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film-book · 1 month

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Film Review: LA CHIMERA (2023): Josh O'Connor Turns in a Unique Performance in an Overlong and Offbeat Drama https://film-book.com/film-review-la-chimera-2023-josh-oconnor-turns-in-a-unique-performance-in-an-overlong-and-offbeat-drama/?feed_id=128274&_unique_id=660701d62be0d

#MovieReview #AlbaRohrwacher #AliceRohrwacher #CarmelaCovino #CarolDuarte #ChiaraPazzaglia #IsabellaRossellini #JoshOConnor #LaChimera #LouRoyLecollinet #MarcoPettenello #Neon #RamonaFiorini #VincentNemolato #YileYaraVianello #ThomasDuffy

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movienized-com · 17 days

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La chimera

La chimera (2023) #AliceRohrwacher #JoshOConnor #CarolDuarte #VincenzoNemolato #IsabellaRossellini #AlbaRohrwacher Mehr auf:

La Chimère Jahr: 2023 (November) Genre: Abenteuer / Comedy / Fantasy Regie: Alice Rohrwacher Hauptrollen: Josh O’Connor, Carol Duarte, Vincenzo Nemolato, Isabella Rossellini, Alba Rohrwacher, Lou Roy-Lecollinet, Giuliano Mantovani, Gian Piero Capretto, Melchiorre Pala, Ramona Fiorini, Luca Gargiullo, Yile Yara Vianello, Barbara Chiesa, Elisabetta Perotto … Filmbeschreibung: Jeder verfolgt…

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#Alice Rohrwacher #Carol Duarte #Isabella Rossellini #Josh Oconnor #Vincenzo Nemolato

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diegoriselli · 5 years

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Perfetti sconosciuti di @paologenoves entra nel Guinness dei primati: è il film con più remake nella storia del cinema! Ringrazio @marcobelardi per aver ideato questo progetto di illustrazioni, ma soprattutto per avermi dato la possibilità di realizzarle! @lotus_production #perfettisconosciuti #lotusproduction #cinema #cinemaitaliano #guinnessdeiprimati #18remake #edoardoleo #marcogiallini #kasiasmutniak #annafoglietta #valeriomastandrea #giuseppebattiston #albarohrwacher #paologenovese #marcobelardi #cartoon #caricatures #midcenturymodern #retro #vintage #vectorillustration #vector #adobecreativecloud #adobeillustratorcc #wacomcintiq #diegoriselli #piedimontematese https://www.instagram.com/p/B0JiKlWi1hW/?igshid=1cbyr7h8vju93

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doomonfilm · 2 years

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Thoughts : The Lost Daughter (2021)

Dagmara Domińczyk

It’s a special thing to see an actor take their years of experience in front of the camera, working with multiple directors and generally building a body of work, all to eventually turn things around and contribute to the canon of film by taking a crack at things from the director’s chair. Be it the likes of Clint Eastwood, George Clooney, Robin Wright, Regina King, Jordan Peele, Jonah Hill, John Krasinski, Bo Burnham, Greta Gerwig or any other countless number of names I’m forgetting, the results are almost always interesting, and now we have been blessed with the pleasure of adding a new name to this list : Maggie Gyllenhaal. Thought her acting career is likely far from over, a handful of production credits over the past couple of years has led to her 2021 feature film debut in a writing/directing role, The Lost Daughter, an adaptation of the 2006 Elena Ferrante novel of the same name.

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Maggie Gyllenhaal sets the table for her film by placing Leda (her protagonist) in a vacation situation, a locale and travel selection that is primarily done for celebration, escapism and relaxation. Rather than dwell in these realms, however, Gyllenhaal subverts expectations by turning the vacation scenario into a realm of isolation, self-reflective regret and the need to come to terms with the past. While most people vacation to relax, we find Leda doing just the opposite as she sits alone observing, avoids intimacy when she isn’t struggling within the midst of it and navigating through a number of conversational landmines with strangers. Through this, it is implied that Leda struggles with showing restraint and with her perceived judgement of others, even when she is acutely aware of the collateral damage that can be found in the wake of these things. Her ruminations on her self-image in relation to how the remainder of the world perceives her are not only displayed through her interactions with the male gaze, but through her own constant dwelling in her memories as the now reminds her of her shortfalls in the past. What we are ultimately left with is a dose of tough self-love that grows squarely from Leda coming face to face with the reality that she is a bad mother and less than ideal wife, and we are asked to walk with her through the process of accepting this and learning to still grow.

