Tumgik
#I did say I was going to be an ass
inkskinned · 10 months
Text
at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
18K notes · View notes
p4nishers · 10 months
Text
crowley, drunk off his ass: and i was yk just some fucked up soul born in cold and rain but he was my fucking sunlight or whatever
hozier, frantically writing on a napkin: HHHMMMM TELL ME MORE
5K notes · View notes
batcavescolony · 10 months
Text
Bruce is immortal until Tim Drake says so, oh you wanna kill Bruce Wayne? Nope Tim will do anything in his power to stop you/drag Bruce back to life, he pulled that emotionally complicated, depressed, piece of shit back from the edge and only HE gets to kill him.
3K notes · View notes
poorly-drawn-mdzs · 5 months
Text
Tumblr media
Bonus 7: Time moves sideways
[First] Prev <–-> Next
1K notes · View notes
stairset · 2 months
Text
I do feel like the way Kyoshi was written in the Avatar reboot was lowkey influenced by the fandom's perception of her. Cause like in the original show she's really just portrayed as a pragmatist who's willing to kill if necessary. Like Aang is conflicted about killing the Fire Lord and she's like "well if I were in your position I'd do it but that's just me. Good luck." And then people started making memes where she's like a murderous psychopath who thinks extreme violence is always the solution. And it was funny at first cause it was just exaggerating for comedy but now everyone thinks she was actually like that in the show when she really wasn't. And then in the remake her introductory scene is her angrily yelling at this 12 year old that he needs to stop being a little pussy and be a ruthless warrior or whatever and the only explanation I can think of is that someone in the writer's room maybe looked at a few too many of those memes.
398 notes · View notes
Text
Tumblr media
no i am not over how one of the first things kris does of their own accord without our input is to lay down their life for this weird ipad kid they met five hours ago no i am not over "hell yeah i am here to humiliate you fucker" no i am not over "did you miss me? because i missed you!" no i am not over how much not only susie but also kris (and ralsei) genuinely care about their new adopted little cousin guy and the fact that he went from having no friends at all to 3 ride or die bffs who were willing to do what every adult in his life failed to do which is stand up for him i-
2K notes · View notes
arcanegifs · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media
"I spent so many nights in that shitty prison. On the freezing floor, hungry, bloody, counting the hours. The only thing... The only thing that kept me going was the thought of getting back to you."
2K notes · View notes
cordspaghetti · 9 months
Text
feeling nuts ok so i was looking at the full page of that High School Drag interview after um going thru the 5 stages of decomposition over it and i recognized one of gerard’s other answers (about people grabbing their package) as identical to something they said in a much older interview so i was like oh are we pulling quotes from other things here? can i Search the Web and find the og source for what he said about doing drag? so i DID and i found each sentence of his answer, which i bolded, within larger quotes from completely different places, like:
“I like to think of it as a cry for help trapped in a pop song...When I was writing it, I was remembering how hard it was to be a 16-year-old in high school. I always wanted to be an artist, so I was this loner kid who just got drunk all the time. I only had one real friend. There was a girl I really liked, and she ended up taking really sleazy photographs with her boyfriend, and that really crushed me...I was just swimming in this pit of despair, jealousy and alcoholism.” (June 23, 2004 from mtv archive)
“I went to school in drag, in art school and my day was completely different because everybody thought I was a chick.” (we all know this one, earliest place i found it was here from 2003ish but i think the site’s broken now)
“You’re going to come across shitty bands and a lot of shitty people. And if any one of those people call you names because of what you look like or they don’t accept you for who you are, I want you to look right at that motherfucker, stick up your middle finger, and scream ‘Fuck you!’” (found this in a bunch of places, the earliest so far being Oct 22, 2006 on imnotokay.net where it’s listed as an “old article”)
for reference again the lad mag interview goes like:
“How did you find high school? Hard. I always wanted to be an artist, so I was this loner kid who just got drunk all the time. I only had one real friend. 
