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#It was kinda obvious
trespia · 7 months
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why am I gasping I already knew that
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samethstarr · 10 months
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Bonus.
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curiositypolling · 3 months
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pls reblog for sample size etc
follow for more occasional useless polls
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mrmrsman · 5 months
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I'd love to see a dpxdc story where the Justice League knows about Amity Park and the Ghosts the whole time, and does think the ghosts are rogues to be addressed. Doesn't agree with the GIW, maybe doesn't even know about them? THE IMPORTANT PART.
The Red Huntress is the only active vigilante in Amity Park, according to the JL. Phantom is marked as one of her rogues. Maybe the Fentons even are marked as rogues from all the property damages and random shooting/sliming of citizens. Valarie is the only person successfully taking care of the ghosts, masking and suiting up in the classic vigilante way the whole time.
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collieii · 1 year
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someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.
there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!
so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"
miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)
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deadsetobsessions · 6 months
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Danny no longer has a haunt. So… he decides to find another one. And while he technically has a whole world (other dimensions aren’t an option because he’s going to stay near where Jazz’s grave is, damn it) there’s only a couple of other places with enough ambient ectoplasm to sustain him. Nanda Parbat, Tokyo, and Gotham.
Nanda Parbat had a weird old musty immortal that kept trying to summon him and exchange power for the ability to “take a worthy body and rain as much destruction” as he’d like. As if Danny would need a body to bring the world to its knees.
Tokyo… it’s too far from Jazz’s grave. He could ask Wulf or even open his own portal but when Danny tried it out, Tokyo was too peaceful. Obviously there’s crime, but nothing… nothing big like Danny’s used to.
Danny ends up picking Gotham, even if the sewer zombies and the weird group of rich fruit loops with an adoption problem creeps him out. So, he destroys the portal, packs up his parents’ house and sells it, and hauls ass to the cesspool calling his name. His family’s stuff is stored respectfully in a vault located on the deepest parts of his personal haunt in the Infinite Realms.
And honestly, he’s doing better. Sure, he’s got a shitty apartment near another revenant’s almost-haunt and he feels like he’s drowning all of the time, but Danny isn’t in danger of turning into Dan, he’s catching up on royal paperwork, and he’s got like a job as a barista. In his own coffee shop that paid for using his parent’s money (who, despite their hazardous everything, made a crap ton of money off of their more normal inventions).
Gotham’s got some pretty interesting local gangs, most of which respected the sanctity of Danny’s cafe. Sure, they tried blowing it up and tried extorting money from him in the form of “protection costs” but after three months of failure, they gave up.
(Really, the local gangs gave up when they saw him take three shotgun shells to the chest and continued to work.) (They didn’t know it never hit him. Intangibility is extremely useful.)
The Rogues, on the other hand, just gave Danny flashbacks. Their gimmicks are different, sure, but after years of Box Ghost, Skuller, Lunch Lady, etc., Danny’s more than done with costumed villains. They don’t bother him either. Some of the reason is probably due to Harley and Ivy, who had walked into the cafe and (because they were bruised and scratched up from a fight) triggered Danny’s mother hen tendencies. They were promptly fed and watered and caffeinated and their hyenas were also similarly taken care of. They declared the cafe under their protection and that was that.
Red Hood stops by, and begins to interrogate him. But when Danny met his… helmet eyes? The crime lord paused, paid for his coffee, and sat in a corner table of the cafe for the rest of the day.
And he kept coming back?
But Danny figures it’s because Hood was a revenant and people who had come close to death tends to feel more comfortable around him.
(Considering this is Gotham where people almost die every other day? Yeah, he’s pretty much friends with everyone. Or at least, less likely to get shot.)
(Hood does stay because of the King’s presence and the Pit calming itself, but also Danny’s hot and he’s got a sleeper build and Hood definitely did not imagine himself in the place of the heavy box he saw Danny lift effortlessly onto a table. No.)
But of course, the peace couldn’t last forever. But by then, Danny was so antsy, he welcomed the trouble with open arms.
It starts with a clown. Danny knows who he is. He knows who Danny is.
So, Danny has no idea why the clown thought it would be a good idea to aggravate the owner of Gotham’s official neutral grounds. See, Clovkwork? Danny’s learned how to gauge his own political importance!
