#Art framing Houston

[pictureworthcustomframing]

Video: The Art of Frame Stacking

Layering Picture Worth Custom Framing understands the significance of true custom picture framing, setting it apart from mainstream framing through the meticulous technique known as frame stacking. This method involves layering multiple frames to create a unique and visually appealing presentation for the artwork or photograph. By carefully selecting frames of varying sizes, styles, and colors,…

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[clairity-org]

Jean Tinguely, Relief méta-mécanique, Metamechanical relief, 1954, Steel tube frame, steel wire, painted cardboard, and electric motor, 3/11/23 #mfah #artmuseum #sculpture by Sharon Mollerus

#artmuseum #Jean Tinguely #and electric motor #Texas #painted cardboard #Relief méta-mécanique #1954 #Steel tube frame #Metamechanical relief #mfah #The Museum of Fine Arts #steel wire #Houston #TX #flickr

[dailyrothko]

Hi! Love your blog. I really enjoy Rothko's work and I was curious about your statement that museums over-light Rothkos. My main exposure to Rothko's work is Rothko Chapel in Houston which is quite brightly lit, and I was curious - what in your opinion would be the ideal lighting for Rothko's works in general (if such a question can be answered) as well as for Rothko Chapel? Thanks so much - have a great day!

It's pretty well documented that Rothko wanted the work seen the way he saw it as he painted it. That was close up (18 inches from the painting but take into account Rothko was very nearsighted) and in low light, "Religious Twilight" Stanley Kunitz called it. There are people who attest to this environment who have very firsthand knowledge of the work and explain a feeling that the color comes alive in lower light, penetrating it, sort of night blooming.

For reasons both good and bad, museums do what they want. Rothko did not want frames on any of this paintings but you see them anyway, especially in Europe, where, ironically, the light tends to be lower in the exhibits. To make matters more complicated Rothko was not keen on his work being seen with other work, he wanted one painting alone or a group of paintings alone but that's a highly impractical thing for a lot of museums. The National Gallery In Washington DC has a Rothko room as does the Tate in England, but this is the exception, not the rule.

Some museums really do struggle to stay afloat, people don't like to walk around in darkness where it's hard to see things, practically everything in America is brightly lit, loud and ample. I think there's a desire to give the public what they want that has inevitably resulted in this practice spilling over to museums. To make matters worse, the kind of light museums use (warm or cool, LED etc) affects greatly the presentation of color. This is the reason photographs of Rothkos often swap blue for green or vice-versa.

I'm not an expert in any of this or, sadly, wealthy enough to travel and see every Rothko exhibit. But I think this problem is getting better as art museums, sort of like restaurants, have entered the modern age of forensic examinations and chemistry. New attitudes about restoration have gained a lot of ground, mostly because computers are so sophisticated they allow technology to take a larger role. It's good, I think. A lot of people care about the art and that's where it has to to start. With Rothko, luckily there are some good people working on it including members of his family, who are steering things in the right direction as much as they can. We're going to see some really good reproductions coming out and I think this is due to that kind of care.

As for the Chapel, I have been but not since the renovation. I am told it's very good but will have to experience it myself.

Matters like this are sort of art projects themselves. As we saw in the Harvard Mural restoration, a lot of trouble was gone to to save these damaged works without doing what the used to do for centuries to art which was basically repainting it.

as i have veered off into more than one subject, I'll leave you with an anecdote. I post these on my instagram but have not done it here as I have not been sure of my old guard Tumblr followers wanted the addition of Rothko quotes with the paintings (perhaps they can tell me)

"(Rothko) wanted a dim light for his show at Janis. Janis thought the lighting "made the gallery so dismal, but he wanted some kind of mystery attached to his painting." When Philip Guston accompanied Rothko to one of his shows at the Janis, Rothko turned off half the lights in the gallery."

