural curiosity about the interiority of other people, they may choose to focus on that in order to divert their own attention away from themselves. Taken to the extreme, they will lose track of their sense of self. Like I said, you can see Izuku doing this as he fights, analyzing the psyche of his opponent, and his match against Shouto in the sports festival was a fantastic early example. They became friends because of how observant Izuku is. His emotional intelligence and intuition are very strong, but gradually, as he has taken on greater responsibilities and experienced more trauma, he has gotten worse at applying these skills to himself. You know, we go on and on about how his narration has been reduced to nearly nothing, and it’s not just an absence of introspection, it’s an absence of self. It creates a lack of ownership over the narrative—what should be his narrative.
Right now, he’s focusing on trying to see Tomura as a person, figuring him out. I think it would be really satisfyingly ironic if in the process, he ends up uncovering insights about himself instead. It’s about time we learn what Izuku’s secrets are. I don’t actually think that Izuku mastering anger will constitute the emotion that is strong enough to keep Tomura from taking OFA. Moreover, he can’t expect to reach Tomura’s core, Tenko, unless he exposes his own. Rather, anger is the conduit for Izuku to unlock something else. Think of the way he described how Katsuki is his image of victory. The feeling manifests when he asserts a stronger sense of self (the urge to win) and he becomes more free with his words. I have no doubt that Tomura has the power to make unfiltered honesty spill out of him. He knows how to bring out his selfish needs, his pain, his pressure points, his fears, his insecurities. Hell, maybe Mt. Fuji erupting is a metaphor. I want to see Izuku explode while Tomura watches with mad glee. But then I want Izuku to Realize Things such that it finally sets him free. Then, instead of Tomura witnessing yet another person he touches fall apart, he gets to see someone become whole.
"I let the scale tip, feel all of it. It's uncomfortable but right. And we were born to try to see each other through. To know and love ourselves and others well is the most difficult and meaningful work we'll ever do." --Sleeping At Last, 'Nine'
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kimbapkimbapp · 6 months
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Izuku doesn't believe Katsuki is gonna like him back, so he tries not to think about it
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Izuku wants more, but he never thought he could even have a normal conversation with him, less be corresponded. So he says, "I'm too blessed" , like "I need to be grateful for what I have because I can't have more"
Like look at that sad expression, why would he be sad in that happy moment if it wasn't because he wanted more?
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mettywiththenotes · 5 months
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The way Tomura has been dehumanized all his life by AFO and the Heroes, being called a "thing", "man-child" probably being the closest reference to any kind of human but still put down and away as something nobody wanted to deal with. The alarm bells were there, they just didn't want to hear them
And Izuku doesn't play around, doesn't dodge the subject. Tomura tells him he's not human anymore, and Izuku is reminded of what Ochako said. That she doesn't know what Toga finds obvious as opposed to what Ocha might
Therefore, Izuku hears this and realizes that Tomura doesn't see himself as human. Doesn't see himself as anything other than someone who lives only to destroy. It's something that's obvious to Tomura because he's always seen himself as that, but it wasn't to Izuku until he'd said it
So now he has to point the obvious out to Tomura. He has to make it known, because apparently Tomura doesn't know, that he's human. Always has been, always will be, even now. "All of this is part of the bigger picture, deep inside."
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featherstorm2004 · 5 months
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I love how the raws for this chapter specifically use the wording to explain how and why Izuku is going to save Tomura, because it has constantly been emphasising that above all else and despite everything he's done Tomura is a human being.
And I just love that because ultimately that is the heart of the story, that no matter what; the main reason people become villains is because their humanity is denied to them. we've seen it with Toga, with Dabi, with Spinner and now most recently All For One himself, who has yet to even have a name or identity outside of being a villain. And it's so refreshing for Izuku to understand that to an extent, (even if he doesn't get it fully) and why wouldn't he? he's spent the majority of his life being treated as less than human by most of society just for being quirkless so, it's only natural that he would be one of the first hero's to connect the dots.
I also love the little touches with Tomura where we can see that despite denying his humanity he still can't help himself, when he learns of All For One's death despite not feeling sad he still has gratitude towards him despite everything he's done, when he goes to decay Mount Fuji he thinks of Spinner and what he said his dream was. And I just can't help but find it funny, he's trying so hard to deny that there is any humanity or good in him left when it is so obvious that there is.
