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#BUT THIS FELT MORE IMPORTANT
poorly-drawn-mdzs · 4 months
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Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.
(Part 1, Part 2, Part 4 (soon))
#poorly drawn mdzs#mdzs#lan wangji#Yungmeng Jiang training arc AU#I wanted to try out a different paneling style for this one - sorry I'm a day late! (there will still be a post tomorrow to keep on track)#The original 3 panel comic idea was fine but the point of this new schedule was to take time to push myself a bit more.#I was taking a look back through some comic artists I felt inspired by#and I really loved how Lynda Barry fills her gutters with patterns and doodles!#Obviously I'm not going as absolutely wild with it as she does but it was a great exercise!#I truly think the gutters are the most important and most overlooked part of any comic. There's lots going on in that space.#It's the same with timeskips. The implied movement between moments that we don't see changes depending on how wide that gap is#You're here for the funny tags so here's some that ties this time talk together:#I think LWJ was thinking about that second note from day 2 but it took him 7 days of hazing to commit it to paper.#I think he sends it a day later and immediately regrets it. Chasing down the messenger and everything.#You know if something actually happened to his brother he would never ever forgive himself for putting the bad vibes out there.#Third time skip was the hardest because there was so many possible flavours of jokes here. Day 8/9 was a personal favourite.#day 14 was also funny (week by week). I think the debate on 'how long does lwj take to catch feelings' is more or less:#'how long does it take for him to arrive at a particular stage of grief and yearning (and awareness of it all)#This is a symphony. There is an act by act structure. Every day he is fighting to keep his old sensibilities. He is losing so badly.#(I'll be returning to the main comic soon but there is more of this AU to come!)
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oldbookshop · 5 months
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#I viscerally need Jack Harkness to get within ten feet of this Doctor for reasons
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gummi-ships · 5 months
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julijbee · 2 months
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girlbossing too close to the sun.
#art#ive literally just been treating this game as a library simuator#i walk from bookseller to bookseller opening up all of their books#vivecs sermons are either a highlight or the point at which i stop reading#ive been trying to convince the ordinators that imitation is the highest form of flattery but it hasnt been working#let me wear your helmets please theyre so funny..#posting morrowind in 2024 isnt a cry for help but youre not wrong to be concerned.#morrowind#almalexia#vivec#im going to explain the chitin armor give me a moment#so the bonewalker nerevar on the shrines is adorable and it was only after drawing it however many times that i realized#it looked relatively close to a modified chitin armor#and so i modified chitin armor a few times and this was probably the cutest result#i also know i drew almalexia relatively pristine and untouched by years and vivec not so much but my thought process was#vivecs role as if not a favorite then the most accessible divine or the most “hands on” in a manner of speaking#acting in ways visible to the general population or actions explicitly brought to their attention#like not that almalexia isnt doing anything she is#but the dissemination of information regarding that is very different etc etc etc#anyways to a certain extent a god is the face on a shrine or in art or upon a statue or carving#but vivecs presence is interwoven with the geography of vvardenfell especially and his actions and writings with pubished materials#and the arts and culture and customs etc etc etc#so to me the face of a god you know and feel a commonality with or a god that walks alongside you is a face you would recognize#and vivec is already otherworldly looking enough#the simple mark of the years on his skin in some way grounding him in reality felt more right#that and i think the ways in which he and almalexia care about outward appearance are slightly different- they prioritize different things#and the ways they present outward power and their embodiment of their respective attributes share some similarities as they both have that#important preoccupation with physical power and physical strength to a certain degree#oh my god nobody read this i am yapping so bad.#tes
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uncanny-tranny · 9 months
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Important tip for trans men/transmascs/whoever needs the reminder: Even if you pass as a man to cis people, you still need to have either some form of self-protection on you (e.g., mace, knives (if you can use them effectively), ect.) or know some form of self-defense. Please take it from me, you don't know what will happen out there at any given time.
You might assume that if you pass as a cis man to cis people, you will be safe from any harm. While I wish that were true, it simply isn't the world most of us live in. Please do whatever you can to protect yourself out there.
