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#December 2023 Destinations
01sentencereviews · 4 months
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2023
Anatomy of a Fall (Justine Triet)
Are You There God? It’s Me, Margaret. (Kelly Fremon Craig)
Beau Is Afraid (Ari Aster)
The Curse, "Land of Enchantment" [S01.E01] (Nathan Fielder)
Gush (Fox Maxy) @ New Directors/New Films 2023
How to Blow Up a Pipeline (Daniel Goldhaber)
I Thought the World of You (Kurt Walker) @ Persistent Visions Program 1: Always and Only Place, MoMI
Killers of the Flower Moon (Martin Scorsese) [+ its teaser trailer]
Knock at the Cabin (M. Night Shyamalan)
May December (Todd Haynes) @ Opening Night, NYFF61
Mission: Impossible – Dead Reckoning Part One (Christopher McQuarrie) in IMAX
My Own Private Final Destination (Alexandra McVicker & Zach Donovan) @ KGB Red Room (09/13/2023)
Oppenhemier (Christopher Nolan) in IMAX 70MM
Our Home Out West (Drew Tobia)
The Outwaters (Robbie Banfitch) [+ Card Zero & File VL-624 (Robbie Banfitch)]
Passages (Ira Sachs)
Priscilla (Sofia Coppola)
Renaissance World Tour (Beyoncé) @ SoFi Stadium, Inglewood, CA (09/01/2023)
Saint Omer (Alice Diop)
Stop Making Sense - IMAX (Jonathan Demme)
Succession, “With Open Eyes” (Mark Mylod & Jesse Armstrong)
Sunset Boulevard (Jamie Lloyd), West End Production (10/17/2023)
The Swan (Wes Anderson) [+ Asteroid City (Wes Anderson)]
Vanderpump Rules, “#Scandoval” [S10.E15]
The Zone of Interest (Jonathan Glazer)
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Birth/Rebirth (Laura Moss)
Creed III (Michael B. Jordan)
The Boy and the Heron (Hayao Miyazaki)
the crash sequences in Ferrari (Michael Mann)
The Holdovers (Alexander Payne)
John Wick: Chapter 4 (Chad Stahelski)
The Killer (David Fincher)
Master Gardener (Paul Schrader)
Monster (Hirokazu Kore-eda)
PARADISE LOST (Richard Hines) @ Daniel Cooney Fine Art
Poor Things (Yorgos Lanthimos)
Reality (Tina Satter)
Rotting in the Sun (Sebastián Silva)
Smoking Causes Coughing (Quentin Dupieux)
SPRING/BREAK Art Show 2023
Suzume (Makoto Shinkai)
Teen Art Salon - A Protospective @ MoMA PS1
Thanksgiving (Eli Roth)
To Catch a Killer (Damián Szifron)
“Very Delta #65 "Are You A Forever Eye-Con Like Me?” (w/ Raja)”
the 3D sequences in A Woman Escapes (Blake Williams, Sofia Bohdanowicz, & Burak Çevik)
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Performances, 2023:
Dave Bautista - Knock at the Cabin
Robert De Niro - Killers of the Flower Moon
Cole Escola - Our Home Out West
Mia Goth - Infinity Pool
Elle Graham - Are You There God? It’s Me, Margaret.
Sandra Huller - Anatomy of a Fall & The Zone of Interest
Soya Kurokawa - Monster
Guslagie Malanda - Saint Omer
Rachel McAdams - Are You There God? It’s Me, Margaret.
Julianne Moore - May December 
Natalie Portman - May December
Addison Rae - Thanksgiving 
Judy Reyes - Birth/Rebirth
Margot Robbie - Barbie 
Franz Rogowski - Passages
Mark Ruffalo - Poor Things
Kamiki Ryunosuke - Godzilla Minus One
Dominic Sessa - The Holdovers
Nicole Scherzinger - Sunset Boulevard 
Cailee Spaeny - Priscilla 
Emma Stone - The Curse
Alyssa Sutherland - Evil Dead Rise
Sigourney Weaver - Master Gardner
Sophie Wilde – Talk to Me
Teo Yoo - Past Lives
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wonderlesch · 6 months
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Can’t Miss December 2023 Events
If the weather outside is frightful read on to explore Can't Miss December 2023 Events taking place inside! Discover Metal & Beerfest, L.A.Comic Con, Bullseye Festival and more. December is good cheer, good beer and good music!
Hello and welcome to my latest Travel Destination Guide blog post sharing Can’t Miss December 2023 Events. I am talking about music festivals and sci-fi conventions, not Grandma’s pumpkin pie or cornbread stuffing. Although my Mom’s pecan pie was always a Can’t Miss Event. Read on to explore Metal & Beerfest, L.A Comic Con, Bullseye Festival and more. No ugly sweaters needed, unless that is how…
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fairuzfan · 2 months
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Have you heard about the global day of action on March 2?
Yes! I have! Here's more info about it (click). Here, from the "About" section:
There is a growing global movement for a Free Palestine. Across the world, millions of people are engaging in demonstrations and organizing major marches in solidarity with Palestine. Our demands for an immediate ceasefire, cutting all aid to Israel, and lifting the siege on Gaza have broader support than ever. On November 4th, over 500,000 gathered in Washington DC for the largest march in recent times to stand in solidarity with Palestine. Protests with half a million people erupted on the streets of London, constituents across Canada occupied over 17 MP offices from coast to coast, and Belgian dock workers' unions have refused to transport weapons by plane or sea that are destined for Israel.  We must keep building momentum and increase the pressure with more marches, walk-outs, sit-ins, and other forms of direct action directed at the political offices, businesses, and workplaces that fund, invest, and collaborate with Israeli genocide and occupation. NOW is the time for our mobilizations to grow in size, frequency, and focus; building a political climate that makes Israel’s business of genocide unsustainable.
Already protesters have shut down highways, train stations, and bridges in the United States; activists have targeted Israeli weapons manufacturers; Belgian dockworkers’ unions have refused to handle weapons transports to Israel; Bolivia has cut diplomatic ties with Israel while Jordan, Chile, and Colombia have recalled their Israeli ambassadors. Be part of the change, take action, and make your voice heard as the global struggle for Palestine enters a new phase.
Join the Shutdown for Palestine on Friday, December 8, 2023. We call on movements, organized labor, youth, students, media and healthcare workers, and all members of society to join us in demanding an immediate ceasefire, cutting all aid to Israel, and lifting the siege on Gaza. This call to action started on November 9, but we will continue to build up the momentum with ongoing days of action. No business as usual until Palestine is Free!
Walk out from work and/or school
Picket Israeli embassies and consulates
Picket against companies that profit from Israel’s occupation of Palestine (Lockheed Martin, Boeing, Raytheon, Northrop Grumman, General Dynamics, Elbit Systems)
Host speak outs
Wear kuffiyehs
Wear black armbands
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englishotomegames · 5 months
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A Date with Death
Release date (Windows, Mac OS, Linux, Steam) English: December 7th, 2023
"You're just an ordinary person... or so you thought. For your entire life, you've been narrowly avoiding death by pure luck... or is it something more? When a strange program suddenly appears on your computer, and someone claiming to be the Grim Reaper says he's come for your soul, your life as you know it is thrown upside down.
As you delve deeper into the mysterious man that calls himself the Grim Reaper, you begin to wonder if fate brought you two together for a reason. Can you resist his charm, or will you fall for the one destined to take your soul?
A Date with Death is a supernatural romance chat simulator visual novel about the week long bet you enter against the Grim Reaper to attempt to keep your soul. Create your own character, from appearance to pronouns, decorate your apartment, and spend the (possible) last week of your life getting to know the one hunting for your soul."
This is a free game by Two and a Half Studios! You can get it from itch.io here or from Steam here. There is also an optional DLC for purchase which includes additional features.
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eyecantread · 4 months
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In case James Somerton tries to release a second manipulative apology video, here's some stuff I haven't seen shared on Tumblr. In the initial wake of HBomberguy's video release on December 3, Somerton made the following post to Patreon that was quickly deleted:
Here he dismisses Plagiarism and You(tube) as "not bringing up anything new since the last time he was accused of plagiarism" and tries to pull the same victim card as before when he complained that a "big creator was unfairly targeting him." This is a rehash of previous controversies and criticisms he's received such as when he went after Nebula for "not wanting to platform him because he's queer (lol wut)" in 2022 and lashing out at Dan Olson on Twitter when Dan called him out for the Patreon shit in April 2023 (James begged his viewers to support him on Patreon because he claimed to be in dire financial straights and then bought a $5k+ camera). The man is very versed in DARVO.
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The Ace Couple, a pair of Asexual podcasters (who you should totally listen to btw) detailed the Nebula debacle in a recent episode, as well as their own interaction with Somerton as financial backers of his film project who disagreed with the content of one of his videos. The issue? Aside from the shenanigans with Telos, the Indiegogo film studio the Ace Couple backed, Somerton had said in a video that asexual people don't get sent to conversion therapy, which is categorically not true. Naturally, he resorted to his tried and true tactic of accusing the Ace Couple of attacking him.
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He then released a second statement later in the evening of the release of Hbomberguy's video:
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All of this on top of him subtly throwing his cowriter under the bus for it in his apology video! Statements like, "I'm not trying to throw Nick under the bus" don't work when you also say things like, "things that weren't true I didn't write or believe made it into the videos!" What other conclusion are viewers supposed to make about shit like 'American soldiers lusting after Nazi bodies' and the snarking misogyny that can't be traced back to a source other than Nick wrote it? Somerton is using Nick as a fall guy and trying to gaslight everyone into thinking he's not and it's transparent and pathetic.
The man absolutely does not deserve another chance and any claims he makes that he is seeking money to reimburse the queer creators he erased by plagiarizing their work should not be trusted. The guy has zero credibility, don't give him the benefit of the doubt.
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dangermousie · 5 months
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2023 End of Year Post - kdrama edition
Yes, we have a some of December left, and I want to check out Death's Game but whatever. I got time for this now and not sure if I will have later so here goes.
This is only going to cover kdramas that aired in 2023; if I watched it but it was made in a different year, it’s not on the list. This was an excellent kdrama year, the likes of which we hadn't had in a long time.
DRAMAS WATCHED
In order of liking from least to most as opposed to pure quality so pls don't come for me, fans of some popular dramas that are on my nope list. Also, I am including if I’ve seen enough to make up my mind; yes I realize that’s inaccurate, but that’s my list.
33. The Escape of the Seven - this is so aggressively stupid and mean that it feels like the makers are playing a practical joke seeing how much their audience will take. This has a season 2 coming, so the answer is a lot.
32. Behind Your Touch - the FL gets superpowers by touching people's and animals' butts. Yes, you read this right. Do I really need to add anything?
31. King the Land - yes, it was a hit. Yes, it stars popular actors. I HATED IT LIKE IT TOUCHED MY BUTT TO GET SUPERPOWERS!!! Plastic people in paint by the numbers story, with about as much genuineness or retability as a barbie aisle in walmart. I never expect much from Yoona so whatever, but to have LJH go from The Red Sleeve to this boggles the mind.
30. Mrs Durian - this is so dumb that I think I lost a few IQ points watching this, but its insanity becomes entertaining - I mean what kdrama can you name where a daughter in law declares her love and lust for her mother in law at a family dinner?
29. The Matchmakers - there is nothing offensive about this drama at all. But there is nothing in the least interesting either. If elevator music took drama shape, it would be this show.
28. Destined with You - sorry, Rowoon, I am still fond of you, but you are two for two in drama duds department this year. This is a drama where I loved ep 1, liked ep 2, was indifferent to 3 and...you get the point. Each ep was worse than the one before, and I bailed before I was dragged into a cosmic singularity.
27. Oasis - great first two episodes. Unfortunately it was not a two ep show. The performances are solid but the story is just not there - the effect is like a fancy chef making an amazing sauce to put on pig slop.
26. Boyhood - it's not you, it's me in action. I can see why people would like it but a 34-year old playing a high schooler in a Weak Hero Class 1 Slapstick Edition is no go for me.
25. Castaway Diva - it's so precious and kooky in the most annoying ways, with the most well-adjusted abused castaway in history. I like magic realism when done by Jorge Amado, but this ain't Amado.
24. Island - it had a good concept, good cast and fun visuals but the execution deserved one of ML's swords through the neck.
23. The Worst of Evil - if I wanted an American show, I'd watch one. Very solid performances though.
22. Song of the Bandits - period edition of what I said about The Worst of Evil.
21. Welcome to Samdalri - and goodbye to any hope of emotional involvement.
20. Joseon Attorney - I have yet to like a single sageuk centered around a profession and this was not an exception. I guess it could be worse but it also could have been so much better.
19. Twinkling Watermelon - everyone loved this drama. Everyone except for me. It's the kind of precious that sets my teeth on edge and I couldn't stand half the main characters we were supposed to root for. I guess I like my fruits to shine steadily.
