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ahgasegotarmy116 · 2 days

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The Art of Etiquette Part 9 | Jeon Jungkook

Summary: Your call with Jesse is dramatic on his part to say the least but looks like there's a new guy in town and he's got his sights set on you. Pairing: f!reader x Etiquette instructor Jungkook Word Count: 2.2k~ Warnings: Explicit and suggestive language but barely lmao a/n: Sorry this one is a little shorter guys but I figured this was a good stopping point so I hope you enjoy it 🥰 p.s. barely edited as always lol Start from the beginning

"Hello?" I say, my voice ridden with exhaustion since I was woken up out of a sound sleep from my phone ringing on full blast.

"Hello? That's all you have to say to me? Girl I've been texting you since last night and you never responded" Jesse scolds through the phone and when I look at my messages I have over 50 from him alone.

"I'm sorry Jess I was busy with Jungkook all day yesterday and I just ended up taking a shower and going to sleep. I guess I forgot to tell you how it went" I apologize, rubbing the sleep from my eye. "Tell me everything I don't care if you're all over the place I just need to live vicariously though you" he says, his excitement palpable even though the phone.

"Well we went to the modiste and found my dress an-" "No no I don't care about the boring stuff. Tell me about what happened between you and Jungkook. Did you guys share glances? Did he touch you? Did he hold your hand? You know the juicy stuff. Well, I guess as juicy as you could get with an etiquette teacher" he spouts off, trying to keep me on track.

"I thought you said you wanted to live vicariously through me? So I was taking you through my day step by step" I say, smiling at his impatience. "I meant the good stuff" he groans and I laugh at his playful frustration before having mercy on him and telling him everything.

"I found out that we like the same music and like similar foods and that he really is a nice guy. Under all of that commanding and strict nature he truly is a great guy" I admit, morning thoughts now full of him giving me a fuzzy feeling in my chest.

"You're falling for him aren't you?" Jesse asks, amused once he hears how I've changed my toon so quickly from one day to the next. "I wouldn't say I'm falling for him but there are some, stirrings" I say, confused and still half asleep, not being able to fully express my emotions properly.

"Stirrings?" Jesse laughs, knowing what I'm meaning to say without actually having to say it but still pushing me to say more "Yes stirrings and let's leave it at that for now" I say, sitting up and stretching before getting out of bed.

"Whatever you say" he sings leaving me rolling my eyes as walk to the bathroom and start to pull out the various things I need to get ready. "He also kinda sorta kissed me" I mumble and immediately pull my phone away from my ear, knowing how loud he's going to get about me hiding this from him for so long.

"HE KISSED YOU? LIKE FOR REAL THIS TIME?" he asks, repeating his reaction from last time but needing to clarify right away since things have been interesting between us to say the least.

"Well it wasn't full on but it was more than last time" I smirk, knowing that Jesse's way more excited about this than I am. "What's that supposed to mean" he asks quickly, dying to know since this is probably the most important piece of the puzzle he had been waiting for.

"Well I walked him out to his car after he dropped me off to say goodbye, and well he..." "Y/n I swear if you don't just spit it out I'm going to come over there and strangle it out of you" he growls and I laugh, always loving the feeling of torturing him.

"Alright alright. So when I walked him out he said goodnight to me but when he said it, he said it against my lips. Like he brushed his lips against mine and just left me there and drove off like nothing happened" I say and the silence on the other side of the phone worries me.

"Jesse?" I ask and then I hear what sounds like him punching his pillow or something. "Jesse are you alright?" I laugh and soon he takes in a deep breath and yell out "HOW DOES IT FEEL TO BE LIVING MY DREAM?!?!?!" and I bust out laughing while he scolds me on the other end of the phone.

"What are you doing?!?!?! You're literally wasting precious time that you could be using to let him fuck your brains out all because he just likes playing games with you. He wants you so bad so just go for it! If not for your own sake then for mine" he whines and I just continue to laugh, trying not to take him seriously because if I do I don't know if I'll be able to act like I don't want him too.

"When's the ball?" Jesse asks after I had been tuning him out for a second or two. "Next Saturday" I answer and he hums, thinking about if he can squeeze me in for something or other. "Why?" I ask, his silence peaking my interest.

"Well I wanted to see if you'd let me come and help you get ready for the ball? You know, hair, makeup, nails the whole nine yards" he says and I groan thinking about all of that stuff thrown together in one day.

"My guess is that my mom is gonna either have someone come over to get me ready or that she'll send me to some sort of shop. If you want you could come with? Maybe get a manicure to while we're at it?" I offer and I can just tell how excited he is about it already.

"Yes yes a thousand times yes! I swear every time I've asked you to do anything that is remotely girly you've always said no so there's no way I'm passing up on this one!" he says and I can't help but smile. "Well I'm glad that I'll have someone by my side to help me endure this torture" I groan and he brushes me off, my claims sounding absolutely ridiculous to him.

"Anyways I've gotta get ready for class so I'll see you then alright?" I say, checking the clock, thankfully seeing that I have more than enough time to do so. "Alright well hurry up so we can grab some coffee or something beforehand because I'm exhausted" I scoff at his words, since he was the one that woke me up two hours before my alarm was supposed to go off.

"Why the hell would you be tired? You're the one that woke me up!" and he scoffs right back at me. "I was getting impatient alright! And rightfully so! How could you not tell me he kissed you?" he whines and I know this is my cue to wrap up the call.

"He didn't kiss me alright. If he does you'll be the first to know, I promise. Unless someone sees of course" I say and he sighs dramatically, impatient with how slowly this whole thing is playing out.

"Yeah yeah whatever, I'll see you soon. Should I just grab you something and meet you at our table?" he asks and I hum before responding. "Please and thank you" I say, dragging out the last word and soon end the call.

Classes go off without a hitch with Jesse bugging me every other second about Jungkook so I guess it was a pretty normal day to say the least. "Tell me if anything happens at your lessons today alright? No more late updates! I'm honestly still mad at you" he groans before picking up his stuff to go.

"Yeah yeah whatever. See you later loser" I say, rolling my eyes and he rolls his right back at me even more dramatically. "Bye bitch" he says over his shoulder, giving me one last wave before walking to his last class while I make my way to mine.

Walking into class I'm greeted by the murmurings of almost all the girls in class all aimed at one guy in particular that I'd never seen before. Granted I don't really pay attention to anyone in this class besides the professor anyways but seeing that there's a big enough reaction, my interest can't help but be peaked.

As I make my way over to my usual spot in the lecture hall I begin to notice that he's sat right across the aisle from me.

I try to keep to myself and quietly go to my seat and pray he doesn't notice me because the last thing I need is a some guy trying to distract me in class.

Don't get me wrong I'm not saying that I don't like helping people but, no actually I guess I really don't like helping people now that I think about it. That's besides the point though. All I need to worry about is getting through this lecture and getting out of here so I can make it to my lessons on time with Jungkook.

As the professor finally makes his way into the classroom and starts to set up I hear someone trying to get my attention.

"Psst" I hear and know exactly who it is, making me cringe but deciding to acknowledge him nonetheless. I look up at him and realize why those girls had been whispering about him since he, putting it as plainly as I can, is a very attractive human being.

"What?" I respond and he grants me a smile that would make any other girl swoon, I however am not that girl.