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cute-brainz · 2 months
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in honor of the Sam BA 🫡📣 idk what to do with myself
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irawhiti · 9 months
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kia ora! i would like to suggest the coining of a term that would hopefully help a large demographic of mostly-forgotten-about māori to connect with each other and share our experiences to feel less alone, congregate around a concept regardless of country of origin and upbringing, and organise as activists.
i politely ask as many people to spread this as possible to help indigenous people organise with each other and to get the largest amount of interactions possible.
anyway, with all that being said,
i would like to coin the term "ngāti rangiātea" for māori who do not know their iwi to use.
this is based on the well known whakataukī/proverb, "i will never be lost, for i am a seed which was sown from rangiātea." i chose this whakataukī due to the spiritual significance of rangiātea as a place in māori culture, as well as to emphasise that no matter how it feels, we are not lost, we can find ourselves in each other, we can experience strength and self-realisation, and that we will exist with mana and without whakamā as rightful tangata whenua.
i've put my reasoning, personal experiences shaping my viewpoints on the matter, and various statistics under the cut to make this post reblog-friendly and i would suggest fellow māori read it regardless of whether or not they know their iwi. i also ask for the opinions of other māori, ESPECIALLY AND SPECIFICALLY other māori who do not know their iwi. in fact, i politely ask māori to share this with their whānau and people in general to share this with māori they know, especially any they know who do not know their iwi. a wide reach is what i am going for to get the largest amount of voices, critiques, and opinions on the topic and to avoid this from just becoming a very small thing that stays in an online echo-chamber.
to begin, the 2018 aotearoan census shows that, of the 775,836 people identifying as māori in aotearoa, roughly 17% are unable to identify their iwi in the census. this has gone up by 1% since 2006, showing that we are a considerably stable percentage of people. along with this, there are more than 170,000 māori living in australia and, while there are no solid statistics, there are an estimated 8,000 māori living in the UK, 3,500 in the US, 2,500 in canada, and 8,000 in other countries where there's no option for māori or any polynesians on the census.
this number adds up to 967,816 total māori and while there's no census in these countries asking for your iwi, i would go as far as to assume that there's a larger number of diaspora māori who are no longer able to identify their iwi than there are in aotearoa. of course, this is just speculation based on my lived experiences and conversations with other diaspora māori, however even assuming that it's the exact same amount globally, 17%, this is roughly 164,532 māori worldwide who do not know their iwi. nearly one in five māori do not know their iwi.
regardless of the specific statistics, the hard fact here is that there is a large percentage of māori who are unsure of their iwi for whatever reason. it's extremely easy to feel unsure of yourself, lost, disconnected, and uncomfortable speaking on issues regarding te ao māori when you're unsure of your iwi (or your hapū, whānau, waka, or anything else, but there is heavy emphasis on the iwi) and it's very easy for whakamā to take hold, especially when many māori who can recite their whakapapa aren't very polite or understanding about your situation to say the least.
and there are a lot of those people.
unfortunately, i've spoken to many māori who are of the opinion that not knowing your iwi due to colonialism, assimilation, forced disconnection, etc. means that you should not, cannot, call yourself māori. this is a disgusting viewpoint to have and in my opinion it spits on the fundamental concepts of māori culture and worldviews. thankfully this is a small yet vocal group of people, but even so, they add to the collective experience that makes it extremely difficult to navigate a world while full of whakamā and internalised racism. it can feel like there's no space for you, no term you can use, nobody you can relate to, no mana you can claim, nothing. when you cannot recite your whakapapa, it can feel like there's a part of you that's fundamentally missing.
as well as this, even when people mean well, when you are in this situation, you're usually told to just do some genealogy work, do some research, ask your family what they know. sometimes, these steps are simply not possible. other times, we've already done everything suggested over and over and over again. we're generally told "oh, that sucks, but one day you'll find out, keep looking!" in response to our lack of iwi. sure, they mean well, but i have never once been told anything along the lines of "that's okay, some things are lost to time through no fault of your own. don't beat yourself up over something your whānau had to hide to survive, what you do now to uphold your family's mana, what you do know about your whānau, and who you ultimately become is more important than what you no longer know."
and why? why is it seen as shameful to say matter-of-factly that i don't know my iwi? i'm not looking for comfort, i'm not looking to be told that, aww, there there, i'll find it eventually. i'm stating a fact. i do not need pity, i need my mana and voice to be respected.
