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#I’m just taping it back together the best I can for this finale portfolio
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This might be the worst essay I’ve ever written in the existence of me. what the fuck was I talking about here
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alreadyblondenow · 4 years
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In favor of Chicago
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nurse student!Johnny x art student!reader // SMUT, FLUFF, angst? Summary: Dating your ex’s best friend turned out to be a life changing chapter of your life... and you two can’t have sex because he thinks he has STD.  Word count: 11k Warnings: Mentions of STD, swearing, explicit mature themes, unprotected sex, back to back cheating, oral, sending of sex tape without consent. Note: This is just a fic, purely from my imagination. 
The library was packed when you decided to work on your Claude Monet paper that you have to hand to Mr. Moon before you head home. Picking a spot where a lot of students sitting and getting stunned by your presence was a huge distraction to you and hearing them gossip about your love life was way beyond disturbing. So the word is out. Not that you cared, but your attention span is really short. Being popular in college was not actually bad, but at times like this you just want to be a no one.
You’re in deep concentration with your paper and you’re five paragraphs away from finishing it. Taking a short break to check your phone and update your boyfriend that you’re almost done and you will go straight home after you hand this to your professor.
Jaehyun: So now you’re fucking my best friend? Real classy, y/n.
Jaehyun: How did this happened?
Jaehyun: Where are you? We need to talk.
Last time you check Jaehyun is not talking to you but now that the word is already out he suddenly cares. The breakup you had with Jaehyun was actually peaceful no fighting or shouting just pure talking and a lot of crying. Jaehyun is not the person you’re expecting to message you right now, you haven’t talked to each other since the night he broke up with you. So what if the popular girl is dating the university’s fuckboy? Is Johnny not allowed to finally settle in with someone?
Speaking of the devil, when you were headed to the faculty Johnny called you. You figure maybe he’s done with his shift at the university hospital.
“Hello” you answered your phone with a sweet smile that too bad Johnny won’t see.
“Hey, just calling to check if you’re okay. You know, everyone is going crazy about finding out about our relationship” through the phone you hear him open his locker, you’re right his shift is over.
“Well, they’re eight months late. Johnny were not hiding, I think everyone was just not looking enough... until now” you giggle through the phone and he couldn’t agree more.
“Okay okay, I’ll see you at your place. Just need to do something here at the hospital, will not take long but you go home safe, okay?” You answered a sweet “okay” still walking and smiling all by yourself like a crazy person.
“I love you my future art curator”
“I love you too my future nurse”
As you went home safely and take a hot shower before Johnny comes, you were brushing your teeth when the door opens and you finally see your sleepless boyfriend. For the first time today. He wraps his arms around your waist letting you finish brushing your teeth in peace. His chin rests comfortably on top of your shoulders, hearing him let go deep and heavy sigh.
For a normal person a sigh may be a sign of ’tiredness’ but for Johnny, it means he’s finally with you and he’s really happy to be with you now, watching you brush your teeth.
“I brought you your favorite Chinese takeout” he said as you two walk towards your small kitchen kissing him with your minty lips. Seeing the bag of takeout on the kitchen counter already making your place smell like freshly cooked stir fry, “yum, baby! Oh I’ve been craving”
After dinner you and Johnny are cuddled up in the middle of your bed. His giant figure does not fit in your small bed but he loves sleeping beside you. Sleeping beside you is like having sex with you but without actually having sex.
“Good night” he said softly, but it doesn’t really mean he’s going to sleep. It means, ‘close your eyes and relax while I make you feel good until you pass out’. You feel his hand creep around your stomach, lifting you sleepwear up to expose your boobs. Soon his lips touch yours, kissing you like how he loves you, feeling smiles in between kisses. As you lay on your back comfortably and Johnny kissing you down until you’re buried under the soft pillows, his big hands continues to cup your boobs, pinch your nipples and brushing his thumb on it because it’s your favorite thing.
“Why don’t you tell me about your day? I’ll listen” he said pulling away from your lips so you could talk. Johnny starts to kiss your jaw down to your neck until the valley between your boobs. You feel wild, open mouth kisses around your upper body hands are playing with your boobs, sliding on your sides, soothing your tummy as he goes down. You try to construct your sentence as you start telling him about your day.  
“I’m d-down with my last few papers…” he’s taking time kissing your lower abdomen before removing your thin shorts and panties. “just a few more research papers and professor Moon will write me a recommendation paper for the intern- fuck, Johnny” it became harder for you to talk when he finally stick his thumb on your wet clothed pussy, slowly removing the fabric down to your legs, spreading it wide and blow cold air on your pussy lips. You shiver at what Johnny did and tried to close your legs but he’s quick to stop it.
“Baby, continue” Johnny demands before devouring your pussy finally.
You can’t stop moving your hips once his tongue touched your pussy. The way his tongue glides up and down your pussy just tells you how wet you are and horny for Johnny. “If the company liked my portfolio, I’ll land an internship there and there will be a big possibility that they will absorb me- hmmm!” pushing your hips to his mouth to feel more of his tongue, imagining that it’s his cock he’s fucking you with.
“Oh-baby, mind spreading my pussy lips?” you know it’s a request Johnny can’t refuse, and so he did. Spreading your pussy lips with both of his hands, licking your cunt up and down fast and hitting that nerve. Johnny is proud how well he’s making you feel good, listening to your moans and watching you between your legs with eyes closed, lips parted and gasping loudly.
You don’t know what to do with your hands by this time. Touch Johnny’s soft hair and push his head more against your cunt? Cup your boobs and touch yourself? Grip the sheets?
Yes.
Grip the sheets. That way you wont hurt Johnny or yourself with those long nails of yours. Throwing yourself on edge, Johnny gave your slit long slow licks from bottom to your clit, both if his hands still holding your pussy lips. Pushing your hips off the bed to feel more, rolling your hips fast on Johnny’s tongue hitting his mouth, using it completely to go off.
He knew you reached your sweet climax when your legs are shivering and you’re gripping the pillows tightly, moaning and grunting softly. You feel your body warm and sweaty and to be honest, you can’t feel your legs. Still breathing heavily and catching your breath, you feel Johnny clean the mess between your thighs, got you a clean pair of panties, rolled down your sleepwear and covered you with the thick sheets.
“How I wish we could really have sex” you know it’s the wrong thing to mention but you just can’t help it. It’s not fair that Johnny fucked almost half of the population of pretty girls at the university and now that he’s your boyfriend he can’t have sex with you… “At least I don’t have to worry about getting you knocked up” he jokes but deep inside you know he’s hurting. As you two lay in bed tired and still horny, you finished the night like how you two usually do. Kiss. Finish the night with dirty and filthy smooches.      
Eight or nine months ago, just when you and Johnny are getting started with your blooming relationship he admitted that he’s not sure if he’s clean. “Well why don’t you get tested?” you asked worriedly propping your elbow on the mattress and facing him. “I’m scared of the results. I-I’m not yet ready, you know? What if I have it, or or worst-“  Johnny sounded scared, sad and angry all at the same time.
“What if you’re not? Baby, I’m not forcing you but I’m telling you it’s the right thing to do.” And that scares Johnny the most, when you tell him to go take the test but he had to refuse.
“I’m sorry, Y/n. I really can’t do it. I feel fine, healthy, and as long as I can breathe, walk and study, I will not take the test. Not until I’m ready. I can’t let it ruin my future” he finished explaining and closed his eyes, bringing his hand in the middle of his forehead and gently massage it.
From there on, you don’t question him why. But you do tell him to go take the test without sounding like you’re forcing him to do something he’s not ready to do. Instead, you both enjoyed the relationship you had. Sex free and full of love. Though you two can be filthy at times, but most of the time your intimacy comes in different shapes and sizes.
And that fuckboy reputation? Completely gone.
You knew what you signed up for. You expect Johnny to cheat and find different women in his apartment whenever you visit, getting yourself ready for multiple heartbreaks and never ending forgiveness. But no, the boy was completely loyal to you and it’s almost too good to be true. Johnny has been fucking around since his freshman days, showing off different girls night after night, and not taking nursing school seriously. It’s a miracle how he managed to keep his GPA. “I always envy Jaehyun. I always want to have someone like you, I think I just got lucky to have exactly who I want”  
The relationship you two built is like no other. It’s like you’re both facing adulthood together and finding a way to make life easier with the help of each other. Being a senior in college means you’ll have a hectic schedule before you finally graduate.
For Johnny, that’s being an intern at the university hospital and taking shifts there until he’s qualified to transfer to another hospital. For you, you’re taking up classes and finishing a few papers and wait for The Art Institute of Chicago take you as an intern. It was never easy but the you have Johnny and he has you.
You believe that Johnny is the man you’re marrying someday and you’re willing to take care of your relationship with him whatever it takes. Johnny thinks the same way, over the past few years he’s been watching you and Jaehyun love each other wildly. And now that he has you, he will not fuck it up. “I didn’t stole you from Jaehyun, right?”
You giggle at his question thinking how someone like him is actually worried from stealing you from your ex. “No, Johnny. We broke up months ago when you came back from Chicago. I remember telling you the story though-“
“Yeah, yeah. I know. Just checking again”
As the world watches you two have a peaceful relationship, a lot of people try so hard to ruin what you two got. You’ve been getting a lot of messages and stories about how different girls fucked Johnny already, telling you that he’s probably cheating right now at this very second. But again, you knew Johnny better than anyone else because you are his first love and he only opened his heart for you. Besides, those bitches got nothing on you.
While different girls try to ruin Johnny’s image for you, a specific someone tries to ruin your image for Johnny. Your ex, Jaehyun. But just like you, Johnny knew better than losing his shit for Jaehyun.
Days and weeks went on like this and stress just keeps getting the best out of you and Johnny. You’re busy writing hundred pages long for a specific artist, and Johnny is busy with hospital duties. Which is making him crazy without his coping mechanism and stress relief that is usually sex. And he knew all too well that he can’t have sex with you even if he use a condom.
One night he found you sleeping soundly on your bed and he was completely exhausted because of overtime and he really needs you right now. He kissed you softly until you wake up, your eyes were really tired from facing your computer the whole day but you understand that Johnny is home, so you need to wake up. “I missed you” he whispers softly, feeling soft touches around your thighs. Lips still on Johnny’s and you’re not planning to pull away any minute, “can’t make you eat me tonight baby, you’re dead tired” you said with a hoarse voice, it surprised you when he shook his head. Telling you to be quiet, he gently removed your shorts and panties and giving your pussy a peck.
You watch him put his middle finger in his mouth as he sucks it while looking into your eyes making you feel shy and exposed that your legs are widely spread in front of him and your cunt is waiting to be touched. But it’s Johnny you don’t need to be shy.
He insert his middle finger inside your tight cunt a little rough. Pulling it and out from you, making you crazy and moan loudly. “close your eyes” he said with the most sexiest voice ever. Your mind goes to every scenario possible. Ice play? Overstimulation? Fucking you with a dildo?
Feeling excited as you wait for him to make his move, you don’t know but he’s unbuckling his belt, removing his pants and pumping his cock. Hesitating to fuck you raw and making an unreasonable decision to have sex with you tonight.
“This will feel good baby, I promise”
His hands are both on the sides of your head, taking advantage of your closed eyes. Your heart is thumping loud you swear you can hear it. Smiling wildly feeling Johnny’s kisses on your neck until you feel the tip of his cock lining at your entrance.
Everything happened so fast. You pushed him way to hard like he was some kind of rapist. Immediately feeling the guilt and regret that you let yourself open your legs wide for him.  Wearing your panties again and putting back your thin shorts, feeling angry at the man you love and you don’t know what to do with him.
Johnny is apologising over and over and over again but you don’t listen to him. You don’t hate him of course, you’re just… scared and worried for yourself because this is the first time Johnny became like this.
“I’ll pretend this never happened Johnny. I’ll sleep on the couch, you need to sleep well tonight”
How do you expect him to sleep like a baby after what’s happened? On the next day, he felt like shit and even more guilty when he found out you already left for your morning classes. He made it to the hospital without any sleep and rest, and it was a tough day at the hospital.
“Well you look like shit” His friend Karen gave him another cup of cheap coffee from the vending machine because she thought Johnny needed it. “Rough night?” she added, keeping Johnny’s attention to her.
“Tell me about it. Fucking newbies don’t know what to do most of the time, can you believe that shit” he let it out really annoyed and tired, drank the coffee in one down. It wasn’t really hot, it’s always like that that’s why it’s cheap.
Karen is an intern from another university, a younger nurse than Johnny. If he’s single and if he doesn’t have you, he will definitely fuck Karen at the nurse lounge. And he can’t believe he’s thinking about banging his co-intern after what happened last night.
“I get you. Being a junior in this hospital fucking stresses me out, I’ve never been to a hospital so stressful. I mean for an intern like me? It’s too much, don’t you think?” she sighs, “I need sex, lots of sex”
Johnny almost choke when he heard what she said, he can’t believe they’re thinking the same thing. ’Sex.’
“Now that I let that out of my chest, do you… uhm” she scratched her neck being awkward about the situation she singlehandedly made. “Want to have sex…with me? I heard you’re like uhm, popular here because of… you know. Definitely no strings attached just pure adult stress release”
Being from another school definitely made her miss the memo that Johnny is with the most popular girl in campus, running valedictorian, and basically his future wife. The saddest part is, Johnny thought he’s completely a changed man and that no other temptation can make him turn his back around and dive into hooking up with other girls. It makes him sad that he’s about to do it.
The two hit it off at the empty nurse lounge at the other building’s basement. Since they’re both familiar with how the hospital works, they’re sure know no one will catch them there.
In the middle of pounding Karen and Johnny’s balls deep inside her, it felt really good now that he’s fucking someone again. Imagining that it’s you he’s fucking feeling the guilt even more. “Why didn’t we did this a little sooner?” Karen was moaning uncontrollably, muffling her screams whenever Johnny tells her to be quiet and give her ass a juicy slap.
“Feels good, fuck. You aren’t a virgin right? But fuck it feels like a virgin’s hole” his hands are on her hips watching how her massive boobs bounce up and down right in front of him.  Thumbing Karens clit, pushing her on edge careful not to release at the condom yet. He pulls out immediately and licks her cunt until she cums. Letting her shiver on top of the hospital bed with no sheets. He slams back inside her again, making her cum using his cock giving her the full experience of being fucked by Johnny.
“It’s good that we fit… You know that?” he grunts while fucking her with a steady pace letting Karen moan his name loudly until he cums finally.
Feeling guilty and shy as hell, he cleans himself and went outside the room letting Karen make herself presentable again.
While Johnny is inside someone’s pussy and having the time of his life, you on the other hand who is completely clueless, is thinking about making him dinner and tell him the good news that you finally got the internship in Chicago.
“You leave in two weeks” you remember Mr. Moon telling you the great news. Calling every person that actually cares for you and telling them the big news, screaming and shouting on the phone excitedly as you walk back to your apartment. Still wondering why Johnny haven’t answered his phone.
You put on some classical music to calm your excited nerves, making Johnny his favorite dish and trying to finish everything up before he arrives. Opening a glass of wine and drinking it while you cook, thinking how you more than deserved this.
“Hi, babe! Right on time, I have good news” you welcomed him with kisses at the hallway and walked him towards the dinning room. “But first let’s eat dinner while the food is hot”
All throughout the dinner you noticed Johnny’s mood. Maybe he’s tired? You can’t take the silence anymore so you asked what’s wrong, hoping that it’s nothing serious. Did he finally take the test? It’s making you anxious every second that passes. He’s not looking to you in the eye, he’s not touching his food but he already had three glasses of wine.  
“I had sex with someone. Today, at the hospital”
EIGHT MONTHS AGO
Before your last semester as a junior in college ends, Jaehyun decided to breakup with you. “I just don’t see my future anymore with you, Y/n” his exact words. After being together since high school and almost half of your college years, putting up with every bullshit he gave you for the last six years now he’s finally letting you go. Thankfully the breakup was nothing but peaceful and there were no shouting or cursing at each other. But it was painful for you.
This is your first summer without Jaehyun and theres no better way to heal from a breakup by getting yourself busy. You’ve been working on your portfolio day and night and you think it’s better than just watching a sad Netflix movie. There’s no way that you’re not going to land your future job in Chicago right after graduation so you worked your ass off.
Today you need to mail a physical copy of your portfolio and went to the post office alone to your surprise you saw a certain someone. Johnny Seo, Jaehyun’s best friend. Looking a little different from the last time you saw him.
“It’s great to see you...in a post office” he said and you both laughed awkwardly. He noticed your well wrapped thick portfolio and figured things out  from there. He quickly received what he was going to get and helped you mail out your item.
“How are things with Jaehyun? I heard he quit being a dj for the school radio when I went home to Chicago. The fool didn’t want any partner but me” he said as he walks with you not knowing where to go.
You figured he wasn’t around when Jaehyun broke up with you so he missed the news. “We broke up, two or three months ago, I think” trying not to look so hurt by what you said, you avoid eye contact and looked at your shoes as you both continue to walk. He apologised for what he said and for being insensitive but you told him it’s fine, he was away that time so you understand him.
“Well, you don’t look fine. Can I buy you ice cream?” it was a leap of faith for Johnny to ask you to spend some time with him and he was hoping you would really give him a chance.
“Is this the part where you ask me out and ask me to sleep with you because I’m not with Jae anymore?” heart beats really fast because of what you just said. You didn’t mean to be bold and straightforward but knowing about his fuckboy reputation in campus just makes you put your guard up.
Now that you’re not with Jaehyun anymore you figure maybe you don’t have the immunity from being added to the list of the girls he fucked already.
“No y/n, I’m simply being nice to you. And if I want to fuck you I’d tell you ‘let’s get out of here so we can have sex’ but I didn’t right?”
You feel ashamed for what kind of behaviour you showed him but Johnny is nice enough to still buy you ice cream. At the the end of the day you had a great time eating ice cream with him and talked about random stuff. Maybe you’re exaggerating a little but you feel alive again after for so long.
Way back when you and Jaehyun are together, you only see Johnny when you’re looking for Jaehyun at the dorm or whenever Jaehyun is way too drunk to walk, Johnny is the person to call. They’ve been friends since they were freshmen and just building their own selves through college. Jaehyun is the university’s star athlete and sexy chef while Johnny is the known hot fuckboy from the nursing department. Everyone is crazy about them especially when they started to dj at the university’s radio. Their ratings were high because people simply can’t get enough of their handsomeness.
Ever since Jaehyun introduced you to Johnny, he always tells you how sometimes Johnny looked at you like you were some type of meal that he’s been craving for. “You don’t know him like I do, babe. Just promise me to avoid him even if he’s being nice, even if he’s my best bud.”
But now that you’ve been hanging out a lot with Johnny you see him as a warm person. Nice enough to help you land a good internship once senior year starts, a family guy who loves his parents so much, and  gentleman enough to sneak in your room using your opened window while you’re sleeping.
“Happy birthday to you, happy birthday to you, happy birthday happy birthday... happy birthday to you”
In your dark room, you heard him singing you happy birthday just when the clock strikes twelve. Johnny is holding a small cupcake with one lit candle, smiling so sweetly to you as he waits for you to make a wish and blow the candle.
No one has ever surprised you in such a way and you didn’t expect that Johnny will be the first. “How did you even get in?” whispering and careful not to be heard by your parents you asked Johnny and he points to you the opened window as his answer.
It’s weird how things move so fast for you and Johnny but slow enough to achieve what you both had in mind. You think it’s too early for Johnny to put his arm around you while walking outside the neighbourhood, incredibly close to each other but you let him. You don’t know why you let him sneak in your room almost every night and spend the night with him just laying on your bed talking softly and giggling like little kids.
Not wanting him to leave yet, you invite him to lay with you in bed. Letting him slide under covers and keep you warm. It’s obvious that you two like each other but no one is taking advantage of that but today’s your birthday, being selfish for once won’t ruin your ‘friendship’ with Johnny.
“Can I kiss you?” You blurted out.
