#Andrea Morricone

[sarahalainn]

Valentine Dinner Show in Kure - Sarah Àlainn Quartet 

Valentine Dinner Show - Sarah Àlainn Quartet 

2024.2.5 Kure・Hiroshima

丁度呉でのバレンタインディナーショーから一週間が経ちました。

バレンタインにセトリとサラッと舞台裏をご紹介！

Sarah

1. As Time Goes By

2. A Time For Us～永遠の愛

3. Nuovo Cinema Paradiso

Jazz Ballads

4. My Funny Valentine 

5. Misty

6. Up-tempo Love Medley

Love to Love You Baby 

Lovefool

Can’t Take My Eyes Off You

呉・日本

7. Eidelweiss 

8. 無限に広がる大宇宙「宇宙戦艦ヤマト」

9. 糸

Idol/Self-love

10. アイドル

11. Laisse Tomber Les Filles 

Europe

12. Tout, tout pour ma chérie

13. Spain

Encore

14. I Wish

15. Can’t Help Falling In Love

16. Lovin’ You

今回は日本の最強ジャズメンとのサラカルという豪華編成。選曲をギリギリまで悩みました。

私にとって初となるバレンタイン・コンサート。

そもそも、私はほとんど恋愛の歌がない。カバーしたレコーディングにも限りあり。

広い意味での愛の歌に拘って来た自分に、バレンタインという課題で悩む悩む。

サラジオでも極力バレンタインの時はラブソングを避けて来た私。

そう、どちらかというと、苦手派。

バレンタインやクリスマスは何かとプレッシャーに感じる。もっと素直に愛を表現したい。愛の記念日なら、先ず自分を大切にしてるか確かめたい。毎日ボロボロ傷だらけにしている我が身。精神的な傷の話ですが、今回のサライブは距離が近く、アッパーな選曲に合わせた足を出すサラスタイルにすると、早速怪我をされてないかと心配されたお便りがラジオ局に。あれは去年フランスの石畳で転んだ時の傷。当初は５０倍酷かった。表面でも傷は中々すぐ綺麗に治らないものですね！(写真はメイクと光のせいでほぼ見えない）

さあ、どうするよ選曲。

毎回来られるサポーターさんに新しい作品を見せたいという思いで極力選曲を変えて来ましたが、アルバムの曲を楽しみにしてる方の為に、今までの録音に目を通す。

本当にラブソングが少ない。

しかし、私はシネフィル。映画音楽ならお任せを。

丁度イタリアでピアニストのクリヤ・マコトさんと共演した２曲があるではないですか。オリビア・ハッセーに恋した（私が）、Zeferelli監督の「ロミオとジュリエット」より『A Time For Us～永遠の愛』。ヴァイオリンソロでは狂ったジュリエットを表現してます。

A Time For Us 〜永遠の愛 / Romeo and Juliet

イタリアのドラマー🥁さんも今でも聴いて下さってるという「Nuovo Cinema Paradiso」から愛のテーマ。

作曲家のAndrea Moricconeの前で生で歌った経験は宝物です^_^

しかし、ロミジュリはアカペラからスタート。せっかくのディナショーなので、客席を通りたい。そうして、せっかくのジャズカルなので、jazzyな一曲から。

Time・永遠の愛繋がりで『As Time Goes By』をチョイス。クリヤさんとの配信ライブで演奏した以来。モノクロ名画で「Casablanca」で流れる愛の歌。

片手にワインらしき🍷ものを、もう方にはマイク。客席を回りつつ、サラッと英語質問。��“Here’s looking at you kid”. この表現を知ってる方は？

近くにいらっしゃった男性は気持ちよく拍手。残りの皆さんシーン。ディナショーでクイズからスタートするこの人の性格って？と思われたのだろうか。

これは名台詞「君の瞳に乾杯」。日本語訳がまた素敵ですね。呉に来てKureた皆様に乾杯🥂

サラの定番曲から次はジャズバラードへ。

『Misty』は近年レパートリーに入れてる曲で、『My Funny Valentine』はお初。どちらも低音でスモーキーなサウンドが醍醐味。ウィスキーに例えるとLagavulinと言うところでしょうか(好きです🥃)。

こう言う気怠く歌う曲は凛と立つよりハイチェアに座って歌うとより雰囲気が出やすい。しかし丁度いい椅子がない。

大好きな舞監さんに、ピアノに寄ってみたら？との一言で、人生初めてのポジションからの歌唱。立ち方、動き方、寄り方、慣れないなりに雰囲気を味わう。

クリヤさんのピアノソロをこんなにじっくり観れる特等席ではないですか。ライブ後クリヤさんから、あんなに近く演奏を見られたことがなく、緊張したとのこと🤣 

ビルボードの時もスペースがあればまたピアノと一体になってみたいものだ。

ここからも新曲！MC不要なメドレーですね。

この編成だからオシャレに盛り上げていけたラブメドレー。

最初はDonna Summerの大人の愛の歌から。

オリジナルでは彼女は自分の声を重ねていくので、ルーパーの出番だ！ライブでループした音源とバンド演奏を交互して行くうちに、ループがずれてくるというリスクは毎回ありますが（あまりライブでイヤモニをしないのでクリックが基本ない）、今回は本番で見事にずれてしまいました。く〜〜。おそらくペダルを踏むタイミングが甘かった。またこれはいつかライブでリベンジしたい。

メドレーで一番聞きなれないものがあれば、こちらかな？私はドンピシャ世代。日本では分かりませんが、オーストラリアやヨーロッパではずっとラジオで流れてたヒット。これは現代のロミジュリ「Romeo + Juliet」で大ヒットした『Lovefool』。監督はオーストラリア出身のBaz Luhrmann。歌はスエーデンのバンドCardigans。英語で歌うヨーロッパのアーティストが多くて当時は全て勝手にアメリカかイギリスのバンドだと思い込んでいました。嫌というほどラジオで流れてたので歌う日が来るとは思っていませんでしたが、改めて聞いて楽譜を見ると、面白い転調やふわりがあるシャレオツなポップスだなと。

そしてラストは、自然と手拍子したくなるあの曲。君の瞳に乾杯してからの、『君の瞳に恋してる』。

サビはもちろん、バースもブリッジも全てキャッチー。これも改めて、なんとよく書かれてる一曲！インストのジャージャッジャージャッの部分は腰を振りながらヴァイオリン演奏。意外と筋肉を使う。

元気なラブソングも、悪くない。ライブでは曲の成り立ちや自分の思いを語れる唯一の場でもあるのでMCは欠かせないですが、このような説明不要で体と耳で楽しめる曲がいかに快感か。おそらくお客様にもその楽しさが伝わったかと。ますます、みんなと歌える、動けるオリジナル曲を作りたいと思えてきました。

