🤟// What languages do they speak? What language would they like to learn next?
Tatya only knows English, but she is pretty good at it! She just chooses to talk like a Valley Girl, because it suits her more. However, she definitely picked some phrases up from the men who frequent the club and hit on her. She could call you hot in almost every Romance language and a few of the Germanic. She definitely wouldn’t mind learning French or Italian, something often attributed to being attractive or romantic. Tatya would love to shit-talk you in a language you don’t understand.
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this is a request i took for @/ cosmopterix_draws on insta!!! they suggested chuuya and yosano being wine aunts together🛐 (and their art is absolutely gorgeous, if you have insta, go check them out!!!!)
(chuuya's ranting about all the ways he had to deal with dazai, while yosano's 'avenging him' in her own way -pray for them🙏)
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Hunt
(T/HRONE OF GLAS$ SPOILERS AHEAD! IF YOU HAVEN'T READ PAST Q/UEEN OF SHADOW$ BE WARNED!)
My love for R/owan is boundless, and the series would be infinitely better if he was sick.
This is a multi-part fic of A/elin and R/owan training on a mountain and YEAH! HE HAS A COLD!
not much sneezing yet but it will come I promise
likes comments reblogs always loved and giggled over <3
****
Aelin stalks through the underbrush with lethal silence. Leaves covered with dew from the early morning mist streak across her face, dotting her cheeks. Her prey, a mountain hare the size of her head, nibbles on the sparse grass a few yards away.
She knocks her arrow, slipping in a breath. She can’t wait to see the look on Rowan’s face when she brings back a hare this size. Slowly, she pulls the bowstring back, kissing against her face. The hare turns, startled, breaths coming fast. Now or never–
“hh’rZzSHHh’uh!”
Aelin gasps at the sound that echoes around the mountain. It cracks like a whip, scaring even the crows nesting in trees. The hare takes off and she desperately releases the arrow after her prey. The point finds its home in the thick trunk of a tree rather than the soft neck of the hare.
There goes breakfast. Her stomach growls pitifully. Seething, she rises from the brush and goes to retrieve her arrow.
Five minutes later, Aelin stalks back to the makeshift camp she and Rowan had assembled the night before. The Fae prince had forced her to run from the castle to these distant mountains, shifting in and out of her Fae form to master control, where he then informed her they would be camping for a week out in the elements. And she was to hunt their every meal in between training.
It was a pathetic time, especially with the rain that has settled across the mountain. Damp and cold to her bones, Aelin approaches their campsite. Rowan, appearing much drier than she, sits by the fire she had sparked earlier that morning. He looks oddly run down, like he hadn’t slept much the night before.
Aelin is sure he hadn’t. The mountains were too misty to sleep outside without waking up damp, so they had packed just one tent to keep their baggage light. Lying beside Rowan, last night she had been the private audience to his tossing and turning, grumbling, and finally his snoring.
“You fucking bastard. You scared off breakfast,” she hisses as she approaches, throwing her bow and bundle of arrows down by the tent. Rowan does not look up from the dagger he cleans in his hands.
“And how – snf! – pray tell, did I scare breakfast from here?” He grumbles. Aelin catches the way he sniffles thickly, his nostrils twitching up with the force of it.
She drops her satchel, full of only a bundle of pathetic berries. “You sneezed.” She tries not to give in the warmth that pools in her lower stomach at the memory of the sound. It’s the first time she had ever heard him sneeze, and she was not disappointed. “For someone so keen on silence, I expected you’d know how to sneeze more quietly.”
Rowan doesn’t even grace her taunting with a reply, or a snarl. He just continues rubbing a cloth down the length of his dagger. Strange. He must be feeling really tired if he didn’t bother to punish her for such a remark.
She sits down across from the fire, on a log they’d rolled over so they didn’t sit on wet grass. Feigning interest in destemming the berries she’d picked, she studies him through the crackling flames.
His white hair is loose around his shoulders, creating a curtain that shields the dark tattoo running along his tan face. The tips of his Fae ears poke out just behind the white strands. After weeks of training with him, sleeping out in the elements beside him, she’s learned that he prefers to tie his hair up. It’s so rare to see him with it down.
“More hand to hand combat training today, or magic training?” She asks, breaking the silence that is only marred by the crackling flames.
