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lelitachay · 4 months

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Frozen fanfiction: Søsken

Summary: An accident in the North Mountain forces Elsa to spend several weeks in her brother’s apartment under Anna’s care. During that time, Anna realises there is more to Elsa than meets the eye. The truth about Elsa’s past comes to light after an unexpected family reunion, and both girls’ lives begin to fall apart when they realise Elsa wasn’t the only one with a big secret and a turbulent past.

Anna/Kristoff - Elsa - Family - Family drama - hurt/comfort - Modern AU - Elsa & Kristoff are adoptive brother and sister - Ice bros - Found family - Serious injuries - Mental health issues - Health issues - Frohana

Links:

Fanfiction.net - HERE AO3 - HERE

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Chapters 1 to 10 - Here Chapters 11 to 20 - Here Chapters 21 to 30 - Here Chapters 31 to 40 - Here Chapter 41 - Here Chapter 42 - Here Chapter 43 -Here Chapter 44- Here Chapter 45 - Here Chapter 46 - Here Chapter 47 - Here Chapter 48 - Here

It don't matter to the sun

“My family and I will find a way to pay you back.”

For the first time in the last twenty four hours, Anna felt something akin to optimism growing inside of her as she watched her father and Kai coming to an agreement. Even if it was only a small glimmer of hope, she was delighted to know her sister could count on their father when she most needed it.

She felt proud her father had given her his undivided attention the previous day, when she had asked to talk to him in private. Anna then explained Elsa needed his help and, following Kristoff’s suggestion, she kept all the small details for him to discuss with Kai. It had only taken a few minutes to convince her father that the clinic needed a down payment to continue with Elsa’s treatment —given her delicate health condition. And to her good luck, Agdar hadn't asked too many questions, promising to go talk to Kai as soon as he informed the board about the family emergency and got a partial approval. True to his word, the next day he was at the clinic in the early afternoon, discussing Elsa’s health with Kai and coming to what she believed was a favourable agreement. He’d pay for Elsa’s treatment, taking the load off Kai and Gerda’s shoulders.

“No need to give anything back,” Agdar said with a small tight smile. Regardless of their agreement and knowing he could finally start helping his daughter, he knew there was nothing to be truly happy about. Elsa was still unresponsive.

“It’s a lot of money…” reminded Kai, uncomfortable about the enormous favour he was asking.

“We'll have to delay a few projects and make some cuts,” Agdar explained. “ArenCo will manage nonetheless. It's nothing we haven't done in the past.” Placing his hand on Kai’s shoulder, he reassured him the money was Elsa’s, no need to pay it back. “I've denied my daughter the help she needs for far too long. Don't worry about the money.”

Smiling in return, Kai nodded with a faint, “Thank you.”

Smiling at the scene unfolding in front of her, Anna hoped Elsa could see them at that moment as well. Sure, her sister still had her reservations about her biological parents —about their father in particular— but thankfully he was proving how much he did care.

“There's only one thing I don’t understand,” Agdar said, pulling Anna back to their conversation. “Why is the payment so urgent? Anna insisted it couldn’t wait.” Looking over his shoulder, her father found her gaze expecting her to confirm what he was saying.

Anna opened her mouth to explain the situation better, but Kai beat her to it.

“It's a delicate matter. I was hoping we could discuss it in private. With Dr Nielsen, as well as Kristoff and Anna.” Kai then turned to Idunn who had been standing by Anna’s side in silence ever since the two families had met. “You’re welcome to join us too, Idunn.”

Idunn glanced up and took a second to think about his offer. “Umm… Kai, I was hoping–” She looked down, wringing her hands, unsure of what to say. “Anna has told me they’re being quite restrictive with the visits but… Would it be possible for me to see her?”

From the moment Elsa had been admitted to the hospital, Idunn had been dying to get the chance to see her. Always asking Anna if there existed the possibility of her being allowed inside the ICU. All she wanted was to sit by Elsa’s side and talk to her at least once. Finally getting the chance to say everything she had ever wanted, even when Elsa couldn’t hear her. The idea of waking up one day, only to realise it was too late to make amends terrified her mother. And with every passing day, Anna knew she was becoming more and more afraid of never getting one that last chance. So, the moment Anna saw her mother walk into the clinic that day, she knew it was only a matter of time until she asked Kai or Nielsen to see Elsa. Yet, now that she had the chance, Anna could see the doubt and uncertainty consuming her.

“We'll need to ask Nielsen,” Kai said. “Perhaps he’ll allow you to.”

Idunn nodded as she anxiously tried to smooth the invisible wrinkles of her dress. “Is she all alone in there?”

“No.” A small smile formed on Kai’s lips as he paid a quick look to the door that led to the wards. “My wife’s been by her side from the very beginning.”

A watery smile drew on Idunn’s face. “I’m glad.”

Turning his attention back to their main conversation, Kai addressed Agdar once again. “Anna mentioned something about a good legal team working for you, is that correct?”

“There's one working for us at the company, yes.” Her father’s seriousness told Anna he was more than willing to ask the legal team to start working on anything that was needed. “What’s going on, Kai?”

“Dr Nielsen will be here any minute now. He's checking on Elsa as we speak. I'll explain everything as soon as we can discuss things with him.”

Her father agreed, and she knew there wasn’t much to do than wait for Nielsen after that. Deciding it was best to go for a short stroll before their meeting, Anna walked to where Kristoff was sitting and gently informed him she was going out to get some fresh air. Under normal circumstances, she wouldn’t have minded staying. She would have talked to her mother or found excuses for both families to bond. But this time, the situation was anything but normal and staying still only made her more anxious.

Looking up in concern, he asked, “Is everything okay?”

She smiled and nodded. “I just need to move my legs.” She kissed his cheek reassuringly and left the room in silence.

---

Truth be told, she could barely tolerate being inside the small room. It was where they had stayed after receiving the news about Elsa a week before, and the place they had awaited every medical report they’ve got ever since. It was more comfortable than the hall leading straight to the unit, but it didn’t mean Anna liked it any better. More than once they had shared the room with other families, who just like them, were sleep deprived and hoping for positive medical reports. The only thing she saw inside that damn room were long faces and hopelessness. Not wanting to think about that anymore, she hurried down the hallway and into the main waiting room.

“No, you listen to me.”

Anna heard an angry man say as she walked into the now crowded place. The voice was coming from Andrea’s desk, and Anna didn’t need to see the face of the man to know it was no other than Marshall. She had gotten used to his frustrated tone of voice by now, and she was certain the receptionist had too. This time, however, he sounded hostile and more aggressive than he had in the last week. Wanting to make sure things didn’t spiral out of control, she decided to go see what was going on.

“I've been coming here for the past week, day after day, asking time and time again to see her. You can't tell me no when I clearly saw the two of them walk in.” Marshall had both hands on the receptionist’s desk, leaning forward and making the poor receptionist deeply uncomfortable. Andrea tried in vain to put some distance between them and Anna knew it was only a matter of time until she called security to escort Marshall out.

Anna was curious as to what had finally driven him over the edge, though it was best to put a stop to it and then ask than to see a disaster unfold in front of her. Grabbing Marshall’s good arm, Anna forced him away from the desk.

“Marshall, what do you think you're doing?” Glancing in Andrea’s direction, she offered her an apologetic smile. “Excuse him, Andrea.”

Frowning at her for a split second, Marshall tried to pull his arm from Anna’s grasp. “Get away, Anna.”

She was able to hold his wrist firmly and called his name again. When he didn’t pay attention, she tried once more, this time, appealing to his emotional side. “Marshmallow, please.”

“Don’t– Don’t call me that,” he said, clearly displeased.

Anna took a step back, startled by his reaction, letting go of his arm. This seemed to bring Marshall back to his senses, finally taking a step back and turning in Anna’s direction.

“They keep telling me I can't see her.” He was trying to stay calm, but Anna could see he was failing miserably, making the people around them uncomfortable. “Always the same excuse!”

“I know you're frustrated,” Anna said in a lower tone of voice, expecting him to listen and understand they could discuss whatever was going on more quietly. “But this isn’t the receptionist's fault. Only family members are allowed inside. You know that.”

Part of her was confident he’d calm down once he was reminded of that fact. She had been expecting him to say he already knew, like he had done a few times before. However, what she hadn’t been expecting was for him to look daggers at her as she was the one to blame.

“I saw your parents walk in.” He spat, surprising Anna.

Anna gaped at him unsure of what to say. She couldn’t really understand why her parents being there was reason enough for him to get so mad. “They're family,” she muttered.

“No, Anna,” he said, crossing his arms over his chest. “They are not.”

The way he towered over her, glowering, made Anna realise how truly intimidating he could be. But she wouldn’t let that stop her from talking some sense into him. “I thought Elsa told you about us. My family is—”

“She did,” he said, interrupting her. “I know the two of you are related. I know you're sisters. That doesn't mean your parents are part of her family.”

Not understanding the logic behind his words, Anna couldn't help but crack a smile. “That's exactly what it means. They're family.”

“No, that's what you want them to be.” He took a step closer and Anna couldn’t stop herself from taking one backwards. “Your parents have no right to call themselves family all of a sudden.”

The way he kept glaring at her gave Anna the impression that no matter what she said, he wouldn’t change his mind. Her best bet was trying to show him she understood what he was going through. “Marshall, look, I know you've been coming here everyday. Trust me, I know how frustrating it is, but—”

Marshall groaned, exasperated. “Elsa wouldn't want them visiting.”

“You don't know that.” Now Anna was getting irritated. Marshall was entitled to his own opinion, it didn’t mean it was the right one.

“Yes, I do,” he said, lowering his voice. Anna guessed he had finally noticed the rest of the people in the waiting room, all staring at them. “She doesn't trust your parents.” He took another step closer and poked her shoulder. “The only reason she ever gave them a chance is you.”

Anna glared back and slapped his hand away. “My parents are helping her right now. They've got the right to see her.”

“She's told them time and time again she doesn't want to see them,” Marshall scoffed. “As soon as she's unconscious they walk all over her wishes, I see.”

“Marshall—”

“I can't believe Kai and Gerda agreed to this,” he continued, ignoring what she had to say. “I can't believe you agreed to this. Elsa trusts you!”

“I— You’re getting it all wrong.” Anna was at loss for words. What he was saying was getting to her, and she wasn’t sure how to explain everything that had happened in the last twenty-four hours. “You talk as if I'm doing something terrible to her.”

“It baffles me you don’t see it!” Marshall shouted, startling Anna and everyone around.

Unable to hold his gaze, she looked around. A man, a couple of years older than her father, wouldn't take his eyes off Marshall, ready to intervene in case it was needed. Anna then noticed Andrea had already stood up from her desk and she was holding a phone’s headset to her ear. It was a matter of time until someone came to walk them both out of the building and Anna couldn't let that happen. She knew he was probably just taking his frustration out on her and he would regret being blacklisted.

“The least you could do now is respect her wishes,” Marshall kept talking, ignoring everything that was going on around them. “She loves you so much she chose to ignore the pain your parents have caused her just to make you happy. But that wasn’t enough for you, was it?”

She felt a sudden pang of guilt and she tried to speak up, but no words came out as she felt her throat tightening. Was he truly talking out of frustration, or was he finally speaking his mind? ‘Or Elsa's mind?’ she wondered, the uncertainty making her shudder.

Marshall took her silence as an answer and a new wave of anger ripped through him. “You kept pushing. And pushing. And pushing. All you wanted was for Elsa to forgive them, to make your family happy, even when you knew she was miserable.”

Anna’s eyes brimmed with unshed tears and she instinctively took another step back.

“I know Elsa’s never been truly happy,” he admitted with bitter sadness. “I’m not going to pretend that’s the case. But she wasn’t this miserable until your parents walked into her life.”

“She said that?” Anna managed to ask in a quavering voice.