#mark rothko #anonymous #question

[art-4-sale]

2/3/2024 - Art Collage 1987, Whitney Houston “I Wanna Dance with Somebody (Who Loves Me)” Hit No. 1 on the Billboard Hot 100. The song went on to earn Houston a Grammy Award for Best Pop Vocal Performance. Max print size: 60x40 inches. Worldwide shipping, 30-day money-back guarantee. #Canvas Print, #Framed Print, #Poster Print, #Metal Print, #Acrylic Print, #Wood Print

#whitney houston #collage #art #photo #poster #canvas #print #png

[olmo-gallery]

Bartolomé Esteban Murillo (1617-1682) - The Nativity (1665-1670). Oil on obsidian. Dimensions: Overall: 15 × 13 7/16 × 1 1/4 in. (38.1 × 34.1 cm) Frame (outer): 20 1/8 x 18 5/8 x 2 5/8 in. (51.1 x 47.3 x 6.7 cm). Museum of Fine Arts, Houston. Texas, USA

Bartolomé Esteban Murillo, one of the greatest 17th-century Spanish painters, executed The Nativity on obsidian, a lustrous volcanic black glass.

Scholarship suggests that the obsidian was originally created by an Aztec craftsman for use as a "smoking mirror," a ceremonial tool for spiritual communication and divination. Murillo used the Pre-Columbian object as a painting surface, cleverly taking advantage of the vertical inclusions in the glass to suggest heavenly rays shining down on the Holy Family.

#bartolome esteban murillo #murillo #museum of fine arts #museum of fine arts houston

[evesaintyves]

I love it when u post art!!

thank you!! do you want to see some art that's in my house?

this is jenna and shauna. i have no idea who the artists, B. Lyons and M.H. Len are - if you recognize them let me know!! my guess is that this is probably folk/naive art. jenna, on the left, is from a roadside stand outside ardmore, oklahoma and shauna, right, is from a vintage streetwear streetfair (lol) in houston, texas. jenna doesn't hang right because she's haunted (affectionate)

possibly nsfw below

artist unknown, she's from my flaming heart in houston. this sinister young lady, tish, lives in the hallway where we keep all our cursed stuff

this one doesn't have a home yet - lizbeth lorenzo of la familia lorenzo

also in the cursed hallway, i have no information on who made this or what's going on here, i bought it from from the texas art asylum, an art supply/found objects shop. i guess it's dicks and stuff though.

honestly one of my most prized possessions. no idea who made it. bonus content of the spoon collection we inherited from my wife's grandmother 💖

this is my fanciest piece of art, probably, it's by mike egan. i wish i knew who painted the rock, i think we got it at an antique store. also apparently i need to dust

another one we haven't hung up (we're moving soon) by painter and beader natalie archuleta. we bought it at her shop in taos pueblo, new mexico

by t. bouch, an artist out of oklahoma city who doesn't have much web presence. my wife has had this since before we met! her dad briefly owned an art gallery and t. bouch exhibited there. We have a few more of his paintings and drawings in storage right now, sonetime after we move i will photograph them because they're great

my mother in law painted and framed this and gave it to us as a wedding present. it's barnabus collins from dark shadows. she's cool as hell

anyway uhhhh. i hope somebody enjoyed that! we have a lot of art packed up right now but someday, maybe, i'll make a part 2 ?????

#folk art #textile art

[needmoney4artsupplies]

need money 4 art supplies stickers! | Link in Bio. You can put stickers on almost anything — laptops, picture frames, mirrors, binders, notebooks, and more! #stickers #redbubble #sticker #stickermule #merch #merchandise #artsupply #artsupplies #nobodysupportart @stickermule #art #starvingartist #threadless #linkinbio (at Houston, Texas) https://www.instagram.com/p/CqZ3UvFutcv/?igshid=NGJjMDIxMWI=

#stickers #redbubble #sticker #stickermule #merch #merchandise #artsupply #artsupplies #nobodysupportart #art #starvingartist #threadless #linkinbio

[ninaforplace]