"Do you have a pencil I could borrow?" he asks, giving me the lamest excuse in the book to get a girl's attention. I summon all the strength I have in my body to resist rolling my eyes and decide to just reach into my bag and grab him one, hoping to be done with this conversation as soon as possible so I can focus on the lecture.

I hand him the pencil and feel him purposefully brush his hand against mine and I pull my hand back, making him drop it and gaining the attention of the professor.

"Is there a problem Mr. Foster?" the professor says to the freeloader next to me. "No sir, no problem at all" he says smoothly, trying to charm is way out of the scolding. "See that there isn't" the professor says, raising an eyebrow at him while the boy apologizes making the lecture resume after that.

~~~~

"Hey" the guy calls out after me as I make my way out of the classroom. I stop and look at him, only planning on giving him seconds to say his piece before leaving, knowing that I'll get an earful from Jungkook if I'm late again. I raise a brow at him as he smiles down at me and doesn't make moves to say anything first.

"Can I help you?" I say, finally breaking the ice and wanting to get to the point. "Actually you already did. I just wanted to give you your pencil back" he says holding it out to me with a bright smile. "Keep it" I say and turn my back to go and unfortunately he follow after me.

"What's your name?" he asks after squeezing through the students in the halls so he can walk next to me. "None of your business" I grumble and try to walk faster but he follows all the same.

"That's a curious name" he chuckles, refusing to take the hint to the fact that I don't want to talk to him. "Can't you just leave me alone?" I question, stopping in my tracks, trying my hand at this method rather than just trying to outrun him which seems futile at this point based off of how long his legs are compared to mine.

"I just wanted to thank my savior since I would've fallen even further behind in class if I wasn't able to take any notes today" he says and I cross my arms, knowing for a fact that half the time he was just looking at me since I could feel his eyes on me every time he looked my way.

"The best way to thank me is to leave me alone. I've got things to do and I don't have time to waste on you Foster" I say, using his last name since that's all I know so far. "It's Daniel" he chuckles at my effort to push him off (figuratively of course, thankfully he has manners enough to maintain personal space).

"I prefer Foster" I say sarcastically and he laughs as if I've said the funniest thing in the world. "Foster it is then" he agrees and I groan, walking off to my car and luckily this time he doesn't follow me, watching me from where we had been standing until I'm out of his sight.

'Just when I thought my day was going well I've some how created a tail. Why me? Why not all the other girls in class that were obviously fawning all over him?' I shake my head and open my car door, slumping down into it and take a deep breath before putting on my seatbelt and putting my keys in the ignition.

Hopefully I'll be able to get rid of this sour mood by the time I see Jungkook because otherwise our lessons aren't gonna be the prettiest today and we don't have time for anything but pretty. Time is running out and I need to remain focused if I want to do this and do it right.

I want to leave a good impression on everyone for James' sake, but more than anything I want to make Jungkook proud of me...

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slugtranslation-hypmic · 3 days

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I Think Hypmic's Portrayal of Gender Roles is Kinda Refreshing: An Essay A.K.A. I'm Procrastinating on a Weekend Deadline :)

Hypmic's talking points on gender are hamfisted, corny, and melodramatic. "Maybe...we shouldn't have a wage gap," is not the hottest of takes. However, like most things in Hypmic, the writers have a lot more to say about gender and gender roles in the framing of the story itself that's much more nuanced. And honestly? It's kinda refreshing.

It's also something that went way over my head when I first became a Hypmic fan. Sure, I read manga and played Japanese video games--usually translated into English first--but I didn't have enough exposure to hundreds or thousands of pieces of untranslated Japanese media. I'm going to guess that most Hypmic fans don't either, which is totally fine and normal. We all exist within our respective cultural communities wherein we're bombarded with messages constantly telling us how to act, think, and speak. We tend to absorb these messages on subconscious levels and reflect them in the art we create and stories we tell, either by reinforcing them or challenging them. Thus, our stories don't exist in a vacuum, and divorcing stories from their cultural backgrounds can suggest the artist is the original thinker of a larger concept or hide their specific point of criticism. That is, if I wrote a story about a man who chooses to not catch fish, drink beer, and drive a Dodge Ram pick-up truck, we should be aware that I'm not the person who conceptualized the stereotype of dudes who catch fish, drink beer, and drive pick-ups. I wouldn't deserve the credit for dreaming up that exact image, and at the same time, it would be incorrect to read that as me targeting those three things randomly. The choice to not drive a Dodge Ram pick-up is not a commentary on Fiat Chrysler Automobiles. It's a stand-in for the notion of masculinity.

Thing is, we're hit with messages about masculinity, femininity, and other gender-related concepts on a daily basis. No matter where you live or what language you speak, every person on Earth is inundated with messages saying, "This is what you are, and consequently, this is how you should act." Our relation to these messages is complicated, and this complexity is compounded by different cultural communities preaching different messages in their stories, marketing, and human interactions. For instance, the US's massive global cultural influence means that those outside the US can still easily recognize what I mean by catching fish, drinking beer, and driving enormous American pick-up trucks. But the location and cultural differences may add or subtract nuances. A person living in, say, Munich is unlikely to have Dodge pick-ups advertised to them the way a person in rural Texas would. Our fictional Munich person does not feel the same social pressures to buy a Dodge and represent their masculinity with a Dodge the way our imaginary Texan would. In turn, the Munich person likely sees a Dodge with an element of absurdity--who the hell needs such a big truck in a European city?--and foreign Americanness. The Texan wouldn't have that concern--why worry about navigating your enormous truck down narrow streets when you live in the countryside?--and sees Americanness as their local default, thus removing any element of foreignness.

That is to say, gendered messages aimed at people (especially women) who live in Japan don't affect me the same way as they impact those who do live in Japan. Like, it's not my dog in the fight, and there are plenty of people who are directly affected who write their own stories and commentaries on gender roles in Japan. Japanese women don't need a random guy in the US to stand up and say, "Damn, your gender roles are fucked!" 1) They already know. 2) They're already saying it. So I come at this from an angle of someone who already has deep, primary frustration with the gendered messaging in my culture and secondary frustrations when similar messages appear in other cultures. I don't have a bone to pick with Japanese media in particular. Plain and simple, reading and working on hundreds of pieces of Japanese media is what I do for a living. It's in my face constantly, and as a result, I am also perpetually bombarded by messages about gender roles in Japanese media.

It's not a hot take to say that Japanese media, like the media of every single other culture around the globe, has a lot to say about gender. There's a lot of slotting people into boxes and telling people what to do. It's chafing, as we see all across history in art produced in reaction to gender roles. In the past couple of decades, global shifts in gender roles have caused media to shift the messages they're pushing, but it's not controversial to say that Japan has lagged behind other countries like the US.