18. Our Blooming Youth - probably the biggest disappointment on this list. This is not a bad drama by any means, but with that cast and that story (I loved the novel), I was hoping for a memorable sageuk not merely all right.
17. Vigilante - it has the emotional complexity and nuance of a punch to the throat but it gives us quasi-gay openly-murderous dudes going after psychos and Yoo Ji Tae holding feral Nam Joo Hyuk by his hoodie at his feet.
16. The Forbidden Marriage - expected nothing but it was a surprisingly enjoyable trifle of a costume drama that was also quite pretty.
15. Arthdal Chronicles: Sword of Aramun - a hot mess but such an entertaining epic one. And it gave us TWO Lee Jun Kis in period gear and who am I to cavil at the bounty of God?
14. The Story of Park's Marriage - it's a trifle, a souffle, so light it might blow away, but it keeps my attention and is so fun and sweet.
13. My Lovely Liar - a huge surprise, that manages to mix a murder mystery and a romcom, and shocked me by showing Hwang Minhyun can act.
12. Tale of the Nine Tailed 1938 - the original ToNT was my fave drama of its year and I did not think it needed a sequel. But this is not a sequel but more of a side-quel and is such a total delight with brotherly love, adventures, romance and hijinks. It's a joy.
11. Perfect Marriage Revenge - it's actually very hard to do a soap right but this slim 12 ep drama managed. So fun, so crazy, such a good ship!
10. My Lovely Boxer - not really about sports, but about two broken people finding salvation because of and in each other. Also, if you like age gap romances, this is delicious. Sort of loses steam by the end but c’est la vie.
9. The Secret Romantic Guesthouse - this was a sageuk that was not on my radar with a bunch of actors I was not familiar with but it took my heart away. A good plot that was perfectly paced, characters and ships I adored, a logical ending. This is one of the biggest positive surprises of the year for me.
8. Tell Me That You Love Me - a slice of life remake (sort of, it's more "inspired by") of my favorite jdrama of all time. It's not as good as the jdrama because nothing could be, but it's an aching lovely story with some incredible performances.
7. See You In My 19th Life - funny and romantic and haunting and hopeful and odd. This was one of my favorites of the year.
6. Alchemy of Souls: Light and Shadow - it's rare for me to like a (1) sequel (2) with FL actress change (3) that is a Hong Sisters drama. But this was such a gorgeous, surprisingly achy story of love and loss and love regained with some cool monster fighting in the middle. Between the two seasons, this is the first Hong Sisters' drama I enjoyed from beginning to end in well over a decade.
5. My Demon - so tropey (chaebols, supernaturals) but it proves that these tropes are popular for a reason. The chemistry is fire, the story is unpredictable and the whole thing is an addictive delight. A rare drama where I like each new ep more than the last one.
4. Goryeo Khitan War - an old school sageuk in every meaning of the term (no romance, no eye candy, lots of bearded men, battles and politics), this feels like watching an epic movie more than a drama. The vast cast all earns their place and the performances (mainly from character actors given a chance to shine) are incredible.
3. Call It Love - two very very damaged people finding love and healing with each other. This is a narrative very hard to do to my satisfaction but when it's done well, as here, there are few things that can hold a candle to it.
2. My Dearest - a masterpiece of cinematography, narrative, performances. This is an old-school epic romance in the best sense of the term. If it doesn't make you swoon or break your heart, there is something wrong with you. A story of two untraditional, strong-willed, flawed people who fall in love in the middle of the horrifying Qing invasion of Korea and have to deal with all that the world throws at them, this is a bona fide masterpiece.
1 - Moon in the Day - who knew my favorite kdrama of the year will star a store brand Domyoji from Extraordinary You and an actress I was never familiar with. But this part period/part modern fantasy tale of doomed cursed lovers is everything I knew I wanted and everything I didn't know I wanted but did. Two lovers where their love did not save them and in modern day it might not again, has got me obsessed the way I haven't been in years.
FAVORITE DRAMA
Moon in the Day - if there is such a thing as a drama made perfectly for me, this gorgeous, emotionally haunting, utterly romantic, twisty tale is it.
WORST DRAMA
The Escape of the Seven. This drama is proof that demons exist and not sexy ones like Song Kang but horrible nasty ones who delight in the torment this hot mess inflicted on its viewers.
FAVORITE MALE CHARACTER
Do Ha, Moon in the Day - a Silla general and a consummate killer who committed atrocities on the orders of his monster father and yearned to die for them, who found the meaning in life in loving his enemy but it did not make him better, a man so obsessed he literally was around for 1500 years of horrifying ghostly existence and still went "worth it" for a woman who killed him as long as he knew she loved him while she did it. He's intense and competent and beyond fucked up and has never had a normal day and I love him so so so very much from a safe distance.
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FAVORITE FEMALE CHARACTER
Gil Chae, My Dearest - she starts out as vain and spoiled but the horrors that break so many others bring out all her fierce survivor potential and she becomes such a force of nature - capable of incredible love but also sacrifice and strength and compassion.
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Runner Up: Shin Hye Sun's reincarnator in See You In My 19th Life - quirky, damaged, strong, so odd and so vulnerable at once.
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NEEDS TO BE MURDERED
There are a lot of characters who fit that category (King Injo in My Dearest? My God) but the crown belongs to So Ri Bu from Moon in the Day. You think you've seen abusive parents but until you've seen a man abuse his son his whole life and then continue for 1500 years after his death, you ain't seen nothing!
FAVORITE SHIP
The doomed by the narrative OTP of Moon in The Day. Only thing that's better than enemies to lovers is enemies while lovers and their impossible relationship where her killing him is a supreme act of love and his refusing to let go is so strong that he stays around for 1500 years watching her, helpless as she dies over and over again, is everything you ever want.
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Runner up: Jang Hyun/Gil Chae, My Dearest. They are so strong and so damaged and it takes them so long to figure out what they feel and what the other person feels but their love and sacrifice and complexities are perfect.
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FAVORITE SECONDARY OTP
Kim Shi Yeol/Hong Joo, The Secret Romantic Guesthouse - an assassin bodyguard pretending to be a carefree scholar and a widow of the man he killed to protect his king (and whose life was destroyed as a result.) I enjoyed the main OTP of this drama but I was utterly and completely unhinged for the secondary couple.
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I'd have probably picked Rang and his mermaid from TotNT 1938 even over them, but they really were the main OTP of that drama.
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NOTP
King the Land couple seems like an easy target but honestly, they are both so terribly bland and antiseptic and marketing by committee, they kinda deserve each other. So I am gonna go with Destined with You, one half of which thinks supernaturally roofying someone into loving them is cute and the other half thinks dating one woman while wooing another is totally a-ok. Ugh.
FAVORITE SCENE
There is no competition for the scene in the slave market in My Dearest, where Jang Hyun finds Gil Chae - the way he screams and tries to clutch the hem of her skirt will live in my head forever.
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And the scene where he 'wins' that horrifying bet, or the scene where she finds him in a pile of bodies - they are as good also. Or when he fights off a squad to protect her even though he's sick. That whole drama is perfect.
Runner up: the scene of Do Ha executing Ri Ta's family, covered in blood, as she looks at him from the crowd in Moon in the Day.
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Or the scene where he talks about how he cannot live as a person but at least maybe she will kill him and he will die as one. Or when her confession in the past intercuts with his walking in the present, or when he comes home in his bloodied armor and she finds he has a fever and it's the first tender touch he's probably ever known. Her murdering So Ri Bu saying she knows she's going against filial piety in loving her parents' murderer, the way they hug, both bloody, as he says "let's live." The way she says she can't go on as she's hit rock bottom and he replies she cannot quit because she must accompany him to his rock bottom now. Honestly, the drama is a font of amazingness.
Also, the opening scene of Goryeo Khitan War or the scene of Yang Gyu ordering to shoot the captives and having to do so himself.
The OTP meeting again at the intersection at the end of ep 1 of Tell Me That You Love Me. SHS comforting ABH as he's having a traumatic breakdown in 19th Life. The love-making scene in Call It Love. There were a lot of great scenes this year.
BIGGEST CRUSH
Lee Jang Hyun, My Dearest - is that even a competition? He's flawed - vain, often emotionally closed off, not great at processing emotions, lashing out when hurt. He is also incredibly heroic in a real, knows the cost but bears it, kind of way. Whatever he does, he commits utterly but it's never without understanding the cost. He felt both larger than life and utterly real. He went through hell and maintained his soul and the way he loved Gil Chae was breath-taking to behold.
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Runner Up: Yang Gyu, Goryeo Khitan War - an experienced military commander who wins an impossible victory even as it ravages his soul. Competence is sexy as fuck.
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BEST SCENE STEALER CHARACTER
Rang, Tale of the Nine Tailed 1938 - 1938 really was Rang's chance to shine and he took it. For a character I started out disliking in the original, he really stole my entire heart in this drama. I am so glad he got his happy ending with his brother and his girl.
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Runner Up: Crown Prince, My Dearest. He started out as a sheltered, spoiled aristocrat, convinced the world owed him for existing. He grew up slowly and painfully into an amazing man. And then was murdered for it and I cried.
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NEEDS A SEQUEL
Arthdal - it leaves the story at a good stopping point but it's very much a "world in flux, adventures and conflicts continue" ending and I would love to see more of these characters. I know we won't but it would have been nice.
NEEDS SCISSORS TAKEN TO IT
Behind Your Touch - should have been snipped at birth.
TOO MANY SCISSORS TAKEN TO IT
Vigilante - I don't mean it had scissors taken to it because it's not cdrama and there is no NRTA, but this drama would have benefitted from being longer. I mean, I love fights and gay polycules as much as the next tumblr person but a bit more character development would not have come amiss. (ahaha - I said come. Leave me alone.)
TROPE THAT NEEDS TO DIE
I don't care about cops/doctors/trash collectors/whoever - workplace drama centering on their "cases" needs to die. I hate procedurals from any country and Korea is no exception.
FAVORITE TROPE WE’VE SEEN A LOT OF
Supernatural critter devoted to their OTP with all the power of their long life.
BIGGEST DISAPPOINTMENT
Our Blooming Youth - it was far from terrible but it was a giant meh. I was so excited to see Park Hyung Sik in a sageuk (that wasn't the hot mess that was Hwarang) and I adored the source novel. It actually started well and then...it's like Revenge of the Beige!
BIGGEST GOOD SURPRISE
I want to say Moon in the Day but to be honest, I was excited by posters and trailers so it wasn't wholly a surprise despite not having much of an opinion on the actors before I saw them. So I am going to say My Demon. I was bored by the trailers, I can't remember the last time I enjoyed a Kim Yoo Jung drama and before this year I would have said Song Kang was an incredibly limited actor in everything I've seen him in and not appealing to me at all. And here I am rabidly rabiding for this drama!
If I am not limiting myself to dramas but can use this for actors - Hwang Minhyun in My Lovely Liar. I genuinely did not think the man could act and then he gave such a pitch-perfect, nuanced performance out of nowhere!
2023 DRAMAS I HAVEN’T SEEN THAT I MOST WANT TO WATCH
I have actually watched all the kdramas that aired this year that I wanted to check out except for Evilive. I am saving this for when I have time.
BEST NON-2023 DRAMA I’VE WATCHED IN 2023
I don't know if I'd say it's the best but Say You Love Me (2004) with Kim Rae Won as a quasi monk seduced away from his true love by an evil older woman was a hell of a ride.
MOST ANTICIPATED
Love Song for Illusion (Lady assassin falls for her royal target who has two personalities), Captivating the King (lady spy falls for her royal target who is tormented) - notice a theme? Also Flower that Blooms at Night because Honey Lee in a sageuk, The Life of Mrs Ock (Lim Ji Yeon in a sageuk), The Love Story of Chun Hwa (an "erotic" sageuk, hmmmm, what?!), Hong Rang (Lee Jae Wook in a super angst sageuk), Queen Woo (that cast and set in Goguryeo!), Wong Kyung (about Lee Bang Won's wife and I love the cast.) Basically, if it's period, I am there with bells on.
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yurimother · 8 months
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'I'm in Love with the Villainess' English Audiobook Announced
On Friday, Seven Seas Entertainment announced that it is publishing an audiobook version of Inori's isekai Yuri romance I'm in Love with the Villainess (Watashi no Oshi wa Akuyaku Reijou). The first volume (6 hours and 54 minutes )will be released on November 16, 2023, and the second (10 hours and 45 minutes) on December 7.
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Seven Seas is releasing the audiobook under its recently announced audiobook imprint, Siren. It is narrated by voice actress Courtney Shaw (Maesetsu! Opening Act). It will be sold digitally on major platforms, including Audible, audiobook.com, BookWalker, Chrip, Kobo, Overdrive, and Nook.