“Can I kiss you?” He repeats your question, emphasis on the ‘I’ and you nod your head as your answer. “Happy birthday” he added before kissing you again sweetly, putting you on top of him. Enjoying how his lips are finally touching yours, enjoying the happiness you’re feeling after being trapped to someone for so long.
As senior year starts you spend almost every second and every minute with Johnny now that you move out from Jaehyun’s apartment and have your own. Johnny didn’t move in with you but he basically lives with you because he can’t stand not being with you with every time he’s got free time. No one knows how senior year will eat up the time you two should be together and Johnny came prepared for that.
“Let me live with you here but not really live, live… get it? I can take care of you, I’m going to be your private nurse, I will do the laundry, I will give you pleasure” he kissed the knuckles of your right hand, “I will be your boyfriend. I will show you how a proper boyfriend should treat his girlfriend. Once we’re both interns in Chicago, I promise you… we’ll stay at our house”
“That’s a lot of promises Johnny Seo. Chill, you can live with me. Let’s take care of each other, you don’t need to do everything”
“How did I get so lucky!” he’s squeezing you with a tight hug on the couch, bodies closer as usual.
And you did took care of each other. Whenever you feel sick, tired, or worn out, Johnny is always present. Him being a nurse is actually good for someone who gets sick a lot. You made him be a better person, helping him study more for nursing exams and helping him maintain his GPA.
Playing house isn’t the term, but you two helped each other whenever someone is struggling financially. If Johnny is short for his tuition money, you don’t hesitate to cover for it.
“Do you want to stop studying? In the middle of fucking senior year?”
“No” Johnny accepts defeat.
“Then shut up and take my money, come on I’ll pay with you”
And if you’re the one who’s short for rent money, Johnny got you covered. He doesn’t tell it to you but you found out that he’s been paying for your rent fee whenever you’re behind.
“Do you want to live in my small apartment? With Ten?”
“No” This time it’s you who accepts defeat.
“Thought so too. You don’t want to live with two filthy nurses right? So I already took care of the rent baby, you don’t have to worry about it”
EIGHT MONTHS AFTER / PRESENT TIME
“This is it then? You’re breaking up with me?”
“No. Johnny I’m not breaking up with you. All I’m asking is some space, let me think about staying in this relationship. Let me think about what you did. I’m trying my best to convince myself not to leave you, so please just give me some space”
“Baby, please. It doesn’t mean anything”
“Sure it doesn’t but what if I do the same thing to you?” your tone was a little loud this time, every second this conversation grew you, your frustrations grew double. “You will be heartbroken just like me right now. I don’t know if Im fooling myself for thinking that maybe you’re the one for me, now I’m asking space so I can make sure that I still want you to be part of my life”
Johnny was speechless when you walked out in front of him. He wanted to ran to you and beg for more but he needs to get back to the hospital.
It’s been a painful three days for the both of you. Neither one of you functions well. You’re a wreck, he’s a wreck. And truth be told you both can’t afford a breakup right now because it might affect your work performance. At least that’s how you feel about the breakup, you don’t know about Johnny.
During the nights you were sleeping alone, you remember how you and Johnny dance and drink beer in the middle of a bar that has a live band. And no one would care if you two were just enjoying your own little world. Walking around campus hand in hand while he’s eating his sandwich in his hospital scrubs and you’re holding a book and reading about more artists. It doesn’t matter if no one is talking, what matters most is that you’re together.
Sure he’s just some guy but he’s been a part of you already. And what Johnny did ruined your relationship. You’re crying right now because you’re madly, deeply in love with him and what he did is like putting a knife straight to your heart and you don’t know what to do about it.  
The night before you leave for Chicago, Johnny went to your apartment after his long hour shift. You can see that he’s tired and sleepless but he still chose to go to your apartment, “I’ll help you pack” he said weakly heading towards to your closet and folded your clothes. It’s not that you’re letting him help you, you don’t have the energy to argue further with him.
It was dead quiet. Something has never happened in this apartment of your whenever Johnny is around. The air feels heavy and you want him to leave now after he zips your luggage. “Listen, uhm- I maybe can’t drive you to the airport tomorrow. I have an early shift-“
“It’s okay. I can handle everything by myself” You’re still not looking at him, crossing your arms waiting for him to head out. At this point, why are you still surprise that Johnny can’t drop you off.
“Okay. Uh… Can I hug you?” he was hopeful you can see it in his eyes. You want to grant his request but that’s not how space works.
“Good night Johnny, you know the way out. Get some sleep.”
On the next day, it’s a good thing that you’re excited and you don’t feel sad and bad for yourself. This is the only thing that you have full control with, your future. After everything you did to get where you are right now, you can say that you’re proud of yourself. You’re excited to work, meet Mr. Choi and have the time of your life.  
“Chicago is great, Mr. Choi and the company gave me an amazing apartment. And the people at work are so nice, not to mention the Museum! Ugh! The museum is beautiful, Wendy! You should go visit here” since you don’t have Johnny to tell all these stories, you pour them all to your best friend, Wendy.
“That’s great! Hey, listen…” she clears her throat, “Have you talked to Johnny lately?”
“N-no, why would I?”
“I don’t know y/n? He’s been asking me every week about you and he looks like shit, though I heard he nailed that internship there… In Chicago. So you know, prepare yourself?”
“Thanks for the heads up Wendy. It’s okay, tell him I’m fine and I’m doing great here” After you hung up on Wendy, theres a familiar figure that’s looking for old LP records and you decided to take a closer look. Before you could even get closer, the man turned around and saw you.
“Y/n!”
Jung fucking Jaehyun. Looking so handsome as always. Just like the firs time you met him, but now he has brown hair. “What are you doing here in Chicago?” you asked him, staring like a statue and you didn’t know you have the brightest smile flashing in front of him.
“I’m an intern here. You know cooking meals for some famous people, I’m actually here for about three months already I’ll go back to campus in a matter of weeks. Wait for graduation when I get back, how about you?”
“I just got here a week ago, I finally got the internship at The Art Institute”
With Jung Jaehyun’s presence you suddenly felt home again. You’re happy that he’s finishing his internship here and he’s going to have his own restaurant when he graduates. Jaehyun was excited to tell you all of his plans for himself and for his business. You on the other hand, thought that maybe breaking up wasn’t so bad.
He invited you to his place and told you he’ll make you dinner, “come one, just like old times” he winks at you and put an arm over your shoulder.
You watch Jaehyun cook in his small but decent kitchen, and you got to admit you miss watching him cook his heart out for you. It’s only been a few months since you two broke up and you can’t believe he has changed so much.
“Try this, it’s hot though” he put he fork right in front of your mouth and gave you a mouthful of pasta. “Hmm! Jaehyun, it’s good” he chuckles at your reaction, watching you eat the past with some garlic bread.
“I only hear you moan like that in bed” he said, smiling at you and teasing you like you two never broke up in the first place. Playfully you smack his arm and continue eating.
The night went on and on of you two talking about your past. After one casserole of pasta and three bottles of wine, you’re now laying on the couch with Jaehyun in between his legs with a small blanket on your leg.
“You sure Johnny won’t mind of you being here?” you feel the vibrations of his voice against your back whenever he talks.
“He wouldn’t dare. Were kind of not together now. He slept with someone from the hospital before we could even, do it.”
“So you never had sex? That’s a shocker, I used to think you two fuck like rabbits”
“Jaehyun you’re disgusting” as much as it disgust you, it made you giggle and laugh, “Johnny thinks he’s not clean, he can’t have sex with me. He’s scared to be tested”
You don’t see it but Jaehyun is really disappointed with Johnny. “I may be an asshole to you, but I never cheated” Jaehyun says proudly, reaching for his glass of wine and drinking it in one down. Hugging you from behind and keeping you close to him, you can smell his familiar perfume. Something you haven’t smell for some time now but you still know it’s Jaehyun’s.
“Do you miss it? The sex?” he broke the comfortable silence.
“Of course. You know me Jae, sex was like a big part of our relationship. But that was us. Me and Johnny were okay even though we don’t get to have sex, but yeah sometimes I miss it. And maybe Johnny missed it a little too much”
After having great dinner at his apartment, Jaehyun brought you to your apartment safe and sound. Inviting you again for the next day, “I could stop by at the museum and we’ll go grocery shopping” it wasn’t a bad idea, you’re sucker for good a great company and Jaehyun is the perfect person for that. Before Jaehyun fly back home, you two spent time with each other. He brought you to he restaurant, you brought him to the museum.
Jaehyun is the one doing Johnny’s promises to you.
Four days before Jaehyun leaves, is supposed to be the date of your seventh year anniversary. “Let’s celebrate it, no ones going to die if we celebrate it” Jaehyun said through the phone, inviting you to his place again tonight, to celebrate. It’s not a good idea of course but it will be just good food, wine and a lot of talking.
Or so you thought. The whole dinner time Jaehyun was flirting with you and you’ve been rolling your eyes over and over again for the past three hours.
You’re looking at his LP collection while you listen closely to the music he played. Standing in front of the record player reading the track list and sipping wine. You feel Jaehyun put your hair on the other side of your neck and kiss your exposed shoulders. Soft lips on your skin, hands caressing your shoulders, you miss this feeling.
“Were both single and were not looking for relationship. We both want the same thing, right”  his voice is deep whenever he wants something from you. You nod at what he said quickly turning you around to face him. Kissing you without a warning, tasting the expensive wine that still lingers on your lips.
Leaving the record play beautifully as you two walk towards his room, leaving a trail of your discarded clothes on floor and reaching the bed already fully naked. He kissed your neck, whispering how much he missed you, kissing your jaw down to your boobs cupping them and kneading as he goes back to your lips again to tell you, “you always have the prettiest nipples”
Suddenly, you remember Johnny.  
You watch him lick your nipples, left and right. Pinching it softly and gently careful not to hurt you and eventually sucking it until it’s both swollen. “Does Johnny knows your nipples turns pink after an hour of just sucking it and playing with it?” you just listen to Jaehyun as he do what he pleases.
“You’re the most beautiful girl I’ve ever been with, I’m an idiot for leaving you” he went down to your exposed sex, kissing it softly but not making you sensitive. You feel him kiss your upper thighs, slowly putting his tongue out when he reaches your pussy lips. “I bet Johnny gave you a lot of oral,” you nod your head weakly watching him smile in between your legs, “I’ll make you wet and fuck you the whole night, something he can’t do” it breaks your heart hearing those words.
Jaehyun spits on your cunt and kept it wet and ready for his cock, playing with your hole for some time so you won’t get hurt. When you finally saw him pump his cock and line it to your entrance, you’re tempted for a second to make him stop so you closed your legs.
“We’ve done this a thousand time y/n, it’s just me” Jaehyun made sure to make you calm and remind you that this is just sex, “this wont mean anything” he added.
With one smooth thrust, Jaehyun is inside you. And after for so long you’re having sex again with the same man who fucked you for the past six years. You put your legs around his waist, keeping him close to you as he thrust in and out. “Happy anniversary” he teases while giving you hard thrusts that makes you grunt and your boobs bounce. Chest to chest and forehead to forhead, Jaehyun is fucking you good. Moaning his name as you enjoy the feeling that you’ve been missing for the last couple of months.
“I was hurt when I found out about you and Johnny” he gave you hard piercing thrust. One by one, putting his anger on his thrust remembering how it hurt when he knew about you and Johnny. “I didn’t broke up with you so he could have you, no no” he’s giving you the same thrust hearing him breath heavily. You on the other hand is taking it all, the hurt and stretch of his cock, the impact of his thrust, his bites on your shoulder, everything.
You and Jaehyun fucked again and again that night. Kissing your body to sleep on his cozy apartment, and doing the same thing the moment he wakes up. “Good morning beautiful, what do you want for breakfast?” he kisses you body all over until he finally sees your sweet smile and morning glow, “and don’t tell me you want me for breakfast. Please you worn me out last night” he added, kissing your lips and smiling at you.
Poking his dimples before you tell him what you want for breakfast, he catches your finger and playfully bites it. “I’m fine with pancakes and strawberries, with lots of syrup and freshly brewed coffee”
“Okay. Now get your sexy ass in the shower, I’ll make us breakfast” he kissed you one last time before he heads to the kitchen.
When Jaehyun heard you’re busy inside the bathroom, he messaged Johnny. Sending him a video of you and him, having sex last night. Feeling so accomplished that this time Johnny will feel double the hurt Jaehyun felt when he found out about your relationship. Soon after he flipped a couple of pancakes, Johnny replied to his message.
Johnny: At least delete the fucking video, I don’t need to watch it.
Jaehyun: Meet me at the café near campus tomorrow night. We need to talk.
“Hey chef, the pancake is ready to be flipped” you came out of nowhere and Jaehyun was quick to put away his phone. Giving you his innocent dimpled smile, “here you go” drizzling the syrup on top of the pancakes watching Jaehyun put some confectioners’ sugar. You had a peaceful breakfast with Jaehyun before he could leave and catch his flight back.
“Jae, just so you know… I still love Johnny. I will take of the consequences just please, don’t tell what happened- I’m ashamed”
It’s too late for that now, Jaehyun kissed your forehead and promised you not to meddle. Even though he already did, just like you he will face the consequences by himself.
Johnny on the other hand feels so broken. You’re right, it hurts like hell. He didn’t need to watch the video but it was a wake up call for him. He’s tired of just sitting back and watching you slowly fade in his life. If he wanted to prove something to you, he knows exactly what he needs to do.
“Hey Ten, I need you to do me favor- fuck, I don’t how to do this but, I need to get tested today. Before I fly to Chicago in a week, I need to finally do it. I’m losing her”
Ten is Johnny’s best friend, he pulled some strings at the hospital to make the test and the results private. Johnny is a famous man and every person who knew him will lose their shit if they found out about the STD testing.
Jaehyun and Johnny met at the café as planned. The tension between the two men grew worst when Jaehyun told Johnny that he’s been sleeping with you for a week even though that part is not true and that you two celebrated your seventh year anniversary.
“I came here for y/n, not to listen about your little play house with her” Johnny let out a big sigh and sipped on his coffee, “she needs you there and as much as it hurts me, I’m thankful you guys met there”
Jaehyun was lost, but surprised that Johnny is not using his fists anymore to settle things like how he used to. “She loved you more than she could ever love me, and dude you fucking wasted it. Even though you fucking cheated, she still loves you like crazy.”
“I’m well aware of my mistakes Jaehyun, that’s why I’m making things right from now on. Funny how I used to fuck every girl just for fun but now that I want to have sex with someone I love, I can’t.”
“Why didn’t you just use a condom?”
“Are you stupid? The fact that I’m doubting if i’m clean is not safe for her already. She doesn’t deserve that”
“And the girl you cheated with deserved shit? Oh come on Johnny-“
“She got tested and it’s negative so you could shut the fuck up now Jaehyun”
“Okay okay. Now it’s time for me to talk” Jaehyun clears his throat and looked at Johnny straight in his eyes, “I’m getting her back. And once I do that, I will treat her right”
“I doubt that Jaehyun. She loves me”
Jaehyun’s threat scared the shit out of Johnny if he’s being honest. And putting up a straight face in front of Jaehyun was hard, Johnny knew he is capable of getting you back. The fact that you two slept together again is a good sighn for Jaehyun already, and Johnny is scared to the bone right now. He took the earliest flight to Chicago after a week and he will find you and do everything just to win you back.
It’s a busy day for you and tonight you can impress your boss and show him what you’ve got. The Art Institute of Chicago will held a public screening by morning until after and a private screening on the evening. You mentally cheer for yourself as you read notes and guidelines for today’s event, nervous but you’re sure as hell you can do it.
Just as you’re finished for the first part of your work, your high heels is killing you right now so you decided to get out of the crowd and rest your feet some place quieter. As you stretch your feet and grunt for a few times, you saw someone standing in front of Claud Monet’s Water Lilies.
“Good evening sir, unfortunately this is a private screening-“
“Oh sorry, I didn’t know that. But I do know someone special to me that Claude Monet is her favorite artist. She scans her father’s books and she found countless of pictures of Monet’s landscape works, and she tries to copy it. That’s how you started to love art.”
You told him that story on one of those peaceful nights back in your room before senior year even starts. Not expecting him to remember that stupid story of you decided you wanted to pursue art. That was the first time you opened up to Johnny and told him more personal stuff about you.
“h-hi, I really didn’t know that this is a private screening. I just wanted to see you, watch you work from a far and talk when your work is done”
“No, it’s fine. Though I should get back, sorry” you walk away from him and try to hurry back to the event but suddenly you felt like crying. You love Johnny with all your heart but the relationship you had right now is complicated and you want to fix it so bad but you don’t know how to. With big steps and not minding your tortured feet, you came back to Johnny and hugged him. “I’ll be right back baby. This won’t take long”
Johnny didn’t want to let you go, he just wanted to hug you and keep you close. He kissed your forehead and watched you walk away from him with tears on your eyes and a big smile. Mouthing him that you’ll be back.
After a long day at the art institute and in Johnny’s case having a long flight, you two entered your apartment with lips never leaving each other. “I miss you so much” Johnny said in between kisses, keeping you close to him.
You feel him unbutton your shirt but you stopped him. Breathing heavily as you pull away from him and hold his hand down, “lets talk, yeah? I have to tell you something” you walk towards the kitchen and made you two coffee first. Johnny grew silent waiting for you to talk, completely clueless that  you’re having a hard time constructing your sentence.  
“Is this about Jaehyun?”
You stopped what you’re doing and turned to face him, “how did you-“
“We talked, man to man. And I want you to know that it hurt me but, I don’t care. I’m crazy in love about you y/n, I know you are too. And right now what we have is complicated but look where we are right now? We fucked up because were not perfect, lust is lust and we both learned that the hard way” it hurts Johnny to watch you cry in front of him but he can’t move his legs. Like you he’s overwhelmed and full of emotions, he wanted to give you some air. “I bet you were thinking about me when you two did it, because I did when I did it when Karen”
You nod without hesitating, reaching in for him because you feel weak and Johnny catches you with a tight hug. “I’m sorry baby, I started this that’s why I’m fixing it. If you want me get on my knees and apologise I will do it, just to win back” he said with a hoarse voice, whimpering like a child. It almost didn’t sound like Johnny because you see him as this tough guy but now he’s just vulnerable.
“What are you talking about, I’m the who messed up big time. I’m sorry too can you give me another chance?” tears fall down to your face and it’s getting hard to talk because of your heavy crying. But Johnny was giggling in front of you admiring how cute you are right now. Giving you a soft kiss that tastes salty because of tears.
There’s a saying that sometimes we have to kiss the wrong man to know what’s right. In your case, you have to fall hard and fucked up so bad to realise that you want to be with Johnny forever. What you and Johnny had was real and you learned it the hard way.
Of course it was not that easy to start again but one thing is for sure, you’re crazy about each other and you love each other deeply. Setting boundaries and fixing the mess you two made was the hardest part of it. Johnny took care of Karen already and the girl says sorry, you scoff at that thought, “If I see her around the campus, I’m gonna slap the shit out of her” you told Johnny with all your might knowing perfectly well what you’re capable of. He was happy you’re back at being his protective girlfriend.
“Speaking of violence, I might kill Jaehyun if that’s the case baby” he scoffed and pour himself another cup of coffee. Johnny wouldn’t dare ruin your relationship with Jaehyun just because you slept with him, he wanted you to take care of it yourself without him meddling.
“yeah well, no shit” you yawn in front of him, “don’t you have hospital duty?” he shook his head and put your mug on the sink. He stood in between your legs and carried you using his strength, keeping your legs around his waist. He kept on whispering apologies to you, sweet apologies that warms your heart and tighten your hug placing you on the bed gently, “can I sleep here?”
“Of course Johnny. Never leave me”
He let out a soft chuckle and lay beside you, “Never again”
The next day you woke up without Johnny by your side. You’re starting to think that maybe it was a dream? But you smell fresh coffee and toasted bread with butter or maybe that was grilled cheese.
“Good morning, sorry you woke up alone. I had to go to the farmers market” you hugged him from behind, kissing his muscular back “Now, I’m not a good cook like Jaehyun but you always loved my coffee, here” he hands you your hot coffee and asked for a good morning kiss that you happily gave.
