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#I just found this in my drafts and i do not remember writing it but we're pressing post now
cool-person-yey · 1 month
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no cause like what did i meant by this
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tarnishedspark · 8 months
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host: Hello everyone, its time for another game of Frag, Conjunx, Kill! Today's contestant is everyone's favourite unethical scientist, Shockwave!
Shockwave: [staring at options]
Shockwave:
Shockwave: Is experimentation an option?
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ggukkiereads · 2 years
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.
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gaytaikawaititi · 2 years
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ed teasing and feeling like he’s in charge but then turning into a needy praise kink loving mess the second stede gets his hands on him? that’s my truth
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mortalboy · 1 day
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call me neil young the way i'm abandoning important professional obligations
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biteapple · 20 days
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it's almost Hope girl's 16th birthday ... i would like to do something special
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void-shouting · 6 months
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just realized that the ways my mc & his best friend/love interest look at the world is remarkably similar to that of alexander hamilton & aaron burr respectively 😶
(in that niall/alexander hamilton will push for what they want once they've realized it's what they want, while alex/aaron burr will take what they can get even if they'd like to have more)
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gh0stmist · 6 months
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i don’t believe the backrooms are real but y’know it would be kinda fun to make a cult/fanclub where we all ‘worship’ liminal spaces, but in like, a joking way but the it becomes like when you start doing something ironically but then it’s not ironic anymore and before we know it we’re actually trying to get into the backrooms..
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sindoom · 11 months
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far from santa monica
i have become all that i hate. what is love without like? what is dishing it when you cant heed it? a fucking nightmare, thats what that is. a shell of a well oiled machine, pieces and parts clanking on the ground. a sound so grating you pluck your eyes from their fixed position and tuck your ears in deep to the drum. a fucking nightmare. would it make a difference? to do it all again?
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dice-wizard · 8 months
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Okay writers listen up
I'm gonna tell you about how I wrangled my shitbird brain into being a terrifying word-churning engine and have written over 170K words in under a year.
I wanna be clear that before unlocking this Secret Technique I was a victim of my unmedicated ADHD, able to start but never finish, able to ideate but not commit and I truly and firmly believed that I'd never write a novel and such a thing was simply outside of my reach.
Now I write (and read!!) every day. Every. Single. Day. Like some kind of scriptorial One Punch Man.
Step the First
Remove friction between yourself and writing.
I personally figured out how to comfortably write on my phone which meant I didn't have to struggle with the insurmountable task of opening my laptop.
I don't care if this means you write in a Discord server you set up for yourself, but fucking do it. Literally whatever makes you write!
(if you do write somewhere that isn't a word processor PLEASE back your work up regularly!)
Step the Second
Make that shit a habit. Write every day.
For me, I allow myself the grace that ANY progress on writing counts. One sentence? Legal. Five thousand furious hyperfixated words? Also legal.
Every day, make progress. Any progress.
I deleted Twitter from my phone and did my best to replace doomscrolling with writing. If I caught myself idly scrolling I'd close whatever I was looking at and open my draft and write one (1) sentence until I made THAT a habit, too.
Step Two-point-Five
DO NOT REWRITE. If you are creating a first draft, don't back up or restart. Continous forward motion. Second drafts and editors exist. Firsts are for ripping the fucking thing out of your brain.
If you're working on revisions after an editor or beta readers or whoever has given you feedback, then you can rewrite that's OK (and it counts as your writing for the day!)
Step the Third
Now that you've found a comfortable way to write and are doing it every day, don't stop. Keep doing it. Remember, just one sentence is all you need. You can always do more, but if one lousy sentence is all you can manage then you're still successfully writing.
Remember: this is what worked for me. Try things until you find what works for you.
You can do it. I believe in you.
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gopissbepis · 1 year
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I love saying goodnight to the mainstream socials and sneaking off to Tumblr like it's a lil treat
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yzashaven · 1 month
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helloo, this is my first time requesting something but I have gotten obsessed with the way you write so-
I had this idea of a f!reader that is really not vocal in bed. And scaramouche absolutely GETS OFF to every little whimper and whine she makes because he doesn't hear it that often and makes an effort to hear *something* KDBDKDIEIDJD
Ok that's it, woohoo (with my luck i've already forgotten i even wrote this a day later so I'll just sign off with an M to remind myself, lmao)
~M
𝐌𝐎𝐀𝐍 𝐅𝐎𝐑 𝐌𝐄
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꒰ 𝐟𝐞𝐚𝐭𝐮𝐫𝐢𝐧𝐠 ꒱ scaramouche x fem!reader
꒰ 𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬 ꒱ nsfw themes. cunnilingus. begging (both sides). fingering. penetration. kiss/bite marks. use of "baby" n "pretty girl". just the tip but not for long. he slaps his cock on your pussy like once + slight pussyjob?! (think that's it :3)
꒰ 𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬 ꒱ he just wants to hear your cute little moans. is there really something wrong with that?
𝐍𝐎𝐓𝐄—this was actually drafted like... a few days ago?? i don't remember when but suddenly, now, at a random time of 4am i felt like finishing it so here u go !! might be a bit off or something cuz i did it while half awake 😭 LMAO [not proofread]
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he's trying his best, he really is. all he wanted was to hear your pretty moans that tell everything he needs to know—that he's making you feel good.
scaramouche's tongue laps up your dripping arousal as his hands held your thighs apart. a soft sigh could be heard from him upon dragging a finger along your slit. that same finger soon enters your hole and finally, you let out a small moan. your voice was barely above a whisper yet he still heard it, "please moan for me, baby," scaramouche says and dips his head back down in between your legs. he plants a gentle kiss to your clit before speaking up again, "i really want to hear your pretty voice." he sounds almost... desperate.
he brings in another finger inside your pussy, curling them up at the perfect angle that he was sure would let you let out some kind of sound.
but all he got was silence.
a frown forms upon his lips but he won't give up. he leans down to suck on your clit all the while maintaining eye contact as much as possible. a deep blush appears across your cheeks, radiating heat on your skin. his hand makes it way to yours to guide it towards his head. you oblige in his obvious wishes and let your fingers tangle in the soft locks of his hair.
scaramouche pushes his fingers a bit deeper within you, in hopes that the tips of his fingers hit your sweet spot ever so slightly. he wants you to be all needy for him. surely that'll get you talking, right?
after some time, he found himself already lost in the sounds of your cute whimpering whenever he thrusts his fingers inside. "...'m cumming, scara..." you quietly gasp out as he began to absolutely devour you. he's acting like he hasn't eaten in days (which he doesn't even need to do!) "cum on my tongue, baby. cum for me."
you let the waves of pleasure wash over your body and bit by bit, moans began to continuously be drawn out from you. he smiles and lets out a low groan; upon standing up, you could clearly see how hard he was as he was stroking the length of his cock. slowly working it up from the base up to the tip.
he teasingly slaps his cock against your folds, eliciting a few good whimpers from you. since he felt like teasing you further, he slides the length of his dick along your slit. the head of it entering your hole every now and then but never fully settling inside you.
"tell me you want it." he spoke in a low and sultry tone.
"i want it." you replied upon throwing the last bit of your dignity out of the window, "i want you, scara. please..." a soft smile curls up his lips. affectionate kisses on your forehead and temples as he easily slid his cock inside. every sweet little sound you let out seems to drive him a little more crazier.
scaramouche's thrusts were slow, yet deep and precise—making sure that you felt pleasure rather than any hints of pain. "fuck, scara..." the way you gasped out his name with so much need laced in your voice. he fucking loves it.