While probably not intended, it is interesting to take this film in knowing that it was written and directed by an American telling a story about a British woman vacationing in Greece, with the antagonist role being largely filled by either Italian or Latin-based (forgive my ignorance) characters. We are lead to believe that the cultural observations, clashes and differences of opinions that arise from this scenario would send all parties involved running from common ground, and yet, once Leda’s darkness begins to rise to the surface based on remembrances caused by her interactions with Nina and Callie, common ground suddenly begins to have a deeply magnetic pull to the cadre of women struggling with motherhood. This juxtaposition creates a handful of interesting narrative mysteries we get to watch unfold, with issues like cultural misunderstandings, wrong foot encounters and deep personal reflection all serving as the basis for said mysteries. With the specter of post-traumatic stress lingering in the midst of the shadows threatening to present itself as viewers gain a deeper narrative understanding, we find ourselves waiting for the symbolic other shoe to drop in regard to Leda’s life and spirit, not to mention her ability to reconcile with the children she clearly damaged.

In terms of technical aspects, the most immediately recognizable touch is how dark, moody and deeply dramatic the lightning choices can be for the film... while the sun tends to bring all things to light (no pun intended), anything that doesn’t take place under its watchful eye is absolutely drowned in shadows and darkness, creating a “tension in paradise” scenario. The cinematography enhances these feelings by making sure to stay the course in terms of illustrating the isolation, separatist feelings and standoffish nature of interaction, as communicating adults almost never share a frame when the moments are explicitly tender. For a dramatic, slice of life film, the sound design is surprisingly deeply immersive, with the insects, sound of water and nature all making their presence continually known while Leda moves cautiously through her vacation paradise. Musically, a back and forth between a jazz-based score and symphonic one do wonders for mood-setting and tone, while the diegetic sound is infectious Latin music. Overall, Maggie Gyllenhaal’s directing is full of the patience and observant nature that normally comes from a veteran director, with her pacing relying heavily on individual moments that unveil larger truths rather than standard exposition dumps.

Olivia Colman has received the lion’s share of praise connected to this film, and it is certainly apparent why, as she is able to make the regrets and what-ifs that come with reflecting on parenthood and make even the ugliest parts feel at least somewhat appealing through her calmness and resolve. Perhaps it’s the chronologically reverse foundation that Colman lays that enhances Jessie Buckley’s shared performance as Leda... all of the peaceful acceptance shown by Colman makes the panic, frustration, stress and regret that Buckley exudes hit that much harder. Interestingly enough, a similar parallel dynamic exists between Dagmara Domińczyk and Dakota Johnson, with Domińczyk mirroring present day Colman and Johnson directly reminding present day Colman of her younger child-raising experience. A base level tension Domińczyk and Johnson full of sisterly jealousy and negative history as well. Ed Harris and Paul Mescal provide Colman with tension-filled distractions based on their different ways of communicating their attractiveness, while serving the dual role of being harbingers of doom in regard to Leda’s interactions with Nina and Callie. Peter Sarsgaard helps bring the frustration of young Leda to life through his carefree spirit and implied recklessness, which stands starkly in the face of Leda’s need for peace and order from kids that, inherently, cannot meet and fulfill her desires. A large supporting cast brings the rest of the world to life, with highlights including performances by Jack Farthing, Oliver Jackson-Cohen, Robyn Elwell, Ellie Blake, Alba Rohrwacher, Nikos Poursanidis, Alexandros Mylonas and more.

