sorry to be the ygo dub's strongest soldier sometimes but i am getting really tired of tripping over this particular breed of "umm this is why the dubs are BAD!!" type bellyaching and i grumbled on twt about it earlier. embrace the interesting and unique ways the dub makes the most of the restrictions they're given re: being unable to show Blood and Death or go watch something else, my GOD!!!!
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So when a soulbound's partner gets injured, they feel their pain but don't have their wounds. However, consider: light shooting out from the injured area
This was so much fun to draw I think I'm keeping this headcanon
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ok i admit i dont really go for urban fantasy and the combat/fighting scenes in it were rough and i thought some of the plot was dumb but the first book in the tarot sequence got me??? like a solid 3.5/5 which given my innate distaste for UF is p damn high. it's about the RELATIONSHIPS. the rune-brand brother bond and how they understand each other and love each other and fight and cuss each other out and care so deeply and apologize and work around each other's trauma and triggers. addam's priority always being his brother. THE TERRIBLE DELIGHTFUL TEENS MAX AND QUINN. whatever the fuck is going on with ciaran i adore him. the 20+ yr recovery arc. the magic system with the sigils and courts based on the major arcana. the INSANE amount of plot bombs dropped in the book 1 epilogue. everyone is so traumatized and yet they get up and they try. ive only had max for a day and a half etc etc etc
like. it is dark and heavy and holy holy shit content warnings abound i would not actually /recommend/ it to most ppl because of that, but it's not grimdark. terrible unspeakable things happen and keep happening and yet there is tentative hope of ending the cycle or at least saving a few kids and building a home and there's love and accidental child acquisition and idk ik ive been real tired lately and it's no masterpiece. but it hit in some kind of way i wasnt expecting it to
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I think what most people fail to understand is the sheer scale of not only the horrors but also the consequences of the dictatorship.
In 17 years of dictatorship, the official human rights reports count at least 40.000 victims of repression in all its forms, almost 3.000 of which were forced disappearances, and of those disappearances, several hundred victims were minors. There are still 1162 people whose fates and whereabouts are completely unknown, fifty years later. There were around 200.000 people who fled into exile, and there's probably countless more whose suffering we just don't know about. There are hundreds of people who were never born because their mothers were purposefuly tortured to the point of abortion. Schools, stadiums, hospitals, houses, all turned into concentration camps and torture centers. The Chilean dictatorship was one of the bloodiest in all of Latin America.
And the same dictatorship was the one who created the structures we live under to this day: they privatized the mining industry, the education system, the healthcare system, they set the precedent for the later privatization of water, they installed the current pension system at literal gunpoint, they completely redid every aspect of daily life in Chile and fifty years later we're still trying to undo the damage.
It's hard to convey how much the dictatorship still affects our life, it's hard to put into words how deep the wounds go, but it's there. It's everywhere. Wherever I look, wherever I turn, whoever I talk to, it's in the little coincidences that made the difference between life and death, and in all the unspoken family histories, it's in the endless wait lists for doctors' appointments, it's in the fucking wealth inequality that makes it so that the 1% of the population is sitting on over 50% (if not more) of the country's wealth and still have the fucking gall to tell us we live in one of the best economies in the world, that we're fucking lucky.
This is our reality, this is what we live with every day, and I wish I didn't have to give an entire dissertation whenever I want to discuss it. We don't deserve to be relegated to "the other 9/11". We deserve a way forward.
Ni perdón ni olvido
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imo the second worst part of dying in a plane crash would be having to be on a plane before dying
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THE DUALITY OF CLOWN
DOTTORE is at once a man who can: handle any fall-out / backlash / Consequences™ to his (human rights violations) Actions™ with aggravating grace, just out of sheer inhuman apathy toward anything but his own pursuit. he is also: a man who starts a 3 decade long plot to completely dismantle & appropriate a person for making him feel embarrassed one (1) time*.
& it's a fucking toss-up which it will be.
*& will fuck anyone up for messing with that plan, which gets triply embarrassing when it's just old age. until he's busy cloning them from their remains just to torment them in the more practical, time-economic torture of living in his test tube.
which does mean he has those standing around in laboratories across the continent like a curio museum a hoarder made out of their house.
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i keep having Thoughts about how in so many ways LL has so much potential to be a really hard-hitting, messy, no-punches-pulled exploration of what i call moral agency: not the agency to act on your beliefs, but the agency to have those beliefs at all. like, if you're being abused into internalizing a set of beliefs, or indoctrinated in such a way as to make you resistant to outside perspective, or having relevant information withheld from you even if you would be looking for it... you don't have nearly as much choice in the matter of what you believe as someone who isn't stuck in that position.
and like. the central antagonists alone are literally a massive, horrifically abusive cult that spans generations. and i really wish they had actually followed through on that, and done so with compassion for victims who might need to be held accountable, instead of treating them with hatred and dehumanization.
(and also, y'know. hadn't treated some characters who did bad things as if they had much, MUCH more agency, moral or otherwise, than they did at literally any point. COUGH FIVE COUGH COUGH COUGH)
there's just. so so so much interesting stuff to be dug into there, in a way that's deeply fundamental to the narrative where even a lot of stories about moral agency aren't, and i really wish i could scrape enough brain cells together to talk about it properly
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