"let me hear you some more, pretty girl." he whispers in between soft kisses on your collarbone as he felt like marking you with his kiss and bite marks. the feeling of that along with the head of his dick reaching your deepest parts sent shivers throughout your body.
he's glad to know that he's making you feel good.
and now he wants to fill you up for being such a good girl, all for him.
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dutchwinter · 1 year
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for the workforce drowning by thursday is a beaitiful name for a baby gril.
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fuckyeahgoodomens · 4 months
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The Good Omens Musical Masterpost🎵❤
How it started :)
Some time before 2013: Vicki Larnach, the australian composer and lyricist, read the Good Omens book, imagined figures dancing on stage with brilliant music and thought, ‘Ah, I’m gonna ask Terry Pratchet and Neil Gaiman if I can turn it into a musical.’ and sent an email to the publishers. The next day she got an email saying, ‘We don’t want a musical but Terry’s coming to Australia, so come and say hello and tell us what you got.’
Rob Wilkins came down to meet Vicki and Jim Hare - Vicki's husband and writer - and took them to meet Terry. They spent an hour and a half with them where Terry asked ‘piercing questions’, had tea with them and they showed Terry a song that Vicki wrote (about the Chattering Nuns). Terry said to Rob, ‘Rob, write and email to Neil, “Dear Neil, this is Terry. I’m sitting in front of two hippies from Sydney and they want to make a musical out of Good Omens and I’m tempted to let them do it.”’ which was the best email they ever heard and then Terry said, ‘Okay, you have me curious.’ - it was because of the Nuns song which sounded like the book. ‘I’m gonna give you six months, come back with a first draft libretto and five songs.’
They then sent it to Terry who sent it to Neil. Terry said, ‘I really like it, you’re moving story, you’re doing all the right things, but where’s showstopper, where’s the toe-tapper, you know I need people to go to intermission just snapping their fingers with the song they just can’t get out of their head, and I haven’t heard that.’ - and they realized that they were so busy serving the story they forgot to do the wow-factor, but found it very encouraging from Terry that he wanted to make it better.
They went through the whole book again to find a centrepiece - and they found it  when Warlock is growing up and Aziraphale and Crowley are with him, and spent months working just on that one thing and called ‘All Living Things’ [the song at the start of this post :)] which is a line from the book.*’ Terry gave that song to a person he knew and asked him to play it to his wife with no context and when the next day the person said that his wife woke up still singing the song Terry said to Vicki and Jim: ‘Well, that’s what I asked you to do.’ 
* [“This here’s Brother Slug,” the gardener would tell him, “and this tiny little critter is Sister Potato Weevil. Remember, Warlock, as you walk your way through the highways and byways of life’s rich and fulsome path, to have love and reverence for all living things.” “Nanny says that wivving fings is fit onwy to be gwound under my heels, Mr. Fwancis,” said little Warlock, stroking Brother Slug, and then wiping his hand conscientiously on his Kermit the Frog overall.]
Vicki and Jim got the permission to being adapting it as a musical in 2013.
Vicki and Jim on it a couple of years ‘fumbling about’, took it as far as they could and decided to bring another person into it: Jay-James Moody
In 2015, Jay James-Moody joined the collaboration initially as a dramaturge and directorial eye, eventually evolving into co-book writer. Vicki, James and Jay have continued to evolve through countless more revisions and a number of private development readings with the support, time and talent of numerous wonderful Australian performers testing the material.
In November 2017, the musical was presented in its then-current form and entirety for the first time before an audience of over 500 eager attendees. The cast included Luke Joslin, Lachlan O’Brien, Nancye Hayes, Barry Quin, Brett O’Neill, Lauren McKenna, Nicholas Craddock, Paul Capsis, Rob Johnson, Amy Lehpamer, Debora Krizak, Blake Erickson, Nat Jobe, Ana Maria Belo, Jordan Hare, Bella Thomas, Anthony Abrakmanov and Samson Hyland.
Following a rapturous response to this reading it continued to be refined and developed.
In 2019, ten days before the show came out they did their last presentation, since then they’ve been to London and shown a videotape of that workshop to Neil and Rob which was ‘a pretty heartstopping experience’ but both Neil and Rob were ‘so lovely and very generous with their time’ and they were showing it to them and in the intermission Neil said ‘I wish Terry could have seen this.’ (see here :))
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Differences between the musical and the book
The ending of the musical is a bit different, they were worried about it but Neil said, ‘I totally understand, the ending of the TV series is different, because I had something that was book-shaped and I needed to make it TV-shaped. And you had something that was book-shaped and you needed to make it stage-shaped.’
It opens with the burning of Agnes Nutter and Aziraphale and Crowley are introduced there. 
Act One ends with them ‘essentially breaking up’ because of a huge argument and they dissolve their friendship, Act Two starts with the first time they meet.
The Future?
What is the future for the musical: in 2021 they said that they need to work on some things and then they hope to do another run, initially in Australia.
There will be a CD of the soundtrack available when the show is produced in it’s full version.
Videos
Vicki, Jim and Jay talking 46min about the musical (this video was shown at the Ineffable Con 3 in 2021 :))
Sizzle Reel 6min
Anathema singing The Perfect Place
Crowley calling Dagon to check on the hellhound
Shadwell and Newt
Aziraphale vanishing Hastur 👀
Links
Webpage
Instagram - a lot of more bts videos and pics :)
How to support?
Subsribe to the instagram page and like and comment that you want the musical on posts :)❤. If you want to be a sponsor or donor, there is contact on their webpage.
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the things you do for love ; satoru gojo
synopsis; satoru begs you to wear the frilly maid dress he bought. against your better judgement, you indulge him.
word count; 7.0k (this was supposed to be short but i miss him terribly)
contents; satoru gojo/reader, gn!reader, fluff fluff fluff!!, sickeningly sweet, literally just satoru being down horrendous, lots and lots of petnames (he is embarrassing), he’s ur biggest hypeman, entirely sfw!! (i feel like i have to specify that…), reader is a lil grumpy, satoru gojo is the most insufferable man on earth <3
a/n; this is just a silly lil wip i found in my drafts…. i dont remember what possessed me to write this i just think satoru would cry and fall to his knees and throw up blood if he saw u in a frilly dress
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”— no.”
the word rolls off your tongue, instantaneous, with a decisive kind of sterness. leaving no room for hesitation, doubt or indecision; not a single gap for his argument to fit through, no loophole he could take advantage of to persuade you into giving in.
but despite all that, satoru just won’t back down.
”come on, baby, please?” he pleads, voice coaxing and sugary sweet. you can almost see those puppy dog eyes of his from behind the black glass of his shades. ”i already bought it and everything!”
”i don’t care,” you spit. a halfhearted attempt at appearing annoyed, in hopes it’ll distract him from the strawberry flush of your cheeks. ”i’m not wearing it. you shouldn’t have bought it, in the first place.”
”but sweetheart,” he drawls, tinged with a sadness he knows tugs at your heartstrings. ”it’s so cute. you’ll look so adorable.”
”not happening.”