Many, many stories push arbitrary notions of how to be a girl or how to be a boy that don't necessarily come from the author themselves. The authors probably aren't even fully conscious that they're making these choices. If an author writes a story about a library and makes every female character a romance fan and every male character an action fan, it's likely a reflection of endless messaging that says action is for boys, romance is for girls. In turn, this story becomes yet another reinforcing message. If no fictional girls like action, and no fictional boys like romance, it becomes alienating for real girls and boys who don't follow these same rules. These rules are everywhere and have so much to say about gender that it's hard to know where to begin. Girls must like cute things. Boys can't like sweet food. Women must not express sexual desire. Men can't be shy. On and on and on.

Which is why, when there's a relative lack of this in Hypmic, it's kind of a breath of fresh air.

Wrong Ways to Be a Man

Actually, Hypmic does have a few moments where characters claim there are certain things men or women should do, but the writing always frames these messages as incorrect.

Take Samatoki, for instance. After Kuukou and Sasara leave MCD, Samatoki tells Ichirou, "Men shouldn't cry when they lose their friends. Men should only cry when they lose a family member."

(TDD chapter 10)

This line usually appears via Ichirou's perspective. In the stage play, it's told during a song Ichirou narrates, and as shown above in panel 3, the manga frames the line from the angle at which Ichirou sees it. In such moments, the audience is meant to read this as a cool line from a strong mentor figure to Ichirou. That's how Ichirou sees it, and he's a seventeen-year-old with too much on his shoulders who idolizes Samatoki. He is incapable of seeing how much pain Samatoki struggles with.

However, when the manga focuses on more intimate moments of Samatoki's life, we see that Samatoki does struggle quite a lot.

(BB/MTC+ chapter 6)

This isn't a cool, attractive figure meant to be idolized. While Samatoki's cigarette usage and aggressiveness are often framed as sexy or enticing, the juxtaposition with dirty laundry, overflowing ashtrays, and empty bottles make him a sympathetic and struggling figure. Therefore, we should understand that his notion that men don't cry is flawed. It's a means to distract himself from emotions he doesn't want to feel.

Later, as Samatoki begins to process his emotions and open up to his teammates, the unhealthy coping mechanisms recede. Samatoki is more confident, mature, and happier as a result of being more emotionally vulnerable.

We see a similar transformation with Kuukou. As a teen, Kuukou is reluctant to accept help or truly let anyone in. In a conversation with Hitoya, he says (and I am still completely unable to take this seriously), "A man's got to wipe his own ass."

(DH/BAT chapter 4)

However, over the course of his character arc, Kuukou learns that he cannot exist as a good leader or individual without the teamwork of his newfound "family." Only rejecting this classical and toxic notion of masculinity brings Kuukou joy.

In fact, most of the first-line characters have very similar arcs. At the start of the story, Ichirou is insistent on doing everything himself. He has to learn to be able to rely on other people (Kuukou, Samatoki, Ichirou and Jirou) to be happier and unlock his true strength. See below, his final attack and Ability use in the 2nd DRB, which is only possible when his brothers figuratively and literally support him through it.

(BB/MTC+ chapter 25)

Sasara struggles with emotional honesty and trust in favor of using humor to gloss over discomfort. It takes multiple heart-to-hearts with Roshou before he can let humor take a backseat and say how he really feels. Ramuda has difficulty trusting other people and being honest with his emotions when faced with stressful scenarios. Only through Fling Posse is he able to open up and ask for help instead of driving people away when the problems are too big for him to face alone. Jakurai struggles to connect with other people, work through and acknowledge his complicated feelings, and not place himself on a pedestal. Through Matenrou, Jakurai is able to ask for help, be more open, and ultimately be less hard on himself.

The second- and third-line characters follow similar arcs, and this repetition creates a core message for Hypmic: Trust and rely other people. Be open with your feelings. There's a wrong way to be a man, and that's to hurt yourself and other people.

Right Ways to Be a Man...Are Infinite!

But with that being said, there is a surprising lack of commentary on how else to be a man. Hypmic as a whole doesn't do much to constrain the male characters in terms of gender roles.

Sure, some characters do fit into more traditionally masculine roles--Ichirou, Samatoki, Riou, etc. The messaging makes it clear that it isn't wrong to play into masculinity provided it doesn't become toxic. (See above.)

Even then, however, these especially masculine characters are associated with less masculine traits that are either portrayed positively or not portrayed as a joke. Riou is an avid cook, but the joke is never that he wears an apron and knows his way around an outdoor kitchen (tee-hee, men don't cook!). It's that he cooks with horrifying ingredients. Samatoki is a fashionista, but the joke is framed as a counterpart to Ichirou's nerdiness.

(DoD chapter 1)

Here, it's funny that neither of them can shut up (the ペラペラ/blah blah SFX, the long bubbles filled with lots of text that's cut to indicate they kept going for longer), but the object of their attention--a model toy and a pair of jeans--are treated in the same neutral light. It's very common for stories to touch on, even defensively, the social taboo of men being into clothes. Hypmic doesn't even acknowledge that such a taboo could exist.

This is subtle but extraordinarily effective in giving characters the same consideration and weight. The more feminine characters are always treated just as sincerely (or, if there's a joke to be made, irreverently) as the more masculine characters. Take Ramuda, for instance. In Japanese media, a love of sweets is often characterized as feminine and will often be remarked upon, even in LGBT+ media, as atypical for men. Again, there's zero acknowledgement of such a thing in Hypmic. Whenever other characters talk about Ramuda's food intake, it's always framed as a concern about the lack of nutrition.

(FP/M chapter 11... I don't have the source lying around on my computer, so here's the old-ass scanlation lol)

It's also given the exact same weight as anyone else's junk food habits. Here, MCD goes out for burgers (a neutral to masculine-coded food due to the meat and high calorie count) while Ramuda opts to try a sugary Starbucks-esque drink. The parallelism in the comic's framing suggests that the two objects are functionally the same, and there is no comment that a sugary drink is feminine and therefore "inappropriate" for Ramuda. There's also no indication that MCD's preferences are in any way better. They simply happen to be the characters' personal preferences. The punchline is two groups splitting up, only to awkwardly run into each other again moments later.

(DoD volume 4 bonus comic)

Similarly, Ramuda's interest in clothes or fashion is never treated negatively--in fact, the discussions of clothes as a means to find identity and happiness make it a positive!

In ARB cards and promotional materials, Ramuda sometimes wears dresses. It's, again, portrayed in parallel to other characters wearing more masculine clothes and is never commented on as something "unusual." It's just who Ramuda is.

Hifumi is another interesting case. Like Ramuda, his playful personality often doesn't as stereotypically masculine. (To be clear, I read much of this as "gender neutral with a strong emphasis on youth" versus "feminine" in a way that I'm not sure has a good US equivalent...metrosexual/yuppie men's fashion, maybe? In the sense that it's a youth subculture that defies some masculine gender roles but is still focused mainly on men. I wish I was more well-versed in Japanese men's fashion and could give an exact term, but I'm what I'm thinking of is definitely an established thing--young, trendy dudes whose styles focus on poppiness vs. the rugged manly man or "idk, I'm just some guy" subcultures. It's a thing that pisses off old Japanese conservative men in the same fashion as people getting up in arms about "the gayz!!!1!" and their androgynous clothing lol.) Their personalities are often the butt of jokes, but only in the same way that Dice or Doppo are--that is, that they're exaggerated and over the top. There's no commentary on masculinity or lack thereof.