Rowan sets the dagger aside. “Your job was to hunt. And since you still haven’t caught anything, your job is still to hunt.” He settles his sharp green eyes on her, brows set. If he didn’t piss her off so much, she might actually tremble under his gaze.
She raises her palms in defeat. “Fine, fine. But if you sneeze and scare off my prey again, I won’t be sharing the catch with you.” Even if she’d very much like for him to sneeze again, she’d rather eat first.
In one swoop, she picks up her bow and arrows and satchel again before setting off. With her Fae senses, she could scent a herd of deer in the southwest. Now that would show Rowan. Perhaps she’d bring back a buck, and spear him with its antlers.
As soon as she leaves the camp, nearly out of earshot, she hears the same thunderstrike from before. Perhaps Rowan had been waiting for her to leave.
“hhzjHSHHhieWw!”
A shiver runs down her spine as more startled crows caw in the trees.
****
Two hours later, Aelin returns with a small doe slung across her shoulders.
It’s mid afternoon. She had been lucky a herd was still grazing so late in the morning down by the clearing. She’d been even luckier that Rowan had either gotten his sneezing under control, or learned how to be quiet, because nothing had startled her catch this time.
“Lunch,” she declares to Rowan, dropping the deer to the grass. He hasn’t moved from his spot by the fire. “Is served.”
“It was supposed to be– snf! Breakfast,” he mutters, reaching the dagger at his side from earlier. His voice sounds dulled, like he’s congested.
Aelin rolls her eyes. “Well, it’s not like you helped. And I got us a catch to last us days.” She pats the stomach of the doe proudly. It isn’t very old – there’s still a sprinkling of fawn spots across her back. Aelin feels a twang of guilt for not singling out an older one.
Rowan pinches the bridge of his nose, breathing through his mouth. Aelin hardly has time to prepare before he jerks down towards his crotch, a light mist spraying across his trousers.
“hiHh–... yHhZzSHhhyuu!” A familiar, rushing heat spreads through Aelin’s gut. She swallows, watching as he rubs his nose on his wrist and glares up at her. Is he going to get mad at her for his sneezing?
Rowan chooses not to comment on it, something Aelin is secretly grateful for. “You were– snf! instructed to catch something small. We’re moving camp this afternoon.” He angles the pommel of the dagger towards her.
“What?!”
“Rain is coming tonight and will flood this area. I told you this morning. And now you’ve wasted a young doe’s life.”
A flame of rage flickers to life inside her chest. This is all his fault. “Well, I wouldn’t have wasted jack-shit if you hadn’t ruined my catch earl–”
“Aelin,” he growls, a no-nonsense sound. The tips of his canines poke past his lips. Aelin shuts up immediately.
He stands, crossing the camp in two strides, and shoves the pommel of the knife against her stomach. She glares beneath his gaze. “You missed the catch because you did not act fast enough. Now you can either carry the doe across the mountain, or… hhH—!” His breath snags, eyes looking off into the distance for a split second. Aelin’s heart hammers in her chest.
He quickly recovers and sniffs again, much to her disappointment, and focuses his gaze on her. “Or you can leave it and realise you wasted a young animal’s life for your pride.”
Before she can retort, he turns on his heel and she offers a middle finger to his large, muscular back.
As if sensing her, he says over his shoulder, “And– sNf!– pack up the tent.”
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HAPPY BIRTHDAY, PRESIDENT OF TONARI CLUB!
I, uh, m-made something f-for you.
Know that I'm totally embarrassing my ass over here, so... Don't laugh loud enough that I can hear you from over here!
Aaaaaand now, per Lyndis tradition, I'm gonna overexplain shits and turn a simple Ask into a whole ass Ramble!
-----------------------------(why is there no "Read More" partition in an Ask? I'm so embarrassed right now goddamn it)-------------------------
If you're short-sighted, try removing your glasses or contact lenses and look at this picture. I just did and it's suddenly even prettier!
I actually planned to draw your Sonicsona at first. And then I realized I deadass couldn't even draw Base Sonic. Then I thought I should draw a mole. I realized I also couldn't draw a mole. I thought I should just go for the easiest shit and draw ToFu. I realized I could not draw either one of them, too.