“I may not have known about her po—” Marshall stopped abruptly, finally aware they were surrounded by strangers. Most of whom were paying close attention to their conversation and whatever he chose to do next. He looked around and after making up his mind, he took one more step and leaned in closer to Anna, whispering, “I may not have known about her powers, but it doesn't mean I don't know her.”

By the time he finished speaking, the man who had previously been staring stood up and gently asked Marshall to give Anna some space. To Anna’s surprise, Marshall did take a few steps back, even when he glared at the meddling man. Only a moment later, a man wearing a white shirt with the clinic's emblem approached them as well. He ignored Marshall and made sure Anna was okay before he asked if she needed him to escort Marshall outside.

Ignoring the staff-member and the old man, Marshall found her gaze once again and said, “You and your parents are crossing the line, Anna.”

Anna ignored the men as well. She didn’t need them to stand up for her. All she needed was for Marshall to listen and perhaps talk things through in a less crowded place. “Marshall, you don't understand—”

“No.” He shook his head, stopping whatever she had to say. “You don't understand. It's sickening to think I've been in Elsa's life far longer than her biological parents have ever had; yet, somehow, I'm the one who’s not allowed to see her. Not allowed to say goodbye.”

Although he mumbled the last part, Anna and the men standing between them heard him clearly. What he said, combined with the raw pain in his eyes, finally helped Anna understand his anger and resentment. Marshall was not only mad at her family and the rules in place. He was afraid. He was starting to lose hope and Anna couldn’t take it. Anna’s stomach was in knots and, once again, try as she might, there was nothing she could say to lessen his heartache as the anxiety and fear for her sister’s life consumed her.

Placing a comforting hand on Marshall’s shoulder, the man in the white shirt said, “Sir, perhaps it’d be better for you to get some fresh air.” His cautious look now morphing into a compassionate one.

“Let go— “ Marshall said, annoyed at the man, moving his arm away from him. Anna knew he couldn't stand the pity look the men were giving him, making him over react once again.

Just as the staff-member was about to talk, a familiar voice called their names. “Is there a problem?” Kristoff said as he approached them.

“No, there isn't,” Marshall said loud enough for everyone who had been interested in the scene to hear.

Anna watched him walk away, and once again the pang of guilt constricted her throat, barely allowing her to breathe. Before she realised, the tears she'd been holding back began streaming down her face.

“Hey,” Kristoff said, engulfing her in his arms. “Are you okay?”

“Yes.” She nodded against his chest and in vain tried to dry her tears. “Don't worry.”

Kristoff took a hard look at her, then the people around them and finally at the door through which Marshall had disappeared. “Whenever I think he's finally learning how to behave around people, he shows the kind of moron he is. I don't understand what Elsa sees in him.”

“He loves her,” Anna mumbled, as she hugged Kristoff tight, feeling thankful for his presence.

“So do you and I,” he said with contempt.

Anna nodded, but didn't say anything. No matter how hard she tried, she couldn’t completely agree with Kristoff this time. Marshall had successfully planted the seed of doubt in Anna, and she couldn’t help but feel as if she was in fact breaking Elsa's trust.

Kristoff thanked the men for stepping in, and then apologised to Andrea for the inconvenience. To Anna's surprise, instead of blaming Marshall like he'd have done in the past, Kristoff explained the last few days were finally catching up with all of them and begged Andrea not to kick Marshall out next time.

With things calmer around them, Kristoff walked Anna outside and asked her about their argument. Anna shook her head, not wanting to discuss it with anyone. The last thing she needed was for Kristoff to find reason behind Marshall's words like she did, and for him to realise they were making a terrible mistake. “It doesn’t matter.”

“Yes, it does. I’ll talk to him if you need me to.”

“No, Kristoff. It doesn’t matter.” Before he could insist, Anna decided it was best to change the topic. “Has Nielsen met our parents?”

Kristoff stayed silent for a short moment, debating what to do. After a minute, he breathed out and nodded. “Kai told me to get you and wait for them at the café. They don’t want to discuss things in the hospital.”

---

The door leading to the ICU closed behind Idunn and only then she breathed out with relief. Until then, she had been afraid the medical staff would suddenly change their mind and she wouldn’t be allowed to see Elsa after all.

She had been told to wait for a nurse to come get her and she didn’t plan to move from that spot until they did. The last thing she needed was entering a room or area she wasn’t supposed to, when Nielsen had been clear about the staff making an expectation for her to visit — given the circumstances.

As she waited, she wondered what she’d find once she walked into Elsa's room. The last time she had seen her daughter, Elsa looked thin and fragile. Like she hadn’t been taking proper care of herself. It made Idunn wonder how many things she had been dealing with, only for Agdar and herself to make things worse the day they met. No matter how hard she tried, Idunn couldn’t get rid of Elsa’s words during their last conversation. Elsa had not only admitted needing her mother more than anything, she had also confessed suffering more than they could imagine. Her words were on repeat in Idunn’s mind. Taunting her and showing her she was responsible for everything that had ever gone wrong in Elsa’s life.

Even this, she realised regretfully. If she had only stopped Agdar on time. If she had only taken Elsa to the ER instead of trying to get Elsa to like her; then, perhaps, her daughter wouldn’t be on the brink of death now.

She was so absorbed in her own thoughts, it took a moment for Idunn to realise a nurse had been standing in front of her for half a minute, waiting for a reply. She apologised and nodded her head when the young woman checked her name on the clipboard in her hands. When everything was set, they began walking down the hall at a faster pace than Idunn would have liked. There were so many questions she wanted to ask about her daughter and so little time. But as they moved past the doors in the unit, Idunn became more afraid of the answers she could get, desisting finally of her idea. The nurse continued walking until they got to the end of the hall.

The last room in the unit. Away from everyone else. Forgotten.

The thought alone made Idunn’s chest feel heavy and she had a hard time trying to understand what the young woman was explaining.

The young woman explained she was only allowed to remain inside the room during visiting hours and she was to leave the room if a family member requested her to do so. Idunn nodded in agreement, hiding the pain of not being allowed to see her daughter for as long as she wanted. But then again, she had lost the privilege years before.

When the nurse left, Idunn drew in one more deep shaky breath, gathering her thoughts before she grabbed the handle. Slowly, trying to bother the people inside, she opened the door just a crack. The first thing she saw was Gerda, sitting by Elsa's bedside. Eyes closed, the older woman rested her forehead on her clasped hands which were holding onto Elsa's. Opening the door a bit wider, Elsa's face came into view and only then she realised it didn’t matter how long she had to wrap her mind around the idea. Finally seeing Elsa’s pale form, connected to more machines and wires than she had imagined, made her stomach turn. Her heart constricted painfully and for a moment she couldn’t breath nor move.

Gerda raised her head slowly, opening her eyes and looking at Elsa, unaware of Idunn’s presence. She caressed Elsa’s hand with her thumb and a sad smile drew on her face.

“You know, there'll still be a tomorrow even if you choose to leave.” Gerda’s voice, barely over a whisper, got Idunn’s attention. “It ain’t gonna stop the world… but I think it'll be the end of mine.”

The sorrow in Gerda's voice made the situation too painful, too real. And for the first time since that night, when she abandoned Elsa, Idunn felt as if someone was ripping her heart out. She imagined she’d never feel the way she felt back then, until now.

“I know it’s unfair —selfish of me— to ask you this, but…” Gerda said, as one of her hands let go of Elsa’s to dry a lonesome tear running down her cheek. “Please, dear. Don't go.” The hand returned to its original position and she held Elsa’s hand a bit tighter. “I know you're tired and I understand why it'd be easier to just let yourself go. But I need you. I'm not as strong as you are. I—” She breathed out, tiredly. “What would I say to Kristoff?”

Unable to deal with the aching pain in her chest, Idunn tried to hold back a sob and close the door, hoping to give Gerda some privacy, but the sudden movement caught the old woman’s attention and she turned to look at the door, their gazes finally meeting.

“I didn't mean to interrupt,” Idunn blurted out as best as she could. “It's— I didn't know what to do. I'm sorry.”

“It's okay,” Gerda murmured. “Kai told me your husband or you might stop by.” She let go of Elsa’s hand and looked at her watch, surprised to see it was already time for visiting hours. She tried in vain to blink away the tears and stood up. “Is Agdar waiting outside?”

“No.” Idunn shook her head and silently hoped Gerda didn’t feel pressured to leave. “He's in a meeting with Kai and Elsa's doctor… Uhm—”

“Nielsen.”

“Yes.” She regretted not paying more attention to the names of the people who were doing everything to help Elsa.

“What about Anna and Kristoff?” Gerda asked, sitting once again by Elsa’s side, unsure of what else to do.

“They're with them as well. I don't understand what's going on, but it seemed urgent.”

Gerda nodded. “I don't have all the details yet. They said it’d be best for me to look after Elsa instead of worrying about it. Come in,” she offered at last, inviting Idunn into the room with a hand gesture.

Idunn did as told and she walked until she was standing at the foot of the bed, keeping her distance from the machines. “She looks so pale,” she murmured, unable to keep her voice from shaking.

Both women stayed quiet for several minutes after that. The heavy silence that fell between them was only interrupted by the beeping noises of the machines. The minutes stretched and Idunn felt as if they were running out of air inside the small room.

After twenty minutes, which felt like an hour, Idunn decided it was best to break the silence. The only thing Gerda had done during that time was hold onto Elsa’s hand, and something told her she’d like a distraction or the opportunity to move her legs.

“Please don't take this the wrong way, Gerda.” Idunn said, hoping she wouldn’t be overstepping. “I could stay with her for the next hour if you need. You look awfully tired.”

“I'm not leaving her,” Gerda answered with a frown.

Only then, Idunn realised how stupid what she had just said truly was. The woman had been looking after Elsa for over a week. It was more than obvious she already knew how she looked and how tired she was. But even then, Idunn felt bad and wished she would take a moment. Breathe some fresh air at least.

“I don't think she'd mind you taking a short break.”

“I can't selfishly beg her to stay.” Tired eyes looking up to meet Idunn’s gaze. “Only to leave her alone a moment after, Idunn.”

Choosing it was best to drop the subject, Idunn looked at Elsa’s left hand. It was slightly raised and covered in bandages. It seemed surreal that that small injury could be the cause of her current state. “Her hand's getting better from what I heard.” Kai had told her so before Nielsen met them in the waiting room. “Why isn't she recovering?”

“Her body is fighting more than just her hand’s infection. She has a hard time breathing and now her kidneys are failing. Her blood pressure needs to go up before we can even think of pulling her out of the coma.”

“Will she have permanent damage?” Idunn was terrified of the answer. Elsa had struggled her whole life with her powers getting in the way. Dealing with physical or mental damage on top of that would certainly be more than she could handle.

“Only time can tell,” Gerda said, her eyes filling up with tears. “It all depends on her.”

“She's strong,” Idunn said with conviction. “She'll make it.”

As Gerda shook her head, Idunn felt her throat constricting. “I fear she might see no reason to keep fighting…”

“What do you mean?”

“Elsa's soul is older than mine. She's endured too much and…” Taking a deep breath, Gerda tried to make up her mind. “Lately she's been losing—” She stopped again, unsure if it was right to share what she was about to say with Idunn. “She’s started to wonder if it's all worth it.”

---

As soon as the words left her mouth, Gerda realised trusting Idunn with the way Elsa felt about life had been a mistake. From the moment Idunn had walked into the room, Gerda could tell it was hard for her to face the truth of what was happening to Elsa. Gerda couldn’t blame her for it, everyone in the family had had a difficult time coming to terms with it, but she did wonder why she’d put herself through it when she could barely look at the girl in the bed. It was no surprise then, that with every new piece of information she began to crumble until the weight of it all was too much for her to handle. Idunn was nothing but a crying mess now that she knew the truth and despite the way she felt about the Arendelles, Gerda considered it was necessary for her to do or say something that could help the younger woman. Though, before she could make up her mind on what to say, Idunn surprised her by suddenly pulling herself together.