Seven Seas Entertainment licenses all five volumes of the light novels in English. They follow office worker Oohashi Rei, who wakes up as Rae Taylor, the protagonist of her favorite otome game, Revolution. However, Rae is not interested in any of the game world's eligible bachelors, only having eyes for Claire Francois - the antagonist! And Rae is determined to save Claire from her destined fate.
Inori began publishing the series as a webnovel on Shousetsuka ni Naro in early 2018. GL Bunko licensed the light novels digitally in Japan and published the first volume in 2019. Hanagata draws the illustrations for the light novel. In 2021, Ichijinsha began publishing the light novels in paperback.
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I'm in Love with the Villainess gained popularity in several overseas markets, including Korea and America. Critics and audiences praise it for its focus on LGBTQ+ themes, characters, world-building, and story.
A manga adaptation of I'm in Love with the Villainess began serialization in Comic Yuri Hime in June 2020. Ichijinsha publishes six collected volumes of the manga in Japanese. Inori also launched a spin-off, She's so Cheeky for a Commoner (Heimin no Kuse ni Namaikina!), which retells the the series from Claire's point of view. Gl Bunko licensed the spin-off in Japan.
Seven Seas Entertainment licensees both the I'm in Love with the Villainess manga adaptations and the She's so Cheeky for a Commoner spin-off in English. It will release volume five of the manga on October 24 (October 12 digitally) and volume 2 of the spin-off light novel on April 9, 2024.
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I'm in Love with the Villainess is also inspiring a television anime adaptation. Hideaki Oba directs the anime at Platinum Vision. It premieres on October 2 and will stream internationally on Crunchyroll.
Source: Press Release, Seven Seas Official Website (release dates)
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joshleyson · 4 months
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THIS IS: SIARGAO ✨
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December film dump 🎞️
Growing up in Mindanao for almost 2 decades and never actually being able to traverse the picturesque landscapes in the eastern part of the island is something that I know I have to break before the year ends. So I did.
I flew from Manila to Cebu so early in the morning to catch a connecting flight to Siargao by noon. Traveling to Siargao was a lot of firsts for me. Not having to go to every detail but when the plane was about to take off to Siargao, we were all offloaded due to the bad weather on the island. Fortunately, instead of having to fly back to Manila, the airline was kind enough to take me to a nearby hotel in Cebu, all expenses paid including food, transportation, and next-day ticket. It was an unexpected staycation which surprisingly I enjoyed.
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Coming from a very tiring day at work and then going to the airport, I felt like I really needed this quiet time, and I was able to check in to this lavish hotel all by myself while waiting for my flight the next day. Also, I had a great night as well in Cebu catching up with one of my long-time friends and her beaux. I went back to my hotel around 3 in the morning because there’s just so many things to catch up and I really missed my homie so much. Keyword: low-maintenance friendships.
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So the day finally came, and I was able to land safely on the island of Siargao. Right off the bat on my first night, I had a lovely dinner with my travel friends slash buddies at work and we went to a bar, and danced the night away which to me serves as a prelude to the great experience this vibrant community had in stored for me as a Mindanaoan that have never set foot beyond the confines of Zamboanga and western Mindanao.
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We spent our days being on the road which to me was such a release. Being able to smell the fresh ocean breeze while blasting our favorite Y2K songs in the car and relying on Waze or Google Maps for our next destination, to me, makes the trip so much fun because of the spontaneity and unpredictability that it brings. We went island hopping, danced in the boat, swam on open waters, ate our hearts out, moved from one accommodation to another, and I tried surfing for the first time! I never thought I would enjoy the experience because it was raining lightly at that time and the waves were so big it could easily engulf me, but man, best day ever!!!! I fell on the surfing board and slammed my body on the rushing waves several times but being able to stand on the surfboard for the first time was such a liberating experience. A little bit of a stretch, but it was and I will try it again once I go back to Siargao.
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I flew back to Cebu and then to Manila to catch one of my friend’s wedding and luckily I made it with no delay. Looking at the pictures that I got to develop from a Fuji film camera that I brought with me on the island, I am reminded again of the incredible healing power of what it’s like to try new things, be with nature, and just breathe. Knowing that the year is about to end in a couple of weeks, I felt so blessed to have that opportunity to break the complicated rhythm of corporate life and to disconnect for a moment. 
After 3 weeks, I get to fly back to Boracay to celebrate New Year’s Eve. So many epic moments that I am also grateful for which I may save for the future but nevertheless, my last month of 2023 was such a banger and I hope it always feels that way.
By the way, I’m writing all these on my iPhone because I’m too tired to get up and open my MacBook, so I appreciate you for hanging with me this far. So that’s it for 2023!
Simply put, I just want to say Happy Holidays to you and your loved ones, and may 2024 be as effervescent as your hopes and dreams for the future.
J.
(December, 2023)
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(Photos were shot using Fujifilm Simpleace 35 mm camera + iPhone 15 Pro Max)
FOLLOW ME: Instagram/TikTok/Twitter: joshleyson
(Music by Grammy nominee, Victoria Monét. All rights belong to her and her publishers. For personal and non-commercial use only. Stream her great catalogue on Spotify and Apple Music.)
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fatehbaz · 1 year
Note
the very Sacred Oak Flat is in danger of becoming an open pit copper mine. turning a sacred site into a 1000-ft pit. Apache Leap, ancient petroglyphs, extremely important rituals since time began; these things are Oak Flat. the federal government is ignoring many legal protections as well, including 200 yr old treaty promising to protect the land forever, national park designation, and on the national register of historic places. this project is so, so evil. I want people to know about it. Please read, talk, care about it.
Nice, thank you. The impending destruction of Chi'chil Bildagoteel by the US government and one of the planet's most infamous mining companies.
Over the past 3 years, I’ve written here about defense of Oak Flat, also called Chi'chil Bildagoteel by Chiricahua Apache from San Carlos reservation. (A summary of the site’s importance and history. A summary of the legal challenges to the mine. A summary of Apache Stronghold and other Indigenous-led campaigns. A photo collection featuring Indigenous-led actions in February 2021.) But all of these posts predate the developments that have occurred from the beginning of 2022 until now (March 2023). And the legal case, the fate of the site, is about to be settled this very month.
Well, then, there’s Rio Tinto, the copper mining leviathan, despised across the planet, bane of Australia, so-called Rhodesia, Latin America, Papua, etc. They're the second-largest metals/mining company on the planet. For well over a century, open-pit copper mines have been infamous for the scale of their destruction and I like how you describe it: giant pits, gaping wounds. Oak Flat is destined to belong to Resolution Copper, a subsidiary of Rio Tinto. Just before widespread news of Rio Tinto’s interest in Oak Flat, Rio Tinto had earned an especially-notorious reputation for destroying Indigenous/Aboriginal sites in Australia. A summary of the news about the “atrocity” at Juukan Gorge, when in May 2020, Rio Tinto destroyed an important sacred cultural site containing Indigenous shelters over 45,000 years old, and Rio Tinto leaders apparently had foreknowledge of the area’s cultural importance. Here’s a look at what is perhaps the oldest surviving human art on the planet, some petroglyphs and shelters up to 50,000 years old, being destroyed by the truly astonishing scale and diversity of destructive mining operations in Western Australia. And here’s a look at many other ancient and modern Indigenous sacred sites being destroyed by mining in that region.
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Sacred Land Film Project put together some informational graphics:
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Anyway, a basic summary.
Originally, this mine was kinda known as, like, “the John McCain Land-Grab Deal” because Senator McCain sold out the state of Arizona and Indigenous people by basically promising a formal transfer of land and the creation of what would become a major mining site at Oak Flat. Mining in the Oak Flat area was technically prohibited decades earlier by an Eisenhower presidential/executive order, but in December 2014, McCain sneaked a hidden last-minute rider onto a must-pass defense spending bill.
In May 2020, Rio Tinto gets caught destroying those sites at Juukan Gorge.
So, in October 2020, Indigenous activists discovered that the supposed date of the land transfer finalization had been quietly and suddenly moved up like a full year, meaning that the site might have become a mine beginning in December 2020 or January 2021.
At this point, the Oak Flat mine was becoming known as, like, “Trump’s Rushed/Hurried Mining Deal,” since the Trump presidential administration seemed to want to quickly act on the mine before any potential presidential transfer of power might occur in January 2021, “just in case” they lost the November 2020 election.
So this is when Apache Stronghold and other Native advocates really started finally getting national recognition in headlines. They organized a Day of Action and statewide events around the Solstice in 2020, and by January 2021, they had forced the case into court.
In the January 2021 case of Apache Stronghold v. United States, an Arizona judge ruled against Native advocates, but advocates got the case heard by the 9th Circuit Court of Appeals. While the case was being argued, in February 2021, Apache Stronghold also participated in a newsworthy relay from Oak Flat to the courthouse in Phoenix, when Native advocates held a candlelight vigil.
But in March 2021, the US Forest Service announced that it was temporarily withdrawing its environmental impact assessments for the land transfer, putting the mine on hold.
In October 2021, the three judges on the appeals court ruled against Apache Stronghold again.
Over a year later, in November 2022, the court then announced something unusual: The court was willing to rehear the case en blanc (before a panel of all 11 judges).
And now, “Biden’s attorneys” will be arguing against Apache Stronghold and for the land transfer.
Throughout this entire process, Apache Stronghold has consistently been vocal, active, and dedicated to stopping it.
Here are some headlines from the past couple of years:
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And from March 2023, this headline, one more time, for impact:
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So, beginning on 21 March 2023, the case is being heard, again, for what is presumably the final time, with US government attorneys arguing that the land will belong to the mining companies by summer 2023.
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imaginespazzi · 1 month
Text
Part 4: The Art of Letting Go
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Masterlist - Part 1 - Part 2 - Part 3 - Part 5
Only know you love her when (she lets you) go
(In which a still very sadistic writer make things a lot worse but only so they can get a little bit better)
Pairing: Paige Bueckers X Azzi Fudd
Themes: Angst, Pining, Hurt with very little comfort
Words: 7.9K
TW: Car Accidents, Panic Attacks, Swearing
A/N: Hello my lovelies <3 I know I'm very, very late with this and I love you all for being so patient. I don't really know how I feel about this chapter but it is what it is. Logistical details are probably a little off but I need things to work for the plot, so try and ignore that. Per usual I did edit (very loosely and I'll probably go back over it later), there are probably typos anyways. And as always, let me know what you liked, what you didn't, and what you'd like to see in the future. Happy reading lovelies and let's get a W this weekend. <3
December 2023
A week or so after they get back from the Cayman Islands, Azzi feels like she’s been sleep-walking through life, everything around her hazy and dull. She religiously sticks to a routine of eat-study-practice-sleep. Except well, sleep isn’t really sleeping. It’s her brain conjuring images of blonde hair and blue eyes and Azzi forcing herself to wake-up from a nightmare that used to be her favourite dream. 
She doesn’t tell anyone what happened, lying to herself it’s because it would be embarrassing and not because it would mean having to face the truth. Still, it doesn’t mean that her teammates can’t piece together little bits. There must be something quite sinister about the air around her, because none of her normally nosy and eager-to-help sisters try to weasel any information out of Azzi. They act like they always have, only sharing worried looks behind her back when the façade of i’m doing fine slips momentarily when she thinks no one’s watching. 
And then that façade goes to hell over the span of a couple of hours. 
It starts with the inevitable breakup with Zoe. At first Azzi avoids it, making up excuses as to why she can’t see her girlfriend. Selfishly, there’s a part of her that wants to keep Zoe, keep a girl who would never leave, never make her feel anything less than (or more than) just content. But it’s not fair, Azzi knows that, and it’s why she practises her it’s not you, it’s me speech to perfection in front of the mirror. When she goes to message Zoe that she's coming over, the text chain causes a pinch of guilt in her heart at the contrast between her girlfriend’s hopeful tone versus her own nonchalant one. And Azzi thinks that Zoe will never really understand just how similar the two of them are, stuck at wanting someone who would always let them down. Only, Azzi will let Zoe free but when it comes to her herself, she’s pretty sure she’s destined to be trapped forever. 
It’s embarrassing to admit that Azzi remembers the apartment in Storrs that she’d visited barely a handful of times a lot more than she remembers the apartment she’s currently in, the one that belongs to her girlfriend. Zoe sits rigidly on the couch with the same reserved, guarded expression she’s had since she’d opened the door, clearly aware of what was about to happen. Her foot taps incessantly as the silence between them drags on.
“You deserve better,” Azzi says finally, keeping her eyes firmly locked on the floor. 
“No,” Zoe’s voice is cold, “don’t say shit like that. It’s a cop out. It’s the shit people say to make themselves feel better-”
“Zoe-”
“Don’t be a fucking coward Azzi. Look me in the eye and say it, say exactly what you’re here to.”
Azzi doesn’t want to do any of that. She wants to crumble to the ground and let it swallow her until she’s buried so far away from the mess she’s created. But she owes Zoe this. When she does look at Zoe, there’s this look in the other girl’s eyes that Azzi had never thought herself capable of evoking in anyone and she has to swallow away the bile that rises in her throat, disgusted by her own self. 