MCといえば、今回は広島弁や呉独特の言葉もチラホラ。ブログだとイントネーションが伝わらないので、東京以外でのライブに是非！

必ずその土地の言葉で話すようにしてます。

そんな呉と言えば、色々ありますが、私にとっては一目惚れした、こちら。

本番、カリンバを弾きながら、エーデルワイス愛を語った独り言。＊呉弁でご想像下さい。

「私は一度呉で野外ライブをしたことがあって。

そこで、一目惚れしました。

その日から、私にとって、呉といえば、たちまち、Edelweiss。生物だから、広島にいても、食べれない

月日を経て、遂にEdelweiss 発祥の地で、ソロコンサートが実現しました！

本日、月曜日…休日！

明日、火曜…休み！

もう、わやじゃ！

幻のEdelweissに、手がたわん。叶わぬ恋のようだ。

ほいでな、ご存知かもしれませんが、Edelweissという歌があります。

オーストリアを象徴する花 Edelweiss 。

Sound of Musicに出てくるこの歌の歌詞。

『小さくて、白くて、私に会えて嬉しそう』

そう、あの時のEdelweissのクリームパイは、まるで私を見上げて、こう言った:

『たべんさい』

ほいでな、そんな、私の片思いが、なんと、呉阪急ホテルまで響いたらしく、奇跡が起こりました。。。＊パク＊」

サラジオへのお便りでも、何人かがこの場面が1番涙した、良かった、と綴られていました。

私は甘党ではありません。なのにこのパイの味が何年経っても忘れられない。呉阪急の皆様に感謝しきれません。

ステージでは一口パクリ。片手でカリンバが弾きづらいは、右利きでないので、本当に一口しかフォークで取れないは。

そして、クリームは歌う前は避けたいもの。しかも次の曲はアカペラで始まるから逃げ場がない。

このタイミングで何かを飲むと間が悪いし、エーデルワイスへの注目が薄れる。舞台では伝わらない、裏サラの以外と大変だった一面。

次の選曲に？されてた方。

呉と言えば大和。「宇宙戦艦ヤマト」もインスパイアされてたと言うことで『無限に広がる大宇宙』。松本零士氏の記念日も近かったですね。

SAYONARA “Adieu Galaxy Express 999” 「さよなら銀河鉄道999 アンドロメダ終着駅」The Infinite Universe “Space Battleship Yamato” 無限に広がる大宇宙「宇宙戦艦ヤマト」| Sarah Àlainnサラ・オレイン

ラストは定番の『系』弾き語り。

そうだ、こちらも本来ラブソングでしたね。

自分にとっては日本で出逢った方とのご縁を意味する一曲です。呉・広島・日本に関連するメドレーの最後ということもあり、いつもとちょっぴりアレンジを変えました。

【糸】《LIVE》Orchestral Vers.｜サラ ・オレイン｜カバー｜Sarah Àlainn

エーデルワイスを始め、自分にとってはこの三曲は故郷への愛を意味しています。戦争なんかなくなればいい。こんなに世の中に素晴らしい縁と愛に溢れている。

さぁて、ここから最後、アンコールまでどれもアッパーな曲！生涯で最もエネルギーがあるサライブになりました。

ヒールで自分なりに踊り、筋肉痛の日々が続きました。

沢山涙を流して来たから、こう言う賑やかで笑顔になる曲はスッキリ。クリヤさんも今まで1番楽しくバランスが良いセトリと言われてぶち嬉しい。

日本のメドレーに引き続き、まずは日本の『アイドル』ソングへ。星野アイちゃんの愛の歌！

この曲はテレビを始め、ファンクラブでリクエストされたとんでもない曲。日本語だから尚更難易度がお客様に伝わる=盛り上がる。やります🤣

何とも癖になる。複雑な愛の歌ですね。アニメ「推しの子」お勧めします。ドロドロとした芸能界が垣間見える。今回もJazzyなアイドルをお届け。クリヤさんとはお初で不思議な転調に笑ってました。

続いて丁度50年前のフランスのアイドルの一曲。フランス・ガルが歌う『Laisse Tomber Les Filles』。

いつもとは違う人格になり、気怠くコケティシュな表現に。演じられるからとても好き。

セクシーでキュートなサウンドですが、これはセルフラブソングと言っても良いでしょう。訳すと「女子をなめんな！」。

服装、喋り方、仕草。見た目によらず、中身が強いものをなめてはあかん。ヒールを履かない男性嫌いのフェミニストのイメージ、なくしましょう〜

アイドルといえば。。もう少ししたら一つシェアできることが。。！お楽しみ！！

そして、フランス繋がりで去年生で見に行けたポルナレフ！Tout Tout ! 楽譜は母が70年代の時に買ったもの。

なぜか日本で大ブームだったMichel Polnareff。FFの作曲家の植松伸夫さんも母世代で、ポルナレフを絶賛。きっとリバイバルが来る！と。ライブの時の動画を見せたら一ファンとして「生ポルだ〜」と仰られたのがなんともスイートでした。まだまだ現役で活躍されてます！日本でツアーがあればぜひ行かれて下さい！最高に盛り上がり、声も演奏も美しい。

『シェリーに口付け』して、次で最後じゃけぃ！

FranceからラストはSpainへ！サッカーではありません。

サントリーホールでフルオケとのJazz！LIVE音源があります。Jazzやアッパーな曲は殆どライブでしかやってないため、配信だけでもサラなる進化を共有できたら嬉しい。

Spain <LIVE>

さて、アンコールへ。さっとバービーサラスタイルに早着替え。因みに本編の赤ドレスはマレーシアで一目惚れした一着。

盛り上げて終わるパターン！去年のビルボードでこのメンバーと初めて歌って演奏したStevie Wonderの『I Wish』。

以来ハマりすぎて、ソロの時その時のライブのテーマに合わせた選曲を入れて行く。

I Wishのウォーキングベースの上からどうやって上手く別の曲をはめていくか。元々短調の音楽の方が乗りやすいので、『また君に恋してる』は意外と入りやすい！

地元ネタの時にたまに演歌を歌いますが、これまた気持ちい。ジャンルが掛け離れていればいるほど、面白いフュージョンが生まれる。

その前には短いリフで、Dreams Come Trueの名曲から「Love, love, love」、Beatlesから「She love’s you yeah yeah yeah」、「All you need is love」。

ラストは会場全員とのコール＆レスポンス！舞台上からもしっかり皆さんのお声届いていました。5月のビルボードでもこんな風にまた一体になりたい！！

そう、丁度今年の日本での活動のスケジュールが全て出ました。是非とも盛り上げて最高な思い出を皆さんと作りたい！

また会える日までオリジナルで一体になれる曲を作ってみますね。

サラバンドと楽しく、激しく、ラストを迎えた後、アンコールのアンコールで、サラッとワンウーマンショーへ。

以前ヴァイオリンと歌で動画を撮ったプレスリーの『Can’t Help Falling In Love』。生でも聴きたい！とのことで、初めて披露。

伴奏にはヴァイオリンのPizz。事前に録音したハモリをルーパーから流しつつ歌唱。

Can't Help Falling In Love’

ディナーショーなので、最後は客席へ。盛り上がる曲はたくさんあったので、最後は一人一人に囁くMinnie Ripertonの『Lovin’ You』。

歌いながら退場。待っててね、エーデルワイスよ。

呉・広島の皆様、遠くからいらした皆様、雪の！東京からいらした皆様、

「Happy」なValentineになりました。

バレンタイン・ヴィーガン・クッキーも無事皆さんの元に届いたみたいで何より！動画もサラッと見れたかな？バレンタインライブで歌ったあの曲もサラッと歌ってます。

私はバレンタインの手作りサラメシとワインのコンビの後気づいたら寝てしまっていて、ブログが今日になってしまいました＞＜

今夜の手作りサラメシ

❤︎白茄子(野菜あまり食べなかった時代から茄子好き)