“Do you have work today?” he asked looking at your morning face admiring your messy hair and swollen face.
“Nope. What do you have in mind”
“Meet my parents today?” you almost spit your coffee when you hear him say that.
The whole car drive was full of questions about his parents mainly because you have no idea what they’re like. Johnny was amused at how worried you were even though he’s confident they’re going to love you. “How many girls did you introduce to them already?” you asked Johnny nervously watching him laugh at your serious question, “You’re the first. I told you, you’re my first love- will you stop worrying? Look there they are” he waved at them happily as you smiled to his parents, waiting for Johnny to finish parking the car.
First impression to his mother, well she looks nothing like the one you imagined. You can’t believe you imagined your boyfriend’s mom as someone who will stare you down the moment she meets you. In reality, Johnny’s mom is bubbly and she welcomed you with a warm hug the moment you got out of the car. Johnny’s dad looked a lot like him and also welcomed you with a warm hug and a big smile his eyes almost disappears, “come inside, the food is ready”  
Johnny’s home is comfortable. A normal asian household in a neighbourhood in Chicago. The dinner is set at a patio in their backyard, every food you see at the table are made by Johnny’s parents. The Seos are funny people, all three of them made you laugh the whole dinner. Telling you stories about Johnny’s childhood and mostly talked about how they love their son. It’s really heart warming because you feel the level of intensity of their love for Johnny and you understand them because you love Johnny too.
“Are you enjoying The Art Institute of Chicago?” Mrs. Seo asked you as she watches you cut the cake and put a piece first on Johnny’s plate. She was watching you the whole time. How you talk to Johnny, how you smile at him, how you answer their questions with respect. She thinks you’re a natural when it comes to caring for her son and that he’s in good hands, and it gives her great relief.
“Yes ma’am, I enjoy every second of it. Though it’s hard to impress my boss and earn a permanent spot at the institute but, I’m getting there and I won’t stop” you gave her a piece too then Mr. Seo. From there on, Johnny couldn’t stop talking about you in front of his parents, he even told them how you clean your apartment spotless.
Meeting Johnny’s family was fun, they were cool parents and you’re positive Johnny got his wits from his mom. Back then you wonder why Johnny is such a gentleman to you but now you know the answer to that question. His dad is a natural sweet guy and a real gentleman. Looking at them made you think that love is real and maybe for the next 30 years that’s going to be you and Johnny.
When it’s time to go home already his parents walked you and Johnny to the car. “If Johnny doesn’t marry you I will seriously get mad” Mrs. Seo whispered beside you letting Johnny and Mr. Seo walk pass you two. You giggled at what she said to you, it makes your heart happy that she likes you. You and Johnny waved goodbye to his parents and gave them hugs before you two leave. “I told you they’d love you” Johnny holds your hand while he drives and kissed your left hand too many times because he can’t kiss you on the lips.
The moment you got back to your apartment you went straight to the bathroom and took a shower leaving Johnny at the living room couch as he rest. While you were busy taking a shower, Johnny messaged Jaehyun and sent him a picture of you and his parents laughing together over dinner.
Johnny: [attached picture] I win. This has to stop Jaehyun. I’m going to propose to her after graduation.
“hey baby, go take a shower while I finish up here” you invited Johnny inside your bathroom, accepting your offer a little too excited. You were busy brushing your teeth when Johnny made his way to the shower trying not to peak at your boyfriend’s gorgeous body. He likes singing in the shower and you love listening to his beautiful voice while you dry your hair. When he got out wet and hot, his lower body is covered with a thick towel but the bulge on his crotch is still visible. And he’s big.
Johnny stood behind you watching you put lotion through the mirror with loving eyes, “What?” you asked him, turning around to put a smaller towel on top of his head and you start drying his hair. Making sure to tiptoe so you’re able to reach him. His hands travel down to your covered ass keeping you close to his body you could smell the shower gel from his skin. Playing with the hem of your panties you smirk at him because he’s too predictable but you can tell he’s stopping himself, “put it inside” giving him consent without looking at him.
Following what you said, he squeezed and kneads both of your ass cheeks until you’re finished drying his hair. Giving him a peck on the lips and walked out of the bathroom. You turned on the lamp shade and jumped right in your comfortable bed, waiting for Johnny to get dressed but he has other plans.
“Why are you just standing there and staring at me looking so sexy with that towel wrapped around your waist. Come on, get dressed already and come to bed” you whine and watch him walk on the edge of the bed looking like a lost god inside your room.
Removing his towel in front of you, his eyes never leave yours but yours left his to look at his hard cock. “It’s not fair that I’m the only one naked here” he whispered so sexily beside your ear and eventually bitting the shell of your ear. Hands helping you to remove your shirt and panties without a rush. Pushing you down on the mattress as he spread soft kisses around your neck, shoulders and lips.
“I got tested last week”
With wide eyes you pull away from him just enough to look at him clearly and check if he’s saying the truth. “And?” your heart beats so fast as you wait for his answer, hoping for some good news.
“I think I rather show you than tell you. Hmm?”
“Fuck Johnny!” you shouted at him showing your happiness tears pooling on the corner of your eye.
“Yes, that’s what were going to do all night”
You hugged him tight until he tells you he needs air, pulling him on top of you letting him put all of his weight on your body. He’s fucking heavy but you don’t care. Too happy and excited about the great news you kiss him down to the mattress and waited for yourself to relax. Putting him under your spell as you made your way on top of him, Johnny felt cheated and quick to grab your body closer to him as he switch positions with you so easily. “Uh-uh. I’m on top, you can have second round”
His hands are quick to travel around your body, making a trail of wet kisses from your lips down to your lower abdomen. Stopping yourself to moan a little to louder because it’s been too long since Johnny touched you, only he can make your whole body sensitive. “Let it out, I love hearing you and you know that”
Big hands are caressing both of your thighs as you spread your legs in front of him so he can kneel between you. Going back to kiss your lips, putting his right arm in between your bodies, “were like virgins” you both chuckle at what he said but yours turned into a long moan when you feel him play with your slit, feeling his finger spread your juices and make your pussy more wet.
Even though foreplay is not new for the both of you, deep inside you’re both nervous. Nervous because finally tonight you two will have sex and the excitement is balling up in your bodies. Kneeling in between your legs again, Johnny moved intentionally slow and took his time with you. Thinking about how he doesn’t want to fuck you like how he fucked other girls.
He lifts your right leg gently, feeling your soft skin on his hands and placing kisses on your leg and shin. “This is the first time that I get nervous for sex… I’m just full of love for you I don’t know how to start. But oh the amount of things I want to do with you, baby” it is indeed surprising to see Johnny so nervous in bed and what he said to you made you smile beneath him.
“Don’t smile like that, you don’t know what your smile does to me” he kissed your leg again softly, placing it above his shoulders and leaning down close to you until you’re chest to chest. Johnny’s head perfectly rest on your left shoulder kissing it and your neck as he pleases. He lines his cock to your entrance pushing in slowly making you feel his veiny cock stretch your cunt for the first time. You hiss from hurt of the stretch gasping sharply as your arms swings around Johnny’s. Breathing fast and sharp near his ear, raking his soft hair as you feel all of him.
Neither of you can’t believe that Johnny is inside you. He told you how you feel so warm around him, incredibly tight and wet. How he wants to go deeper inside you but he doesn’t want to hurt you. Like you, he is breathing deeply and sharply near your ear whispering those words to you and kissing you more to tell you he means it.
While Johnny was whispering you sweet and dirty words, you focus on what you’re feeling down there and wonder how did it fit inside you. He has a big cock that’s for sure. Johnny continues to push in slowly, it’s so big you let out a soft ‘ouch’ and ‘ow’ from time to time. He loves the sound of it.
“Am I hurting you?” he stopped for a second and you nod your head breathing heavily. “Good” he said with a smirk and went back to pushing in his cock. “You sure Jaehyun fucked you good all those years?” you pinched his nipples with all your strength while you take his cock, making him whine and turned on even more. At least you made him shut up about Jaehyun.
This is it. Grunts and moans surrounds the room the moment he started rolling his hips. Kissing you to let you know how he’s getting addicted by how you feel so good around him.  
You let out the word, “big” with airy and breathy tone giving you more hard and slow thrusts so you will never forget this moment. Hitting you deep inside, he double his pace until your boobs bounce and your nipples brush on his chest making you moan louder. You reach for Johnny’s soft lips to shut yourself up and kiss him while taking those thrusts but pulling away eventually to let out a moan.
“Johnny- oh fuck! nipples, so sensitive touch them please” with no questions asked his free hand goes to your left nipple pinching it and gripping your boob just the way you like it. The position of your leg on top of Johnny’s shoulder is making you crazy, it hits perfectly deep on the spot where it feels so good.
You put your point finger inside Johnny’s mouth letting his tongue play with it until your satisfied, looking straight into his eyes as you removed your finger and transfer it in your mouth, “that’s hot” he groaned and bit your left nipple
Locking eyes with you as he put down your leg kissing you hungrily as you swing back your arms around his neck wrapping your leg around his waist. You can feel his hard abs against your stomach as he thrust still with that unbelievable pace, thinking about how hot what it is you’re doing with your boyfriend right now just simply puts you on edge.
“Johnny- huuuhh!” you call him out and part your lips, telling him that you’re about to cum as you shut your eyes and furrow your brows.
“I know baby, I know. Fuck you look so hot right now”
Both on edge and ready to let go, Johnny managed to pull away from you to grip your waist with both hands. Lifting your hips from the mattress unconsciously as he continues to give you quick and hard thrusts. “Fuck dont stop!” gripping the sheets as you let go and clench your pussy for as far as you can hold.
Watching you shiver beneath him and enjoy your high while he’s still catching for his sweet release is like an accomplishment for him. Shooting his cum inside you, Johnny whimpers loudly and moans your name with heavy breaths and sharp gasps.
You clear your throat and reach for him, “Kiss me Johnny.” As you devour each other’s lips again, Johnny’s thrust became slow and relaxed just perfect to remind you that he’s inside you still.
“Johnny, I can’t feel my legs”
That made him finally stop moving but still not pulling out. “Mind if I stay in for a while?”
Arms flying around him again to push him closer to you, loving how Johnny feels inside you. “I don’t mind baby, stay forever”
As always, you two finish the night with a lot of kisses. Soft, gentle, rough hungry kisses all night long until you two get tired and sleep naked, hands intertwined and happy that you two finally made love.    
…………………………………………. Masterlist
I told myself I will stop making Johnny fics and give chance to other members but here I go again. Forgive me, he’s not even my ult :(( haha Anyway, thank you for reading this! This has been the longest thing I’ve ever written and I will never write a love triangle fic ever again. hahahha kidding. I got the inspiration from this photo, hahaa Jaehyun looked so handsome here like ‘boi who u textin huh’
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seacottons · 4 years
Text
uni!au with ateez — [ part one ]
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—[ san - performing arts ]
ironically, you met when you helped him after a taller male shoved him down whilst in a heated argument.
he burst out laughing when you asked if he was okay.
“don’t worry, we’re just practicing our lines!”
you quickly glanced up at the building and grimaced once taking sight of the gleaming silver ‘performing arts building’ plaque.
of course.
to say you were embarrassed was only scratching the surface.
you had no regrets, because the incident was the catalyst that formed your friendship and eventual relationship.
will never let you live that moment down.
“remember when you tried to save me from mingi?”
“i thought we promised not to bring that up again-”
“why can’t i? i was saved by an angel that day?”
san invites you to both his dance and theatre shows.
will appear to be very professional on stage, but you catch his eyes frantically darting to the crowd to try and spot you.
and once he does, he will repeatedly smile and wink in your direction.
you’re always early, so you manage to snag a seat in either front two rows.
likes when you bring him bouquets as a congratulation gift after his performances.
gets very loud backstage just to let everyone know you bought him a gift.
a huge show-off.
is very good at facial expressions.
you fall for every time he pretends he’s crying or hurt when you don’t give him attention.
he will imitate different characters and repeat after actors while you two watch movies together.
“it sounded sexier when i said it, right (y/n)?”
is a very clingy cuddle bug.
and a leech.
will always have his arms around you while walking at campus.
loves to give you back hugs.
is the type to wait outside for you until you finish class.
and takes you to the cafeteria afterwards for lunch.
embarrasses you in said cafeteria by spinning the lunch tray while waiting in line.
also likes to spin your phone just to freak you out.
also the type to excitedly text you about the donuts and coffee they’re giving away at the library’s breezeway.
likes to refer to you as ‘angel’.
will beg you join the different clubs he’s in.
and then brag about you to the others once you do.
will hype your choice of attire even if he’s already seen you earlier that day.
the type to also sneak you a latte in the middle of your class.
also the type to sneak in with you during your auditorium classes.
you regret it sometimes because he leaves no room for you to pay attention to your professor.
often times, so much so that you have to lightly pinch his side in protest.
“do you want me to fail this class?”
he likes to participate in the many events held at campus.
everyone knows him.
challenges you to dance offs in the middle of campus.
you refuse and push forward a startled mingi instead.
“mingi wants to have a turn this time!”
also likes to lay in your arms whilst you play with his hair.
“were you a cat in your previous life?”
he will then proceed to meow in your ear.
“i’ll take that as a yes.”
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—[ hongjoong - fashion design ]
dating him would consist of always admiring his new projects.
supplying him with unhealthy amounts of coffee.
trying out new pieces he made.
offering to carry his overly large portfolio binder sometimes.
sitting down and listening to him rant about how his roomates fail to wash clothes properly.
he has a guide taped to the washing machine with the different symbols of clothing labels.
“no, san, you can’t use shampoo as detergent.”
“but seonghwa finished all the detergent!”
using seonghwa’s lint rollers to remove all the fabric fibers stuck on hongjoong’s clothes.
you scold him while cleaning the bleeding scratches on his fingers from his sewing needles and pins.
“don’t worry, it’s nothing i can’t handle.”
“but i don’t like seeing you get hurt, you bum.”
you bought him strawberry bandaids because he thought they were cute.
sometimes, when he has time, he’ll custom make clothes just for you.
he insists on having multiple matching outfits.
will ask you to model his work for his social media page.
thinks you look best in skirts.
you’ll be the source of comfort during presentation week.
he’ll be a wreck whilst making a new collection.
but you’re always there to pick him back up.
most of the time, you’re the source of his inspiration as well.
you insist he shouldn’t sit for hours writing essays or sketching numerous ideas for future work.
but he’s stubborn as a mule.
nights with him include binge watching fashion shows or cute cartoons.
or painting your nails.
you both enjoy coffee dates when you have time.
he tells you he wants to open a fashion line one day.
you’re trying to stand still as he plucks numerous pins into the dress you’re trying on.
“what do you think i should call it?”
“hj couture? does that sound too basic?”
he pauses momentarily before spooling the leftover red thread.
“(y/n). i’ll call the line (y/n).”
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—[ wooyoung - culinary arts ]
invites you to his dorm and cooks for you.
his apartment always smells of warm spices and comforting meals.
pretends his roommates’ teasing doesn’t affect him, but the tips of ears always glow red.
will always bring over leftovers he made in class.
“i just thought you wanted to try this mille feuille.”
“which one is better? the salted rosemary loaf or the oregano and olive oil one?”
loves to bake and cook with you.
will make your birthday cake from scratch and will go all out decorating it.
has an annoying habit of taking pictures of you mid-bite.
“delete that right now.”
“but babe, you look so cute.”
“jung wooyoung!”
will wrestle with you as you attempt to take his phone away.
“okay, look! i swear i’ll delete it!”
he saves it in a hidden folder.
calls you his ‘cupcake’ or ‘sugarplum’.
teases you nonstop when you fail at something in the kitchen.
“babe! no! gentle folds! you pulverized those poor blueberries!”
“but the instructions say to mix!”
“the dough isn’t supposed to be blue!”
he’ll whine nonstop about how much he hates baking bread in class.
“do you know how abnoxiously long the fermentation process is!? i’m losing my mind.”
will wave and yell your name to catch your attention if he spots you nearby at campus.
you hear him every time.
he’s just that loud.
drags you to new restaurants just so you can rate them with him.
also drags you to go cutlery shopping.
accidentally dropped a plate in the store.
and when the employee came sauntering in the aisle suspiciously-
“(y/n) did it.”
once gave you food poisoning by accident.
you never wanted to eat scallops again.
you don’t mind his hands smelling like garlic or ginger most of the time.
or stained with spices.
“turmeric is a bitch.”
“woo, who wears white while cooking with turmeric anyway?”
will show off and brag about his knife skills.
demands to race with you to see who can chop the vegetables the quickest.
“you’re going down, (y/n).”
“uh- i don’t think i ever stood a chance to begin with.”
he lets you win sometimes though.
will beg you to visit him at his part time job at the cute cafe not too far by.
you always try to when you have the time.
and when he finds out you went to the rival cafe across the street one day..
“on a scale of 10 to 10, how bad is kang yeosang’s cooking?”
“what?”
“answer the question, (y/n).”
“woo, it’s 3 a.m.”
the next day, you explained that you were merely invited by your classmates to that particular cafe because one of them was a former employee there.
he childishly ignored you with crossed arms and a subtle pout.
“your jajangmyeon is much better. they didn’t even like the food there!”
he finally perks up with a large smile.
“wait, really?”
you think he looks endearing with his apron and chef’s hat.
will post cheesy captioned pictures of you after serving you delicately decorated plates of food.
‘two delicious meals for tonight, hehe.’
“gross. did you really have to say that?”
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—[ jongho - kinesiology ]
you met him at the university gym and instantly clicked.
found yourself months later agreeing to go out with him.
a giant goofball.
sometimes makes faces at you while you exercise across the gym.
makes sure you watch him when he deadlifts.
loves when you hype him up.
opens all the jars for you.
and cuts all the fruit for you.
“why use a knife when you have my hands, love?”
you nearly choked on your saliva when he punched open the watermelon.
“can we ever just have a perfectly sliced watermelon!?”
“no- unless i break my arm one day.”
insists you jog with him around campus early in the morning.
likes to practice wrapping elastic tape on you.
you own half of his hoodies.
takes you to watch basketball matches.
then challenges you to a match when you go on dates to the park.
will persistently tease you about your poor aim.
and will absolutely not let you have the ball for more than a few seconds.
“stop cheating!”
“i’m not cheating! you just suck!”
joined you in some of your elective classes.
will also wear sleeveless shirts because he knows how flustered you get while his sculpted muscles are on display.
“what did professor kim just say?”
“what?” you tore your gaze from his biceps to glance at his face.
“are you staring at my arms again?” he snickers.
“no,” you say too quickly, face heating quite considerably.
despite his teasing, he’ll always baby you and take care of your needs.
has the cutest gummy smile.
you like to call him your gummy bear.
he hated the name at first, but grew to accept it over time.
likes to randomly pick you up.
sometimes will throw you over his shoulder.
has a habit of patting your thighs.
sometimes asks you to sit on his back while he does push-ups.
your eye bulged at the sight of a mop of ruby hair.
“don’t say anything.”
“you like apples so much you dyed your hair red?”
“i lost a bet.”
“you look cute though.”
you tugged at his tresses, smiling as you admired the shade against his tanned skin.
“baby?” you brushed his bangs away to display his forehead.
“hm?”
“you’re the apple of my eye.”
“i’m-,” he sucked on his teeth and pursed his lips, face scrunching in a mock grimace, “i’m going to throw up.”
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Between The Pipes [Chapter 33]
Rating: M Words: 2860 Pairing: Kristanna Summary: When  a new owner takes over the Arendelle Ice Breakers, Kristoff isn’t sure  about his future with the team. That is, until a PR nightmare throws the  newest member of the media team, who also just so happens to be the  daughter of the new owner, right into his arms. Kristoff and Anna can’t  even stand the interviews they have to do together… how on earth are  they going to fix this mess? Hockey!AU.
[Chapter Index]
Where To Read: [AO3]
Notes: 🥰🥰🥰🥰🥰
Enjoy!