There are also moments when Hifumi, Gentarou, or other characters play feminine characters in roleplay moments, which is usually (but not always) not the sole joke. The audience is supposed to find it funny, but the humor is almost always centered on the absurdity of the scene as a whole. For instance, in a moment where Hifumi and Doppo are pretending to be two drunk karaoke-goers, the humor comes from the composite set-up of Hifumi's hair twirl, Doppo's untucked shirt and tie, Doppo and Hifumi's exaggeratedly flirtatious poses, the spotlights and sparkles, and the same font as used on classic karaoke machines.

(FP/M+ September 2022 oneshot)

Hifumi and Doppo do not perform traditional gender roles in their homelife, and while it's easy to see and often commented on in the English-speaking fanbase when it comes to Hifumi, I find it just as prevalent on Doppo. It's true that Hifumi is taking a feminine role by doing the majority of the household's cooking and cleaning, but if we were to assume Doppo has the masculine role in the household, he would have the breadwinner duty. However, he isn't the main source of income for their household, and he's just as unassertive in finding a (female) romantic partner as Hifumi is. Japanese men are bombarded with media messages stressing the importance of taking an active role in career and romance. That Doppo does not would, in many stories, make him the butt of a joke for not living up to masculine gender roles. But he isn't; instead, Hypmic portrays him as a sympathetic character. It's tough, Hypmic says, for people to get good jobs and maintain friendships/relationships as an adult.

Similarly, it's noteworthy that Hifumi's self-appointed term "Gigolo" is consistently portrayed as a good thing in Hypmic. The meaning of the English term aside, the Japanese word ジゴロ (jigoro) is almost always used as an insult for a man who is financially dependent on one or multiple women. In the strictest sense of the term, Hifumi is a jigoro in that his income derives from his female clients. However, there is never any shame associated with that, and as a whole, Hifumi's career as a host is shown to be a positive thing. I can't express enough how rare that is in any sort of semi-serious media. Certainly, Hypmic acknowledges that his job requires too much drinking (Doppo's verse in Hoodstar), but the overall portrayal is overwhelmingly positive. Hifumi and his coworkers are never treated as uneducated, boorish, or pathetic for "failing" to find other work that does not require flirting with and entertaining women. (This is partially due to the overlapping judgment with sex work.)

All the various harmless preferences and personality traits of the male characters are treated equally with no judgement over what's masculine or non-masculine. Within the broader context of Japanese media, this absence of judgment stands out and reinforces one of Hypmic's core themes: Differences make us better, not worse. In the end, Hypmic suggests, there's no one right way to be a man.

Right Ways to Be a Woman...Are Just as Infinite!

But what about women? This series is, after all, marketed mainly towards women, and while female audience members can no doubt extrapolate the lessons learned from the male characters, it's worth taking a look at the female characters too.

The female characters do receive much less screen time than the men and are not the focus in the series; I'd argue that's less an issue of overt sexism and more that they fall out of focus in the story the writers want to tell. (There's a broader discussion to be had about inherent sexism in the writers' focus which goes hand-in-hand with rap industries across the globe favoring men and rap being an example of exaggerated masculinity, but that's a topic for another day.)

Even so, the framing of the female characters is interesting in a couple key respects. The individual character arcs and motivations of the main female characters are, in my opinion, some of the weakest parts of Hypmic--many times, Otome and Ichijiku do things because the plot demands them to, making them look incompetent or needlessly cruel for characters we're supposed to sympathize with. Nemu's story seems to be handled with more care and takes an interesting twist, wherein she openly acknowledges that she's disenfranchised as a woman in modern Japan but rejects the notion that she needs to find strength on either Ichirou or Samatoki's (male) terms. By choosing to be strong in "her own way" (whatever that means...it's not well-defined), the authors are using Nemu to reject the notion that strength and power are inherently masculine.

What I find to be far more interesting is the character design for the Chuuouku women, both in what is said and what is not said.

To begin with, the characters and their portrayals run the gambit from highly sexualized to completely non-sexual. Some characters (especially Ichijku and Honobono) have conventionally attractive, curvy body types and are often drawn in ways that highlight their bodies.

(FP/M+ chapter 4)

(FP/M+ chapter 14)

In some cases, especially Honobono's, the enticing nature of the illustrations is framed as the character's choice; in the above, her words indicate that she wants to seduce the off-screen listeners. The images included above are largely representative of these characters' raps, regardless of illustrator.

But on the flip side, other characters with large breasts or hips are never drawn in a sexual fashion. By way of comparison, here are two shots of Nemu rapping.

(BB/MTC+ chapter 12)

Even in shots with dynamic poses, no attention is drawn to Nemu's figure in any sort of provocative sense. Nemu touches her chest, drawing the reader's eye there, but the artist does not emphasize the size of her chest--they're allowing a chest touch to be no more than an emphasis of the self. At the same time, Nemu's body isn't downplayed. We can see in panel 2 on page 2 that Nemu has a small waist and wider hips, but once again, she isn't being sexualized. The action lines draw the reader's eye to Samatoki and thus put the action first and foremost. This creates the idea that not only can characters portray themselves sexually, but they can just as easily choose not to.

We see similar with Otome, who does not wear any sort of revealing clothing and is never shown in a sexual fashion. However, Hypmic doesn't equate revealing clothing to sexual portrayals either! While I wouldn't call Tsumabira's outfit revealing, she does have more visible cleavage than most Chuuouku figures. However, her bare chest is never sexualized like Ichijiku's.

(BB/MTC+ chapter 4)

Compare the non-emphasis on the chest and the power stance to any of the many shots of Ichijuku where her breasts are front and center in the camera. Speaking of power stance, Tsumabira remains confident in her power stance without being sexy--that is, no stepping on the camera and showing her whole leg.

Which isn't to say that Tsumabira is a sexless character. She's drawn visibly turned on by the male characters in such a way that is cartoonish but not, in turn, overly sexual. Were this supposed to be titillating to the reader, I would have expected to see a larger close-up on her face and tongue. However, the artist (who is no stranger to focusing on tongues!) devotes the majority of the panel to Tsumabira's body language (which, again, doesn't absurdly exaggerate any of her proportions or focus on her chest) and covers part of the mouth with text bubbles. Tsumabira is drawn as engaging in sexual behavior without being sexualized for reader entertainment.

(FP/M+ chapter 4)

The juxtaposition of such different views with little to no judgement attached to any of them suggests that it's perfectly okay to want to be sexy or not, to wear revealing clothing or not, to be involved in sexual situations without being the object of sexual interest, or to simply exist with an attractive body type without sex ever coming into the equation. Just as some characters choose to tie bodies to sexiness, some don't whatsoever--and either is perfectly fine!

The former idea ("I can choose to be sexy") may not sound especially revolutionary to US audiences, where sexuality is thrust upon women willingly or otherwise, but I find it fascinating because it lets the main characters embrace this idea without associated slut shaming. So much of Japanese media insists that women should be sexy but are also wrong for wanting to indulge in their own sexuality. Therefore, having characters who run virtually every iteration of take on the topic (I want to engage in sexuality and be sexualized, I want to engage in sexuality without being sexualized, I don't want to engage in either) with multiple body types (ie, Tsumabira isn't automatically not sexualized because she has a smaller chest; Nemu isn't automatically sexualized because she has a bigger chest) and no judgement involved feels like another breath of fresh air to me.

