#He's actually a powerful character if you use his powers correctly

[inkykeiji]

⋆₊˚⊹♡ alastor + allowing you to ride him

character: alastor warnings: 18+ minors do not interact, pet/master dynamic (use of the term Master), toxic relationship, edging, pet names, fem!reader words: 665

Alastor doesn’t normally enjoy being ridden; Alastor doesn’t normally allow you to ride him. It relinquishes too much control, grants you too much power, and leaves him feeling bored and restless.

Most of the time. 

But sometimes, he gives in. Sometimes, he lets you use him like a toy.

And sometimes, when he’s feeling especially cruel, when he’s feeling like he wants to put in the effort and play, he’ll force you to edge yourself on him, eyes never leaving the pages of his novel as he nonchalantly instruct you to speed up, slow down, swivel, bounce, stop, hold, hold, hold—cockhead digging into that swollen patch of flesh buried deep within you, his hips shifting in micro-circles as he grinds into sensitive flesh, pained little sounds climbing higher and higher, tinged with pleasure, and don’t you dare fucking cum, darling—now begin again. 

So you do, and he drones on, commands drawling from his lips without casting you a single glance, eyes skimming over the words in front of his face, sometimes hovering, sometimes retracing their past trails, but never leaving the page. 

It’s almost offensive, how bored his tone is, how much he acts as if this doesn’t matter to him, as if he doesn’t care, as if it’s all for you, despite the way his cock twitches and his breath hitches, the very edges of his words gone wispy whenever your orgasm is on the cusp of cresting. 

He knows your body so well that he doesn’t even need to see you—doesn’t need to read the expressions on your face, features twisted tight with hedonism, doesn’t need to witness the harsh trembles rippling through your flesh—to know when you’re teetering on the edge of full-blown pleasure. 

No, he can feel it, feel it in the way your cunt begins to pulse with irregular flutters around his shaft; he can hear it, hear it in the cracked gasps he keeps forcing from your chest, fragments catching on thick moans; he can smell it, smell it in the dense, heady arousal copiously coating his thighs, slick and shimmering. 

“Please, Master,” you’re finally sobbing, when every muscle in your body has gone achy and heavy with continuously coiled tension, never allowed to loosen, release, snap, constantly rewound with a few simple orders. “Please, please, let me cum. It—It hurts!” 

It’s supposed to hurt, you silly little girl. It’s not fun if it doesn’t. 

“Now, now,” he’s saying conversationally, the slight breathlessness to his tone the only indication he’s being affected at all. “You wanted this, remember, sweetheart? You asked for it. Begged, actually, if I recall correctly.” 

You did, you did, but you’ve been at this for over an hour now, your body lacquered with sweat, quivering as tiny tremors of overstimulation bolt through your veins with each brush of your clit, each rub of his head, leaving your flesh feeling hypersensitive, overexposed. 

“I just—I thought—I wanted to—” hiccups stutter your words, nose twitching with a harsh sniffle.

A coo drips from his lips, spoiled syrup, sick and sadistic. Poor, pathetic baby. 

It stings, his disregard corrosive, gnawing away at your cheeks. A fresh torrent of tears floods your eyes, casting a thick watery shield that bulges along your lash line, wavering on the verge of overflowing, a single slow blink sending them cascading down your face in glittering streams. 

“Really, you should’ve known better,” he’s saying as you collapse against his chest, weeping into the curve of his neck. “What else did you possibly expect?” 

You don’t know, you aren’t sure, you can’t remember, brain gone melty and stupid beneath the constant enticement of pleasure, held just out of your grasp. Something tangles on your tongue, garbled and wet as it seeps into his flesh, fingers curling in starched cotton as you attempt to pull him closer. 

“Oh, dear,” he sighs gleefully, a palm petting your head. “If you want to ride me, you have to pay the price.”

#alastor smut #alastor x reader #alastor x you #alastor x y/n #hazbin hotel smut #hazbin hotel x reader #hazbin hotel x you #alastor headcanons #hazbin smut #inky.alastor #inky.hazbin

[cy-cyborg]

People on the internet: they can't hire actors who are actually in wheelchairs to play wheelchair users in movies! What if there's a scene where they need to stand up? A wheelchair user can't do that!

Robert Rodriguez: hold my beer

This is a scene from spy kids 3 - a movie in a series famous for its shoe-string budgets, where Ricardo Montalbán's character is in a wheelchair, but spends most of his screen time in a digital reality where he doesn't need it. Ricardo Montalbán was actually in a wheelchair though in real life, so they just used a combination of VFX and camera tricks (and a dolly for a few shots) to film those scenes. Also if I remember correctly the movie ends with him back in the real world, fighting a mech with his jet-pack wheelchair lmao.

The disability rep is dated (as is the VFX lol) and does fall into a lot of tropes I personally dont like, but it's so earnest in their attempts, and the visible effort behind the scenes to include a real, disabled actor outweighs it for me - even as a kid who wasnt fully aware of why.

Bigger studios have no excuse.

I've linked the video I got these screenshots from, they talk a lot about how they handled Ricardo Montalbán's character being out of his wheelchair there. If if you like behind the scenes stuff for campy old movies, I highly recommend it!

[ID 1: a screenshot of the movie Spy kids 3D, showing Juni, the main character in a suit of yellow power armour, talking to his grandfather, who towers over him in red power armour. his grandfather is kneeling so he can be at eye level with him.

the caption underneath reads "where he kneels down and talks to Juni" /end ID 1]

[ID 2: a photo of the same shot but without the effects. Grandpa is shown to be in a wheelchair, and is being held at the needed height by a moveable platform his wheelchair is sitting on. Juni is wearing the armour, grandpa is not, and there are green screens behind them.

the caption underneath reads "but we just had him lowered in a dolly" /end ID 2]

#disability #physical disability #disability representation #disability in media #spy kids 3 #wheelchair user #wheelchair #representation matters #disability in movies #vfx #image descriptions #also ambulatory wheelchair users exsist so the point these people try to make about them not being able to do some scenes still doesn't work

[elspethdekarios]

Gale as an archmage

I've been thinking about this for a while. If you select Gale as an origin character in the character creator and play his intro, he introduces himself as Gale of Waterdeep™ he immediately follows with "please - no need to be intimidated."

Now I think we initially brush this statement off as Gale being full of himself, but the first time you talk to him and ask him to tell you about himself, there's an option to say something like "Come on, you must have stories from your time as archmage."

And I've always wondered - how would tav know this? Gale hasn't mentioned it. Which leads me to my research question:

Is Gale famous?

Not Elminster-famous, of course, but is he THE archmage of Waterdeep, known throughout the Realms? Is Gale of Waterdeep a legitimate title, not just one he decided to use because it sounds important?

Maybe all of this is common knowledge in DnD lore, but it's a fairly new world to me. Here's what I found about archmages:

From the Forgotten Realms fandom wiki (https://forgottenrealms.fandom.com/wiki/Archmage):

Archmages were among the most powerful arcane spellcasters found throughout all of Faerûn. These practitioners of the Art were experts at manipulating and altering their spells, often in strange ways. Many cities across Faerûn had a single archmage who dedicated themselves to serve that settlement and its people. Some notable cities included Lyrabar in Impiltur, and the great western metropolis of Waterdeep. The term "archmage" was often used to refer to spellcasters who took on leadership roles among similarly-inclined practitioners of The Art. In the drow city of Menzoberranzan, the head of the arcane academy known as Sorcere was granted the title, Archmage of Menzoberranzan.

So, to summarize, archmages are super powerful, big cities often have a singular, dedicated archmage, and they take on leadership roles in the city, sometimes (or at least once) being deemed THE archmage of the city.

I've already seen posts about the insane amount of power held by archmages, so I'm not really going to go into that. I'm just interested in how well-known Gale would be in the Realms. One issue I'm running into while researching is that many people seem to approach the archmage in terms of DnD stats (spell levels, player levels, etc) rather than from a storytelling perspective.

I can't find much else specifically on how widely known archmages would be. There is a list of archmages on the Forgotten Realms wiki, but Gale isn't included on it. I'm assuming maybe BG3 lore is considered an off-shoot of FR lore and therefore not necessarily canon? Let me know if I'm wrong about this.

So that leaves me with message board responses. Here are some notable ones:

An old candlekeep.com forum on the differences between the titles used by magic users. Several users seem to agree with this person.

From the same thread as above.