❤︎ブルスケッタ

❤︎キッシュとクリームシチューの合体？

見た目は崩れてアレだけど、愛いっぱい

❤︎ヴィーガン・クッキー🍪

さて、次のサライブは恒例の八ヶ岳へ。いよいよプロデュースさせて頂いたカリンバを皆さんと演奏できる！

サラ・オレイン天上の音楽

2024年3月16日（土） 14：30開場 / 15：00開演

八ヶ岳高原音楽堂

SARAH ÀLAINN オリジナルカリンバ

台数：限定150台（予定）

受渡：2024年3月17日（日）9：30～ 八ヶ岳高原音楽堂にて 

※当日シリアルナンバーNo.1～50迄（予定）の抽選会を行います

木材：八ヶ岳産天���カラマツ

アンバサダー：サラ・オレイン

大自然がお好きな方、落ち着いた、アコースティックスタイルがお好きな方は八ヶ岳がおすすめです。

アッパーで盛り上がるスタイルが好みの方は、Billboardと名古屋で。

#サラ・オレイン #sarah alainn #violin #ヴァイオリン #sarah styling #サラスタイル #Andrea Morricone #モリコーネ #billboard #kure #hiroshima #呉 #広島 #valentine #クリヤマコト #ポルナレフ #植松伸夫 #Nobuo Uematsu #Michel Polnareff #カリンバ #八ヶ岳 #kalimba #Sarahband #サラバンド #Youtube #呉阪急ホテル

[andreaskorn]

Best of Ennio Morricone, Henry Mancini & Nino Rota

Berliner Philharmonie am 15.10.2023

Dirigent: Knut Andreas Moderation: Knut Elstermann Zuhörer: Dr. phil. Dipl.-Designer Andreas Korn mit einer Einladung nach Berlin zum Event von E. Kretschmann

ENNIO MORRICONE: The Estacy of Gold (aus dem Film: Zwei glorreiche Halunken; 1966 Regie: Sergio Leone mit Clint Eastwood uva.)

ENNIO MORRICONE: Cinema Paradiso (Regie: Guiseppe Tornatore 1988)

ENNIO MORRICONE: Der Zauber von Malena (Regie: Guiseppe Tornatore 2000 mit Monica Bellucci)

ENNIO MORRICONE: Once Upon a Time in America (aus dem Film: Es war einmal in Amerika; Regie: Sergio Leone 1984 mit Robert De Niro uva.)

ENNIO MORRICONE: Once Upon a Time in the WEST (Spiel mir das Lied vom Tod; aus dem Film: Once Upon a Time in the West; 1968, Regie: Sergio Leone mit Charles Bronson, Henry Fonda, Claudia Cardinale uva.)

ENNIO MORRICONE: Chi Mai (aus den Filmen: Maddalena 1971 und Le Professionnel; dt. "Der Profi" mit Jean-Paul Belmondo von 1981)

ENNIO MORRICONE: Playing Love (aus dem Film: The Legend of 1900; Regie: Guiseppe Tornatore 1998)

ENNIO MORRICONE: Casulties of Love

ENNIO MORRICONE: The Mission (aus dem Film von 1987; Regie: Roland Joffe, mit Robert De Niro und Jeremy Irons uva.)

Nino Rota: The Godfather (Der Pate; Regie: Francis Ford Coppola 1972 mit Marlon Brando, Al Pacino uva.)

Nino Rota: Amarcord (nach Filmen von Federico Fellini; 1981)

Nino Rota: 8 1/2 (Musik zum Film unter der Regie von Federico Fellini 1963)

HENRY MANCINI: Moon River (aus dem Film: Frühstück bei Tiffany; Regie: Blake Edwards 1961 mit Audrey Hepburn uva.)

HENRY MANCINI: A Tribute to Mancini

(Foto des Konzertsaals und Scan des Flyers: A. Korn; Foto mit "Airstream": E. Kretschmann)

Ein großartiges Konzert mit genialer Filmmusik. Ein Top-Event in Berlin. Gesehen aus Reihe 10 Platz 20 mit perfektem Blick auf das Orchester.

Dr. Andreas Korn, 19.10.2023 (Künstlername: NOMAD)

+ + +

#ennio morricone #henry mancini #nino rota #Dr. Andreas

[clemsfilmdiary]

The Last 4 Days / Mussolini ultimo atto (1974, Carlo Lizzani)

Also known as: The Last Days of Mussolini

2/26/23

#The Last 4 Days #Mussolini ultimo atto #The Last Days of Mussolini #Rod Steiger #Franco Nero #Lisa Gastoni #Lino Capolicchio #Giuseppe Addobbati #Andrea Aureli #Henry Fonda #Ennio Morricone #Benito Mussolini #70s #drama #biography #true story #war #World War II #Italy #Italian #fascism #dictators #Milan #politics #politicians #war criminals #escape #nazis #Italian Civil War #alps

[armandoandrea2]

Ennio Morricone, il Maestro... voglio ricordarlo oggi in cui ricorre l'anniversario della sua nascita. Da sempre suo ammiratore, lo conobbi la prima volta a Fabriano in occasione di una convention di musicisti e fu un colpo di fulmine. Uomo schivo e estremamente timido, dopo poco abbassò la guardia e mi dedicò molto del suo tempo, dimostrandosi in realtà persona affabile e colloquiale. Seguirono nel tempo frequentazioni telefoniche, epistolari, i concerti a cui mi era garantito sempre un posto privilegiato, ebbi addirittura l'onore di cenare insieme a lui e il figlio Andrea dopo le prove del concerto per la strage del 2 agosto. Nell'occasione mi regalò,  come da tempo aveva promesso, due lp da lui prodotti e non in commercio su cui appose una bellissima dedica. Sul mercato collezionistico hanno un valore inestimabile, ma per me il loro valore travalica l'inestimabile. Quando venne a mancare per me fu un vero e proprio lutto, se n'era andata una persona che è stata una pietra miliare nella storia della musica per il cinema e, soprattutto, un amico. E come amico voglio celebrarlo attraverso i miei ricordi, con affetto e stima.

[dirchristophernolan]

14!!