As a whole, I find the diversity of the Chuuouku uniforms and character appearances quite interesting. They're undeniably all feminine and relatively militaristic, but different characters wear entirely different wardrobes. Skirts vs pants, blouses vs dresses, high heels vs boots... Since every character has her own take on the common theme, it once again feeds into the idea that each character is her own individual and perfectly valid for defining femininity in her own way.

Haircuts, too, range from longer and more feminine hairstyles to pixie cut-esque looks.

(BB/MTC+ chapter 16)

Again, nothing of the framing suggests this short-haired woman is in any way different from her longer-haired counterparts on the edges of this screenshot.

Finally, while most Chuuouku women are conventionally attractive, I find it extremely compelling that Haebaru is a stereotype of an unattractive Japanese woman. To be extremely clear, I do not think these stereotypes should have weight, but the combination of chubby and/or muscular build, freckles, rounded nose, and non-glossy hair is often used as a visual shorthand for unattractive or otherwise undesirable women.

Sure, it's not fantastic that Haebaru is a scheming, two-bit villain. However, so is virtually every other female character in the series, and in particular, Haebaru is (the conventionally attractive) Tsumabira's counterpart. Both are treated with the same respect or lack thereof, suggesting that one's appearance has nothing to do with your ability to be a no-good baddie. Ha ha ha.

It would be lovely if the female characters were fleshed out further and given intelligent choices and diversity outside of the realms of physical appearance. However, I do think the writers' choices are limited by virtue of all women automatically being antagonistic side characters (which, again, is another discussion altogether). What the writers can and have accomplished is further reinforcing a celebration of differences. Just as there's no one right way to be a man, there's an infinite number of ways to be a scheming snake of a woman HAHA.

Intersection with LGBT+ Topics

Unfortunately, this is a very binary look at gender and gender roles, which, while largely representative of the current state of Japanese media, can be disappointing.

Hypmic appears to want to steer shy of LGBT+ topics as a whole, which is a bit of a shame. In a story so focused on gender and acceptance of diversity, it seems the natural next step to explore the notion of those who experiences don't align with a strict gender binary. Such stories are growing in popularity in Japanese media but have yet to be anywhere near the mainstream acceptance in US media (which is still in a fledgling stage at best). I would imagine Hypmic's writers are unable or unwilling to take a definite stance on these topics in the work due to fears of financial or career backlash. If nothing else, the sexuality of the main characters needs to remain in a limbo in order to have plausible deniability for both self-shipping and shipping with other characters. (Some deniability may be more plausible than others.)

The few instances in which Hypmic does wander into this territory are usually clumsy. I am no fan of the handful of scenes where male/male attraction is supposed to be funny purely by virtue of being male/male.

The inclusion of Urumi, the one minor character explicitly LGBT+, is not stellar either. I am hesitant to apply any definite label to her, as the real-life people her stereotype portrays self-identify as everything from trans women to cis men--or refuse to use these English labels at all! Still, we know from her profession (proprietor of a bar heavily implied to be a gay bar by the neighborhood it's in), appearance (poofy permed hair, exaggerated make-up), and demeanor (feminine speech style, a bit flirtatious) that she's AMAB and choosing to present herself in a feminine fashion. By writing Jirou to ask, "Aren't you a man?" in an exasperated fashion, the writers have put her gender presentation in a boke role--suggesting she's over-the-top, exaggerated, comedic. It's not great. I completely understand why readers find it offensive (and it is) even while I don't think the writers intended it that way. Ultimately, it would have been great to see other explicitly LGBT+ characters portrayed without the joking angle.

With that said, I'm not entirely unhappy with her character. She is a stereotype, but the authors have chosen to take only the visual elements of the stereotype and leave the rest on the cutting room floor. In other works of fiction, characters like Urumi are often hypersexual to the point of being in-universe creepy, especially towards underage boys. Other times, characters like her may be eccentric or off-putting in other ways. However, that's not at all the case here. Urumi seems to play a helpful big sister/aunt role in Jirou's life, and he's clearly comfortable enough with her to spend the night at her bar.

(BB/MTC+ chapter 17. "Sorry, but can I shack up here again tonight?" "Of course you can.")

While she seems to engage in some sort of a bohemian lifestyle, as evidenced by the alcohol and smoking, it isn't anything outside of what many of the other characters do. Additionally, while she isn't drawn in a flattering fashion in scenes where she's playing up her persona (which is par for the course with any character in this series, regardless of gender), there are plenty of neutral shots of her being serious. Finally, the art is never outright rude--that is, she isn't drawn exaggeratedly masculine or flamboyantly...snakey? I don't know how to describe this to anyone who's lucky enough to have never seen this--clearly LGBT+ AMAB characters drawn with noodly limbs and huge, overblown lips winding around male characters.

Maybe because I see so much worse continuing to be produced in this day and age, I feel like Hypmic could have done a much, much worse job with this character. She overall plays a positive role and is treated with much the same care as other side characters. It's unfortunate, then, that the writers have chosen to make her gender presentation the subject of a joke.

In other frustrations, I heavily dislike the unnecessary gender divide in background characters. All punks and other background baddies are male, whereas all adoring fans are female. (But Rhyme Anima has done an interesting job of subverting this!) The vast majority of other background figures fall into strict gender roles, which is likewise disappointing. It appears that diversity may be an accepted trait for none but a lucky few that form the main Hypmic cast.

All in all, I don't think Hypmic's portrayal of gender roles is groundbreaking, nor do I think it's fair to suggest that all Japanese pop culture plays into strict gender roles. There are certainly many Japanese works, popular or otherwise, with much more interesting things to say about gender. However, when compared to the vast majority of the titles that cross my desk on a regular basis, I notice and appreciate the level of care put in to Hypmic's commentary on gender roles. The work consistently reinforces the notion that it's okay to be your own individual, no matter how that plays into your gender, and I find that freeing. That's a message we could all do to hear more often, regardless of culture and language.

TL;DR: Oh no, my rapidly approaching deadline. :)

#not a translation #analysis asks

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moonstruckme · 2 days

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I had an art show tonight and no one showed up(strangers did, but my friends and fam didn't. They were all too busy i guess). If it's okay with you could I get some comfort from Robin? I need my beautiful girlfriend to hug me 😔😪🤧

I'm really sorry it went down like that sweetheart, I hope the show was good overall and you feel more supported if you do it again! Thanks for requesting <3

Robin Buckley x fem!reader ♡ 473 words

“I think it went well, right?” Robin sits atop the one table you haven’t folded up yet, eating mini brownies right out of the tray. “I mean, plenty of people came, and that one lady said she’ll come to your next one, too. You gave tons of people your info.”

“Yeah.” You try to sound upbeat, packing away the last of your pieces and joining her on the table. “You’re right, it wasn’t bad.”

Your girlfriend turns her head to look at you, mouth puckering. “Okay, you say that, but you’re still looking all mopey.”

“Sorry,” you sigh. “I just wish they’d come.”

The bridge of her nose wrinkles, pretty eyes squinting distastefully. “Whatever. More brownie bites for us,” she says, popping another one in her mouth.

You try to laugh, but it’s not very convincing. Robin’s expression creases further.