“I wanted to thank you for loving and caring for Elsa the way you do.” Idun’s voice cracked and she pressed the heel of her hands to her eyes to stop her tears. “I understand seeing her like this must be as difficult for you as it is for me, still you manage to stay strong. I don’t know how you do it.”

“No,” she said firmly. “You may think it’s the same, but no.” Gerda tried to focus on the good side, the positive thing Idunn was trying to say; but try as she may, she couldn’t do it.

Idunn blinked a few times, unsure of what she meant, and once again Gerda tried to make an effort to remain calm, hoping to find the right words before she spoke. “Seeing Elsa like this is not—” She took a deep breath, and started over. “When I see Elsa, all I see is the malnourished little girl I met over ten years ago. The little girl who somehow found comfort in my arms and begged me to stay… who still to this day begs me to. I see the daughter life once took from me, and the one I fear will be taken from me again. So, no, Idunn, I don’t think it is.”

Idunn’s jaw dropped and her eyes widened, unsure of what to say.

“I’m not saying you feel no pain,” Gerda clarified. The fact she was feeling heartbroken didn’t erase whatever Idunn was feeling. “I’m sure the guilt and regret must be eating you up alive in moments like this, but when night comes and the day is done, you go back home and I’m the one who stays to try and put back together what's left of her.”

Just as Gerda finished speaking, Frida, one of the nurses who worked in Elsa’s recovery, opened the door, calling their attention. “Gerda, I’m sorry to interrupt,” she said with an apologetic smile. “Mr Bjorgman and Dr Nielsen are asking for you.”

“Tell Kai I’ll meet them later,” Gerda said, not turning to look at her. Her eyes fixed on nothing but Elsa.

“They said it’s urgent,” the nurse insisted, knowing Nielsen would send her back to get her if Gerda didn’t come out.

“More urgent than Elsa?” Gerda scoffed, not believing there was something more important at that moment. She was aware how serious their current situation was. She couldn’t blame her husband for needing her to meet them. After all, they were discussing the next step to take. But her role was to look after Elsa, make sure she didn’t become a test subject to those bastards in charge.

“I– I don’t know what to say,” said Frida. “They just asked me to—”

Gerda knew the girl wouldn’t stop insisting. She had worked under Nielsen’s instructions during her time at the hospital, and she knew he could be a pain when things didn’t go his way.

“This better be important,” she murmured and stood up with a weary sigh. She looked at her daughter and then where Idunn was still standing. The woman’s head was hanging low and she didn’t seem to be aware of the nurse’s presence. “I know now doesn’t seem like the right time to ask you a favour,” Gerda said, calling her attention. “But… Could you stay with her until visiting hours are over, please? I promised I wouldn't leave her alone.”

“Of course,” Idunn said, her voice barely over a whisper.

With a heavy feeling in her stomach, Gerda brushed a few strands away from Elsa’s face. “I’ll be back soon, dear.” She smiled sadly at her and gave her a short kiss on her forehead before she followed the nurse out of the room.

---

Gerda’s words and the chapter’s title were inspired by the homonymous song: It don’t matter to the sun by Rosie Thomas.

I want to apologise for not answering your reviews sooner. I’ve read them all and I loved each one of them, but I didn’t have too much time in my hands to reply. Now that the new chapter is out, I’ll take the time to get back to all of you. Rest assured I really appreciate every word, comment and reaction you guys have sent my way.

Originally, this chapter was going to have two (or three) scenes more. I changed my mind yesterday when I realised that would push the update for at least another week. I hope you enjoy it nonetheless!

Take care. --

Do you guys still want to be tagged? Let me know, please. I don’t want to bother people who are no longer following the story. Also, do tags even work?

@swimmingnewsie @melody-fox @kristoffxannafanatic @kristannafictionals @neptrabbit @skneez @ellacarter13 @wondering-in-life @who-i-am-8 @fanfictionrecommendations-com @815-allisnotlost @khartxo @joannevixxon @betweenthedreams @burbobah @rileysfs @earlvessalius @blood-jewel @snowycrocus @the-sky-is-awake @disneyfan103 @anamaria8garcia @welovefrozenfanfiction @bigfrozenfan @bigfrozenfan-archive @frozenartscapes @deisymendoza @zackhaikal123 @cornstarch @roostercrowedatmidnight @showurselfelsa @when-dawn-arrives @tare-disney @wabitham @just-your-local-history-nerd @dontrunintofirexoxo @daphmckinnon @poketin @luna-and-mars @shimmeringsunsets @aries1708 @wabitham @agentphilindaisy @spkfrozenkindikids123 @jimmi-arts @snowmanmelting @loonysama @hiptoff @loonysama @tare-disney @frozenwolftemplar @true–north @holycolordreamertree @bigfrozensix

#Søsken #Sosken #Anna #Kristoff #Elsa #Idunn #Iduna #Gerda #Kai #Agdar #Agnarr #modern au #frozen #frozen fanfiction #frozen fanfic #chapter 49

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mtg-cards-hourly · 6 months

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Energy Arc

"Relent, and you may transcend your situation." —Gerda Äagesdotter, Archmage of the Unseen

Artist: Terese Nielsen TCG Player Link Scryfall Link EDHREC Link

#mtg #magic the gathering #tcg #$0.38 #terese nielsen #energy arc #alliances #instant

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bored-cop-man · 2 months

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Everyone's full names in my au

Rescue Squad Kids:

Ivan Apollo Torre-Peterson

Lorenzo Manuel Esposito

Maritza Valeria Esposito

Trinity Aria Bales

Nicky Michael Roth (possibly canon full name, just gonna stick with it)

Petersons:

Aaron Justin Peterson

Mya Delora Peterson

Theodore Masters Peterson (again, canon full name, just gonna stick with it)

Diane Lue Peterson

Misc. Adults:

Gerda L. Everhart (Baker)

Otto J. Kinander (Taxidermist, canon last name)

James H. Tavish (Mayor, possibly canon last name)

Leslie C. Kornwell (cop 1, canon last name)

Keith E. Nielsen (cop 2, canon last name)

Half of these were random, half weren't.

#hello neighbor au #secret neighbor #ivan torre #enzo esposito #i love these guys

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byneddiedingo · 1 year

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Preben Lerdorff Rye in Ordet (Carl Theodor Dreyer, 1955)

Cast: Henrik Malberg, Emil Hass Christensen, Birgitte Federspiel, Preben Lerdorff Rye, Cay Kristiansen, Ejner Federspiel, Gerda Nielsen, Sylvia Eckhausen, Ove Rud, Henry Skjaer. Screenplay: Carl Theodor Dreyer, based on a play by Kaj Munk Cinematography: Henning Bendtsen. Production design: Erik Aaes. Film editing: Edit Schlüssel. Music: Poul Schierbeck.

As a non-believer, I find the story told by Ordet objectively preposterous, but it raises all the right questions about the nature of religious belief. Ordet, the kind of film you find yourself thinking about long after it's over, is about the varieties of religious faith, from the lack of it, embodied by Mikkel Borgen (Emil Hass Christensen), to the mad belief of Mikkel's brother Johannes (Preben Lerdorff Rye) that he is in fact Jesus Christ. Although Mikkel is a non-believer, his pregnant wife, Inger (Birgitte Federspiel), maintains a simple belief in the goodness of God and humankind. The head of the Borgen family, Morten (Henrik Malberg), regularly attends church, but it's a relatively liberal modern congregation, headed by a pastor (Ove Rud) who denies the possibility of miracles in a world in which God has established physical laws, although he doesn't have a ready answer when he's asked about the miracles in the Bible. When Morten's youngest son, Anders (Cay Kristiansen), falls in love with a young woman (Gerda Nielsen), her father, Peter (Ejner Federspiel), who belongs to a very conservative sect, forbids her to marry Anders. Then everyone's faith or lack of it is put to test when Inger goes into labor. The doctor (Henry Skjaer) thinks he has saved her life by aborting the fetus, but Inger dies. As she is lying in her coffin, Peter arrives to tell Morten that her death has made him realize his lack of charity and that Anders can marry his daughter. Then Inger is restored to life with the help of Johannes and the simple faith of her young daughter. Embracing Inger, Mikkel now proclaims that he is a believer. The conundrum of faith and evidence runs through the film. For example, if the only thing that can restore one's faith is a miracle, can we really call that faith? What makes Ordet work -- in fact, what makes it a great film -- is that it poses such questions without attempting answers. It subverts all our expectations about what a serious-minded film about religion -- not the phony piety of Hollywood biblical epics -- should be. Dreyer and cinematographer Henning Bendtsen keep everything deceptively simple: Although the film takes place in only a few sparely decorated settings, the reliance on very long single takes and a slowly traveling camera has a documentary-like effect that engages a kind of conviction on the part of the audience that makes the shock of Inger's resurrection more unsettling. We don't usually expect to find our expectations about the way things are -- or the way movies should treat them -- so rudely and so provocatively exploded.

#Ordet #Carl Theodor Dreyer #Preben Lerdorff Rye

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dweemeister · 4 years

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Ordet (1955, Denmark)

By the 1950s, Danish director Carl Theodor Dreyer had made eleven films. However, his last three works were victims of circumstance. The Passion of Joan of Arc (1928) consistently ranks high in film critics’ lists of the greatest movies ever made, but it offended ardent French nationalists who resisted the idea of a Dane directing a movie about one of the nation’s secondary patron saints. Vampyr (1932), in its stillness and languor befitting its disturbing atmosphere, was despised by audiences – including a riot from Viennese moviegoers demanding a refund – expecting more action. Day of Wrath (1943) released a firestorm of controversy in Nazi-occupied Denmark because of its allegory about living under an authoritarian regime. All three of these films were commercial failures. All three of these films are today considered cinematic exemplars.

Danish movie producers might have sneezed, claiming imaginary allergies, at the notion of financing the next Dreyer film, but the Danish government decided to reward Dreyer – struggling with finances after World War II – with a lifelong lease to the Dagmar, the state arthouse movie theater. With a morsel of the Dagmar’s profits, Dreyer sought a project he could make on a shoestring budget. Dreyer’s twelfth film would be Ordet (“The Word” in English), based on a play of the same name by Lutheran pastor Kaj Munk. Ordet is a severe film that never loses hold of an attentive viewer. It contains a provocative ending that cannot (and will not) be spoiled, and it is an ideal follow-up to The Passion of Joan of Arc and Day of Wrath in that this piece examines the nature of faith. Instead of probing why the film’s characters believe (or don’t believe) in God, its focus is instead on how the characters express their belief.

In the autumn of 1925, widowed Borgen family patriarch Morten (Henrik Malberg) is a devout farmer soon to be busy with doting on his third, incoming grandchild. Morten has three sons: his eldest, Mikkel (Emil Hass Christensen), is agnostic, married to Inger (Birgitte Federspeil), and the couple have taken care of Morten’s two grandchildren; middle son Johannes (Preben Lerdorff Rye) went mad studying Søren Kierkegaard’s texts and now believes himself to be Jesus Christ; and youngest son Anders (Cay Kristiansen), the center of the film’s attention for a plurality of its runtime, is lovesick. The entire Borgen family lives under the same roof – creating tension, but Morten is nevertheless proud of “Borgensfarm”.

Anders and Anne Petersen (Gera Nielsen) wish to marry. Anne’s father Peter (Ejner Federspiel), is the local leader of the conservative Inner Mission sect of Lutheranism; Anders and Anne correctly believe he will oppose the marriage. Peter’s standoffish rejection inspires Morten – also originally in opposition – to change his mind. He stomps over to Peter’s residence, arriving mid-sermon, and failing to sway his friend. Peter’s telephone rings as they argue, and Peter must bear news of a family emergency at Borgensfarm.