Because I cannot draw, I cheat! I mean I turn things into shapes (chiefly triangles, though not all of them) and then color them and hope that something shows up. This is me using this scientific /+ philosophical concept called Emergence.
No, I didn't just say THAT to sound like I have a technique of any kind, trust. It's so totally a technique—my very productive ass told me.
I remember you saying your favorite color is something like pink, blue, and stuff? It was from that tag game from last year. Hence, I decided I should create a context so I could draw an obscene amount of pink and blue.
If I'm being honest, it took me less than a millisecond to come up with the exact context—Breath of the Wild/Tears of the Kingdom is abundantly blue.
And since I always wanted to sneak ToFu in, I thought I would make a purplish-pink dusk. And then I will sneak those stargazing two in.
Come on. Everyone knows those ToFu panels. Even someone like me, who had not seen that part of the manga yet, knows.
Bless Tonari for being so relaxing to color.
HOWEVER! Fushi's limited-ass color presented a big problem for my cheat-drawing. How many combinations of "white" can you even make before you zoom out and see... nothing?! So I basically sabotaged them. That's what you get for being difficult, you mopey, neck-crick-possessing, fragile-enough-to-be-blown-by-the-wind cutie doofus.
I made up the color of their pants. I didn't even refer to their Nameless Boy drip when I decided on the color. I assed that part.
Yes. I admit I put a shit ton of effort into coloring Zelda. This version of Zelda is my kin, you know. Anyway, I like the way her, uh, shirt turned out.
I also like how the Master Sword turned out, but there was so much blue I ended up requiring outlines to distinguish it from Link's shirt and the sky. Told ya I have no technique or skill. I cheat through and through
I was too lazy to draw those sky islands. Besides, the ToTK side is already saturated with details.
What the fuck issa "proportion?" Everyone's head is an orange. The difference, Nova, is whether it's a Mandarin Orange or an Orange.
I don't know if I overdid Dinraal's draconic mane. It looks like she's wearing a wig. At least she is different from how she initially looked—a red tapeworm outfitted with chicken legs.
I admit I put more effort than any Past Me would have into Dinraal because a certain mutual is very, ah, particular about dragons.
Drawing two of your favorite ships for their show of devotion was a completely deliberative choice on my end. Did you also realize that both Link and Fushi had a short, small, low ponytail and that both Zelda and Tonari had similar hair? I believe it's due to me hitting my drawing skill limitation.
There is actually an Easter Egg of some sort in this picture. It's not the ugly doodle thing, no. That thing is me. I'm not an Easter Egg; I'm a ghost.
I'm not telling you what that Easter Egg is. I'm fine with it never being discovered; it'd be like those secret levels in old video games.
But if you DID discover it, come tell me what you think it is!
---------------
I hope you like it enough! Instead of it giving you a migraine, that is. Surely my """art"""... doesn't require a trigger warning... right?
Have a good one, mai bruzha!
---Lyn
A RAMBLE FROM YOU LYN IS THE BEST POSSIBLE BRITHDAY PRESENT I COULD HAVE EVER RECEIVED!!!! COUPLED WITH ART BY YOU????? AND OF MY FAVORITE FELLAS????? What did I deserve to be so blessed ;A; 💕💕💕
I’ll spare us all a little extra scrolling on my part by adding that read more you were fretting about, I have my own ramble upcoming!
I KNOW YOURE ON YOURSELF ABOUT NOT BEING ARTISTIC OR WHATEVER BUT THIS IS ART!!! AND DAMN GOOD ART TOO!!!!!!! This is!!!!!!!!!!! I want this made into stained glass I want to make this the permanent window to me bed roOM LYN THIS IS AMAZING THIS IS ALMOST CERTAINLY GOING DOWN AS ONE OF MY FAVORITE ART STYLES!!!! There’s no such thing as cheating in art, it’s all art!!! “Cheating” is a style, no technique is a style!!! I should know I have none either, hehe -w-‘ your art may be some type of cubism? Hehe idk I’m not an art student :3 Either way this is absolutely gorgeous I’m in LOVE!!!