“Sorry,” she says around the brownie. Swallows. “Sorry, it’s just, it’s shitty. It is.” She hops down from the table, standing between your knees. Her ringed hands travel up the outsides of your thighs. “You were amazing today. Like, seriously. You were so good at talking to people, and everyone wanted to hear about your art, and they should, because it’s the fucking coolest, you know?” She looks into your face, seemingly to make sure you do know, and she doesn’t push you when you look away.

“It really sucks that they didn’t get to see it,” she says, so earnestly disappointed it makes the ache of your own heart worsen.

You twine your arms loosely around her neck, and Robin doesn’t need more urging to hug you, pushing in between your legs as her hands slide up around your lower back. You’re just taller than her like this, her face pushing into your shoulder while your cheek squishes against her hair. She holds you tight around your middle, fingers clutching at your shirt like you’ll disappear if she’s not careful.

“We should stop going to any of their things,” she mumbles, turning her face into your neck so the words vibrate against your skin. “There are too many birthdays in a year anyway.”

You laugh, for real this time. “No, I don’t think I’m that mad.”

“This is the problem,” Robin sighs, though she sounds happier than before. “You’re too nice.”

“Like you would do any different if you were me.”

She makes a cute disgruntled sound, hugging you tighter. Something in your chest lightens. “It’s different when it’s you. I have more of a thirst for vengeance.”

“Sorry.” You turn your face into the crown of her head, lips curving. “I hate to leave you unquenched.”

Robin’s quiet for a second, thoughtful. “Can I at least make pointed comments about how cool your show was the next time we see them?”

“I mean, if you really want to.”

“Oh, I do.”

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beautifulpersonpeach · 1 day

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Not gonna lie, this whole thing really sucks. I think I wrote a message awhile back about the very cool feminist angle of the Plus Global Auditions Invitation video, I'm an SNL Army and was new to watching kpop very closely and was so sold by that video. I thought - 'this company is really different.' Going public with a company f*cks a lot of things up, it happens all so often, and often it's the people and the ethos that gets messed up the most. It's frustrating to see this devolution. Because I was really excited by what MHJ was being given space to do at BH/Hybe. Though, as a fellow art school student, I am shaking my head and serious side-eyes at how she says things like 'I'm an artist, I don't know how to read contracts' (obviously I'm paraphrasing) - it's clear Hybe knows she's got the goods but she's not playing by their game anymore. The response and flood of crazy comments and hate at BTS is frustrating but expected, but just such a waste of time all the same. I've also never thought BH and then Hybe were super super smart and long-gaming everything (don't come for me Bangtan U fans) I think they were lucky and scrappy and skillful and making cool things happen moment to moment. Later on they got better at the strategic planning, sure. I don't know. They may need a good kick in the pants to remember that's what makes them great at what they do. But still, I hate the idea of MHJ being cooked even if she seems like a real pain in the tush to work with. Because technically, she's what got me to really buy-in to what BTS & BH were doing in the first place.

***

Yeah, it's a shitty situation.

To be fair, I think at the start, Bang PD was trying to do something different and 'forward-thinking' with HYBE. He sought out good talent going by the hires he did in 2019/2020, managing to onboard creatives like Min Heejin and Zico. Zico already incorporated his company to manage himself before Bang PD approached him, which is probably why he owns ~24.5% of KOZ - his sub-label in HYBE.

But with Min Heejin...

She had partnered with 250 - a popular DJ in Korea and NewJeans' main producer, since she left SM in 2018. He runs BANA (a creative collective) but she'd wanted her own label since the start.

Bang PD knew this, and wanted her for HYBE, so it's likely he made all sorts of promises to get her on board without awarding her a single share. Almost as soon as key creative decisions had to be made post-Global Plus audition, they both clashed, but HYBE as a company was less than 1 year old and it appears Bang PD and MHJ still had good relations... which was kinda easy since he still needed her creative output and wanted to see what she could do. So they let her make her own label: ADOR, and keep NewJeans even though according to Min Heejin, HYBE executives and Bang PD thought her concept and style of music for them would be impossible to sell to k-pop stans.

They expected NewJeans to fail or flounder. Instead, by 2023 NewJeans had become one of the top 5 most valuable k-pop IPs in Korea. If my guess is right, by that point she had no shares in ADOR, no agreement with HYBE's indefinite non-compete clause. She could walk anytime and I'm sure a lot of people wanted her.

Then HYBE approached Min Heejin with the shareholder contract to give her 20% of the company. It's a classic 'carrot and stick'. The carrot was easy to see. Apparently offered her the shares at a very low price, apparently Bang PD even lent her the money to buy it, for a valuation that HYBE considered more than generous, he was in her KakaoTalk chats buttering her up with those godawful emojis lmaooo. He was selling that shit hard. The stick in the contract was the poison pill which essentially tied her to HYBE for as long as they want her.

Perhaps she was aware of the pill and signed any way because at that point they still had good relations with Bang PD and HYBE in general. But according to her, Bang PD kept wanting more control over NewJeans the more successful the group became. Realizing she had to do something about the poison pill, she sought to negotiate, and as is typical in these sort of situations, you fight greed with more greed.

Asking to bump up the multiple on the options from 13x to 30x is frankly ridiculous. For a male CEO I can see it being considered... maybe, but for a woman? In Korea?

I'm sure when the other suits at HYBE heard that's what she was asking, at least one of them almost had a stroke. The logic is simple though: start crazy high and end.. just high. If HYBE was looking to exert more control over NewJeans (for example, every sub-label and group in HYBE changed to using 'bio-paper and ink' for their albums starting in 2023, to help HYBE meet their ESG targets. The only company that's not made the switch yet, is ADOR. Given how carefully MHJ controls branding and album design for NewJeans, I can see this minute detail being a massive thorn lol)... anyway, if HYBE was indeed looking to gain more control, the fact that they'd have to pay 30x if MHJ exercised her options on a whim, would serve as a very strong deterrent.

Given what I understand Korean corporate culture to be like, I doubt she had any friends in upper management to start, but with a demand like that, practically all of them would turn enemies in a heartbeat. It's the sheer audacity lmao. My guess is she would've eventually negotiated down, at least once she was assured real creative independence from Bang PD. But at some point, rather, quite predictably given this is corporate Korea, the need for control and the egos involved decided she had to be cut loose now and perhaps taught to not bite the hand that feeds her.

It's not a sentiment limited to the suits at HYBE. It's followed her since SM and the general public would hate it too, which is one reason I think it's only a matter of time before the narrative switches again to HYBE's favour. I promise you, most regular men in Korea would go red in the face, eyes bulging out their heads, drool and spit shooting out like projectiles, at the thought she would dare to demand such a thing. And in a way they'd be right. It's an insane amount of money for female creative in Korea, but I think given everything else, it also seems like a gamble she was taking as a means to an end. A simple negotiating tactic, given what she keeps highlighting as her main goal - unimpeded and full creative and managerial control.

Bang PD wants to build a 'forward-thinking' company comparable to Western conglomerate juggernauts like SONY and Warner Music, but I don't think these Korean men have the chops to do it right, just yet. I've had that impression of Bang PD for a few years now. He's been getting results, but they are inconsistent and he's got the biggest 'surety' in a sense with BTS, so he's been fine, and will continue to be fine for a few more years at least. But if they are messing up this spectacularly with their first female executive and one of their most valuable IPs, over... an options price negotiation?