In what ways were you a loner? I went to school in drag. People call you names because of what you look like, because they don't accept who you are.”
so this has me thinking that at least this portion of the interview is entirely collaged together, with the context abt high school for the second answer basically fabricated? idk how common a practice this is in like. music journalism but LAD Mag (which this is from) was a magazine that came with copies of Sugar for free, so maybe the standards were different OR SOMETHING. idk maybe gerard just happened to repeat himself here. i want to believe in high school drag. but also their history with gender is important to meeeee and i want to make sure i am not consuming Fake Info about it !!!! 
496 notes · View notes
babisawyer · 11 months
Text
Ben coming back to the cabin to see yet another cannibalistic ritual
Tumblr media
730 notes · View notes
they-call-me-haiku · 7 months
Text
i hate the whole "the show was cancelled" excuse that toh fans constantly use to justify poor writing choices. i'm as upset as anyone that toh was cut short, but the show writers got an advantage that a lot of other shows didn't. they were allowed to actually end the show. look at infinity train, for example. it had more seasons planned but the execs decided to cancel it without even giving the creators time to write a proper ending.
so in that case, the writers of toh should consider themselves lucky and make do with what they have. of course, it's most ideal to have the freedom to write the entire show how you want. but when you can't do that but you're allowed to give the series a proper resolution, you have to pick and choose what plot points to focus on.
instead of focusing on the important arcs and plot points (belos's backstory, the collector's origin, hunter's arc, etc) the writers decided to add completely unnecessary ships and additions to further complicate the plot. i'll say it: huntlow was unnecessary, the whole hexside and kikimora thing in s3e2 was unnecessary, the collector's rushed redemption arc was unnecessary. in fact, some of these decisions actively affected the ongoing plot badly (huntlow ruining hunter's arc and bringing him back to square one).
in the end, you're left with more questions than answers. what's with the collector's sudden switch from evil and calculating to poor innocent uwu child? what actually happened in belos's past? how did hunter move on from his trauma without getting any closure and being paired with a person who acts a lot like his controlling uncle? why did amity forgive luz so quickly for lying to her after she asked her not to? what happened to all the witches and citizens of the demon realm who actually followed and worshipped belos?
so yeah, you really can't defend toh with this excuse. if i was making a show and was forced to cut it short, i'd be angry and upset, sure. but i'd try to make the best of it. i would focus on the main plot instead of going after side characters or ships that add nothing of importance to the plot. i still like this show a lot but i'm not going to blindly defend it. it has its flaws and they need to be critiqued.
245 notes · View notes
star-trek-dumb-comics · 6 months
Text
Ok so I finally watched Prodigy ! And it was surprisingly good. This is obviously a kids' show but I ended up being pretty invested in the story. The main character started as Ezra Bridger-ass annoying but he's grown on me. Genuinely I think this might be the best new trek show with Lower Decks lmao. It even got me caring about what happens to CHAKOTAY of all things !
Also it had GREAT alien rep omfg there were so few humans I LOVE THIS SHIT !!! especially UFP founding members rep ahhhhh !!!!!!!!!! I've been wanting this for YEARS they did it for me
173 notes · View notes
mintaikcorpse · 1 month
Text
Y'all know how Val's spit is red and anytime he kisses someone he leaves red spit behind?
Vox had the red spit on him when he was watching the Hotel at the beggining of the episode 😭
Tumblr media Tumblr media
78 notes · View notes
fishyartist · 1 month
Text
Tumblr media Tumblr media
Ui idea tests, thrown together bc im eepy. Was planning on doing more but I spent all my days energy on the second one oops
120 notes · View notes
ef-1 · 2 months
Note
A day after Daniel fucks over Yuki, you post a photo of yourself wearing enchante,, you're not slick
Skinny white girl like Ricciardo? Ground breaking lol
it's so tragic how you're just gonna have to die mad about it 💋
76 notes · View notes
blueskittlesart · 1 month
Note
Question abt drawing: been trying to attempt learning how to draw forever but I always have trouble getting over the obstacle of having to learn/study things like anatomy and shading, which then causes me to stop drawing and have a harder time picking it back up. I know it's important for improving your art and yourself as an artist but I can't help but see it as tedious and overwhelming, especially the anatomy since it's more on the science side of things and science is not my thing lol. Do you have any advice on how to get over it or work thru it?
