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#Amerjit Deu
milliondollarbaby87 · 2 years
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I Came By (2022) Review
I Came By (2022) Review
When young graffiti artists break into rich people’s homes and paint “I Came By” on the wall, it felt a risk but the fact that it would uncover a dangerous secret that would be life threatening was never really thought about! ⭐️⭐️ (more…)
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danbenzvi · 5 years
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Just listened to: “Rose Tyler: The Dimension Cannon”
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Rose Tyler’s world is ending.
As she begins a desperate mission to find the one person who can make a difference, Rose discovers that it’s not only her universe at stake. Across alternate dimensions, parallel timelines – where divergences may be tiny or cataclysmic – every Earth is under threat.
Time is running out, but Rose won’t stop searching until she finds the Doctor...
All stories starring Billie Piper as Rose Tyler.
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1.1 The Endless Night by Jonathan Morris
As his parallel universe darkens, Pete Tyler has found a chance of survival. Punch a hole through dimensions and someone can jump through - and maybe find a way to the Doctor’s universe.
On her very first trip, Rose visits an Earth that’s about to get colder. As a long night begins, Rose meets different versions of her parents. And one man who could help her search. His name is Clive…
Starring Shaun Dingwall as Pete Tyler and Control Pete, Camille Coduri as Jacqueline Reeves, Mark Benton as Clive Finch and Julia Hills as Margot Kinnear.  All other parts played by members of the cast.
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1.2 The Flood by Lisa McMullin
Making another leap with a new companion, Rose finds a world suffering environmental change. The rain won’t stop, and the government could be hiding the scale of the impending disaster.
While Rose connects with another version of Pete and a strangely compelling young man, Clive meets someone special of his own. In this world, there was no Clive for Caroline to meet, but love can cross dimensions.
Starring Mark Benton as Clive Finch, Shaun Dingwall as Pete Tyler and Control Pete, Joe Jameson as Rob, Elli Garnett as Caroline, Julia Hills as Margot Kinnear and Gemma Page as Agent. All other parts played by members of the cast.
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1.3 Ghost Machines by AK Benedict
Pete decides it’s time he accompanied Rose on one of her dimension jumps. But he couldn’t have picked a worse time. They arrive in a world where technology took an extraordinary path, and where the recently deceased Pete Tyler had a very different kind of success.
As machines start to break down, Pete meets his widow, and he and Rose must confront truths about their ‘family’. But they may not escape this Earth alive.
Starring Shaun Dingwall as Sir Peter Tyler and Control Pete, Camille Coduri as Jackie Tyler, Mark Benton as Clive Finch, Alistair Petrie as Wallace Richards, Claire Wyatt as Jean Regan, Dan Starkey as Machines and Robert Whitelock as Machines.  All other parts played by members of the cast.
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1.4 The Last Party on Earth by Matt Fitton
Rose and Jackie visit a home very close to the one they left behind. But some old friends are missing, and some are unexpectedly present… Rose meets two young men she knows should be together - it can sometimes take the end of the world to see what’s right in front of you.
Meanwhile, the Powell Estate faces Armageddon in the only way it can – by throwing a party.
Starring Camille Coduri as Jackie Tyler, Waleed Akhtar as Mook Jayasundera, Syrus Lowe as Patrice Okereke, Elizabeth Uter as Odessa Smith, Amerjit Deu as Roni Bandara and Shaun Dingwall as Control Pete.
Plus a bonus disc of behind the scenes interviews and music from the box set.
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king-galaxius · 5 years
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New 2019 Irish Film Release
New 2019 Irish Film Release
Movie: Sweetness In Belly Genre: Drama Release: 2019 Director: Zeresenay Mehari
Writers: Camilla Gibb(novel) and Laura Phillips(screenplay)
Cast: Dakota Fanning, Yahya Abdul-Mateen II, Kunal Nayyar, Wunmi Mosaku, Gavin Drea, Peter Bankole, Yohanna Ephrem, Amerjit Deu, Sharon Coade, Neelam Bakshi, Molly McCann, David Fawaz, Mylene Gomera, and Louise Benghazi.
Reference: https://m.imdb.com/title/tt…
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movs4up-blog · 4 years
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Jawaani Jaaneman
The carefree life of a 40-year-old playboy comes to a standstill when he comes to know that he has a 20 something-year-old daughter.