Interestingly, DnD beyond has archmage categorized as a monster. I'm not sure if this applies only to evil-aligned mages or not, so anyone with more familiarity, feel free to chime in. Anyway, here's what DnD beyond says:

"Archmages are powerful (and usually quite old) spellcasters dedicated to the study of the arcane arts. Benevolent ones counsel kings and queens, while evil ones rule as tyrants and pursue lichdom. Those who are neither good nor evil sequester themselves in remote towers to practice their magic without interruption. An archmage typically has one or more apprentice mages, and an archmage's abode has numerous magical wards and guardians to discourage interlopers."

Gale does mention having students/apprentices at some point (he says something about being impatient with them if I remember correctly, but I can't remember when he actually says it), and, if he's Professor Gale in the epilogue, you're told that an apprentice delivered the invite to the party.

I also find it interesting that archmages typically have wards around their home to keep out intruders, implying that they're well-known enough to have people regularly trying to break into their home?? Or at least has happened enough times to warrant protection.

I also appreciate this reddit comment on a thread asking about the rarity of archmages:

This lead me to a super interesting reddit post which I really suggest you check out if you're interested. The OP breaks down the percentages of each class and level and translates that to city populations. I'm bad at math so that may be a horrible explanation. Anyway, here's a chart that they made:

I have been trying my hardest to put the alt text on the images for accessibility but I have no idea how that would work with this chart. I did include the text at the bottom for screen readers just in case. I'm sorry!

Sooooo someone in the comments asked specifically about Waterdeep and here's what someone who is good at math figured out! (They are correcting a previous comment with incorrect math, hence the first part of the comment):

Since a wizard is considered an archmage at level 18, it's safe to say that Gale would definitely be one of only a few wizards in Waterdeep with such a title. And if the above commenter's assumption about the Blackstaff being one of the only archmages in the city, Gale being of a similar level is HUGE, right? The Blackstaff is a big deal. From the Forgotten Realms wiki:

Blackstaff was the title and name given to the master of the eponymous staff and Blackstaff Tower, including Blackstaff Academy, as well as the Archmage of Waterdeep.

So if the Blackstaff is THE Archmage of Waterdeep, Gale, obviously, is not. But!!! If we can trust the math of the reddit users above, and we assume Gale was at least a level 19 wizard pre-orb/tadpole/whatever ... he would be one of two archmages in Waterdeep, second only to the Blackstaff themself.

I personally think that's enough renown to be a somewhat familiar name throughout Faerûn. So yes, Gale is a bit arrogant and, in his own words, pompous about being Gale of Waterdeep™ but perhaps it's warranted.

This has been a deep dive fueled by procrastination about writing the research papers I should actually be writing right now. Thank you for your time

#just been thinkin about this lately #gale #gale of waterdeep #gale dekarios #baldur's gate 3 #bg3 #gale bg3 #bg3 lore #bg3 meta

[tofixtheshadows]

Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.

I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.

Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.

Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.

I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).

Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.

Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.

Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.

Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.

Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.

Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.

Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.

Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.

There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.

Okay: back to Kabru (under the cut).

I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.

And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.

The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.

We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.

Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.

This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.

Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.

We also have this very important moment:

It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.

And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.

The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:

Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.

This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.

While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.

Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.

I hope I've explained my reasoning without becoming too insufferable.

To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.

#Dungeon Meshi #Marcille Donato #Kabru #Kabru of Utaya #Dungeon Meshi meta #Dungeon Meshi spoilers #I started answering this at 10:30 AM but took several detours #mostly I was at work. some people shitpost at work. god knows what I'm doing. #I am so fucking sorry I did not mean for it to be this long. I had to EDIT THIS DOWN #paging malewifesband I feel like this does the trick wrt: Kabru's function in the narrative #of course I have more to say about he and Laios specifically (she threatened) #musings with Dea #I think I'll go back and add image descriptions but it's been eight hours and I need dinner! #and also to play FFXIV #dungeonposting #Dea's anonymous friends

[eldritch-spouse]

Currently you're sitting at a table with your master, waiting on your meal. You have complicated feelings on Nebul. He doesn't necessarily treat you badly, he takes care of you but that's because you've been cooperative, you've seen him less gentile…..

The chef walks on by dragging a man screaming and wailing. His eyes look searching for someone, until they fall on you.

“Help me!” He looks at you with pleading eyes. “He's going to kill me!”

You are no savior, you have no power here. You look down at your lap, hearing his cries for help become more and more distant. Dread and despair grows in your heart.

[I can write this out from his perspective.]

Nebul enjoys pets like you.

One might glance at him and think that perhaps the trainer would prefer a real brat. Someone who stomps their feet, bitches and whines and spits. The kind that just won't take it lying down and nearly breaks themself in their effort to be free of his controlled dominance.

But they'd be quite mistaken.

Nebul loves a pet who instantly recognizes their place. A darling thing like you, smart enough to realize that you have no chance of ever escaping intact, and thus, become subservient to your rightful master. You know Nebul will protect you, will provide for you, because you're learning to be the perfect pet he's training you into on a daily basis. There's something just insanely satisfying and obscenely arousing about your immediate submission to Nebul, he savors it slowly, preens you, makes sure you'll last him long.

Many were the tests you've been subtly subjected to since your time under his care. Some were elaborated to get a feel for your character, others for the amount of progress in obedience and loyalty you've developed. The undead quickly adjusts his methods depending on your performance, though you've been nothing if not stellar thus far. Very impressive, very good.

This moment is both another test and a reward. You have earned yourself time outside of the shop, time watching others, pretending to be a member of a community. Not that this particular community sees you as anything but a breathing toy, but he knows it's enough to bring a semblance of comfort to a contact-starved psyche like yours.

See, tonight you're having dinner at The Clergy's restaurant. And the place is quite packed, much to Nebul's distaste. His organism, unalive and magic-riddled, may not require food, but yours sure does. Nebul did take the care to make sure you will not be ingesting "human products", as he already ordered your meal a fair bit ago. Now, he's just making idle conversation and attentively mapping your reactions to seeing so many monsters ogling you like a steak. At certain times, it feels as if you want to sit next to him on the ground, where you have correctly learned is safest, and he glows with pride.

Many a client have stopped by and wordlessly pointed at you, every each one receiving a polite and consice explanation that you're not for sale or a free-use treat. He relishes the dread in your eyes, but even more so the relief. Gratitude that you had been picked by the wraith, and not some uncaring, sadistic entity looking to rip you open.

Yes, the sooner you understand how good you have it here, the sooner you'll drop silly ideas of escape and freedom.

Your rhythmic fidgeting with the silver tag of the collar around your neck is harshly interrupted by the sound of the closest elevator parting its doors, and a very angry monster stomping out, dragging a badly injured human man by medium-length hair.

Nebul senses the way your breath catches and a spike of adrenaline makes you pale, eyes wide, so tense you might pop.

He diverts his attention to Morell. The chef looks more than agitated, genuinely irate. It's not likely that the human actually managed to place a dent on that cinderblock of a monster, but it is a possibility that it outsmarted the chef in a moment of stressful workflow. And that, Nebul knows, will have the shroom smashing through furniture.

" Fuckin' pig! Ah was gonna make it smooth for ya, make it fast, ya wouldn' even feel much- "

The chef's apron is smeared with splatters of blood, what Nebul thinks might be some kind of sauce, and a decent chunk of dirt from the messy chase. The man, on the other hand, is bruised on the face and limbs, one hand bent at a bizarre angle and his ankles most definitely crudely twisted to a mockery of a ragdoll.

Even through the immense pain the undead can sense emanating from this human, the resilience commonly associated with this species shines clearly, as he screams and tries ever so hard to claw the mushroom monster's skin. Broken nails fail to so much as scratch the calloused pudge of his executioner's fingers, who are so tense around that mangled arm it might just explode.

He tries still, he tries, and will continue to for as long as his organism can supply a powerful dosage of adrenaline.

The mostly pointless squirming does succeed in one thing however, getting on Morell's nerves. Predictably, the chef turns around just enough to land a powerful steel-toed boot kick right to his middle, making the man wheeze like a dying animal. He seems to zone out for a moment, probably due to the immense pain wracking his body.

He doesn't zone out enough to miss you, the only other human present.

Nebul expected his frantic screaming, and he can't lie, part of the undead was looking forward to seeing how you'd react in a situation like this. Do you have any kind of wit in that cranium? It seems you do, because even when he's dragged by, pleading with all the remaining breath in his lungs for the help of his kin, for salvation only you can provide, you hardly react.

Aside from a light twitch of the limbs, as if you're trying to guiltily swat a mosquito away, you hang your head and focus on your intertwined hands on your lap. Your stare glazes, losing its alarmed quality, and your breathing becomes steady. You're effectively out of the scene.