JULIA YOU’RE KILLING ME HERE

14. three songs you want at your wedding

vivo per lei by andrea bocelli & hélène segara // somewhere only we know by keane // love theme for nata by ennio morricone

#manifesting✨ lmao #tysm bestie!!! ❤️ #answered #about me

[rabidline]

2023 Fantasy on Ice: Makuhari - May 26, 2023 Sota Yamamoto → Music from “Nuovo Cinema Paradiso” by Ennio Morricone and Andrea Morricone: Love Theme, performed by Joseph Calleja

#sota yamamoto #figure skating #fs #fantasy on ice #fantasy on ice 2023 #season: 2022 2023 #this is becoming a series

[2sundowner69]

Watch HAUSER & Andrea Morricone - Theme for Ennio on YouTube Music

#Youtube

[sheetmusiclibrarypdf]

Ennio Morricone (1928-2020)

Ennio Morricone, (10 November 1928 – 6 July 2020) Best Sheet Music download from our Library.Short biographyMorricone composed over 400 scores for cinema and television, as well as over 100 classical works. He started as a talented football player for A.S. Roma but left the sport to follow his passion for music. Please, subscribe to our Library. Thank you! List of compositions by Ennio MorriconeFilmography 1950s 1960s 1970s 1980s 1990s 2000s 2010s Television films and series1960s 1970s 1980s 1990s 2000sStage productions Radio productions Advertising campaigns Selected films with music by Morricone Classic (absolute) music Live albums Studio albumswith Gruppo di Improvvisazione di Nuova Consonanza with Mauro Maur with Chico Buarque Other Selected compilations Remix albums Box sets DVDs Tribute albums

Ennio Morricone, (10 November 1928 – 6 July 2020)

Morricone was an Italian composer, orchestrator, conductor, and former trumpet player who wrote music in a wide range of styles. https://youtu.be/Jjq6e1LJHxw Short biography Morricone composed over 400 scores for cinema and television, as well as over 100 classical works. He started as a talented football player for A.S. Roma but left the sport to follow his passion for music. His score to The Good, the Bad and the Ugly (1966) is considered one of the most influential soundtracks in history and was inducted into the Grammy Hall of Fame. His filmography includes over 70 award-winning films, all Sergio Leone‘s films since A Fistful of Dollars, all Giuseppe Tornatore‘s films since Cinema Paradiso, The Battle of Algiers, Dario Argento‘s Animal Trilogy, 1900, Exorcist II, Days of Heaven, several major films in French cinema, in particular the comedy trilogy La Cage aux Folles I, II, III and Le Professionnel, as well as The Thing, The Mission, The Untouchables, Mission to Mars, Bugsy, Disclosure, In the Line of Fire, Bulworth, Ripley’s Game and The Hateful Eight. After playing the trumpet in jazz bands in the 1940s, he became a studio arranger for RCA Victor and in 1955 started ghost writing for film and theatre. Throughout his career, he composed music for artists such as Paul Anka, Mina, Milva, Zucchero and Andrea Bocelli. From 1960 to 1975, Morricone gained international fame for composing music for Westerns and—with an estimated 10 million copies sold—Once Upon a Time in the West is one of the best-selling scores worldwide. From 1966 to 1980, he was a main member of Il Gruppo, one of the first experimental composers collectives, and in 1969 he co-founded Forum Music Village, a prestigious recording studio. From the 1970s, Morricone excelled in Hollywood, composing for prolific American directors such as Don Siegel, Mike Nichols, Brian De Palma, Barry Levinson, Oliver Stone, Warren Beatty, John Carpenter and Quentin Tarantino.

In 1977, Morricone composed the official theme for the 1978 FIFA World Cup. He continued to compose music for European productions, such as Marco Polo, La piovra, Nostromo, Fateless, Karol and En mai, fais ce qu’il te plait. Morricone’s music has been reused in television series, including The Simpsons and The Sopranos, and in many films, including Inglourious Basterds and Django Unchained. He also scored seven Westerns for Sergio Corbucci, Duccio Tessari‘s Ringo duology and Sergio Sollima‘s The Big Gundown and Face to Face. Morricone worked extensively for other film genres with directors such as Bernardo Bertolucci, Mauro Bolognini, Giuliano Montaldo, Roland Joffé, Roman Polanski and Henri Verneuil. His acclaimed soundtrack for The Mission (1986) was certified gold in the United States. The album Yo-Yo Ma Plays Ennio Morricone stayed 105 weeks on the Billboard Top Classical Albums.

In 2007, he received the Academy Honorary Award “for his magnificent and multifaceted contributions to the art of film music.” He has been nominated for a further six Oscars. In 2016, Morricone received his first competitive Academy Award for his score to Quentin Tarantino’s film The Hateful Eight, at the time becoming the oldest person ever to win a competitive Oscar.

His other achievements include three Grammy Awards, three Golden Globes, six BAFTAs, ten David di Donatello, eleven Nastro d’Argento, two European Film Awards, the Golden Lion Honorary Award and the Polar Music Prize in 2010. Morricone has influenced many artists from film scoring to other styles and genres, including Hans Zimmer,Danger Mouse, Dire Straits, Muse, Metallica, and Radiohead. Morricone’s Sheet music is fully available in our Library.

List of compositions by Ennio Morricone

This is a list of compositions by composer, orchestrator and conductor Ennio Morricone. He composed and arranged scores for more than 400 film and television productions. Morricone was considered one of the most influential and best-selling film composers since the late 1940s He has sold well over 70 million records worldwide, including 6.5 million albums and singles in France over three million in the United States and more than two million albums in Korea. In 1971, the composer received his first golden record (disco d'oro) for the sale of 1,000,000 records in Italy and a "Targa d'Oro" for the worldwide sales of 22 million. His score for Sergio Leone's Once Upon a Time in the West is one of the top 5 best-selling original instrumental scores in the world today, with about 10 million copies sold. His score for The Mission (1986) was also at one point the world's best selling score. Morricone's music for The Good, the Bad and the Ugly (1966) and Le Professionnel (1981) each sold over 3 million copies worldwide. Filmography 1950s YearTitleDirectorNotes1955AbandonedFrancesco MaselliOrchestrations only Score composed by Giovanni Fusco1959La duchessa di Santa LuciaRoberto Bianchi MonteroOrchestrations only Score composed by Giorgio FaborDeath of a FriendFranco RossiConducting only Score composed by Mario Nascimbene 1960s YearTitleDirectorNotesLatest CD / Digital Release1960Run with the DevilMario CameriniOrchestrations only Score composed by Piero Piccioni,LipstickDamiano DamianiOrchestrations only Score composed by Giovanni FuscoL'avventuraMichelangelo AntonioniLe pillole di ErcoleLuciano SalceRejected score Replaced by Armando Trovajoli1961The FascistLuciano SalceFirst full scoreThe Last JudgmentVittorio De SicaArrangements and Conducting only Score composed by Alessandro Cicognini,1962L'italiano ha 50 anniFrancomaria TrapaniOrchestrations only Composed by Gino Peguri,Gli italiani e le vacanzeFilippo Walter RattiDocumentary filmI motorizzatiCamillo MastrocinqueCrazy DesireLuciano SalceIl sorpassoDino RisiOrchestrations only Score composed by Riz OrtolaniI due della legione stranieraLucio FulciArrangements and Conducting only Score composed by Luis BacalovEighteen in the SunCamillo MastrocinqueA Girl...and a MillionLuciano Salce1963Violenza segretaGiorgio MoserOrchestrations only Score composed by Giovanni FuscoIl SuccessoDino RisiLe monachineLuciano Salce—El GrecoGunfight at Red SandsRicardo Blasco Mario CaianoFirst Western film scoreI basilischiLina Wertmüller—1964Una Nuova fonte di energiaDaniele G. LuisiDocumentary filmMalamondoPaolo Cavara—CAM Sugar / 2021I maniaciLucio FulciComposed with Carlo RustichelliI marziani hanno 12 maniFranco Castellano Giuseppe Moccia—In ginocchio da teEttore Fizzarotti—Bullets Don't ArgueMario Caiano—A Fistful of DollarsSergio LeoneSilver Ribbon Award for Best ScoreI due evasi da Sing SingLucio Fulci—Quartet Records / QR445 / 2021Before the RevolutionBernardo Bertolucci—...e la donna creò l'uomo Camillo Mastrocinque—1965A Pistol for RingoDuccio Tessari—Nightmare CastleMario CaianoFirst horror film scoreAgent 077: Mission Bloody MarySergio GriecoTitle song only Score composed by Angelo Francesco LavagninoHighest PressureEnzo TrapaniComposed with Luis Enriquez BacalovSlalomLuciano Salce—Menage all'italianaFranco Indovina—Fists in the PocketMarco Bellocchio—ThrillingCarlo Lizzani Gianni Luigi Polidori Ettore ScolaComposed with Bruno NicolaiNon son degno di teEttore Fizzarotti—Se non avessi più teIdoli controluceEnzo Battaglia—For a Few Dollars MoreSergio Leone—The Return of RingoDuccio Tessari—1966The Bible: In the BeginningJohn HustonFirst American film Uncredited; Composed with Toshiro MayuzumiSeven Guns for the MacGregorsFranco Giraldi—Wake Up and DieCarlo Lizzani—Agent 505: Death Trap in BeirutManfred R. KöhlerComposed with Bruno NicolaiThe Hawks and the SparrowsPier Paolo PasoliniNominated - Silver Ribbon Award for Best ScoreThe Battle of AlgiersGillo PontecorvoComposed with PontecorvoThe Hills Run RedCarlo Lizzani—Un uomo a metàVittorio De Seta—How I Learned to Love WomenLuciano Salce—For a Few Extra DollarsGiorgio FerroniComposed with Gianni FerrioFlorence: Days of DestructionFranco ZeffirelliDocumentary filmNavajo JoeSergio Corbucci—The Big GundownSergio Sollima—Beat Records / BCM9603 / 2022The Read the full article