It was about ten days before Kristoff felt all of his symptoms had fully subsided. He had started going for jogs a couple of days ago, but anything more than that tended to bring the headache roaring back. So he continued to take it easy, go for a short jog in the morning, and only watch an hour of tapes per day. Anything longer than that hurt his head, too.
Anna had… not so slowly started moving her things in. She didn’t have much, but he told her to put her stuff wherever she wanted, that she could make this place as much hers as she wanted. And he genuinely meant it. His house had just been a house. He hadn’t put much thought into it beyond the comfort of his couch and bed. Decor was minimal, and everything was very much brown.
Maybe she could help him make it a home.
Her just being there already made it closer.
After four weeks, they broke her lease and she had officially moved in. They figured it would help her save some more in the long run, help her skate by for just a little longer, even if he told her over and over that she didn’t need to worry about money.
But Anna hadn’t wanted to start things out that way. She had some savings, and she could pay for things here and there, and she didn’t want him to feel like she was taking advantage. Kristoff assured her that he could never think that she was. But still, she insisted, and he told her that that was something he absolutely loved about her.
He had been able to start doing more normal exercises again. Working with the trainers was annoying, but there weren’t any headaches returning when he pushed himself like he used to. They told him if he could do this for a week without any symptoms popping up, he could get back on the ice. 
That week went by like a breeze, and Kristoff relished in the feel of crisp ice under his skates. There was no feeling better than being on the ice. He sighed with defeat as they told him they wanted to wait another week before they started firing pucks at him, but he grudgingly agreed. At least he was skating.
And then, even better, he got to come home and see Anna, her hair wrapped into a bun on top of her head as she sat with her knee to her chest, drawing in an almost full sketchbook, her tongue caught between her teeth. “Hi baby,” he smiled, his heart warming as she looked up at him and used the back of her hand to push hair from her eyes. He kissed her softly as he walked past, enjoying the pure domesticity of it all. “Have a good day?”
“Oh yes! I went to that cafe downtown that we like - you know, Oaken’s Mochas and Teas?” 
He always laughed at the name. So on the nose.
“And well, I noticed that they didn’t have any sort of logo or anything so… I don’t know. I just…” she blushed and spun around on the chair, dangling her legs off the side. “They know me and I figured what was the harm in asking - so I’m designing something for them now!”
His eyes widened and he took three steps forward to clear the gap between them, placing an enthusiastic kiss on her lips. “Anna, that’s so great.” 
“They’re paying me, too!” She was giggling against his mouth, and he couldn’t help but smile. “Remember how the last place wouldn’t pay? I took it because, you know, portfolio, but I offered for free, but they insisted.”
“I’m so proud of you, baby.”
Then her arms were around his neck and not letting go and she hummed low and slow, “how about you? Good day? Worn out?”
Oh. He was never too worn out for that.
He hoisted her up onto his hips, grinning like a madman as they moved backwards to his bedroom. Well, their bedroom. She never did sleep in the spare room.
He was growing slightly frustrated at the week-by-week status, but he knew this was his second head injury, and they wanted to be more careful this time around. But only progressing to the next step after a whole week was growing agonizing. At least he was doing non-contact now, grinning from ear to ear as he slapped each puck out of midair.
God it felt so fucking good to be back like this.
Anna had come with him today to spend some time with Honeymaren while they practiced, and he could hear her whooping from the stands. Every time he made a save, “that’s my baby!” Every time someone scored on him, “you’ll get it next time honey!”
It was the most endearing thing ever, as she jumped up and waved her hands in the air, as if it were an actual game. As if it weren’t just her in the stands, cheering him on during a practice.
God he loved her so much.
Finally they were letting him practice back in a regular jersey. No more no-contact. He was fortunate that goalies rarely got touched anyway, but now they guys weren’t holding back anymore. Slapshots and more risky wraparounds and pucks fired in a way that made him dive were becoming the norm again, and he felt so damn good with every puck he saved. 
Shot by shot, the rust was shaking off, and Kristoff felt ready to get back in a game. It was almost April, and he needed to be playoff ready. They had promised him he’d be back in by March 20th, which gave him a little under three weeks of in-game play before the playoffs started. They were so close to a playoff spot, and he knew that he could help them win it.
But he wouldn’t rush, and he was going to trust the physicians on staff, and take it slow. 
If for no other reason than Anna.
He knew she was worried about him getting back in. But they weren’t playing the Stallions yet - they had at least until the Eastern Conference, and by then he would undoubtedly be a one hundred percent. Plus, the guys had his back, and, he couldn’t help but laugh about it, Warren had been scratched for the rest of the season. Coach’s decision.
Right on the promised date, Kristoff was starting in net against Tampa, and the literal electricity in the arena had him amped up beyond belief. Their whole team was working together like a well oiled machine, and he hadn’t realized what a vital cog he was to the whole operation until he had been gone. Even if it had just been in practice, he already felt the connection, and he knew this game would be easily won.
Anna had threatened him with an indefinite withhold if he didn’t let her come on the roadie, so she was up in their box, undoubtedly screaming along to every play, and just knowing she was in the arena made his game that much better. 
They won, 5-2, and dog-piled in the middle of the arena as they clinched their playoff spot.
Fuck. This was still the best feeling in the world.
The rest of the season went by in a flash, and before they knew it, the Ice Breakers were facing New York in round one. It felt so easy now as they swept the round, and had extra days for recovery. 
The Stallions lost against Boston. 
It had been a weird moment, celebrating someone else’s loss, but Anna had come home with two bottles of champagne and they popped bottles and got a little drunk and Anna had taken him to bed and all right, he might be okay with celebrating another’s loss if it meant he got this. Plus, it was the team that almost took him out for the end of the season.
Yeah, he was okay with celebrating.
Philadelphia was a harder won match. They liked to play dirty. It went to game seven before they finally secured the win, and they all felt the tiring ache of it. Kristoff hated going to game seven - it meant they only had two days to recuperate before the next match started. 
But Anna had drawn him a hot bath, had snuck in to lay on his chest while he relaxed, and scratched her fingers against his chin as she waxed poetic about playoff beards and how maybe he should just keep it and then her hands sunk a little lower, and he was suddenly feeling a lot more prepared for the Conference finals.
He genuinely thought they might lose to Toronto. They lost the first two. Won the third. Lost the fourth, and if they didn’t win all three of the remaining games, they were out.
It was close. God it was so fucking close. 
Game seven. They were 3-3. Sudden death overtime. It looked like it might head into double overtime, with only eighteen seconds on the clock, but then --
Pederson scores! Ice Breakers win!!!! 
Thank fuck.
Anna was there for every game. Every win, every loss, she was there. And he knew he wasn’t being a good boyfriend right now, he knew that he was too focused on his career right now and this was what he had been so fucking concerned about from the beginning.
But after game two against Nashville, which they lost miserably, Kristoff was sulking on the couch watching tapes to figure out where they kept scoring on him, and Anna wrapped soft arms around his neck. 
“Hey,” she hummed, not even reacting to his short, irritated reply. “I just want you to know… How proud I am of you.”
That got his attention. 
“You had a really traumatic thing happen, and you bounced right back from it, and you’ve been playing so hard, and so well, and… There’s no fear, and that’s amazing.” He let one hand raise to her arm, stroking his thumb across her skin.
“I love you so much,” he muttered, tilting his head back to look up at her. “I’m sorry if I’ve been a bad boyfriend.”
“I know,” she smiled, placing one quick kiss against his lips. “And you haven’t. I can deal with your job being most important for two months of the year.”
“You love me still?”
“More every day.”
He felt more confident in game three. And four. And then they were up three to one, and only needed one more fucking win to win the whole damn thing. 
They were in Nashville and Anna was lamenting the fact that they didn’t have the time to actually see the city this week, and Kristoff pulled her close and told her if they won tonight they could stay here as long as she wanted and see everything she could possibly think of. She blushed and kissed him and told him that he better bring his A game, because she was holding him to it and would be horribly disappointed if they had to fly back home tonight.
That was an extra motivation.
They arrived at the arena early, amazed at the crowd already forming and the insane energy just surrounding the building. Playoff hockey was a whole other world, and he was so ecstatic that Anna was getting to experience it by his side. He kissed her deeply before she had to head up to the box and him to the locker room, with a quick squeeze of her bottom and a laugh.
“Hey!”
“It’s for luck!!”
Anna swatted at him but grinned as she followed Jelissa up the stairs to the visiting team’s box, laughing with the blonde about their stupid men and how on earth do we put up with them and Kristoff tuned out the rest before he heard something he didn’t want to. Then he turned his focus to the game.
“Men!” Sven hollered, his voice booming through the locker room. “This game is do or die. We’re ahead, but you better not let that cockiness mess with your game.”
Kristoff couldn’t help but smile. His best friend had perfectly honed his skill of making a speech lighthearted but also motivating. The team followed him into fire, and Kristoff had always admired him for it. When Sven wrapped it up and hopped down from his perch, Kristoff held out a hand, gripped his best friends’ and knocked their helmets together.
“Captain.”
“We win together or we die together, brother.”
Kristoff almost laughed at the drama of it all. “Calm down, Aragorn.”
Sven was silent for a moment. “When the fuck did you watch Lord of the Rings?”
“... Concussion recovery was rough.” He dropped Sven’s hand and smirked. “But it was actually pretty good.”
“Haven’t I been telling you for years that you would like it?” He smacked Kristoff upside the head and grinned. “Never listen to me, but the second you get a girlfriend…”
They heard the announcements starting, and moved out towards the runway. As always, they were last onto the ice, and as always, they fist bumped before they stepped out. He was as ready as he’d ever be. The timer counted down, they got into position.
Three.
Two.
One.
The puck hit the ice.
Period one had a rough start. 2-0 Nashville. But he was recalibrating, remembering what it was he kept missing. They got him on his glove side. They knew he was a little weaker, a little more hesitant with it after the injury.
But he could fix it.
Period two, nothing got by him, and the guys scored three times. 2-3 Ice Breakers. Thank god.
Period three, and the pressure is on. Nashville doesn’t want to lose, and the Ice Breakers don’t want to drag it out. They’ve played three long matches already. 
Nashville scores.
Ice Breakers score.
3-4.
4-4.
5-4.
5-5.
And then.
Carruthers, the kid they just brought up from the minors to fill in a gap from another injury, fucking scores with three seconds on the clock. His third game. His first NHL goal.
The fucking Stanley Cup game winning goal.
The whole team runs to center ice. The whole team dog piles on top of the kid, still silent and slack-jawed with shock, still not believing what just happened. 
“Fuck yeah!” 
“God damn it Ruthy!”
“How the fuck, kid!”
The incoherent screaming from the team didn’t drown out the booing from the crowd, but nothing would bring them down right now. Nothing could.
After their celebration, both teams basically let the three seconds run. Nashville knew nothing could be done, and the Ice Breakers weren’t about to let anything past them anyway. The buzzer rang and they all cheered again, whooping and hollering as they received the cup, went through the motions in the arena that wasn’t welcoming them. Then they ran down the runway, back to the locker room to find their family and friends waiting with enough champagne for every person in that room to have their own bottle.
Captain Sven Pederson had the pleasure of carrying the cup back with him. 
Music was blasting, everyone was screaming, champagne was already flying through the air and as the team started stripping some of their bulkier gear off, Mattias took to the stage. 
“I’ve never been more fucking proud of you boys. You rallied together and in just a few years, we’ve already risen so far beyond what people expected of this new little team in the middle of nowhere. I’m not going to make some big long speech,” Kristoff could see the tears in his eyes as he sniffled, and he let out a booming laugh as he looked around the room. “But you’ve all just… you’ve made me feel like a proud father.” He waved his hands in front of his face and shrugged. “But fuck my speech, let’s celebrate!”
And celebrate they did.
Bottles popped, beers were distributed, everyone drank way more than they should as Sven emptied at least 8 bottles of champagne directly into the cup and lifted it to pour into every players’ mouth. The man of the hour, Scotty Carruthers, was herded to the middle of the pack and drenched in champagne and beer before he had even fully finished processing what was happening.
After far too long, Kristoff found Anna, and she leapt immediately into his arms, placing sloppy peppered kisses all over his face. “I’m” kiss “so” kiss “fucking” kiss kiss “proud of you.” And then a hearty one on the mouth, as her hands pressed firm to either side of his jaw. 
Kristoff smiled with his fingers spread wide over her back as she threw her arms in the air to add more beer to the rain in the room. She laughed brightly, lowered her hands back to his shoulders, and gave him the best smile he had ever seen. “I love you so much.”
And then he thought that somehow that was worth more than the fucking Stanley Cup.
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Project 3: Landscape composition
Due to the current travel restrictions and lock down it didn’t feel appropriate or safe to sketch on location the way I would like to. Reading through the exercise I really wanted to study London’s Southbank. This is my favourite part of London and reminds me of spending days with my family, walking along the river and visiting the Hayward, National Theatre, BFI or The Royal Festival Hall. Although often viewed as ugly I love the brutalist architecture and enjoyed climbing up the various staircases and levels, hiding behind pillars and looking out over the Thames. 
In my last Unit, Illustration Two, I completed a six digital illustrations of some of the iconic buildings on the Southbank. In preparation for that assignment (and about two weeks prior to the last lockdown) I took lots of photos so had some reference material already to work from. 
My Photos
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My previous Illustrations
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Visual Reference
I also supplemented my visual reference using photographs and videos I sourced online. This allowed me to explore more angles and perspectives that I hadn’t captured previously and the videos in particular helped me to remind myself of the feeling of walking down river. 
London National Theatre (Escuris, n.d.)
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Hayward Gallery (Guy, n.d.)
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Geometry + Geology: Hayward Gallery (Hewitt, 2011)
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London Virtual Walk With Ambient Sounds Roof Bar To Festival (Living Walks, 2018)
youtube
360° London - South Bank (Fly Through Films, 2015)
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Difficulties in comprehension
I read through the project instructions multiple times but struggled to understand what exactly I was been asked to do. I looked at other printmaking students learning logs to try to gain a better understanding however this didn’t clear it up entirely for me.  I am going to include the instructions and my interpretation of them within this write-up in hopes that my tutor or future assessor will understand my rationale for my work, even if the process I have used isn’t what was asked of me. I have used bold to indicate my thoughts.
Instructions
‘Using a pencil on A3 paper and working to the edge of the page, make a line drawing of a section of built environment. Pay attention to perspective and the main forms and structures avoiding excessive detail. Think where to place the lights and darks. Line drawing to me means just the key shapes, I’m not sure how to indicate tone, light and dark within a line drawing. As a left handed person, excessive pencil mark-making quickly becomes messy. You may well need to do a number of drawings until you find the perfect balance of shapes.
Now draw four boxes on tracing paper 15cm x 10cm. Use these boxes as viewfinders and move them over your drawing trying different angles and compositions looking for what you consider to be balanced composition of lines and shapes. As you make your tracings you can edit any unwanted detail and even make the design more abstract – enjoy the freedom of exploring form to produce an aesthetically pleasing composition.
You will use these tracings (plural) to mark up your piece of lino. (singular) Is the final piece meant to be 15cmx10cm? Are the four tracings meant to be combined to create one piece around A4 measurements (30cm x 20cm)?
The print is going to be black, grey and the colour of the paper. You can start by adding black to one shape and then to another to balance the weight and so on.’
My understanding and steps
Make a pencil line drawing on A3 with little detail of a built environment.
Using  viewfinders, explore the image to find a good composition.
Refine and edit composition (for me this usually means using pen to block out dark areas).
Combine the four sections to make one abstract composition. 
Use a reduction print method using grey and black. 
First Sketches
I completed two very basic sketches of The National Theatre (reference Escuris, n.d.) and the back of The Royal Festival Hall (reference Living Walks 2018).
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(Pencil on paper)
I used paper viewfinders on my LED light board to trace selected areas. I put the pieces together in different potential compositions and scanned them. This allowed me to put the compositions next to each other to allow for direct comparison. 
Three different compositions scanned
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(Pencil and pen on paper)
Draft composition, taped viewfinders
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I then went over this composition again, cleaning up lines and bending others so the image felt less disjointed. To help me remember which bits I needed to cut, the blue in this image represents areas of white. 
Final Composition 
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(Pen on paper)
I selected this composition as the contrasting angles meeting in the centre of the design reminded me of a ship, moving forwards through the river. This felt in keeping with the riverside location of the National Theatre. The overall image feels dynamic and dramatic. 
The abstract interpretation of buildings reminded me of the hand coloured etchings of Bronwen Sleigh.
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Earlspark Avenue, Pacific Quay, Rue Beaudoin,Hinna  (Sleigh, n.d.)
First Layer test print with ink pad
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Printing process
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First time using my press
I had difficulty using the press for the first time as my Lino was jumping causing the registration to be off. I ended up completing the run by hand as I being a reduction print I only had a limited number of prints and didn’t want to ruin the entire run and have to start again. Through talking to other printmakers on Facebook I have since learnt that I had the pressure too tight. 
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Final Prints
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Best Print
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I would have never considered creating an image using in the method outlined in the course materials (or my interpretation of them!). The end result is bold and striking and captures my joy for the National Theatre and it’s architecture. 
PLEASE NOTE: These prints have been scanned using the incorrect setting causing the colours and contrast to be inaccurate. I will be re-scanning and updating this post at a later date.
References
Escuris, L., n.d. London National Theatre. [image] Available at: <https://linoescuris.com/london-national-theatre/> [Accessed 21 December 2020].
Fly Through Films, 2015. 360° London - South Bank. [video] Available at: <https://youtu.be/WGjCaNTQhVk> [Accessed 21 December 2020].
Guy, C., n.d. Hayward Gallery. [image] Available at: <https://gidsey.com/portfolio/hayward-gallery/#> [Accessed 21 December 2020].
Hewitt, D., 2011. Geometry + Geology: Hayward Gallery. [Gelatin Photography].
Living Walks, 2018. London Virtual Walk With Ambient Sounds Roof Bar To Festival. [video] Available at: <https://youtu.be/NsD7FbiMMlU> [Accessed 21 December 2020].
Sleigh, B., n.d. Earlspark Avenue. [Hand coloured etching].
Sleigh, B., n.d. Hinna. [Lithograph].
Sleigh, B., n.d. Pacific Quay. [Hand coloured etching].
Sleigh, B., n.d. Rue Beaudoin. [Hand coloured etching].
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iamalivenow · 5 years
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“What did you use to do, before?”
They're taken aback for a second, because no body ever asks about Them. Not really, not in any sort of meaningful way.
“I'm an actor, darling. A Thespian, Surely you've noticed by now-”
“No, I mean.” Catra is a slim thing, no real muscle in her upper body at all, so when she leans on the railing of the balcony, Double Trouble really thinks she might tip right off. That would be stupid funny, watching her flail to her death.  But then, don't cats always land on their feet? “It's not like there are a lot of armies looking for spies.”
“Oh.” They flip their hair out of their face so that they could get a better look at her. Her hair is a nightmare, all over the place and in desperate need of a wash. “Much the same thing, really.”
“Aw, c'mon. We're friends right?”
That's a laugh too.
“Sure.”
“So then come on.” Catra whines, stretching from the railing, tail twisting around Double Trouble's own. That's a degree of familiarity she's definitely not paid for, but they don't pull away.
The Red Wastes were a hard place, for hard people, and the thing about hard people is that if you know how to distract them they'll miss what's right in front of their face. There have been a series of grifts, most that weren't worth mentioning, because they were just so basic, they put Double Trouble to sleep. Huge muscles were nice but they really left nothing in the brain area at all. They literally made a guy chase paper money on a fishing rod before. Criminally basic.
The other thing about hard people was that they paid extra for sex work if you could look like their dead lovers. Or their enemies.
“You know.” They turn, back on the railing. “Little bit of column A little big of column B.” Head tilted, they get a better look at her. “Someone as talented as me simply has to diversify their portfolio.”
“Is it embarrassing? Is that why you won't tell me? That's really lame.”
“There's nothing embarrassing about sex work, kitten.” And if she's too dull to pick up the insinuation, Double Trouble must have really thrown in with the worst sort of lot.