Good.

Very good.

Morell makes an apology gesture towards the shopkeeper when he realizes that's the table he just walked past, eyes lingering on you with morbid curiosity before he slams the kitchen doors open and drags the drained human inside.

Nebul doesn't let you dissociate for too long. It's not the first time he's seen you do this, but he needs you quite present for this feedback. A grasp upon said clasped hands gets you to inhale sharply, shaking a bit. You glance at him with fear, as getting distracted in certain moments can earn you punishments.

" You've been performing exceptionally well. " He purrs. " With such exemplary behavior, you're on the fast track to perfection. Pets like you deserve rewards for their discipline, and you will get one once we're done eating. "

You nod hastily, fidgeting on your chair while you try hard to ignore the stains of blood on the floor.

Nebul's mist swirls playfully. " Now, what do we say? "

" I'm sorry, Master- Thank you, Master. "

" Very good. "

#Nebul oc #tce rp ask #Morell oc

[karlastarion]

I'm so curious about Kagha, because she's so different from Halsin. She and Halsin are both wood elves, and I get the sense that Kagha is probably not ~young~ but she's not nearly as old as Halsin. When you deal with the Shadow Druids, she's very quick to defer to him and treat him like a teacher she's disappointed. He probably mentored her, if he's chosen her as his second in command - though, I would bet it's in more of a general thing in the way that the First Druid is everyone's mentor, rather than the clearly more direct and specific mentorship he has with Nettie as a healer.

Canonically, Halsin isn't an exceptionally good leader. He's not bad at it, and he has good instincts. He correctly surmises that after the dust-up with Kagha and the tieflings, the Emerald Grove needs an outsider to step in and lead without being tied to any particular grudges or politics. That's savvy enough that I think Halsin was a good First Druid, he just wasn't especially good or great at it and clearly didn't like the position. At worst, I think he let some situations fester because of his focus on the Shadow Curse.

But I'm not ready to say that he didn't realize Kagha was a proverbial snake in the grass ~the whole time~, because I don't think she was. I think she was genuinely and recently radicalized by the Shadow Druids. I think she probably had something of an edge before, maybe she was a hardass or had a mean streak or something. Regardless of how I feel about the quality of the Shadow Druid subplot (which is that I think its pacing is meh and Kagha's face-turn is way too fast and kind of shitty), I think it speaks to the fact that her care for the Grove is genuine. That perhaps Halsin's failure with her wasn't in not realizing she was A Bad Person Actually, but in not tending to her insecurities or noticing that she might be feeling isolated, if she was so effectively shaken by the Shadow Druids' fearmongering.

The recent wave of IRL cults should have taught us all by now that everyone is susceptible to cult tactics if they're sufficiently scared and alone, and BG3 is a game riddled with various cults. You don't have to already be a bad person, or a stupid or weak person, to fall for them. And I think Kagha's story is way less interesting if you just think she's an evil power hungry shrew too stupid to keep herself from being radicalized.

She clearly has a nasty streak, but her apologies and regrets also sound sincere, if you manage to hear them. Even when she isn't "redeemed", she accepts her punishments, even if she does so bitterly and not believing she was wrong. And I have to wonder just how much of that mean streak is self-defensive rather than inherent in her, how much of it is that she struggles to admit failure and learn from it. Or how much is her modeling Halsin's level of single-minded commitment, picking a methodology or an action and throwing all of her weight behind it, even when it may no longer be working.

I wish characters like Kagha got nearly as much love and fandom development and benefit of the doubt as someone like Ketheric. I think she has a ton of potential for that, and way fewer crimes to her name than other fandom favorites who just happen to also be, you know. Men.

#bg3 #baldur's gate 3 #kagha #halsin #bg3 spoilers #bog post #tbh i get more fond of kagha in every playthrough #also i wonder how much of kagha being so high strung #is BECAUSE halsin was obsessed with the shadow curse #i wonder how much of his responsibility as first druid #were already being performed by kagha #saddled with the tasks but not the responsibility #not the ability to make new decisions #THAT will certainly make someone feel unbalanced and insecure #i like the idea that he chose her because of their differences in temperament perhaps #but how much of that was savvy decision-making #and how much of it was saddling her with extra burdens #to make up for halsin's preoccupation and distraction

[brookheimer]

looking at the 'midseason trailer' and seeing roman fighting his siblings, roman shitting on gerri, roman working for fascists, roman walking proudly through ATN like logan did just two days prior... it's not surprising, but it is fucking sad.

logan's death will not free roman. instead, it will reforge the chains he's worn all his life, casting them in iron -- that's what roman deserves for thinking, for the first time in his life, that maybe he wants the chains off. that's what roman deserves for killing his father by not loving him enough, by not loving him correctly or at the right times. logan's death will not free roman at all. if anything, it will imprison him.

(as always, this got very long, so keep reading under the cut!)

this was the worst case scenario for roman. not just logan dying, but the exact way everything played out. he betrayed his siblings, he fired gerri -- for nothing. he could have been on the plane with his father in his last moments -- he refused. his last interaction with his father was leaving logan a voice message that called him a cunt -- the first time roman has ever, ever, questioned or stood up to his father, and also the last. we don't know what killed logan. we probably never will. but god if it won't feel awfully coincidental to roman: the one time he fought back against his father or even showed the slightest hint of doing so, his father died. is it likely that logan heard roman's voice memo and keeled over because he called him a cunt? no. but is it just as possible as anything else? entirely. roman might have killed his dad. roman murdered logan when he could've been on the plane with him holding his hand, if he were a good son. he didn't even tell logan he loved him. not that he needed to, it fucking oozed from his every pore and the desperate nature of that love was one of the reasons logan could never quite stand him -- but that's not the point. roman's one attempt at agency, at setting boundaries, at standing up for himself killed his fucking father.

logan dying would never have been good for roman, at least in his current state, no matter how the actual death came to pass. people often talk about abusive relationships as if the end-all-be-all fixer to abuse is independence, and it's not. independence isn't always enough to heal, especially not when it's forced upon you rather than something you choose. this is especially true for roman, i think. what roman needed was not just to gain his own independence, but to realize that independence and love are not mutually exclusive, that gaining one does not mean losing the other. logan's always hammered in roman's weakness, his wrongness; roman was never someone who deserved to be loved on his own terms. roman's never considered himself to be someone with agency and authority in his relationships -- he's been told over and over again that he isn't a real person, that there's something deeply wrong and unfixable in him, and he believes it. he's never set boundaries with his father or even his siblings because i don't think he really realizes he has the power to do that. he's simply there until people decide they no longer have use for him or want him around, and he'll always come crawling back after a kick because he doesn't realize he's not on a leash -- that he doesn't need to be on a leash. independence has been unreachable all his life, he isn't normal or real enough to be a real normal independent capable person, but if he grovels and shows his use enough, then maybe he can be loved. but his dependence and loyalty is all he's good for. independence means no love, no family, no relationships. and roman desperately wants, needs, those relationships in a way that none of the other characters do (or at least can admit to) -- he wants his father in his life, no matter what; he wants his siblings in his life, no matter what. but independence, being his own person, separating himself from logan's side means he'd lose everything else, everyone else. he's not good for anything anyways. it's not like he has other options.

...until the start of season four. that's why this is all so tragic -- more than anyone else, it seemed like roman was on the road to healing. it seemed like he was finally realizing that independence and love might not be as mutually exclusive as he's been made to think: maybe he could be independent while still having a relationship with his siblings and even his father. maybe he could have his cake and eat it too. he's realized that he's capable, that he has his own worth, and that he can be successful without living under logan's thumb -- and, more importantly, could still text him on his birthday and try to rebuild a relationship, this time outside of business. outside of "that room" in waystar royco. an actual fucking family relationship. that's what escaping the cycle would look like for roman — not complete separation, not a metaphorical killing of his father, but the ability to live alongside him, to have a life outside of him, to love his father without living for him. so simply removing logan from the equation wouldn’t help roman, not when what he needs most is to realize that self-respect is not mutually exclusive with love, that being your own person isn’t a betrayal, that family and love aren’t dependent on how low you can kneel and won’t be whisked away the moment you stand up. and for the first time in his life, it seemed like he was on track to discovering this. maybe he and the siblings could have the hundred, logan could keep going with atn, and in a few years down the line they'd all get together to talk shop and joke around and coexist -- for the first time, he had started to think of himself as enough of a real, okay person to be allowed to coexist with his family, rather than naturally subordinating himself in every interaction.

roman could’ve been his own person, could’ve escaped the cycle, could’ve started a business with his siblings and tried to heal, but now he won’t. he can’t. roman can’t become his own person now, not when his first attempt to do so is exactly what killed logan. it’s his fault. he fucked up and now there’s no dad. he gained his independence, but at what cost? love. that’s the cost. it always has been and always will be. nothing could be more detrimental to roman roy than the exact series of events that occurred in this episode, because just as he started to see a world beyond his father, logan dies -- proving once and for all that the only world beyond logan is one without him in it at all. that’s been roman’s fear all along and why he’s stuck so close to his side: roman loves and loves and loves and is terrified, terrified, of death. of loss. but in a moment of 'weakness,' roman wobbled (he tried to stand up to logan rather than just taking the kicks as he's supposed to, as he always has), and his father paid the ultimate price. there’s no more dad. there’s no reviving him.