It’s so creative and well done and I LOVE your eye for detail, the lighting is inspired!!!! Like the way the sun hits the space behind Zelda is so pretty, AND ZELDA IS SO PRETTY!!!!!! EVERYRHING IS SO PRETTY, I CANT FOCUS ON ONE THING BECAUSE I KEEP JUMPING BACK AND FORTH BETWEEN ALL THE THINGS I LOVE ABOUT IT (every thing, every last detail!!! Is that a little you in the middle? Is that the Easter egg???? I could just pick you up and pat your little head!!! 😭 I know you don’t love hugs but that’s how I’ll be standing if you’re ever ready for one!!!)
I should slow down maybe and pick a few things to focus on BUT I JUST CANT I LOVE IT ALL!!!! The two scenes just blend so well into one another that my eyes are just naturally being drawn back and forth between both of the scenery! Dinraal, who turned out AMAZIING BY THE WAY, ABSOLUTELY NOT OVERDONE, if anything I’m so glad you had fun working on her!!! She’s so gorgeous!!!! I bet your friend is so so proud of how well she looks!!! Oh but anyway, Dinraal naturally leads my eyes over to the sun/moon (and the 24, hehe, thank you!!! /)//(\ Your memory is astounding!!), which have their own beautiful rays of light leading down onto the adorable couples 😭 I love love LOVE the moonlight leading down onto Tonari and Fushi, and the fact that she’s pointing at it too like she can almost reach it? Beautiful! Gorgeous!!! And it just leads my eyes down to them too, there’s just such a natural circular flow here, no wonder I keep getting caught in a loop of admiration! 😁
The blues and the pinks, and the stars on the ToFu side!!! I just noticed them and they’re everything to me!!!! Hahaha I’m so glad Tonari was relaxing to color hehe, same for me, something about her is just so lovely and calming when she’s relaxed 🥰 As for Fushi’s colors, I didn’t notice! Even after you pointed it out it looks good to me! ¯\_(ツ)_/¯ this is from someone who never references colors though, I’m so loosey goosey about everything -w- BUT YOUR SOLUTION TO YOUR PROBLEM WAS GREAT, THEIR SHAPE IS VERY VISIBLE AND EASY TO MAKE OUT hehe :3 I love their crossed little legs 🥰
Zelda being your kin is so good to know hehe, I’ve always been drawn to all versions of Link myself! I think we’ve been perfectly set up to “play dolls” with these characters in the future, so to speak! Aaaahh they can’t have been easy to draw, there’s a reason I almost never dabble in drawing those two and their intricate outfits, but you make it look effortless!!! Zelda’s shirt turned out amazing, and I’m stuck looking at her little triangle braids!!!! I don’t know why I’m so fixated on that it’s just adorable!!! 😭💕 What a lovely technique, man, I’m so enchanted! AND THE MASTER SWORD, I know you called it cheating BUT I LOVE THE LINE WORK, it makes the sword stand out, almost like you lined that specific part with some sort of melted gold??? Aaaaaaaaaahhhhhh!!!!!
This is gorgeous and beautiful in every which way and thank you!!!! For everything!!! For this beautiful drawing and for giving me a chance to ramble and giving me something gorgeous to look at for the rest of my day, and for indulging in both of my silly little ships /)//(\ I’m so glad I don’t need glasses because I love every inch of your art, thank you thank you THANK YOU!!!!! Gosh it’s so so so lovely 😭💕 you’re so lovely!!!!
I don’t know how to say goodbye so I guess I’ll just say good night for now! Thank you for thinking of me… I’ll have a wonderful day, so long as you promise me you’ll have a wonderful night along side me 🥰
Goodnight, Mai Bruzha!