“O-oh.” There's a blush high up on her cheek that's just darling, and they slide into being her just to feel it on their face.
“What's wrong?” Their new soft tail twists around her waist. “Embarrassed? That's really lame.”
“Shut. Up.” Catra nudges them, but there's no real bark behind it. She's so predictable. “So what you just. Turned into other people and then-” She waves a hand, trying to look like she has any idea what she's talking about.
“God,  you're so cute.” Double Trouble hugs her, gets a hand in their face for the trouble, but who cares. “Yeah, doll. That's pretty much it. They'd show me a picture and tell me about it and I'd, you know.” They wave their hand just like she did. “Get method about it.”
“Huh.” She pulls away and Double Trouble lets her, their one body twisting back into their preferred preset. “And there's money in that?”
“You live on a military base. Are you really going to pretend people don't fuck around?”
“No!” Her tail stands up a little. Oof, weak spot. “People are just stressed, it's different.”
“Aw, no one ever crawl into your bunk?” And then they step into Lonnie. “People were lonely. Or frustrated. Or stressed.” They throuw an arm around Catra's shoulder. Her hair was coarse, they were right. She should really do something about that, maybe use some oils.
Adora comes easily enough, though they're pretty sure they still haven't gotten the hair just right.
“Ugh.” They're shoved again, and they go, laughing, back into their own pretty body.
“Practice makes perfect, kitten. And I'm as good as you can get. So watch the judgey face. Totally doesn't suit you.” They twist past her, into the glass frame of the balcony. “If you need me you know who to call.”
Double Trouble imagined they're done with conversations about their past.
Well, everyone's wrong from time to time.
There's a picture, a pretty scratched up one honestly, attached to their usual paycheck that makes them stare between Adora's face and back to Catra's. She's blushing again, tail curled around her leg, ears almost flat against her head. Wow, she's really showing her vulnerable side here. Taking notes for later, Double Trouble looks back at the photo.
“How much.” It's not even a question.
Sometimes this sort of thing is really way to easy.
They tell her the price and when she nods, they step into their role. Adora is, lets see, stubborn, but like, cute about it. Stuck to her convictions. A super boring character, but hey. Money's money. The day Double Trouble starts sticking their nose up at a paycheck is the day they drop dead.
It's easier to let Catra lead, let her set the tone of how she wants the little session to go, so when Adora gets slammed up against the wall, they swallow down the irritation that comes with another one of Those sessions.
Honestly, just buy a punching bag and some duck tape.
It's would be so much cheaper.
But then, just Adora starts biting out some insult, about how Catra's been like this from the start, how Catra's never taken anything serious but wanted everything that came with serious anyway, Catra's mouth is on theirs.
If she's never kissed anyone, she's pretty decent at it.
Or maybe it's just the scratchy tongue.
The rest of the affair is relatively silent, Catra pulls Adora around a bit until they end up in her bunk. Adora is on her back staring up at her, hair a mess and clothes ruffled. They're sure Adora paints a very pretty picture. Their client is panting above them, tail ramrod straight, claws digging into Adora's arms. Maybe even making her bleed a little.
“Catra?” With just that right hint of vulnerability and confusion in the voice.
“Shut up-”
“But-”
“Shut up! You don't- You don't know anything.”
“Okay-” Adora looks away, showing the neck off. “Okay- I trust you.”
“Still?” Catra's voice cracks like she's about to start crying. Poor baby.
“Always- You're my best friend, right?”
“But-” She slumps down, face buried into Adora's neck, trembling. “But after everything-”
“You did what you had to do. To keep yourself safe. I-” Adora bites her lip, leans forward a little, into Catra's hair until she finds Catra's forehead and presses her lips against it. “I understand.”
Catra does sob then, full body shaking with it, until her hands loose and raise to cup Adora's face. This kiss is was more intense then the last, even with out the biting. It's like it's Adora's entire job to keep her together or Catra's going to fall apart in a million tiny pieces-
Poetic.
Also unbelievably pathetic.
Who's in charge of the command structure here? Any idiot who pays even the tiniest amount of attention can see that Catra's on the verge of thirty different mental breakdowns.
“I've got you.” Adora says when they finally pull apart for air. “I've got all of you. I'm right here, Catra. I'm right here.” She rubs Catra's back, slowly soothing circles that just make Catra cry harder. Double Trouble can't stand this sort of thing, they really can't. Go see a therapist if you have the money. If the Red Wastes had some, this place defo has to right?
“I'm sorry.” Catra mumbles later, when she's all cried out.
“It's- You did what you had to do. I won't pretend it didn't hurt.” Adora says, holding Catra's face in her hands now. “But you're here now. So am I. We're both okay. That's all that really matters, right?”
Catra nods, kisses Adora again.
Oh, is she finally going to get to the good stuff?
No.
No, turns out it's just time to lay on top of each other.
This is romance.
This isn't the worst thing they've ever done, not even close, because there have been times when the client got a little to rowdy, a little to handsy in ways that they had to stop. There were also times when the sex just sucked so hard. There were time when they got really hurt, because people tend to forget it's not really their dead lover or whatever. Double Trouble chooses to take it as a compliment, really. Because they are just that talented that people forget they're paying for it. People forget everything in the whole wide world.
But this? Has to be the most boring thing they've ever done.
Hands down.
They have had one or two other clients that wanted the some thing, but at least after, Double Trouble knew they were going to get snacks out of it, hand crafted jewelry they could pawn, some sort of reward that made the whole wholesomeness thing worth it.
This though?
As soon as Catra wakes up, because yes, she did fall asleep, they're going to have to say bye and trudge over enemy lines and pretend to be an hero obsessed idiot.
But again, it's not like they stick their nose up at free money.
They could take the nap too, catch some extra beauty sleep. Not that they need it. Either way, it beats just staring at the ceiling.
Mostly.
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~KISS AU writings 7~
OH BOY I’D BEEN WANTING TO WRITE THIS FOR A WHILE. Sometimes putting ideas together can be such a bitch.. >_> Here’s hoping this is at least halfway decent!
~Shandi
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~MODEL AU~
Featured Pairing: Bruce Kulick/Paul Stanley
Special Guest: Peter Criss
Summary: Bruce is passionate about making a name for himself the field of photography. Unfortunately for him one of his first big assignments is a photo shoot with Paul Stanley, the ‘impossible-to-work-with’ model. (told from Bruce’s POV)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
One chance. That was all I needed.
I had already submitted my portfolio to about half a dozen galleries but none of them expressed any interest. I was getting frustrated. Feeling defeated. Looking at my camera every day and asking myself ‘what the hell was the point?’ This day and age people aren’t falling all over themselves to become photographers. They needed real jobs. To pay for things. To live. Sure, I had my music to get me by. I liked playing my guitar at local clubs and bars. Being asked to come back over and over because people loved me. Taking pictures was just a hobby and I hoped to make it into a full time career. But life has a way of making you face reality in the harshest ways. Living in L.A. was expensive after all. I can’t keep my apartment by taking pictures. 
Saturday night after I come home from playing at a club I see the light on my answering machine flashing. Can’t be a business call. Nobody except my mother and occasionally my brother call me on weekends. I’m thinking of just pressing the button to erase the message but something is stopping me. Guess my curiosity is way too strong. So I press the button to play the message back instead. I actually feel my heartbeat speed up as the tape rewinds. When it finally plays I hear a voice I don’t recognize. 
"First of all I’m used to talkin’ to actual people so be thankful I didn’t just hang up. You must not want a job that badly if you’re not answerin’ your phone. 323-855-1220. I’m givin’ you a day to call me before I write you off."
I was at a loss for words. I had to rewind the tape and listen to it again to make sure I wasn’t dreaming. This guy definitely didn’t beat about the bush. And that accent..unmistakably Brooklyn. I grab a notepad and a pen and write down the number. I wish I could just call right now but it was probably too late. Or was it? I had no idea what his hours were but at the very least I could let him know that I got his call. What did I have to lose? I pick up the phone and dial. I’m not really expecting an answer. Two rings later someone actually picks up! 
"This is Criss. Talk to me."
His tone catches me a little off guard. “Um..this is..Bruce Kulick? You called me and left me a message?” A short silence. 
"Oh yeah. Called back earlier than I expected. I like you already. I’m gonna get straight to the point. I got sent one of your portfolios. Good colors, nice angles. Looks like you know what you’re doin’. Think you can shoot people the same way?"
“You mean..a model shoot?” 
"Yeah. We’ve been looking for a photographer for my best model. We’ve already had to fire four of ‘em cause he didn’t like ‘em."
Wow. Sounded like a full scale diva. “If you’re willing to take a chance with me I can do it.” 
"That’s what I like to hear. Come to the Catwalk Studio Monday at 9 am. 75 Santa Monica in West Hollywood. I’ll introduce ya and we can get started."
“T-Thank you, Mr. Criss! I’ll see you Monday!” 
"Ciao~"
I’m way too exhausted to jump for joy but I sure as hell want to! I can’t believe my luck! This could be my big break! I’ve got busy days ahead of me~
I spend all of Sunday cleaning my equipment and placing everything in their cases. If I’m going to shoot a model I need to look as professional as possible. I put together another portfolio just in case. I’ve taken more pictures of objects and landscapes than people but I did have quite a few really nice crowd shots that might impress. Going through my closet I set out some of my best clothes for the morning. As night falls I decide to turn in early. Setting my alarm, my mind starts racing in anticipation for the morning. I wish it would stop. I need to go to sleep! 
At 7 am I’m wide awake. I guess my body couldn’t wait to get the day started, not that I can blame it. I’m excited. I’m nervous. I just want everything to go right today! I shower, get dressed, have breakfast and pack all of my cases into my car. As I start the engine I hope to God that there’s not much traffic. 
The drive to West Hollywood was relatively uneventful which was a damn blessing. By the time I find the studio it was 8:45. I rush to grab my cases and get inside. The woman at the front desk looks up and smiles at me. “Good morning, sir and welcome to Catwalk Studio~ How can I help you?” I place my camera case on the desk. “Good morning~ My name is Bruce Kulick. I’m supposed to meet Mr. Criss at 9 o’clock?” She flips through her appointment calendar. “Oh yes, Mr. Kulick! Just have a seat. Mr. Criss will be out soon~”  I smile at her and sit in a nearby chair, watching the clock like a hawk. At precisely 9 a door at the end of the hallway opened. Out stepped a man dressed in a pristine black suit. His long black hair was streaked with gray and he wore green tinted glasses. He was much shorter than me but..he had a presence about him that was instantly intimidating. That has to be him. 
I get up from my seat when he approached the front desk. “My next appointment here, Lydia?”
“Yes sir, Mr. Criss he’s right behind you~”
He turned to me, putting on a smile that was 100% business. “Good! I prefer it when they’re early instead of on time. I’m sure you’re lookin’ forward to gettin’ started.” Of course I nod. “Yes sir! The sooner the better~” He places a hand on my back and guides me down the hall. “Then lemme introduce ya to your model. Gonna warn ya right now. Don’t let his looks turn you into putty. He’s good for business but he’s a pain in my ass. Don’t let him sass you. He’s the one doin’ the work for you, not the other way around. Get me?” I nod again. This guy really sounds like a piece of work. I just hope I can follow his advice and not blow it. 
As we approached the entrance to the studio a frustrated woman was storming her way out. Mr. Criss immediately frowned. “What’s going on? You’re supposed to be doing his hair.” She huffed. “I’m sorry, Mr. Criss but he won’t let me do it! He says I’m giving him split ends and that he can do it better himself! I’m done arguing with him. I’m going on break, sir.” And off she went. Mr. Criss sighed, taking his glasses off to pinch the bridge of his nose. “I swear if he wasn’t so fuckin’ pretty I’d kick him to the curb. Look..if you wanna back out I’d understand.” He looked terribly frustrated. I couldn’t help but feel sorry for him. “No, sir. I want to help in any way I can.” He patted my shoulder. “You’ve got the patience of a saint, Kulick. You’re gonna need it with that one.” He leads me into the studio and I set my equipment down. “Yo, Diva Star! Got your new photographer here!” I chuckle at the nickname. I’m sure it’s well earned from what I’ve already heard. The model seemed to be much too busy taming his fluffy curls with a ridiculous amount of hairspray to turn away from his mirror. “Ugh..can you please not call me that, Petey? I am not a diva!” 
“Yeah..and I’m the Queen of England. Now get over here!” 
He turned..and  I could swear I felt my heart stop. What Mr. Criss told me about his looks was the understatement of the decade. He was gorgeous. That face..that body. He looked like he was born to walk a runway. The way his hips moved when he walked was hypnotizing. Mr. Criss’ voice was the only thing that snapped me out of my trance. “Bruce, this is Paul Stanley. Paul..do me a big fuckin’ favor and don’t drive this one off like you did all the others.” Paul just pursed his lips as he scrutinized me. “Hm. Maybe I just won’t this time. He’s kinda sexy~” 
I think I’m really going to like this job~
To be Continued!!
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iris-writes-things · 5 years
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Two Guys and a Baby: Day 7 part 1
Read on AO3, FF.net or under the cut, or read up to 2 chapters ahead as a $1 Patreon patron!
You smoked to hide your shaking fingers. You wore sunglasses to hide the fact that the very sight of his shining smile made you tear up. You dressed in black to mourn something that never was, but could have been. Should have been. You got up and tried again.
Or, Crowley asks Ezra on a date. But not that kind of date.
Chapter 9 of 20 Ongoing 2700 words Romance/Humor
That morning, Adam didn’t wake to bright rays of sunshine warming his soft cheeks, nor did he wake from his internal clock telling him it was time to get up and give Crowley an earful about requiring breakfast ASAP.
Instead, he woke from sweet tones coming from Crowley’s ancient tape deck.
‘I can dim the lights and sing you songs full of sad things…’
This was because Crowley was really much better at brainstorming when he was in the right mood, and nothing quite set the mood like just the right Queen song. After all, Queen had at least one song for every possible human emotion, so desperate times often called for Best of Queen. 
‘We can do the tango just for two…’
His mum had given him the cassette tape on his tenth birthday and he had been over the moon. They didn’t have much to spend at the time for reasons Crowley would rather not think about and his mother had been too busy for much of anything for those same reasons, but when he woke up that fateful morning in 1997 he found a neatly wrapped, brittle plastic box sitting on his nightstand and the gesture had meant the world to him. It was in those years that Crowley learned that true love isn’t proclaimed; it’s shown. Not in grand gestures or melodrama, but in the mundane. In a birthday present waiting for you on your nightstand, in packed lunches sitting in the fridge, in bringing your crush chocolate croissants after a massive cock-up.
‘I can serenade and gently play on your heartstrings…’
But as effective as actions were in expressing one’s soul crushing love for another, they were terrifying. They had terrified. Two years ago, he had almost kissed the love of his life, but he’d hesitated. He didn’t know if Ezra wanted it too. He hesitated and was met with Ezra’s painfully blue eyes darting around the bar. He was nervous. He was shaking. And then he paid the tab and booked it out of there. How do you come back from that?
‘Be your valentino just for you…’
The answer to that was, you didn’t. You tore down everything you had painstakingly built up in one fell swoop, and then pathetically, when everything slotted together again, you started pathetically building things back up again, like some kind of wonky Lego castle. You smoked to hide your shaking fingers. You wore sunglasses to hide the fact that the very sight of his shining smile made you tear up. You dressed in black to mourn something that never was, but could have been. Should have been.
‘Ooh love, ooh loverboy…’
You got up and tried again.
*
Ezra had always had a way with the written word. Not so much the spoken word. This was why he had Gabriel for communicating with potential publishers, and his pseudonym to hide behind. It was why he couldn’t convince his family that writing novels was a perfectly respectable pastime, and that, despite not being the most virtuous, Anthony was actually a genuinely good person. 
‘Dearest Anthony…’
But what good were words, even the written ones if you couldn’t find the right ones? Because how did you tell a man you’ve known for a decade that you’ve been in love with him all that time? How would he explain that he hadn’t told him earlier? Why he had wasted their collective time by being a coward? It didn’t bear thinking about; it just wasn’t justifiable.
‘I’m sorry about the way I’ve failed to act on my feelings before…’
He grunted as he hoisted a stack of books from the box in the doorway of his shop and placed it on the new arrivals table, rearranging it as he tried to worry about other things. Things had been slow for the shop lately, but he’d been keeping afloat well enough. The recession hadn’t forced him out of business; the dawn of the ereader hadn’t, either; a slow month was nothing. People would be gearing up for their beach vacations any time now and his books would sell like anything. Well, his books… He chuckled. It would still take well over a year until his, or rather, Aziraphale’s book would hit shelves, which was a tremendous relief. Sure, he had read the book and project Anathema had left at the shop, but he would have to revise almost the entire story, especially now that he knew who his subject’s last surviving descendants were. He wanted to do right by Anathema, her mother and Anthony.
‘The simple facts are these:’
Everything always seemed to gravitate back to him, like the universe revolved around him. Creative Anthony, who found joy in drawing things for him and, once upon a time many years ago, would sneakily sketch him. Happy Anthony, who made his chest swell and burst with butterflies with every dorky, snarky, nervous laugh of his. 
‘You are my sun; beautiful, bright and blinding. You caught me in your orbit many years ago and I would be forever unable to escape. However, a satellite,’ no, that’s not right, ‘a moon of all of my accumulated fears eclipsed your light that warmed my world…’ No. No, that won’t do, either.
Ezra wondered briefly if his books, should they suddenly become sentient (he hoped they wouldn’t), would be jealous of his feelings for the other man. In fact, he hoped they would be happy for him, and quickly decided that they would be more than okay with a break from his fussing, but his admittedly odd train of thought was interrupted by the jingling of the bell over the door.
‘Dearest Anthony, I love—’
“Ezra Fell, you absolute genius, you’ve done it again!” Gabriel cried as he strode into the shop.
“Ex-excuse me?” he stammered.
“The publisher. They want your book. Turns out ‘medieval, strong female-led with a touch of the supernatural’ is exactly what they were looking for. They agreed to all of our terms in regards to royalties and compensation.”
A feeling of pride swelled within him. His book. Exactly what they were looking for. He couldn’t help but grin as even Gabriel seemed to smile down on him. “Well, did they give you any notes?”
“They wanted more from the witch’s perspective, which I told them you can do,” Gabriel started.
“Yes, of course, that will be no problem at all,” Ezra confirmed excitedly.
“And they want you to do some public appearances to promote the book. Mostly just signings.”
“Absolutely not.”
“Ezra, it’s in the conditions.”
“I don’t care what’s in the conditions, I won’t do it!” Ezra cried. Just now noticing that he was growing slightly lightheaded, he drew in slow, deep breaths to steady himself. His mouth set into a thin line. Gabriel frowned at him.
“If this is still about your family,” the American tried. “I suggest you let that go. You’re forty-one, what can they do to you? Really?”
Ezra shrugged but looked down in defeat. There was nothing they could logically do to him, and yet he was afraid. The feeling of pride he felt before was as good as gone. Drained completely by the idea of having to be publicly known. 
He didn’t write for the attention, for the fame, even less so for the fortune. He wrote because he loved it and there was no other option for him than to write. “I just don’t like being in the spotlight…” he mumbled, and Gabriel would have to take his word for it.
“Okay, fine, I’ll try to negotiate it out of the conditions.”
“Thank you,” Ezra mumbled faintly.
“Right, so, in other news,” Gabriel said, trying to turn the mood around. “Ever found out if ‘he was really into you’, or whatever that silly magazine said?”
Ugh. This again. Ezra buried his face in his hands, not really wanting to answer, but he nodded nonetheless.
“So? What did he say? Did you ask him out?”
He shook his head, face still firmly planted in the palms of his hands.
“Oh my god, you’re unbelievable. You asked him if he liked you, didn’t you?”
He shook his head again.
“Then how? How do you know?” Gabriel asked, some exasperation in his voice.