“I’m breaking up with you,” Azzi whispers. Her words linger in the air, like shrapnel after an explosion. Zoe flinches, a single tear trickling down her face. 
“There it is,” the Californian says quietly, the ghost of an ironic smile playing on her lips, “I knew it was coming but damn- there it is.”
“I’m sorry. I’m so sorry.”
“For what-” Zoe cuts herself, “no actually don’t- don’t answer that. I think I know.”
Azzi draws in a deep breath, ready to confess, “I need to tell-”
“Please-”
“Z-”
“Please,” Zoe sobs, “please don’t tell me. I don’t wanna hear it okay? I don’t- I don’t want to hate you Azzi. It’s too much and I don’t- I just- I’m so tired of feeling so much for you when you don’t- when you feel so little for me.”
“That’s not true,” Azzi counters helplessly, her words ringing hollow to her own ears. 
“Fucking hell you just ended it Azzi, you don’t have to pretend anymore. And it’s okay because I get it. You can’t feel any more than what little you do for me because- because you’ve already given the rest of it away. And it’s not- it’s not like I didn’t know you know? I only ever met you because you were crying over her. You only let me into your life because you missed her. And now you have her,” Zoe says wistfully. 
It’s terrible the way everything else becomes white noise as Azzi’s ear latches on the last sentence, a sentence that couldn’t be any further away from the truth. She was prepared for the accusations, for Zoe to hurl every curse word in the book at her, but this, the unintended reminder that she was giving up on soft, sweet, gentle Zoe for something that she didn’t have, hurts far more than any words could. 
“This isn’t about-” 
Zoe’s quick to cut Azzi off, pushing herself off the couch they had been sharing, trying to put even more space in between them, “please do not insult my intelligence by finishing that sentence. I deserve that much at least.”
“I’m sorry.”
“I know you are because I know- I know who you are Azzi and I know you’re a good person and that’s why- that’s why I don’t wanna know okay? Whatever you did- whatever happened- just let me- just let me have this. Let me remember you as someone good- someone great,” Zoe pleads.
“If that’s what you want Zo,” Azzi answers weakly, the guilty clawing at her heart. She doesn’t think she deserves to be remembered like that, doesn’t think she’s worthy of being thought of with fondness, not anymore. 
Zoe doesn’t make any acknowledgement of Azzi having spoken as she starts to pace, “I should have known. You know the day I met her this summer, I got it- the appeal- I got it immediately. She has this aura, this charm. She just- she just fucking glows you know? And she’s just- she’s this huge entity and so are you and I’m just,” she lets out a hollow laugh as she shrugs,  “I’m just a girl from Stockton, California.”
“And you’re amazing,” Azzi puts up a hand when Zoe tries to cut her off again, “you are. I don’t think I’ll ever be able to thank you for what you did for me last year. You could have walked away that day and maybe- maybe one day you’ll think you should have. And I’m sorry. I’m so sorry Zoe. You do deserve better. It’s not a cop out. It’s the truth.”
Since she was younger, Azzi’s always hated endings. This time is no different. The bitter truth is that she probably won’t miss her girlfriend, but she will miss the friend that had gotten her through one of the toughest years of her life. Slowly, Azzi picks herself off of the couch and walks over to a still Zoe, squeezing her left hand once before heading towards the door. 
“Azzi,” Zoe calls out, just as Azzi has one foot out the door, “I hope it works out for the two of you. You and Paige always did just seem inevitable.”
***
She blames the fact she’s currently stuck in the terrible LA traffic, with the word inevitable ringing in her ears, for the way her fingers continuously flicker over the green call button under Paige’s name. Zoe saying her name had been the first time in a week that Azzi had even let herself, in consciousness at least, think of the blonde properly. And now that it had been unleashed, whispers of Paige, Paige, Paige echo through every crevice of skull. The pain and anger that she’d been trying to shield herself from, come barraging into her heart as she’s held captive once again by thoughts of her best friend. 
It would be a lie to say that Azzi hadn’t been hoping for a call or a text to come through. She’d waited two days with bated breath for a friendly quip that would lead them back to their safe haven of just pretend. Instead it was as if they were back to being who they had been before summer of 2022 all over again. Back to being nothing. But this time Azzi had been adamant that if Paige was going to cut her off again, she wouldn’t fight it, not this time. Apparently that resolve was never meant to last and Azzi feels a little pathetic with how desperately she needs to hear Paige’s voice, how desperately she wants to try again. 
The traffic clears just as she presses call and maybe that should have been a sign. Azzi’s not a bad driver per say, but as her dad always said, no one’s a good driver when they’re distracted. The phone rings for too long and she should take that as her next sign and accept it as Paige not wanting to talk, but she lets it continue to ring anyway, as she turns onto a more secluded road. And then-
“Hello,” the voice is unfamiliar and Azzi doesn’t really know Paige’s teammates, beyond Caroline, that well but she’s pretty certain this one doesn’t belong to any of them. 
“Hi uh- who is this?” she manages to get out as her grip tightens on the steering wheel.
“Oh um- this is Rose, Paige’s friend” comes the reply, the word friend said with a sultry lilt and Azzi feels her skin prickle. Hang up. 
“Why are you answering Paige’s phone?” her tone is far more accusatory than she’d like it to be. 
“She’s in the bathroom but she told me to,” Rose answers defensively. 
Azzi hesitates, she doesn’t need to know more except, “does she know who called?”
Because surely if she did, if Paige knew it was Azzi on the other line, she wouldn’t let one of her likely random hookups answer the phone, surely Paige would know what it would do, how it would make her feel. 
“Uh yeah- I told her Azzi called and she seemed pretty sure she wanted me to pick up.”
Maybe Paige does know what it would do, does know how it would make Azzi feel, maybe that’s the whole fucking point. Through the phone she can hear quiet footsteps walking closer, towards Rose. When Paige is close enough that Azzi can make out the sound of her breathing, can almost picture the way her chest is heaving, that’s when the tears finally fall, blurring her vision. 
She doesn’t see the blinking headlights rushing towards her until it’s too late and then she’s swerving. The world around her erupts in motion and light and noise, everything spinning and spinning and spinning. For one moment, as she loses complete control of her car, Azzi thinks maybe this is it. And the most terrifying part of it, is that for a second, she’s not all that opposed to the idea of this being the end. It’s a singular image of her parents in her brain that has her regaining her senses and hitting the brakes as hard as she can. Her tires screech as her car barrels into a tree and her entire body jerks around in her car, her seatbelt leaving burn scars against her neck. Azzi feels her heartbeat going haywire, as everything comes to a halt. 
“Oh my god, oh my god,” Rose’s panicked voice echoes. 
“What?” and there’s Paige and even in this wreckage, Azzi’s heart stutters at the sound of her best friend. 
“I think she crashed-”
“WHAT?” there’s frantic shuffling until, “Azzi? Azzi? Hello? Are you there? Fuck. Azzi are you okay? Please say something. C’mon Az. I know you’re there. Can you hear me? Please be okay. Azzi? Fuck, fuck, fuck. Azzi?”
Azzi opens and closes her mouth, trying to answer to the call of her name, but nothing comes out. She feels hot and cold all over at the same and she swears there’s a hand curled around her neck because she can’t fucking breathe. 
“Azzi,” Paige says again desperately, “please say something.”
“P-Paige,” Azzi finally manages to stutter, her chest heaving as she gasps for air. There’s blood rushing to her ears and everything around her feels hazy. 
“Azzi,” and that one syllable is wrapped in so much emotion, “I’m here okay, are you okay?”
No, Azzi thinks, I don’t know if I’ll ever be okay. 
“I c-can’t breathe. I think” she grasps at her neck, “I th-think I’m having a panic attack.”
Paige curses under her breath, “okay, okay alright listen to me breathe okay? And try to match it okay?”
“O-okay,” Azzi whispers, pressing her head to her steering wheel as she tries to mimic Paige’s exaggerated deep breaths on the other end of the line. 
“Good girl, you’re doing so well for me Azzi, just keep breathing okay,” Paige’s voice is far calmer than she probably is in reality, “just keep breathing with me okay.”
Azzi closes her eyes as she feels her chest slowly start to loosen up and lets herself be immersed by Paige’s soothing words of comfort. And for a second, it almost feels as if her best friend is right there with her. For a second, Azzi imagines that they’re on a whole other planet, just them in their little world, like it always should have been, like she’d once been so sure it would be. It’s a beautiful dream that reality is quick to gatecrash. 
“Babe, is she okay?” Rose asks, and Azzi’s eyes fly open at the term of endearment. She’s not on a different planet. She’s alone. And Paige isn’t. 
“I’m fine,” Azzi breathes out and then more firmly, “I’m fine.”
“Thank God,” Paige lets out a sigh of relief before her tone turns sour “what the actual fuck Azzi?”
Azzi winces at the loudness, pretty sure she might have a concussion from the way her head had crashed back into her headrest as she’d crashed into the tree in front of her. 
“I’m fine,” she repeats assertedly, as everything around her slowly starts to make sense again. It’s not a lie really, at least not physically. There’s the potential concussion, and the litany of bruises she’s starting to feel all over her body but she’s pretty sure there’s nothing wrong internally. Well except for her stupid fucking heart but it wasn’t the accident that had fucked that organ up. 
“You just crashed your fucking car, no you’re not fucking fine,” Paige yells, voice thick with tears. 
“What the fuck do you care?” Azzi bites back, “sorry I interrupted your fucking night Paige. I swear it won’t happen again.”
She hangs up before Paige can say anything else, sitting deathly still for a second. And then she lets herself completely break apart. 
***
74 missed calls from Paige
did u go to the hospital 
pick up ur fucking phone 
dude
azzi
this is not the time for this stubborn bullshit 
PICK UP UR FUCKING PHONE 
AZZI 
just say ur ok at least
please 
called ur mom 
said u had a concussion and some bruising 
thats not too bad 
ur so fucking stupid 
it could be so much worse 
please pick up 
AZZI FUCKING FUDD PICK UP UR PHONE 
so u can call carol and not me ok 
thats just fucking perfect
dude i feel like an accident > stupid fights 
so maybe just pick up 
or call me back
u wanna play this stupid game fine 
ignore me for now
but i’mma be in dc for christmas
ur gonna have to talk to me 
i know where u live 
***
The box in Azzi’s arm feels freakishly heavy, like she’s holding the whole world inside of it. In a way, maybe she is. The walk up Paige’s dad’s driveway feels longer than it ever has and she’s fighting the urge to turn back with every step. As soon as she’d seen the vaguely threatening text message, Azzi had decided she would beat Paige to it. The night of the accident had put several things into perspective and Azzi was determined to finally grasp control of her own life. 
It hasn’t been that long since the Cayman Island and so it hasn’t been that long since Azzi’s seen Paige. But when the door opens and she’s face to face with her best friend, despite the dread and anxiety that’s drowning her heart, Azzi still feels that beat of it’s cold but you always make me feel warm flutter in her chest. Paige smiles and Azzi’s arms wobble, drawing the blonde’s attention to the box in her arms. 
“Still a couple of days till Christmas Az, a little early to give me my present,” Paige smirks lightly and Azzi feels a river of hot anger slide around her veins. After everything she’d put her through in the last couple of weeks, the fact that Paige could act so frivolous, as if they were still fine, makes Azzi see red. 
Her voice is icier than the sheet of frost on the ground when she replies, “it’s not a Christmas present.”
Paige’s eyebrows knit together questioningly, “then-”
“It’s all your stuff I had lying around,” Azzi cuts in, trying to keep her voice confident and stable. 
The smile disappears from Paige’s face as she studies Azzi's face, looking for some semblance of emotion beyond the blank stare. 
“What?”
“All the things you’ve left at my house over the years, a couple of t-shirts, a hat, a book and a couple other things, they’re in this box,” Azzi says pointedly. She tries to hand it over but Paige is quick to move away from it, staring at the offending object as if it’s a ticking time bomb. 
“What the actual fuck is going on Azzi?”
“I might have missed some things. Let me know if I have and I’ll mail them to you in the future,” Azzi recites clinically, keeping her demeanour stoic as possible “and of course I would like my things back as well. Not right now of course. You can mail them to me whenever it suits you.”
“Mail back your things? What? What the fuck are you going on about?” Paige asks, a bewildered expression taking on her face. She reaches out as if she wants to shake Azzi but seems to think better of it. 
Azzi doesn’t say anything, as she sidesteps Paige into the house, putting in the utmost effort to make sure no part of herself brushes up against the older girl, knowing the inevitable burst of electricity when they touch would be enough to break her resolve. She places the box of Paige’s stuff on the coffee table in the living room, before turning back to Paige. 
“I’m giving you your stuff back,” Azzi repeats, “I’m giving you what you want.”
“What I want? When did I ask for my stuff back?”