And they want to pretend to be better than any other corp in Korea?

Lol.

Anyhoo.

I sympathize a bit with how you feel, but as a Korean woman, I guess I'm numb to it. There's a reason I've never chosen to work in that country, there's a reason why the birth rate is nearing the negatives. It's really unfortunate, and I'm sorry you're seeing a prior expectation you had getting blown up this way. And this latest hatefest on BTS has been quite ugly and isn't near done yet. This whole situation is gross, and even more so when the motivations behind it are so... banal and backwards.

But these are undercurrents that are too simple and boring for the average stan. Burning the witch who is responsible for masterminding the demise of a virtuous group is far more exciting. And so that's how the story will go.

I just hope that by some miracle, NewJeans turns out okay and manages to thrive after this. Because in all of this mess, they will deal with the implications the most and for the longest time.

#newjeans #ador #min heejin #bang pd #hybe #kpop

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omentranslates · 1 day

Text

Trigun Maximum Chugai Grace Cafe Collaboration - I Translated the Website :3

Hi I saw someone on twt wanting this to be translated and that's literally all it takes to get me moving anymore so!

Anyways I translated all the food and drinks, I found the references they chose really cute except for the evil one lmao and I also included the unbelievably small print drink ingredients if you wanna try mixing them yourself!! 🫶

Also also, if you know how to use a proxy, there is actually some stuff here that overseas fans can get our hands on!! Under the cut to keep the dash clean!! Hope it helps!!!!!

Edit my dumbass forgot the original announcement link sjshsk IT’S HERE!!!

So, the menu

Going from left to right we've got

"Battle Sausage Spaghetti"

"As Many Salmon Sandwiches You Want"

"Love&Peace Donuts"

"Banana Sundae"

and on the bottom row

"The Perfect Meal Plate: Vash's Handmade Fried Rice and Salad" ((´༎ຶོω༎ຶོ`) o k )

"Particularly Wonderful Udon"

"Mille-feuille with Ceylon Tea" (i believe the first part specifies gateau mille-feuille but I went to episode one and checked the subs for what they had her say officially and they left the gateau off so I did too)

"Latte with a random character art"

Character Drinks!!!

The Bride Soda, which comes with a double-sided postcard of the sworn friends (very common nickname for Vash and Wolfwood in JP fandom and ig official uses it too)

So the soda is their proprietary thing, it doesn't say what flavor it is or if it has one, but the shotglasses come with a little bit of smoked oak syrup and black ceylon tea and you're meant to fill the rest of the glass with soda and drink it that way. And then the rest of the text is just information and disclaimers for customers that plan on taking the bottle home (I guess it breaks really easily that’s So. lmao).

Vash's Drink <3

strawberry syrup

carbonated water and lemon juice

yellow candied cherries (drained cherries) and ice

Wolfwood's Drink

crushed coffee jelly and cafe ice (ice made and flavored with concentrated coffee and fruit juice)

brewed iced coffee and gum syrup

blue curaçao syrup and carbonated water

experimental ampules filled with blue soda

the cigarette is full of light brown sugar you're meant to mix in before drinking

Knives's Drink

apple juice and round sliced apples

mint and ice (it looks like mint leaves but full disclosure they have blurred that kanji to all hell I have no idea)

Legato's Drink

blue curaçao syrup

grapefruit juice

carbonated water and a mint cherry

a lemon and ice

Collab Merch

(Overseas pay attention here!!!!!! ChugaiOnline is opening these to online orders so we can get them with a proxy, I'll leave their link at the end of this section!!!!!!)

I've also listed all the prices in yen here so you can convert them to your currency, and all of these are the prices including the listed Japanese sales tax. If you want to see the price without it, it’s just the other number on the image!

So they've got

Two way acrylic figure stands (the main stand comes with a ball chain, you can reference these on Amiami for what this kind of product looks like I'm prettyyyyy sure like they're called different but it looks like they go together the same way). Anyways this is a set of 6 and 1650 yen each, it looks like you get to choose which one you want but they don't have a deal listed for getting all of them.

Next to it are the buttons (also called can badges idk which one is more common over here), set of 12 (6 are regular and 6 are glittery variety). They are 550 yen per button AT RANDOM, THEY WILL GIVE YOU A RANDOM ONE, or a box with one of each all 12 for 6600 yen.

Below that is the polaroid collection, it's also a 12 piece set and you can get A RANDOM ONE, THEY DO NOT LET YOU PICK for 330 yen each or a box with all of them for 3960 yen.

The same exact deal with the plastic (like a vinyl material) postcards underneath, they're double-sided and come one for 660 yen each at random or the whole set for 7920 yen.

The calendar is for 2025 and is 1980 yen probably obvious but y'know

I would be so shocked if a proxy actually let you ship the Kuroneko sama cookie discs lmao but hey wtf they're 1080 yen.

The Bride soda is listed here because this is the same merch that will be sold in the shop but they specify elsewhere that it's not available for online order even in Japan you have to go to the cafe ;-;

Also this is just personal experience but a lot of proxies will not let you get like blind or random stuff like the buttons they don't let you pick which one, some of them will only let you get it if you're getting the whole box.

Annnnnnd online order special gifts!!

For every 3000 yen spent in merch (including tax) you will get a random postcard from this set!! There are 15 to collect, they are NOT divided into halves of the event, you can get any of them at any time or all at once!! However, you can't combine orders made at different times/by different people to get more and if they run out that's it. Altho fwiw I have never seen an event run out of these lol

The online order period will be from Friday, May 24th at 11 am to Sunday, June 16th at 11:59 pm (both JST) and items will begin to arrive (within Japan, proxies will have to handle our own shipping ofc) from August 2024 on a first ordered first shipped basis.

CHUGAIONLINE STORE (JAPAN)

Ok, this last bit is relevant to the in-person cafe experience so it's just for if you're curious about other cool things going on or you have a hobby of watching JP mercari like a hawk and wanna know what to expect!

Guests who reserve places at the cafe online will get copies of some of Nightow sensei's most prized sketch pages, they'll get 3 random ones! Like with the special gift postcards, there are a limited amount and this event will end when they're all gone.

And these are the coasters, guests will get one with every item they order off the food or drink menu at random (while supplies last)! The variety you can get is split between the former and latter halves of the event so there's something new to come back for even if you've already been once! (The first 12 days is on top and the last 12 days is on bottom)

They're also doing a wallscroll campaign!

They'll have these decorating the venue, and when the event is over a raffle will be held where the winners get to pick out a scroll of their choice!

OK I THINK THAT'S EVERYTHING RELEVANT HAPPY TRIGUN MANGA CAFE EVENT!!!!!

#trigun #trigun maximum #english translation #chugai has honestly been so fucking good to us yknow theyre the ones responsible for the mochi plushies and nendroids too??#yeah i genuinely hope you guys use this as a guide to make them make a billion dollars this is now a mutually beneficial trigun relationshi #i hope that person on twitter finds this anyways sdflkj #leaving in the tags but yall know this is a very small blog so. its not in my requests but if any of you ever need help finding something o #or help with a proxy genuinely just hmu i gotchu #ok goodnight

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remidyal · 9 hours

Text

Open Questions as we head into a massive lore drop tomorrow with the new episode, along with my best guesses as to the answers. Warning: Long post.

1) Who did Kalina have the spy's tongue curse with?