Finally, Ezra looked up, frowning. “His niece told me, alright? She told me all sorts of things. That he loves me. That he’s loved me for about a decade, and, you know, I’ve loved him just as long. But she said he loved me too much to want to risk our friendship, which nearly did go down the drain the last time we almost acted on our feelings. And then—”
The bell over the door jingled.
“Am I interrupting something?”
Speak of the devil and he appears. 
In the doorway of the shop stood Anthony. Adam on one arm, a carton with two paper coffee cups in the other hand, and a paper bag clamped between his upper arm and his chest. Ezra recognized the logo on the bag from a few days prior. It was undoubtedly filled with more chocolate croissants and other delectable baked goods as their smell slowly but surely filled the shop.
Ezra glanced up at Gabriel, whose eyes were fixed intently on Anthony. He didn’t show much of a reaction, but his lips didn’t curl down in disdain. He quickly glanced at Ezra, quirked his lips, then turned his gaze back to Anthony.
“You must be ‘him’, then?” Gabriel asked, extending his hand to Crowley, who gestured his full hands. Adam recoiled slightly.
“I must be ‘who’, then?”
“Ezra’s—”
“Artist!” Ezra interrupted. He got up from the stool behind the counter and hurried up to them, taking the carton and paper bag out of Anthony’s hold. “He’s the artist I want to make the cover. Anthony Crowley.”
Finally, Gabriel shook his hand. “Your reputation precedes you.”
“I mean, I guess,” Anthony almost stammered. “I hope Ezra hasn’t been overselling my work too much.”
“Not at all. I look forward to reviewing your portfolio with Ezra and the publisher. Anyway, I gotta fly. Ezra, we’ll discuss those re-negotiations later. You gentlemen have a nice day.” 
Anthony turned and stared at the man as he walked by the windows, before looking to Ezra and mumbling “Well, he’s a character, isn’t he? Your agent?”
“How did you know? You’ve never met before.”
“No, but you’ve talked about him before. ‘This unnatural glint of perpetual jolliness in his eyes’.” Anthony impeccably imitated his tone and speech. “Or something, you said. Well, he fits the bill,” he mumbled.
A shudder ran up Ezra’s spine. 
“See? Gives even you the chills.” 
Adam giggled.
Ezra shrugged. “Perhaps that’s how he does his job so well. Anyway, will you have some of this today? I’d feel horrible to eat all of it,” he said as he held up the bag.
“If you insist.” Anthony waved his hand noncommittally.
“I do.”
He walked over to the counter and put down the carton with the cups to open the bag and see what’s inside, but not before he breathed in the rich, decadent scent of the food inside. There were definitely chocolate croissants in there.
*
Crowley couldn’t help but smile at the look of sheer delight on Ezra’s face as he dug into the pastries. There was a child-like sort of honesty about him that made him such an open book. When Ezra liked something, you knew, and if Ezra hated something, you knew. Currently, as far as Crowley could tell, he was on cloud nine, and therefore, so was Crowley. 
This was much to the frustration of young Adam, for who Crowley had been picking bits off a regular croissant, feeding them to him. He made a noise.
“Ngk.” Crowley tore his gaze away from Ezra to turn to Adam. “Sorry to keep you waiting, your highness,” he mumbled as he tore off another bit of the croissant and fed it to Adam’s waiting mouth before taking a larger chunk for himself. He hadn’t realized he’d been staring until Adam made him painfully aware.
*
Painfully aware of the eyes burning holes in him, Ezra nibbled on one of the chocolate croissants. Anthony was definitely staring at him. There was no denying it, as alien as it felt. Ezra wasn’t much of a looker and he was well aware of that fact. He was never stared at, no, ogled so openly… so… so… obscenely. Did Anthony always look at him like this? How had he not noticed before?
It wasn’t a bad feeling per se, but it was quite overwhelming to experience for the first time. Ezra wasn’t sure how much he could take of it in the long run. He had to speak up. Had to say something. Come on Ezra, he thought, how hard could it be? He may be the man that you fancy an awful lot, but he’s also your friend, and friends trust each other and tell each other the truth. He took a sip of his lukewarm cocoa to calm his nerves.
‘He cares enough about you not to want to risk what you have.’
Then what kind of friend did that make Ezra, who would give anything for Anthony to be his?
*
There had been a change. Something was bothering Ezra, Crowley could tell. Even when he’d been so happy just moments before. Something would have to be done about that. He gave Adam the final bit of the croissant and settled him down in the windowseat before getting up and walking up to the counter. Whatever it was that was dragging Ezra down would have to square the fuck up.
“Angel, what’s wrong?”
*
‘Your staring makes me nervous,' Ezra wanted to say, but didn’t.
“There’s nothing wrong,” Ezra mumbled instead, trying to keep his cool. He swiveled in his stool and wiped his hands on his trousers. They were growing sweaty.
“Are you sure?” Anthony asked. He tilted his head. With his dark clothes and shining, amber eyes, he looked all the more like a concerned black cat. “There’s nothing I can do to make it better?”
Ezra felt a blush creep to his face and he quickly broke eye contact. “S-silly Anthony, you know you don’t have to do anything for me. You know I’ll be quite alright on my own.”
*
This, Crowley doubted.
“Ezra, what would you say if I, after this whole business with Adam, took you out for dinner? Properly. Like back in the day. We could go to the Ritz,” Crowley suggested as casually as he could. Ezra’s gaze snapped back up at him.
“How would you— Can you even—” Ezra stammered, but finally summarized his thoughts in a single “Why?”
Crowley’s gaze turned towards the floor. “Because I want to make things better with you. I went too fast, I hurt you, and then I didn’t even call the next day.”
*
Ezra took a shaky breath as he tried to formulate an answer. “Well, it’s not like I contacted you either…” he trailed off.
“Well, yes, but I scared you off—”
“You didn’t! I—” Ezra started, but he caught himself, glanced further away and took a moment to reorganize his thoughts. “Alright, perhaps in that moment, you did. But… It was just, you know…” He gestured his hands wildly in hopes of illustrating the point he was trying to make. Anthony nodded, but his eyes told Ezra that it didn’t really land. “I’d very much like for things to go back to the way they were before.” Ezra said, lying, but knowing it would keep them within the safety of their comfort zone, he settled for it. “I’ll go to the Ritz with you after all this.”
Anthony smiled the brightest he had all day.
“On the condition that you let me return the favour some time after. It’s a real pleasure just seeing you again, and if you’re going to treat me to thank me for barely helping you at all, I feel like I should get to do the same.”
Anthony looked taken aback, but tried very hard not to show it. It didn’t work out. “Sure?”
Ezra smiled. “Good. Then it’s a date.”
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chrismalcolmhnd1d · 5 years
Text
Who are You?
The Brief
Overview.
Without the use of words produce a series of connected images that visually illustrate who you are?
Create.
Exploring the work of other photographers and/or artists will help you develop a ‘visual story’ for your own work.
Give some thought to the things that are important to you. Everything you have ever done, the places you visit, the music you love, the stuff you keep, the memories and mementos carefully stored away are all part of what makes you unique. Consider how you might best illustrate who you are?
Produce.
1. Relevant research, planning and development of your work in your blog page.                                                                  
2. One A3 ‘triptych’ portfolio quality print.
(The three images must include:
a.    A self-portrait.
b.    A place you’re connected to.
c.    An object significant to you.
3. Three Individual full res 300ppi jpg files uploaded to My City.
4. An evaluation of the project in your blog page.
What is a Triptych in photography?
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Modern photographic triptych
A photographic triptych is a common style used in modern commercial artwork. The photographs are usually arranged with a plain border between them. The work may consist of separate images that are variants on a theme, or may be one larger image split into three.
Source: Wikipedia https://en.wikipedia.org/wiki/Triptych
Research
Examples:
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Alex Efimov “Three persons? Not sure” 2009
Source: https://www.artmajeur.com/en/e-gallery/artworks/3842743/triptych
I like this set up and treatment to portray 3 different sides of the one character.
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Dimitri Mais
Source: https://www.dimitrimais.com/about-2
Could my Triptych show my self-portrait from behind and my 3 images? (including the self-portrait) as 3 images in a gallery space (which could be my special place?)
Concepts
Having researched other photographers work using Triptychs, I observe they often tell a story and when using self-portraits, use their images to convey their characters (inwardly and outwardly.) I like the concept of a single image spanning 3 panes with white between, which allows your mind to complete the picture in the unseen areas and when well executed (as in the picture used for the brief) can cover the portrait, place and object sections of the brief in a single, well composed image split into 3.
My concept is to incorporate my self-portrait into all 3 frames of the Triptych in an attempt to convey the 3 different roles I play on a daily basis The “Family Man” (centre frame with portrait shot from behind showing me looking at a photograph of my family (or objects that show I’m a father…Father’s Day gifts?), casually dressed – CENTRAL (and selfless represented by the back of my head shot focusing outwardly on my family) on to everything I do and matter most to me), “Business Man” (left hand frame in profile, looking to the right in an office/corporate environment, looking an object that typifies the business I work in - Still life of Sharpie, LX tape, open MacBook showing set visual? - dressed in business attire) and “Student” (right hand frame, in profile, looking to the left showing the College in the background, which would be the place that means a lot to me as it’s where I’m leaving the old businessman on the left frame to re-educate to be the photographer and new businessman on the right frame.
On reflection, some of the above concepts are fairly basic and possibly overly self-explanatory so I need to think of objects that more subtly hint at the message I’m trying to convey to the viewer and allow them to draw their own conclusions…
Treatment of 3 images:
I could maybe have the image on the left fade or become slightly out of focus to represent the fact that this part of my life is slipping into the past and have the image on the right-hand side coming into focus and sharpness to represent the future… How do I achieve this? Colours and tone of all 3 shots need to be sympathetic to each other, similar feel/family. Slow shutter speed on images left and right to show blurred action in the background and demonstrate fast paced action of both student and business?
Specific examples relating to the 3 stills I’m looking to shoot:
Possible type of shots for student portrait
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Possible type of shots for business portrait
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Possible type of shots for family portrait
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Possible type of shots for family portrait
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“Old School” photo album from ‘70’s
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Father’s Day gifts
Today’s shoot captured the “Place” aspect of the project
This is my home studio where I spend time writing and recording music. Usually for pleasure, but occasionally for video projects or live events I’ve worked on over the years. This is my creative place that means a lot to me.
These are my favourite 2 shots...
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Contact sheet from this shoot:
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Today I shot the “Stiil life” part of the project and the “Self portrait” shots. Below are the contact sheets from these sessions:
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Individual shots chosen for first attempt:
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I chose this one as I thought it would work better with the still life shot as it was sharper with the focus being on the mixing desk, rather than using the shallow depth of field shot I had previously chosen above.
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I liked this shot as it encompassed the various aspects of my life in ID cards and a business credit card, with the lanyard encompassing everything, hopefully showing it’s importance in the shot.
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This, quite subtle silhouette portrait, was chosen as I wanted to show myself working in my office to demonstrate the business part of my life.
Full Colour Triptych
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I thought the 3 images would work together better if I made the outside 2 square.
Black & White Triptych
I wasn’t happy that the tonality of all three images worked together well, so I converted them all to black and white in Photoshop. This helps with the tonality, however, I think it’s probably a bit of a cop out so need to look at better ways of making the 3 images work together as a triptych.
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Class and lecturer Feedback
The feedback I received from my class mates was comments like “They are a working man”, “Productive lifestyle”, “Workaholic - puts a lot of energy into their work”, “Hard working person, enjoys studying and is passionate” and other very similar comments. This feedback was really useful as it showed I had conveyed part of the message of “Who am I” but also highlighted that I had not conveyed the family part of my message and should look at using the full versions of some of the original shots, which show the other aspects of my character and life. I had constructive feedback from my lecturer too, which gave me ideas on how to improve the shots and hopefully make them “hang” together better as a triptych.
Second attempt at triptych shots
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My initial feeling is that while these images MAY be ok individually (although I am no longer happy with the self portrait as I feel it’s too dark), by the time they are put together as a triptych, there is just WAY too much going on in them and no real flow to them. I need to have a re-think and maybe look at shooting 3 more images that work well together, tell the story, as per the brief and I am happy with creatively. A better self portrait could be the answer, so I will re-shoot that this week.
Final shoot for triptych
Contact Sheet:
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I realised today, that the best way to make sure all 3 images worked together tonally well, was to shoot them in the same place. Although I was reasonably happy with the still life, it was out of place in the triptych so I decided to drop that shot (along with the very dark and not too obvious) self portrait. The only shot I was happy with was the “place” one, so today, as the natural light coming into my studio/office was really nice and golden due to the time of year and cast interesting shadows, I decided to shoot the portrait there, in the next section of the room and the final “object” shot in the last part of the room, as the sunlight moved and illuminated the different areas in interesting ways.
For the portrait, I selected a shot I thought would work well, used in portrait format, in the centre of the triptych. I think the shot is fairly enigmatic and works quite well with the effects created by the sunlight and shadows. I would have liked better catchlights, however, I think the fact they aren’t prominent lends an air of mystique and maybe even sadness to the portrait.
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For the “still life”, I decided to show my object as my iMac, as this is where I spend a lot of time working on content for my events, studying photography and viewing pictures of my family over the years. I dropped in several shots on the monitor on the left to show family are a large part of my life, however, finding a shot that tonally worked and didn’t look really cheesy and posed was not possible so, unfortunately, I dropped that idea from my final triptych and used a shot I think still told a bit of the story but really worked much better to give the flow I was looking for (and the picture within a picture). I really like the shapes in this image and think it works quite well.
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Final Triptych 
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Evaluation 
My initial research didn’t really give me anything in particular I wanted to emulate or I thought would work particularly well, with the concept I was trying to portray. The first 3 images (apart from the “place” one), were a bit literal and “corporate” and that was the message I got from the feedback (rightly so). I am happier with my final 3 images as I think the flow together in this triptych much better than the previous 3 which I realised were not only quite detached from each other but also were WAY to busy to allow the viewers eyes to view as single images but more importantly, as one overall image that wasn’t confusing but hopefully interesting, balanced and intriguing. I think that I am so used to thinking in terms of individual images rather than how they would all work together as a series, I found this brief quite hard, however, I am happier with my final triptych and look forward to feedback.
Today I had feedback with my lecturer who suggested cropping the self portrait as a square as he thought this would work better and show more of a relationship between the centre and right images, I did this and think it helps and gives a better balance. Below is the square portrait edit and beneath that, my final revised triptych.
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allydsgn · 7 years
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My Experience With the Graphic Design Portfolio
So I know this is a huge thing that most aspiring graphic design students freak out about, so I’m just gonna talk about my experience with them and the tips from portfolio reviews that I’ve gotten. Here are the types of portfolios I’ll be talking about:
The Big Physical Portfolio Case
The Physical Book
The Digital PDF
I hope this helps!
1_The Big Physical Portfolio Case I had to submit one of these to get into my program. The university itself will accept you as a design major for the first year, but you aren’t actually one until you pass this portfolio review at the end of your first year. Most of the time universities will tell you how to submit work as well (see this link for my school in particular. Also, we have separate criteria for transfer students.)
Get a case that fits your work comfortably so you don’t damage work when it either gets put in or pulled out for viewing at the review.
Protect your work with tracing paper and masking tape to not damage boards and work.
Large scale prints like full-size posters or drawings on newsprint should be in a labeled tube. Please do not fold your work! It shows you don’t care for it, and if you don’t care for your work why should they?
Your process can be shown in binders or booklets, but it should be clean and easy to flip through if they want to look at how you think. Clean typography with good white space is best! If you’re trying to be “cool” with crazy typography and it doesn’t work out, it can seriously hurt their perception of you (even if it’s not supposed to).
Final work should be mounted in some way. Our program usually uses 16x20 black matte boards that are pretty sturdy as our backing with our work centered on the smooth side of the board. The back of the mount usually has a label for your name, name of the project, class, and date.
If you’d like to include project or design briefs on the back of your boards or in your books then I would say to make it as short as possible without losing any good concept information. They don’t want to read an essay, but they want to know what your project was, how you tried to solve it, and what you were thinking.
2_The Physical Book I’ll be working on this one starting this semester. I’ve sent one for my Junior review though and have gotten some feedback based on what I sent (mine was digital, but it was book format rather than mounts or slides)!
This is almost like a branding piece. The whole book should feel like a cohesive presentation of your work even though your work can be varied and diverse. Try to pick a theme or color scheme that won’t distract too much from your work. You can also include a running header and footer to keep the brand throughout.
Be aware of how your reader interacts with a full open spread, not just single pages. This can also change the size of your book if it’s too wide when fully open and becomes a pain to flip through.
Sequencing is important! If every spread looks exactly the same it can get a little boring... maybe even try some half sheets if it’s printed or a pop of color to keep it interesting!
The right page usually has more weight and is easier to look at, so I would put your most important work there or on the outer edge of the left page if it must be on the left page.
Leave a whole page open for a logo (especially if later pages you’re showing the rest of the campaign). Let the logo breathe and present itself because it is the foundation of the brand/campaign you’re about to show.
Your typography matters so much in their perception of your skills! You can have some fun with it, and it could work if you really push it, but please make sure you’re still watching typography fundamentals like widows, kerning, and tracking. If it’ll distract too much from your work then I wouldn’t do it.
Try to keep paragraphs and explanations short and a decent distance from the work. No one wants to read an essay, but they want to know what you’re thinking.
Pace yourself. Don’t shove everything into one spread just because you want a project per spread. If your bigger projects need the breathing space then give it another spread or two.
Let us discover your project through the pages. Start off with sketches, then show some process, some digitals and turning points, and finally at the end show the mock-ups and photography of your projects. Depending on where you’re sending this you may not send sketches or your whole process, but a spread of process alone could be nice insight, especially if you have good imagery or photos for it.
Don’t forget your contact information on the last page!
3_The Digital PDF I showed this one at a portfolio review at the NSSC13 (National Student Show and Conference in Dallas, Texas). I walked to tables of professionals with my laptop and was able to talk them through the slides or let them click through it.
DECIDE IMMEDIATELY if it needs to stand on its own or if it’s being presented. If it needs to stand on its own then you’ll need more explanations and words to explain everything. If it’s being presented then make sure you mention everything you want to.
If it stands on its own you can probably attach more projects. If you’re at a timed showcase event where you have a limited time to talk to someone then I would put in fewer projects.
A dividing slide that talks about the concept and project briefly can be beneficial for setting up the context of your project and letting the viewer know what they’re going to see next.
Guide the viewer from one slide to another with visual queues. You can keep a running header or footer like in the book.
Again, give things plenty of space. Give your logo its own slide. Give icons from an infographic their own slide. Pull parts of campaigns out and show them the pieces before showing them all together at the end as a conclusion for that project.
If you have a flat lay mockup at the end of the project’s section to show it off, make sure you also show close ups of the collateral/work so that they can get a good luck at everything you made.
It may seem like you’re making a million slides, but remember that visual slides with no words are faster to take in so it won’t feel as long as you think it is when they look through it.
Say thank you at the end with possibly your contact information, especially if it’s a job!
These are just tips and advice based on what I’ve heard and been told throughout my years here! As a final piece of advice... talk to whoever you can that’s actually in the industry! Teachers, professors, or even other designers at student shows and conferences could probably offer more advice. You can also talk to students on Tumblr and see what they sent in order to get into the school you’re looking to attending. I’m also available to look at your digital portfolios if you want me to take a look! Good luck!
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houseofvans · 7 years
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ART SCHOOL | Q&A w/ FRENCH (UK)
Influenced by heavy metal, fantasy artwork, and 80′s skate graphics. artist Richard Sayer, aka FRENCH, summons through his art the images of decrepit skulls, mummified skeletons, and creatures from the deep abyss, all with a “good dose of dayglo colours.” Not only one thing, FRENCH has been taking his dark arts to various mediums from animation, claymation, printmaking to textiles. His works have been shown all over the world, his graphics have appeared for various skate companies and brands –from Creature, Independent, to Santa Cruz–, and he once had his art show in Sweden visited by band 'Entombed.‘ We’re stoked to chat with FRENCH about his art, his process, and his influences as he gears up for his upcoming art show at New Image Art Gallery Dec. 16th in LA. 