- Nova
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as someone who is extremely queasy and the thought of blood and gore makes me want to power wash my brain, can I ask genuinely what it is about cannibalism that is so intriguing? I swear that I’m not judging I’m just curious bc personally it’s one of those things that I absolutely refuse to let my brain think about
omg yes i can actually 100% so basically it shows a lot in my writing but im a fan of the extremes of human feeling like it's insanely compelling to me to consider the things we do when pushed into the darkest corner of a single emotion, be it love or hate or fear or anger or grief etc etc. we are a deranged species and we do deranged things when we feel too much of any one thing and it's the concept of extrapolating on that until you reach a point of it being too far, too much, too extreme, and the implications of that. we have cannibalism as one of the ultimate taboos, something that is rightfully so abhorred in society that many respond with horror at even the thought of it, and i actually like that about it. i like that we all - like you said - feel a certain repulsion to the initial thought. it's a biological knee-jerk because your brain fundamentally does not want to look directly at it. for the greeks, cannibalism was one of the greatest sins, greater than even murder, because kronos ate his children and zeus himself had no power over such a crime. to talk about the house of atreus again, the crime was so great that for atreus to subject his brother to it meant they were BOTH damned as a result, despite atreus himself not eating anyone. that's how extreme it is. you are inherently blurring the lines between people. there's supposed to be a victim and an aggressor, but when the horror is so unthinkable, what are you left with? most crimes are ingrained into us with strict responses and punishments, but with a crime this great, even after centuries of it featuring in our literature, we still can't look directly at it. that is ridiculously compelling to me.
so that's the bad, more literal side, but then we have love as consumption. again, this is considering the human reaction to a level of obsession and love so intense and unsustainable that it leads you to consuming each other. it's mutual destruction. it's being so tied to another person, so reliant on them, so adoring of them that the only way you can tolerate it is to put them behind your ribs and keep them, like a house keeps its occupants. the act itself - tasting, swallowing, savouring - is erotic. arousal exists in the heights of violence. the opposite of love isn't hate, but indifference, because love and hate are actually more similar than they are different. rather than opponents on a battlefield, they're dancers seperated by a single, fine line, never becoming one another but fingertips brushing, sharing air. loving someone so much you feel crazy, you feel restless in your own skin like it's trying to crawl off of you; hating someone so much that you can't stop thinking about them; sex and violence as intimate acts shared with another person - love as consumption tackles these dangerous crossovers, because the love becomes so intense that it slips into traditionally hateful actions, violent actions. cannibalism; the great taboo. yet done by someone who genuinely sees it as an act of love, received by someone who views it that way. both so entangled and deranged by this single shared emotion. again, insanely compelling to me. and that's not even considering the implication of one person seeing every part of the other. back to your point and what i said about cannibalism being something we cant even look at, you're getting the most disgusting, unseen parts of someone and instead of being repulsed, instead of looking away, you're taking them in your bare hands and putting them to your lips. it's reverent it's religious it's- *my laptop is forcibly taken from me*
sucks that i have to say this bc i like to think people have critical thinking skills but i KNOW some mf is gonna anon me like 'STOP ENCOURAGING ABUSIVE RELATIONSHIPS >:(' so disclaimer; this is all just fun stuff to discuss and consider, and personally i talk about it almost solely from a writing pov anyway. if you're listening to ethel cain and unironically wanting to emulate that kind of dynamic then maybe you are too young and/or impressionable to be listening to ethel cain.
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YALLL sorry ive been so inactive lately school + mental health is lowkey kicking my ass, but i promise i'll be more active soon!!! im prob gonna get at least two things done by this weekend, so stay tuned for that ✨ and since summer is coming i'll be a lot more active then too!!!
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an uncle nina check in <3
hi team! thanks for sticking around! i know my blog isn't always the most exciting and enriching place in the world in terms of content, but i am very /content/ to have you all here. <3333
i promise, oddly enough, i have A TON of inspiration and ideas for all my weird styles ( if you're curious about anything please lmk! i've been trying to flesh out my aus out lately ), i've just been in a major bummer depression era lately, so it's hard for me to get my asks done and i'm having a hard time committing to finishing my writing. :<
i think it's because of stress and my bipolar, but i am trying to get back on the horse! ( are we all laughing at the idea of me trying to get on a horse? i'd start crying help city girl fail moment for me ) yeehaw!
and while, unfortunately due to the instability ( fabulous legendary iconery ) of my pretty girl popstar personality, i do not know whether i will be answering almost no questions or one million, regardless of that, i just wanted to let you know, i'm still here, still kicking my feet, twirling my hair, cooking...i'm just really trying not to force myself to put out anything i don't like...and only do what makes me truly happy.
however, nothing, my dear sweet e-darlings...
makes me happier than coming home to all of you. <333
so thank you for flooding even the darkest corners of my life with bright light, supporting my phantom fics and being wonderful,
uncle nina xx
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Thinkin' about things.