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dulwichdiverter · 5 years
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Parking an idea
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SIMON AND DONNA WADE’S NEW COMEDY SHORT USES A PARKING FEUD ON A SUBURBAN STREET TO EXPLORE WIDER ISSUES IN POST-BREXIT BRITAIN
WORDS BY SEAMUS HASSON; PHOTO BY LIMA CHARLIE
It’s a decades-old battle between neighbours that has caused feuds and mental anguish, not to mention criminal damage. While the fight for the right to park might not be as important as the right to say, shelter or education, across suburbia it has taken on a peculiar significance.
It is also the subject of East Dulwich writer and director Simon Wade’s new short film, Huntington Gardens. Using the battle for car-parking spaces on a residential street as a metaphor for post-Brexit Britain, the film explores the country’s thinly veiled prejudices and generational divide.
I meet with Simon and his wife Donna, who was the cinematographer on the project, at Brick House Bakery to discuss the nine-minute satirical short. I begin by asking them what it is about car-parking spaces that is so emotive.
“I think it may have something to do with the fact that it’s something you have some control of,” Simon says. “It becomes a weird thing that seemingly is quite unimportant.
“You know that whether you park right outside your house or 10 metres down the road shouldn’t really make a difference, but for some reason it sometimes becomes like a mini battle with other people.
“When I started doing research for the film, I began by going on online forums like Mumsnet. People on there were talking about it [parking rights] like it’s the most important thing in their lives. I came across drawn diagrams describing how ‘this person’s parked a little bit over my drive, as you can see my house is here’. Things like that.”
The film was funded by Sky Arts’ Art 50 project and premiered on the channel as part of a night dedicated to shorts about life in post-Brexit Britain.
It has an impressive cast list, including Kacey Ainsworth, who played Maureen Mitchell (Little Mo) in EastEnders, Little Britain’s Paul Putner and former Holby City stars Kelly Adams and Amerjit Deu.
The idea to use car parking as a prism through which to explore the issue of Brexit was already in the pipeline before Simon and his brother Paul, who is the film’s co-director, applied for Art 50 funding.
“We had a concept before this [the funding opportunity] came up, and it seemed like a good way and an interesting way to approach the idea,” Simon says.
“Because it’s so much in the public consciousness, it’s kind of impossible for Brexit not to feed into your work, whether you are aware of it or not.”
“The purpose of the story is it’s supposed to be a microcosm of life in the UK and it could essentially be any street in any town,” Donna adds.
The couple, who met at university, have lived in East Dulwich for the past two-and-a-half years and have worked on several projects together prior to this.
“I actually only got into film when I was about 16 or 17,” Donna says. “I always thought I would like to do photography and then I was introduced to a moving image arts course in Northern Ireland.
“I studied that and from there I found out what a cinematographer’s job was. I thought, ‘That’s something I want to do.’”
Simon on the other hand has been a movie buff all his life, with regular trips to the cinema playing a big part in his childhood.
He and his brother have been making films together since a young age and they both worked for a time at the same production company in their hometown of Luton.
“We’d make home movies together, I guess the same as a lot of people do,” Simon says. “We used our savings to buy a camera and then we started making more stuff between us.”
Huntington Gardens was shot on Simon’s old street in Luton where his parents still live, with his childhood home used as a location.
“With short films you’re always tight for money, even though we got funding,” says Simon. “So the opportunity to shoot in my parents’ street and use their house was a massive money saver.”
“When we speak to a lot of people they don’t really understand short films,” says Donna. “They’re like, ‘You’re not making any money! What do they do? What is the point of them? Why do you put yourselves through that?’”
“But it’s multi-faceted in as much as we’re developing our careers and developing what we do and you’re always learning and trying to improve”, Simon adds. “Short films can act as a kind of step-up, a calling card.”
When I meet Simon and Donna, it’s the morning after Theresa May announced her resignation, in what was yet another landmark moment in the ongoing Brexit saga.
With the country divided and no solution obvious, could art provide more clarity than our politicians are currently doing?
“It just started to bring out a lot of divisions within the country,” says Simon of the 2016 referendum. “I don’t think they were new divisions that came out of nowhere; it just really highlighted them.