…unless, of course, there is. unless roman can undo his error by choosing his father again, and again, and again. becoming logan is the closest roman can get to resurrecting him, after all. and besides, doesn’t he owe it to dad after killing him? after calling him a cunt, choosing not to be with him on that plane he ended up dying on? after forgetting to even say “i love you dad” before the end? roman needs to fix things. needs to make it like dad's still here. needs to make it like he didn't kill his own father by refusing him for the first time in his life. so roman will be the firebreather logan wanted -- he'll do ATN, he'll push for mencken, he'll do whatever it fucking takes to try and make things right. if it's his fault logan's no longer here, then he needs to do everything he possibly can to fulfill his dying wishes, to do what logan would've done, were he alive.

"dad can't die, he's dad." he can't ever die. he's immortal, and his immortality was solidified by the circumstances of his death -- logan will not die. he’ll live on in roman, as roman.

roman will make sure of it.

#to clarify -- i do not think this is roman's endgame. i Hope it is not his endgame. i just think based on the previews and everything we #know about both him and the upcoming episodes... i think this is where his arc is heading for now. and it will be UNBEARABLE to watch #i'm hoping things get better by the end. that there's reconciliation and an ending open enough to allow for a slim possibility of future #healing. but as of right now... i think things are going to get a lot - a LOT - fucking worse before they get better (if they get better..) #k it's 1:30 am i haven't read over this at all so fair warning there. but yeah. told yall i had a lot of thoughts re: what this might do to #roman. hats off to jesse armstrong for creating the literal worst situation imaginable for him. fucking ingenious. i too love putting this #sad little man in situations! but yeah. gonna be watching thru my hands but eating it up while weeping etc etc etc #succession #succession spoilers #roman roy #succession meta #succession s4 #connor's wedding #logan roy #casey shut the fuck up about roman roy #100 #500 #succession speculation

[bookshelfdreams]

do it. gimme the Izzy straight-coded meta 👀

I feel like I need to preface this by saying that Actually, Izzy Is Straightcoded would be the inflammatory clickbait title I'd give this if it were written to draw traffic & ad revenue to my shitty website. So don't take that term too seriously.

There has been a lot of ink spilled about Izzy thinking he's in a story where one can only be subtextually queer. Some even by yours truly, but the more I think about it, the less sense it makes. What would be the purpose of queercoding Izzy?

In general, villains* aren't queercoded to show that men being attracted to other men is bad. It's often the outcome; but it's not why the trope exists. It exists because cishet people tend to be (and are encouraged to be) profoundly uncomfortable with gender nonconformity, and so, making a character gnc becomes a quick and easy way to make him appear twisted and untrustworthy. If he** can't even obey the fundamental rules of his own gender (rules that are inherent and unchangeable!) what other rules does he disobey?

Or: If a man is insufficiently masculine, he can't be trusted to have morals. The villain isn't gnc because that's an evil trait to have; rather, the gender nonconformity is a symptom of his evilness. Being evil is what enables him to embrace his feminine side, and embracing his feminine side is what others him and marks him as a villain.

This only really works when he's contrasted with a hero (or heroine) who is Doing Gender Correctly. The villain is foul to highlight how good the hero is. The Hero will be honest and straightforward, brave, physically powerful; the Queercoded Villain treacherous, cowardly, and physically weak. The hero is a Proper Man, a Good Person. The villain an Improper Man, and therefore, a Bad Person.

Of course ofmd fundamentally rejects this. The shorthand wouldn't work, because ofmd simply doesn't think effeminacy is creepy. It's uninterested in moralizing self-expression; it just lets people be how they are. There's a wide range of expressions of masculinity on this show, and none of it is inherently bad. People are allowed to be hypermasculine, flamboyant, and anything inbetween, can express their gender in whatever manner they want, and it's all fine - as long as they are authentic about it. Be however you are, but be yourself, and this is what Izzy fails at. The repression marks him as a villain. The strict adherence to what he thinks a Real Man Pirate ought to be like. He's very preoccupied with enforcing a traditional (and toxic) masculinity on himself and others. It's no coincidence the characters he antagonizes the most - Stede and Lucius - are also the most effeminate ones. And I know, I know anglophones have a much more casual relationship to twat and cunt, those don't nearly feel as uncomfortable for y'all as they do for me, so I don't want to assign too much significance here, but he is the only character who constantly uses this kind of language, and also the one who uses the most gender&sexuality based slurs (as far as I remember).

All of this while being clearly, obviously queer himself! I do not feel like I need to explain this; his flustered reaction when Lucius asks him if he's ever been sketched speaks for itself. The fact that he meets Stede and immediately slices his shirt off of him, speaks for itself. And so on.

Izzy isn't straightcoded in the sense that the story wants us to believe he's exclusively attracted to women. Much like a queercoded villain doesn't need to be shown to be attracted to men (and can even be shown to be attracted exclusively to women!) to still be queercoded. He's straightcoded in the sense that he's a stand-in for restrictive and toxic gender roles that society enforces on people. He buys into the idea that there's a way of Doing Gender Wrong, and this is presented as a tragic character flaw. Something he has to overcome to be able to do the thing that actually marks a hero in this show: express himself authentically.

Part of why I found his death so moving is because it enables him to set right the toxicity he spread. His rehabilitation arc was about himself; about finally allowing himself to be, accepting love, accepting community. His death was about taking responsibility. About fully recognizing the hurt he caused. Looking death in the face enables him to finally abandon the last shreds of that toxicity, to apologize and be granted forgiveness. In the end, he was not beyond saving, and the harm he has done will be healed.

*Izzy is introduced as an antagonist to both Stede and the central romance of this romcom. I'm not gonna debate this; if you disagree, fine, but you clearly have such a fundamentally wrong different view of the show that it's pointless for us to try and convince each other.

**of course Queercoded Female Villains exist s well, but they are a whole different can of worms and less relevant to this discussion

#okay now that i typed this all out i realize that i just basically keep writing the same izzy post over and over sorry for that #but i spent too long on it not to post it #i do not remember who said it but i saw a post a few days ago along the lines of #izzys death reads like the fantasy of a repentant abusive parent #and i think theres truth to that #may also read like the fantasy of the kid of an abused parent #finally the person who hurt you is able to apologize and you can part on good terms #but also wont have to deal w the fallout #i write as my grandmother who doesnt speak to us is probably dying idk #anyway! #i hope this is somewhat interesting #our flag means death #ofmd s2 spoilers #izzy hands #thoughts #anonymaus #message

[misc-obeyme]

omg okay this was originally going to be an ask about what you think the ring of wisdom may look like because i wanted to try and hunt something down that was similar to buy (mc has both the ring of light and ring of wisdom by season three I think, and i own the ring of light irl)

BUT THEN i went on the wiki and found out it's made of brass and iron, and also learned that u treasure created the ring of light look since it never appeared in canon (i can dream of them making the other half but unlikely as Solomon is a side character, sad)

AND THEN i was reminded that Michael gave the ring of wisdom to solomon so he could control demons more easily and not have the giant strain. But why give it to him? Why this specific sorcerer? Why aid in that?

So now I'm in a rabbit hole of wondering WHEN solomon got the ring. And if it was after the brothers fell, did Michael do it on purpose? Was he aiming for solomon to become powerful enough to even control the seven of the brothers? AND HOW DID HE FIND SOLOMON AT ALL? I have so many questions now

- ✨ anon

Hmm well if I remember correctly, Solomon gives MC a ring when they become a full fledged sorcerer, but I didn't think it was the Ring of Wisdom that he gave them? Perhaps I misinterpreted that part??

(Side note, I'm almost glad they aren't like to make Solomon's Ring of Wisdom just because OH THE TEMPTATION.)