Hell, even All For One "the demon lord" still couldn't deny his own humanity in the end.
everything they do (as heinous as it is) there is still something so fundamentally human about it. Because even if people refuse to admit it, it's human to want people to see you, it's human to want others to care about your pain, it's human to want the people you believe are contributing to your pain to suffer as well. Every act they take is etched with raw humanity in it, which in turn makes it so fascinating when even they try to deny it despite how clearly they want to be seen and cared for.
but yeah that's just my long winded rant to say I really like this chapter and the dialogue, I just hope the official translations don't botch it. Because it is extremely important for this message in particular to get across to fully understand and appreciate the story of bnha.
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dekusleftsock · 3 days
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Someone described Katsuki’s thoughts on their future as this “catch and chase” esc game and I can’t stop thinking about catch-a-Kacchan now. The symbolism of that now is so telling with Katsuki’s new admission. Oh my god.
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Like of course izuku could never catch Kacchan: that was the game. The hope that their rivalry and therefore their new found relationship could stay this way forever. He would never lose Izuku because they were always trying to catch each other—chase, grab, hold, let go, and chase again.
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IT EVEN PUTS A NEW PERSPECTIVE ON KATSUKI’S PHRASING OF CALLING OFA A “CURSED POWER”
Honestly it almost feels like the end to this statement, one he never quite articulated to himself, and especially not to the world. Ofa gives power, ofa gives hope, and ofa ties itself to the people it interacts with. Ofa breathes the life into the game of their lives, catch and release.
Ofa may be a cursed power, but I just thought we’d be competing, and I’d be on your heels, for the rest of our lives…
Because ofa is the beacon that, on a very literal level, allows catch-a-Kacchan to exist. What do I do if I don’t have an excuse to be with you? What if I don’t deserve it?
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AND THE NUMBER ONE RULE OF HOW KATSUKI ALWAYS WON CATCH-A-KACCHAN WAS THAT HE HAD TO TAP IZUKU ON THE BACK… HE HAD TO MANEUVER HIMSELF BEHIND IZUKU TO WIN…. WHAT ARE YOU DOING TO ME
And it’s such a small detail of symbolism, and idec if it’s purposeful, it’s just the fact that it exists at all that I love it so god damn much.
As Izuku tries to comfort him in the only way he really knows how (“well I still have the embers! It was a nice dream while it lasted! Please don’t cry you’re just overly sensitive right now, I’m sure you won’t feel this way later..”), and as Katsuki believes that the only way he’s allowed into Izuku’s life is this small glimpse into their rivalry—and, in spite of it all, allmight reminds them that they have changed.
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The world, it has changed. The winds still blow high across the country, and we are reminded that the most important part of despair is the connection we have with each other. They are not just heroes, they are the greatest heroes—together.
The world will never be the same—and isn’t that the most beautiful part of it all? That we have changed, together?
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coladaminx · 27 days
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HORI IS SAVING THE BEST FOR LAST AND I'M SHAKING IN MY BOOTS! KACCHAN WASN'T GROUPED WITH IZUKU'S FRIENDS AND THAT IS INTENTIONAL!! HE'S ON ANOTHER LEVEL BRUH!
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thepinkmeteorshower · 6 months
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Okay but Deku has only lost control because of Bakugou we know that but I haven't seen anyone pointing out how Bakugou has been the only one able to calm him down by just looking at him.
Going from this:
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To this.
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Not even Mirio after telling him that Bakugou was going to be okay and that the others were alive, Deku still had to think to himself to regain composure (This makes me think that maybe, Deku wasn't really understanding what Mirio was saying. He needed a moment to process it).
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He was fucking feral and still. Just looking at him changed it all.
Anyways, they are married your honor.
(sorry for the bad writing, english is not my first language lol)
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harukamitsuki · 13 days
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Ugghh been consuming some bnha stuff and I'm reminded of why I largely prefer fanfiction over the actual story. I have so much hate and pettiness within me. Even so, I am never going to change my mind on how much I hate how bnha is just an amalgamation of wasted potention. Search the definition of wasted potential up and there's just an image of bnha.