“HAHAHAHAHA! COME OUT, DANNY-BOY! LET ME TELL YOU A JOKE!”
Danny comes out and grabs a chair, and with a flat expression, says, “you’re not funny and I hate clowns.”
And then he swings and slams the chair into the Joker’s face. Over and over again until Danny’s sure the clown won’t get back up. The thing about Gotham’s outdoor chairs is that they’re mad out of steel and are bolted down to the ground to prevent undedicated thieves (dedicated thieves can and will steal the bolted down steel chairs). The Joker’s hired muscle just watched this scrawny twenty-something year old yank the steel chair and take some of the fucking ground and the bolts with it and beat the fuck out of their boss who is the literal Joker.
They surrender on the spot and is taken to jail. Danny just smiles at the officers who come by and since he’s got pretty privilege and they don’t want to mess with the guy who, again, owns one of Gotham’s official neutral ground and also beat up Joker without breaking a sweat, the officers just lets him go with a warning.
And then the bats comes, and wow, Danny’s playing mentor to a formally dead person again!
But before that, the Red Hood asks for an autograph on the Gotham Gazette article with a picture of a tired Danny standing over Joker’s prone body. Then Hood stammers through asking Danny out (which Danny said yes to because he’s tired, not blind, and Hood is built like a brick house and HOT).
Batman interrogates him. Danny, who can tell that this man needs therapy and is Sad TM, tells Bats that Danny’s died before and that’s why he’s like this. He also calls Batman a furry, but like in a nice way. And then he kicks Batman out with a coffee and a file on Nanda Parbat.
Now, Danny’s got a date to prepare for and he realizes that maybe this is what Jazz wanted for him- to be happy and mostly safe and happy. (Or, happier, he thinks. It’s been a long time since he’s been truly happy, but this might be a good start)
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5mcsinatrenchcoat · 7 months
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To whomever it may concern: Karlach without make up (and with scars). Bless the modders.
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raveartts · 5 days
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baskeigh-ball · 6 months
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Hey I just want to say that I love your Mind Swap AU, and I have a question, does April know or do the guys hide it from her?
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aaa ty! i'm glad you're enjoying it :D
And yes, they definitely try to hide it at first, just to avoid the "you're all idiots, how did you even manage to end up in this situation" lecture that would surely follow. Which they succeed at!
...for about fifteen seconds, anyway.
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falmerbrook · 13 days
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Falmer appearance and attire headcanons
(click on drawings for more details and notes!)
Hair
In Skyrim, we pretty much only see two hair styles to go off of: completely bald and the hair the "shaman" have (which are also the only females we see (a post for another day)).
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In concept art, particularly Adam Adamowicz's, we see more potential hairstyles. He draws it as wispy and messy, as well as containing braids and the ties we see in the shaman in the game. This art is largely what defines my own interpretation of their hair.
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I picture the typical Falmer hair as wavy, thin, wispy, and looking frizzy. Given the high number of hairless Falmer we see, I imagine baldness is common, particularly among males, and sometimes among females. Their hair can be commonly styled into braids or knots to keep it under control.
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The ability to grow long, thick hair is less common, but those who can tend to style it in other unique ways. Especially among females, long hair is commonly styled into large dense locs (akin to a Polish plait) and held into shapes using ropes or leather ties.
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(While I think the intention with the way their hair is drawn and modelled in the game models and concept art was that it was braided and held up with those ties, before looking at it closely I always sorta interpreted it as too stiff to just be braided. As a result, I developed the locs headcanon and have become kinda attached to it even though I have 0 in game or lore support for it)
Materials
The material used in their clothing is obviously dependent on what is accessible to them, and given their unique situation that makes the materials they use and value unique as well. In Skyrim, we see that almost all of their armor (which is mostly what we see them wearing) and homes are made of chaurus chitin (and potentially shellbug chitin), so this is likely the most common resource available to them for non-combative coverings as well. Other materials from their arthropods companions could include their cocoons, unhatched eggs, etc.
Bones from other creatures (draugr, skeevers, trolls, adventurers, bandits, etc.) underground or from aboveground raids could also be used fairly often. These could also provide a source of leather or fur, albeit not a lot of it.
