Hi mairon! I love the self insert comfort you did it was so cute! Would you be able to make some more? Possibly diluc taking care of someone like the girl you did in the last one — maybe putting them to bed because I’m suffering w my insomnia right now 😅 if you can’t dw!
oh, to be tucked snugly into bed by Diluc Ragnvindr
Imagine being 9 years old and asking your dad about the things you're interested in doing when you grow up and he's like "No ❤️! But you can get married, have babies, and then maybe your sons can do those things ☺️🫶 "
Actually you know what I need to rant about this: while literati is technically a good girl x bad boy dynamic it is written so incredibly well and avoids so many pitfalls and stereotypes that it makes a good girl x bad boy hater like myself (I’m only half joking — I don’t think any trope is inherently good or bad but I tend to dislike most pairings with this dynamic) fall head over heels for their story and relationship.
So much of what makes the two of them work is the contrast between how others perceive them and how they truly are. Don't get me wrong, there are plenty of people who understand who Rory is as a person (Lorelai, Lane, Paris, Richard and Emily to a certain degree for starters), but she's constantly met with the expectation that she just does good and is supposed to make everyone proud 24/7. Stars Hollow as a group especially are big on this, as seen f. ex. through how Taylor takes Rory's one comment about an inappropriate DVD and twists the whole thing into a censorship crusade and makes Rory its poster-child even though she wants nothing to do with it and tells him so repeatedly. But instead of hearing Rory disagree with him (like he would Lorelai and Luke) he assumes that she actually agrees with him - and why shouldn't she when she's the perfect sunshine paragon of good who would never disagree with her elders? Also her grandparents treat her as incredibly fragile and childlike, like she must be too innocent to ever do anything wrong and so whenever she does something it has to be somebody else's fault (usually Lorelai, but occasionally Jess or whoever else was present). Time and time again Rory is treated like something innocent and naive and weak — but not by Jess. He sees her as a person.
And it obviously goes the other way too. Jess is treated like shit by pretty much everyone else. Either people hate him unprovoked or very much provoked (he did do a lot of pranks in his first few weeks and while I'm a Dean-hater I'm not blind to how much Jess picked fights with him), or they’ve simply given up on him. He tells Rory himself that every authority figure he had back in New York gave up on him too, from teachers to principals to his very own mother. But Rory doesn’t treat him like a lost cause, she treats him like the smart, brilliant and asshole-ish teen that he is. By having faith in him she also often holds him more accountable than others. Where f. ex. Lorelai or the other adults just roll their eyes, Rory physically drags Jess into doing his shifts at the diner. While others write him off, Rory chews Jess’ ear out for not helping Luke more and for willfully making enemies out of the Stars Hollow adults.
They don't put each other on pedestals or below each other. Jess doesn’t try to make a sinner out of Rory and she doesn’t try to make a saint out of him. There’s genuine respect between them. They expect each other to have integrity and treat others with kindness and honesty, and the rest is good old chemistry and common interests.
I particularly love how in so many of their scenes (especially pre-relationship) when they spend time alone they just get to be these goofy nerdy kids. They argue about controversial authors and dig through records shops and eat hot dogs and make fun of each other and try to make each other laugh. It’s not just sexual chemistry as it too often is in a dynamic like this (and often uncomfortably sexual when writing teenagers - looking at you Gossip Girl), and not just well written intellectual chemistry — they have platonic chemistry too. A hell of a lot of it actually.
While I don’t think ASP wrote them through a purely deconstructionist lens on the good girl x bad boy dynamic (if she did plan on writing the dynamic at all), there is something to be said about how where many around them treat them like stereotypes they treat each other like people. To so many people, Rory is a perfect small town princess, a little miss sunshine with booksmarts for days but too delicate and sweet for anything with grit and weight. To a lot of the same people and many more Jess is a pathetic brutish and maniacal lost cause, hell personified in a chainsmoking leather-wearing teenager. But to each other they are actual human beings. Kind and mean and flirtatious and scared and reckless and smart. Rory really thinks that with the right motivation and mindset Jess can be the kind who does (and at the end wrote) incredible things. Jess really believes that with a little more practice and support to step out of her comfort zone she can be the amazing journalist she wishes to be.
They don’t have this stupid «we’re so bad for each other but we can’t stay away» thing that too many trope users rely on and don’t even justify in the plot. Everyone else might think they’re not fit for each other, but they knew they were each other’s person from the very first day.
will never stop being funny to me that nmj near the end of his life was extremely paranoid and delusional, but he was correctly identifying jgy as a threat, but, like... for wrong reasons only. you'll see ppl going "nmj was right about jgy all along, it's sad no one listened to him😭" but no. jgy isn't inherently evil, nor is he a power-hungry monster. not everything he ever said or did was part of some conniving ploy. when given the opportunity, he generally does try to return kindnesses and help people! but - oh, yeah, no, he's totally gonna murder you dude. no, yeah, he's gonna be so sneaky about it that it'll take a decade for the truth to come out.
it's like making 2 mistakes on a math quiz that just so happen to cancel each other out and give you the correct answer.