I remember watching it as the first season was coming about because it was made by Bones and I just have to watch it in that case. I watched episode one and was so excited.
We have our mc, Midoriya Izuku, being powerless in a world full of quirks.
His childhood friend turned bully, Bakugou Katsuki, is shown to be favoured by literally everyone and this feeds into his ego.
All Might, the number one hero, is jaded and powerless for 21 hours of the day because of a fight nobody knew existed. Izuku is attacked and helpless, but saved by All Might. All Might tells him he can't become a hero. A much needed reality check because Izuku didn't work out a single bit before then and it's so incredibly hard to fight someone who has something you lack.
Then Bakugou is attacked and helpless. Bakugou, who is so much stronger and who people love, is left useless, only able to make the situation worse with his explosions creating a fire hazard. The pro-heroes can't do anything. All Might and Izuku both hate themselves for the part they played and how useless they are. Then Izuku sees how scared Bakugou is. He runs in, inspiring All Might as he mocks himself for breaking Izuku's dream yet forgetting the core of heroism.
Then, after all is said and done, All Might goes back to Izuku. And he tells him he can become a hero.
...
Then he offers him One for All. Now, when I was watching this for the first time, I was so disappointed. You set up a powerless mc in a world full of powers and you just give him the power of the strongest hero? Great. But, I kept watching.
I watched Izuku work to get his power, struggle even after getting a quirk. I watched as Izuku finally stood up for himself and win against Bakugou. I watched as the series went on and I... I started noticing more and more missed opportunities.
See, bnha is supposed to be a zero to hero story. It's supposed to be about the mc going from powerless to powerful. But it does it so quickly. Suddenly, it's not about Izuku finding his own form of strength, or realising how being quirkless may not give any advantages but it also has no disadvantages, or even any commentary on quirk discrimination or fantastic racism or anything.
It turns into a story about controlling your power. It's not what I signed up for.
That's just one missed potential. There's so many more. Horikoshi clearly tries to make some commentary on quirk discrimination and female heroes/sexism in the workplace and entertainment over peace. There's some effort put into making a comment on how heroes are glorified and people don't see them as public workers, they see them as celebreties.
But it's never delved into. We don't see how bad people with mutant or 'villainous' quirks are treated, and we don't see how people with weak quirks are treated, or how the quirkless are treated (because the only reason Izuku was treated so horribly was because of Bakugou). We don't see how female heroes need to have a bit of allure in their personas to have any sort of support.
Yuuei is literally a camp for making child soldiers, yet there's no controversy over it? There's no such things as heroes having to take lethal action and no moral dilemmas over it? There's nobody speaking out about how Midnight flirts with students?
We have literally no information about how heroes work. We don't know how their salaries are decided, how they're ranked, how undergound heroes work. if twilight heroes are a thing, how anybody but Rock Lock feels about bringing children into adult matters, (seriously, why do people hate Rock Lock for being rightfully worried about having 15 year olds in a raid against the yakuza), we don't know how villains work and how to decide if one's a criminal or a villain.
Heck, the only laws we know of are fanon, and the canon stupid idea that you can't use your quirk in self-defense.
It's just. Incredibly infuriating.
Also, analysis as a whole is so under-utilised. Both Izuku and Shigaraki are deemed creepy for their analysis, which is such a useful tool. I mean, Izuku accurately guesses Stain's quirk, which is useful because, otherwise, they wouldn't be wary about Stain licking their blood or cutting them. Shigaraki accurately guesses the time intervals between Aizawa's blinks, which helps him a shit ton.
But is it ever used outside of these situations? No. The thing is, quirks are scientific in nature, not magic. Therefore, they're not restricted like magic is. Fire doesn't always have to be fire, it can be smoke or just heat. Ice can be water or steam. Acid can melt through anything or just be used as a mario kart banana peel.
There was so much missed potential and that's exactly why there's so much fan content.
Horikoshi leaves so much out, and everything he misses tends to be the interesting parts. He willfully explains Bakugou's quirk in detail, but everyone else? Nah. Fuck them.
I mean, let's look at Ochako's quirk.
Gravity negation. Or is it? See, if it were just gravity negation, then two things, in particular, would happen. First of all, Izuku would have fucking died when she saved him from falling. Second of all, she would not have been able to get infinity in the ball throw.