Pacing and an intricate plot are of no concern to Dreyer. For the film’s opening two-thirds, Dreyer – who wrote the adapted screenplay – takes all the time needed to let the audience know the lives of the Borgens. The love shared between all three generations of the Borgen family is never questioned, although their understanding of and relationship with God differs. Because of my lack of religious belief, I do not know how to accurately describe Dreyer’s comparison of Morten and Peter other than the former is less beholden to religious dogma than the latter. The agnostic Mikkel believes God as essentially dead, forsaking long ago the children of Earth to the kindness and cruelty of their neighbors. No one in the Borgen household condemns or lampoons Mikkel for not believing. Certainly not Inger, who sympathizes with this struggle of faith. Not even Johannes, the most difficult son to truly understand. Johannes, speaking Jesus’ words from scripture and words that one could imagine Jesus might have said in rural 1920s Denmark, appears as a cloud-gazing, simply-clothed itinerant by day. His words are lofty, his speech deliberate, his empty gaze distancing him from those who surround him. He asks others to pray and believe, never wrathful if they do not listen or heed his advice. By night, he returns home as he always has done. Though he no longer addresses his father, brothers, sister-in-law, and nieces as his father, brothers, sister-in-law, and nieces, they still treat him as family – even though they do not accept him as Christ. For Anders, he is obviously preoccupied with the woman he loves.

Ordet is structured around the domestic lives and habits of its characters – it is akin to free verse poetry, resisting any attempts at novelistic analysis. Characters fully express themselves, and dialogue never overlaps between speakers (even in argument). There is silence after completed statements of opinion and revelation. In that silence, Dreyer’s camera captures the listener’s reaction (except for Johannes, who does not visually react): contentment, disbelief, amusement, concern, horror, understanding. This is executed in the mostly empty spaces of the Borgen household, against clear backdrops. In the dialogue pauses during and between conversations, all one can hear is ambient noise: the floorboards creaking as a character is making their way across the room, the clock ticking in the parlor room, someone shuffling positions in their chair. Cinematographer Henning Bendtsen (1959’s Boy of Two Worlds, 1991’s Europa) keeps his camera distant – of Ordet’s 114 total shots (averaging more than sixty seconds each between cuts), only three are close-ups. It is as if there is a presence accompanying the characters even in the most ordinary scenes, but that presence is something unknowable, something beyond an individual’s understanding of God.

Bendtsen’s mastery of mise en scène (a concept that is generally defined as the combination of set design, shot composition, and actor placement to empower cinematic or theatrical art) culminates when Mikkel’s oldest daughter, Maren (Ann Elisabeth Groth), walks into the parlor room to see her uncle Johannes waiting in the dark. Inger has gone into labor; her pregnancy endangering her life. Maren has overheard how perilous her mother’s situation is from the adults and cannot sleep.

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She asks Johannes if her mother will die soon; he responds, “Do you want her to, little girl?” The camera cuts. “Yes, because then you’ll bring her back to life, won’t you?” It is a curious response that raises unanswered questions how Mikkel’s two girls view Johannes as an uncle and as a self-proclaimed Christ. The others will not allow me to perform this miracle, notes Johannes, as the camera begins to slowly revolve around them. Maren and Johannes have a late-night conversation about what happens when a mother goes to heaven and miracles. The gradual dolly shot going across Johannes and Maren’s front sides display the empty depths of the parlor room, suggesting something there. Again, it suggests something beyond our conception of God. Maren and Johannes’ conversation adds to this, as Johannes comforts Maren, imparting that mothers will be with their children even in death, without the stress of other things during the day. In three minutes, a creaking floorboard, ticking clock, Johannes’ blank face, and the familial tenderness between the two actors have encapsulated what Ordet conveys to open-minded viewers of all faiths.

All of this is demanding, in different ways, for the acting ensemble and the audience. In many films (especially today’s cinema), editors will cut quickly from reactions to dialogue or during dialogue – serving to either undermine an actor’s ability or conceal their shortcomings. Because of the camerawork and minimal editing, there is little room for any mediocre acting to hide in Ordet (which contains stellar performances from its ensemble), a production that asks its actors to inhabit their characters for lengthy stretches without a cut. In a way, this harkens to Ordet’s background as a stage play, but the film adaptation does not feel stage-bound. For the audience, the barely moving camera and thoughtful pace can be an impediment to the impatient. But I suspect many viewers – as I did – will have difficulty unpackaging Johannes. Johannes, with all credit to Preben Lerdorff Rye, seems like he accidentally walked onto the wrong movie set and began acting thinking he was shooting for that other production. That last sentence could be construed as disparagement, but it is not – Rye’s performance befits the character, and Dreyer’s intention to perplex viewers with Johannes’ presence is controlled and purposeful.

Johannes’ presence in Ordet strikes at unsettling ideas for Christians and non-Christians alike, and these conflicting ideas are integral to the film’s controversial final ten minutes. In contrast to Morten’s comfortable, undemanding religiosity and the Inner Mission’s stringent emphasis on dogma, Johannes’ claims to be Christ is unnerving. The New Testament is filled with parables, gospels, and miracles told and performed by Christ. The Borgen family and the Inner Mission sect adherents would rather Jesus be dead, with God’s physical embodiment and judgment removed from the corporeal world humans share, than believe Johannes to be the son of God. Every character in Ordet except Johannes believes that the days of God’s miracles have passed; to some viewers, the film may seem to endorse this view. But Dreyer’s intentions are not to evangelize on behalf of any Christian belief – Dreyer, according to film critic Jonathan Rosenbaum, was not religious and his occasional visits to a French Reformed church were attempts to familiarize himself with Christian colloquialisms for his film projects. Dreyer wants to understand how religion plays a role in the lives of the Borgens and the film’s secondary characters and how they express their faith. He succeeds.

By the time Ordet’s final act begins, the viewer is probably still wondering how such an apparently simple film that may have bored them in the opening half-hour has convinced them to finish it – barreling into the thickets of one’s soul with unexpected force. Dreyer and the actors have outlined their characters completely, allowing observant viewers intuit each character’s reactions to the mundane and the sublime. The film’s paradoxical and transcendent conclusion provides these characters and the audience an ending that we desperately desire, but also challenges that desire to question our faith.

For the first time since the silent era, Carl Theodor Dreyer had made a film that was instantly acclaimed by critics and audiences in Denmark and abroad – including receiving the Golden Lion at the 1955 Venice Film Festival and a joint Golden Globe Award for Best Foreign Film shared with four other movies. Despite Ordet’s success, Dreyer would continue to struggle in finding funds to make another film. Dreyer made only one more film in Gertrud (1964), and a long-gestating project about Jesus (no surprise that Dreyer would consider making such a film) never came to fruition, although a manuscript outlining the film was published in 1968.

As someone who was never raised with much of an understanding of the Abrahamic religions, I nevertheless find films commenting about the nature of religious belief fascinating. Almost all these films, due to demographics and religious history, have been within Christianity’s folds. Too often faith is held as a nightstick for comic or dramatic purposes in narrative art – and this sort of art is neither challenging nor rewarding for anyone. In recent years, I have found glorious exceptions from Old Hollywood and in non-English-language cinema that put to shame the evangelical-specific, exclusionary present of the American Christian film industry. Ordet is arguably one of the most exacting and illuminating religious films ever made. Late in Ordet, Dreyer’s film finds itself in a wallow of despair and ends with spirits exultant. Its ending – one that I desired – still leaves me uplifted and horrified.

My rating: 10/10

^ Based on my personal imdb rating. Half-points are always rounded down. My interpretation of that ratings system can be found in the “Ratings system” page on my blog (as of July 1, 2020, tumblr is not permitting certain posts with links to appear on tag pages, so I cannot provide the URL).

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

#Ordet #Carl Theodor Dreyer #Henrik Malberg #Emil Hass Christensen #Birgitte Federspiel #Preben Lerdorff Rye #Cay Kristiansen #Ejner Federspiel #Gerda Nielsen #Henning Bendtsen #Kaj Munk #TCM #My Movie Odyssey

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sophiechoir · 3 years

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Artists I Like

(Listmaking is totally a creative exercise, right? Right? If that’s true then this is the longest running creative exercise I’ve ever indulged in lol)

Gerda Wegener - fashion & lesbian art nouveau/deco

Harry Watrous - enigmatic paintings of sophisticated women

Helen Frankenthaler - abstract expressionist paintings

Sergio Toppi - italian illustrations & comics

Dan Hillier - contemporary spooky angelic ink/print/collage

Mike Binge - 70s sci fi art

Gustave Dore - highly detailed wood-engravings prints, dante

Paul César Helleu - numerous portraits of beautiful society women

Roberto Ferri - making the old masters cool again

Gustav Vigeland - weird figure sculptures

NC Wyeth - one of america’s greatest illustrators

Andrew Wyeth - melancholy realism painter

Frank Frazetta - best fantasy & pulp artist

John Buscema - conan comics artist

Jose Luis Garcia-Lopez - wonder woman comics artist

Parker Hagarty - landscapes & figures

Henry Patrick Raleigh - star of golden age of illustration, high society drawings

Paul Lehr - 70s future-fantasy pulp illustrations

Stanley Meltzoff - 50s scifi/pulp cover illustrations

Alphonse Mucha - art nouveau

Kawase Hasui - japanese woodblock prints

Edmund Dulac - delicate detailed book illustrations

Makoto Takahashi - vintage shoujo manga

Harry Clarke - super detailed & dark art nouveau/deco illustrations

Sophie Lecuyer - contemporary spooky illustrations

Wassily Kandinsky - abstract geometry

George F. Kerr - book illustrations

Beatrix Potter - book illustrations

Mary Bauermeister - eclectic sculptures & drawings - geomancy

John William Waterhouse - Pre-Raphaelite paintings

Alexandre de Riquer - gorgeous mucha-esque posters & illustrations

Gianpaolo Pagni - patterned graphic designs

Giovanni Boldini - dynamic paintings/portraits, “Master of Swish”

Erté - art deco fashion ladies (new orleans!)

Cicely Mary Barker - fairy illustrations

Dorothy P. Lathrop - beautiful childrens book black n white illustrations

Kay Nielsen - glittering golden age illustrations

Coles Phillips - “fadeaway girl” golden age illustrations

Gustav Klimt - gold 💋

Koloman Moser - patterned art nouveau

Konstantin Tarasov - contemporary colorful & detailed digital drawings

Carlo Dolci - soft & dramatic chiaroscuro baroque religious portraits

Trung Le Nguyen aka Trungles - deviantart digital artist, colorful golden age mixed with anime illustrations

John Everett Millais - Pre-Raphaelite paintings

Arthur Rackham - English golden age illustrations, muted colors

Syd Mead - industrial & sci fi concept art

Mario Garbuglia - Barbarella set design

Henri Patrice Dillon - dreamy fadeaway muted illustrations/paintings

Frantisek Kupka - later Czech painter who began in representational art and evolved into pure abstraction

John Bauer - classic nordic fairy tale/myth illustrations

Aya Takano - superflat/anime but make it fine art

John Singer Sargent - heavenly portraits

Winslow Homer - masculine largely marine landscapes

George Barbier - art deco illustrations

Edward Okuń - polish art nouveau & symbolist painter

Robert Anning Bell - paintings & illustrations

Thomas Cooper Gotch - sorta preraphaelite paintings, portraits of girls

Jules Chéret - colorful french posters

Kaarina Kaila - dreamy soft children’s illustrations (almost kitsch)

Helen Hyde - japanese woodblock prints but actually they’re american

Melchior Lechter - paintings and book designs. “His hieratic, symbolic, decorative style combined gothic elements with art nouveau”