I’m feeling the pinks! 💝🫀💅👛🐙🌸🍤🥊🎟🎀💘 pink is one of my favorite colors to work in—after art school at my first professional studio visit the gallery director told me she liked my work but there was “too much pink! Everything’s pink!”; needless to say I didn’t get into that gallery in 2004 and I didn’t stop using pink 😇💕 all of these paintings are small and framed, and are available in either Houston, TX or Jackson, WY, reach out if you want more info and #pink in your life 💓 #ninatichava #ninatichavasmallworks #pinkart #pinkartwork #pinkpainting #pinkobsession #pinkobsessed #pinkinspo (at Austin, Texas) https://www.instagram.com/p/ClbeGtkuSX_/?igshid=NGJjMDIxMWI=

#pink #ninatichava #ninatichavasmallworks #pinkart #pinkartwork #pinkpainting #pinkobsession #pinkobsessed #pinkinspo

[artonado]

Evening in the East Hills by American artist Amanda Houston on Artonado! http://bit.ly/Artonado Use your TV as a frame to display the painting and check out the other 300 contemporary artworks on the channel.#art #painting #artstreaming #artshare #fineart #artgallery #Oregon

[amberjack121-blog]

A Look Into Vera Chytoliva’s film Daisies

The Czech New Wave was a movement in Czech and Slovak cinema of the late 1960s and 1970s. Czechoslovakia was occupied by the Soviet Union between 1948 and 1989, where political conditions made it difficult for filmmakers to work in their home country. The films produced during this time are seen as influential in their critique of the communist government and culture. The overlapping stylistic phases of the Czech New Wave include surrealism, expressionism and poetics. This was an era of cultural revolt and change in film making, paving the way for new ideas and styles. There are many critics out there that have plenty to say about the Czech New Wave, as well as some specific films included in this film movement. In this blog, we’ll get a good idea of how these critics felt about the movement overall and a few of those films too.

Mirek Gosney, from The University of Southampton claims that a shortcoming of the Czech New Wave was it’s ambiguous time frame, as the films equally resist the past, reflect the present, and anticipate the future. The New Wave often has become subject to sentimentalizing sixties nostalgia. Gosney explains that the New Wave also had fragmentary organization, with its filmmakers only assembling on two main occasions: once to defend Daisies (1966) and The Party and the Guests (1966) against dissension charges, and the second time to produce Pearls of the Deep (1965). Gosney felt that the New Wave was destined to remain “unfinished” because it was “evidently unrealistic to preach egalitarianisim with such a hostile political climate unless all fronts are united behind a coherent, long-term cause”. He sees The New Wave as neither reformist nor revolutionary, because the only organization it yielded was further Communist rule. This is a different take on the Czech New Wave than most other ones I have heard before. 

Fernando Gomez, from the Czech Center Museum in Houston, Texas, claims that Jan Nemec’s A Report on the Party and the Guests (1966), is a direct reflection of communist Czechoslovakia’s imposing nature on its own citizens. He explained that it is also an observation of how people are willing to accept things for the way they are when they are faced with such high power. Gomez believes that although the Czech New Wave ended following the Soviet invasion, the directors’ legacy lived on through subsequent films such as Milos Forman’s One Flew Over the Cuckoo’s Nest (1975). This film contained the same anti-establishment themes as in Forman’s Czech New Wave films. Gomez finished his critique by concluding that in Czechoslovakia, the sixties were an important point in time for film history because it exposed communist Czechoslovakia to the world. He explained that they did this through works of art, daring to criticize a complacent regime full of propaganda. 