Anyway, the question is how the heck did Solomon end up with that ring in the first place??

Oh, friend. You have unlocked a CC Solomon Theory because I've thought about this a lot.

I'm going to put it under a read more because of OG and Nightbringer spoilers!

We know almost nothing about the Ring of Wisdom. I can't remember if it's been mentioned in Nightbringer at all. And there may be more instances of it in OG that I'm not remembering. But here are two of the relevant parts:

This is from Lesson 2-2 of OG. He says he used it to create pacts with the 72 demons. Now, it's obvious that Asmo is one of those 72 demons, which means Solomon wouldn't be able to make a pact with him until after Lucifer & co fell. However, I don't think that means that Solomon didn't start making all his pacts before they fell.

This is from Lesson 29-5 in OG. And he says that Michael gave him the ring at a point in his life when he was lost, etc.

What does that mean? Is that before or after Solomon met Barbatos?

Now, there is also a part in Nightbringer where Solomon says that he met a friend back when he was locked up in the basement. He says that his new friend's family came to get them, but that they would come back from time to time and talk to him. He promise the friend he would be a good sorcerer so he could protect humanity.

What if that was Michael?

If it was, maybe Michael gave him the Ring of Wisdom around this time. Maybe Michael did it because he wanted to help Solomon protect humanity.

But this is also the story Solomon couldn't tell MC entirely. He stops part way and says he doesn't have the courage. Which means something else happened then, too. Probably something bad.

So I dunno, this is just a theory. But it could explain why Michael gave Solomon the ring to begin with. If it happened before the brothers fell, his motivation could have purely been to help Solomon protect humanity.

Of course, it's possible that wasn't Michael at all and was actually someone else. In which case we would be back to square one with the question of why Michael gave Solomon the ring.

It would be rather sinister if Michael gave it to Solomon after the brothers fell for the sole purpose of Solomon being able to control them.

It makes sense that Michael would need a human for this because he can't make pacts with the demons himself. But maybe Solomon didn't want to do what Michael wanted him to do and therefore decided to do his own thing instead. He only has a pact with one of the brothers, so he's not exactly going through with that idea.

If Michael is Nightbringer, this could explain why Solomon said that Nightbringer made him who he is. At the same time, it's pretty clear from Solomon's conversation with Nightbringer that he disagrees with Nightbringer and is kinda defiant.

But if Michael is Nightbringer and he's always wanted to control the brothers, that could explain why Nightbringer wanted MC to make pacts with all of them. Perhaps by creating pacts with the brothers in the past, MC has strengthened their pacts with the brothers in the future, too. That could make it easier for MC to control them, especially to control them all at once.

Which is kinda the point of the Ring of Wisdom. As you said, it's meant to allow someone to control multiple demons without it being as draining on the body.

Unfortunately, I still feel like I don't have enough evidence for any of these theories to say for sure that I think they're right. I kinda always thought Solomon's friend was Michael because to me that seems like the scenario that makes the most sense and fits with the Ring of Wisdom situation.

But in the end, I'm hoping they will reveal more about this part of the backstory. Even if I'm totally wrong, I would still very much like to know why Michael gave Solomon the Ring of Wisdom. Because that feels like a really big deal and so far all they've done is just kinda mention it briefly.

ANYWAY well you see I spend too much time thinking about this stuff. But I also have many questions! Here's hoping we get the answers soon!

#like if they wanna give us more questions that's fine #but they gotta at least answer some of these from freakin' lesson 2 of the OG #because we have been waiting LONG ENOUGH #obey me #obey me nightbringer #obey me solomon #obey me michael #obey me spoilers #✨ anon #misc answers

[gulnarsultan]

Hellooo! It’s meee, want to drop in on my favorite other yandere account. You once’s told me that you’d do people that you may not know but if you get information you might- And there’s a game called baldur’s gate 3 and I’m in love with a man named astarion.

He is a elfin vampire with a very sassy and seductive personality, loves when the play kills and and just is evil at times. But he as a dark past, like man has trauma. I would spoil it much but he is under the control of a vampire the turns him and makes him allure people for his master. So when he falls in love with the player, it’s his first time seeing that he can be loved and not just for being used. But moving on- He jokes so much, his actions are kinda like daemon targaryen, actually a lot like. Even looks like a targaryen with his white hair.

He’s will do to anything for the players later one and loves them so much. Everyone is a simp for him but he’s a simp for the players (Your character in the game) So I’d love to see your take on him based on this information.

What do you think he’d be like as a simp yandere?

(Also sorry if you’re not willing to do this and forgot it! I just wanted to try it out, thank you💜)

Hello sweetie. You make me so embarrassed.🤭😍 Yes. You remember correctly. Thanks for the informational help. I hope you like it.

~Astarion hides his weaknesses and past traumas with his jokes. His somewhat playful nature is his self-protection mechanism.

~ He will most likely ignore your feelings at first. He tells himself that these feelings are temporary.

~ But after a while, these feelings take over him. His mind and heart are consumed by his obsession.

~ Follows your reader from afar. He will make sure that nothing happens to the reader.

~Your playful behavior continues when you are around the reader. This allows the reader to have two different ideas.

° Astarion hates her. ° Astarion is a good friend to her.

~ If possible, Astarion will go far away, taking the reader with him. He wants to start a new life with the reader. He dreams of a future where the two of them will be happy and safe.

~ Once the reader becomes comfortable with him, Astarion will tell the whole truth and traumas.

~ I can't see Astarion being a physical punisher. (Maybe he can use it as a last resort. ) His biggest weapon is mental punishment. I have a feeling that Astarion is a very powerful manipulator.

~ Astarion is possessive and jealous. He sees no problem in eliminating his rivals.

#baldur gate 3 #astarion #yandere astarion #yandere astarion x reader #astarion x reader #astarion x you #astarion x y/n #yandere male #yandere x reader #yandere x you #yandere baldur gate 3

[arcaneafterhours]

i drew the sbg characters if they were in my comics magic system heres a long post talking about their abilities

i somehow did doodles of all of them in one day lol. THIS IS GOING TO BE A VERY LONG POST BE CAREFUL ABOUT CLICKING READ MORE THIS IS JUST ME YAPPING ABOUT MY COMIC AND ABOUT SBG

ok so the magic system of my comic is basically this: your eye color aligns with a “concept”, and each concept turns into a very unique super power for each individual. it can be anything, as long as it fits the concept. literal or metaphorical. i designed this power system to be very vague so you can be super creative

ill explain each concept as i go down, but i basically switched the sbg cast with my cast, so all of them are called “duo ranked” and have heterochronmia, and their concepts have mixed together to create a new, entirely unique power that fits both concepts in its own creative way.

i also kept one color for every character except for aiden. i kept his red eye, because if i didnt i would be doing FOUR BROWN RANKS and i want to show off this system so ill only do 3 lmao

heres how it went:

starting off with ashlyn, her ability came pretty easy. i kept her green eye(the concept of growth) and gave her a white eye(the concept of enhancement(typically of ones own values or senses)), and they mixed together to give her control over sound, more specifically its volume and frequencies

its very useful for her, she avoids being overwhelmed way easier now and can switch off whatever is bugging her if it gets too loud. coincidentally, eavesdropping is INCREDIBLY easy, since she can just turn up a specific conversation she wants to listen in on. and she can manipulate frequencies so she makes tyler voicecrack all the time because its really funny. very simple power and its perfect for ash. her drawing turned out okay, i kinda rushed them all just to have them done dont expect high quality

I had a VERY fun time coming up with aidens power. he has his red eye(the concept of creation(self explanatory)) and i gave him a purple eye (the concept of perception, like illusions and such) and the two mixed together to allow him to turn duplicate illusions into reality (if he has enough strength to do so). he can create illusions that are specifically duplicates of objects, and they are only temporary for the time being until he actually ‘creates’ it, then of course it just permanently exists. he is limited to only a single duplicate, and one at a time. actually creating something is very draining

the only human duplicate he can make that will function correctly is himself, and he cannot make it more than a temporary illusion. he can make decoy human illusions, but he cannot make them real.

i had a lot of fun trying to draw his stupid hair it was good practice, im very happy with his drawing

next is tyler!! i put “pursuance” in the drawing because i never know how to describe it but tracking or pursual(is that a word??) is a better word i guess?? its in the works

I kept his brown eye(the concept of pursuit(being able to track things basically)) and gave him an orange eye (the concept of healing) and i gave him a pretty literal power of being able to track how far along the healing process an individual is. in turn, this also gives him the ability to sense when someone around him is hurt.