While it feels that I have shared much about this film, to go any deeper into what makes this film so strong would be to do anyone interested in having an unfiltered experience with it an injustice. It is crystal clear that Maggie Gyllenhaal is attempting to make a timeless film, and for my money’s worth, she does any amazing job doing so, which is even more impressive considering this is her directorial and writing debut (as mentioned several times before). In a different year, The Lost Daughter would certainly stand to make a good showing during awards season, but the competition this year is amazingly stiff. That being said, don’t be surprised if The Lost Daughter does manage to walk away with one or two awards.

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supersergiofabi · 3 years

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@albarohrwacher #albarohrwacher #attriciitaliane (presso Lucca, Italy) https://www.instagram.com/p/CU2Q8ruMqMV/?utm_medium=tumblr

#albarohrwacher #attriciitaliane

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awardseasonblog · 3 years

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Annunciate le nominations per la 61a edizione dei #Globidoro assegnati dai giornalisti della Stampa Estera accreditati in Italia. I 3 candidati di quest'anno per la categoria #MigliorFilm sono: - #LesorelleMacaluso di Emma Dante - #Cosasarà di Francesco Bruni - #Lacci di Daniele Luchetti I 3 candidati di quest'anno per la categoria #Migliorregia sono: #FrancescoBruni – Cosa sarà #EmmaDante – Le sorelle Macaluso #DanieleLuchetti – Lacci I 3 candidati di quest'anno per la categoria #MigliorAttore sono: #ElioGermano – L’incredibile storia dell’isola delle Rose #RenatoPozzetto – Lei mi parla ancora #KimRossiStuart – Cosa sarà Le 3 candidate di quest'anno per la categoria #MigliorAttrice sono: #ValeriaBruniTedeschi – Gli indifferenti #SimonaMalato e #DonatellaFinocchiaro – Le sorelle Macaluso #AlbaRohrwacher – Lacci #italianmovies #ItalianAwards #FilmCriticsAwards https://www.instagram.com/p/CRQrkn-F3M5/?utm_medium=tumblr

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camillacinematica · 3 years

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#lemeraviglie #alicerohrwacher #albarohrwacher #cinema #film #movie #empathy #sensibility #indipendentcinema #indipendentfilm #indipendentmovie #italia #italy #europa #europe #cinemaitalianoindipendente #monicabellucci https://www.instagram.com/p/CPd7XQpFdR-/?utm_medium=tumblr

#lemeraviglie #alicerohrwacher #albarohrwacher #cinema #film #movie #empathy #sensibility #indipendentcinema #indipendentfilm #indipendentmovie #italia #italy #europa #europe #cinemaitalianoindipendente #monicabellucci

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cinemaitaliano-italiancinema · 3 years

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Luca Marinelli e Alba Rohrwacher protagonisti di #Lasolitudinedeinumeriprimi. È un film che avete a cuore? #migliorifilmitaliani #migliorifilm #filmitaliani2000 www.ilsorpassocinema. com #lucamarinelli #albarohrwacher #paologiordano #film #romanzo #storiadamore #filmitaliano #saveriocostanzo #amore #numeri #genio #follia #attori #coppia #love #cinemaitaliano #ilsorpassocinema #cinemaitaliano_italiancinema https://www.instagram.com/p/CI8v6yXh-dK/?igshid=1vq1qcelztcp

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francescosilla · 4 years

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«Gli esseri umani sono come bestie, animali. Liberarli vuol dire renderli consci della propria condizione di schiavitù». Lazzaro felice, regia di Alice Rohrwacher (2018) #lazzarofelice#cinema#movie#alicerohrwacher#albarohrwacher#adrianotardiolo#cinemalovers🎬 https://www.instagram.com/p/B55NT8fKjxy/?igshid=gyv2iaicxr11

#lazzarofelice #cinema #movie #alicerohrwacher #albarohrwacher #adrianotardiolo #cinemalovers🎬

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recensionispicce · 4 years

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"E poi è arrivato quello stronzo, m'ha stravolto la vita. M'ha fatto credere che potevamo essere felici e io mi sono fidata". Perfetti sconosciuti ~ Paolo Genovese (2016)