”but —”
”— no. i’m seriously not wearing it, satoru.”
and it’s harsh, the flow of your words, sharp and firm; but that’s your only option when he gets like this. your only slim chance at survival, being almost painfully direct. that doesn’t stop your resolve from weakening pitifully when satoru’s posture wilts, though, obviously exaggerated but still somehow effective. you debase yourself for being so weak for him. 
but giving in just isn’t an option, this time. 
under normal circumstances, it wouldn’t take too long for him to persuade you. satoru can be annoying, extremely so — but when he’s being so stubborn about something, there’s usually a good reason for it, even if it’s just that whatever he wants you to do will make him happy. to you, it’ll do.
(his happiness is your priority, after all.)
but in this case, there’s just no way. absolutely no way in hell.
he’s still holding that thing up, like he genuinely thinks it’ll support his argument, swaying it lightly side to side. it really, really doesn’t. it does the complete opposite, in fact.
”but angel,” he tries, again. you wonder if he’s eventually going to run out of petnames, or if he’ll just keep cycling through them until he runs out of air to breathe. ”don’t you wanna see how it’ll look on you?”
a sharp scoff flows from your lips. 
he can’t be serious. 
you really, really, really don’t. if anything, you want everything in the world except for that. you’d rather smash a glass bottle into little pieces and eat them one by one. you’d rather sit on satoru’s lap in a room full of other people. you’d rather jump in front of a moving train with explosives tied to your back.
— it’s so frilly. 
you almost couldn’t believe it, yourself. when he barged into the room, cardboard box in hand, fresh from the mail; all while wearing an excited grin, foreboding, but you were too mesmerized by it to even notice. 
it wasn’t anything out of the ordinary, so you didn’t think much of it. satoru buying you gifts is not in any way unusual, even and especially if you tell him not to — and usually, it’d be a sweet occasion. the kind of moment you can soak in, drink up, and then recall fondly for the rest of the week. 
every single detail is worth cherishing. how excitedly he always opens it up, eager for your reaction, and how you always thank him, no matter what it is. sincerely, because satoru can be awkward with his affection, but his love bleeds through in moments like these.
from expensive, well-kept bouquets to little flowers on the side of the road; from thought-out gifts to little trinkets; no matter what it is, the sentiment remains the same.
(this made me think of you. i want you to have it. 
i remembered you mentioning this brand. i love you.)
a way for satoru to show his love, without overwhelming himself or you. a way of easing him into it, when everything is still just so new to him. 
buying you whatever catches his eye is the perfect solution, according to satoru. and it exasperates you, sometimes, when you come home to five amazon packages right outside your doorstep — but deep down you know it’s more for him than you. because it makes him happy, to be able to, allowed to show his love for you in ways like this. in normal ways, easy ways, that say more than his words ever could. 
(being granted the luxury of making you happy. of loving you, even if satoru doesn’t think he’s very good at that, just yet. but he is good at impulse buying things he knows you’d like; so that’ll have to do, for now.)
which is why you couldn’t help but let his infectious joy seep into your bloodstream, trickling its way through your veins with a sweet kind of fervour. couldn’t help but smile, a tender curl of your lips, in tandem with his cute little grin. couldn’t help but grow a little bit excited, as he opened the package — 
to reveal a cutesy, frilly, maid outfit.
— and then your mind screeched to a halt. 
the look on your face must have been something special, horrified and flustered in equal measure. almost in disbelief, as he immediately began to gush about the outfit in his hands. look at the bows, isn’t it cute? god, you’re going to look so pretty. i mean, you always do, obviously, but —
you weren’t really listening. all your mind could do was spin in circles, trying to get some read on the situation, but it was just no good. he genuinely, thoroughly, truly and sincerely expected you to put on a goddamn maid outfit. 
if he had bought it for himself, then maybe you would've been at least a little bit excited. you’re sure he'd look good in it; with those big blue eyes of his, that cute, happy grin. so good that your heart would probably combust, a little. melt through the floorboards. 
but no — he wanted you to wear it. 
and despite your instant, firm protests, he just will not give it up. your boyfriend is a stubborn man, so it’s no surprise, but it’s still enough to irk you.
”satoru, for real. no! i’m not wearing it!”
”but you’d look so good,” he whines, loud and grating as he inches closer to you. still holding the dress up like a prize; you back away, instinctively, like it’ll burn if you touch it.
”i don’t care! it’s a maid outfit! why the hell would i ever wear it?” 
sunglasses seated at the bridge of his nose, satoru allows you to catch a glimmer of his eyes — an effective method of persuasion. he definitely knows their power, and he’s definitely flaunting them for the sole purpose of making you falter. that manipulative scumbag.
the fact that it actually works makes you even angrier, though.
a sharp turn of your head, and your gaze falls on the windowpane, lingering there as you grumble under your breath. he’s so annoying. you’re growing more and more flustered by the minute, too. 
”— because you love me?” 
satoru tilts his head, white locks of hair following the movement. soft and silky, nice to run your fingers through, but you chase the thought away as soon as it enters your subconscious. he looks almost hypnotizing under the sunlight, with the golden rays illuminating his features, smoothing over the contours of his face — as if the sun was made solely to shine on his skin.
and ah, you think, there we go. satoru’s classic tactic; using your love for him as a bargaining chip, pouting down at you like a kicked puppy. you like to picture his eyes all watery and glassy, everytime he tries it, as if he’s some rejected cartoon-mascot. so silly. 
valiantly, you fight off the temptation to smile, gracing him with another little scoff instead. shooting him an unimpressed look, a tiny raise of your eyebrow. ”that won’t work on me.”
”aww, come on,” he almost coos, inching closer still. ”don’t you love me? my sweetiepie? my cute lil’ mochi?” 
(he’s getting bolder with the petnames, you note. as if that’d change anything. they’re so cheesy it makes you recoil.)
”obviously.” you deadpan, trying your best not to let affection seep into the words. but you see satoru’s lips curl up, anyway. ”i’m still not wearing it, though. sorry.”
satoru sighs. heavy, exasperated — dare you say defeated? for a second, you delude yourself into thinking he might actually give in, for once, spare you both the trouble — 
until he falls to the floor, knees hitting the soft flooring with a loud thud. awfully dramatic. he clasps his hands together as if to beg and plead, a starved dog at your feet, and gazes up at you with newfound determination.
”please, baby — i’m begging you,” he groans, voice sad and pained, agonized, like you just threatened to break up with him. silly, silly man.
”don’t grovel.” a sigh drops from your lips as the pads of your fingers go to massage your temples. soothing what you’re almost sure is an incoming headache.
and he makes a certain noise, almost a whimper, like you just kicked him in the gut. you glance down at him as if to signal really? with your eyes, lips parting to speak — 
but your breath only hitches in your throat, and no sound comes out.
satoru’s eyes are almost teary. peeking out from behind his shades, big and glassy, eyelashes dewy with what you know are just crocodile tears. he’s far too skilled at it for his own good, though — maybe you should be supporting his acting career, instead of the weird teacher-slash-sorcerer thing he’s got going on.
and you’re weak, you realize, terribly so. because something deep within your chest constricts, at those sad eyes, heart squeezed painfully, and when you speak you note that your voice sounds a lot softer. 
”satoru,” you sigh, again; more resigned this time, a little fatigued. missing the way his eyes glint at the sound, as if sensing an opportunity. ”really. i’m sorry i wasted your money, but it’s just… not happening. okay?” 
attempting to sound delicate, your voice settles on a soothing tilt, like an adult speaking to a tantrum-throwing child. hoping it’ll be enough to make him falter even slightly. 
it isn’t, of course; if anything, his determination only grows. 