also, since he can track the healing journey, physically touching him will speed it up ever so slightly. if you have a stomach ache just go hug tyler and eventually you’ll feel better

now for possibly my favorite ability, TAYLOR :D! (featuring me forgetting the word pursuit exists and just putting ‘persual’ which may not be a WORD google LIED TO ME HELP DONT LOOK AT IT

ANYWAY just like tyler i kept her brown eye, and then i gave her a pink eye (the concept of connection), which gave me the idea of her being like tylers opposite. i wanted their powers to reflect each other, so where tyler can track physical injuries and how they heal, taylor can ‘connect’ with others and sense their mood and how it has recently been. almost like a graph!! sometimes she accidentally does it and gets overwhelmed trying to keep track of other peoples moods when she isnt prepared to handle it.

and just like tyler, physical touch from taylor will make you happy and calm (hugging taylor does that anyway) so she is like that scene in big hero six where they all lay on baymax because hes very warm and i love her

I HAVE NEVER DRAWN HAIR LIKE BEN PLEASE DONT ASK I DID MY BEST ON THESE LIYTLE DODLES

anyway

for the last time i kept bens brown eye because why does everyone have brown eyes, and then i also gave him white because i got a really really funny idea ok.

ben can track movement of people around him specifically, and he can enhance his own power. if he enhances it enough for one person, he can predict what their course of movement is about to be. its very immediate, so when hes trying to process it the action could very much already be happening. its very useful actually!!!

ITS TIME FOR MY FAVORITE ABILITY RAJGEJR FINALLY NO MORE BROWN ABILITIES

I kept logans blue eye (the concept of movement) and i gave him yellow (the concept of light) because yk yk hes a dlorist photosynthesis WHATEVER

he can basically control the movement of anything in bright light. the control on it he has depends on how bright the light is, so he finds it useful to keep a flashlight on him

THATS ALL, I HAD A LOT OF FUN FOJNG THIS I STARTED AT 10 AM AND FINISHED AT ABOUT 1:30 PM LMAO MY WRJSTS HURT A LITTLE :] If you like the magic system, i post all about the actual protagonists in #comicsafterhours if you want to see more idkffkjmdnfm,,,,,, anyway

if you actually read all that tysm?? love you lots?? ill probably draw my ocs in the sbg situation soon

#sbg #school bus graveyard #school bus graveyard webtoon #sbg (webtoon) #aiden clark #taylor hernandez #tyler hernandez #ashlyn banner #ben clark #schoolbus graveyard #comicsafterhours #oops

[bengiyo]

Cherry Magic Anime Ep 1 Stray Thoughts

Yes, you read that correctly. While GMMTV is doing a Thai version of Cherry Magic, Japanese studio Satelight (Fairy Tale, Log Horizon, and more) produced an anime version that just began airing on Crunchyroll. What a time to be alive. My primary hope is for this version to go further than the live action or the movie did. The manga is ongoing, and I’d like to see the parts that haven’t been adapted.

I like how quickly this is breezing through the early stuff. Adachi already knows about his powers and is continuing to be glum. He’s explicitly interested in girls, and I like the character design that has his hair constantly covering his left eye.

Wow, we got through the convenience store, train crowd, and then reached the elevator scene in 2:40.

For those who care, Kurosawa does not yet have yaoi hands.

The intro is decent. It at least lets us know the whole gang is here.

Adachi thinking he’s hallucinating his powers is a good shorthand as he’s figuring out if Kurosawa is for real.

Oh, fuck yes, anime Kurosawa is much hornier in his head.

Wow, we’re also getting to Adachi staying over in the first episode.

The fact that Adachi and Kurosawa like the same manga is actually a really significant detail. I can’t maintain regular friendships, let along romances, if I don’t have much media in common with someone.

Yeah, I’m enjoying how much more explicit Kurosawa’s fantasies are in this version. Here they translate him as saying he bought the pajamas to fantasize about Adachi wearing them.

Oh, Kurosawa, you remain one of my favorite simps.

I’m not like Adachi. I would show up every morning before work if someone else was going to cook a full meal for me.

Oooh, the boss’s coupon for a meal date must have been in the manga since the Thai version captured this too.

An expired coupon on an expensive meat dinner? Pain.

Oh, Adachi, how you struggle with someone having affection for you compels me every time.

I really like introducing Tsuge in the tag.

It’s really fascinating how each adaptation so far has approached the timeline of events. I kinda like holding off on the supporting case for a full episode and just focusing on Adachi being a loner who doesn’t know how to deal with Kurosawa being so attracted to him while making no overt moves about it. It’s really cool because it doesn’t just feel like the live action. We got through events that were in the first two or three episodes of the live action here, but also didn’t touch other beats yet. I like it. This is such a cool set of comparisons we get to make right now.

#Ben watches #cherry magic #cherry magic! thirty years of virginity can make you a wizard?! #cherry magic anime #japanese bl #bl series #30 sai made doutei dato mahoutsukai ni nareru rashii

[pinkeoni]

The “Will Has Powers” Basics Post

I’ve realized recently that whenever I talk about Will having powers, I kind of just expect everyone to be on the same page as me, without really explaining much of what lead me to believe he has powers in the first place. I don't really have a good foundation to point to.

So that's what I want this post to be, not really too detailed but more of an introductory post. I'll explain the basics of my Will has powers theories, why I believe he has powers, and what kinds of powers I think he has. I'll be using evidence I've used in a lot of other posts while also keeping it simplistic and not trying to add anything too speculative or theoretical.

Evidence & Powers #1) Nancy's Dialogue and Time and Light Powers

I think one of the easiest pieces of evidence and my usual go-to is Nancy's dialogue in 4x07 when the teens are in the Upside Down. Nancy remarks that the Upside Down is stuck on the day that Will went missing, and then brings Will up again in regards to the lights. Both of her pieces of dialogue here implicates Will as the one who froze time and got the lights to work the way they do.

"The last entry is November 6, 1983. The day Will went missing. The day the gate opened."

"Will found a way. Will. He found a way to speak to Joyce through the lights."

(So I used to think it was "The day the gate opened. The day Will went missing." and not "The day Will went missing. The day the gate opened." but after rewatching the scene it is actually the former. My bad.)

Now obviously Nancy wouldn't know that Will is responsible nor do I think she has some kind of psychic intuition, but the writers would know and are writing her dialogue in a specific way that points toward Will in both instances. Bringing him up by name not one, not two but three times places emphasis on him specifically. I think that

El opening the gate had a part in this, but if it was her solely then I think Nancy's dialogue would read as "The last entry is November 6, 1983. The day El opened the gate." rather than trying to tie Will into it in the first place. Moreover, the gates that Vecna is opening with El's powers don't seem to be updating the Upside Down to modern times, Will is an important piece of the puzzle.

The light thing is something that I do think is solely Will, given that gate opening isn't brought up and Nancy brings Will up by name twice in the same line of dialogue.

The word "found" here is also interesting because it could have two meanings.

A) Will stumbled upon the lights ability

B) Will created the ability to communicate with lights

Had Nancy said "Will stumbled upon a way to talk to Joyce through the lights" it would suggest that the lights is a rule from the UD that has always been there. Nancy saying that Will created the ability to talk through lights wouldn't make sense for her to say because Nancy wouldn't have access to that information. "Found" is the perfect balance between the two— it makes sense given Nancy's access to information while allowing enough room to imply that Will had something to do with it.

Evidence & Powers #2) Will as an Artist and Creation Powers

If you created a tv character who had magic powers, but you couldn't reveal it until the final season, how do you pull it off without it feeling out of nowhere? How do you build up the reveal without completely giving it away.

Well, I would do it by attributing his powers with aspects of the character that has already been built up and that the audience has become familiar with.

It's established that Will is an artist from season one, and his art continues to be important to the plot it nearly every season.

In season one, Joyce is able to correctly identify that El is not because Will's drawings are much more advanced than El's stick figures.

In season two, Will uses drawings in order to help visualize his now memories and creates a map of the tunnels.

Not much in season three, but Will does use charcoal in one scene to demonstrate visually how the shadow particles work.

In season four, Will creates a painting for Mike that becomes an important moment in the season and sets in motion important events for the future (aka byler endgame)

I will admit that this piece of evidence by itself is not enough to convince an audience that Will has a supernatural link. Will is an artist -> Will has powers is a pretty far stretch. But I think that this combined with some of my other evidence could support what kind of powers I think he has, which I think is some from of creation ability. Will has powers because of xyz -> Will is also an artist -> Will has powers of creation is a better argument and what I'm trying to get at.