Falmer groups and subcultures inside or in close proximity to Dwemer ruins probably make regular use of the materials present in those ruins as well. With all the metal and machinery present in Dwemer ruins, metal probably makes regular appearances in their clothing (and general decorations) even if they can't manipulate it themselves. Falmer more separated from Dwemer ruins would make much lesser use of these materials, however. Additionally, We see implications of Falmer preparing, cooking, and potentially cultivating fungus in-game, but see nothing indicating they have any plants in their diet, and therefore it is unlikely they regularly make or use textiles or fabrics in their clothing, and if they do they likely come form Dwemer ruins or raided adventurers/bandits/settlements from the surface.
On that note, we know that there have supposedly been incidents of Falmer coming to the surface to attack its inhabitants and travelers, as well as instances of them killing bandits, adventurers, and researchers who venture below, so it's not far fetched to believe that they have access to some materials from the surface. This could give them some access to furs from surface animals, beads, glass, jewelry, textiles, metal objects, etc. they might not otherwise have access to. The rarity of these material among the Falmer would depend on the amount of access any given group of Falmer have to the surface, but among many of them these materials could be seen as more valuable for their rarity and the difficulty to gain them.
While gemstones and ore might be accessible from both natural deposits and underground ruins, unless they had some kind of auditory function or unique texture, they might not have much value to Falmer.
General Attire/Accessories
I like to imagine that the Snow Elves, and by extension the Falmer, have an innate cold resistance in the same way Nords do, and therefore don't require clothes for the purpose of warmth even in the chilly caves of Skyrim. Additionally, their blindness likely means that wouldn't dress for visual aesthetic either. My thoughts are that they are then left with the sense of sound and touch to communicate with each other, and their clothing and accessories could reflect that.
Falmer clothing, decoration, and society in general is very heavily based on touch and texture and little on appearances. They touch each other very often for both communication, movement, and just general day-to-day interactions, and their clothes isn’t very modest, but the tactile patterns and materials used can communicate certain things such as position in society, “wealth”/power, whether they are taken, single, pregnant, with a child, etc., their roles, their age, notable achievements/skills, who is who, etc. on both their clothes and buildings. The more noise one makes, the more attention they draw and the more they drown out other noises, and the more noise making things they can “afford” to have, so the amount of noise one makes in a Falmer settlement is a status symbol. Certain types of noises or noise makers are more coveted than others (chitin beads are common, while furs are less common, and materials only gained from raiding the surface are rare and coveted).
Some noise making accessories could include:
Dangling metal, bones, beads, chitin, etc. that hangs off of their clothing or ears and jingle/clank against each other (in my drawing I show them as pretty uniform in shape and size, but they would probably be much more irregular than I depicted them)
Bells (metal or other materials) that are affixed to or dangle off of their clothing or as earrings.
Hollow bracelets, anklets, necklaces, or other accessories that are filled with rocks or beads.
Rattles tied to the body (made of chitin, dried hollow chaurus eggs, dried chaurus cocoons, beads, etc.) with leather or rope.
Flute or whistle like tubes made of metal, chitin, or dried and treated tube-like fungus that makes a woodwind-esque noise when air passes through it in a certain way. They have been designed to make noise easily from even the slightest movements.
Dried grasses (more temporary) tied to the body that make a swishy noise. More permanently, a similar thing can be achieved with hair. The hair can be sourced from Falmer (either through just cutting hair or through taking it from fallen enemies) or killed humans/mer/draugr. That sort of thing can also act as a kind of trophy.
Necklaces with various materials dangling close together that jingle against each other.
Various materials can be tied into braids or the leather ties in their hair as well.
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Some textural accessories could include:
Beads. Since they wouldn't have the ability to tell the color of the beads, the patterning of beadwork would be based on the roughness, material, size, or shape of the beads. (I'm sorry I suck as drawing beads)
Furs. This wouldn't be as common since the Falmer likely don't have too much interaction with furry mammals, but some they may have access to that are big enough to make clothing/accessories out of include skeevers or trolls (and potentially rarely animals from the surface). A potential meaning of wearing furs could be as hunting trophies, but it could have other meanings as well.
Chaurus chitin would like be the most common material in Falmer attire, and depending on the part of the chaurus body, the size of the chaurus, or the life stage of the chaurus it was sourced from it could have different textures. Some chitin parts could include large spikes and deep groves, while other parts could be smoother and less rough. The use of this chitin in clothing could take advantage of this contrast in textures. Additionally, chitin or shells from shell bugs might be a different texture from the chaurus chitin. (it's unclear to me whether shell bugs are exclusive to the caves around the Forgotten Vale or if we should consider them distributed throughout Skyrim's underground)
The placement of textured components on the body could have their own meaning to it alongside what accessories or textures are being used.