i think there's a couple facets to this question. firstly i'd recommend you consider what exactly your end goal is in learning how to draw: do you specifically want to be able to produce anatomically accurate figures and true-to-life shading, or do you just want to be able to make something for fun that looks good to you? one of the most helpful things I ever learned at art school was that accuracy doesn't matter if it looks good. 99% of my art isn't strictly anatomically accurate, and part of that is stylization, but even when i'm doing realistic figure drawings i like to lengthen limbs and exaggerate curves in order to make my drawings look better. So if your only real goal with art is to make something that looks good and enjoy the process, my first piece of advice would be to stop worrying so much about stuff like perfect accuracy! if you use references and keep pushing yourself, the skill and understanding you're looking for will come naturally with time. before I was ever classically trained, I got pretty far just by drawing my favorite characters in different poses and situations over and over again, and that experience laid the groundwork for when classical training did become available to me. Just because you're not necessarily doing serious figure studies doesn't mean you're not getting valuable practice--what it means is that you're having FUN while you're practicing, and having fun with your art is the most important thing!!!
Secondly, you mentioned anatomy being on the science side of things, which suggests to me that you may be looking in the wrong places when trying to do more serious anatomical study. if you look up 'anatomy' or anything similar on a web search engine, you're likely going to get a lot of very complex scientific illustrations. and while those aren't necessarily devoid of artistic value (I took a class all about scientific anatomy for artists last semester and it was GREAT) for a beginner who's just trying to learn how to make a body look like a body, they're not what you're looking for. what is going to be much more helpful for you are sites like line of action or quickposes. these sites are basically repositories of figure drawing images, and you can set them to automatically switch to a new image after a certain interval of time. if you really, desperately want to improve your anatomy specifically, what I recommend is going to one of these sites, setting it to the shortest interval possible, and trying to copy the pose as closely as you can before time is up. this might sound crazy, since the shortest interval is usually somewhere between 30-60 seconds, which obviously isn't enough to get much down. but what this will do is force you to look at how these models' bodies are constructed and translate it onto the page quickly and without overthinking it. be warned, your first maybe hundred of these are going to look like shit. but if you do this enough, you're eventually going to gain an intrinsic sense for 1. how a body works and 2. the easiest way for you personally to construct a body when drawing it. even without knowing the scientific names and anatomical rules, you're going to get a FEEL for how things work, which is much more important and useful to you as a character artist.
Finally, i think the most important thing to remember is that no art is bad art, even if you're not satisfied with the end product. when you're first starting out as an artist, you're going to make things that don't look right and you're going to be frustrated with yourself because of it. i vividly remember crying over a sketchbook at maybe age 11 or 12 because I was so upset i couldn't put exactly what was in my head on the page. Skill comes with time and practice and that is a frustrating fact of life, but no time spent doing something you enjoy and are passionate about is wasted. It might look bad now but you are laying the groundwork for your future success, and someday you're probably going to look back on your past work and say "I can't believe I thought this looked bad back then. for my age and my skill level i was doing AMAZING." And as previously mentioned, it's a lot less discouraging when something looks bad if you had fun making it, so try to have FUN with your art. draw things you enjoy and are passionate about and don't worry if it looks bad. focus on the experience, the skill will come in time. you've got this!!
58 notes · View notes
poepill · 10 months
Text
Tumblr media
happy belated valentines day quodo upon thee! originally posted on ao3 for the quodo minifest, this was my valentines for @chacusha, who organized the event! i had a ton of fun drawing them and im definitely looking forward to next year <333
+ bonus art based on the comic by Kate Beaton, Javert is in Slash Fiction:
Tumblr media Tumblr media Tumblr media
195 notes · View notes