Jan Mankes - gentle unlined dutch paintings

Amrita Sher-Gil - contemporary indian paintings, mostly of woc

Sydney Long - australian watercolor landscapes

Carlos Schwabe - freaky religious/mythological symbolist paintings

Bob Pepper - groovy 60s-80s pulp illustrations

Frank R. Paul - scifi illustrations

Chéri Hérouard - La Vie Parisienne french illustrations

John Berkey - scifi illustrations/concept art

Aubrey Beardsley - fin de siecle black and white illustrations

Charles Caryl Coleman - pretty still lifes & landscapes, flowers & capri

Erich Schutz - Austrian illustrator of children's books, Schutz was influenced by Art Nouveau, and specialised in painting fairies and mermaids

Henri de Toulouse-Lautrec - French painter, printmaker, caricaturist and illustrator

Eleanor Fortescue-Brickdale - lush detailed paintings of richly dressed figures and scenes

Anne Claude de Caylus - not sure if he actually made them but print illustrations of peasantfolk

Friedrich König - Austrian prints & paintings, Klimt contemporary

Georges Barbier - french illustrations like erté

Betty Jiang - contemporary pretty pearly & dark digital art

Stephan Sinding - marble sculptures of lovers

Heikala - contemporary soft & sweet watercolor & ink illustrations anime inspired

Paul-Albert Besnard - french prints & paintings in between academic & impressionist

Henry Ossawa Tanner - biblical realism paintings

Norman Lindsay - etchings with lotsa great figures

Michael O’Toole - colorful landscapes

Caspar David Friedrich - moody Romantic paintings

Gian Lorenzo Bernini - iconic baroque marble sculptures

Francois Schuiten - french detailed architecture comic art

Adrienne Gaha - colorful contemporary half-abstract paintings

Tradd Moore - trippy silver surfer comic art

tono/rt0no (on tumblr) - super cute illustrations of victorian cats ;-;

Nanaco Yashiro - pretty colorful contemporary illustrations

Ramiro Sanchez - contemporary traditional painter, director of painting program at Florence Academy of Art

Isabella Fassler - contemporary colorful illustrations

Florence Harrison - art nouveau childrens book fairy tale illustrations

Shahzia Sikander - contemporary Pakistani-American visual artist

Atelier Heinrichs - trippy colorful collage covers for sci fi pulps

John Macallan Swan - pretty kitties

JC Leyendecker - our fave dapper gents

Frederick Sandys - pre raphaelite paintings

Stepan Kolesnikov - realist yet stylized russian paintings

Okumi Iyo - embroidered illustrations

William Henry Barribal - colorful art deco paintings

Ilya Glazunov - russian historical/orthodox paintings in the time of communism

Igor Karash - spooky illustrations

Daud Ahkriev - his drawings of fishermen

Seiichi Hayashi - pretty, contemporary japanese manga & illustrations ft women

Nola (nolawon.art) - pretty, detailed takashi murakami-esque illustrations

Harrison Fisher - classic american illustrator, pretty women

John Austen - gorgeous black n white detailed hamlet illustrations

Gustave Moreau - fantastical & aesthetic french paintings admired by proust

Ceri Richards - welsh abstract paintings of people indoors

Otto Mueller - highly textured angular colorful paintings with bold lines

Henri Privat-Livemont - Art Nouveau posters

Giovanni di Paolo - prolific painter and illustrator of manuscripts, including Dante's texts

Ben Reeves - contemporary painter, moody & blue-heavy collages of colors

Alex Niño - amazing abstracted comic artist

Ludovic Alleaume - dreamy french paintings

Yoshiko Fukushima - unsettling figures with strange colors, superflat paintings

Zinaida Serebriakova - kind realistic russian paintings of pretty women and children

Harold Robert Millar (H.R. Millar) - famous Scottish graphic artist and illustrator of the late nineteenth and early twentieth centuries

Alice Marshall - delicate illustrations of fairies on black background

Stanislaw Kamocki - colorful Polish landscape paintings

Bertha Lum - American version of Japanese woodblock prints

Raphael Kirchner - art deco fashion illustrations

Tamara de Lempicka - highly stylized art deco portraits of ladies, polish

Phil Greenwood - bright pop-y floral landscapes

Rose Cecil O'Neill - vintage illustrations & cartoons

John Rush - great use of color in figure drawings

Jean Delville - otherworldly paintings

Paul-albert Besnard - monochromatic prints

Helene Schjerfbeck - modernist subtle portraits

Heinrich Lefler - beautiful detailed narrative paintings/illustrations

Maximilian Liebenwein - art nouveau illustrations

Franklin Booth - detailed pen and ink drawings

Ulla Thynell - dreamy contemporary illustrations

Jun'ichi Nakahara - japanese graphic artist, early manga

K.F.E. von Freyhold - playful German book illustrations

Beth Billups - contemporary abstract painter

William McGregor Paxton - interior scenes of woman like Henry James depicts them

Ida Rentoul Outhwaite - Australian illustrator of children's books. Her work mostly depicted fairies

Ernest Biéler - Swiss painter, draughtsman and printmaker

Junko Ogawa (@junk_junk_junk on ig) - surreal anime style drawings

Marianne Stokes - Austrian painter, one of the leading women artists in Victorian England

Lee Mullican - abstract paintings

Rae Klein - creepy surreal paintings

#thoughts #scraps #if i cannot create then i can at least admire #recommend checking any or all of these artists out #and keeping your own artist list #it’s fun & insightful #you notice patterns #and pay more attention to the art you come across

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nizynskis · 3 years

Note

*puts on glasses and clown nose disguise* what's the difference between deco and nouveau

YIPPIII charlie I am so glad you asked!! i owe you!!!! they’re often confused as the same thing they r not I pinky promise:-) but they r both art movements yep yep. mainly I think of paintings/illustrations and architecture as the most obvious examples but I’m sure it goes deeper than that HEHE

art nouveau I would tentatively say really began in the 1880s and was for the most part gone by the 1920s. art deco is younger and lasted for a shorter time it showed up near the end of the 1910s and was gone by the end of the 1930s. some people like to say it came into being as a response to art nouveau but I think that simplifies it a little bit don’t you...

I am not very learned I can’t explain this very well but basically nouveau: swirl nature loop pastel and deco: hard line bold ‘exotic’. Nouveau looks like how the fairies of pixie hollow live and deco looks like a kind of sexy bank. its very geometric. it’s not just the shapes that changed deco brought in a whole new color palette of like cobalt blue and bright yellow my Lord..

much as it makes me choke to say it alphonse mucha is a go-to example of art nouveau some others I like better are kay nielsen, aubrey beardsley and gerda wegener. georges barbier, georges lepape, tamara de lempicka and erte are some art deco names I love! barbier worked with both nouveau and deco I’ve never seen it with my own eyes but I get the feeling he’s the subject of bitter debate over which category he belongs to. I think he’s just a special boy

these r all painters/illustrators because I’m awful and don’t know anything about architecture...however if u want to see jewelry/sculpture in transition through this time period I can’t rec rene lalique highly enough most of his work falls into nouveau but later ones like Victoire are some of the best examples of deco you’re gonna get all hail mr innovator. This is such an ugly post btw I don’t know how to write in paragraphs this was one single block until I realized that would kill you. Thank you for coming sorry this is so badly written I am failing my high school English class rn.

#asks

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loodgack · 2 years

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#Hello neighbor #Hello neighbor 2 #Hello guest #Theodore Peterson #Hello guest beatrix #Hello guest man in the hat #Smith #Hello guest quentin #Quentin gershowitz #Ike gershowitz #Hello neighbor gerda #Hello neighbor otto #Hello neighbor farmer #Hello neighbor leslie #Hello neighbor nielsen #Hello neighbor mayor #Hello guest vandal

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glaciarbarn · 5 years

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“Kay and Gerda, The Snow Queen” by Kay Nielsen

#kay nielsen #the snow queen #Illustration

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averymackenzie89-blog · 5 years

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#anewguidetogoodsinginggerdanielsen

a new guide to good singing gerda nielsen

The Complete Idiot's Guide to Singing book. Read 6 reviews from the world's largest community for readers. You're no idiot, of course. You're always sing...

essential oils integrative medical guide gary young

This is your beginners guide to SINGING - an introduction to the basics. The aim of this 10 point Cheat Sheet is to give you a good understanding of how singing

essential oil usage guide a-z booklet

The Ultimate Guide to Singing. Gigs, Sound, Money & Health. Contributions from over 100 Singing Stars,. Producers, Engineers, Coaches, Doctors, Agents,.

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lelitachay · 3 months

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Frozen fanfiction: Søsken

Links:

Fanfiction.net - HERE AO3 - HERE

Tumblr -

Armistice

“It needs to be someone we can trust.”

“We already know that; I don’t see why you keep insisting on discussing this when the three of us could easily do it.”

Sitting on the far corner of the old café, Anna took a sip of her coffee as she watched Kai and Nielsen argue, debating for the umpteenth time things that had already been discussed.

The only thing keeping Anna inside the café was knowing Gerda would show up at any moment. They’d all be together to decide what was best to do about Elsa’s care, which was the last item on their list.

What was left to decide was important, even more so than what to do about Haugen, in her opinion. But the longer they stayed away from Elsa, the more impatient she became. After having heard Kai, Nielsen and her father argue about the legal aspects of going against Haugen for almost an hour, there was nothing she wanted more than to go back to the hospital and see her sister. She was tired of the what-ifs and hypothetical scenarios. All they did was increase everyone's paranoia instead of offering real solutions.

She took another sip and placed the cup on the table, keeping a firm hold on it with both hands. The warm ceramic cup offered a soothing feeling and helped her keep her mind far away from everything for a few seconds. It reminded her of the evenings spent in Elsa's cottage, playing cards and enjoying hot chocolate. If she closed her eyes and tried hard enough, she could almost pretend the last week was nothing but a sick nightmare.

Though the comforting feeling didn't last more than a minute, breaking the spell and forcing her back to the sad reality. Despite what she had tried to show on the outside, her argument with Marshall had truly affected her. The mountaineer was starting to lose hope and it made her wonder if anything they were doing was even worth doing. What was the point of quarrelling for over an hour about the upcoming weeks when Elsa was still hopelessly unconscious? Were they doing the right thing or were they simply wasting their last chances to say goodbye?

The thought alone was enough to fill her eyes with tears.

She closed them tight and tried to get rid of the awful feeling before Kristoff noticed. She didn’t want to tell him Marshall was losing faith. She didn't want to give him another reason to stay awake, turning in bed at night.

With just a quick glance, she could see the dark circles under his eyes and the now ever-present frown drawn on his face. Their sister's serious condition was taking a toll on him, and Anna worried he wouldn't be strong enough to deal with whatever happened in the upcoming days.

“I told you —both of you— I just want to stay by her side. I don’t want nor need to discuss any of this.”

Gerda's voice pulled Anna back to the present and she was surprised to see her standing in between Kai and Nielsen’s chairs. Too absorbed in her own thoughts, she hadn't heard the woman enter the bar nor greet them.

“Gerda, this is—” Kai tried to explain, but she stopped him.

“I can't deal with the pressure of looking after Elsa and making these choices, Kai. I just can't.” With her arms crossed over her chest she left no place for arguments.

“Mum,” Kristoff called, his voice low and tired. “I asked them to call you, okay?”

A sad smile painted Gerda's face as she locked eyes with her son, who was sitting on the opposite side of the table next to Anna.

“Dear… I didn't see you there.” She then looked around, nodding to Anna and Agdar as she realised they were there as well. “How are you?” She got closer to where Kristoff and Anna were, so as not to raise her voice and disturb the rest of the people in the café. “Have you eaten anything?”

The unconditional love she gave her adoptive children was something that never failed to amaze Anna. Even now, when she had more than a justified reason to focus on other things, the first instinct was to make sure her son was okay before anything else. Anna knew Gerda was merely pretending to be strong at that point, but somehow she was still able to seem stronger in her son's presence.

“Have you?” Kristoff asked.

She averted her eyes. “Something… this morning.”

He quickly glanced at his watch, “It's almost five.”