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Specific Falmer Subcultures
While most Falmer settlements we see in Skyrim are just a small-ish collection of huts and chaurus corrals, there are two distinctive settlements that are larger, seemingly more organized, and I like to think have their own distinct subcultures worth mentioning: Blackreach and the Forgotten Vale. The unique scope and environment of these Falmer cities (as I like to think of them) could lend to unique clothing cultures as well.
The Falmer of Blackreach have access to a vast Dwemer settlement and have has the space to spread out throughout it more fully since it seems to be more in tact than other Dwemer ruins we see. These guys would likely have a clothing culture much more heavily based on what the can access from these Dwemer ruins (metal scraps, leftover fabrics, etc.)
The Falmer of the Forgotten Vale would also have access to unique resources, such as Vale deer, Vale sabre cats, and frost giants for fur and leather. Additionally, materials accessed from the Chantry of Auri-El such as textiles from clothing, bedding, tapestries, etc. could give them a greater access to fabrics than other Falmer groups. We don't see many close Dwemer settlements to the Vale, so they would have less Dwemeri influence in their clothing than other Falmer groups.
I like to think that the Falmer's evolution exclusively underground has made them poorly equipped to handle the outdoors during the day and has made them particularly susceptible to sunburn, necessitating the need for covering for those in the Forgotten Vale who have significant settlements outdoors. With greater access to textiles and leather, they could use them as coverings when outdoors.
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Armor
I actually have very few notes on armor, for two reasons. 1) I hate designing and drawing armor. It is the bane of my existence. 2) I really like the armor they have in game! I think they look awesome aesthetically, and I like how clearly they are made from chaurus chitin. Per usual, Adam Adamowicz's designs seem to have been the major inspiration for the Falmer armor, and he did a great jobs (even if it isn't the most functional looking armor ever).
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(off topic but I also just want to add that he draws them with little hairs and tufts on their ears and I love it. ok that is all)
I do have a few thoughts about armor though.
Even attire made of textiles make noise when someone moves in them, and I can imagine moving around in armor, especially armor made of hard, insect shells would make a lot of noise when someone moves around in it. When you're relying on sound to navigate your environment and pinpoint potential threats or targets, wearing something making a lot of noise would not be ideal. On the other hand, getting into a fight unarmored would be a problem.
So here's my solution: heavy armor (see below) would only be worm within the camps/settlements where noise was already high and space is more cramped (and therefore more risky in a fight) as a sort of guard in case they were attacked. Those guarding the settlements along the outside might still wear armor as well, but less of it. Those going out to scout or hunt (if they do hunt) would wear as little armor as possible, and try to wear it strategically so that it wouldn't rub against itself and make noise. This is why most Falmer we encounter in the game are wearing little except for loin cloths and kneepads.
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One more idea I have for armor is a specific armor piece. On the note of guarding or protecting a camp or settlement, I imagine the noises of it all (especially with the noise based headcanons I've laid out here) would make it hard to actually catch any potential threats when you can't see. A large slightly concave piece of armor worn behind the head could block out noises from behind the wearer, as well as a help focus sounds ahead of them.
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That is all! Thank you for reading! A lot of these concepts around the culture of sound I think could also be applied to their buildings and even a culture of music, but those are posts for another time.
All of the concept art I used was taken from here and all of the Skyrim screenshots are from UESP.
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chiliyue-archived · 7 months
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cause i love to love, to love, to love you
↬ in which you have him all lovesick and smiles
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includes; dazai, chūya, atsushi, fyodor
notes; i am gonna pretend i didn’t disappear for 2-3 months. this has been in my drafts for so long :( i tried to clean it up as much as i could but it’s really old jfjdks
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DAZAI
dazai appears happy. present tense.
his typical inquiries for double suicides came to lessen to conscious degree, substituting in drinking sake together when the sun cowers, nothing but a string of nonsensical chatter proceeding each sip.
he was sticky like that: unannounced visits, impromptu phone calls, sudden changes in his schedule to accommodate yours. in any case, he isn’t one to shy from stooping as low as whining if it rewards him with your familiar face.