Without getting into all of the chunky theoretics here, I believe it's possible that Will may have the ability to create whole lifeforms and vast worlds, such as the Upside Down itself and the creatures inside.

Evidence & Powers #3) Will the Wise, Fire Powers & Prophetic Abilities

This goes along similarly with what I said about using Will's artistry to foreshadow his powers, or using another facet of Will's character to hint at powers without giving it away altogether. Although, I would say that this piece of evidence is probably a lot more obvious than the previous bullet.

"Will the Wise" is Will's Dungeon's & Dragons name, which comes up pretty frequently in the show. Will the Wise is confusingly labeled as both a wizard and a cleric, although both classes are magic-users within DnD.

Each member of the party has a DnD class and character, although Will's is the one that get's brought up the most. The name Will the Wise is referenced—

Episode one when Will is playing DnD

In a flashback later in season one

The episode title "Will the Wise" from season two

And in season three when we have our most obvious piece of powers foreshadowing, when Will dresses up in a Wizard costume

During this same scene, Will says that he has "seen into the future" which is why I suggest that he may have prophetic abilities. Vecna displays a similar ability when he shows Nancy the future in her vision.

It's also possible that Will may have some kind of fire abilities, based on one of Will the Wise's attacks being "fireball." (@reikunrei made a really great post recently proposing that Will's fire powers might extend to some of his other abilities rather than being purely a fire attack, but alas I cannot find it ((I am so sorry Wilbur)))

Evidence #4) Continued Connection With Vecna

Another reason why I suspect that Will may have powers comes from a series of questions:

Why is Will the first one taken to the Upside Down?

Why choose Will as the host of the Mind Flayer?

Why continue to have a connection with Will?

I think I could write-off the first two as incidental if the show didn't make it a point to continue this connection through seasons three and four, that along with Nancy's dialogue in season 4 discussed earlier. Could Will's disappearance have been a coincidence? Sure. Could Vecna have just needed Will to be a spy, and is completely disposable to him? It's possible. But if so, what is the narrative reasoning for maintaining this connection? Is it to just for the convenience of having Will as a beast sensor?

Something else that tips me off about Will's disappearance is the why it happens as well, which we aren't really told. We are told with Barb that the demogorgon is attracted to blood. Nancy and Jonathan later use this tactic to lure it to the house.

And yet with Will, we don't see any blood. In fact, they make a point to emphasize this when Hopper tells Joyce that there was no blood on his bike.

Evidence #5) Will's focus in season 5

Despite Will always being my favorite character and loving him so dearly, I didn't start seriously theorizing until I saw this tweet by Discussing Film, which came out shortly after vol. 2 was released.

I know that outside cast and crew comment shouldn’t be taken as gospel, as they have lied before for the sake of spoilers. Which is why I put this at the end, and why it’s not my only piece of evidence.

But still, it’s not like every comment is a lie, and even then, wouldn’t this be a wierd thing to lie about? And kinda cruel? Imagine saying “Oh, this gay character who hasn’t gotten a lot of screentime is going to be a focus.” only to say “Haha just kidding, he’s actually unimportant!” So I’m inclined to believe that they’re telling the truth.

So if this statement is true, then how could Will not have powers? How would you make a character the center of a show about the supernatural, if he has no tie to the supernatural at all?

#kinda posting at a weird time for me but whatever #had this in the drafts for long enough #will byers #will byers has powers #stranger things #byler #<- target audience #my theory

[wormsin]

"Bruce’s protective control and Dick’s perfectionist caregiving are core dysfunctions for their characters" oh this is such a beautiful, and perfectly fitting, way of describing them that ive ever seen! and it's really interesting to note that, their dysfunctions are.. how do i say it, 'complement' the other's? giving a 'perfect' looping feedback?

like, bruce's protective control pushes dick's perfectionist self to work even harder--to achieve the impossible and essentially makes him more desperate to take care of bruce, and in return this pushes bruce's protectiveness to another whole new degree which then lead to his need to keep everything under his control become even worse. and that makes it harder for them to break from the cycle (am i making sense? i hope im making sense)

hold my beer, I'm using this as an excuse to write the Bruce & Dick enneagram meta in my head.

"He's so determined to prove he isn't like Master Bruce it scares me. In their own way they are so similar that I thank heaven for the differences." - Alfred Pennyworth Batman 1940 #438

I've mentioned before that I use enneagram typing to characterize Bruce and Dick. like all personality typing, it's unscientific bogus. (this one is sold as a business tool lol.) but i find the types compelling.

first of all, their types

Bruce is an 8, the challenger or protector. an 8's ego is attached to the idea of vengeance—destruction of self or others out of a sense of injustice. if the person has a huge ego, has a deluded perception of the world, it is tied to the idea of vengeance. their "holy idea" is truth, which is basically a core value and potential. their trap is justice, which they think is the right path, but it will actually keep them stuck in their bullshit.

[Dick calls Bruce out on going too far as he's breaking down after Jason's death. Batman 1940 #439]

an 8's deepest fear is being controlled, harmed, or violated. their base desire is to be influential, self sufficient and protect themself. their temptation is to think that they are self sufficient.

like, you see why I like this for Bruce.

Bruce saw his parents being murdered and his reaction to that trauma was to control himself and create a powerful alternate ego that gets vengeance on Gotham's criminals and protects the innocent.

[Bruce appealing to family court to take in Dick. Batman 1940 #439]

at his worst, Bruce is a control freak who doesn't let anyone help him and has a warped sense of justice. so much emotional armor.

[Bruce possessed by Antithesis and lashing out at Dick, which Dick correctly identifies as a fear reaction. Teen Titans Year One #3]

at his best, Bruce is a strong leader, is willing to do what is right even at personal cost, wants to protect and help others fairly, and strives to create a better world.

[Bruce creating a victims advocacy program. Batman 1940 #217]

tl;dr Bruce is driven by fear of loss and compensates by controlling his world and protecting himself and others.

Dick is a 2, the helper or giver. 2's ego fixation is flattery, pleasing and giving to others in order to be liked. their "holy idea" is freedom/will; there's several interpretations of this but for Dick I see it as wanting others and himself to be free of metaphorical shackles and to fly. the 2's trap is also freedom: from having personal needs and needing others.

2's fear is being unlovable and their base desire is to be loved unconditionally. their temptation is to deny their own needs and be manipulative.

[Dick hiding his sadness as he leaves Wayne Manor for college. Batman 1940 #217]

[Hugo Strange psychoanalyzing Dick's relationship to Bruce. Batman Gotham Knights #11]

Dick is constantly pushing himself to the limit to be the perfect hero and mentor, and wants to help others but doesn't accept help himself. he maintains an image of being the bringer of light. I think being raised as a performer made him associate doing well and making people happy with love and family; after losing his parents he searched for that unconditional love from Bruce, being a hero, and romantic partners.

at his worst, he's prideful, and both ignores his own needs and sacrifices himself for others in order to get those needs met.

[Dick killing himself to save people in nuclear-bombed Bludhaven and feeling good about it. Nightwing 996 #116]

at his best, he is compassionate, helpful, parental, and warms the hearts of others.

tl;dr Dick is driven by fear of not having love and family, and compensates by caring for others and being perfect.

[Dick having a nightmare during a month's long mental breakdown. Nightwing 1996 #117]

you are correct: Bruce and Dick's personalities complement each other at their best and worse.

at their worst, Bruce is emotionally withholding and pushes Dick away. this is out of need to protect himself; any emotional intimacy or love is a threat because what if they die? Dick interprets this as not being good enough for Bruce's praise or a place by his side, and tries to be better. no matter how far gone Bruce is, Dick has to be the exceptional one who stays and loves him. the fact that Dick always comes back to him and gets under his skin makes Bruce lash out or become more controlling. so the cycle continues!

"That's what eats away at you at night—not just that you're forever in his shadow—but that you love him. That you're the loyal son who has never been allowed to truly help—never permitted to save him from himself." - Hugo Strange, Batman Gotham Knights #10

at their best, Bruce uses his own traumatic experience and leadership to better Dick's life. Dick is a ray of light for him. their fears are eased in relation to each other, they both help others and improve their world.

[Alfred remembers Dick early in his Robin career. Batman 1940 #438]

I think they have a lot to learn from each other. but they can also be deeply stuck in this dysfunctional cycle because they can both hold onto their negative delusions.