“Don't worry.” Gerda moved her hand in the air, downplaying his concern.

“We do worry,” Nielsen interrupted. He placed his empty cup of tea back on the table and intertwined his fingers, resting his chin on top of his hands. “That’s something we need to discuss.”

“Jonnas, for the last time,” Gerda said before he began scolding her like a child. “As long as Elsa's in there I'm not leaving. Someone needs to stay by her side at all times.”

“Is there someone with her right now?”

It was the first thing her father had said in the last twenty minutes, and Anna couldn’t help but see him as a stranger. Always outspoken, her father was used to having the last word, not to be a mere witness in a meeting. Now that the conversation revolved around Elsa’s care, Anna found her father’s silence unsettlingly necessary.

Gerda nodded in response, but didn't say anything to him. Instead, she turned her attention back to Nielsen and their conversation. “We can't leave Elsa alone.”

“And we won't,” Nielsen agreed. “That’s the reason I needed you in this meeting.”

Gerda opened her mouth to speak again but he raised his hand stopping her.

“So far I found no reason to suspect Elsa's treatment has been impaired in any way.” He was addressing the whole table, making sure everyone was aware of the situation. “The medical team is doing a remarkable job and I don't have any reason to suspect they have been running unnecessary tests.”

“That's a relief,” Agdar murmured.

“I haven't seen anything out of the ordinary either,” Gerda said, agreeing with Nielsen.

“However, this doesn't mean the nurses won't receive odd requests from Haugen in the upcoming days.” Nielsen warned them. “Elsa's recovery is just beginning and we might need to keep an eye on her and the medical team for several weeks.”

Anna raised her head. “Weeks?”

“Even if Elsa were to wake up tomorrow,” Nielsen explained. “She'd still have a long way to go before she could go home. And I'm not bringing her powers into the mix here. Sepsis is a serious matter, its recovery a long process.”

“Do you think her powers will compromise her recovery in any way?”

“To be honest…” He let his finger skim the page of an old journal Anna had seen him carry during the last few days. He turned the page and scanned the content in the new page as well. “I have no idea what will happen. Past experience suggests they will go out of control at some point. My main concern is the medical team losing focus or starting to doubt our word. If this happens, they’ll turn to Landvik or Haugen for answers.” He took off his glasses, and neatly put them away. “I need competent people looking after Elsa. Gerda is the ideal person, but she can’t keep doing it on her own. That means I need someone who can keep an eye on the nurses and help Elsa control her powers in case they go out of control when she wakes up.”

“We'll take turns,” Kristoff said, not understanding the problem. “The three of us.” He pointed to his father, Anna and himself. “It’ll give mum extra time to rest.”

“I appreciate the offer, Kristoff,” Nielsen said sympathetically. “I have no doubt you’d do the absolute best; but sadly, your presence would be useless.”

“Useless?”

“Even if you stay by her side at all times, you wouldn't know what the medical team is doing.” Gerda explained, hoping her son didn’t take the doctor’s words to heart.

“Not to mention the ICU is a delicate matter. You’d need to know what’s best to do in dire situations. The patient's condition can change in a matter of seconds and it could be counterproductive to have you around.”

“More counterproductive than mum being tired to the bone?”

Kristoff was getting mad, Anna didn’t need him to raise his voice to notice, but she could understand Nielsen’s predicament. Even if she did her very best, she wouldn’t know what to do as soon as the machines around her sister started beeping erratically.

“Kristoff, I understand you want to help, but in this situation I am still the best option. I can look after your sister. Don’t worry.” Gerda tried to reason with her son as well as convince Nielsen she could still do the job.

“No, you can’t.” Nielsen countered. “You can't keep going on like this. You're exhausted. And if you don't start taking breaks and looking after yourself, I'll restrict the time you can stay by her side.”

Turning her head as fast as lightning, Gerda looked daggers at the doctor. “You wouldn't dare.”

Ignoring Gerda’s murderous look, Nielsen raised his cup of tea and took a slow sip before he spoke again. “Don't push me, Gerda.”

“What do you suggest then, Nielsen?” Kai asked, sounding a lot more tired than he had all day. “I agree Gerda needs rest, but where will we find a trustworthy person who can keep an eye on the medical stuff?

Nielsen stayed quiet for a minute, thinking about their options. “Isn't one of your brothers a force medical examiner? Ask the department to request his presence in town.”

“No,” Kai said firmly, not thinking twice about his answer.

“Uncle Nikolai is a great idea,” Kristoff said.

“I can't request my brother’s presence on the other side of the country without a good reason,” Kai answered seriously. “Not to mention I’m not on duty at the moment.”

Knitting his brows, Kristoff took a hard look at his father, trying to understand his reasoning. “Then call him. Tell him to take some time off.”

“I can’t ask him to fly all the way here all of a sudden.”

“Why the hell not?”

“What do I tell him, exactly?”

“Perhaps tell him his niece is dying, I'm sure he'll get the message,” Nielsen said, mindlessly, interrupting the argument between father and son. The normally composed doctor now seemed to be running out of patience. It was only when he noticed the dejected looks and tense silence on the table that he realised his mistake. “I'm sorry. I didn’t mean—” He cleared his throat. “I’m having a hard time following Kai’s reasoning, that’s all.”

Gerda was the first to find her voice and decided to explain the situation better. “Even though Kai's brothers, as well as my sister, know we adopted Elsa, they haven't met her.”

Everyone except the Bjorgman family blinked incredulously at Gerda. Anna knew about Kristoff’s aunt and uncles. He had mentioned sharing meals and travelling to visit them when he was a teen. It made no sense for Kristoff to meet the rest of the family and not Elsa.

“Elsa's been part of your family for over ten years,” Nielsen stated, as confused as Anna.

“They tried to talk us out of adopting her,” Gerda said. She didn't want to look at Kristoff while she explained the reason why his sister had never travelled with him to visit them. Her son held his aunt and uncles in great esteem and she had tried to keep the truth from him for as long as possible. “We told them bits of Elsa's past. Her unusual upbringing and about the police investigation… They insisted it was a bad idea. We never even get to mention her powers; they were all determined to convince us adopting Elsa was a mistake.”

“What?” Kristoff said, his fists tightening under the table.

“They kept insisting she was bad news,” Kai said, helping Gerda. “We thought it was best to keep Elsa away from a judging family.”

Kristoff frowned, fixing his eyes on the wooden table. His silence didn't betray how much the news affected him, his fists, however, told another story. Wishing to offer him some comfort, Anna put her hand in his in an attempt to stop it from shaking.

“Great. Just great,” Nielsen exclaimed, before Kristoff could gather his thoughts. “You have someone in the family who can actually do something for her and—”

Knowing getting into arguments with one another wouldn't lead them anywhere, Anna interrupted the doctor. “Dr Nielsen, could someone outside the family look after her?”

He took a deep breath, calming himself down before he returned to a more professional role. “As long as it's someone I can trust, it’s possible. I'll need to come up with a good reason to allow the person in, the ICU is a tightly controlled area.”

“Elsa's closest friend is a paramedic,” she said, hoping a paramedic was good enough. “Is it possible to let him in?”

Kai and Gerda looked up, knowing exactly who she was referring to. Their facial expressions, showing entirely different reactions from one another.

“Marshall,” Gerda exclaimed. “Marshall Hålkesen. I completely forgot about him.” She turned to Nielsen, a small smile drawn on her face.

“Hålkesen…” Nielsen murmured, pondering. “Yes. That's the kind of person we need.”

Before Anna got the chance to say she knew where to find him. Kai interrupted their short-lived excitement. “No. We'll take turns and look after Elsa ourselves. It's best if this stays in the family.”

Doctor and nurse frowned at Kai, not at all pleased to keep stretching the meeting. Gerda, wishing to go back to her daughter’s side as soon as possible, tried to reason with her husband. “They won't let you. They won't let any of you stay longer than an hour or two. We need someone who has had medical training.”

“He helped us the night Elsa's sepsis showed its first symptoms,” Nielsen said, convinced Marshall was their best choice. “He not only knows what to do, he also knows how to deal with Elsa's powers. When her fever broke and her powers went out of control, the man didn’t even flinch.”

“I don't think we should get him involved.”

“Kai, the kid's a paramedic,” Gerda said, exasperated.

“He used to be a paramedic.” Kai tapped the table with his finger emphasising the past tense. “Nielsen,” he then said, hoping the doctor would be the first to agree with him. “You fired him. You can't honestly think it's a good idea for him to look after Elsa.”

Pinching the bridge of his nose, Nielsen drew in a deep breath. “Kai, I told you the other night, I only fired him because I had to. He made a mistake.”

“He beat up a guy until he was unconscious. That's hardly a mistake.”

Anna couldn’t stop herself from flinching. The conversation had steered in a way she wasn’t expecting, and it made her wonder if she had done the right thing suggesting Marshall’s name.

“He was ordered to do community service and anger management therapy. He served his time and attended therapy.” Nielsen explained. “What else do you want the man to do?”

“If he had done as he was told, the hospital would’ve reincorporated him. I know the drill.”

“I called Hålkesen myself when we got his therapist’s report stating he was clear to go back to work. He’s the one who denied the offer. He was moving back to the mountain and didn't want to work as a paramedic anymore.”

Anna could see Nielsen was not at all comfortable divulging Marshall’s private affairs, and it helped her feel better. It was obvious he knew exactly what had happened and still thought Marshall was a good option.

“I don't want him near my daughter.”

“Well, I do.” Gerda said, crossing her arms.

“Gerda, please,” Kai begged. “See reason.”

Gerda stayed quiet, not giving in. The couple’s disagreement was getting on Nielsen’s nerves and so he took the initiative, turning to the rest of the people on the table. “The rest of you, what do you think?”

Anna looked around, hoping to hear Kristoff’s opinion on the matter. He was the only one there who had seen Marshall’s reaction a few hours before and his opinion was the one that truly mattered to Anna. The last thing she wanted was to make a grave mistake. She waited for him to speak, but he still kept his eyes fixed on the wooden table. She turned to her father, and even though he seemed to have an opinion he was keeping to himself.

Knowing the two of them wouldn’t break the silence, Anna finally said, “I suggested his name so…”

“Son?” Kai called Kristoff’s name, hopeful he’d agree with him.

Kristoff raised his head, looking back at his father for a brief moment. He then looked down again, playing with a paper napkin, taking his time before he answered, “Elsa rarely talks about the things she’s gone through. She seldom speaks about her fears. But even though she tries to hide it, I know she’s terrified of ending up alone. Being left behind…” Taking a deep breath, he found his father’s eyes once more. “Look around, Kai. We are all the people she has. If she were to lose us, there's no-one left. Not even your family was willing to give her a chance.”

“What does it have to do with anything?”

Anna had a deep respect and admiration for her father-in-law; at times, however, she considered his overly formal demeanour exasperating. Kristoff, on the other hand, was used to it. He didn’t lose his patience nor yelled at his father to understand what he was trying to say. He simply sighed once again and explained, “We have no right to forbid Marshall from seeing her. Especially now that he can help us.”

“Kristoff—”

“He knows about her powers,” he began to explain, counting with his fingers every reason they had to choose the mountaineer. “He's willing to help. Mum and Nielsen trust him. Anna and I know he won’t leave her alone… What else do you want?”

Kai opened his mouth to counter his son’s reasoning. Anna swore she could see the gears turning in head, wishing to find a logical reason to keep Marshall away from Elsa, but after a few seconds he pursed his lips and stayed silent.

“So, it's settled. Marshall will look after her during the night, giving Gerda enough time to rest.” Nielsen said after Kai went silent.

“There’s just one thing,” Kristoff said, calling the doctor’s attention. “I wouldn't tell him about Haugen’s threat.”

“He needs to keep a close eye on Elsa's health.”

“I know,” Kristoff nodded. “But I also know he’d go after Haugen if he finds out.”