#partitionmusicale #partitura #sheetmusicdownload #spartiti

[fabien-euskadi]

fire and violin for the asks!

Fire ~ What did you get into trouble for at school?

How do you know that I got in trouble at school? Well, in the last school where I was (a private one), I was not far from a role-model student, despite my long hair and leather jackets (that was before I became a vegan, it should be noted). However, that's because I liked that school - when I don't like a place, things can get quite tricky.

I am not sure if I really got into trouble in my previous school (a public one), but I used to miss many classes - and drink a lot more than a 15 year old should. In the school before that (another private one), I was really tired of all strict regulations and, one day, I jumped the wall and run away - but I was caught and ended up spending a Saturday morning at school (yes, the infamous breakfast club that inspired the 1980's movie).

Violin ~ Your favourite study music?

There are three major options when it comes to study music.

1 - Soundtracks. More specifically, the soundtrack of Nuovo Cinema Paradiso (written by Ennio Morricone and his son). It was thanks to this masterpiece that I finished my Master's thesis, even if depression and a broken heart made me cry all the time. Among the ones I have to thank for getting my master's is, certainly, Mr. Ennio Morricone and his son Andrea.

2 - Ellend. Yes, Dark Ambient/Neoclassical Darkwave - a very underground musical genre. Once, I listened to "The Wake of the Angel" all night in loop. By the dawn, I had finished an entire Art History paper about the Köln Cathedral - it was the only time in my entire life that I delivered a paper before the schedule.

3 - Progressive Rock/Metal. Probably, bands like Dream Theater (specially one album: The Astonishing), Liquid Tension Experiment, ELO (I recommend Time), Blue Mammoth, Magic Pie, Haken, Emerson, Lake & Palmer… and any band in this genre(s) that you like. For example, I am not sure if Pink Floyd is good for studying, but, maybe, it works for you.

Thank you very much :)

[byneddiedingo]

Philippe Noiret and Salvatore Cascio in Cinema Paradiso (Giuseppe Tornatore, 1988)

Cast: Philippe Noiret, Salvatore Cascio, Marco Leonardi, Jacques Perrin, Agnese Nano, Antonella Atti, Enzo Cannavale, Isa Danieli, Leopoldo Trieste, Roberta Lena, Nino Terzo, Leo Gullotta, Tano Cimarosa, Nicola Di Pinto. Screenplay: Giuseppe Tornatore, Vanna Paoli. Cinematography: Blasco Giurato. Production design: Andrea Crisanti. Film editing: Mario Morra. Music: Ennio Morricone.

Will today's kids feel sentimental about the multiplexes in which they see movies, the way I feel about the small-town theaters where I grew up, the places where I learned to love movies? I have my own lost cinema paradises, so I should be the right audience for Cinema Paradiso, with its tribute to a bygone era of moviegoing. Tornatore's movie has some good things going on, including the performance of Philippe Noiret as Alfredo, and the wonderful rapport between Noiret and young Salvatore Cascio as Toto. Leopoldo Trieste's performance as the censorious Father Adelfio is also a delight, and ending the film with Alfredo's assemblage of the kissing scenes the priest made him excise is a masterly bit. But once Toto grows up to be the lovestruck teenager Salvatore (Marco Leonardi), I begin to lose interest, as Tornatore's screenplay lards on more and more sentimentality. I've seen the 155-minute version twice now, though I have yet to see the 173-minute "director's cut" of the film, in which, I am told, the grownup Salvatore (Jacques Perrin) is reunited with his teen love Elena (Agnese Nano), now grown up and played by Brigitte Fossey. Frankly, I don't much want to: The 155-minute version seems overlong as it is. Cinema Paradiso is beloved by many, and often makes lists of people's favorite foreign-language films, but I find it thin and conventional.

#Cinema Paradiso #Giuseppe Tornatore #Philippe Noiret #Salvatore Cascio

[burlveneer-music]

Andrea Belfi - Eternally Frozen - more low winds (see Jessica Pipe Sextet) but in this case they’re brass rather than reed instruments

Eternally Frozen consists of a series of canon based compositions for brass ensemble, percussion and synthesizer by Andrea Belfi. The canon is an ancient compositional technique in which an initial melody is imitated at a specified time interval by one or more parts, creating illusionary never-ending musical journeys. The work is inspired by the evocative image of the Deprong Mori, a mythological bat with the alleged ability to fly through solid matter by bending atoms by it’s natural skill of audio echolocation. The myth suggests that one of these bats had been “eternally frozen” in a wall of solid lead in 1952 by the researcher of the Rockefeller University, Donald R. Griffith. This story is exhibited in a display at the Museum of Jurassic Technology in Los Angeles, an institution renowned for both speculative, fantastical reinforcement of mythology and playful and beguiling distortions of mysterious could-be truths. Both the canon and the “frozen” Deprong Mori are man-made illusory simulations of eternity. Their attempt is to create mirages, where the insinuation of facts is more meaningful than the reality. After many years of sonic explorations with percussion, drums, and electronics, Belfi is here projecting himself as a composer through the direction of an astonishing brass ensemble in the realization of these canonic works. There are evident echoes of the works of Arthur Russell, Miles Davis, Moondog, William Basinski, and the Italian soundtrack tradition of Ennio Morricone and Egisto Macchi. Robin Hayward - Tuba Henrik Munkeby Nørstebø - Trombone Elena Kakailogu - French Horn Kaleidoskop Ensemble (Boram Lie, Ildiko Ludwig, Anna Faber, Mia Bodet, Mari Sawada, Yodfat Miron, Isabelle Klemt, Daniella Strasfogel): strings and choir on 1 Elisabetta Porcinai: cover art and design

#Andrea Belfi #brass #experimental #electronic #modern classical #chamber music #electroacoustic #maple death records #2023

[eurotastic]

Eurovision Reviews: Semi final 2 2022

1: Finland: The Rasmus - Jezebel

Sending The Rasmus is the most finnish thing Finland could possibly do - after getting fantastic results last year with an imitation of 2002 rock music, now they're sending the real thing. I love how dedicated Finland is to rock music, this song slaps, and I really hope they get good results.