this concept is what i want to emphasise by coining ngāti rangiātea. some things are lost to time, but we aren't. our loss of knowledge does not mean that we are unworthy of being māori, that we are unworthy of basic human respect. it does not mean that we have lost everything that our whānau knows. it is a scar, a reminder of what colonisation took from us, yes, but we cannot allow it to continue to be an open bleeding wound. we will not be lost to time and we should not bow our heads and act like we do not exist, that we're inconvenient, that we damage the "image" that māori have. in fact, we are an important aspect of māori culture and ignoring our existence does harm to everybody.
and of course we can't speak on some topics regarding te ao māori. this seems to be a topic that comes up frequently as a strawman. yes, there are some topics that would be irresponsible to speak on when we have no experience with them. this doesn't mean we can't speak on anything. having a collective identity, an "iwi" to congregate around even just politically, would help us speak on topics that we are more qualified to speak on than māori with knowledge of their iwi (yes, those topics exist, shockingly.)
we will never be lost, for we are a seed sown in rangiātea.
by identifying as ngāti rangiātea, i wish to emphasise that it's important to accept that sometimes, someone just won't be able to find every piece of information. loss of family knowledge is literally one of the primary goals of forced assimilation! we all went through it as colonised peoples, why must we continue to attach shame to those of us who were forced to obfuscate our history to keep our children alive? it's not a personal flaw, it's not a dirty secret, it's a fact of life that must not continue to be kept quiet out of shame, and the sooner we can focus on healing this subsection of our community, the stronger māori as a whole will become.
so, this is why i'd like to coin a term for māori who are unsure of their iwi. this is what i intend to achieve by giving us a name, our own "iwi" to congregate around, to identify ourselves as. instead of hanging my head and saying "i'm not sure what my iwi is, i'm sorry", instead of feeling inclined to beg like a dog to be treated with respect, i would like to look people in the eye and tell them that i am ngāti rangiātea. i would like this label to be synonymous with strength and not shame, that i refuse to let my whakamā swallow me, that i am just as worthy of calling myself māori as anyone else, that there are many others in my iwi (or lack thereof). i would like other people to have that as well and i would like those like me to feel less lost when all they've been told is "well, you'll learn your iwi eventually!" as if that's going to help someone feel better if they can't find their iwi.
and even if a person finds their iwi eventually, it's absolutely disgraceful that people are treated that they're not allowed to access many basic parts of te ao māori until they discover something they are not even 100% destined to find. i think that this view contributes to a lot of people who eventually find their iwi becoming unnecessarily arrogant towards those who truly cannot find this information, that they're just not putting enough effort in. if a person finds their iwi after identifying as ngāti rangiātea, they are fully welcome to continue to identify as this political label along with the iwi they now know they belong to as i wish for it to be a term that describes your experiences, your upbringing, and your community. you don't suddenly lose your whānau or your lived experience when you discover your whakapapa.
finally, this hopefully goes without saying, but ngāti rangiātea is not meant to function as a real existing iwi does. the term will hopefully be used as a way to identify yourself and other people and organise but i don't expect nor do i want this to be treated like a coordinated iwi. i expect and hope for this to be a decentralised way of identifying and experiencing community to make it easier to organise as a people. think of this the way the terms ngāti kangaru, ngāti rānara, ngāti tūmatauenga etc. are used.
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so, the tl;dr is that i feel like coining a name for a phenomenon that nearly one in five of all māori experience in quiet shame, to make it easier for us to congregate and find each other, speak on our experiences, organise as activists, feel less lost, and ultimately give us the ability to regain our mana as a community with shared goals and experiences. i have spoken to many māori who feel this way and my suggestion for this term is ngāti rangiātea, to show homage to the well known whakataukī, "i will never be lost, for i am a seed sown from rangiātea", to give us a community to work with, and to give us an "iwi" to list when asked instead of fumbling for words and feeling whakamā.
i would like to take the emphasis off of constantly looking to the future for what you may or may not even find with this identity. we are not broken, we are not lost, for we are seeds sown in ngāti rangiātea.
tēnā koutou, tēnā koutou, tēnā tatou katoa, and if you got this far, thank you for reading.