Genovese si infila nella scia dei film girati con l'impostazione teatrale del "tutto in un punto" (vedi Who's Afraid of Virginia Woolf, mica per niente riadattamento di una sceneggiatura per teatro) nei quali l'ambiente chiuso - in questo caso una casa uscita direttamente da una rivista di interior design - è l'ambiente unico dove si svolge il dramma. C'è un fuori, si suppone, un tempo esterno alla lentissima cena che si sta svolgendo, ma lo intuiamo solo grazie all'eclissi di luna che pian piano copre il cielo (eclissi che, da che mondo è mondo, comunque è presagio di sfighe). Il gioco è semplice: mettiamo i telefoni sul tavolo, e per stasera è tutto pubblico, ahaha, ma no, ok, ma dai, che scemenza, perché che hai da nascondere?! Lo spettatore sa già cosa aspettarsi. Solo che non sa quanto aspettarsi. I dialoghi sono bilanciati, i tempi buoni, il climax non esasperato. Forse si poteva essere più sobri con lo spiegone moralizzante contro la società dei social, che fa tanto "voi giovani, sempre col telefono in mano". E comunque ricordatevi di aprire ogni tanto le ante degli armadi che prende un po' d'aria lo scheletro.

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#cinema #film #movie #paologenovese #perfettisconosciuti #albarohrwacher #edoardoleo #kasiasmutniak #recensionispicce

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jacoporampini · 4 years

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Thank you @sallyfischerpr for inviting me to the opening night of The Wonders with @albarohrwacher and Alice Rohrwacher at @themuseumofmodernart presented by @cinemaitalianstyle and @camillakormanni @archivioluce on December 4th, 2019. • • • • • #jacoporampini #rampini #actor #attore #thewonders #moma #museumofmodernart #cinecitta #lucecinecittà #albarohrwacher #alicerohrwacher #filmmaker #sallyfisher #cinemaitalianstyle #retrospective #italian #art #cinema #film #movie #opening #event #newyork (at MoMA The Museum of Modern Art) https://www.instagram.com/p/B5t-_Y6HpXt/?igshid=hz8r81aars6n

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therenaissanceladyblog · 5 years

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As a proud Nigerian, I celebrate my fellow sisters and brothers who get recognised worldwide for their gifting and @adesuaetomi is one of them. She exhibits grace and style whilst being humble and she’s a damn excellent Actress and Nigerian Ambassador. To my delight, she got featured by @voguemagazine to be on the cover of the April edition of Vogue Magazine along with other talented group of women worldwide and this is what I called empowering news for a Nigerian-British woman that the sky’s the limit for the world to now recognise Nigerians as a positive force to be reckon with 🇳🇬🇳🇬🇳🇬 So a big thanks to @voguemagazine for this awesome feature on the chosen 14 global superstars: Angelababy (@angelababyct), Doona Bae (@doonabae), #ElizabethDebicki, Golshifteh Farahani (@golfarahani), #LivLisaFries, Eiza Gonzalez (@eizagonzalez), Hera Hilmar (@herahilmar), #ScarlettJohansson, Vanessa Kirby (@vanessa__kirby), Bruna Marquezine (@brunamarquezine), Deepika Padukone (@deepikapadukone), #AlbaRohrwacher and Lea Seydoux (@leaseydoux_genuine). Lessons Learned: Never stop perfecting your craft/gift as 'big brother' is always watching! Big Congratulations @adesuaetomi and keep soaring. Nigeria to the World 🇳🇬🇳🇬🇳🇬 Happy Weekend Beloveds ❤️ The Renaissance Journey continues ... 📸: Mikael Jansson / @mikaeljansson • • • • • #VogueMagazine #GlobalSuperStars #VogueCoverGirl #NigerianActress #Fashion #Fashionista #ProudlyNigerian #BlackGirlMagic #GirlBoss #BeInspired #Mompreneur #GoalGetter #PositiveMindset #WomenEmpoweringWomen #BlackGirlsWhoBlog #WomenEmpowerment #BlackRenaissance #BlackExcellence #BeEncouraged #BlackGoals #Motivation #LivePurposefully #Lifestyle #Influencer #ContentCreator #BloggerLife #LifestyleBlogger #MelaninPoppin #TheRenaissanceLady https://www.instagram.com/p/BvXHom7hDfm/?utm_source=ig_tumblr_share&igshid=6placck4obk

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ecoamerica · 1 month

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Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared

The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!