Azzi draws in a deep breath, fighting desperately against the screams of you don’t want this in her own head, “I’m giving you a clean break Paige. I’m letting you go.”
Saying those words feels a lot like free-falling. Her stomach lurches at the way Paige’s features scrunch up in pain and she’d never meant to do that, but Azzi’s so tired. She’s so tired of this push and pull, the way they seem to hurt each other every fucking time, the way things get so close to going right and then go wrong any way. The bitter truth of life, Azzi has forced herself to admit, is that it doesn’t matter how hard you fight, sometimes the darkness wins out anyway. 
“You think-,” Paige stutters, clutching at her chest, “you think this is what I want?”
“Well isn’t it?” 
“Of course n-”
“If I hadn’t called you that night would you have called me first Paige?  If I hadn’t gotten into that stupid accident, would you even have texted me ever again?”
Paige’s silence is an answer in itself . And although Azzi had known it, she can’t deny that there’s a part of her that had posed the question hoping against hope that Paige would have answered it with a resounding yes of course. She thinks maybe she should be used to the singe of disappointment that burns her skin by now but she’s never been immune to Paige’s fire. 
“That’s what I thought,” Azzi says quietly, “I’m tired of running after you Paige. I thought I was done after the Cayman Islands but then I- I don’t know- I don’t know why I called you that night when you- you clearly didn’t want that.”
“Azzi c’mon-”
“It’s my fault really. Because you've always been clear about it and I- for some reason- I just don’t listen. You were clear with it when you told me to go to UCLA and get out of your life. You were clear when you didn’t want me to come into your air BnB. You were clear when you told me to get out of the bathroom last summer. And when you left that night-,” Azzi pauses as Paige’s eyes widen, the words catching in her throat, “when you were gone that morning- every time you didn’t call- every time you didn’t text- you were always clear about it Paige and I- I’m sorry I didn’t listen.”
“You’re being really fucking unfair right now,” Paige accuses, “you’re mad because I didn’t want to be your fucking side whore? I’m so sorry I had more self-respect than that Azzi.”
Azzi blinks rapidly, her face still completely neutral, “excuse me?”
“You wanna blame me for those first two things, fine. But you have a whole ass girlfriend and you wanted me to be what? Just a girl you can fuck occasionally because you feel like it? Who the fuck do you think I am? I deserve so much better than that.”
“I don’t-”
“You wanna know why I left that morning?” Paige asks icily, “I woke up and the first thing I saw is your girlfriend’s fucking i miss you text. All that shit you said to me when I kissed you in LA about not wanting to be one of my groupies or whatever but what did you want me to be Azzi?”
When they were young and naive, the largest fight they’d ever had was about whether or not one of them had cheated in a game of horse. The allegations of cheater from a 15 year old Paige had seemed massive back then, but they pale in front of the accusations of cheater from a 22 year old Paige. It’s not that Azzi thinks she’s some prime example of a good samaritan and she can deal with people thinking she’s not all that, but it’s different when it’s Paige, it’s different to know that Paige could ever think so low of her. 
“You really think I’d do that you? That I’d make you my sidepiece or whatever?”
“What else am I supposed to think about you fucking me while you have a girlfriend?” Paige asks exasperatedly and Azzi flinches at the repeated use of the profanity. 
“Had.”
“What?”
Azzi grips the hem of her shirt, trying to focus her eyes anywhere but Paige, “I had a girlfriend. Past tense.”
“You- you broke up with Zoe?” Paige’s expression morphs from anger to confusion before finally settling on realisation. 
“I never wanted you to be a side piece. You think I don’t know you deserve better than that?” Azzi rubs her temple, as she tries to keep herself steady on her feet, “I know seeing that text hurt you but it’s not like you didn’t know I had a girlfriend. But- but if you’d just waited for me to wake up, god if you’d just talked to me once instead of jumping to conclusions then-”
“Then what?” Paige breathes out and Azzi doesn’t miss the little spurt of hope that’s taken birth on the older girl's face. 
“It doesn’t matter anymore,” Azzi shakes her head, “that’s also past tense now.”
The thing with Paige is that anger is her protective mechanism. When she gets a little close to losing control of her emotions, or feeling too much, it’s what she falls back on so it’s not surprising that her tone is harsh when she speaks again. 
“How the fuck was I supposed to guess you were gonna break up with your girlfriend Az c’mon,” Paige takes a step towards her, “I’m not a fucking mind reader.”
“I never asked you to read my mind. I just- all I’ve ever wanted- is for you to just have a little faith in me- in us,” Azzi’s voice breaks on the last word. 
“That’s not fair. I was really fucking  hurt Azzi-” Paige begins, her voice pleading.
“And then you tried to hurt me back on purpose,” Azzi spits out as the façade of neutrality completely slips off, “you knew it was me calling and you had that girl pick up any way knowing exactly how it would make me feel.”
“Azzi,” baby blue eyes sparkle with tears and Azzi has to force herself to look away, because no matter how much she’s convinced that this is what needs to happen, seeing Paige break, will drown Azzi and she’s barely floating as it is. 
“I don’t enjoy hurting you Paige,” Azzi says softly, “and I don’t think you enjoy hurting me but for the last couple of years, I feel like that’s all we’ve been doing and I- I can’t do it anymore.”
It’s not something she’d ever admitted out loud, or even to herself, but once upon a time Azzi used to think her and Paige would have one of those stories, one of those soft, sappy fairytale-esque stories that had no chance of an ending that wasn’t happily ever after. And she hopes that maybe in another universe, maybe they did have that. Maybe in a universe where she chose UConn and things never went wrong in the first place. Maybe in that universe, they’re happy. But in this universe, they seem to be destined for misery. And Azzi thinks the saddest tragedy of it all, is that it feels like she’s ending a story that never even really got the chance to start. 
“So that’s it then, you’re walking away- you’re just- you’re fucking giving up?” Paige says bitterly, crossing her arms protectively over her chest and Azzi feels a flicker of annoyance light up against her ribcage. 
“Isn’t that what you did?” she accuses, “Is that not what you do? You walk away every. single. time. because you can’t deal with things getting just a little too fucking hard. And what? I’m just supposed to wait until you come back? Or chase after you like a pathetic little puppy?”
Paige flinches at the hardness in Azzi’s tone, mouth opening and closing but nothing escaping. 
“I’m so fucking tired of always being the one calling, the one showing up, the one trying. I’m so fucking tired of fighting for us when it feels like you’re fighting against me,” Azzi pauses,trying to blink away the tears she’d tried so hard to keep locked behind her eyelids, “if you wanna call that me giving up then okay, but I don’t think you realize just how fucking hard I want to hold on.”
Azzi’s not sure if it’s the way her voice cracks, or the absolute misery behind every word she says, but Paige's hard and cold expression is gone so fast it gives her whiplash. And then her Paige, the girl with the warm eyes and soft heart is back, looking at Azzi in a way that makes her want to believe in them all over again. Arms outstretched, Paige takes a step forwards and there’s nothing more Azzi wants then melt into them. It takes everything in her to step away instead. For a moment there’s nothing but them staring at each other in silence, a moment where Azzi tries to memorise everything about Paige just in case this is the last time. And then-
“What if,” Paige begins softly, “what if I entered the draft?”
Azzi looks at her in confusion, “what does that have to do with anything?”
“The Sparks have the second pick, it’s where I’m projected to go,” Paige bites at her lips, peering at Azzi through her eyelashes. 
The Sparks. The Los Angeles Sparks. 
“Is that what you want?” Azzi asks quietly, trying to prevent her brain from already coming up with dreams of stupid picnic dates at the park during sunset. 
Paige hesitates. And it’s enough for those dreams to crumble, because Azzi knows Paige just a little too well, knows exactly what that little bit of hesitation means. 
“I haven’t decided yet but if- if there was a reason that I should-”
“There isn’t,” Azzi says firmly, “it’s not what you want.”
“I don’t even fucking know what I want,” Paige argues and that doesn’t make it any better. 
“Then figure it out,” Azzi yells, frustratedly rubbing her hands over her face, “I won’t deal with you fucking resenting me and running away again in a couple of years- hell in a couple of months- because you regret your fucking decision.”
“I wouldn’t-”
“Please just stop. It's done. I’ve made up my mind” Azzi begs, exhaustion flooding into her body, “just- just let this go please.”
Paige meets her eyes with a stubborn fire, “I don’t fucking want to.”
“Well tough luck because I do.”
“Azzi,” Paige pleads desperately, trying to block Azzi as she beelines for the door, but the younger girl is quick to push past her. 
“Goodbye Paige.”
***
December 2024 
azzi please just let me in 
ur parent are saying u dont wanna see me 
and i get it 
but i can fix this i swear 
i know u know im here
please fucking let me in 
i fucked up 
i know 
im so fucking sorry
but dude we can fix this
just 
can u just fucking let me in
i really wanna see u 
i really wanna talk 
can we just fucking talk 
please 
merry christmas az
u know what fuck u actually 
didnt mean that sorry 
i was just mad 
u make me really fucking mad 
christmas breaks almost over 
i have to go back soon and ik u do too
we should talk before that 
ur so fucking stubborn 
but so am i
im not giving up 
i won’t 
January 2024
hi 
i miss you
ur really fucking annoying
not texting me back
but its fine
i’ll just fucking spam 
i had an ok day today 
practice was kinda ass 
not me tho
i was great
as always 
bet i made more threes than you did 
bro im watching ur game
and
what the fuck kinda airball did u just throw up 
get in the gym az jfc 
oh that was a good pullup
not better than mine
but decent 
been a fucking month azzi 
just fucking call me back 
or text me idk 
i miss u 
sooooooooooo
hows ur day
good? good.
hows mine?
oh kinda shit 
lets see
we lost in front of all these uconn legends
to their fucking rival 
everyones saying uconn fucking sucks 
some people are saying i suck
they might not be completely wrong 
now would be a good time to reply az 
like maybe make me feel better
fuck u actually 
what the fuck am i doing 
idk if u even read these 
February 2024
idk maybe i should stop 
like maybe only fucking psychos do this 
but idk bro 
i feel like ur gonna text me back eventually 
well sc was a shit show 
i mean we knew it but holy shit 
i really wanna talk to you about it
it’d mainly just be me fucking yelling 
and u giggling 
fuck i miss ur laugh
i miss you
idk if u just ignore these
so idk if ur gonna even see this 
but 
i wanted to tell you first 
before u saw it from somewhere else 
im staying at uconn 
u were right
i didnt want to leave yet 
i want my 4 years
but 
just dont think it means i didnt mean what i said
that i dont wanna be in la with u
i do
its not about that
i just need to do whats best for me
and thats staying here 
fuck
i get what u meant now
u didnt pick ucla over me
fuck fuck fuck 
im sorry az
is this how u felt 
when i didn’t text u back 
because it’s actually fucking hell 
i miss you so fucking much dude
i’m so sorry 
i’m really fucking sorry azzi 
for all of it
please just call me back
March 2024
last pac-12 tournament mvp!!
dude i’m so proud of you
we also won 
idk if u heard 
it wasnt easy either 
everything just always fucking goes wrong 
fucking pisses me off 
but oh well 
u know i dont even like texting 
idk how many messages ive sent u 
its gotta be hundreds atp 
insane shit on my part 
tf is wrong with me 
did u see the bracket
see u in the final 4 azzi 
April 2024 
i fucking told u 
i told you id see u in the final four
fucking meant it
fuck 
gonna kick yalls ass
revenge szn
we’re built different in march
cleveland here we fucking go 
but also
cant avoid me anymore 
i cant fucking wait to see you az  
***
UConn 87     UCLA 84 
There’s six seconds left to go and UCLA has control of the ball. The game today had been completely different from the on down in the Cayman Islands. That one had featured a UCLA team that had dominated from start to finish versus a UConn team still reeling from multiple injuries. This time around, UCLA seemed to have lost some of their shine and UConn had been on a tear. She would never give Paige the satisfaction of knowing it but her stupid goading, her incessant smirking because UConn seemed poised to win handedly, had gotten in Azzi’s head for most of the game. The fourth quarter had seen UConn enter with a 11 point lead that had held study until the last two and a half minutes when something had finally clicked for Azzi. 
“Told you, you should have fucking come to UConn,” Paige had sneered while casually dribbling the ball and that had been enough to break Azzi out of whatever funk she’d been in. All of her anger and frustration at Paige seemed to culminate into that one moment as she’d swiped the ball straight from Paige’s hands, narrowly avoiding a foul. An easy steal-and-score layup was followed by two signature three pointers, created by her team’s defence, and suddenly the lead had been cut down to three. On the other side, Muhl had been called for an offensive foul and immediately Coach Close had called for a timeout to advance the ball. 