“Bringing it back to the film, it’s the idea that on a street, you’re maybe not talking to the neighbours very often other than a ‘hello’ in the morning, and maybe behind closed doors you have a different perception of people than the one which you show out in public.
“So, the idea of car parking and car-parking spaces acting as a metaphor for Brexit, bringing out all those hidden divisions and preconceptions, that was what we were looking to do.”
“One thing though I feel with the story is that many years from now you could still watch it as a standalone film and not feel that you have to necessarily relate it to Brexit,” Donna adds.
“There are underlying themes, it’s not overtly saying it’s about Brexit, we don’t talk about Brexit in the film, so over time the metaphor could take on a different meaning.”
While the couple both voted to remain, Huntington Gardens avoids making narrow political points, focusing instead on the broader picture and the effect that the referendum has had on the country as a whole.
“The stance we were taking [in the film] was simply that there is a lot of hysteria that has been brought up around the issue,” Simon explains.
“Whether you’re remain or leave, you can probably agree that it’s been a shambles, so it was that which we were trying to look at.”
To watch Huntington Gardens online, go to skyartsart50.tv/projects/huntingtongardens
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doctorwhonews · 6 years
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The Eighth Doctor - Ravenous 1 (Big Finish)
Latest Review: Written By: John Dorney, Matt Fitton Directed By: Ken Bentley Cast Paul McGann (The Doctor), Nicola Walker (Liv Chenka), Hattie Morahan (Helen Sinclair), Mark Bonnar (The Eleven), Ian McNeice (Sir Winston Churchill), Laurence Dobiesz (Wilhelm Rozycki), Gyuri Sarossy (Jan Ostowicz), Tracy Wiles (Secretary / Ground Control), Beth Chalmers (The Heliyon), Roger May (Cornelius Morningstar / Verdarn), Judith Roddy (Stralla Cushing), Sarah Lambie (Gorl), Jane Booker (Dron / Yetana), Christopher Ryan (Macy), Nicholas Rowe (The Kandyman), Amerjit Deu (Governor), Charlie Condou (Crabhead / System / Jarl), Pippa Bennett-Warner (Ruzalla), Beth Goddard (Ludina Braskell).  Other parts played by members of the cast.   Producer David Richardson Script Editor Ken Bentley Executive Producers Jason Haigh-Ellery and Nicholas Briggs Following on from the events of Doom Coalition, the Eighth Doctor and Liv Chenka are attempting to find the trail of their lost friend Helen Sinclair, and they begin a brand new set of adventures to stretch out over four boxsets, this time with the umbrella title Ravenous. It's a pretty exciting new beginning for this Eighth Doctor team, and bodes well for the Eighth Doctor adventures going forward.   The set begins with Their Finest Hour, which has The Doctor and Liv answer a call from Winston Churchill, who hopes that the Doctor can solve the issue of an invisible ship that is wiping out his Air Force. It's a energetic start to this set, with Paul McGann in his regular fine form as the Eighth Doctor, and Nicola Walker far more settled into the role of Liv. I must admit that while I really enjoyed Doom Coalition, I have never been too excited by Liv as a companion.  She just seemed too low key, but I felt Helen picked up the energy where Liv seemed to drag.  Here, she seems far more comfortable in the role, she just has more energy and her sparring with the Doctor had a good flow to it. At any rate, the opener sets the tone nicely, with World War II and interferring Aliens, a good supporting cast (including Ian McNeice reprising the role of Winston Churchill), and a good mix of action adventure and character moments.  The second story, titled How to Make a Killing in Time Travel, has the Doctor and Liv again diverted from finding Helen, and this time end up embroiled in a murder mystery and a prototype time machine. This is a pretty fun story, lots of humor and asort of madcap pace. These first two stories seemingly have little to do with the big new arc that will be the backdrop of the coming Eighth Doctor boxsets.  I've been fooled before, they may end up playing a bigger role than I realize...but even if they do not, they were a fun couple of stories that kept me engaged and reaquainted me to the Eighth Doctor and Liv...and they made me appreciate Liv more than I had in the past.   Helen, along with the Eleven, make their return in World of Damnation. The two apparently crash landed in an asylum, and Helen wreaked some havoc when they arrived, apparently endowed with some powers from the Sonomancer (Listen to Doom Coalition 4).  