Photographs courtesy of the artist.
Introduce yourself.   My name is French, well actually my real name is actually Richard Sayer, but since I was about 12 I’ve had the nick name of French and its just stuck ever since. I got the name ‘cos I bought a t-shirt on holiday in France and then when I came back I got given grief from all the other skaters for buying it. There’s a long standing resentment between the English and a the French a little like the States and Canada, so I guess it was meant as an insult to call me 'French’. I’m an artist / illustrator based in the UK, but I just spent the past 3 and half years living in Melbourne, Australia.  I make artwork for many different brands and industries, including the skate industry, fashion, print, music and advertising. 
I run a small skateboard brand with my friend Alex Irvine called Witchcraft hardware. I currently make all the artwork for an Australian brand called 'Death Rites’ run by my friend Shawn Yates.  
I exhibit my artwork widely, I have exhibited in the states, Europe, Asia, Australia, Israel and the UK. More recently my work is generally a bit darker, looks a bit like a cross between old metal album art, fantasy artwork and skate graphics from the 80’s but with a sense of humour and a good dose of dayglo colours. I’ve just started to work more with ceramics and also with animation as well. I like to work in many different fields and medias and I think that helps improve my work in all areas.
Your drawings are always filled with rad imagery like skulls, skeletons, dragons to crazy creatures.  What were your early influences art wise? I grew up surrounded by heavy metal records and music, my brother was a huge metal fan, which caused me to be. He was also super into 'Fighting Fantasy’ books, 'Warhammer’ , 'Dungeons and Dragons’ & all kinds of fantasy stuff, I think that just filtered its way into my brain and seeps out through my artwork. Obviously skateboarding and the artwork involved in that was a massive influence on me, when I was a kid I was obsessed with old Santa Cruz graphics and as I got older I was always more drawn to the skulls and puss versions of graphics, rather than the clean edge stuff. I grew up in a military town in the south of England so I think being surrounded by war monuments, soldiers and those sort of images it brought me more visually to it. My brother used to make me watch movies after school, before my mum got home from work, there would be a lot of John Carpenter movies, Arnie, horror movies of the 90’s had so many rad monster and animatronics that I think thats stuck with me as well, the covers for those old VHS tapes we seriously imaginative.  
What are your all time favorite materials you like to use? Any new mediums you’re interested in trying? I like working in pencil first and then ink over the top. Recently I’ve started to paint in colours to the artwork, I wouldn’t say it was painting as I just add areas of solid colours, nearly always dayglo or fluorescent paints. Saying its not painting, I think everything I do is drawing, for example I just started to make some ceramic pieces and I definitely come at 3D in the same way as I would drawing, but I think that makes it my own. I’m interested to see what the ceramic works come out like in the end as its still early days and I haven’t fully glazed a piece yet. 
You’ve created art for tons of things from skateboards to albums to clothing. How did you get started creating graphics or art for some of your favorite brands?  And tell us about your current or upcoming collaborations with Vans? I got started making artwork for people way back in the days when you had to show people a physical portfolio. I actually used to make post cards and small zines and then go and look up peoples details in Borders, like look in the magazines I liked for the art directors details and then send them a zine and post card and ask if I could take them my portfolio. I also used to just send people my zines and then call the office and see if they’d got it and if I could come and see them. I used to send so much stuff it was mad, it was a bit like 'if you through enough mud at the wall it starts to stick’ and I got work from a few people and from then on it kinder worked for me. 
I think the best way of getting work, is by having work. You do one job for one brand, people see it and want something from you and so on. I worked in a few different skate shops and at a skate distro as well so I got to know people at brands I liked and respected and sent them my work and then I gradually got more work in the skate industry. That’s pretty much how I got to do work for Creature, Independent, Santa Cruz, Real etc. I met Nick Street & Jasper Jones who worked for Vans europe and they started to hook me up with small jobs for Vans and gradually I got more and more through Vans, not just in Europe but also in the states and world wide. It’s funny, cos I actually worked in the Vans store when it first opened in London. 
I’m currently making work for a solo exhibition at New Image Art in Los Angeles which opens in December and Vans have very kindly offered to support the project and help me make a bunch of artwork for the show. I making drawings, animations, ceramics, enamel wall hangings, trophies, flocked screen prints and bunch of weird and wonderful merch. I’m really excited for it all, as well as stressed about making all this stuff. Recently you’ve been making some giant prints which we’ve seen on your IG.How did this come about? What’s your background with print making? How’d you get into it? The big dayglo paper ones? Yeah that was purely that I was having a few exhibitions in skate shops and smaller shop venues when I lived in Aus and I found that trying to sell original artwork to skate kids or metal heads is dumb. They can’t afford to buy originals and I can’t afford to sell it that cheap, but if I can make a print or zine and sell it for the price of a beer or a board then that audience is stoked. I’d rather be able to give something to those guys that love what I do and want to support it, but might not have a the cash to buy an original. I was working on and off at my friends printers in Melbourne and he just said that he would make me some huge digital prints on the fluro paper, the same as they used for band bill board posters and so I made a few and people seemed to dig them, so I made more. Its fun, cos its digital, theres no real set up cost and you can make as few or as many as you like. So if no one seems to like one image you can just ditch and make another. Also I really liked the bright coloured papers and the black ink, its a bit like a 1 colour black light print.  
What’s your process like for making art?  Do you keep a sketchbook or just get at it in the studio? I usually just work in my studio, in my house. I often work from reference images and pull together images and photos in photoshop and then draw from that in pencil, then re-work it again in pencil, adding the detail and finally ink it. If need extra computer stuff I scan it and do that after.
Who are some of your favorite artists you think folks should check out? Some my current fav’s are : Parker Jackson, Daniel Cantrell, Ramesh Mario Nithiyendran, Grady Gordon, Will Sweeney, Ragnar Persson, Paul Parker, Aaron Storck.
What are your favorite kind of Vans? I always skate in black and white original old schools or sk8 hi’s, I don’t do colours. But since the new pro’s came out I’ve been really into them, the inner sole has saved my knees.  
Can you tell us your best or weirdest art story? I dunno if I have any weird ones really, its all pretty boring really, I just make artwork. I have a ton of weird skate trip stories, drunken stories, but art ones not really. Once one of the dudes from the band 'Entombed’ came to my art show in Sweden? 
What’s on the horizon for 2018? What you super stoked on coming up? I dunno yet, I’m just trying to get to the end of 2017 and make the exhibition at New Image Art the best I can. I’ll keep you posted!  
Follow FRENCH Website | www.funeralfrench.com Instagram | @funeralfrench
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victorcohen-blog1 · 7 years
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My Process: Shooting
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There is no “right way” or “best way” to do anything in photography, just different methods and different results. This is the first in a series of posts — shooting, developing, and printing — about my photographic processes as a film photographer.
The methods, equipment, and even shooting conditions I work with produce the results you see on my portfolio; so if there’s something about the look you want to pick up in your own work, or if you just want a starting point for working with film, this post might be helpful to you. 
First, I’ll try to describe what’s going through my head as I shoot. I’m hoping this will give you a sense of my style and provide a background for the format and equipment choices I’ve made. Next, I’ll discuss how I choose different formats and then finally the specific equipment I use. This order is deliberate: my philosophy is to let your style and artistic goals determine your format and equipment choices, not the other way around.
A Photographic Headspace
Street photography, for me, is 85% hunting for images and 15% creating them. When I’m out with a camera, I’m looking at people, the built environment, geometry, objects, and their contexts; trying to pull them together in a composition that asserts a relationship between them. That relationship can be purely visual (lines and shapes, tones and textures); societal (class or cultural contrasts, the relationship of the city to its inhabitants); or narrative (depicting a story as it unfolds between people).
I first try to find that relationship by choosing neighborhoods, events, or landscape features to be near. I guess at what I might find there, anticipate momentary interactions and juxtapositions while walking around the area, and get an intuitive feeling for what’s going on in that space. I have to get my mind in that focused/searching/analyzing/intuiting mode to make my best images—it’s difficult to do it while distracted, hanging out with friends or while I’m on my way somewhere.
This is definitely not the only way to do street work. Two people I can think of off the top of my head whose methods are completely different from mine are Jamel Shabazz, who tries to break the ice and build a relationship with many of his subjects before the shot, and Bruce Gilden, who walks right up to passerby (really close!) without warning and takes a shot, flash firing right in their face. WNYC put out a couple of great short profiles of them that illustrate how they work:
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Getting the composition right, for me, is largely a process of subtraction. I move around to eliminate distractions from my shot, to create frames or leading lines that take the eye where I want it to go, and to place the light and shadow where it emphasizes the qualities that I want to evoke (emotions, size, gloom, grit...) .
The process is not really that different for my architectural and cityscape work. I choose a location based on educated guesses of what I might find there, I look for relationships, and try to pull them together into a powerful composition. I find myself gravitating toward the liminal spaces between neighborhoods and along the coasts and edges of the city. Trainyards, power plants, and infrastructure pop out at me, as if I was some futurist or Charles Sheeler, except that they don’t represent something new, or hopeful, just something different from the shiny, homogeneous veneer of a finance- and real estate developer-dominated city. They are grandiose and full of textures and big geometric shapes. Their forms have a purpose other than slinging froyo and retail banking products.
Choosing a format
I work in 35mm, medium format, and 4x5 large format. They are all very different shooting experiences, getting slower and more deliberate with each size increase.
I choose 35mm for travel photography, for situations where bringing a medium format camera is too much of a burden, and anytime my primary concerns are:
Keeping weight and bulk low
Shooting quickly
Working in low light situations
I choose medium format whenever I can, since the larger negative is so much more luxurious than 35mm--and more capable, in terms of print size and sharpness, grain, and that certain depth it has. The vast majority of my current portfolio is medium format shot as 6x9.
I turn to large format when I can take my time with a shot and when I want to use movements, such as for:
Cityscapes
Architecture
Experiments with large format street photography
Eventually, portraits
I’m a newcomer to large format, so I’m still in an exploratory/learning phase with it. That means taking it out without much of a plan and just trying things.
Shooting and Exposure
I shoot fully manual so that I have complete control over all the artistic choices a camera can offer: exposure, depth of field, motion blur, and focus. This means I have to manage a certain amount of overhead to set the aperture and shutter speed, compose the shot, focus, and finally hit the shutter button. I have missed shots while doing this, but I prefer to miss a shot because I’m too slow than to blow it because the autofocus chooses the wrong subject or the aperture priority mode meters differently than I would. A slower process also keeps me thinking about my exposure choices, anticipating what subjects on the street will do, and evaluating and re-evaluating my compositions.
To miss as few shots as possible on the street or at events, I periodically check my metering and adjust the aperture (usually sticking with one shutter speed), even if I’m not about to take a shot. I meter on an object that is the closest available equivalent to 18% (middle) gray — usually my hand — in the same light as I expect my next shot will have. On very bright, sunny, summer days, there is usually one aperture/shutter speed combination for “in the sun” and another, four stops wider open, for “in the shade” that will cover most of the exposure conditions I’ll encounter. I can make small adjustments for anything in between. Down the spectrum from “bright but overcast” through sunset and dark rainclouds, the margin between the “full-light” exposure and the “shadow” exposure narrows to two stops or less.
Bottom line: if you meter for a “bright” exposure and a “shadow” exposure, you can use them as guideposts to make relatively quick adjustments with a manual camera.
My medium format cameras don’t have integrated light meters, so I use an old Canon s90, a compact digital camera which just so happens to have a spot metering function, as my light meter. I whip it out, meter on an object in the light I’m looking for (like I do in 35mm), and dial the settings into my camera. I could and probably eventually will buy a spot meter, but the s90 is small, light, effective, and already paid for. These cameras are further slowed down because:
They require more pulls of the film advance lever to go to the next frame
I have to separately cock the shutter before each exposure
There are only 8 shots per roll when shooting at 6x9 or 10 shots per roll at 6x7
With this setup, pockets are important. I’ve got one to hold my “light meter,” one to hold lots of unexposed rolls of film and another to hold exposed rolls of film and the roll of tape I use to keep them from unrolling. Ilford and Kodak, if you can read this, please put a sticker on the end of the strip that goes around an exposed roll!
My large format exposure method is a little more involved than my medium format method. After setting up the camera, I compose the shot, critically focus with the loupe, and meter with the s90, compensating for bellows factor. If I’m not in any rush (as I would be when there’s something in the shot that might move or I’m racing a sunset), I can meter all parts of the shot to decide where to place my blacks, whites, and grays (I don’t formally use the zone system, though I am starting to lean toward trying it). Even when I’m in a bit of a hurry, I’ll take a few moments to look at the shadows and decide how much shadow detail to preserve. You can’t rush an exposure—large format photography is inherently slow and it doesn’t make sense to risk wasting one of only ten shots I have.
Equipment Choices
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image by Zokyo Labs
My 35mm camera is a Nikon F2AS with either a Nikkor-S Auto f1.4 6.5cm lens or a Zeiss Planar T* f1.4 85mm ZF. In the world of 35mm cameras, this is hardly the lightest or smallest setup, but the F2 series is famous for its toughness and reliability. Legend has it that salesmen in the 1970s would sell them by standing with their full weight on them, right there in the store. It works without a battery (except for metering); takes nearly all 1970s, 80s, 90s, and modern F-mount lenses (but doesn’t support autofocus, vibration reduction, etc); and is a joy of ergonomics and operation even 40+ years after manufacture. As for the lenses, I chose 65mm and 85mm focal lengths because I love a tight composition and I am rarely too close to a subject instead of too far away. It’s easy enough to take a step back if necessary. These lenses really make the subject pop from the background and offer beautiful blur rendition (my preferred term for “bokeh”) in out-of-focus areas, especially at wide apertures. They are portrait lenses, after all.
Some things you could do differently:
Save more weight and bulk by using a rangefinder – I prefer SLRs when possible, because I hate dealing with parallax error.
Use a camera with aperture and shutter priority capabilities – I just don’t trust them on older cameras
Use a camera with autofocus and integrated motordrive capabilities (e.g., the Nikon F4s) – I don’t need any more bulk or weight than I already have
In medium format, I have a Mamiya Universal Press with a Mamiya-Sekor f3.5 100mm lens and a 6x9 film back. I also have a Mamiya RB67 (not the Pro-S version) with a Mamiya-Sekor C f3.5 90mm and a 6x7 film back. Because of the larger negative for medium format film, these lenses are equivalent to slightly less than 45mm on a 35mm film camera. I would choose longer focal lengths if I could, but MUP lenses above 100mm don’t pop up that often on eBay and it doesn’t make sense to buy RB67 lenses when I don’t use it that often.
With this setup, compared to 35mm, I have to deal with:
Greater weight and bulk
Fewer exposures per roll
No integrated light meter
Manually cocking the lens
A tripod (RB67 only)
A left-right reversed image in the waist-level finder (RB67 only)
Parallax error (MUP only)
My equipment choices here were mostly based on cost and availability — eventually, I’ll try out an SLR that is much more portable than the RB67, like a Hasselblad or Bronica (with a prism finder!). That said, the MUP offers a decadent 6x9 negative that is amazing for portraits, very nice lens quality, a decent rangefinder that allows for quick composition, and a Polaroid back that shoots the recently-discontinued Fuji FP-100c instant film. The RB67′s lens is just fantastic, but the weight and the tripod make it difficult to choose over a large format setup. If I did much studio work, I’d probably find more use for the RB67.
My large format setup is a 4x5 Tachihara without a model name on it, but I believe it is a “Fiel Stand” [sic] from comparing it to photos. I use it with a Fujinon-W f5.6 210mm lens in a Copal 1 shutter. On 4x5, the 210mm lens is approximately equivalent to a 65mm lens on a 35mm camera, which is where I want to be.  I also have a Linhof Technika III with a Schneider lenses in 90mm, 150mm, and 270mm telephoto focal lengths, but the weight is just too much to carry around. To take advantage of the wide angle Schneider 90mm for cityscapes, I might buy a board to re-mount it—Technika III boards are incompatible with the Tachihara (Technika IV and later are compatible).
To be honest, the exact equipment I use is not critical -- think about the focal lengths, negative sizes, and other capabilities (movements, macro focusing, motor drives...), and ask yourself what you need. Hope this has been helpful! Remember to check out my portfolio to get a sense of what kinds of images my setup produces.
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if i say "all texts" will you hate me?
@perscnatus​ [Texts from Momma Bear] [acc. mutuals]*CRACKS KNUCKLES*
Send “✆” for a MORNING text. 
[Text - Jack] Morning sunshine. You have approximately thirty minutes to get ready and come to your own office before we start this conference with the President of the US, France, the German Chancellor, and the Queen of Denmark. Better hurry.[Text - Jack] I even brought us croissants.[Text - Jack] I hope they won’t count it as bribing.
Send “✉” for a text that WASN’T SENT. [Text - Jack] You know, Jack… [Text - Jack] Sometimes I wish you would have come back for me.[Text - Jack] Sometimes I wonder if Gabriel was right.[Text - Jack] I’m glad you and I are back together.
Send “☎” for a RUSHED text. [Text - Jack] No I don’t know where you put the Numbani file, just check in your top-right drawer, that’s where you usually leave it. Gotta run and pick up Fareeha at school. [Text - Jack] Dammit Jack I’m running late, you’re on your own.[Text - Jack] Hold on try the big green portfolio on your desk.[Text - Jack] I really need to remind myself that I’m not your mother, just find the goddamn thing.Send “⁇” for a DRUNK text.
[Text - Jack] imma do it[Text - Jack] imma punch those guys[Text - Jack] yuo cant stop me jack[Text - Jack] its like old tmies[Text - Jack] rmember when reinhdtardt punched some assshole when we were jstu startng in ow[Text - Jack] then i broke his arm (the guys, not reins)[Text - Jack] imma do it[Text - Jack] as an homage[Text - Jack] FOR REINHRDATDT[Text - Jack] REINHARDT*[Text - Jack] im drnk and i miss em helpme
Send “✿” for a SUGGESTIVE text. 
[Text - Jack] I’m in the shower and I forgot my towel, can you be the most amazing person in the world and bring me one?[Text - Jack] If you do I’ll give you permission to join me ;)
Send “ø” for a LATE NIGHT text.[Text - Jack] You awake?[Text - Jack] If you are, join me in the main chamber. I think we might have a lead on the Volskaya security footage.[Text - Jack] I made tea to help us power through the tapes.Send “✘” for a HATEFUL text.
[Text - Jack] I can’t stand it anymore, Jack. You and Gabriel, it’s getting ridiculous, and I’m sick and tired of constantly being thrown under the bus while everyone expects me to patch things up between you two. And you know what’s worse? When the two of you turn on me and accuse me of picking the other’s side. How old are you, twelve? GROW UP, I’m not taking sides, I’m just trying to make sure the two of you don’t send us ALL down the well. And I’m not going to stand here and be your personal punching ball when shit happens again and again.[Text - Jack] Fuck you, Morrison. Fuck you both. I love you but right now I just feel like screaming and leaving for good. Send “#” for a RANDOM text.[Text - Jack] There’s a duck sitting on my windowsill.Send “@” for a SCARED text.[Text - Jack] There’s been another attack in Giza. I can see it from the rooftop. Not much info on the news, but they say they’re going to deploy the Helix Security Forces.[Text - Jack] That means Fareeha.[Text - Jack] I know she’s strong and she’s been trained for this but I’m scared. I had forgotten I could be that scared. 
Send “&” for a LOVING text.
[Text - Jack] You’re the best thing that ever happened to me, Jack Morrison. Well, after my daughter of course, but you come pretty close. I don’t know where or what I would be if it weren’t for you. You’re really a handful at times, but I think we’re too old for me to hold it against you now. Thank you for being by my side again for our final act. Wherever this will lead us, even if it’s to Hell and back - if it’s with you, I’ll fight. [Text - Jack] You and me until the end of times.[Text - Jack] I love you. 