”even just for a short while?” he tries, voice sweet and pliant. all daisies and sunbeams, tailormade to tug at your heartstrings. ”just an hour or so! then i’ll be satisfied.”
”an hour? no way!” you scoff.
and this time, you don’t miss it. from behind those shades, a certain glimmer of something flickers through his irises — something keen and observant. a certain dread crawls its way down your spine.
”so it’s fine if it’s less?” he grins, changing tactics, smooth and decisive. ”half an hour. that’s as low as i’ll go.”
”oh my god.” an exhale, drawn out and exhausted, from the very depths of your chest. ”satoru. toru. no. i’m not wearing it at all. this isn’t an auction.”
”but it could be,” he purrs, still on his knees. it makes him look a little bit disturbed. ”c’mon. why are you getting so shy? guess what — i’ll even settle for twenty minutes. just for you.”
oh, he’s just awful. you want so badly to be mad at him, and that teasing, smug, shit-eating little smirk of his — but you can’t. 
not when he looks so effortlessly pretty, bathed in the light of the sun, surrounded by a mellow glow so tender it makes him look something like an angel. not when he’s acting so characteristically himself, so stubborn and infuriating and entirely impossible not to love. 
another sigh. you’re a little surprised you have enough air left in your lungs to breathe it out, and as much as you hate to admit it, you’re beginning to grow just a bit tired of the back and forth. ”i’m not shy,” you huff. ”i just don’t want to. it won’t look good on me, anyway.”
satoru blinks. genuine surprise shines in his eyes, for a second, like you caught him off guard. ”huh? of course it will. why wouldn’t it?”
a pause. gnawing at your bottom lip, you avert your gaze, trying to find the words. ”it’s just… tacky,” you settle on. ”it’ll look weird.”
”it won’t! you’ll look so cute!”
another huff, as your dispassionate, bored gaze meets his. ”and how do you know that?”
satoru's answer is instantaneous. ”you always look cute. just wanna see how you look in this,” he chirps, brandishing the outfit with barely contained excitement. thoroughly giddy. ”when i saw it, i knew it’d look adorable on you. and i’m never wrong!”
a soft pout plays at your lips, in the wake of his eager sincerity. barely noticeable, just a little embarrassed, but it’s there. and satoru’s seen it, finally — the road to victory. he knows he can win this, if he’s smart about it.
”i just wanna see you in it. just for a second. please? pretty please?” he tilts his head, tantalizing, showing off the blue of his eyes and the curl of his lips. ”then i’ll never ask you for anything again. promise!”
”okay, that’s a lie and we both know it.”
the grin that blooms on your lips is a mistake, you quickly realize, because satoru interprets any sign of joy on your face as positive approval. his determination grows.
”yeah, yeah… but i mean it! i won’t bother you if you just wear it once. just once!” he puts a single finger up, to emphasize the point. ”just wanna see my precious baby all frilly and cute. won’t you indulge me, oh my dearest?”
he’s grinning, now, all soft and teasing. it’s more breathtaking than he’ll ever understand. he’ll never even come close to understanding how gorgeous he is, like this — when there’s no one around to perform for, when he can just be himself. when it’s just you, and satoru, and the feeling of having all the time in the world.
(even if you don’t.)
and you know your face must be flushed, a soft cherry red, as your gaze falls to the floor. the heat on your cheeks and neck, the pitter patter of your heartbeat; you feel it all. 
and it’s embarrassing, to find yourself so fervently twisted around someone’s finger — to find that you don’t even really mind. being wrapped around satoru’s finger isn’t so awful, all things considered. it’s a scary thought, for sure, but he’d never abuse the privilege. probably.
— a sigh. 
you still don’t want to wear it. you really don’t. it’s just awful. tacky, and embarrassing, and overall unpleasant. 
… but if it’ll get him to stop nagging you like this… 
and if it’s just for a short while…
silence, only silence, spilling into the sunkissed air. outside your apartment, the sky melts into a buttery orange hue. an intense contemplation is etched into your eyes, and satoru takes note of it; opting to put the final nail in the coffin. his very last bid.
”fifteen minutes. then you’re —”
”ten minutes,” you cut him off. sounding just a tad exhausted — resigned to your fate. 
and satoru doesn’t even bother trying to hide his excitement. suddenly beaming, he shoots up to his feet, and it causes you to jolt. ”perfect,” he grins, holding the dress out toward you. a little too eager for your liking.
”— but seriously. i’m only wearing it once. never again,” you tilt your head. ”got it?” satoru just nods, happily, so excited he’s practically jumping up and down — and despite everything, you still can’t find it in you to be angry. 
he looks so earnestly giddy.
eyes brimming with suspicion and weariness, your hands reach out to take it into your arms; the puffy dress, the frilly headwear, and the black thigh highs. you’re surprised he didn’t invest in a pair of shoes, while he was at it. just to complete the set.
(you decide not to comment on it, knowing he’d have some poor, overworked shoemaker on the phone within seconds.)
”need my help putting it on?” he purrs, face suddenly very close to yours — and the sudden stutter of your heartbeat sparks a hitch of your throat. desperate to cover it up, you shoot him a hefty glare.
”oh, shut up,” you hiss, but satoru only grins wider. soft little giggles flowing from his lips, like a schoolgirl teasing her upperclassman. silly.
a heavy hesitance rests on your features, as you give the outfit another chance. judgemental eyes trailing over the bows and frills, giving it a thorough look, until your lips curl down into a soft frown. it’s not that bad, but…
”it’s kinda ugly,” you lie, decisively.
”really? i think it’s cute, though.” 
”yeah, ’cause you have no taste.” a click of your tongue. ”what’s so great about maid outfits, anyway? i don’t see the appeal.”
satoru smiles. carefree, amused — still very much teasing. ”well, we’re about to find out,” he chirps.
you give him a look, eventually giving way to a soft exhale. ”fine — but only ten minutes. at most.” a pause, as you stop to think. what else? ”oh, and no taking pictures.”
”— i’m taking pictures.”
the exasperated look you send his way doesn’t seem to phase satoru even in the slightest. he continues to smile at you, unbothered, soft around the edges, and you know you’re not winning this one either.
”… fine,” you sigh. ”but — not too many, okay? and you aren’t allowed to show anyone, either.”
”of course not,” he scoffs, almost offended. ”as if i’d let anyone else see you like that.”
stuck between feeling relieved and put off, you settle on simply letting it go. and satoru continues to speak, reassuringly, glossy lips shining in the sunlight as they part.
”rest assured, baby,” he hums, a melodic lilt to his sugarsweet voice. ”this stays between us. i swear on my honour.”
you snort. ”like you’ve got any of that.”
”mean. anyway — c’mon. i can’t wait any longer.” before you can think to protest, he’s ushering you away in the direction of the bathroom, big hands heavy on your shoulders as they push you. still hesitant, you make no move to resist.
(what have you gotten yourself into?)
with one final sigh, your fingers curl around the doorknob, outfit hanging off your arm. not before sending one final glance back at satoru, reinstating your conditions. ”just this once. then you’re selling it. or burning it.”