Facets co-founder, Milos Stehlik said that “some people called [The Czech New Wave] the Czech film miracle”. His reasoning for this was because this movement came out of nowhere very quickly after an era of harsh communism. Stehlik believes that there are some directors who did achieve international success, such as Jan Kadar with The Shop on Main street, and Jiri Menzel with Closely Watched Trains, both winning Academy Awards for best foreign-language film. Another film, Daisies (1966), by Vera Chytoliva was a legendary anarchic comedy that was denounced by government authorities, saying that it represented “a road of our cultural life on which no honest worker, farmer, or intellectual would like to embark”. Stehlik explains that it was a testing of limits, and a testing of rules and conventions. Many people felt the same way about this film, as it crossed boundaries people were not expecting it to. 

Vera Chytoliva’s film Daisies, was a playfully subversive take on women’s roles, seeing through a jarring lens. Throughout this film, the two main characters, both girls, run around pranking older men and just laughing at the world around them. There are random jump cuts throughout Daisies, as well as abrupt switches between color and black and white. The look of this film is very different than the predictable ways of the mainstream cinema from that era in Czechoslovakia. Both of the main characters were not professional actors, but not much else in Daisies conformed to the basic Czech approach, seeing how eccentric it is. Chytoliva explained in an interview with writer Antonin J Liehm in 1967 that “we are still living as guests in a man’s world”. When she says “we”, she is referring to women. Christina Newland closes her critique saying that if what Chytoliva said was true, then the women of Daisies would be the world’s worst guests. This is because they jump on the furniture, swing from the chandeliers, and cause much more chaos. This film is like no other during this era, so it is still very fun to watch. 

Trailer for Daisies:

https://youtu.be/cPpPpnVwRgY

Trailer for A Report on The Party and The Guests:

https://youtu.be/COhqThlv_04

food fight in Daisies

https://youtu.be/zm9Gh8Fpy0c

References

https://openjournals.uwaterloo.ca/index.php/kinema/article/view/1232/1554

https://www.researchgate.net/publication/333565786_The_Czechoslovak_New_Wave-_The_Golden_Sixties_or_Beginning_the_Descent_into_a_Postmodern_Abyss

https://www.czechcenter.org/blog/2021/5/17/cinema-under-communism-the-czech-new-wave

https://www.latimes.com/archives/la-xpm-2002-apr-03-et-liebenson3-story.html

https://filmlifestyle.com/czech-new-wave-cinema/

https://lwlies.com/articles/daisies-vera-chytilova-mubi-ica-light-show/

[videoenvy]

Videoenvy: A Corporate Video Production Company in Houston

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Our team of creative minds and technical wizards is dedicated to bringing your ideas to life. From concept development to post-production, we handle every step of the process with precision and passion. With state-of-the-art equipment and innovative techniques, we ensure that your videos stand out in today's competitive market.

At Videoenvy, we understand the importance of effective communication and collaboration. We work closely with you to understand your goals, target audience, and brand identity, ensuring that every video we produce aligns seamlessly with your vision. Our goal is not just to meet your expectations but to exceed them, every single time.

What sets us apart? It's our commitment to excellence and our relentless pursuit of perfection. We don't just create videos; we craft experiences that resonate with your audience and drive results. With Videoenvy by your side, you can trust that your corporate videos will leave a lasting impression and elevate your brand to new heights. So why settle for ordinary when you can have extraordinary? Choose Videoenvy for all your corporate video production needs, and let's bring your vision to life, one frame at a time. Contact us today to get started!

#CorporateVideoProduction #CreativeExcellence

[pictureworthcustomframing]

It Really Saves Time...

Want A Quote? When clients are in need of a quote for custom framing services, they often turn to Google for assistance. They will typically type in search terms such as “best custom framing near me” or something similar. This is a smart approach as it allows them to quickly find local businesses, like ours, that offer the custom framing services they require.  Clients can easily compare…

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[dankusner]

Madonna powers through Celebration Tour in Houston despite voice issue

The celebration must go on — even when the queen of pop isn’t feeling well.

"My voice is not so great tonight," Madonna confessed to Thursday night’s crowd at Toyota Center.

It was the first of (hopefully) two shows.

She was more than halfway through a nearly two-and-a-half hour set.

But it was apparent earlier that she wasn’t feeling well.