I see talk from time to time about Meat Rosemary reunions about how tragic it would be to see Rosebot reject Kanaya after she spent all that time chasing after her blah blah blah but man you know what would get me? The two of them reuniting and Kanaya seeing a Rose who's nigh unrecognizable to her. Seeing a Rose with Dirk's hands buried so deep inside her mind she's more like him than herself, in a body that isn't her own (made by his hands), and not knowing what to do with that? Seeing Rose continuously push Kanaya away would be tragic, yes, but what about imagining how Kanaya grapples with the reality that the woman she's trying to save is barely even herself anymore? Wondering if, when all is said and done, she would even get her back... Or if Dirk's influence is already so deeply ingrained inside of her that he would keep on living through her? What is it like to love a woman so deeply you're ready to kill her father to save her, while fully understanding the ways this might hurt her? To love a woman so deeply you'll cross galaxies to return to her side, knowing fully well that she might push you away in the end? Things I chew on
I love the shapes you use to draw machete, or really any character!! The way you draw noses, ears, bodies, fur, it looks like of I were to reach my hand out I could actually feel it, the bumps in the skin the squish of the flesh the softness of the hair. Not to mention the colors you use are very pleasing to the eye. So lovely... keep up the phenomenal work!!!
Why does aziraphale tells crowley he forgives him??? I literally just finished it and its driving me insane
hello anon! hope you're doing okay after that ending!
that's a hell of a question. there are a few different answers, and i think a lot was going on in aziraphale's head at that particular moment, but this is what I took from it:
-this is a dance aziraphale and crowley have been doing for a long time.
there's some sort of moral conflict. aziraphale repeats heaven's party line. crowley asks a bunch of uncomfortable questions. aziraphale doubles down. crowley calls him an idiot. aziraphale forgives him. crowley storms away. pretty much half of their relationship is built on these kinds of destructive patterns at this point--of course they'd fall back into it during the worst fight they've ever had.
-aziraphale is angry.
he's heartbroken, and he doesn't understand why crowley has decided to abandon him in what should be (from his perspective) the happiest moment of their lives since the fall. he's lashing out, and intentionally hurting crowley in the same way he's been hurt. he's not stupid, no matter how much miscommunication is happening in this scene--telling someone "i forgive you" after they've kissed you is going to hurt, and he knows that.
this reading comes mostly from michael's performance. several people have noted that in the moments immediately after the kiss, aziraphale says "I l--" and then cuts himself off. then he goes on a Michael Sheen Face Journey TM and ends up angry, and that's when we get "I forgive you." whatever else is going on with aziraphale in this moment, he's pissed.
-forgiveness is what aziraphale does.
in aziraphale's very first (modern day) scene of the season, we learn that forgiveness is "one of his favorite things." he forgives maggie's rent, and he forgives gabriel enough to shelter him from heaven and hell while he's vulnerable. it's an instinct for aziraphale, for better or worse, whether it's because it's something he thinks he SHOULD do or something intrinsic to him as a person who desperately wants to do good. occasionally, it's even something he does for his own gain. (see: forgiving maggie was a kind action, but he himself admits that part of his motivation was that she always knows how to find his music.) it makes sense that he would fall back on forgiveness as a framework for understanding a mess of complicated and painful emotions. it makes him feel better, forgiving people, and he needs the comfort of that here.
-he means it.
he forgives crowley for saying no. he forgives crowley for breaking his heart. he forgives crowley for always asking 'damn fool' questions. he forgives crowley for kissing him at the worst possible time. he forgives crowley for falling. he forgives crowley for making him doubt. he forgives crowley for being kind, and clever, and ridiculous, and special, and someone he couldn't help but fall in love with, no matter how much it hurts them both.
and unfortunately, forgiveness is the one thing that will always make crowley walk away.
I love the duality of being a person. One half of me wants to shove a screwdriver into my eye socket and the other half is like but babe :( the world is beautiful:( and it really is.
Been thinking recently about a universe where Jordan did just join Team Dianite. Like it would be genuinely really interesting to see Jordan in a situation where he has other followers to fall back on and be with.
But also I keep thinking about a while after they've all settled into the new normal of Team Dianite just having a new member, Mianite appears and basically dumps a battered and annoyed Capsize on Tucker and Sonja. She's standoffish and refuses to join either team because she "already has a goddess" though she doesn't call herself champion.
But basically Capsize trying to figure out which of the four idiots (affectionate) she's with was meant to be Ianite's champion, while also trying to free Ianite herself since, as far as she knows, she's the last person who can do it.
nah its the whole "sport. it's quite the metaphor" in episode 2 and it's the whole "what if one of us is gay?" in episode 7 cutting to ted. it's ted in the frame when beard says "so there are probably more people in this room who are gay".
it's ted fumbling with his analogy but making air quotes when he reiterates that he "didn't care" about his friend being a broncos fan in a chief's county. it's the gradual zoom up on ted's face, the regret? longing? remorse? evident when he says he wished he could have eaten that seven layer dip with his friend at his friend's house.
(it's the pipeline of "ally who doesn't care" -> "ally who cares very much and relates with stories" -> "ally realizing they're also queer")