Send “%” for a CURIOUS text.[Text - Jack] On a scale from Torbjörn to Angela, how diplomatically do you think I handled this?Send “ツ” for an EXCITED text.[Text - Jack] FAREEHA HAS A GIRLFRIEND.[Text - Jack] She won’t tell me who it is but I’ll find out.[Text - Jack] MY DAUGHTER IS IN LOVE I CAN FEEL IT.Send “$” for an ACCIDENTAL text.[Text - Jack] refnvjrbv[Text - Jack] Don’t mind me I just sat on my phone.Send “♀” for a HEARTBREAKING text. [Text - Jack] We’re retreating, there were too many of them. The Omnics must have gotten word we were coming.[Text - Jack] Send the evac ship asap[Text - Jack] We lost half of the squad, and most of the other half is either gravely wounded or traumatised.[Text - Jack] I couldn’t protect them, Jack. It was my job and I failed and I don’t even know how it happened.[Text - Jack] They’re dead, Jack.[Text - Jack] What have I done?
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breeeliss · 7 years
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[Femslash February]: Aquarium
how about a short little AU just to shake things up a bit?
Day 12: Aquarium (Alyanette + AU)
Words: 1797
Link to Archive of Our Own: [AO3]
[Previous: Style Swap] [Next: Theme Park]
She could see her through the aquarium in her office. 
Apparently, all the interns had to take the desk for a couple of hours everyday, never mind how impressive their portfolios were. Marinette could accept that. Today a designing internship. Tomorrow a scholarship to ESMOD. Day after that, her very own label. She could suck up taking desk calls, staring at spreadsheets, sending emails, and following the heels of her idols for the summer. 
Besides. The view wasn’t half bad.
She checked the directory outside two mornings ago and found out that the office across from theirs was an online magazine. If she peeked around all the Rosy Barbs and Angelfish meandering around the long aquarium tank stretching along the wall right across from Marinette’s desk, she occasionally saw people bustling by with manuscripts and cover proofs. But that wasn’t even the best part. 
By far the most interesting about the office was the beautiful girl who worked the front desk. 
They looked to be about the same age, so Marinette assumed she was also an intern. She spent her days staying at her desk -- probably sending emails and working on projects -- and only leaving to run off to meetings or go to lunch. Marinette honestly didn’t mean to stare, but sometimes there was nothing to do at her desk other than wait for the phone to ring. Her eyes would drift up and see that gorgeous girl, hair piled up charmingly on the top of her head, pushing her glasses up the bridge of her nose every few minutes, and yawning in front of her computer screen while she multitasked on her cellphone. 
Marinette really wanted to ask her out to lunch, but she could never catch her outside the office. She sometimes meandered around the elevator during her lunch hour in the hopes that the girl would come out at the same time so that she could strike up a conversation, but their schedules never melded. Marinette tried to do the same at the end of the work day, but one of them was always staying late and finishing projects. All she had was her view through the aquarium tank. 
One of the models who worked for the label, Adrien, was about the only person who stopped by her desk everyday to have lunch with her and ask her about her day. It didn’t take him long to pick up on Marinette’s little hobby. He stopped by her desk one morning and poked her in the cheek when he caught her staring through the tank again. “You know, you could just make an excuse to go over there and talk to her.”
Marinette snorted. “And say what? ‘Hi, I’m Marinette, I think you’re cute and I’ve been creepily staring at you for the past two weeks. Wanna get coffee?’”
“What’s wrong with that?”
“Everything,” Marinette complained, slumping in her seat. “Plus, she’s probably dating some dashing reporter or something.”
“Or,” Adrien smirked. “She’s single and will think you’re cute if you just make yourself known.”
Marinette pouted. “I’ve tried to catch her outside the office for weeks. I can’t guess her schedule.”
Adrien shrugged and pointed to the aquarium tank. “You don’t need to. She’s right there during working hours and you two can technically see each other. Use that.”
“What? The aquarium tank?”
Adrien winked and left her the cup of coffee he’d gone to fetch for her. “You’re a creative girl, Marinette. You can figure something out.”
For a couple of days, she was convinced that Adrien was just messing with her and saying things to make her feel better. But one day, when she was making paper cranes out of the post-its on her desk, she stopped, eyed the tape dispenser on the far end of her desk, and got an idea. 
She looked through the fish tank and saw that the girl was still sitting at her desk working. So Marinette took a pen, scribbled a quick message on the post-it note, and grabbed some tape. She rounded her desk and knocked on the glass of the tank, making the fish scatter underneath the plastic castle in the middle of their tank. The girl lifted her gaze from the computer screen and looked around the office before she made eye contact with Marinette through the tank. Marinette merely waved and attached her message. 
Hi! I’m Marinette! :)
Marinette quickly scurried off behind her desk and hid behind her computer monitor. She really didn’t feel like seeing the girl’s reaction to what was admittedly kind of a dorky idea, and she was sure Adrien was going to laugh at her when she told him about this later. But he said to use the tank to her advantage and this was the only thing she could think of. Ooooooh, but this was definitely weird. Who left notes for strangers like that? God, she couldn’t have just come up with something better? Maybe just marginally smoother? Maybe she could do all of her work for the next hour while saying behind the desk and out of sight.
But then, she heard a knock against the fish tank. Marinette poked her head out from behind the computer monitor and saw the girl standing in front of the tank, laughing and taping her own note to the fish tank. Marinette blinked and slowly walked towards the tank while the girl stayed in front of it, waiting for Marinette to read the message. 
Nice to meet you. I’m Alya <3
Marinette beamed at Alya through the tank and felt her stomach get all warm when Alya smiled at her back. Marinette took her note off from the tank, flipped it over, and wrote another message. 
I hope this isn’t weird. I couldn’t figure how else to run into you. 
Alya rolled her eyes fondly, and scribbled another message on the back of her original note. 
Not weird at all. I was hoping I’d get to talk to you eventually. 
Marinette let out a shaky breath and felt herself smiling without meaning to. She backed up towards her desk without taking her eyes off of Alya and grabbed the entire stack of post-its. She looked down the hall and made sure that none of her supervisors were watching her. She scribbled another note and stuck it to the glass. 
You were hoping?
Marinette drummed her nails against the glass, watching the fish cower away from her fingers as she watched Alya bit her lip to try and hold back her smile. The sight made Marinette bounce on her toes and eagerly await her reply. When Alya finally stuck the note to the glass, Marinette felt her heart speed up. 
Of course. You’re really cute ;)
Oh, Adrien was so going to be gloating about this when she told him. 
There were so many excited thoughts going through her head that she couldn’t get them together coherently enough to put them in a note. She could hear her supervisor coming down the hall -- probably to check on her -- so Marinette impulsively wrote her phone number on a post-it, taped it to the tank, and ran back to her desk in time for her supervisor to ask for all the messages that were left on the answering machine. Her skin was buzzing because she was so nervous and sitting on the edge of her seat in so much anticipation. Alya had gone back to her desk, and Marinette couldn’t come up with another excuse to go back to the tank to leave another message. But luckily, she didn’t have to wait long until she got a text message from an unknown number. 
Yes? <3
Marinette’s fingers were shaking, and it took her a couple of tries to get the message out, but she sighed in relief when she finally sent if off. 
Would you want to get coffee at around noon? My treat :)
She quickly saved the contact in her phone and gripped it in both hands as she watched the ellipses blinking on the bottom of her text window. She looked up to see Alya texting at her desk, laughing to herself and smiling into her hand in a way that made the apples of her cheeks pull up sweetly. When she finally finished sending her text, she sent a wink to Marinette through the glass tank and tapped on her cellphone. Marinette looked down at her screen, opened the text, and giggled in delight. 
With a cutie like you? I’d be stupid to say no. 
Marinette covered her face with her hands and screamed silently into them while she bounced in her seat. She peeked out from between her fingers to stare into the other office, but Alya was talking to her boss, probably ready to be whisked off to another meeting. Alya waved at her through the aquarium and sent her a quick text that she was going to be back in about an hour. Marinette sent over a belated wave and almost knocked over her coffee out of enthusiasm, and despite how absolutely clumsy it was, Alya still laughed as she disappeared from the office. 
Marinette puffed her cheeks out and lifted her knees up to her chest. “Aww, crap, I have a date, I have a date, what do you do on dates, oh my god...”
She slid out of her desk chair, snuck into the office, and went towards the back of the office where all of the studios were. Adrien was in the back prepping for his photoshoot set to start in an hour while Marinette snuck around all the cameras, slid next to him getting his makeup done, and pushed her cellphone into his lap. “Sorry. Don’t meant to bother you. I have a development.”
“Wait, what?” Adrien grinned. He picked up her phone and scrolled through the texts. He laughed brightly, ignoring the glare from his makeup artist as she tried to contour his cheekbones. “Please tell me you’re going to give me a play by play when you come back? And invite me to the wedding? And let me be your best man?”
“Stop,” Marinette whined, sticking her tongue out at him playfully. “It’s just one date. It’s not a big deal.”
“I don’t know,” Adrien sang. “You are blushing pretty badly right now.”
“Shut up!”
“Oh, this is so cute!” Adrien laughed. “You have to take pictures and show me! I told you just talking to her would work. To think that I can sense chemistry through an aquarium tank.”
Marinette smirked. “If I give you credit for this, will you help me figure out what I’m supposed to say and do during this date?”
Adrien scoffed and patted her on the shoulder. “You don’t even have to ask.”
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connorrenwick · 4 years
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Aaron Lowell Denton: The Accidental Designer
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Entering the world of Indiana-based visual artist Aaron Lowell Denton can feel like stepping through the doorway of an astonishingly preserved record shop you’d long had forgotten – a realm embellished in the hallmarks reminiscent of Stanislaw Fernandes’ finest OMNI magazine covers, the Memphis Movement, forgotten classics of the 1980s Japanese city pop albums era, and maybe even the neon hued geometric landscapes once emblazoned across blank VHS cassette tapes. With a portfolio pulsing with a surreal experimental glow, Denton has carved out a career as a musician’s artist, one adept at mining the collective memory of music’s imprint onto our emotions, expressed through an Indian summer spectrum of colors and absurdist’s sense of movement.
Photo: Anna Powell Denton
Originally from Upland, a tiny little town in northern Indiana, and now based in Bloomington, Indiana, Denton’s journey follows the trajectory more that of a squiggle than a line. “[When I first moved to Bloomington] I had a slew of day jobs before I went full time with design. I served tables at a vegetarian restaurant here in town called The Owlery,” says Denton, “I also painted houses for a while, alongside some carpentry work. I worked the door at a bar during a 10pm to 4am shift. That was a weird time.”
Between this hodge-podge of jobs, Denton was also designing flyers and posters for a local musical venue for the love of it, sometimes for just $50 a pop, but mostly for free. Over time he found himself spending an extraordinary time on these projects despite the modest pay. It was only when his then-partner-now-wife suggested making a go of a career as a visual artist that Denton decided to abandon toiling 70-hour weeks to dedicate himself fully into his design work.
“I was super scared to quit my restaurant job. I figured I’d try it for a few months and go back to waiting tables, but it worked out! I feel super grateful to have the job and life I have. It’s a privilege, especially in times like these, to be able to work for yourself and make art for a living. I can’t believe I get to do it everyday.”
The world would soon come knocking on Denton’s door by way of Instagram, where his work garnered a great deal of attention from design and music aficionados alike. He’d soon find himself inundated with commissions by promoters all seeking Denton’s uniquely hypnotic pop manifestations for the likes of musicians such as Wild Nothing, Leon Bridges and Khruangbin, John Maus, and Stereolab, tying a lyrical sense of typography together with a heart-on-his-sleeve affection for artists such as Donald Judd, Joan Miró, Helen Frankenthaler, and Bridget Riley.“That high art stuff is a bit in my aesthetic DNA at this point, and my sense of color and composition comes from all the time I spent (and still spend) in museums and looking in books.” 
Today Denton’s eye finds itself drawn toward other outliers of art, including surreal futurist Stanislaw Fernandes, 1960s-1970s Japanese typography, and OMNI magazine, influences clearly discernible across his portfolio, “I also got into a big city pop phase last year that resulted in a bunch of work in that style.  I just get really into looking and researching a certain style, and I think it’s fun to sometimes try on styles and techniques. It’s a way to give yourself permission to experiment and grow.”
This growth also included designing his own website on Squarespace, where his online portfolio resides alongside an e-commerce shop where some of his more recent work is available as posters. The site has become an integral extension of his online presence, allowing him to connect with new clients and customers alike. Denton remembers designing his site as surprisingly “easy”, crediting Squarespace’s robust site building tools. “There was definitely a time when building a website felt like such a feat, but it’s just not that way anymore.”
Denton also cites an appreciation for the collaborative nature of his work. As a musician himself, he calls the process a “conversation” integral to informing his eventual solution in tying together his vision with the artist, the venue, and even the audience. It’s a process he’s embraced increasingly more as he ventures solely from poster work toward collaborative commissions.
“Part of the art in it for me is the dialogue with clients, and the personal connection that can come out of creating art together,” notes Denton, “Especially when you’re representing someone else’s art with your own, that process has to be collaborative. That being said, like I mentioned, musicians can understand the need to not be caged in too much. They can empathize with needing a certain amount of autonomy to find something unique.”
“I’ve been lucky to work with some of my favorite musicians and it does sometimes feel like it’s coming from somewhere mysterious, pre-cooked.” Promotional risograph poster for Wild Nothing. September, 2018.
When asked about what makes for a good poster or album design, Denton is quick to point out the open-minded nature of his clientele – musicians – has afforded him a fairly relaxed relationship that tends to foster, rather than hamper good design.
“[Musicians] tend to be less intense than say, an art director. When I do a poster there’s not much between my idea and execution and the final piece; whereas, with something like a logo for a business, or a commercial project, it needs to be discussed and examined. That can be fun too…it’s all just different.”
These fairly unrestricted bounds have permitted Denton a level of interpretive freedom not all designers are always given, allowing the artist to consider both the complete oeuvre of the musician with his own personal connections with their music to form novel solutions. “I sometimes feel like the bands I get asked to work for already have visual representations, fully formed, sitting somewhere inside me. Like, they’re formed from my own relationship with the music and fandom. 
“Design has a rich history of endearing social messages with imagery. With the Abolish ICE poster I was working with a group called New Sanctuary Coalition to raise funds for immigration bonds, which are exorbitantly higher for people in that system. I’d love to collaborate on more social posters in the future though, it’s an area of my work I really value.”
Photo: Anna Powell Denton
Amusingly, Denton’s affinity for collaboration even extends to the nuts and bolts of operating as a one-person operation. “I actually enjoy emailing quite a bit,” admits Denton, “The dialogue between me and my clients is something I’m actively interested in. I don’t dread any of that stuff.”
Denton credits his Squarespace designed site as an alternative medium to show work outside of social media, one where his work can be shown without the expectations and associations of an audience-based medium like Instagram. “I like to think of my site just as a full view of a collection of work. It’s the fastest way for someone to see what my work is all about.” Visitors are welcome to peruse his portfolio of work and purchase posters from an e-commerce shop vertical. Denton’s design is clean, simple, and easy to navigate, permitting his artwork to be the centerpiece of the experience.
Squarespace has made selling my work all around the world a more accessible possibility. The commerce tools are really easy to use and understand.
With a majority of his past work connected to the music industry, Denton is using his site to aid in pursuing new opportunities, both out of curiosity and out of necessity, “When COVID hit, a majority of my poster work evaporated, so this year has been a lot different as far as where the work is coming from. I’ve been doing more editorial jobs, which I’m really into. I’d like to do a book design at some point, and also want to do more movie posters. I’m trying to learn about motion design in my spare time, so I could see myself trying that at some point.”
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ladystylestores · 4 years
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Peter Harf Now Coty CEO, Plan Said to Include a Sense of Urgency – WWD
https://ift.tt/2U10Yis
Now that he’s the head of Coty Inc., will Peter Harf finally be the one who can fix the business?
That’s the plan, according to industry insiders, who say that Harf, founding partner of Coty majority owner JAB, assumed the chief executive officer role in order to instill a sense of urgency into the company and cut through red tape to get things done quickly.
The move marks a deviation from Coty’s previous plan, which was to hand the ceo’s position to former Jimmy Choo ceo and Coty board member Pierre Denis following the sale of the beauty company’s professional business. That did not happen and Denis is leaving Coty’s board, though he will stay on as a senior adviser.
“We were planning to spin off the Wella business before he would join on the first of June,” Harf told Wall Street analysts Monday morning. “That didn’t happen. I think he agrees that he is not really the best person in the world to affect such a complicated spin-off…there’s a full agreement with KKR, they’re very happy that I’m doing it.”
Sources indicated the move would reduce operational friction and “ensure alignment between the board and management.”
In addition to the Harf-Denis swap, Coty has created a three-person executive committee consisting of Harf, chief operating officer and chief financial officer Pierre-André Terisse, and Gordon von Bretten, who just joined Coty from KKR as the company’s chief transformation officer.
Harf, in a statement to WWD, said he discussed the change with KKR — which on Monday signed a deal to buy a majority stake in Coty’s Wella, Clairol, OPI and Ghd businesses — and that the firm was on board.
“We are living in a world that is very different today than it was just three months ago. Clearly there was a leadership challenge that urgently needed to be addressed, and when I discussed this with KKR, they felt no one could do the job better,” Harf said. “I founded today’s Coty, and during the 20 years which I had executive responsibility, the business grew 14 times. No one has more passion than me for Coty to succeed.
“Leading Coty is my top priority. Now, more than ever, Coty needs a strong but caring hand. My experience has shown me that leadership and taking accountability, together with a strong sense of urgency and action, is what matters most. It’s going to be hard work, but the task of returning Coty to its previous strength is truly energizing,” Harf continued.
Harf’s appointment comes as Coty navigates through the coronavirus pandemic, which has caused revenues to decline, and as the company works to close the deal with KKR, which is expected to happen in the next six to nine months.
Harf led Coty from 1990 to 2001, and most recently was chairman. While he has prior beauty experience, especially in fragrances, Harf is less familiar with the mass cosmetics businesses of Cover Girl, Rimmel and Max Factor that have caused the company grief since they were onboarded from Procter & Gamble in 2016. Coty is said to be hiring an executive to oversee that business.
Despite what Wells Fargo analyst Joe Lachky termed “yet another ceo change,” Coty’s stock was up nearly 20 percent on Monday. “We don’t expect significant strategic changes as the management team is now clearly aligned with the board…but we can’t help but wonder if the ceo about-face puts additional stress on an organization that is already in the midst of significant change,” Lachky said.
Stifel analyst Mark Astrachan voiced similar sentiments.
“I guess you do it because you hope to get to a different spot than you were at when you started, but you’re just moving pieces around at this point. I do wonder, too, how does everybody view what’s going on? It’s got to weigh on how people focus on their jobs,” he said.
“The problem with this…is that private equity people and smart people who have a financial background seem at times to struggle with beauty because there’s a bit of an art to it that is needed in addition to financial acumen,” said Astrachan.
Coty has been through years of executive shake-ups, which Harf acknowledged Monday. “In the last five years we had five ceo’s. I mean, that shows we lost our way,” Harf told analysts. “Coty, the first 20 years, was very nimble, a can-do culture, non-bureaucratic, fast, a fun place to work. That changed.”
Sources said Coty needs to grow its skin-care portfolio, which only makes up 5 percent of the total business, and business in the Asia Pacific region, which right now only makes up about 13 percent of the business. As China has bounced back after COVID-19, other beauty companies have been able to make up for lagging U.S. and European sales, but Coty has little exposure there.
For now, the plan seems to rely heavily on Kylie Cosmetics, which just rolled out Kylie Skin across Europe. So far, that’s done well, Harf said, bringing in $2 million in sales in its first three days.
But Coty has not yet been able to take digital and direct-to-consumer learnings from the Kylie business and run them through the product portfolio.
“This is a business that has its challenges no matter who is running it,” Astrachan said, speaking about Coty broadly. “There’s no quick fix to this.”
  For more from WWD.com, see: 
Peter Harf Takes Helm of Coty as KKR-Wella Deal Finalized
Coty, KKR Ink Strategic Deal
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