Her voice got raspier as the night went on, and there was some hesitation in her steps. It was clear she wasn't lip-syncing.

Rest up. Madonna.

Even if that means rescheduling a few shows. (As of now, nothing has been canceled.)

Last year, Madonna postponed the original Celebration Tour dates because of a serious bacterial infection that resulted in her being placed in a medically induced coma for 48 hours.

Still, Madonna at 75-percent in Houston is better than most acts at full tilt.

Her catalog plays like a complete history of pop music, and she showcases it magnificently during The Celebration Tour.

Most of her previous outings have focused on new music.

This is the first tour that hasn’t followed a new studio album.

Many of the songs haven’t been performed live in several years — or ever.

Arranged together across one night, it's a towering achievement.

"Are you ready to take a ride with me?" Madonna asked.

The crowd had been for months, and they showed up in classic Madonna looks.

Lots of '80s tulle, cowboy hats, sequins and leather.

It’s exhilarating to finally hear her sing "Bedtime Story" and "Take a Bow."

We even get "Erotica" and "Justify My Love," overtly sexual songs that would probably be banned today from radio.

An army of dancers stomped the stage in recreations of Madonna’s most iconic looks, from "Frozen" goth to "Material Girl" Marilyn to "Music"-era cowgirl.

During "Open Your Heart," she recreated the music video's art deco peepshow.

There were sweet tributes to fallen pop idols Prince and Michael Jackson, who defined the '80s alongside Madonna.

Bob the Drag Queen, "RuPaul's Drag Race" Season 8 winner, served as the night's emcee and kicked things off at 10:05 p.m. for those keeping track.

(FYI, Madonna has always done that. She went on at 10 p.m. in 1987 for the Who's That Girl World Tour.)

Bob appeared from the back of the venue, dressed as Madonna-as-Marie-Antoinette from the 1990 MTV Video Music Awards.

"Drag Race" queens popped up throughout the night.

Gottmik, the first trans man to compete on "Drag Race," was the surprise guest during the ballroom judging sequence.

Detox, who competed on regular and "All Stars" seasons, was seated near the front of the stage.

Celebration also meant family.

Madonna's four adopted children showed up onstage in various capacities.

David Banda, handsome and confident, walked the runway during "Vogue," played guitar and joined Madonna on deep cut "Mother and Father" as images of his birth parents flashed onscreen.

Daughter Mercy James was poised on the piano during "Bad Girl," another song fans thought they'd never hear live.

Twins Stella and Estere DJ-ed and danced, holding their own against the older professionals.

"I'm so proud of them. And I'm harder on them than anyone else (on the tour)," Madonna said.

The main stage piece was reminiscent of the wedding cake set from Madonna's legendary 1984 performance on MTV.

She stood still as it rotated and rose during opener "Nothing Really Matters."

The show itself was framed as a journey through Madonna's musical life, from gritty New York clubs and red velvet beds to the balcony of the Casa Rosada and, finally, the top of the world.

Madonna frequently interacted with a masked dancer meant to be a reflection of herself.

The person, she said, who never let her down.

She introduced a fuzzy "Burning Up" as the first song she wrote on guitar, only to restart it because of sound problems.

"My guitar teacher is here tonight. Don’t embarrass me," she said, referring to Longview native Monte Pittman.

Later, Madonna dedicated a twangy, acoustic version of "Express Yourself" to Pittman and said she was "forever indebted to him."

The show's most powerful moments were those most personal to Madonna.

The scrappy '80s joy of "Holiday" was cut short by an onstage death meant to symbolize the AIDS epidemic.

It segued into "Live to Tell" as images of people who died of AIDS, including Freddie Mercury and Anthony Perkins, filled multiple screens across the venue.

"Like a Prayer," always a live highlight, was lifted by religious iconography and an interpolation of Sam Smith's "Unholy."

A carousel of dancers contorted their bodies amid crosses.