The most popular (and most likely, in my opinion) theory here is that it's Jace and/or Porter, who Ragh saw the night of Prompocolypse. The players at the table seem to think it's connected directly to Bakur and/or Lydia; however, Kalina DID say the name Lydia Barkrock during Spring Break to Riz.

There's some slight weirdness in the timeline around Aelwyn helping with the Spy's Tongue Curse in that the implication of her answer for when she was helping with it would be after she was arrested ('the end of freshman year going into that summer' when Aelwyn was arrested in early March) but it's not the first time the timeline around those events has been fucked and it probably won't be the last.

2) What's Jace's deal? Also, 2a) What's Porter's deal?

As of the end of episode 16, we can pretty safely say he was at SOME point killed and brought back via a deal with Ankarna. It's been pointed out that in Freshman Year his art did not cover his chest with the scarf; I'm not taking that as definitive evidence of anything, because that's the kind of retcon that can easy be explained away.

Jace and Porter did not seem to be on super friendly terms when Riz overheard them the first day of school freshman year, but by the end of the year, the night of Prom, they're on closer terms. Ragh, after the fight at Prom but inside of the school, sees Arianwen and Jace talking to someone he cannot at that point see, almost certainly Kalina. Later - it's not really clear HOW much later - Jace and Porter found Ragh, and Porter did some 'barbarian healing stuff' that presumably included a blood transfusion, because Ragh then CAN see Kalina and is threatened into silence by her.

It's quite clear to me from this that both Jace and Porter carried the curse of Kalina, and I'm of the belief that they were fulfilling their end of whatever deal was going on between Kalina and them by helping her agent in the form of Arianwen get the Crown.

Now which of them is in charge, and what're their respective motivations? That's much more interesting and I think independant.

I saw a theory on here that I LOVE and now fully believe that Jace was, in fact, the sorcerer in Lydia's party, and after dying to Bakur he took the deal to come back and is working for Ankarna. How truly willing he or any of the others who took that deal are at this point is another question. This is speculation, but it's really good speculation. This would obviously mean Jace was corrupted well before freshman year, but I don't actually think that's a problem.

Porter's more interesting, and I'm fully not certain which of the two are in charge, if either is, though my own speculation is that Porter is the primary driver. Jace clearly got him to help with Ragh because Porter would know Ragh and could easily infect him with Kalina; why they didn't kill him is an interesting question, though it may be as simple as Arthur Aguefort was back alive at that point and the death of one of the students who fought Kalvaxus wouldn't be a quiet matter. Still, Porter pushes rage as an almost religious matter, we do not know the nature of his own Paladin Oath, and his behavior towards Fig to push her away from Cassandra leads me to think he's a true believer sort who's in this willingly, not a revived pawn like Jace or the Ratgrinders appear to be.

3) What exactly happened to the Ratgrinders in the Mountains of Chaos?

I do not believe they all died there, for the simple reason that Lucy died in the Farhaven Woods. I think it's much more likely that either Jace targeted Kipperlilly specifically as the most fertile ground for rage and then it spread from there, or if the above speculation about Jace is wrong and he's also a more recent pawn that some thing terrible happened to SOME of them there. The details on this are really important to see, to me - there's a version of this story where Kipperlilly died willingly for the power it would bring, for example. I think this is one where we're VERY likely to get answers this episode.

4) What are the Ratgrinders using the Devil's Necter for?

I strongly believe all the stuff about modified memories is a red herring, though maybe it explains some odd behaviors here and there: I think they're using it to lie to gods. My own wild theory this was first used by LUCY to lie to her own god in prayer and get Ankarna's name from her by claiming they had already broken through Oblivati Mori, so why not share some information about the sister you loved so much? And then the guilt of having done this, and maybe even seeing some sort of backlash onto her god, is what led her to back out of whatever bits of the plan she had gone along with to that point for Kipperlilly's sake.

5) Why does Kipperlilly need to be principal?

I don't exactly believe that the Ratgrinders are looking for a long term senior year sort of situation; Kipperlilly being student body president and thus principal is the key to something within the bylaws.

The most likely thing to me here is that we don't yet have the details we'd need to answer why on this one.

The funniest callback sort of answer is that she needs to be principal in order to remove Watches and Wards from the library, which is supposed to prevent divine summonings on school grounds. It's stated in freshman year that only the Elven Oracle or Arthur Aguefort can remove the book, but this may well be Arthur Aguefort in his role as Principal rather than being tied to Arthur himself. Certainly Adaine wasn't likely to repeat her own mistake, at least. Also, potentially, this would be why they couldn't just change the bylaws for their endgoal directly instead of going through the election - the knockout enchantment on Watches and Wards is on the book, not part of the school bylaws. In any case, this could potentially be tied in to my guess on six, which is…

6) What's the overall plan here?

The overall plan, I think, is to bring Ankarna back fully to life during graduation in the gym, a place where a god (if a shitty one) was born. Elmville will be prepared for proper worship with the rage from the infections through the tree, etc, to provide enough worship to bring Ankarna in her current form back.

7) Who was the imposing figure who revived Buddy Dawn?

Very possible answers to this question are either a true form of some kind for Jace or Porter, some kind of Avatar of Ankarna (especially since they were not on the material plane, though it seems likely this figure was also involved for Yolanda or Lucy), some corrupted form for Kipperlilly, or some other servant of Ankarna. We really don't have enough to know.

8) What's going on with Bucky Applebees?

I think he's going through a crisis of faith similar to Kristen's, but just what kind of answers he might be reaching we really don't have enough to say. It wouldn't surprise me if the Ratgrinders have tried recruiting him in some way, however; it's a good way to hurt Kristen.

9) What, exactly, was the nature of Cassandra and Ankarna's relationship? Were they still together when Ankarna fell or when Cassandra became the Nightmare King? Were they actually on good terms?

I think these are possibly answers we're getting this week, and also I think there's a good chance that Ankarna and Cassandra had LONG since fallen out before Cassandra's rebirth as the Nightmare King. Did Ankarna blame her wife for Sol's followers stealing and killing hers? Did Cassandra see her wife turning more violent and less thoughtful out of desperation? Cassandra fell in one move of betrayal, we know, her followers convinced over her pleading that to know her name was heretical - and, for what it's worth, in the form she changed to the leaders of those followers were most certainly punished for their turning on their goddess. Ankarna's seems to have been far more gradual.

10) Can Ankarna actually be restored to her original form and domain, and is that a good idea to begin with, FIG?

We'll seeeeee. There's something profoundly interesting in the nature of gods in Spyre; they need the followers much more than the followers need them, for all their power. Spreading your religion makes your god healthier, but it also makes it so that you personally have a lot less control over the shape that belief takes. We've been told repeatedly that a single follower is all a god needs to stay alive, but clearly they need more than that to come to life to begin with, or to be reborn - not everybody has Kristen's spark of divinity, it seems.

11) Can Lucy be revived slash can any of the Ratgrinders be saved?

Maybe. As always in Fantasy High, what happens depends to a very large degree on what the players want to do, and what the dice agree to. I DO think we'll see Lucy be brought back, even if just in an epilogue.

#fhjy #fhjy spoilers #speculation #rat grinders #jace stardiamond #porter cliffbreaker #dimension 20 #fantasy high #ankarna #cassandra

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