( his windpipes splinter before he could mutter it out loud, but the solitude that’s wedged deep in his bones for so long felt lighter when you were near. he questions how long such benevolence would last before becoming sullied by his hand… ).
…and yet all things considered, it hasn’t deterred him from courting you nonetheless. at times he can’t help but think he’s taken a bite of his own medicine when he’s the one skipping around like a helpless maiden.
and yet again in spite of it all, his brazenness remains perpetually untouched as ever. he entertains different approaches if only to coax out a new reaction from you and he’s not bashful in the slightest. so much so, he remains unruffled even under the scrutiny of your coworkers.
. . .
“ this is highly unprofessional.”
“ don’t be so mean, bella. don’t you know how much i missed you?”
your eyes flit down to the man currently using your lap as a headrest, the rest of his body stretching over the expanse of the couch. he was shameless, that much was certain, but his ability to remain unperturbed whilst in his lovey dovey state was impressive. you cocked a brow, sighing.
“ osamu.” his lips visually twitched at the call of his name; it’s a word warm on your tongue but leaves the hairs on his nape at your mercy anyway. " you saw me fifteen minutes ago—”
“ twenty.” he corrected, cheeky (and quite frankly, you wouldn’t be surprised if he pulled that number out his ass). “ but it was the longest twenty minutes of my life.”
he was unrepentant as ever, experimentally positioning his head to rest on the plush on your thighs. by muscle memory, he began to absently draw shapes wherever he could reach, a crude rendition of stars decorating over the bend of your knee.
he smiles innocently when you squint at him, the gleam in his eyes unwavering. “ only a couple more minutes and i would have been yours,” you mutter out, your voice not as sturdy as you hoped. “ at home.”
dazai almost turns pouty at that. almost. “ but my love, i’ve missed you like crazy. twenty minutes is too long, how can i possibly manage?” the words come out through a breathy exhale and you watch as his lashes kiss his cheeks when he flutters them closed. “ all i could think about is you. and now i have you right here.” he hopes his words carry as much truth as the way his heart does, scurrying away the cold that's mocked him for so long. “ can’t we just stay like this a little longer? pretty please?”
resigned to your fate, you could only clamor your palms over your features— if only to salvage your waning dignity from your coworkers.
unfortunate though… that in doing so you miss the blissful smile curling on his lips as he peeks at you from below. and atsushi notes(after throughly grimacing, not expecting him to be so blunt), it reaches his eyes too.
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CHŪYA
" chūya-"
" you can't flirt with me. i have a partner."
terse, stubborn and slurred. if the groggy voice wasn’t enough to confirm your suspicions, the shit-face look belonging to your boyfriend did. he was drunk. wasted if you were to speak bluntly.
in truth, it really doesn’t come off as much of a surprise; his ability to hold his liquor was nothing to brag of (despite what he may profusely argue) and you’re half-convinced he’s already forgotten his own name.
still, you don’t loosen your grip on his sleeve even under the figurative holes he’s burned with his stare. “ chūya. i am your partner.”
“you—! wha-!” his voice erupts into a sudden warble, eyes akin to saucers. " you… you are??"
he takes what’s left of his thinning rationality to study you proper; the style of your hair, your clothing, the smell of perfume/cologne, the familiar quirk of your lips—
oh, he thinks as you push back the loose bangs veiling his face. he doesn’t make any attempts to move, feet stalled and eyes blinking, evidently stunned.
you decide to press on. “ do i look familiar now…?” the lilit of your voice grazes against his ear, plucking out a faint memory tucked somewhere in the crevice of his fuzzy head.
oh. he thinks twice, the stern look bruising his face thawing.
without realizing it, he squares his shoulders in any attempt to remedy his current disheveled appearance, slumped posture pulled taut in— what he hopes— was a more put together frame. conversely, he wobbles on his feet when you continue to eat away at the distance, the ghost of your touch pushing pinpricks into his skin.
“ you’re- you’re really all mine…?” he cringes as soon as it leaves his mouth, coming off eager and hopeful. something like a laugh escapes you and he can’t tell if that’s what made his stomach turn or the alcohol. perhaps both.
“ that’s what i’ve been trying to tell you. you’re so stubborn when you’re drunk.” you punctuate the words with a kiss to his cheek, now warm with revelation. chūya, exhausting the last bits of his energy, shrinks beneath it, a gloved hand clutching his reddened face defensively.