Madonna draped herself in the progressive Pride flag featuring trans colors during a snippet of "Evita" tune "Don't Cry for Me Argentina."

She soared above the crowd inside a giant frame, wearing pink hair and a silver bodysuit, during an electrifying "Ray of Light."

"Bitch, I'm Madonna," she asserted in song near the end of the set. Indeed she was, she is and always will be. Even with a sore throat.

#Youtube

[bilalrehmanstudiocom]

Capturing Moments Creating Memories Bilal Rehman Studio in Houston TX

In the heart of Houston, Texas, nestled amidst the vibrant energy of the city, lies a sanctuary where moments are frozen in time and memories are crafted with precision and passion. Bilal Rehman Studio stands as a beacon of artistic excellence, offering unparalleled photography and videography services to individuals, couples, families, and businesses alike.

At Bilal Rehman Studio, the journey of capturing the essence of life's precious moments begins with a commitment to understanding the unique stories and desires of each client. Led by the visionary photographer Bilal Rehman, the studio is renowned for its ability to transform ordinary moments into extraordinary memories through the lens of creativity and innovation.

With a keen eye for detail and a deep understanding of the nuances of light, composition, and emotion, Bilal Rehman and his team bring forth a distinctive style that seamlessly blends elegance, authenticity, and storytelling. Whether it's a wedding celebration filled with love and joy, a family reunion brimming with laughter and warmth, or a corporate event exuding professionalism and sophistication, every occasion is treated with the utmost care and dedication.

What sets Bilal Rehman Studio apart is not just its technical expertise but also its unwavering commitment to client satisfaction. From the initial consultation to the final delivery of the meticulously crafted photographs and videos, every step of the process is guided by a philosophy of excellence, professionalism, and personalized service.

One of the hallmarks of Bilal Rehman Studio is its versatility. Equipped with state-of-the-art equipment and a team of highly skilled professionals, the studio offers a wide range of services tailored to meet the diverse needs and preferences of its clientele. Whether it's intimate portraits, breathtaking landscapes, dynamic event coverage, or compelling commercial imagery, Bilal Rehman Studio delivers results that exceed expectations every time.

Moreover, Bilal Rehman Studio takes pride in its ability to create a comfortable and relaxed environment where clients can truly be themselves. From the nervous bride preparing for her walk down the aisle to the aspiring model stepping in front of the camera for the first time, every individual is treated with kindness, respect, and empathy, allowing their true essence to shine through in every photograph and video.

Beyond its commitment to artistic excellence and client satisfaction, Bilal Rehman Studio is also deeply rooted in the community it serves. Actively involved in various charitable initiatives and community events, Bilal Rehman and his team strive to give back and make a positive impact wherever they can. Whether it's providing pro bono services to local nonprofits or mentoring aspiring photographers, the studio is dedicated to using its talents for the greater good.

In essence, Bilal Rehman Studio is more than just a photography and videography studio; it's a sanctuary where moments are cherished, stories are told, and memories are made eternal. With a blend of creativity, professionalism, and heartfelt passion, Bilal Rehman and his team continue to redefine the art of visual storytelling, one frame at a time.

So, whether you're planning a wedding, celebrating a milestone, or looking to capture the essence of your brand, look no further than Bilal Rehman Studio in Houston, TX. Because when it comes to preserving life's most precious moments, there's no substitute for excellence, and there's no team more dedicated than Bilal Rehman Studio.

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[kaylawilliams-photography-631]

Carrie Mae Weems

“My work endlessly explodes the limits of tradition.”

Weems uses her own persona to “respond to a number of issues: woman’s subjectivity, woman’s capacity to revel in her body, and the woman’s construction of herself, and her own image.” (Weems, quoted in Carrie Mae Weems: The Kitchen Table Series (Houston: Contemporary Arts Museum Houston, 1996), 6). Weems, or rather her protagonist, inhabits the same intimate domestic interior throughout the series.