But now she is just trying to calm the Eleven's psychopathic tendencies, and it is seemingly helping.  Also at the asylum is the Kandyman (making his audio debut), who is distributing sweets to the inmates, which somehow controls their behavior.  By the time The Doctor and Liv arive, the asylum is in chaos, and I rather liked that while the Helen and Eleven storiy is being told simultaneously as the Doctor and Liv arriving, it builds in a way that you only slowly come to relaize that the TARDIS arrival actually takes place some time after the rest of the episode, and that the chaos has been instigated by the Eleven and the Kandyman, who were secetly working together. Despite having spent so much time searching for her, the Doctor is very suspicious of Helen once they have found her, and he is unsure of her motives throughout most of the finale of the set, Sweet Salvation.  In this episode we discover that hte Kandyman and the Eleven plan to rule over whole worlds by delivering the Kandyman's confections as a mind control device, and it is up to our TARDIS team to halt their plans.  This finale is a great conclusion to the set, as it while the titular Ravenous is only briefly heard and hinted at, I am intrigued about going forward.   This set is a good start to the new set of adventures for the Eighth Doctor. It definitely helped me warm up to Liv, which is a definite plus, as I really never found her that interesting in previous boxsets. I do find it surprising that they brought the Kandyman back at all, as I don't think he actually worked in his lone TV appearance. But Big Finish manages to make him a more interesting character, with a brand new design on the covers, because I am pretty sure there was some copyright issues with the character design. I should also make special note of Mark Bonnar as the Eleven, who has been incredible in this role since the start of the Doom Coalition sets. If I have a criticism of this new set, it is that it really cannot stand on it's own. You have to have listened to Doom Coalition to understand major plot points of this set.  Despite carrying on from Dark Eyes, you could have started fresh with Doom Coalition, that is not the case here.  Now, that previous series of boxsets is pretty entertaining, so it is kind of worth it, but those who are not fairly familiar with the ongoing adventures of the Eighth Doctor on Big Finish, you should probably catch up to start this new set of adventures.  Those who are fmailiar?  This seems like a fun new collection to add to a growing list of fun collections for Paul McGann and company.   http://reviews.doctorwhonews.net/2018/04/the_eighth_doctor_ravenous_1_big_finish.html?utm_source=dlvr.it&utm_medium=tumblr
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bgm05 · 6 years
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cast of Sex Lives of the Potato Men (2004)
Johnny Vegas as Dave
Lee Tunbridge as bleach blonde in group sex scene
Mark Gatiss as Jeremy
Annette Bentley as Linda
Julia Davis as Shelley
Lucy Davis as Ruth
Evie Garratt as Joan's Mum
Robert Harrison as Kevin
Nick Holder as Gordon
Mackenzie Crook as Ferris
Dominic Coleman as Tolly
Barry Aird as Gherkin Man
Joy Aldridge as Sauna woman
Jeff Alexander as Bloke in group sex
Adrian Chiles as Towel man
Amerjit Deu as Doctor
Justin Edgar as Chip Shop customer
Huss Garbiya as Beans
Carol Harvey as Chip Shop Girl 2
Alfie Hunter as Matthew
Laurence Inman as Bored Bloke in porn shop
Jenny Jay as Coma woman/Helen
Ceris Jones as Poppy's brother
Helen Latham as Chip Shop Girl
Kay Purcell as Gloria
Nicola Reynolds as Poppy
Kate Robbins as Joan
Angela Simpson as Vicky
Nicholas Tennant as Phil
Betty Trew as Katie
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bradfordzone · 6 years
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Father Brown | BBC One 3 January 2:15pm
Episode 3 The Kembleford Dragon, by David Semple. Father Brown must stop a much-loved institution from going off the rails when the local stationmaster is murdered. Julia Webb (Sophie Duval) boasts about her award-winning hanging baskets to Mrs McCarthy (Sorcha Cusack) as Ben Webb (Neal Barry) shows station inspector Deepak (Amerjit Deu) around the train station. Pandora (Jessie Cave), the new…
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marcokesseler · 9 years
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Amerjit Deu, on set of Marrying The Sun.
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