8/10

2: Israel: Michael Ben David - I.M

He's the gayest man in Tel Aviv and I love him for it. The lyrics are just a mishmash of Rupaul's drag race catchphrases, except for that one line about middle east sex appeal, that one's new. I know this isn't strong enough for the competition but I think it's so much fun.

6/10

3: Serbia: Konstrakta - In Corpore Sano

I have to be honest, at first, I really disliked the Meghan Markle namedrop at the very beginning of the song. Sure, it grabs your attention, but the reference feels instantly dated, in a way that works against the rest of the song, which feels timeless yet undeniably modern. Despite this one problem, I have come to really love this song, it's truly unique, both in sound and lyrical content. Konstrakta comes across as less of a singer and more as a genius performance artist.

8/10

4: Azerbaijan: Nadir Rustamli - Fade To Black

It's Azerbaijan going back to their usual schtick - A competent song sung by a competent singer, with competent staging, there's probably a couple of competent Swedish songwriters in there somewhere. It's fine, I don't hate it but it's so hard to get excited about it. It goes into one ear and out of the other. Cute staging though.

5/10

5: Georgia: Circus Mircus - Lock Me In

I love it when Georgia gets weird. I heard a rumor that they are going to have an actual puppet show on stage, and if that's true, I'm going to lose my mind, this entire band is a weird acid trip. Also, I'm really glad to see Nika Kocharov in Eurovision again, he represented Georgia in 2016 with, Midnight Gold, which is probably the most underrated Eurovision song in recent memory as well as one of my personal favorites.

8/10

6: Malta: Emma Muscat - I Am What I Am

Who is this for? No, really, who is going to feel inspired by this? It sounds like pop music for really religious kids who aren't allowed to listen to real pop music.

2/10

7: San Marino: Achille Lauro - Stripper

There's a gay Italian cowboy stripper riding a mechanical bull surrounded by nuclear grade pyrotechnic explosions, who cares about the song? Jokes aside, this song was in my top 10 even before I saw the staging - It's a fun rock song that doesn't take itself too seriously, and sometimes that's all you need.

10/10

8: Australia: Sheldon Riley - Not the Same

I'm not a big fan of self-empowerment songs that sound sad and tragic, and I can't find a single positive emotion in this song, it's all misery and desperation. His voice is incredible, his stage costume is absolutely beautiful, but I don't know how I'm supposed to feel listening to the song. I should probably be moved to tears, but I have no idea if it's supposed to be happy or sad tears, so it ends up being neither.

5/10

9: Cyprus: Andromache - Ela

The Greek language is so beautiful to me - I have really missed hearing it in Eurovision over the past few years. The song sounds the way being on a Mediterranean island vacation feels.

7/10

10: Ireland: Brooke Scullion - That's Rich

It's like if Michelle from Derry Girls tried to be a popstar, so that's fun. It's pretty ironic that a song called "That's rich" sounds so cheap.

6/10

11: North Macedonia: Andrea - Circles

This song is just nothing. It goes on and on and on for what feels like three hours, and absolutely nothing happens.

2/10

12: Estonia: Stefan - Hope

It's Avicii's cowboy era with some added Morricone inspiration - the production sounds flawless. I can't understand a word he's saying though, I think he's slurring his words to sound more like a cowboy.

Also, I'm sad that we won't get to see the intended staging for this - the desert landscape would have been exactly what this song needed, but I guess we're getting a black hole instead.

7/10

13: Romania: WRS - Llámame

It feels like something from Eurovision 2009, even though the song is pretty modern. I really like it, it's pure eurovision camp, but it's a little bit mediocre.

6/10

14: Poland: Ochman - River

He has the best vocals of the year, hands down. They have definitely taken some inspiration from Gjon's Tears - I get it, he won last year's jury vote so it's probably a smart move. It's really modern and beautifully produced, but the songwriting is just good, not great. His vocals are making the song sound a lot bigger than it actually is.

8/10

15: Montenegro: Vladana - Breathe

I wish it wasn't in English, because I wish I could unhear these lyrics. It tries so hard to be important and dramatic, but it just falls flat.

2/10

16: Belgium: Jérémie Makiese - Miss You

I like how we're getting this one song that feels like American rnb - there is room for that in Eurovision! With that said, it's pretty forgettable, and I'm worried about his live vocals.

5/10

17: Sweden: Cornelia Jakobs - Hold Me Closer

I think this is Sweden's best song since Euphoria, and it's the most genuinely emotional song Sweden has sent in my lifetime. There's zero artifice, but it's still an expertly written pop song. I love the perfectly imperfect vocals, they're not for everyone, but it feels great to get something potentially polarizing from Sweden, just this one time. It's the authentic Swedish indie pop that fans have been asking for for years, and it deserves all the hype it gets. It's the right song at the right time, pun intended.

10/10

18: Czech Republic: We Are Domi - Lights Off

This song is doing everything right - the production is great, the staging is exciting, the song is catchy - but I keep forgetting that it exists. I can remember how it goes, but I can't remember that it's in the competition. I like it, don't get me wrong, but I can't call it a favorite.

6/10

#eurovision #eurovision song contest

[lamilanomagazine]

Brescia, 1000 Chitarre in Piazza – Edizione XI. L'evento si svolgerà il 13 e 14 aprile 2024