How Sarah probably kept Ray's note as a trophy of sorts just like the embroidery from the second light novel/chapter 181.2 (coincidentally, both given to her by Krone in an act of betrayal).
How somehow amidst everything that was going on in the turnover of power when Isabella became Grandma, she stumbled across the note (defaulting to her being tasked with cleaning out any of Sarah's personal effects since by the time you reach such a position the demons assume you've fully bought into the system and have nothing worrisome to hide).
How potentially one of the Sisters held onto the note and one day in the human world remembered she still had it.
How that Sister might have approached Ray to return the note that he never imagined he'd see again and explain why she had it.
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Kinda been lurking since months now so, sorry about the lack of content guys 😭 but I'll be back soon with some ts content hm hm ! AND TO THE ONES THAT CAME IN MY ASKS I DIDN'T FORGET YOU SWEETHEARTS !! IM JUST SLOW AS FUCK SO SO SORRYYY but promise i'll answer you 🏃🏽♂️💨 I have a hard time responding asks but im way more reactive when it comes to dms so if you just wanna chat you can come here ! I normally take like max half a day to respond usually ? (mostly respond within less an hour when im not busy but you never know with time zones since im a lil frenchie so)
But yeah i gotchu guys.
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also another reason i play picc despite it causing my migraines is because i can use it to win arguments. Like any other instrument you have no right to complain about piccolo being "too high" when i am playing it and it gives ME migraines. like. ok coward. what do u even have to complain about
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you guys i’m speechless...when i created this blog a year ago it was mostly because i went down a kpop rabbit hole and i didn’t want to annoy my mutuals with my posts, but i would’ve never imagined i’d get to know so many amazing content creators and that one day i’d have so many followers, so thank you from the bottom of my heart!
a special thanks goes to markie @ueberdemnebelmeer ♥ because without her i wouldn’t know the first thing about giffing, and to all the lovely people i met in stayblr that made this site my favorite corner of the internet!
@abiaswreck // @agibbangs // @alrightyaphroditie // @ballelino // @bangchanies // @bangzchan // @blueprintchan // @blueprintings // @cb97percent // @changbeens // @chanmer // @cheekyquokka // @clariserenaldi // @dostaje-pierdolca // @felixlixifelix // @freckledbbokkie // @geniaparadox // @hanjesungs // @hyunjinz // @hyunpic // @inkinbrushes // @ijsng // @jinniebit // @juiceofmoons // @khairemisthios // @lee--felix // @lovelyseungwan // @loverlix // @minzbins // @murderyoursoul // @natigail // @quokki // @shmalll // @seonghwaminho // @senor-hoberto // @silentcry-skz // @skz-films // @snug-gyu // @stay-a-nctzen // @ttathinker // @ughbehavior // @userchanie // @voodoovall // @xuseokgyu // @yonglixx // @youkidding-me // @yyukhei
(even if i haven’t interacted much with some of you, i always see you in my notes and i love reading your tags because i know they’ll make me laugh every single time)
sorry i haven’t prepared anything special to thank you for this milestone because i’m super busy with uni exams and classes starting again, sooner or later i’ll come up with something! if you want to chat, ask me anything or request a set my askbox’s always open tho <3
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I got a new note book
I did promise myself to take notes in it, so I will but I also allowed myself to draw in it for any reason as long as it’s the whole page or a drawin to help me remember somethin
so I decorated the first page
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tip: the clear plastic ornaments micheals sells for like a dollar is very useful for making various cosplay props
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Sorry to keep throwing Miscellaneous Asks your way, but I finally had a moment to get my thoughts in order on one of the points on your Venn diagram I wanted to talk about! I always kind of debate whether or not to send other, semi-unrelated long asks like this when we've already got a chain going, but oh well. I'll try and address anything brought up in response here in the main one and hopefully it doesn't get confusing lol.
So I was thinking about the extent of Jo and Arakawa's relationship. It is completely true there's not much you can say that's concrete, especially since most of what we see is from Jo's perspective. Although his perspective is crucial to forming an understanding of their relationship, it's not sufficient. This is particularly the case because, coming back to giri-ninjo for a moment, Jo is largely bound by giri; it's clear his loyalty runs deep, but it's not a choice for him.