When both teams get back on the court, Azzi, with her competitive streak in full control of her emotions, relishes in the way Paige’s face is contorted up in frustration. But it isn’t just this game that has Azzi irritated. Paige had been relentless since both teams had landed in Cleveland in trying to corner Azzi. She’d known it was gonna happen since she’d read the text but still Azzi had hoped that maybe the blonde would just let it go, would understand just how much Azzi didn’t want to have to deal with this. Because seeing Paige hurts. All the missing and yearning of the past few months seemed to have blended into this ball of tight hot pain that had burst the minute Paige had smiled at Azzi. She knows Paige means well, and it’s taking everything in her to ignore the part of her that’s secretly enamoured by how hard the point guard is trying finally, but Azzi just can’t do it again. She can’t let Paige in again and then spend every other second scared that Paige will run away again. 
The whistle blows and Charisma gets ready to inbound the ball. The play call had been to just get it to Azzi but it’s clearly one that UConn had anticipated, because she finds herself swarmed with Paige and Muhl both trying to make sure she doesn’t get the ball. Instead, it’s Kiki who gets the ball and the countdown starts, as Azzi fights to get herself free, running off of screens, to get herself open on the three point line. It takes too much time and they don’t have any more timeouts left. Kiki throws it inside to Lauren who misses the layup but gets her own rebound and somehow the ball finally finds its way into Azzi’s hands. And with barely a second left to go, and Paige’s hand firmly in her face, Azzi throws up a prayer. The arena goes deathly silent as the ball hits the back and then circles every inch of the rim before spilling over the edge and falling straight into Edwards’ hands. 
The crowd erupts in deafening cheers as the UConn bench rushes to the court, jubilantly hugging each other with Paige in the middle. Azzi blinks rapidly, refusing to be caught shedding a single tear on camera. Her teammates look distraught and Azzi feels disappointment curling into every crevice of her skin she’d almost had it. In the grand scheme of things she knows that, that shot would have only guaranteed overtime and not a win but still, it wouldn’t have meant a loss. And she knows this one isn’t completely on her either but it doesn’t mean that she doesn’t feel the burden of it on her shoulders any way. 
But despite it all, seeing Paige’s bright smile stretch all over her beaming face as she celebrates with her team, soothes the sting of the loss just a little bit. Azzi still remembers late night calls and Paige’s broken voice too well, her brain imprinted with the misery of a girl who had just wanted to play the sport she loved and couldn’t. And even if everything between them resembles the remnants of an earthquake, Azzi can’t help but be just a little bit happy for Paige. 
The handshake line is better this time around with no one being unnecessarily hostile. One team is too happy to care and when Muhl briefly hugs her, Azzi can’t help but be a little shocked by the affection. Her team is too despondent to be mad, and Angela briefly nods at Paige when shaking her hand, and gets a reassuring grin in return. Azzi has to force herself not to run away, if only for decorum’s sake, once she and Paige finally get to each other. Trying to keep herself steady, she reaches out her hand to counter Paige’s outstretched arms. The smile falls a little bit from Paige’s face as a more resigned expression takes its place. 
“Good game Bueckers,” Azzi manages to muster out. 
The last name stings but Paige does her best to not let it show, “good game Az.”
***
When there’s a knock on the door to her hotel room a little bit after 10pm, Azzi knows exactly who it is. The look that Charisma gives her as she goes to open it, suggests that she does too. 
“Oh thank fucking god, I thought maybe y’all left already,” and there it is, Paige voice echoing through her room and from where she’s perched on the edge of bed, her feet dangling over the side, Azzi catches a brief glimpse of the UConn point guard. 
“Had a little bit of a transportation issue. We’re not leaving til tomorrow morning,” Charisma explains, “what are you doing here Paige?”
Paige shuffles her feet nervously at the doorway, peering over Charisma’s frame in the doorway to catch sight of Azzi, “can I talk to Azzi?”
“First you kick my ass in the final four, and now you wanna kick me out of my own room?” Charisma asks, voice light but there’s an edge of seriousness to it. 
“I-uh-” 
“Az,” Charisma turns to Azzi with a questioning look, and Azzi sighs at having all the attention on her, “you wanna talk to her?”
Say no. Say yes. Her head fights with itself. And for the last few months, Azzi’s done well with listening to the logical part of her brain, diligently sticking to letting go. But that had only been easy to do because Paige hadn’t actually been there. Now that she is, with bright hopeful eyes fixed on Azzi, well, this time the emotional side wins out. She nods her head in yes at Charisma and Paige seems to glow all over. 
“You’re lucky it’s me and not Angela or Kiki or any of the other girls,” Charisma warns, “but I swear to god Bueckers if I come back and there’s a single tear-”
“Then you have my permission to fucking murder me,” Paige vows, her face a paragon of sincerity. 
Charisma nods once, stepping aside to let Paige in. The Bruin’s point guard looks at Azzi once more for confirmation and then, satisfied by the small smile Azzi shoots at her, she leaves the room, letting the door shut behind her. And then it’s just Paige and Azzi and the myriad of unspoken thoughts that seem to always linger between them. 
“Hi,” Paige says softly. 
Azzi stares up at her with tired eyes, “shouldn’t you be celebrating or something?”
“Still one more game to go. Gotta lock in for that first.”
“Then go do that. What are you doing here?”
Paige flinches at the harsh tone and Azzi feels a wave of guilt come over her. She doesn’t mean to be so hostile but she’s scared that if she gives in just a little, all of her will go tumbling down. 
“Sunday is the most important game of my life,” Paige says quietly. 
“I know- I know it means a lot to you.”
“It does,” Paige nods, as she takes a step forward, hesitating for a second, before she drags a foot stool over, so she can sit right in front of Azzi, “will you stay for it?”
“That’s not-,” Azzi sucks in a deep breath, her senses muddle by having Paige so close to her again, “I thought I was clear about- about us.’
“You were but I thought I was clear with my texts,” Paige counters. 
“Paige please.”
“I just-,” Paige pauses, leaning forward and staring intently at Azzi, “I don’t know how the national championship is gonna go. I don’t know if we’re gonna win or lose but I just- I know that no matter what happens, I want you there. Because if I’m gonna end up fucking crying, then I want it to be on your shoulder. And if I’m gonna end up celebrating, I want it to be in your arms. I just- I just want you there. With me. Always.”
Everything else floats away and for a moment, all Azzi knows is Paige, and the warmth that reverberates through her body at the earnestness in those words. If she could, she’d capture that feeling in a bottle and keep it forever. Because moments are fleeting. And when her brain catches up to her heart, and that voice in her head is back to echoing it won’t last, Azzi feels cold all over again. 
“You don’t believe me,” disappointment echoes in Paige’s voice; she’s always been a little too perceptive of Azzi’s emotions, “you think I don’t mean it?”
“I think you mean it now. I don’t think you’ll mean it forever,” Azzi shrugs. 
Paige is quiet, nerves on full display, as she cautiously reaches for Azzi’s hands with both of her own, an audible sigh of relief floating out of her lips when Azzi lets her. 
“I know I fucked up,” she begins quietly, thumb caressing Azzi’s palms, each trace sending jolts of electricy through the younger girl’s body, “like really fucked up and I get why you think that. I get why- why you’re so scared to believe me. And I’m so sorry. I’m so fucking sorry.”
A teardrop rolls down Paige’s cheek, falling onto their intertwined hands, and Azzi feels herself flinch, her own eyes beginning to glisten. 
“If I could go back in time, I’d change so many fucking things. I’d go back to the beginning- back to your room the night before you went to LA and- and I’d tell myself to shut the fuck up. I’d tell you that I supported you- that I understood that you weren’t choosing UCLA over me- and I’d- I’d tell you that it didn’t matter how many fucking miles away from me you were- we’d survive it. But I can’t- I can’t change the past. I can’t change that we fought. I can’t change that- that I was a fucking idiot for ignoring you for a year. I can’t change that I was a dumbass for leaving that morning.”
Tears are freely streaming from both of their eyes now as they grip each other’s hands tightly. There’s something cathartic about finally being able to cry, about finally being able to mourn the loss of what could have been together.And it feels a little bit like healing. 
Paige looks up at Azzi through watery eyelashes as she continues to speak, her voice wrecked with emotion, “and I’m not gonna make promises about how I’ll never do shit to hurt you again because god knows I can be really fucking stupid.”
They let out simultaneous giggles at that and Azzi can feel something in herself unravelling. 
“But what I can promise is that if you let me, every day- every fucking day that I live- I will try. To not hurt you. To make it up to you. To fix this. To fix us. And I can promise, that I will never ever fucking run away from you again. I know- I know it’s gonna be hard but I swear- I fucking swear- that I will stay right here and face it with you.”
“Paige,” Azzi whispers helplessly. It’s everything she’s wanted to hear and it’s too much. The voices in her head are too loud again, screams of she’ll hurt you, she always does, let her go colliding with shouts of it’s Paige, it’s your Paige, hold on to her. 
“You said- you said you were tired of fighting alone but you never- you never have to do that again because- because I’m here now. Fuck- Azzi I’m here. And I know- I know there’s so much we have to talk about and so much we still have to fucking deal with. But we can do that- we can- we can deal with anything. Because it’s us. Paige and Azzi. We can do anything. Together.”
Paige presses her forehead to Azzi’s, pulling their interlocked hands to her chest. They’re breathing in sync and Azzi can feel the thrum of Paige’s heart beat against her fingertips. Azzi’s eyes close of their own accord, as Paige’s lips brush over hers, her next words coming out in a breathless whisper. 
“Believe in me- believe in us just one more time, please.”
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markantonys · 3 months
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wotseries did a little article about the south africa filming which apparently officially started today, and there's nothing crazy in it but i'm so desperate for crumbs that i'm bringing the little tidbits i found interesting to you all!
they speculate filming will last about 2 months
they speculate some tanchico scenes may be filmed here as well as aiel waste scenes
crew members spotted include people associated with all of the season's directors (block 1&4, block 2, and block 3). which might mean the waste scenes (and/or possibly tanchico scenes) start as early as 3x01/2 and/or span as late as 3x07/8 (the director for blocks 1&4 is the same, so we can't say for sure whether they're there for both blocks or just one of them). wotseries does specifically say they believe they may be filming for material as early as 3x02.
they are confident that rosamund pike, daniel henney, madeleine madden, ayoola smart, and josha stradowski are involved in the filming. (actually, they said they were confident about the first 4 and assumed josha was also there since rand yknow has to be there, but i'm 99.9999% sure josha mentioned being part of this filming in the december interviews, so i'm confident.) so it does sound like exclusively the waste crew right now, and thus i'll take the tanchico speculation with a grain of salt, although of course it could be that there are tanchico scenes that are scheduled for later in the shoot and those actors may arrive at a later date.
now for some of my mini musings! first, season filming length. this would put s3 filming at april 2023-april 2024. s2 filmed july 2021-may 2022 and started airing in september 2023. the s2 film end date-air date gap would put s3 at august 2025, while the s1-s2 air gap (1 year 10 months) would put s3 at july 2025. could be we're looking at summer 2025, or could be that amazon wants to alternate septembers with ROP and will put WOT s3 at september 2025, or could be they want and are able to start getting seasons out a bit more quickly and are hoping for spring 2025. who knows! i'll be very curious to learn ROP s2's release date and potentially get a sense whether alternating septembers is their plan or whether they're aiming to start having a fantasy season out every 8-10 months instead of every 12.
second, The Mat Question, given the recent rumor that mat will be part of the tanchico plotline. donal is starring in hadestown which is happening right now, so he's obviously not involved in this filming - at least yet. possibilities are:
a) most/all of the filming is for the waste, and mat is not part of that plotline at all
b) mat is part of the waste plotline in some capacity, but all his scenes were already filmed in the studio and donal doesn't need to participate in the south africa shoot
c) donal does need to participate in a portion of the south africa shoot and an understudy will take over his part in hadestown for a bit while he's doing that (i know nothing about how long-running theater productions work, so i have no idea whether or not it's likely that he would take a theater job or be hired for a theater job if he already knew he wouldn't be available for a chunk of its run)
i don't really have any guesses at all here. mat is destined to be the most mysterious and hard-to-predict character of every season!
third, i'm thrilled to have unofficial confirmation that madeleine is part of this filming and i hope to soon see an end to the "egwene will go back to the tower instead of accompanying rand & co straight to the waste from falme" nonsense haha
fourth, the potential timeframe of the waste plotline. that it spans episodes 3-6 is totally unsurprising, so it's the bookend blocks i'm most curious about. arriving at the waste in 3x02 makes sense to me - this would give them a whole episode with the gang together in falme, and then everyone can split up to head off on their trips. there's also a bit of a possibility that the suspected 3x02 material could be just the end of the episode, and rand's group spends most of the episode in a different place such as caemlyn (a theory i love very much and will hold onto as long as i possibly can!). i thiiiiiink previous leaks placed rand's rhuidean visions in block 2, and in the books the rhuidean trip is just about the first thing they do upon arriving in the waste, so it could be that their arrival is sorta like the 3x02 cliffhanger and then we dive into rhuidean and such in 3x03.
then for block 4. again, we don't know for sure whether this director is here for anything to do with block 4 or only for block 1, so this might be a moot point. but the potential block 4 i can think of for rand's plotline is either a) they're still in the waste all the way through 3x08 as in TSR, or b) they leave the waste sometime in 3x07/8 and go to either cairhien or tear for a big battle. option B would probably still involve some waste scenes in this block even if they ultimately end in a different location, so i don't even know why i'm bringing up anything to do with block 4 because we're no closer to guessing the location of rand's crew by the end of 3x08 than we were before!