“ why haven’t i made you my spouse yet?” he remarks it so suddenly, you nearly choke on air. he can’t even comprehend what you say thereafter or register the look beginning to contort your features, nothing but liquid courage keeping him afloat.
but- well, if there’s anything the haze trotting his head and his thinning cognition could agree on, it’s that your ring finger appears a little too barren for his liking.
( but not for much longer, he hopes )
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ATSUSHI
the sudden change in atsushi’s behavior was a notable observation within the ADA, many of whom watched as the weretiger became stupefied by a face belonging to you. it wasn’t long before concluding it was all the result of a crush; the culprit of which being atsushi himself who played his hand poorly at discretion.
the lovesick chatter would leave his mouth without much rationality, waxing of "[name] this" or "[name] that," and effectively becoming on the receiving end of his praises. it was almost a routine of sorts, occupied by stutters, belated responses and his fidgety footfalls. by the end of it, he fruitlessly attempts to steady his rabbiting heart— if only to stop his blush from staining beyond his cheeks.
even now as he silhouettes by the agency door, the rattle of rain is deafened by the rush of blood to his ears. he anxiously worries the handle of the umbrella in his palms, bouncing from one sole of his feet to the other. should he just ask you? maybe he should wait… now that he thinks about it would be more appropriate to just leav—
“ damn it.” he perks at your sound of displeasure, his heart spiking. “ so much for leaving in a hurry…” you stiffen, realizing you have nothing but a coat protect you from the weather. the flimsy jacket you hurriedly plucked from your wardrobe only added flavor to your disappointment.
atsushi doesn’t miss the opportunity; his feet carries him to you before the unpleasant voice lurking deep in his subconscious bullies him otherwise. “ we can share,” he gestures to his own, silently praying his voice was leveled. it wobbles anyway and by now his knuckles are sheen white as a product of his nerves.
with the organ jumping around in his chest, he almost doesn’t register your ‘thank you,’ only that his fingers were quickly undoing the straps of the umbrella before you could change your mind ( he impulsively bought it earlier that day— his previous pair worned out and far too tiny for two people. but when you thank him with a kind smile, hands slightly brushing with each step, he argues it was the best 800 yen he’s ever spent ).
… that said, a more appropriate question is how you managed to remain naive to all his pining for so long— he’s become despairingly obvious against his own good and yet he can’t find it in himself to change himself, a perpetual lovesick look copy and pasted whenever you entered his proximity.
the same can't be said to everyone else however and he wasn’t particularly pleased when he caught wind of the bets exchanged among his treacherous colleagues. he fears it's only a matter of time before one of them blabs their tongue to you. at this rate, perhaps one of them should.
. . .
" y'know atsushi," ranpo once said, offering his companion a gleaming simper. " you reallllyyy talk about [name] a lot."
"oh.”
his heart flutters, eyes slowly blinking.
" yeah,” he smiles. “ i guess i do.”
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FYODOR
" you've been awfully quiet, my dear." fyodor’s voice was just loud enough over the sound of clashing cutlery, fixing you a gaze of genuine interest. " is the meal not to your liking?"
you feel your lips twist into a frown. for being attentive, he (for once) falsely saunters pass the source of your displeasure, failing to recognize the extent of your internal woes. " no- no-" you fidget with your fingers, ignoring the way your propped elbows skidded against the table. the behaviour doesn't go unnoticed by the former, who takes it upon himself to hook his index fingers with yours. “ there’s something i’ve been meaning to ask of you. a… request of sorts.”
“ what is it? i’ll have it shipped to you by the end of the week,” he offers generously though it quickly fades into a confused hum when you shake your head at the proposition.
" it isn’t something you can buy…” you drop your gaze from him to the scantly poked portions of cuisine on your plate. fearing he may misinterpret your words and assume it to be unattainable - perhaps gifting you something ludicrous as a piece of land - you amended quickly. " it’s not what you assume to be either.”
at that, he bums questioningly. “ then what displeases you, my darling?” he provides a faint squeeze to your hand, igniting something warm and paradoxical to his thin layer of frigid skin. “ what can i offer to rid you that frown?”
" just your company.”
" my company?"