”yes, yes — you have my word,” he promises. before you can narrow your eyes, he pushes you forward, gently; bouncing excitedly on the balls of his feet. ”go on, i’m waiting!”
”yeah, yeah…”
the door closes behind you with a soft thud, and the reality of the situation begins to finally dawn on you. the maid outfit weighs heavy on your heart, but light in your arms — you gaze down at it with pure contempt. it’s not like you have a choice, though. satoru won’t let you wriggle away from this one. and maybe, just maybe, a part of you wants to indulge him, after all.
(his smile shone so brightly, in the light of the sun.)
and it’s almost cautious, the way you begin to dress yourself; first the thigh highs, black and silky, then the outfit itself. pulling it over your head, your arms sneaking through the openings. 
it’s a perfect fit. 
a second passes. you stop to think, brows furrowing in suspicion — did the little bastard measure you? just to make sure he got it exactly right? he has been rummaging through your closet more than usual, recently, but you didn’t think much of it. over the years, you’ve conditioned yourself not to question the things that he does. that sneaky, sneaky man.
after putting on the headwear, you finally lift your gaze, tentative and slow — to take a peek at your own reflection. the flush on your face stands out, a contrast to the black and white colour scheme of the outfit. 
and you can’t help but exhale, a little exasperated.
it’s so… frilly. there are frills on the sleeves, on the shoulderpads, on the skirt, on the hems… everywhere. little bows litter the surface of the smooth fabric, a big one attached to the collar, and several smaller ones across the sleeves. 
and as much as you loath to admit it — it is kind of cute. 
still, you can’t shake the feeling that you’re only embarrassing yourself. it’s hard not to think, when a maid outfit is staring into your soul through the mirror — and you just so happen to be wearing it.
(what the hell are you even doing?)
a low groan slips from your lips, and you crouch down, to bury your face in your knees. the flush of your cheeks is beginning to spread towards the tips of your ears, growing hotter by the minute. satoru’s about to see you like this, of all people. how on earth will he react?
(what if he thinks it looks weird, too?) 
”i’m still waiting!” a voice suddenly exclaims, sing-songy and sweet, and closer than you realized. has he just been standing there and waiting in silence, this whole time? of course he has.
”just —” you croak out, words a little strangled. ”just… give me a minute.”
satoru lets out a high-pitched whine, cheek pressed against the cold wood of the door. ”but i’ve been waiting so long already!” he complains, pouting, the urge to see you growing unbearable. impatience tugging at his heart, so excited he can barely pull himself together.
(all he can think of is you, you, you.)
curling up into a little ball, you attempt to swallow the bundle of nerves in the back of your throat — but that jittery, feather-light feeling of your heartbeat just won’t go away. it makes you feel a little paralyzed.
you're actually, genuinely, sincerely about to go show off a goddamn maid outfit. what the hell.
when you finally grasp control over your vocal cords and part your lips to speak, the voice that spills out into the air sounds more than a little meek. but you can’t quite bring yourself to care, overcome by a heart-tingling nervosity and the heat of your skin.
 ”… i don’t want to.”
satoru pauses. 
he can picture you, in his mind’s eye; the way you must look, right now. clad in frills and a cute little skirt, face flushed red and embarrassed, as you shift from foot to foot. and it takes concentrated effort, to bite back the coo that threatens to crawl up his throat — but he knows it’s still not too late for you to change your mind. if he wants to see you, he needs to be careful. so he tactfully opts not to tease you.
”come on, angel,” he soothes, instead. voice smooth like honey, like coffee with cream and too much sweetener. ”don’t be embarrassed.”
you stay silent, still attempting to suffocate the tinge of humiliation in the depths of your chest. so satoru continues. ”just come on out, hm? might as well get it over with. then you won’t have to think of it again.”
a moment passes.
”… do i have to?”
the corners of his lips curl up.
ah, you’re so cute. all embarrassed, almost childish, in the way you’re still trying to be difficult; and satoru just indulges you, all too eager to get you to show yourself to him. ”yes, you do,” he coos. ”be good f' me and come on out, okay?”
a couple moments pass. eerily silent, growing second by second. the only sound that fills the air is that of satoru’s soft breathing, the distant whirring of the ceiling fan.
until finally, he hears the squeak of the bathroom floor. you stand up, turning to glance at your reflection in the mirror one last time, before hesitantly reaching for the doorknob.
it’s slow, the way you open the door, agonizingly so — pushing at it slightly and dragging the movement out. and you can feel satoru’s presence, right behind it, as he takes a step back to give you space. when you finally step over the threshold, you adamantly refuse to meet his gaze.
(satoru’s breath hitches in his throat.)
there you stand, gaze stubbornly averted, expression flustered and mildly annoyed. cheeks dusted a dark cherry-red, that crawls towards the tips of your ears as you fidget with your frilly, oversized sleeves. they’re dressed in little bows, awfully cute, and so is the skirt — short, but not enough to expose the skin of your thighs above the thigh highs. you still squirm a little, thighs pressed together. 
and then, of course, the big bow on your collar to complete the look. pink in colour, a stark contrast to the whites and blacks of the remaining outfit.
after a moment passes with nothing but pure silence, your lips part to speak. doing anything you can to stop yourself from looking over at the man in front of you, afraid of what you’ll see. ”i don’t think it suits me,” is muttered, a tiny huff. ”… and i still don’t see the appeal, by the way.”
— but satoru doesn’t answer. 
he just stares. uncharacteristically silent, in a way you’re wholly unaccustomed to. enough so that you find yourself gnawing at your bottom lip, fidgeting with the hem of the skirt, hoping the smooth texture will soothe your nerves a little. the beating of your heart resounds in your ears, sending blood flowing through your veins with excited pumps.
the silence festers, and all you can do is let it grow, your nervosity thickening with it — until it’s just too much to bear. 
(ahh, you knew it. it really does look weird, doesn’t it? that’s to be expected. 
still, you can’t help but feel just slightly dejected.) 
”… why aren’t you saying anything?” 
the little mumble comes out sounding embarrassed, and maybe just a little defeated, too. but satoru doesn’t hear it. as your gaze falls on the man in question, slowly, you take in his expression with a frown on your face — and realize that he isn’t just keeping quiet. 
he’s completely stunned. 
no matter how hard you stare, you can’t seem to get a good read on his expression. he’s just standing there, face completely blank, eyes entirely obscured by the black of his shades. the light streaming in through the glass of the windows has shifted its course, falling away from the two of you — but you still see the vague, red tinge crawling up his neck. 
and as soon as you spot it, satoru begins his descent.
crouching down to the floor, silently, he brings his hands up to cover his face. feet against the ground with his knees folded, pressed against his chest, stilling as he inhales sharply. shades seated on top of his head, pushed up by his hands when he buried his face in them. a groan drops from his lips, muffled by the skin of his palms — but you can hear it clear as day.
”hold on, just… give me a minute…” he finally croaks out, words somehow tiny. almost shy. 
upon closer inspection, you realize your eyes weren’t deceiving you — there really is a red hue to his neck, one you aren’t used to seeing on him. strawberry-tinged dust, staining his smooth skin, the tips of his burning ears. satoru actually looks flustered, for once. and your heart can’t help but flutter.