“So you agree with me,” Kai interrupted. “He's unhinged.”

That last comment seemed to set Kristoff off and another argument erupted between the Bjorgman family. Gerda and Kristoff both stated their point of views against Kai while Nielsen scrubbed his face with his hands. At some point, Agdar leaned closer to Anna, asking if Marshall was the hooligan who had stopped by their house a couple of months before. Something about her father’s question, as well as the argument, was Anna’s last straw. Before she could stop herself, she raised her voice, stopping the argument and surprising her father.

“We can’t go on like this,” she said in a lower tone when everyone was paying attention to her. “If I had known I would only drag this meeting longer than necessary instead of offering a solution, I would have never said Marshall’s name. It’s just— I’ve seen how much he cares. He’s been coming here every day. All he’s been asking for is to see her. He wants to help and get the chance to say goodbye in case she doesn’t make it… For some reason I don’t understand we won’t let him in, and we won’t use the limited time we have to stay by Elsa’s side. Instead, we’re here, arguing and fighting.” She stopped to dry a couple of tears and gather herself. “I’ll go back to the hospital. I know where to find Marshall in case you make up your mind.”

Standing up abruptly, Anna didn’t wait for an answer, she simply left the café. Walking fast to the hospital, she wished visiting hours weren’t over. At least get to see Elsa for a few minutes. Tell her she was loved and let her know they were all there for her. Perhaps she could tell her why Marshall hadn’t visited. No matter how afraid she was, no matter what the rest of the people said, she wouldn’t give up on her sister, but she wouldn’t miss the few chances she had to see her and talk to her.

She didn’t get to do those things, however. She was waiting for Andrea to allow her into the wards when Kristoff called her name. He had run after her as soon as Kai was outvoted, leaving the rest of the family to deal with the aftermath and pay the check. He explained they needed to find Marshall. Nielsen would have all the paperwork ready by the time he showed up. The doctor wished to meet Marshall a few minutes before eight, when the nurses changed shifts, and this time Gerda, would change shifts.

Getting out of the car, Anna looked up at the tall brick building in front of her and breathed out nervously. She didn’t regret telling Kristoff to stay at the hospital, she wanted one of them to spend some time with Elsa after all, but she couldn’t deny how anxious she was about talking to Marshall so soon after their heated argument. She was certain he wouldn’t mind her visit, given the news she was about to give him. She could only hope he’d give her the chance to speak, though, before he slammed the door on her face.

She stood by the main door and examined the rows of buzzers, wondering if Marshall had ever mentioned which apartment his mother lived in. Nothing came to mind, so she took a guess and pressed one of the buttons at random. As soon as she did, she realised she had no idea what Marshall’s mother was called and she felt stupid for not thinking about her approach more carefully. She had limited time to find Marshall and convince him to help them — though she was certain the latter wouldn’t be an issue —, but still she wondered if there wasn’t a faster way than buzzing apartments at random until she found the woman she was looking for.

Before a better idea came to mind, an old man spoke through the buzzer. Trying her luck, she briefly explained she needed help finding Marshall Hålkesen and that his mother lived in the building. The first two men said they couldn’t help her. On the third try, however, a young woman recognised the surname and informed her there was a woman named Hålkesen living on the seventh floor. With a smile, Anna thanked the woman and soon after buzzed apartment 7A, B and C.

Once again, the third was the charm and the woman in apartment 7C told Anna she was Marshall’s mother. Surprised her flimsy plan had worked, Anna took a moment to come up with something coherent to say. “Hello, hi,” she said, again, buying herself some time to think her words carefully. “I'm sorry to bother you. My name’s Anna. I know you don't know me but I— I’m looking for Marshall. I was wondering, has he gone back to the North mountain? Or is he still in town? I need to contact him. Urgently. It’s about his friend. Elsa.”

“Oh, Lord. Umm…”

Anna could hear the hesitation in the woman’s voice, making it clear she knew exactly who Elsa was.

“I’m buzzing you in.”

Anna was surprised at the woman’s trusting attitude. She was more than aware her voice didn’t sound threatening over the speaker; but still, it seemed strange for the woman to allow her into the building so easily. Anna thanked her when the door opened and she double-checked the apartment number before going in.

She didn’t think much of the lack of a lift in the building at first. The building was old and clearly built before lifts became mandatory in taller buildings. After getting to the fifth floor, however, she began to feel sorry for the woman she had just spoken to. Living on a seventh floor and having to climb a mouldy staircase every single time she got home was something Anna hoped she didn’t need to do at an older age. She could understand why Marshall’s mother would have chosen the city instead of the wilderness to live, though there wasn’t much of a difference between the mountain and climbing that particular set of stairs.

Anna could have sworn the air got thinner as she made it to the woman’s apartment, and she made a mental note to start training alongside Elsa and Marshall once her sister made a recovery. ‘If she makes a recovery,’ her mind was quick to correct and she felt a shiver run down her spine.

Shaking off the awful feeling, she knocked on the door and hoped the woman would be kind enough to offer Marshall’s phone number. Nielsen had made it clear he needed him at the hospital by eight, and it was already five past seven. She wouldn’t have the time to drive all the way to the mountain, find his cottage, and much less travel all the way back in less than an hour. The door opened after a short moment, and Anna was nonplussed at the tall and thin brunette who was standing on the other side. The kind, grey eyes looking back at her were exactly like Marshall’s, making Anna wonder if perhaps he had a much older sister.

Taking a step back, Anna checked the plate on the wall, making sure the apartment was in fact correct and this made the woman smile. “You must be the girl looking for Marshall. I’m Lena, his mother.”

Anna blinked a few times, wondering if she had heard correctly. As far as she knew, the mountaineer was at least four years older than Elsa, the reason why Anna was expecting someone older. Not someone who seemed to be around her mother’s age — if not younger. Anna blushed when she realised she had stayed quiet and, feeling silly for staring in an awkwardly obvious way, she apologised. “Yes, sorry. I was expecting someone old— I mean… I’m Anna.” She extended her hand, hoping the woman wouldn’t take offence and wished the day would come when she learnt to keep her big stupid mouth shut.

A sweet smile drew on Lena’s face as she shook Anna’s hand. “Would you like to come in?”

Anna smiled back, thankful for Lena’s hospitality. She nodded and was about to step into the apartment, when a hand grabbed the door forcefully, moving Lena out of the way and stopping Anna in her tracks.

Marshall stood in front of Anna, looking taller than he had before. “What are you doing here?” Marshall said in an almost intimidating voice.

“Marshall!” Lena berated him, but Marshall ignored her.

“What do you want?” he asked.

“Please. Be decent, Marshall.”

Anna glanced at Lena for a short moment, and then at Marshall who was towering over her. She had already forgotten how unnerving he could be when he wanted to. Taking a deep breath, Anna decided to ignore his hostile attitude, knowing well why he was acting like that. She was certain he’d drop the facade once he knew what she was about to tell him.

Not wanting him to think he could intimidate her, Anna crossed her arms over her chest and spoke in a low voice, using a serious tone to mask her nervousness. “I need to talk. It’s important.”

Marshall misunderstood her seriousness for sadness and his face crumbled. His frown was suddenly replaced by desperate eyes. He tried to swallow the lump in his throat before he spoke. “Is Elsa—?”

Realisation dawned on Anna, and she stopped him before he could say another word. “Oh, God, no! She’s okay. She’s fine. Sorry, I didn’t mean to— I’m sorry.”

Scrubbing his good hand over his face, he took a deep breath before he spoke again. “Don’t ever do that again, Anna, please.”

The corner of Anna’s mouth turned up slightly, as she saw his mask beginning to break. Perhaps he was still mad at her and her family, but deep down Anna could see the kindhearted man Elsa insisted he was. “Do you have a minute? I really need to speak to you.”

He let go of his face, looked her in the eyes and nodded.

Anna waited for him to move before she did or said anything. The two of them stayed where they were for a minute before Marshall raised an eyebrow as if he was expecting her to do something as well. “So?”

“I thought you were going to invite me in.”

Marshall blinked a couple of times and looked over his shoulder for a brief moment, trying to understand what she meant. “Why? We can speak here.”

“Marshall, let the girl inside, for goodness’ sake.” Lena’s voice could be heard from inside, making Anna smile again. The woman hadn't left her son's side, silently making sure he didn’t do or said something out of place. Anna could tell she was used to her son's brusqueness.

Marshall met his mother's eyes for a short moment. Soon after, he sighed and moved out of the way. “Come in.”

Anna rejoiced, glad he was willing to change his mind and talk to her. Sure, his mother was breathing down his neck, but the fact he was allowing her into the flat meant there were no hard feelings, or so she hoped.

As soon as Marshall closed the door, Lena smacked him on the back of his head, reprimanding him. The soft slap and Marshall’s flush raising to his cheeks didn’t fail to make Anna chuckle. Lena turned to her then, promptly apologising for her son's behaviour. Anna dismissed it, taking half the blame and explaining they had had a small quarrel earlier that day.

“It doesn't matter,” Lena said, crossing her arms. “He should know better.”

“Thank you for your hospitality.”

“Marsh’s friends are welcome anytime. Despite what he makes them think.” The woman turned around to look at her son, calling his attention. “Well, won’t you introduce us?”

Marshall sighed, clearly annoyed at the situation. Small talk had never been his strong suit and both women knew it. He scratched his neck and avoiding his mother’s gaze he said, “Anna is Elsa’s sister.”

“Oh…” Lena’s soft smile turned upside down. “I’m so sorry about your sister,” she said to Anna. “I haven’t really met Elsa, but Marsh has spoken so much about her that I—

“You said you needed to talk,” Marshall said suddenly, interrupting his mother.

Anna smiled knowing whatever Lena was about to say would probably embarrass him to no end. It was best to take pity on him and help him out of the awkward conversation. “Yes, I do.”

“I’ll leave you to it,” Lena said, understanding why he was so desperate to change the topic.

Waiting until his mother was out of the room to start talking, Anna took a moment to look around. They were in a small living room, not bigger than Kristoff’s. There was a battered couch on the left side of the room. Bed sheets were wrinkled on top and an old pillow laid on the floor next to it. Anna felt a pang of pain and guilt at the scene, it was clear Marshall hadn't gone back to the mountain as he claimed. Instead, he had been staying on a small couch for over a week, waiting for something to happen… Trying not to think too much about what it was, Anna turned to him and in an attempt to raise the mood she joked, “Your mother seems nice. She must be proud of her charming son.”

The remark would’ve made Marshall smile at another time, but he ignored it. Too tired and annoyed to deal with anything. “What do you want?”

Anna sighed. She had to admit she was nervous about meeting Marshall at first, but now she was more concerned about his answer. She had been certain he would agree when she said his name at the meeting. Though now that she was standing right in front of him, seeing how utterly burnt out he was, she wondered what they’d do if he said no. One thing was to visit Elsa for a couple of minutes, another entirely was to stay by her side during the night, keeping an eye on everything that was going on around her.

“May I sit down?” she asked.

He crossed his arms over his chest and stood tall, a clear indication his patience was wearing thin. “Stop beating around the bush, tell me what you want.”

Knowing there weren’t many ways to ask, Anna decided to simply state what they needed. “We need you to look after Elsa.”

“Look after her?”

She nodded. “Through the night, if possible.”

He stayed silent, his eyes fixed on Anna’s as if he was trying to read something behind them. “Anna, if you're messing with me—”

“I wouldn't do something like that,” she knew he had a reason to be wary after a week of people denying him the chance to see her, but Anna took offence nonetheless. “Look, you may think I don't understand the way you feel, but I do. Even though I didn’t enjoy it, I see why you chose to be an arse to me today.”

“I was hardly being an arse,” he murmured, avoiding her gaze.

Anna wanted to smack him on the head. “We both want what's best for Elsa. So, trust me when I say we need your help.”

“Did something happen?”

“It's a long story. You should discuss it with Kai or Nielsen, not me.”