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mariacallous · 4 months
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Ukraine’s daring attack on a major Russian warship in occupied Crimea in the small hours of Dec. 26 was one more episode in Kyiv’s strategy to deny Russia control over the Black Sea. With most of its ships driven out of its home port in Sevastopol, the Russian Black Sea Fleet can no longer find safe haven anywhere along the Crimean Peninsula. All ports there are now vulnerable to attack.
The Institute for the Study of War tells the story with data, showing that Sevastopol saw a steady decline in the number of Russian naval vessels in port between June and December 2023; by contrast, Novorossiysk on the Russian mainland farther east showed a steady gain. While Russia has been going all-out to attack Ukraine’s infrastructure, its risky move to deploy ships and submarines armed with Kalibr missiles in the Black Sea is exposing them to potential Ukrainian attack. It is a tacit acknowledgment that Russia can no longer depend on Crimean ports and launch sites.
Ukraine’s success has been due to domestically produced missiles and drones, sometimes launched using Zodiac boats or jet skis. But its most potent attacks have come from the air, where Ukraine has used its Soviet-era fighter aircraft to launch both domestically produced and NATO-supplied missiles. These attacks have taken place with the protection of Ukraine’s advanced air defenses—including newly supplied foreign ones—which are regularly shooting down the majority of Russian missiles and drones destined for Ukrainian targets.
Ukraine thus has made significant strides denying Russia control of both the sea and airspace over and around its territory, thereby preventing the Russian Navy and Air Force from operating with impunity. But is that enough for Kyiv to win? To many Western observers, victory doesn’t seem possible in the face of wave after wave of Russian troops grinding down Ukrainian defenders. Ukraine’s strategy to deny Russia free use of its sea and airspace may be working, but as things stand, it cannot defeat the Russian army on the ground, nor can it defend against every missile striking civilian targets.
Indeed, the current conventional wisdom in large parts of the West is that Ukraine is losing the ground war, leaving no pathway to victory for the country as Russia pounds Ukrainian civilians into submission. Kyiv might as well call for a cease-fire and sue for peace.
The trouble with this scenario is that it spells defeat not only for Ukraine, but also for the United States and its allies in Europe and Asia. It would embolden both Russia and China to pursue their political, economic, and security objectives undeterred—including the seizure of new territory in Eastern Europe and Taiwan.
But is the conventional wisdom right—or does Ukraine’s clever success at sea and in the air suggest that a different outcome is possible? Perhaps the Russian army can be defeated by making use of Ukraine’s willingness to fight in new ways. If you asked a U.S. military professional, the key to dislodging the Russians is to subject them to relentless and accurate air attacks that are well synchronized with the maneuver of combined arms forces on the ground. While the Ukrainians are admirably using the weapons at hand to strike Russian forces both strategically, as in Crimea, and operationally, as in hitting command and logistics targets, success at the tactical level has remained elusive. To achieve a tactical breakthrough on the ground front that leads to operational and strategic success, they will need to be more effective from the air.
For power from the air to be decisive in 2024, the Ukrainian Armed Forces must create temporary windows of localized air superiority in which to mass firepower and maneuver forces. Given the Ukrainians’ success in denying their airspace to Russia at points of their choosing, such windows are possible using the assets they already have at hand. More and better weapons tailored to this scenario would make them more successful across the entire front with Russia.
Gen. Valery Zaluzhny, the commander of the Ukrainian Armed Forces, acknowledges that to break out of the current positional stalemate—which favors Russia—and return to maneuver warfare, where Ukraine has an advantage, Ukrainian forces need air superiority, the ability to breach mine obstacles, better counter-battery capability, and more assets for electronic warfare. Specifically, he argues for three key components. First, armed UAVs that use real-time reconnaissance to coordinate attacks with artillery (which could include properly armed Turkish-built TB2s, MQ-1C Gray Eagles, MQ-9 Reapers, or bespoke cheap and light UAVs capable of employing the necessary weapons). Second, armed UAVs to suppress enemy air defenses, as well as medium-range surface-to-air missile simulators to deter Russian pilots. And third, unmanned vehicles to breach and clear mines.
Although the technologies are new, this combination of capabilities recalls the method U.S. and allied NATO forces practiced during the Cold War in West Germany to confront numerically superior Warsaw Pact ground forces protected by layered air defenses. The Joint Air Attack Team (JAAT) was developed to synchronize attack helicopters, artillery, and close air support by fighter planes to ensure a constant barrage of the enemy in case of a ground force attack. Pooling NATO assets in this way was designed to give the alliance’s forces the mass, maneuverability, and flexibility needed to overcome superior numbers, avoid a war of attrition, and escape the type of bloody slugfest that characterizes the current stalemate in Ukraine.
In Ukraine’s case, a modernized JAAT would encompass, among many things, armed UAVs carrying Maverick and Hellfire missiles, loitering munitions, precision-guided artillery shells, and extended-range standoff missiles fired by aircraft. These systems would be coordinated in an electromagnetic environment shaped by Ukrainian operators to dominate the local airspace, saturate the battlefield with munitions, and clear mines to open the way for a ground assault. This updated JAAT—let’s call it electronic, or eJAAT—would create a bubble of localized air superiority that would advance as the combined arms force advances under the bubble’s protection.
Given Russia’s willingness to endure significant casualty rates, the eJAAT could be even more effective on defense: Massing firepower against advancing troops through an eJAAT might result in a stunning rout of the attackers, opening opportunities for Ukraine to strategically exploit the sudden change of fortunes.
Zaluzhny has made it publicly clear that “the decisive factor will be not a single new invention, but will come from combining all the technical solutions that already exist.” Like all good commanders, Zaluzhny is painfully aware that the 2023 campaign didn’t work as well as he had intended. Even so, and to their advantage, the Ukrainians have clearly demonstrated their innovative talents, willingness to exploit Western methods, and total commitment to victory. U.S. and European assistance to work with them on how to better manage operational complexity and combine technology, information, and tactics in more dynamic ways, coupled with security assistance tailored to the eJAAT approach, would return movement to the now-static battlefield and give Ukraine a fighting chance.
If Ukraine can achieve the momentum in the ground war that evaded it during its failed summer offensive, Kyiv will have a real pathway to victory. That pathway will run through Ukraine’s demonstrated prowess at sea and in the air, joined to an embrace of a sophisticated combination of techniques on the ground. It will be a pathway to victory not only for Ukraine, but also for the United States and its allies.
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Broadway Divas Tournament: Round 2A
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Laura Linney (1964) "LAURA LINNEY (Diana) Broadway credits include My Name is Lucy Barton (Tony nom. dir. Richard Eyre): The Little Foxes (Tony nom.) Time Stands Still (Tony nom.) and Sight Unseen (Tony nom.) all directed by Daniel Sullivan at MTC. Other credits include Les Liaisons Dangereauses, The Crucible (Tony nom.), Uncle Vanya, Hedda Gabler, Honour, Holiday, The Seagull, Beggars in the House of Plenty, Six Degrees of Separation. Television credits: "Armistead Maupin's Tales of the City," "Ozark" (SAG, Emmy nom), "The Big C" (Emmy, Golden Globe Awards), "John Adams" (SAG, Golden Globe, Emmy Awards), "Frasier" (Emmy Award), "Wild Iris" (Emmy Award), "The Laramie Project," "Tales of the City" trilogy. Film: Falling, The Dinner, Nocturnal Animals, Sully, Sympathy for Delicious, Morning, The Details, The Savages (Oscar nom), Kinsey (Oscar nom), You Can Count on Me (Oscar nom), The Other Man, City of Your Final Destination, The Squid and the Whale, Jindabyne, Love Actually, Mystic River, The Nanny Diaries, Breach, Man of the Year, The Hottest State, Driving Lessons, The Exorcism of Emily Rose, P.S., The Life of David Gale, The Mothman Prophecies, Maze, The House of Mirth, The Truman Show, Absolute Power, Primal Fear, Congo, Lorenzo's Oil, Dave. Training: The Julliard School, Brown University. Member: AEA, SAG." - Playbill bio from Summer, 1976, June 2023.
Audra McDonald (1970) "AUDRA MCDONALD (Suzanne Alexander) is honored to take part in Adrienne Kennedy's historic and long overdue Broadway debut. A board member of Covenant House International and co-founder of Black Theatre United, McDonald is a singer, actor, and activist who lives in New York with her amazing husband and children." - Playbill bio from Ohio State Murders, December 2022.
NEW PROPAGANDA AND MEDIA UNDER CUT: ALL POLLS HERE
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"Do you ever think Laura Linney reads her playbill bio and cries? Does she dream of the day when she too will hold a Tony Award aloft in triumph, or has she resigned herself to being one of four actresses with the biggest fail rate and will one day hold the record outright? (Given that Estelle Parsons is in her nineties, Dana Ivey is in her eighties, and Jan Maxwell, my beloved, is dead?) Anyway, the point of this isn't to rub salt in the wound. Love you, Laura Linney."
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"It's too mean to title this poll Biggest Tony Winner vs. Biggest Tony Loser but it's pretty damn accurate, and given the overwhelming whiteness of award shows overall, it's damn satisfying that the Black woman is the one with a record-breaking Tonys on her shelf and the white blonde woman is not (no matter how talented she is). Audra McDonald, my beloved, you're going to sweep this entire tournament."
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englishotomegames · 8 months
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Rhapsody III: Memories of Marl Kingdom (天使のプレゼント マール王国物語, Angel's Present: Marl Kingdom Story)
Release dates Japanese (PS2): December 21st, 2000 English (Nintendo Switch, PS5, Steam): August 29th, 2023
"In Rhapsody III: Memories of Marl Kingdom, music and love weave their way through the past, present, and future! As the concluding installment of the stories of the Marl Kingdom and its characters, this is one magical story you won't want to miss.
Though true love is the destination, there are many magical paths that can lead you to it. Experience the stories of Cornet, the ruler of the Marl Kingdom, her daughter Kururu, the 'Tomboy Princess,' and other lovestruck souls in Marl Kingdom, all of which span the past, present, and future of the Rhapsody series. Tales of true love both new and old await you, including the fate of Kururu's impending marriage, two starcrossed lovers and their warring families, and the journey of Cornet’s mother, Cherie. The trials and tribulations each of these characters face will put their hearts to the test like never before. Will true love truly prevail?"
This is the third and final game in the Rhapsody series - a trilogy of romantic comedy musical JRPGs - released in English for the first time.
You can get the Steam version here, the PS5 version here, or the Nintendo Switch version here! The console releases contain both Rhapsody II and Rhapsody III, under the name "Rhapsody: Marl Kingdom Chronicles".
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empirearchives · 2 months
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Stéphanie Félicité, Marquise de Sillery, Comtesse de Genlis (25 January 1746 — 31 December 1830)
Madame de Genlis was a French writer who maintained a long correspondence with Napoleon and was on the government’s payroll from 1801 to 1814. There is a lot of debate about the nature of the correspondence. Some contemporaries and historians believe she was Napoleon’s spy.
Lady Morgan asked Madame de Genlis about this:
“Buonaparte,” she said, “was extremely liberal to literary people — a pension of four thousand francs, per annum, was assigned to all authors and gens-de-lettres, whose circumstances admitted of their acceptance of such a gratuity. He gave me, however, six thousand, and a suite of apartments at the Arsenal. As I had never spoken to him, never had any intercourse with him whatever, I was struck with this liberality, and asked him what he expected I should do to merit it? When the question was put to Napoleon, he replied carelessly, ‘Let Madame de Genlis write me a letter once a month.’ As no subject was dictated, I chose literature, but I always abstained from politics.”
Source: France, Lady Morgan, published 1817, p. 360
An outline of her life and career can be read in Destins de Femmes, French Women Writers, 1750-1850 by John Claiborne Isbell, (published 2023).
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dangermousie · 5 months
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2023 End of Year Post - cdrama edition
Yes, we have a lot of December left, but I don't think anything else I want to check out will air before 2024 hits (it's cdrama so caveat is - you never know.)
This is only going to cover cdramas that aired in 2023; if I watched it but it was made in a different year, it's not on the list. This was a pretty good cdrama year, all in all.
DRAMAS WATCHED
(In order of liking from least to most as opposed to pure quality; I am including if I’ve seen enough to make up my mind; yes I realize that’s inaccurate, but that’s my list)
30 legend of twin flower - Not dignifying that drama with capital letters, as the only capital that should be associated with this is capital punishment - which is what watching this feels like.