— he thinks he might actually, genuinely die.
it’s a wonder, he thinks, that he managed not to fall to his knees the very moment he laid eyes on you. all dolled up; frilly and cute, in his own words, though they don’t come even close to properly describing how adorable you look right now. with your flushed face, shy eyes, and all those little frills and bows adorning your dress. rendering him speechless, clogging up his throat with pure unbridled love. a mouthful of honey, too sweet for even him to swallow.
god. god. he really, really needs to pull himself together.
crouched down like this, face hidden behind his hands, he can physically feel himself grow more and more flustered. senses invaded by the sound of his heartbeat, deep and visceral, until it’s all he can hear — he knew you were going to look cute, obviously, but he was seriously underestimating you. your cuteness is lethal. 
even just the sight makes him weak in the knees. even just the thought of you makes him feel a little like his heart is attempting to break out of his chest. hurling itself at his ribcage with ferocious resolve, like he could keel over and die of heart failure at any given moment. he’s pleasantly surprised that he’s managed to suppress the loud squeal his body keeps trying to let out, honestly.
and while satoru struggles with his deep, internal turmoil, all you can do is watch. looking down at him with wide eyes, as his skin flushes a bright pink, like little chrysanthemums blooming from his neck up to his ears. 
yeah, you think, there’s no doubt about it. satoru is flustered. it’s not a side of him you get to see very often, so you can’t help but be just slightly caught off guard. staring at him silently, until you snap out of it, eyes simmering with something soft and delighted.
he’s so cute.
(and maybe, just maybe — it makes you want to tease him, a little bit.)
so you crouch down, facing him with your knees against your chest, jaw resting on your crossed forearms as you gaze at him. he’s still not looking at you, face hidden behind his palms, shying away from your view.
and then you sigh. the sound catches his attention, soft — and just a little bit dejected.
”… you’re the one who wanted me to wear it,” your lips curl down into a pout, ”and now you won’t even look at me?”
satoru stiffens. 
(you sound sad. you sound disappointed.)
slowly, he parts his fingers, desperate to soothe you — blue eyes peeking out through the gaps, as if the sight of you could blind him. he then proceeds to move his hands, tentative, laboured, like he’s dragging heavy weights off his body. like it’s a struggle. 
with his face finally exposed, all flushed and pretty, bright azure eyes stare at you; brimming with pure adoration. 
satoru exhales, almost shaky. he has to take another moment to simply look at you, as if drinking in every inch of your expression. memorizing every corner of the face he’s grown to love so much.
a moment passes. then two.
then, he practically pounces on you — engulfing you like a tidal wave, trapping you in his big arms as they go to curl around your waist. shades falling off at the impact, hitting the floor with a soft thunk.
”you’re killing me,” he whines, loud and right by your ear. nuzzling into you, squeezing you like he’s a puppy with a chew toy. ”you’re so, so, so cute. d’you want me to have a heart attack?”
a hitch of your breath. that’s all you can manage, utterly failing to keep up with him as he presses you up against his chest. rocking you back and forth in his embrace, smearing open mouthed kisses across your skin; whining and murmuring about how adorable you look. 
a flurry of warmth, of love, of something a little too precious for words. something distinctly satoru, that makes you forget about everything else — as if the world stops spinning somewhere outside of his arms. as if that’s where you belong.
all you can do is indulge him. maybe you’re spoiling him a little too much, but it feels nice; letting him drown you in his overwhelming affection. the thought of creasing the dress doesn’t even seem to cross his mind, as he squeezes the life out of you.
evidently, satoru suffers from an acute case of cuteness aggression. 
”so adorable,” he murmurs, leaving wet kisses on your cheeks. his exaggerated mwahs make you feel just a tad shy. ”my little sweetheart. all dressed up for me.” 
squirming in his hold, he only brings you closer, smothering you in his warm embrace. the slightly erratic beating of his heart is all you can hear, with your cheek squished against his chest. arms keeping you nice and still, lips lingering over that one ticklish spot behind your ear. 
a little giggle slips from your lips, and satoru feels himself smile; wide and giddy, boyish and adoring. nuzzling into the comfort of your chest, soft fabric brushing against his skin, a low whine escapes his throat. ”can't take it. wanna put you in my pocket.”
”your pocket?” a grin blooms on your lips, words dripping with honeyed amusement. satoru grins right back.
”my pocket,” he hums, approvingly. ”you’re just so cute and small. gotta keep you close, so i don’t lose you.”
a huff, lighthearted. 
suddenly, the grip around your midriff tightens — and you’re hoisted up, stumbling a little as satoru lets go of you. still holding onto you by your wrists, softly, delicately, as if you’re made of glass. when you lift your head, all you can see is his satisfied little grin, and the twinkle of his eyes.
your heart flutters. 
satoru gazes at you, silently, still drinking you in. every second spent staring into the brightness of your eyes fills his heart up just a little more; colourful, heart-shaped candies, scooped up and poured into the hole in his chest. patching it right back up, so effortlessly sweet that it makes him want to pluck every star from the sky and offer them at your feet. 
”alright,” he breathes, taking a step back. breaking the delicate silence, a little dance between him and time. fingers still curled around your wrist. ”do a twirl for me.”
a humoured scoff. ”hell no.”
”aw, come on! you gotta pose for the photo, baby.”
before you know it, satoru’s got his phone out — and it’s aimed right at you. by the time you notice it, you’re fairly certain he’s already managed to snap a couple pictures. so all you can do is sigh, in faux exasperation.
”c’mon, c’mon,” he coos. ”give me a smile, pretty.”
a roll of your eyes, as you bite your lip to muffle a soft bout of laughter. it doesn’t really work. ”i’m good.”
satoru seems unaffected by your words, pulling back from your touch reluctantly; just so he can make a show out of playing the cameraman, switching between elaborate positions and taking pictures from angle after angle. somehow, you get the feeling he’s forgotten your request to keep the pictures to a minimum.
(he looks like he’s having fun, though. so you let it slide. just this once.)
”god. you’re way too cute for your own good, you know that?” he murmurs, leaning down to take another picture. and it flusters you, how smoothly the words slip from his lips, how it seems like he barely even has to think about them at all. 
it’s a little embarrassing, in a heart-fluttering kind of way. but you do your best to hide it.
”you’re a sap,” is all you say, soft smile playing at your lips. 
”and you’re adorable,” satoru grins. 
then he slips his phone into his back pocket, satisfied with the collection, and grabs your hand.
his fingers curl around yours, softly — and then he lifts it up. bringing it to his lips. they’re warm, as he kisses across your knuckles, the tips of your fingers. soft as a feather, tickling your skin. 
(as if he’s whispering psalms under his breath. as if he’s worshipping you.)
then he tilts his head, eyes gazing at you sweetly. sweeter than fresh mandarin slices, splotches of marmalade, his favorite caramel fudge. and his eyes crinkle, crow’s feet and dimples peeking out as he smiles, an easygoing kind of joy blooming on that pretty face of his — youthful, boyish. it suits him more than anything.
his voice comes out smooth, awfully coaxing. so very easy to give in to, paired with that breathtaking grin. 
”one tiny twirl?” he asks, politely.
he’s so annoying. 
(but you’re far too in love to say no.)
so with a single roll of your eyes, and a soft little scoff, you relent. indulging him once more, just one more time. just one little twirl.
satoru feels his heart squeeze painfully, deep within his chest, as he watches you spin around. skirt and frills ruffled by the movement. just once, a soft little twirl with your fingers intertwined. far too precious for his heart to take.
when you stop, just a tiny bit dizzy, he leans in, and the kiss he leaves on your forehead is soft. chaste, but it still pulls a blissful sigh from the back of your throat. satoru’s lips curl up against your skin, before he pulls back — eyes almost overflowing with affection.