Marshal scoffed. “You say, ‘discuss it with Kai’ as if the man didn't hate my guts.”

Anna rolled her eyes. “He doesn't hate you.”

“You're right,” he agreed with a fake smile. “He just doesn't trust me and he wants me as far away from Elsa as possible. My mistake.”

“We discussed who could help us, and we all agree you're the best person to look after her.”

He raised an eyebrow, suspicious about her claim.

“Okay, maybe Kai was outvoted,” she finally admitted. “But Nielsen trusts you. So does Gerda.”

Marshall stayed quiet after that, a pensive look on his face, Anna didn’t quite like. She wasn’t sure what they’d do if he refused and so she tried to convince him. “Elsa needs you.”

Taking a step closer, Marshall leaned down so he was face to face with Anna. “If Kai or anyone tries to kick me out, you’ll be the one dealing with them.”

“I promise.”

“I’m not leaving the hospital until I get to see her, clear?”

Anna breathed out in relief and nodded several times before she took a step forward. Taking advantage of their closeness, she wrapped her arms around him.

Marshall froze, unsure of what to do at first. It was only when he realised Anna was not letting go, that he hugged her back. Anna could feel his arms shaking slightly until they tightened around her and he muttered a soft thank you.

Perhaps he was a little unstable, Anna wouldn’t argue about that. But she was certain he was exactly the kind of person they needed. Strong and savage enough to fight anyone who dared lay a hand on Elsa, but sweet and gentle to care for her the way her sister deserved.

He was the first to let go, claiming he needed to take a quick shower before he left. Looking at the clock on the wall, Anna offered to wait for him. They’d arrive together and wouldn’t keep Nielsen waiting that way.

Marshall nodded and before she knew it, Anna found herself alone in the living room, unsure of what to do while she waited. She contemplated sitting for a moment, but the couch was clearly Marshall’s makeshift bed. She looked around once again and noticed a small table on a corner. The picture frames on it, calling her attention. It felt strange to be intruding into Marshall’s life, but she couldn’t stop her curious side. Even when she knew Marshall didn’t live in the city anymore, she felt drawn to the life he had once had. She wondered if he had been living in that very flat when the incident Kai and Nielsen had been discussing happened.

Absent-mindedly, Anna picked a photo frame from the table, her mind drifting back to the conversation. She couldn’t help but wonder what had driven Marshall, who seemed so uncharacteristically happy holding his degree in the photo, to do something like beating a man unconscious while he was on duty. One thing was to say he’d kick Hans’ butt for getting him fired, another entirely different was to lose his job because someone crossed him.

Too absorbed in her own thoughts, Anna didn’t hear Lena approaching. Only realising she had company when the woman spoke at her back.

“Thankyou,” Lena said, startling her.

“Oh, gosh!” Anna said, pushing the photo frame away from her and leaving it on the table, almost sending the rest of the pictures to the floor. If the woman hadn’t thought her behaviour was strange before, she surely did now. “I’m sorry. I didn’t hear you coming.”

Lena chuckled and offered her a glass of water, which Anna gladly accepted. She gulped half the glass, hoping the cold water would help her face return to a more normal colour. To her relief it did help and it was only when she was giving the glass back that she realised what Lena had said. “Wait, you said… thank you?”

Lena nodded with a smile. “I know I shouldn't have been eavesdropping.” A faint rose tinting her cheeks. “My husband hates it. It's just… I worry about him.”

“About your husband?”

Lena laughed again. “Marshall,” she clarified, holding the glass tightly with both hands. “Marsh's been worried sick about your sister. He’s been here, doing absolutely nothing else than sleeping and worrying. Only leaving the house to go see her…”

“And I guess he was never in a good mood when he returned,” Anna guessed and Lena didn’t need to answer for her to know that was the case. She had seen him leave the hospital in low spirits almost every day.

Lena nodded, pressing her lips in a thin line. “I was afraid he’d have a relapse, he was starting to behave like a caged animal.”

Opening her eyes in surprise, Anna couldn’t stop herself from asking, “Relapse?”

Looking over her shoulder, Lena checked the door leading to rooms and bathroom was still closed before she explained in a lower voice, “His explosive disorder has been in remission. He’s improved so much over the last couple of years. I know living in the mountains once again, as well as spending time with Elsa has got a lot to do with it…”

“I had no idea,” Anna admitted, even though Marshall’s behaviour began to make a lot more sense now.

Anna thought back to all the times he had said or done things impulsively. His outbursts, the blind rage… and most importantly the regret as soon as he realised the way he was behaving. It all made sense if she put it together. She had seen shame and guilt written on his face the day Elsa called him a brute.

“Being able to see her might help him deal with this a lot better,” Lena explained. “So, thank you.”

“He will be one helping us…”

Before both women could say or ask anything else, the door opened and Marshall came out wearing cleaner and slightly more formal clothes.

“Let's go,” he said, unaware of their conversation.

Anna looked at him and nodded, unsure of what else to say.

Standing right outside her daughter’s room, Gerda stayed quiet watching Nielsen give Marshall all the necessary instructions for the night. Most of them were obvious orders, repetitive even, but the doctor didn’t want to leave anything to chance. More than once he stated the importance of keeping a close eye on the medical team and their work, and even though Marshall seemed curious about it, he didn’t ask why. He simply nodded at every order, as if he was once again working for the man. From time to time, Gerda noticed he’d glance to the side, hoping to get a glimpse of Elsa through the door, but he stayed firm throughout the conversation.

As soon as things were clear, he entered the room, closing the door and leaving Gerda and Nielsen on their own. Nielsen didn’t hesitate to leave. Gerda, on the other hand, found herself having a hard time following him down the hall. The idea of leaving Elsa for over ten hours was abominable. She felt as if she was betraying Elsa’s trust. Abandoning her.

“Gerda,” Nielsen called her name and she nodded, knowing it was a matter of time until someone came to walk her out of the ICU.

She looked over the small window on the door, hoping to see her daughter once more before she left. What she saw then offered Gerda some comfort, transforming the unbearable pain in her chest into a dull ache she’d be able to tolerate during the night.

Marshall was sitting by Elsa’s side, where Gerda always sat, his hand holding her daughter’s tightly. She could see his eyes fixed on Elsa and his mouth moving, talking more than she had seen him talk in the last twenty minutes.

“Gerda, you need to go home.” Nielsen approached her, not wanting to disturb the patients in the other rooms. Jonnas then looked over the window, following Gerda's gaze. A small smile drew on his face. “She’s in good company.”

“I know,” Gerda said. Tearing her eyes away, she began walking. It was best to leave now that she had found the strength to do so.

They both walked in silence out of the ICU and down the hall. There wasn’t much to say between them after spending so many hours together. But, to Gerda’s surprise, Nielsen did stop her to talk before they walked out into the main waiting room where the rest of the family was waiting.

“The Arendelles are Elsa's biological family,” he said, suddenly, not thinking twice about her feelings on the matter.

She nodded, unsure if there was a justified reason to bring that hurtful detail to light.

“I’d like to ask for their medical records. See what we find.”

“They’re completely ordinary people,” Gerda said with a shrug. She saw no reason in digging up their past when they both knew Weselton was the only one responsible for Elsa’s condition. She then walked to the door, hoping to end their conversation.

Nielsen sighed, knowing there wasn’t much he could say to Gerda about that topic. He stopped her once again, however, concerned about a particular issue. “Did Elsa seek help?”

“What?” she asked, letting go of the glass door and turning back to him.

“Has she seen a therapist?”

Averting her eyes, Gerda avoided his scrutiny. “You know Elsa doesn't feel comfortable around strangers.”

“Did you sit down to talk to her about it?”

“Of course I talked to her,” Gerda scoffed. “Do you really think—?”

“About getting professional help, Gerda. Have you talked to her about it?”

“Oh…” Looking down in shame, she shook her head.

“Why not?”

“Nielsen, can’t we discuss this at another time?”

“This is important. Elsa needs help.” It was clear he was talking to her as a friend, not a colleague or Elsa’s doctor anymore. “Why didn't you sit her down to talk about this?”

She scrubbed her eyes, hoping to get rid of the headache that had been tormenting her for days. “We’ve been trying. It’s just so difficult. She's been through so much, I didn’t want to insist on it.”

“I know I’ve suggested you should give her time on these matters but—” Nielsen knew he was in part to blame for it, and he wouldn’t deny it. “Meeting her parents, finding out she’s got a sister… It must have been a terrible blow.”

Finally daring to look at him, Gerda allowed her friend to see how worried she was. “She’s miserable. She’s been trying—” Taking in a deep trembling breath, she admitted, “I’m so afraid of what’s to come…”

“She’ll need all the help she can find,” Nielsen agreed. “Perfectly healthy people struggle with the side effects of sepsis. Their physical and mental health deteriorates significantly. Muscle weakness, pain, insomnia… depression.”

Gerda nodded. She knew exactly what Jonnas was trying to tell her. Perhaps forcing her to get some sleep was his way of telling her she’d need her strength in the upcoming weeks.

There it was again.

The beep.

The extremely annoying beep that wouldn't let her sleep.

She was so tired. Exhausted. And that incessant beep wouldn't stop. It never stopped. She was convinced things would get better when it did, but for some reason, it kept beeping. Didn’t it bother anyone else?

In the rare moments of calmness, however, when her mind finally drifted off and she stopped hearing it, the silence made the excruciating darkness all consuming. Frightening.

She had woken up suddenly, paralysed by the fear of a nightmare she couldn’t remember. Or so she believed. It was dark, after all. Too dark. She might as well still be asleep for all she knew, the darkness being part of just another dream.

She wished she could drift into unconsciousness.

For some reason she couldn’t explain, she kept hearing voices alongside the beep. She wasn’t sure they were part of her dreams anymore, but they helped. They chased the nightmares away.

More often than not, there was a warm, soothing feeling accompanying them. It would come and go, just like the voices, but it would never stay long enough for Elsa to enjoy its comfort.

She wished the voice would stay this time.

A/N -

I've had this chapter “almost ready” for a week and a half now. You have no idea how exasperating it is to know you’re almost ready, and have no time to sit down and actually work on it. Every day I had some free time, I thought to myself, “I'm finishing the chapter today” only for things to happen. In my defence, I'm building my home and that takes a lot of time from my hands when I’m off work. Well, I'm not literally building it. Just doing things myself here and there to save money before competent people come and build the rest. This past week I've been installing electrical conduits in the walls before the builders come to plaster the apartment. Good thing my old man was an electrician. He tells me what to do, I learn, get things done and I save money in the process.

Anyway, enough about my excuses. Let's talk business!

You may have noticed this chapter is a bit long, that's because the characters had things to say to one another and they wouldn't let me stop them. You wouldn't believe the amount of things I cut out this time. Everyone wanted to argue and I couldn't keep them on the right track for more than two paragraphs. Lena showed up as well. It was a mess. The original title wasn’t even Armistice, I think I changed it after I realised I needed a truce between everybody involved to be able to advance with the story.

I think that in the end I was able to stop the nonsense and I'm quite satisfied with the final product, even if it’s a bit longer than planned. I've been trying to keep word count to a minimum, so as not to make this story unbearably longer, but as you can see I keep failing miserably.

I hope you enjoy the chapter nonetheless. I hope it’s not too long. I’ll try to move things forward in the following chapters. And before you ask, no I haven’t forgotten about the unfair way Agdar treated Elsa the last time they met. That’s all planned out and I hope it will come to light soon. Not next-chapter soon, but soon enough.

I’m rambling.

Anyway, enjoy!

- Tag time:

#Søsken #Sosken #Elsa #Anna #Kristoff #Gerda #Kai #Iduna #Agnarr #Chapter 50 #50 wow #This story was supposed to be 20 chapters long #I don't know how to count #kristanna #frohana #Found family #frozen fanfiction #frozen fanfic

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