Negating gravity does not negate the forces. Therefore, when she saved Izuku from falling, he would have still been affected by the force of his fall. It would have been no different from hitting the concrete. Additionally, when she threw the ball, it kept going. Air drag would have made it so that she couldn't possibly get an infinity.
More accurately, rather than force negation as some fanfics suggests, she's telekinetically accelerating whatever she touches. She telekinetically accelerates Izuku's body to stop him falling, and does the reverse for the ball, making it so that it continues to accelerate after she throws it.
See what I mean? Because Horikoshi gave Bakugou's quirk a scientific explanation with him sweating a nitroglycerin-like substance and being able to spark it, you have to look at every quirk with scientific knowledge. He could have said 'oh, yeah, I store energy from my quirk in these gauntlets' but Hori just had to be a smartass.
By the way, because of Bakugou's explanation, it's possible that his quirk is not what is named. Yes, it's possible to have two sides of a quirk, as we see in Shouto, but Bakugou's quirk isn't explained in the same way.
Rather than his quirk being creating explosions, his quirk is more like creating sparks in his palms. Why? Well, you see. Bnha never delves into actual quirk theory, but there's more than enough canon evidence that you have one main quirk and then one or more quirk mutations. For example, Ashido Mina's quirk is secreting acid that she can manipulate the acidity and viscocity of. Her appearance is not related to her quirk at all, meaning it's a quirk mutation from her parents. Same with Tokoyami Fumikage. Quirk is Dark Shadow, so there's no need for the bird head.
Why does this relate to Bakugou? Let me explain: Bakugou explains that he recieved a mutation from his parents with his mother secreting glycerin and his father sweating acid with combustive properties. In other words, Bakugou inherited nitroglycerin-like sweat from his parents, but his actual quirk is being able to create sparks.
His quirk is 'Sparks'. Not Explosions.
Why am I ranting about this? Because bnha completely misses all of this! It makes no sense which is a shame because the concept is so interesting! But then it throws away any scraps of potential left when it becomes 'My Kacchan Academia'.
Seriously, why do people and why does Horikoshi love abusive pieces of shit so much? Why did he throw away the potential to look into Shouto and his siblings' feeling about Endeavour? Why did he make Dabi's plot all about Endeavour instead of Shouto?
It's so easy to compare the ways Dabi and Shouto handle their trauma and their ways of revenge. It's so easy to look at Dabi and think about how easy it would have been for Shouto to become like him.
Shouto was transfixed on Endeavour. Everything he did related back to his hate for Endeavour. Using his quirk, fighting, grades, social interaction, everything. His only reason for becoming a hero is to spite Endeavour. It's only because Izuku reaches out to him and saves him from his own toxic mindset that he's able to move one and do things for himself.
Dabi, or Touya, on the other hand, doesn't get that. He doesn't get that person who recognises how far he's gone, how, in trying to spite Enveavour, he's living a life centred on him. How he's jealous of his little brother for being abused and tormented.
While Shouto became a hero to spite Endeavour, Dabi became a villain.
They're both full of hatred at first, but Shouto is saved from that spiral. Izuku helps him. Dabi doesn't have that. It would have been so interesting to see these two face of as parellels, but nope. It's all about Endeavour. Shouto is nothing more than an accessory.
I understand Dabi being hung up on Endeavour, but to outright replace Shouto with the abusive flaming trashbag? No.
Also, if Horikoshi wanted Dabi to be seen as sympathetic or redeemable, don't make him kill innocent people. Don't make it so that he unlocks an ice aspect to his quirk in a life-or-death situation because all that means is that Endeavour was right to hurt Touya the way he did. All that says is Endeavour should have hurt him more.
AND DON'T EVEN GET ME STARTED ON BAKUGOU.
This piece of shit bullied Izuku relentlessly for years, used his quirk on him (yes that is canon), told him to end his life, tried to assault him in Yuuei, tried to kill him, threw a tantrum at an abused kid for not being magically okay with using a quirk that reminded him of his abusive father, assaults Izuku when he tries to work together but still magically gets a pass for being carried out unconcious which Sero was failed for, and the list just keeps growing.
Oh, but my bad. He has a sad backstory. You see, he fell in a river.
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