”cutie.”
you blink. 
averting your gaze, flustering a little under the weight of his love-filled eyes, all you can do is emit a soft little huff. embarrassed, as it flows from your lips. but it only makes satoru’s smile grow further.
”okay, okay. you’ve had your fun.” you clear your throat. ”time’s up.”
suddenly, satoru’s eyes fill with something akin to dread — nose crinkling, just barely, a sign of his displeasure. ”noooo,” he whines, draping his arms around you. tugging you close. ”just a little more? please? pretty please?”
”nope! we said ten minutes. no take backs.”
”can’t i have an extension? since i’m your favorite?” satoru pouts, puppy dog eyes in full force. only this time, they don’t work as well as he’d hoped.
”nope,” you repeat, popping the p. ”sorry.” another whine buzzes right by your ear, and you smile. 
”and then we’re burning it.”
”noooo!” 
”sorry, but it’s gotta go.” you bite back a soft grin. satoru sounds agonized, voice dripping with grief, and it makes your heart dance with barely contained laughter.
”but then you can’t wear it anymore, baby…”
”that’s kinda the point, toru.”
”but you’re so cute in it,” he pouts, bringing you closer still. squeezing at your waist and rubbing his cheek against the top of your head. ”it’d be such a waste if you never wore it again, don’tcha think?”
he’s trying his best, you can tell — attempting to make you falter, coax you into wearing it just a little longer. but for today, you’re done indulging him.
”well, too bad.” nuzzling into his neck, your tone settles on a firm tilt; decisive, as you nip at his skin. just a little teasing. ”i said i’d never wear it again, and i meant it.”
a moment passes. maybe it’s the warmth of your lips on his skin, or maybe he can tell you aren’t budging — whatever the case, satoru finally seems to relent. an exhale tumbles from his tongue, deep and drawn out. ”fineee,” he drawls. ”i’ll just buy you a new one.”
”i won’t wear it. i’ll just get angry.”
”at lil’ old me? really?”
”really really,” you click your tongue. ”if you love maid outfits so much, why don’t you wear one yourself?” a beat. ”it’d look good on you.”
satoru perks up, suddenly. pulling away so his eyes can meet yours, bright and teasing, glazed over with something excited. ”oh?” he purrs. ”you wanna see me in one, huh? so bold, baby.”
a scoff slips from your lips, sharp but tinged with laughter. ”well, it’s only fair, right?” grinning up at him, your hand reaches out to smooth away his bangs. fingertips trailing across the expanse of skin, touch so very tender that his eyes flutter shut. ”i think you’d pull it off better than i ever could, anyway.”
a hum buzzes in his throat, seconds ticking by slowly; a dance with him and time. an attempt to prolong the softness of the moment.
”hmm… well, i’ll consider it.” just barely holding back a smile, he leans into your touch. ”you gotta wear it with me, though. we can buy a matching set!”
”that makes no sense,” you huff, with a raise of your brow. ”i’ve already worn it once, so next time, it’s gotta be all you.”
”sorry, baby, but you need to do it too.” he cradles you close, smoothing a palm down your spine, pressing a kiss to the top of your head. chest rumbling with the smooth timbre of his voice, words rich with teasing fondness. ”i’m too shy to do it by myself.”
and you really, really wish you could be angry with him — but it’s just impossible. 
satoru is just way too lovable, smile far too sunny and warm for you not to melt under. and his caress says more than words ever could, light and doting, careful and loving; like how a believer cups a handful of holy water. as if you could slip from his grasp at any moment, so he has to keep you extra close.
in the end, all protests and complaints die on your tongue. you only laugh, soft and breathy, filling the air with a fondness so palpable you can almost taste it. bordering on something close to a scoff, but never quite getting there. 
eventually, satoru does — begrudgingly — let you change out of the outfit. whining a little, sulking a tad, before brightening right back up again. like clockwork, the sun peeking out after a rain shower, the calm after the storm. always that same happy smile, wrapping you around his little finger.
satoru, in all his glory; your very own pocket of sunshine. annoying, stubborn, thoughtful — 
and yours, wholly and thoroughly.
(while you’re busy gazing at him adoringly, satoru grumbles under his breath. contemplation painted on his features, as his mind spins in circles. frills, bows, lace…
what kind of design would make him look the prettiest for you?)
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flanaganfilm · 2 years
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Good day Mr Flanagan. please what does "the rest is confetti" mean to you and in the context it was used in hill house??
Okay, here we go. Buckle up for a long read.
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To answer this, I've got to explain a little bit about what was happening and where I was when I sat down to write episode 10 of The Haunting of Hill House.
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Hill House was not a fun shoot. The picture above is from very early in production, when I was still chubby and happy.
It was my first foray into television. I was absolutely terrified that I'd mess it up. So I'd opted to direct all of the episodes myself, figuring that - if nothing else - I'd have no one else to blame if it went south.
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It was the most grueling professional experience of my career. The shoot was by no means a smooth one, every day was an uphill battle from a budgetary perspective, and between the three giant production entities involved with the production, I spent a lot of time fighting over the creative and logistical elements of the series.
I began losing weight. I was smoking two packs of cigarettes a day.
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By the end of the shoot, I had dropped almost 40 lbs.
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I was very depressed. Every day was a battle, and for the first time in my career, I wasn't excited to go to work in the morning. We were fighting for basic resources, fighting for the show we wanted, and even fighting amongst ourselves by the end. It was grueling.
We hadn't written all of the scripts when we started production. I believe we had finished through episode 7, but the rest of the scripts had to be finished while we were already shooting.
We'd mapped everything out in the writers room, and I had great support on the other episodes, but I was writing the finale solo. I'd thought I'd be able to juggle it with everything else. I quickly fell behind.
I finally got to the script about halfway through production. I'd work on it between takes at the monitor, and then get home to our tiny rental house in Atlanta, where Kate was waiting with our baby son. (One of the rare bright spots of this shoot came when Kate found out she was pregnant about halfway through production. We even named our daughter Theodora, in honor of her origins.)
I'd typically fall down from exhaustion when I got home, but I had to push through it and work on the script. My weekends were spent shotlisting and prepping for upcoming episodes. We didn't have enough time to stay ahead of prep, so every available day was used for that... I went three months without a single day off at one point.
I'd sit up late staring at the script. I was in a dark, dark place. Overwhelmed, exhausted, and feeling like I lived in an eternal present. Each day bled into the next and it didn't feel like there was an end in sight. That feeling of unreality was heightened because we kept returning to the same sets, same locations, and even the same scenes throughout the 100 shooting-day production. Stepping back into the exact room we had shot in days or weeks or even months ago made the whole thing feel absolutely surreal. Making movies is always an non-linear experience, but this one felt particularly so... it was like the days of our lives were happening to us all out of order.
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I remember feeling something like despair creeping into my daily experience on the show. And I remember dwelling on that when I got into the scene work of episode 10.
As I worked through the draft, I recall that despair coloring a lot of what was on the page. My filter was breaking down. There's a monologue at the beginning of the episode where Steven's wife Leigh (played by my dear friend Samantha Sloyan) spews out a torrent of eviscerating insults about Steve's value as a writer. That is just me vomiting onto myself. She was voicing all of my deepest insecurities about myself at the time, and of what I was doing with this series.