Carrie Mae Weems (American, b. 1953). Untitled (Woman and Daughter with Children) from The Kitchen Table Series, 1990. Gelatin silver print, 27 ¼ x 27 1/4.

Her works centre around the same dining room table and single hanging light. The downlighting focuses on the subjects at the table, honing in on the story they tell together. The series of photographs from The Kitchen Table Series has a continuous elements of the main "protagonist" Carrie herself. They appear as an externalisation of an internal dialogue of personal experience.

The image above in particular has the portrait subject still with the other supporting subjects blurred in movement which a really dynamic frame. It looks similar to how some scenes in moving image present time passing by with the main character standing still among movement.

In other images I found these isn't sitting in the centre but sometimes standing behind the light or sitting at the side of the table. Some photos she engages with the camera but most she doesn't and is otherwise engaging or observing the other subjects in frame.

This is an interesting approach to a series of photographs to tell a story, particularly in the sense you can tell quite a complex narrative with the same setting and lighting. For variation, changing the angle or height of the camera, change in focal length, range of focus and changing frame position.

[detroitflights]

Houston's Top 7 Locations for Stunning Sunset Views

Famous for its bustling eateries, street art, and southern culture, Houston provides a mesmerizing skyline vista after a busy day. Because of the year-round sunshine and the popularity of the city as a travel destination, it is imperative to witness the breathtaking sunset. Discover 'Space City' by venturing through parks, rooftops, stadiums, and the bayou. Make Houston an amazing trip by booking DTW flights and taking advantage of the city's many activities and attractions.

Houston's Top Spots to Take in the Stunning Sunset

Buffalo Bayou Park: In addition to having a fantastic sunset view, Buffalo Bayou Park in downtown Houston is home to the Cistern Art Museum, The Water Works, a restaurant, and a skate park. After seeing the sunset, the park's large urban area with a charming lake and scenic surroundings make it the perfect place to check out the city's nightlife.

Twilight Epiphany Skyspace The architecturally stunning Twilight Epiphany Skyspace on the Rice University campus serves as the home of the Shepherd School of Music in Houston. There's an LED show here around sunset, and there are two viewing platforms. Although there is a view of the Houston skyline from the lower deck, it is framed and offers a less impressive perspective of the sky above.

Hermann Park's Miller Outdoor Theatre Jazz, Shakespeare, ballet, and pop concerts are all free to see at Houston's Miller Theatre, which is situated in Hermann Park. March through November. The theater, which is great for enjoying free performances and the rays of the Texan sun, is situated between Hermann Park and the Hermann Zoo. It boasts a stunning view of the sunset.

The Nature Center & Arboretum in Houston Encompassing Memorial Park, one of the biggest urban parks in the United States, for five miles, Houston's Houston Arboretum & Nature Centre is an ideal location for a peaceful haven. The center provides beautiful sunsets, animals among the wetlands, and a calm haven from the daily grind. Photographers and lovers of the outdoors should not miss this tranquil setting.

Minute Maid Park For lovers of Major League Baseball, Minute Maid Park, the home stadium of the Houston Astros in Texas, is a unique experience. The stadium provides a distinctive ambiance for afternoon or evening games with a seating capacity of over 40,000. Savor the succulent sunset beside the world-famous Texas barbecue and game tickets.

Sam Houston Park The Kellum-Noble mansion, rustic buildings, and Victorian architecture can all be seen at Sam Houston Park, a historic property managed by the Heritage Society in downtown Houston. For those who enjoy history, this park provides something special: a prime location to watch the sunset while immersed in centuries of culture and history.

Memorial Park Golf, baseball, swimming, and a running course are among the many sports and outdoor activities available at Houston's Memorial Park, the city's largest open area. It also has Buffalo Bayou-bordering pathways that are well-liked by track runners and bikers and provide a calm setting for picnics and skyline views. Take a flight from Detroit to Houston and explore Houston.

#dtw flights #dtw flight bookings #detroit flights #flights