Arakawa, on the other hand, can choose who he places his trust in, especially early on. And I think it's incredibly important that, despite having men who've already been with him from day 1, men who've already been helping him with his son, Arakawa chooses to "place every confidence" in Jo (per an old Famitsu profile, one of the first official ones) and chooses to make Jo his captain.
Similarly, he kind of chooses Jo "over" Ichi in sending Ichi to prison "instead of" Jo. Perhaps the family really would collapse without Jo's talents, but… does it have to collapse entirely? Didn't Arakawa make it pretty far on his own? I guess it's neither here nor there, but I've always wondered if things would've really played out as feared if Jo went to prison instead. Not to understate Jo's role in the family, of course.
Anyway, I think that trust shows not only in overt gestures such as entrusting Masato and the family's finances to Jo, but also in more subtle behind-the-scenes ways, such as what we were talking about before with regard to New Year's 2001. There's also the fact that leaking information to Aoki was Jo's idea; for that to be the case, Arakawa would have to discuss Aoki's threats at length with Jo. (Unrelated, but come to think of it, "complying with him [to] make him see value in keeping us around" is very often the strategy of victims of abuse and neglect…)
And this one's an underrated detail many people miss, but after Arakawa shot Ichi, while he was able to come up to Ichi to tell him he's counting on him and sneak in the fake bill, if the goal was to not arouse suspicion, I don't think he would exactly have been able to excuse himself from the dinner to drive Ichi to Yokohama. Time was of the essence in terms of Ichi's survival, so that leaves Jo, who was conveniently already at the scene and who was certainly in on the "secret rule" that constitutes part of the Arakawa Family's agreement with the homeless camp. Overall, there is a pattern of Arakawa approaching Jo before anyone else, isn't there?
Sort of branching off of that, I would personally feel comfortable saying that Jo knows Arakawa better than anyone else. He seems to know details about Akane and New Year's 1976 no one else does, details Arakawa would have had to volunteer himself, and that plus his own experiences are what allow him alone to have the most complete picture of that night.
I also get the impression Jo understands Arakawa better as a person than anyone else--certainly better than Aoki, but perhaps even better than Ichi in some cases. There are multiple instances where he defends Arakawa and challenges their perceptions of him--that he's "betrayed" the Tojo Clan, that he's betrayed Aoki, that he's the type to scheme and make power-plays behind Aoki's back. He hasn't. And, despite how little Jo's "allowed" to say, he turns out to be right every time. Also worth noting Arakawa does something similar in asking Ichi to try and understand Jo's frustrations, though he's more or less enabling Jo's abuse in doing so.
Lastly, The Smallest Detail that drives me kind of insane. Them arriving at the office in the back seat of the same car in one of Ichi's flashbacks. I wouldn't think too much of it if it were any other time of day, but the first-thing-in-the-morning quality and the fact Jo isn't driving (thus it's not as an act of service but as an equal) is like… Okay. You're carpooling to work. And if you're not carpooling, you're honest-to-god living together. What the hell.
So a lot of it is this web of inferences--it has to be, at least currently--but I really do think there's a lot to chew on. More than meets the eye, anyway. I've also been stewing in all of this for years, especially since drafting Jo's relationships section, so I might just have inhaled the fumes for too long lol
Thank you for coming to me about the nature of their relationship! Although I did put it down as being more-or-less 'uncertain' on my chart, I do agree that their relationship isn't as cut-and-dry as other relationships might be (it's going back to appreciating the complexities of RGG relationships, especially in the case of the Arakawa's where for every party involved it really IS complicated)
I wanted to exclude making any definitive statements on things that couldn't be verified without making a detour on the original post (I know I already mentioned frequently that Arakawa is able to joke about Jo being 'softer' on Masato, but I do think about their relationship often and the implied depth of Jo's loyalty if- as you said- he was able to climb through the ranks of the Arakawa family much quicker than preexisting members), but there are clear points in the game that due allude to a great trust between the two (and I also note that carpooling detail during Ichi's flashback- or at the very least I know I'd find myself noticing Jo sitting in the back opposed to the front/driving). It's definitely not hard to assert that Jo knows Arakawa well either, it's hard not to come to that conclusion when we have evidence from the game to infer that.
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I am once again posting furry satosugu
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