Brescia, 1000 Chitarre in Piazza – Edizione XI. L'evento si svolgerà il 13 e 14 aprile 2024. Per la sua undicesima edizione, il 1000 Chitarre ritorna in piazza della Loggia e con una guest star d’eccezione, il chitarrista Andrea Braido, musicista che ha calcato il palco con i grandi della musica italiana, da Vasco Rossi a Zucchero, da Adriano Celentano a Angelo Branduardi, e molti altri. Queste le principali novità della rassegna, un appuntamento ormai consolidato e atteso del palinsesto musicale della città, che grazie alla passione per le sei corde trasforma per un giorno Brescia in una sala da concerto a cielo aperto. IL PROGRAMMA Sabato 13 aprile, ore 9 - 15 Museo della Musica di Brescia – via Trieste 34 CLINIC DI ANDREA BRAIDO A tu per tu con uno dei maestri delle sei corde del pop-rock italiano ore 17 Cavalli Musica – via Artigiani, 1 - Castrezzato SHOWCASE DI ANDREA BRAIDO Intervistato da Luca Riva di RadioBruno, Braido parlerà della sua magnifica avventura musicale, che lo ha visto al fianco di cantanti come Eros Ramazzotti, Laura Pausini, Patty Pravo, Vasco Rossi, e molti altri. Domenica 14 aprile, ore 14- Piazza della Loggia Alle ore 14 vi sarà la fase di accoglienza e “punzonatura” dei partecipanti, mentre “Aspettando 1000 Chitarre” scalderà il pubblico con l’animazione della radio partner. In questa fase di accoglienza per chi scopre il 1000 Chitarre in piazza al momento, e desidera partecipare ma non ha la chitarra con sé, Diffusione Arte mette a disposizione gratuitamente delle chitarre (classiche): saranno accontentati anche i mancini, per i quali occorre una chitarra armata di corde al contrario rispetto alle “tradizionali”. In questa fase preliminare, che precede il grande concerto, saliranno sul palco gli ospiti del 1000 Chitarre, da Mimmo Cavallo, cantautore che ha scritto negli anni Ottanta “Uh Mammà” prevista nelle 18 canzoni della scaletta, e gli “amici” del 1000 Chitarre in piazza, come Cristian Delai che per l’occasione ricorderà il cantastorie bresciano Francesco Braghini, il “maestro” di tutti i bresciani, scomparso nel giugno del 2023 e autore di molte filastrocche e canzoni dedicate a Brescia e composte nel dialetto bresciano, con uno stile leggero, ma nello stesso tempo poetico e ironico. Saranno presentati i partner di 1000 Chitarre che coinvolgeranno le scuole e le associazioni di musica del territorio, mettendo a fuoco temi sociali e culturali perseguiti dall’evento. Alle ore 15.30 scatterà l’ora dove «tutti sono protagonisti»: il concerto finale di 1000 Chitarre in Piazza. Di seguito la scaletta delle canzoni proposte; in cinque brani è previsto l’intervento della guest star Andrea Braido; le canzoni che verranno eseguite tutti insieme sono 18 (qui presentate in ordine sparso, la scaletta sarà definita domenica 14). - O.C. – Isaia Mori (2023) – tonalità Do - UH MAMMÀ – Mimmo Cavallo (anno 1981) – tonalità Sol, che come preannunciato vedrà l’autore Mimmo Cavallo sul palco. - L’ITALIANO – Toto Cutugno (1983) – tonalità La min. - GENERALE – Francesco De Gregori (1978) – tonalità Sol - C’ERA UN RAGAZZO CHE COME ME… - Gianni Morandi, Franco Migliacci con musica di Mauro Lusini, con l'arrangiamento di Ennio Morricone (anno 1967) - tonalità Re - ITALODISCO – The Kolors (anno 2023) – tonalità La min. - IL CORO DEI POMPIERI – Oliver Onions (anno 1974) – tonalità Mi - CENTRO DI GRAVITÀ PERMANENTE – Franco Battiato (anno 1981) - tonalità SI min.   A questo punto arriva il grande momento dedicato a Andrea Braido, che salirà sul palco e suonerà alla chitarra elettrica due brani: - Spingy tratto da un suo progetto discografico dal titolo Le bizzarre avventure del Dottor Kranius - Smoke on the water dei Deep Purple e tutti potranno accompagnarlo alla chitarra, come una grande band! Si proseguirà con il programma del concertone, ovvero: - QUESTO PICCOLO GRANDE AMORE – Claudio Baglioni (anno 1972) – tonalità Mi min. - URLANDO CONTRO IL CIELO - Luciano Ligabue (anno 1991) tonalità La - IMAGINE – John Lennon (anno 1971) tonalità Do - BELLO E IMPOSSIBILE - Gianna Nannini e Fabio Pianigiani (anno 1987) tonalità Re - CIELO D’IRLANDA – Massimo Bubola (1962) – tonalità La - MILLE CHITARRE – Isaia Mori (anno 2014) tonalità La - SOTTO QUESTO SOLE – Francesco Baccini (anno 1990) – tonalità Sol - FIERA DELL’EST – Angelo Branduardi (anno 1976) – tonalità Mi min. - LA CANZONE DEL SOLE – Lucio Battisti (anno 1971) tonalità - ALBA CHIARA – Vasco Rossi (1979) – tonalità Do Nello svolgimento del concertone del 1000 chitarre in piazza, ci sarà un momento dedicato ai bambini nel quale verrà regalata la merenda, visto l’impegno dei partecipanti pomeridiano e soprattutto perché questo evento è dedicato alle famiglie e ai giovani, con l’obbiettivo di fare avvicinare loro alla musica e alle arti. Non finisce qui: con il concorso “1000 Chitarre Video Contest” tutti potranno cimentarsi nel realizzare il primo video ufficiale della manifestazione. Al vincitore andranno 500 €; il regolamento e le modalità di iscrizione al concorso sono online sul sito millechitarre.com al link “concorsi”. Come per tutte le passate edizioni, l'obiettivo principale di 1000 Chitarre in piazza è la creazione di un momento di aggregazione e festa in cui suonare tutti insieme alcuni brani che hanno fatto la storia della musica. L’evento non si prefigge l’obiettivo di radunare esclusivamente chitarristi esperti o maestri di musica, ma persone di tutte le età, unite dalla passione per la musica. L’invito è esteso a chi vuol portare un altro strumento, non necessariamente la chitarra. Sul sito www.millechitarre.com e sui canali social sono stati divulgati anche video tutorial dei maestri del 1000 Chitarre, Isaia Mori, Antonio D’Alessandro, Marco Pezzotta e Valeria Della Valle, unitamente a video e contenuti multimediali per promuovere lo spirito dell’evento. Grazie all’accordo con Brescia Mobilità, nella giornata di domenica 14 aprile, chiunque porti con sé uno strumento a corde pizzicate potrà fruire gratuitamente dei mezzi pubblici (bus, metro) sulle linee urbane e interurbane.  ... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[delectablywaywardbeard-blog]

L'IMBOSCATA - Il grande complotto anti-Juve. Chi c'è dietro la "fogna" di Perugia? Ecco chi può e deve vuotare il sacco. Enigma Djalo, crisi bianconera e futuro Allegri. Dov'è la dirigenza? Ricorso Giraudo, la "chicca" del Tar...

di Andrea Bosco PER QUALCHE DOLLARO IN PIÙ Per un pugno di dollari. Se volete, potete immaginare che la “scena” venga accompagnata dallo “scacciapensieri” del grande Ennio Morricone. L’Italia è volata negli States ad affrontare il Venezuela (vittoria azzurra per 2-1 in una gara horror) e l’Ecuador per 4 milioni di euro di gettone di presenza. Che non andranno alle società, non andranno ai…

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#Juventus tutte le notizie in tempo reale

[sonyclasica]

GENE BACK

BANDA SONORA ORIGINAL DE LA PELÍCULA CABRINI

Sony Music Masterworks publica hoy CABRINI (ORIGINAL MOTION PICTURE SOUNDTRACK) del compositor GENE BACK. El álbum contiene música original escrita por Back para la película, que narra la vida de la santa y misionera católica Francesca Cabrini. En esta magnífica colección de 24 temas se incluyen varias canciones interpretadas por tenores italianos: Rolando Villazón, Liam Campola y Virginia Boccelli. Cabrini, de Alejandro Monteverde, se estrena hoy en los cines.