"I love Bruce. He's my family. But I couldn't bring him out of the past... I was sacrificing my own future. I don't want that for you... Trust me, Tim. At some point... you have to set yourself free." - Dick, Batman Urban Legends #10. demonstrates a healthy Dick's relation to an unhealthy Bruce.

#long post #bruce wayne #dick grayson #meta #brudick #batman #ask worm #i have so many panels I could pull as evidence #like half of my saved lore panels are about this #god i spent so much time on this #i'm right about them

[oneatlatime]

Let's look back at my season 2 predictions!

When I got to the halfway point of season 2, I made a post detailing my predictions for where the rest of the season was going. They were delightfully subjective and conformed more to my hopes than to any legitimate foreshadowing.

I made 9 predictions (one per main character), and then I predicted three ways that the finale could go. I went into some detail in some of my predictions, so I'd recommend checking out the linked post. Keep in mind that I made these predictions before the Ba Sing Se arc started, and it shows.

For Azula, I predicted that she would be the finale's big bad, that she would be defeated, and that the Fire Lord would be introduced as next season's big bad. I'm giving myself one third of a point for this one. Azula was indeed the big bad.

For Toph, I predicted that she would get a subplot that revolved around either something she excelled at being challenged by an external force like those wrestling idiots, or something that she needed to work on that tied into her noble background. Once again giving myself a third of a point, because those wrestling idiots were involved and she did meet an obstacle that she beat by inventing metalbending. I correctly predicted the pieces involved but I got them in completely the wrong configuration.

For Appa, I predicted that he would come back after having many adventures and running into other sky bison. (What's the plural of sky bison? Devastated to say that I've never had to use it) I was right that Appa came back; I was wrong that he ran into remnants of sky bison(s?), but he did end up running into remnants of the Air Nomads, and dreaming about other sky bison(s?), so I'm giving myself three quarters of a point.

For Zuko, I predicted that he would be coaxed/dragged into being decent via a swordbending girlfriend, and that he would be redeemed by the end of Season 2. Hilariously, my prediction smashed Jin and Jet together, which breaks my brain a little. Also, he did the polar opposite of being redeemed by the end of the season. I'm going to give myself a quarter point, for getting the sword bit and the girl bit.

I predicted that Sokka would split from the rest of the Gaang and go on a multi-episode Appa hunting arc that focused heavily on his ties to his family. I was 100% wrong with this one. No point for me. Which is too bad, because I really liked the idea I came up with.

I predicted that Momo would do aerial reconnaissance for the Appa hunt with Sokka. I'm giving myself a full point for this one, because what was he doing in the Tale of Momo? Flying around looking for Appa. Admittedly Sokka wasn't there, but whatever, I need this point.

For Katara, I predicted some sort of moral crisis. Something to add some nuance to her world view. A good yet unapologetically patriotic firebender, or a downright evil waterbender. I was completely wrong on this one too, unless you count being talked into listening to Jet. No points for me.

I predicted that Aang would have to do some type of Avataring that involved delegating tasks to his friends, or putting his status as avatar first, probably due to unrest in the spirit world. This was by far my most broad prediction ("hey maybe the avatar will have to avatar it up" is a very safe statement), so no points for that. I was wrong about spirit world involvement, although I was right that his Avatar duties would conflict with his personal convictions. I'll give myself one quarter point.

For Iroh, I predicted that he would call on old resources to get himself and Zuko into a better situation. I got this one almost completely right, except two bits: I thought he would use blackmail or intimidation, when he actually used something more like the power of friendship, and I also thought that particular plot point would last longer than a single B-plot in a single episode. But what the hell, I'm giving myself the point.

All three of my predictions for how the finale was going to go were incorrect. There was no strike against the Fire Nation, there was no immediate dismissal of the eclipse as a possible time of attack, and there was no relegation of the eclipse to a single episode plot point. No point for me.

So, out of a grand total of 12 predictions, I scored:

3.91!

Ouch.

I'm going to be generous and round it up to 4, which is a third correct. Still ouch. I am less reliable than a coin toss.

But! I actually had a lot of fun both coming up with predictions and reviewing them. So I'm still counting this exercise as a win.

#atla #avatar: the last airbender #avatar the last airbender #if any of you play cards with me #bet against me

[accio-victuuri]

from this article: 10 short stories about "Formed Police unit" 📝 ( i included general facts and the ones related to Bobo )

The action blockbuster "Formed Police Unit", which brings together actors such as Huang Jingyu, Wang Yibo, Zhong Chuxi, Ou Hao and other actors, was released on May 1st this year and topped the box office in the first two days.

Before the screening, the producer Liu Weiqiang and director Li Dachao of "Formed Police Unit" shared the behind-the-scenes story of the film with the Entertainment Management Studio . During the exchange, they talked many times about the need to "shoot with care" and "correctly" when making movies today. Movies need to be awe-inspiring.”

Liu Weiqiang revealed that the film took 75 days to shoot and was 10 days overdue. The investors also fully supported it because they wanted to provide the best results for the audience. The following ten short stories let us know more about "Formed Police Unit".

ONE

The story theme of "Formed Police Unit" was proposed by director Li Dachao. In 2010 , Li Dachao saw a piece of news about a peacekeeping police officer returning to China after his death. The urn was covered with the national flag and the police standing on both sides saluted solemnly. Li Dachao was thinking about it at that time. I was moved, " At that time, I was thinking about what peacekeeping was, and later I learned that they are such a noble and selfless profession, all dedicated to contributing to the local people. "

I thought of this subject in 2010 , but the film didn't start filming until a few years ago. Li Dachao believes that timing is very important, " You see how much the world needs peace now, I think it is very important to express the spirit of peacekeeping. "

FOUR

"Formed Police Unit" is the first film starring Wang Yibo. Liu Weiqiang revealed that Wang Yibo was very cautious when accepting projects. When discussing the script, he was moved by the role of Yang Zhen.

At that time, Wang Yibo had a small worry, that is, there was a scene with teenage Yang Zhen in the movie. "He was worried that if it were played by another young actor, whether the two would be able to synchronize the performance. The little Yang Zhen we found and He looks quite similar, so he feels relieved when he sees it.”

FIVE

At the end of the film, Yang Zhen had a scene where he was beaten by an enemy. In order to guide Wang Yibo to perform the real pain, director Li Dachao said: "I pinched him before starting the movie. After pinching him, he screamed. I said this feeling was... By the way, you have to keep it real, and you have to magnify the pain of being pinched 100 times. "

SIX

The crew learned from former peacekeeping police officers who had actually participated in peacekeeping operations that when they went on missions, they would spread Chinese culture locally, teach Chinese and martial arts, and usually grow vegetables in the base where they were stationed.

The crew also built a vegetable garden on the set, and the props team was responsible for growing vegetables and watering them. There was a scene where the peacekeepers went to pick vegetables. "An interesting fact is that almost all the vegetables were dug up by Wang Yibo. He dug them too fast. I said wait, I haven't turned on the camera yet," director Li Dachao said with a smile.

SEVEN

Wang Yibo was still a newcomer to the film industry when filming "Formed Police Unit", but Liu Weiqiang's impression of him was that he was very smart, "You see, he usually doesn't make a sound, but when he does, he is very powerful. He is an observation-type actor, and a good actor is like this , observe first, and after observing, he will know which points he ne

EIGHT

The peacekeeping team in the movie is designed according to the real peacekeeping configuration, two armored vehicles + snipers + liaison officers, etc. Each character has his or her own plot mission. For example, Ou Hao plays the team leader, and he is a role model. As a police officer, he uses his lines to express the spirit of the peacekeeping police; Gu Jiacheng's character and Yang Zhen grew up together in the police station, and he played a catalyst role in Yang Zhen's growth.

The director revealed that in order to prepare the soldiers' strong bodies and performance conditions, the actors of the Peacekeeping Team spontaneously trained, ran, gained muscle, tanned, and encouraged each other before filming began. Huang Jingyu said that the first half of the movie was shot in the daytime, and in the end it was all night scenes. The action scenes were shot all night long, and it was raining. If you didn't reserve your physical strength, you wouldn't be able to persevere.

NINE

Based on the longitude and latitude, landforms, vegetation, weather and climate characteristics of the mission area in the movie, the crew found a filming location that could simulate the African environment and built an entire city, including slums, streets, squares, seaside stilt houses, etc.

The last major scene of rescuing witnesses during a stormy night had to wait for the tide to change during the actual shooting. The tide rose every four hours at that time. In order to show the harsh environment in the storm, we had to wait until the tide rose to shoot. It took 15 days to complete

article source

#wang yibo #yang zhen #formed police unit #accio victuuri translation