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iamfuckingsorry · 2 months
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Thinking about that mural from DE
You know which one
TRUE LOVE IS POSSIBLE ONLY IN THE NEXT WORLD, FOR THE NEW PEOPLE. IT IS TOO LATE FOR US. WREAK HAVOC ON THE MIDDLE CLASS
The next world mural. In the game, you encounter this piece very early on if you interact with everything available, you probably see this mural before you've ever even heard of Dora or before you've started to get really serious about your commie tendencies, if that's how you choose to play. And the reaction is like, "wow, this is kinda profound actually". Or maybe it's like, "oh lol, this game really is commie af isn't it" (even though later on it turns out that the game is much more critical of communism than you'd think at first). And the story in the ledger provides some insight into Harry and Jean and how they work together too, so it feels like it makes sense, it fits in very well at that moment in the game and that's it.
But looking back at this mural after you've played through the entire game, knowing what you know of Harry's relationship with Dora...
It's Harry's own fucking love story in a way, isn't it?
Him and Dora came from very different backgrounds. He's genuinely poor, grew up checking the trash cans on the streets for tare and edible food, spent his teenage years running around with a bunch of kids who all OD'd or got themselves killed one way or another over the years. He had dreams of getting an education, getting a chance to use his creativity and curiosity and learn about all that that is worth exploring in this world (which is everything), but those dreams are long dead. She's solidly middle class, with access to all the education and art and music he's always dreamt of, with her family to always fall back on. She's everything Harry's ever dreamt of growing up. She might as well be living in another world.
They fall in love with each other and she moves to Jamrock to live with him. Jamrock, the biggest fucking ghetto in Revachol, full of tweakers and gangsters and just thousands upon thousands of poor people permanently down on their luck trying to get by, with no proper aid or government and a police station so understaffed and underfunded they never even stood a chance. And they can barely make ends meet even living in Jamrock, moving from shithole to shithole, never knowing when they'll have their electricity cut, when something will happen that gets them thrown out, desperately scrambling for a new place to stay. And Dora could never do that, not really - she never actually lived in Jamrock, she always had the possibility of leaving, of going to work across the river and visiting her parents whenever she felt like it or just escaping, packing her shit and getting on the tram and never going back. And as long as she knew she wasn't really, truly stuck in this miserable shithole forever, she wasn't ever really living in Jamrock. And it could never be enough for her.
And she wanted more - for herself, for Harry, for their family, who even knows. Maybe she saw Harry struggling trying and failing to make a difference as a gym teacher and thought he could do more good with the RCM. Maybe she was getting desperate, living in this fucking shithole, and thought they needed more money. Maybe it was something completely else - but what is certain is that Harry ended up joining the RCM, and the 41st, and everyone there is on speed, everyone is miserable and desperate and always running behind playing catch up with the case load, with the crimes, with the drug addicts and rapists and murderers, and Harry, who's always been like this close to a genuine mental breakdown, just fucking falls apart. He needs to help people, needs to make a difference, and working at the 41st, with the budget and case load and staffing situation and the pure fucking misery in the area. He goes out and meets a miserable person after a miserable person and he can't do anything else than be nice, make their day a little bit more manageable, do his best- but he knows that no matter what he does, his best won't be enough. He won't be able to make a dent in the pure fucking misery that is Jamrock. But he needs to, so he drinks, he smokes, he does drugs, he loses any semblance of control he ever had over the voices in his head, the dude telling him to hit shit and the dude telling him to forget everything and just get fucked up and Revachol herself screaming at him about her imminent death. And in the end Dora can't stand it anymore and she leaves (and, honestly, good for her. I'm happy for her. But this is about Harry, and Harry isn't, he isn't able to be happy for her at this point in time).
And like. I personally doubt that she'd have left just because of the money if everything else was good. I honestly even doubt that the money was that big of an issue for her to start with, it was all the other issues first and then the fact that they couldn't even rent a fucking VHS and play it at times became just one more thing on top of this already massive pile of shit that broke the proverbial camel's back. But in Harry's mind, he was never rich enough for her. She was always the middle class girl who settled for the poor fuck, and he was never gonna be good enough for her because he was just a broke dude from Jamrock. She was perfect and so so beautiful and at one point her love was the only thing keeping him going, and then she left because he couldn't even
And from what we can see in the game she was the only person he's ever really, truly loved.
But in his mind, they could never be together again. They could try as they might, but it was never gonna work out, because she was a rich girl and he was just a poor miserable fuck. He grew up looking for change on the streets, she took piano lessons in a fancy part of town. The difference was just too large to ever truly be bridged.