Consíguelo AQUÍ

Sobre la banda sonora, el compositor GENE BACK dice: "Ha sido una oportunidad excepcional escribir una partitura temática tan clásica e inspirada en la ópera italiana, que no es algo habitual hoy en día. Además de poder trabajar con algunos de los mayores talentos musicales del mundo clásico, desde la familia Bocelli, Rolando Villazón, hasta la orquesta de Ennio Morricone (Roma Sinfonietta), componer en este género musical se volvió algo personal, ya que está relacionado con la profesión de mi padre como profesor de canto de ópera. Esta actitud resultó ser una fuente de inspiración extraordinaria, extendiéndose a cada uno de los jefes de departamento que aportaron su talento a la película".

SOBRE CABRINI

De Alejandro Monteverde, galardonado director de 𝘚𝘰𝘶𝘯𝘥 𝘰𝘧 𝘍𝘳𝘦𝘦𝘥𝘰𝘮, llega la poderosa epopeya de Francesca Cabrini, una inmigrante italiana que llega a Nueva York en 1889 y se encuentra enfermedad, crimen y niños empobrecidos. Cabrini emprende una arriesgada misión para convencer al hostil alcalde de que garantice viviendas y asistencia sanitaria a los más vulnerables de la sociedad. Con un inglés chapurreado y una salud precaria, Cabrini construye un imperio de esperanza distinto a todo lo que el mundo había visto jamás.

SOBRE GENE BACK

Gene Back, nacido en Nueva York y afincado en Los Ángeles, es un compositor cinematográfico y multiinstrumentista coreano-estadounidense cuyo trabajo reciente abarca películas aclamadas por la crítica, como el debut como director de Randall Park, SHORTCOMINGS, y el próximo estreno mundial en salas del biopic épico CABRINI, dirigido por Alejandro Monteverde. Además de su trabajo para cine, Gene ha producido y coescrito recientemente la canción "Dare To Be" con Andrea Bocelli y Virginia Bocelli, su primer dúo original juntos. También ha colaborado con otros artistas y grupos de renombre internacional como Gotye, Talib Kweli o The Books.

Formado como violinista clásico y con una vida dedicada a la grabación independiente, su arte multiinstrumental está en constante evolución. Su estilo distintivo de interpretación se refleja en todas las partituras y composiciones para cine, ya sea con una orquesta sinfónica completa, un conjunto acústico electrónico de cámara o una canción folk. Su habilidad para incorporar su voz única en todos los géneros también se ha extendido a numerosas campañas publicitarias importantes, experiencias de realidad extendida (XR) y producciones teatrales.

Como primer compositor estadounidense seleccionado para un BAFTA Breakthrough, Gene es un apasionado defensor de la diversidad y la inclusión en la industria del entretenimiento. Sus colaboraciones en proyectos documentales se centran principalmente en cuestiones de identidad y progreso social.

Aparte de su vida musical, Gene es un ávido excursionista con un profundo aprecio por la naturaleza y el arte culinario casero.

Contenido Del Set:

Senza voce

The Letter

Permission

A Day in the Slums

Welcome to America

Gli Orfani

When I'm Away

The Divine Feminine

Crostati

Built Upon the Dead

Inspection

Legacy

Twenty Cents

Lacreme Napulitane – Liam Campola*

Unsolicited

Vesti la giubba – Rolando Villazon*

Legacies

Va, pensiero – Virginia Boccelli *

Obedience

Armor and Strength

At The Hour Of Our Death

La Fenice

Empire

Voci e visioni

*Denotes vocal tracks

CONECTA CON CABRINI

PÁGINA WEB | TRÁILER | FACEBOOK | INSTAGRAM | TWITTER | TIKTOK

#Gene Back #bso #Youtube

[reginadeinisseni]

La domenica specialmente (1991)

TONINO GUERRA

1991 Durata 118 min (Italia) 105 min (Belgio) 99 min (Francia) 90 min (USA) Genere drammatico, commedia Regia Giuseppe Tornatore, Marco Tullio Giordana, Giuseppe Bertolucci, Francesco Barilli Soggetto Tonino Guerra Casa di produzione Basic Cinematografica, Titanus, RAIDUE, Paradise Film, Disk Motion Pictures Distribuzione in italiano Titanus Fotografia Tonino Delli Colli, Franco Lecca, Fabio Cianchetti, Giovan Battista Marras Montaggio Mario Morra, Sergio Nuti Effetti speciali Renato Agostini Musiche Ennio Morricone, Andrea Guerra Scenografia Gianni Silvestri, Francesco Bronzi, Nello Giorgetti, Anna Fadda Costumi Metka Kosak, Mariolina Bono Interpreti e personaggi Philippe Noiret: Amleto Nicola Di Pinto: pastore Louis Vervoort: nano Maddalena Fellini: Caterina Ivano Marescotti: don Vincenzo Chiara Caselli: sposa Bruno Bendoni: sposo Joss De Paw: Lupo Irene Grazioli: Michela Ornella Muti: Anna Bruno Ganz: Vittorio Nicoletta Braschi: Nicoletta Andrea Prodan: Marco Sergio Bini: Lele Raffaella Offidani: ragazza al telefono pubblico Doppiatori italiani Vittorio Di Prima: Amleto

La domenica specialmente è un film del 1991 composto da quattro episodi, diretti da Giuseppe Tornatore, Marco Tullio Giordana, Francesco Barilli e Giuseppe Bertolucci.

Le brevi storie sono tratte dalla raccolta di racconti Il polverone di Tonino Guerra. L'episodio più gradito al pubblico fu proprio quello di Tornatore, mentre l'episodio meglio riuscito secondo la critica, fu quello di Marco Tullio Giordana[senza fonte].

Nell'edizione per gli Stati Uniti l'episodio di Francesco Barilli è assente.

Tornatore, nel suo episodio, torna a dirigere l'attore francese Philippe Noiret dopo Nuovo Cinema Paradiso (1988), in cui Noiret interpretava il celebre ruolo dell'operatore Alfredo.

Buona parte del film è stata girata in Romagna:

- l'episodio "Il cane blu" è stato girato a Mondaino, dove vive e lavora il personaggio interpretato da Noiret, Saludecio per le scene all'interno della chiesa e Morciano di Romagna per le scene dei porticati;

- l'episodio "La domenica specialmente" è stato girato a Longiano;

- l'episodio "Le chiese di legno" è stato girato in gran parte a Riccione.

Titoli episodi La domenica specialmente, di Giuseppe Bertolucci, con Ornella Muti, Bruno Ganz e Andrea Prodan La neve sul fuoco, di Marco Tullio Giordana, con Chiara Caselli e Ivano Marescotti Il cane blu, di Giuseppe Tornatore, con Philippe Noiret Le chiese di legno, di Francesco Barilli, con Bustric (Sergio Bini)

❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️ ❤️❤️

#gustavopetro #colombia #DONALDTRUMP #TRUMP #BOLSONARO #DORIGHEZZI #STRISCIALANOTIZIA #FRANCESCO #RUTELLI #PROPAGANDALIVE #ELUANA #ENGLARO #ELUANAENGLARO #CRISTIANODEANDRE #twitter #facebook #skyrock #linkedin #instagram #okru #tiktok

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