29 Dominator of Martial Gods - sounds like a bdsm gay porn title. Would probably be better acted and written if it was.
28 Beauty of Resilience - you'd need a lot of said resilience to sit through this incoherent, barely acted mess. The thing that I remember the most other than my annoyance is all the jingly-jangly head gear on JJY. Perhaps they could have sold some of them and spent the money on a better script.
27 Divine Destiny - if you think you have too many brain cells and want to get rid of some, boy do I have a drama for you!
26 Wanru’s Journey - honestly it's probably tied with SEL - I mean it's worse but it has actors who are nowhere as well known and a fraction of SEL's budget. Still, this is a big fat nope. I will not say what I think of Aoi Rupeng's "acting" or I'd have to put money in the curse jar.
25 Snow Eagle Lord - Gulinazha's stone face, nonsense plot, terrible CGI. Take your pick as to why this is terrible.
24 Scent of Time - it was uneven but fun but then that ending was dumb enough to destroy the whole thing. Show me on the doll where common sense hurt you, makers!
23 Royal Rumors - Jeremy Tsui and Meng Ziyi are utterly wasted in this nothing trifle of a drama.
22 Legend of Anle - I had high expectations but alas. This is the drama version of color beige. There is nothing offensive about it but nothing good either. Mediocre actors are mediocre, good actors become mediocre, this is just a waste of our finite time on planet earth.
21 Romance on the Farm - it's not you, it's me in action. I can see why people would like this wholesome slice of farming family life, but it's tailored to trigger every one of my "nope" opinions.
20 Back from the Brink - if I were 12, it would be my favorite thing. I am not 12.
19 Journey of Chong Zi - objectively a terrible drama with plot holes the size of Mars and a leading lady whose face has apparently frozen when the wind changed. But I am a total sucker for the trope of upright shizun falling for his demonic disciple and going mental so here we are. Objectively, garbage, subjectively my precious!
18 Love you Seven Times - just call poor Ding Yuxi "Atlas," he carried this mess so hard.
17 Blooming Days - trashy dogblood harem fight fun throwback. It's not that great (and the fact that it was shredded doesn't help) but it's probably the last gasp of that genre for the foreseeable future, so I am grading on a curve.
16 The Starry Love - a fun fantasy where the secondary OTP stole the thunder but overall a really solid fantasy xianxia romance.
15 The Longest Promise - it could have been better - the secondaries were unbearable and there was too much of them and what they did with Alen Fang's character still gives me rage fits, but the main couple was impeccable and lovely and I rooted so hard for them.
14 Chang Feng Du/Destined - visually gorgeous, solidly acted, impeccable first half. Bland as hell second half. Win some, lose some.
13 Circle of Love - this drama is a nonsense trash heap on fire. After a typhoon hit it. It was also the most entertaining, addicting drama on this whole list.
12 Hidden Love - the sole modern on this list, this story has barely any plot but it made me care about the young, decent lovers so hard.
11 Choice Husband - starts out wacky, continues with angst and blood and happy ending. I loved it, but I've always had a soft spot for melo and schemers turning devoted.
10 Pledge of Allegiance - bromance, super solid acting, visuals, a really dark take on officials and the world. Insanely underrated.
9 Provoke - a truly fun Republican revenge and love tale, showing that short format can be wonderful.
8 Gone with the Rain - some of the secondary characters are rage-inducing (hi there, cardboard boy!) but the scheming, ruthless, vulgar FL is amazing and her slowburn with her age gap general who is delighted by her out-there-ness is great!
7 Wonderland of Love - Fei Wo Si Cun goes wholesome and the result is surprisingly entertaining. Battle couple, glorious visuals, a fast paced plot. It's the first Xu Kai drama I enjoyed in years (and he plays a rare cdrama ML it would be pretty neat to pair up with in rl.)
6 My Journey to You - that ending is infuriating (and I am OK with open endings if done properly) but what a visual feast, probably the most gloriously shot drama on this list, and that's a tough competition. Also it packs a hell of a lot of couples and familial and adversarial relationships into its slim running time; assassin lady won over by a gentle man is my favorite trope and so this is extra great.
5. Till the End of the Moon - the ending is a rage-inducing disaster for me, but this drama was the most incredibly emotionally intense, visually eye popping experience. It was deeply flawed but when it was amazing, it was like nothing else in its visuals, its characters and its narratives. It took insane risks; some paid off and some did not, but it was glorious.
4. Story of Kunning Palace - I don't often care for reverse harem stories but this one was such fun - the main OTP was glorious (strong FL, unhinged ML) but honestly everything about this was just so excellently done.
3. The Ingenious One - the most adult drama on this list. Smart protagonists, intelligent plot, emotions that felt true, this is a revenge and a mystery and found family and goes into so many directions you do not expect (Su Mengyu's PTSD after his first kill - that is something you never see in dramas, definitely not prolonged and profound - not like this.) If I was to say which drama was objectively the best on this list, as opposed to favorite, it would be this.
1 (tie) Lost You Forever 1 - this is an exquisite emotional jewel of a story about damaged people moving forward, with damage always present - their past informs their present and always will. The narrative about Xiao Yao and three very different men in her life makes me think that it's an equivalent of a neutron bomb going off right before the main narrative starts and now we are watching the survivors wander in the wreckage. This is very high fantasy setting but it's one of the most emotionally human narratives out there.
1 A Journey to Love - everything I ever wanted - assassins, ride or die adult OTP with genuine believable conflicts, great and complex secondaries, beautiful fights. Oh, and yeah Liu Shi Shi domming the hell out of every man in a ten mile radius, as she should.
FAVORITE DRAMA
It's a tie between Lost You Forever Part 1 and A Journey to Love. LYF1 is a bona fide art piece but it's only part 1 and who knows if part 2 will be any good (seeing the huge ep number cut, I have my doubts) and so it's incomplete. AJTL is an old school wuxia romance with incredibly competent, adult people in love and great cast of secondaries. I can't pick.
WORST DRAMA
romance of twin flower - this is a drama that should not exist. If I could hex everyone involved with it, I would. It's a terrible, stupid, shrill, badly acted drama to start with, but where it really is catapulted into stratosphere of horror is that is took my very favorite non-danmei web novel of all time, a smart and complicated tale with incredible protagonists and turned it into that barftastic abomination. Peng Xiao Ran kept making horrible drama after horrible drama but I kept giving her a chance because of Goodbye My Princess but after this disaster, I've had to accept GMP was a fluke and she is on my "if she's in it, I am out” list. Ding Yuxi is not that far yet (his performance in Seven Lifetimes was the one thing carrying that mess afloat) but he's on freaking thin ice. Anyway, I like to pretend this drama does not exist.
FAVORITE MALE CHARACTER
It was hard because there were so many I loved this year - Deng Wei's traumatized, gentle Seventeen from LYF1 (if someone told me I'd swoon and weep for a character played by Deng Wei, I'd have told them to examine their brains asap), Liu Yuning's incredibly capable, deadly, contained Ning Yuanzhou from AJTL, Zhang Linghe's unhinged Xie Wei from SoKP, Chen Xiao's schemer with a heart Yun Xiang from TIO.
But ultimately, it couldn't be anyone else but Luo Yunxi as Tantai Jin/Demon God/Ming Ye/Cang Jiumin in Till the End of the Moon. He was everything - a demon, a saint, a martyr, a monster, a tormented abuse victim, a savior, joyful, unhinged, smart, pitiable. It was the cdrama performance of the year for me. Luo Yunxi even in a mediocre role is impressive but in a complex (series of) role(s) designed for his strengths, he is a force of nature.
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FAVORITE FEMALE CHARACTER
Xiao Yao (Lost You Forever Part 1). Once again, there were runner ups - Bai Lu's smart a little evil FL in Kunning, the gloriously unhinged assassin domme Liu Shi Shi in AJTL, Esther Yu's assassin longing for a different life in MJTY etc etc etc. But Xiao Yao's damaged, difficult, very self-aware woman stole my heart. I was skeptical going in because I haven't enjoyed a Yang Zi performance in a long time, but she was the wounded beating soul of this incredible drama.
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NEEDS TO BE MURDERED
Where do we start? How about all of Seventeen's (LYF1) monster family? His brother, who tortured him for years physically and emotionally to such a degree his body is a horror map and his personality is permanently altered because "mommy liked you better." Psycho mother who created a situation where the kids were going to turn on each other and "let's get my grandson raped" grandma. Where is a well-placed meteorite when you need one.
FAVORITE SHIP
Xiao Yao/Seventeen, LYF1. Yes, a ship of characters played by Yang Zi and Deng Wei is my favorite. Leave me alone, I am on my tenth helping of crow already. They are both incredibly damaged, barely functioning survivors who find what they need in the other - he finds a savior and someone who sees him as a man and rebuilds himself around her and she finds someone who will always put her first and only, and subsume himself in her. Is it healthy? No. Does it make sense for them and is it making them slowly functional? Yes.
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Runner up: Ren Ruyi/Ning Yuanzhou, AJTL - two adults, so competent, so chemistry full. She has so much damage and so little normalcy but is so strong and he is oddly gentle (in between murders) and incredibly self-reflective. They are each other's mirrors and I love them.
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FAVORITE SECONDARY OTP
Su Mingyu/Ke Menglan, The Ingenious One - the idealistic merchant who wants to join jianghu until he sees its horrors firsthand and a slave entertainer who wants security but decides she wants him more. They are gorgeous and glorious and wholesome and I adore them.
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Runner up: Liu Gong Quan/Ming Zhu, The Ingenious One - that drama was a shippy gift, especially impressive considering it wasn't even romance-centric. He's the officer who has to bring down her treasonous father but loves her. Delicious.
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Another runner up is Chao Feng/Qian Kui, the angelic good girl and the scheming bad boy in The Starry Love. They stole the drama from the main OTP for me.
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NOTP
Scent of Time endgame. What the hell was even that. It made NO sense.
FAVORITE SCENE
So many good scenes this year - Tantai Jin taking apart Li Susu in prison in TTEOTM, the OTP fighting in perfect sync and insane rhythm in the gorge battle in AJTL, Chen Ruoxuan's character stopping the execution in Pledge, Yan Lin's coming of age in Kunning, the poison/antidote "gamble" in MJTY, Cang Xuan detoxing in LYF1. But I think ultimately, me being who I am, my favorite scene is Xiao Yao kissing Seventeen's damaged, scarred knee to show he is in no way inferior for her. AAAAA!
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In terms of pure jaw dropping visuals tho nothing will ever beat Ming Ye’s battle against the Devil God in TTEOTM.
BIGGEST CRUSH
Ning Yuanzhou, AJTL. He's sexy as hell (that height, that way he moves in battle) but he's also so incredibly competent, so adult, so self-reflective and so attracted to a woman for her strength. He also gets whumped on the reg. Anyway, my hormones are ready.
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BEST SCENE STEALER CHARACTER
Gong Yuanzhi (My Journey to You) - I loved the unhinged, brocon poison boy. He was everything. Also Yan Lin (Kunning) - talk about sunshine; I totally got why all these people felt they needed to save him.
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NEEDS A SEQUEL
My Journey to You - what the HELL was that ending?
NEEDS SCISSORS TAKEN TO IT
legend of twin flower - that is, stab it with scissors like it stabbed the novel until it's dead.
TOO MANY SCISSORS TAKEN TO IT
Till the End of the Moon - they clearly cut stuff to fit into the new regs about runtime and it made the last 1/5 rather abrupt. Gimme!
TROPE THAT NEEDS TO DIE
The emperor cannot be irredeemable. WTF, China, you are a communist country!
FAVORITE TROPE WE’VE SEEN A LOT OF
This is the year of a ML who yearns to be dommed by his FL. Long may it continue.
BIGGEST DISAPPOINTMENT
The Legend of Anle - the novel had a great plot, the cast were all actors I either enjoy a lot or somewhat and we got - whatever that soggy piece of wonderbread toast was.
BIGGEST GOOD SURPRISE
LYF1 - I only checked out to mock because nobody could explain the story to me and nobody in the cast did anything I like either ever or in years. And then I fell utterly and completely in love and had to eat so much delicious crow.
2023 DRAMAS I HAVEN’T SEEN THAT I MOST WANT TO WATCH
Ancient Love Song is the only one on that list. It looks really good, I just need to brace myself.
BEST NON-2023 DRAMA I’VE WATCHED IN 2023
The Imperial Doctoress - best slowburn and pining and glorious character development and adult leads.
MOST ANTICIPATED
Anticipating any nonaired cdrama is a mug's game but if they air, I will definitely check out all the Fox Matchmaker dramas, LYF2, JoL2 and The Last Immortal. If Prisoner of Beauty ever is allowed out of the vault (dubious), it goes on the list too.
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