She says "Is anything real before you write it, Steve? The things you write about, they're real. Those people are real, their feelings are real, their pain is real - but not to you, is it. Not until you chew it up, digest it, and shit it out onto a piece of paper and even then, it's a pale imitation at best."
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This was the mindset I was in for a lot of the shoot. The writing became a reflection of a lot of that turmoil, and I knew who I was referring to in that monologue - I was talking about my family. I was talking about how much of their lives I'd used as building material for this show. I was talking about the fact that I'd lost two loved ones to suicide, and seen what it had done to my mother in particular. And I knew I was using - possibly even exploiting - those people for this series.
There's a lot of despair in this episode. The Red Room, as we conceived it, was a place that would feed upon those emotions. Grief, sadness, loss... those were the real ghosts of our series, and where our characters find themselves at the start of the finale. They're being slowly digested - eaten alive - by those feelings.
So finally, it came time to write Nell's final scene with her siblings. I knew from the outline we'd constructed in the writers room what this was supposed to accomplish - she was supposed to be their salvation. She was supposed to take all of these feelings that we'd been wrestling with and finally provide catharsis... finally say something that would free everyone.
I remember sitting with a blinking cursor for a long time. The Crain siblings had just turned and seen Nellie standing by the door, and suddenly were able to hear her speak. But what should she say? What would I say? What would I want someone to say to me?
What she ultimately says lays bare a lot of what I was thinking about when it comes to grief. It exists outside of linear time, much as I felt I existed at the time. That sense of eternal present, that sense of a nonlinear eternity of moments and memories - it all came out in her speech to her brothers and sisters.
I remember feeling, looking at my insane present and looking back at my past, how strangely overwhelmed I was by memories. That I wasn't experiencing time in a straight line, and hadn't been for a while - for the better part of a year, I'd felt more like I was standing in a whirlwind of moments. "Our moments fall around us like..." Nell said, and I recall sitting back and trying to find the words.
"Rain," for certain, but there was something too uniform about that. The moments of life as I experienced them weren't that orderly, they weren't that small. They didn't fall the same way. Some sailed by, fast and unremarkable, while others lingered in front of me, twisting and stretching. So it was a good word, but not the right word. I left it on the page though.
"Snow" was my next attempt. Better, in that I imagined the snow blowing in the wind, swirling and dancing and feeling more organic. More chaotic. More like life. But for some reason, the word that stuck with me, the word I felt Nell Crain would connect with was...
"Confetti."
And that was because I was thinking not of Victoria Pedretti at this point, but of Violet McGraw.
Violet played Young Nell, and I wondered what she might have said if she experienced time this way. As an adult, Nell was despairing. Nell was overwhelmed. But as a child... there was an innocence to the word. There was a joy to the word.
I imagined moments falling around her, this little girl with the big smile and the wide eyes. Her moments would be colorful. They would be of different shapes and sizes, some falling fast and some falling slow, flipping and turning and dancing in the air, independent of the others. Sparkling, whirling, doing lazy summersaults as they sauntered down to Earth.
I thought of myself, and of the members of my family. I thought of those we'd lost. I realized what I hoped for them, and for us all, in the end... was to look upon that mosaic of experience, that avalanche of days and minutes and moments... and to smile with some of the joy we had as children.
And this, I thought, was something that gave me hope. This gave me a glimpse of some kind of salvation for them. This was also how I hoped my life might seem if I was a ghost - a cascade of color and light and shape and movement, something I could dance in.
So Nell smiled and said... "or confetti."
It stuck with me. The rest of her monologue gets heavy again, and gets to the real point of the show - the point of the whole series, if I'm honest - and that's forgiveness.
I figured the only thing that would let the Crain children out of the Red Room was to be forgiven. I thought of the losses in my own family, and I thought of what I wished for my mother and for my aunts and uncles and cousins and I tried to pour that into her final words.
"I loved you completely, and you loved me the same," she said, "that's all." And this was the point I wanted the most to make. That at the end of our life, if we can say this about each other, the rest doesn't matter. The rest is that rainstorm, or that blizzard, that fell around this one central truth, and maybe built itself in piles around it, to the point we lost sight of it along the way.
And I thought again of that little girl, and almost as an afterthought, wrote "The rest is confetti."
I liked the way it sounded, but I was insecure about the line. I almost took it out, in fact. I remember asking Kate to read the scene and talking about that last line with her. "Is it too cute?" I wondered. She was on the fence. "Depends on how it's acted," she said, and I figured she was right. We could always take it out if it didn't work. The scene could end with "I loved you completely, and you loved me the same. That's all."
Why not shoot it and see what happened.
I turned in the script, we published it quickly so that we could start breaking it down and prepping it. And the next morning I was back on set. I'd deal with episode 10 when it came down the pipe again, sometime in the coming months. We had a lot of shooting to get through before I had to worry about it.
I recall Netflix asking me to cut a lot of that monologue, and I remember them also having questions about the "confetti" line. I pointed out that it didn't cost us any extra to shoot it all, it was only words, and fought to keep the script intact.
Ultimately, they insisted I make a series of cuts on the page. I begrudgingly agreed, but left Nell's speech alone. I made superficial cuts around it, throughout the draft, and even considered changing the font size to fool them into thinking it had gotten shorter (I ultimately was told I wouldn't fool anyone and not to risk starting a war). But Nellie's final goodbye stayed intact.
It must be said - Victoria Pedretti SLAUGHTERED this scene.
By the time we got around to filming it, things had never been worse for the production. There was almost nothing left for a lot of us. Tensions were sky-high, resources had been exhausted completely, and we were all ready to give up.
Filming in the mold-ridden Red Room was depressing, morose, and led to a lot of arguments and unpleasantness. The room itself just felt gross, always, and we were in there for days at a time. The last thing we had to shoot in there was Nellie's goodbye.
Victoria came to set having to push through pages of monologue, and she did so with captivating bravado. I recall being teary-eyed at the monitor watching her work. And when we finally made it to the last line, I watched her deliver it with... a smile. A sincere, innocent, longing, joyful smile. A smile informed by the sadness, grief, and loss of her own situation, of her own life... but a smile that finds forgiveness and grace after all. Pedretti knew how to say the line, and how that word would work.
And as she said it, I knew it would stay in the show.
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Over the years, that sentence has become something of a tagline for The Haunting of Hill House. I'm always a bit mystified and touched when I see people approach me with the line on T-shirts, or even tattooed on their bodies.
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I started signing it with autographs back in 2020 after enough fans asked me to. Now it's my go-to when I sign anything related to Hill House.
The line, for me, represents a lot of things.
It's about the insane, chaotic, non-linear experience of making that show. It's about trying to find and hold onto joy, even in the grips of despair.
It's about the way the moments of our lives aren't linear, not really, and how we may be unable to understand them as we exist in their flurry. It's about finding hope, innocence and forgiveness in the final reckoning.
And it's about how, outside of our love for each other, the rest is just... well, it's fleeting. It's colorful. It's overwhelming. It's blinding. It's dancing. And, if we look at it right, it's beautiful. But it's also light. It's tinsel. It flits and dances and falls and fades, it's as light as air.
The rest is the stuff that falls around us, and flits away into nothing.
It's the love that stays.
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