" yes." perplexed, he cocks his head; an invitation. willing an inhale to your lungs, you took a moment to gather possession of your words. “ these days you've been rather occupied. i was hoping for perhaps… if we may spend some time together?"
fyodor appears vaguely surprised by that, something unfamiliar fortifying around him. requesting his time felt like a hefty expenditure just in itself and it wasn’t too far fetched to assume he’ll disregard it in favor of some plot embellishing deep within his brain. but a swift refusal never comes.
“ i see,” he finally says after a brief pause. his voice was so soft you wondered if it was meant for you to hear.
it's grows quiet before he speaks again, the fingers curled around your hand withdrawing but not before providing the tips a delicate squeeze. " i can arrange some time tomorrow for you,” he proffers. “ will that satisfy your request, myshka?"
hardly anything can catch fyodor off guard, but something had to be said in the way you brightened at the suggestion, a deep curve coasting over your lips. how pleasant you are.
" yes," you hastily replied, dipping your head slightly. " more than perfect. thank you."
the way your lineaments crossed into a smile was always enduring to observe — exasperated, but one he wouldn’t mind seeing tomorrow knowing he was the cause for such elation.
( idly, he wonders what he can do to see it again ).
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A/N !
i’ve been meaning to post this for months but it’s so old & i never quite (and still kinda don’t) liked it :(( fyodor’s is bit ooc jfjdkskla
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repliiku · 28 days
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design lineup for a au i conjured up yesterday. i never commit this much but i missed making aus
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anakirui · 1 month
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
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mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
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mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
#project sekai#colorful stage#prsk#tsukasa tenma#mafuyu asahina#mafukasa#theres also obvious ones im sure you all know. like how theyre the sole sekai creators#or their designs paralleling eachother (color schemes of their eyes and hair)#or how theyre both connected to the moon and bunnies#and how theyre connected by a piano with a moon design thats only shown up in mafuyus 2nd mixed and tsukasas 2nd mixed... where they had#their first mixed events together#or how they both easily overwork theirselves#or how theyre almost always projecting onto other people as if their experiences are the norm#ex: tsukasa with rui in wonder halloween and mafuyu with niigo in main story#I CAN GO ON ABOUT THIS FOR HOURS AS YOU CAN SEE .#EDIT: HERES SOME MORE THAT I DIDNT REMEMBER AT 12 AM LAST NIGHT#theyre both connected to apples! points at tsukasa in fixer 2dmv and points at mafuyu2#literally all of their vocaloids parallel eachother.#wxs and n25 miku have a childlike sense of curiosity#wxs and n25 rin are based off someone that isnt them for the most part (saki and ena)#wxs and n25 len are both anxious and pessimistic (in island panic... wxs len has a conflicting pov from meiko and wants wxs to just stay in#the sekai instead of being stuck out on an island... which is kinda escapist as hell)#wxs and n25 meiluka have conflicts that are very similar. n25 meiluka represents mafuyus inner conflict between isolating herself and#helping everyone because she didnt know what would be better#and wxs meiluka is the conflict between tsukasas ambition and his fatigue#which is why wxs meiko always acts like wxs luka is a burden whenever she falls asleep— tsukasa himself wont rest#not when he thinks it will burden other people#and wxs and n25 kaito are both driving forces in tsukasa and mafuyu accepting their true feelings#(although tsukasa is kinda not where mafuyu is yet i think you get what i mean)#EDIT: 5/22/24 I CANT ADD ANYMORE TAGS FUCK
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gaydexvocaloid · 2 months
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vocaloid whatsapp..
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wildflowercryptid · 9 months
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please enjoy my analysis of these two's dynamic bc i can't stop thinking about them.
bonus w/ their actual in-depth feelings on their dramatic ass divorce :
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i also feel like i should clarify what i mean by "florian's main goal." in mjverse, (aka my interpretations of the game's universe,) florian & juliana are siblings and essentially act as co-protagonists. while juliana is the more talented battler of the two and ends up serving as the main protagonist of the victory road & starfall street storylines because of that, florian wants to become a pokémon professor so he focuses on helping out arven in the path of legends storyline while filling out the pokédex. the only reason why he's a competent trainer is so that he doesn't get completely bodied by wild pokémon in the midst of doing field research. and yes, knowing that probably ends up making kieran's complex about his own skills as a trainer even worse.
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nunalastor · 2 months
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all the overlords alastor toppled
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