So for post-breakup Harry, prior to Martinaise and even during the events in Martinaise, true love was never actually possible. It is possible only for the new people, in the next world. It was too late for him - he had his chance, and it was an impossible thing, it could never have worked out and now he's wasted it. Because of the inherent differences between different social classes. It is too late for him. So yeah, fuck it, wreak havoc on the fucking middle class. Fuck those rich bastards who took Dora from him, and fuck Dora too.
On another note, this was also one of the most recent cases him and Jean worked on prior to Martinaise. I don't remember the date exactly, but it was in his last ledger, it must have been pretty recent. Do you think he saw the mural and thought about it the same way I did? Maybe this was the one that truly pushed him over the edge? The impossible love. It truly was too late for him. The only way to fix it is a new fucking start. And how do you get that?
After life - death. After death - life again.
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thekidsarentalright · 2 months
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meredith (andy’s wife) addressed the situation with gabe and it seems she had no idea he was a zionist. obviously she isn’t speaking for fob too, but hopefully this indicates they didn’t either and they can all become better educated now with people raising their concerns.
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valhalla-awaitsfor-us · 8 months
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"Respect the admins of the eggs and understand that for many CC the eggs are a companionship when there is no one on the server and they even get along at this point after so long" AND "the eggs can be killed at any moment and that dosent mean that people should go and throw hate at any CC (Or bother others CCs to go and save them) because It's A GAME , and at the end of the day the eggs are NOT even the main point of the QSMP " are concepts that should coexist
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only-god-canstopme · 8 months
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aaron forgiving andrew for killing tilda when he has children of his own because he thinks that if she were around he never would’ve let her meet them.
(and if he didn’t want his children near her, or any children near her, that means that he, as a child, should’ve never been near her. and he gets what andrew did bc he would kill to keep these children safe too.)
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reel-fear · 2 months
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So... Mike's response to concerns about the lack of diversity in Bendy was basically 'Well clearly in this photo we did not create or make [from my understanding it's taken from a documentary and edited] Norman is white so really you're the morons here. Of course, he's white fuck you for thinking otherwise.'
It's a bad time to be a Bendy fan this is genuinely so low and such a mean-spirited way to treat your fans.
I genuinely need a moment to recover from this. Mike said the books aren't canon as a way to dismiss concerns about their designs but now here he is clearly implying Norman is white in canon too so why did any of this matter?
I need to like... Lay down. This is so tiring and genuinely, just hurtful. I feel bad for the poc in this fandom right now, I hope everyone who reads this is okay, and genuinely if u need to, take a moment to step away from this and just breathe.
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lunarharp · 2 months
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=,= well..last scribbles of the day..final image is how it feels to throw colour at my b&w drawings
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zodiac-wars · 19 days
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ngl i absolutely love that nothing happened to kipperlilly in the past. just an insecure kid burning with anger feeling like the world would never let her have a fair shot. just a resentful girl who should have been working on her issues and instead got taken advantage of by someone in a position of power over her.
give me more villains who are products of the world around them. give me more shitty people who turn into monsters seeking validation.
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vellichorom · 1 year
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ok before i ENTIRELY miss out on the hype train of clock 0ut, let me just get these posted
C0 SCENES REDRAWN with @tomi-chuu​’s stanley & my narrator, as before!
( yet again IMPLORING you to watch both Blank Decay & the original Yellow Zone, they’re immensely compelling & pure eye candy to watch & experience, )
& the original panels are below for comparison ~
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uncanny-tranny · 9 months
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So, so many queer people, I've noticed, can put themselves in precarious situations wherein they feel accepted by people and the queer person would do anything for those who accept them, even if it is harmful to them, even if it is scary. It feels like you are indebted to those who accept you because you know that isn't the case for every person you meet. To so many queer people, they are afraid to upset others who accept them (or "accept" them) because they are so scared of rejection. This is completely human and completely normal. But that doesn't mean you deserve to be taken advantage of. You deserve to be treated as an equal because you inherently are an equal - to everybody.
Please know that the people who truly, truly respect and care for you will understand when you can't do everything. They will still respect you, because you are a human being. Saying "no" is neutral at worst. You deserve to honour yourself, too.
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