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whatisflorencewearing · 4 years

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Editorial: T Magazine Spring 2020 - Culture Issue, Chapter 4: The New Guard

Florence on one of four covers of the @nytimes' @tmagazine. Alongside, from left to right; @mykkiblanco, @bethannhardison, @alessandro_michele, @dakotajohnson, @thesineadburke, @albarohrwacher, Benedetta Porcaroli (@bennipi) and Zumi Rosow (@fangusz666). Photographed at the Gucci offices in Milan on the day of the Fall 2020 women's show.

The magazine's Culture Issue celebrates various groups of people who "are not bound by blood or genetics or law, but by something more profound and just as durable - call it an affinity, if you will. Sometimes that affinity has it's roots in race, or gender, or sexuality, but it's just as often based in something not innate, but developed: taste, say, or sensibility, or experience, or history". Florence is featured in an article that shines a light on "Fashion Gangs". It's about fashion crews that are reinventing the way we dress and the importance of collaboration for fashion houses, designers and their muses. One of them is Alessandro Michele, creative director of Gucci, and his 'eclectic troupe'. "It's this communion that he treasures the most, comparing the relationship he has to some members of his inner circle - @florenceandthemachine frontwoman Florence Welch, the Black Lips saxophonist Zumi Rosow and the actress Dakota Johnson - to those he had as a child growing up in Rome. "We're like kids when we get together, like when I was in school and we'd all go crazy over indie music or rap or how we all wanted the same hat," he says. "Friendship is a gift.""

#florence welch #florence and the machine #editorial #april 2020 #new york times #t magazine #gucci #gucci gang #alessandro michele #what is florence wearing

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supersergiofabi · 3 years

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#happybirthday #albarohrwacher 42 anni oggi https://www.instagram.com/p/CLyOem-hTUC/?igshid=1wwrc23h0i7nw

#happybirthday #albarohrwacher

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ralphfiennesblog · 3 years

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#Repost @premiogregorvonrezzori SATURDAY 5 JUNE at 16:00 ONLINE on the Virtual Room of La Compagnia https://t.co/ZISZmhriEY and on the YouTube channel of @comunediferrara https://t.co/EdtZ8RtjFe: “Tribute to Dante” - Reading from the #DivinaCommedia with #RalphFiennes and #AlbaRohrwacher https://t.co/ElitvEaUea (at Italy) https://www.instagram.com/p/CPpSwyRKPnN/?utm_medium=tumblr

#repost #divinacommedia #ralphfiennes #albarohrwacher

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camillacinematica · 3 years

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#lemeraviglie #film #movie #cinema #alicerohrwacher #albarohrwacher #monicabellucci #film #movie #cinema #indiefilm #indiemovie #indiecinema #cinemaindependente #indipendentcinema #indipendentfilm #indipendentmovie #cinemaindipendenteitaliano #empathy #sensibility #bees https://www.instagram.com/p/CPbSwyWlJvf/?utm_medium=tumblr

#lemeraviglie #film #movie #cinema #alicerohrwacher #albarohrwacher #monicabellucci #indiefilm #indiemovie #indiecinema #cinemaindependente #indipendentcinema #indipendentfilm #indipendentmovie #cinemaindipendenteitaliano #empathy #sensibility #bees

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ecoamerica · 1 month

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youtube

Watch the 2024 American Climate Leadership Awards for High School Students now: https://youtu.be/5C-bb9PoRLc

The recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by student climate leaders! Join Aishah-Nyeta Brown & Jerome Foster II and be inspired by student climate leaders as we recognize the High School Student finalists. Watch now to find out which student received the $25,000 grand prize and top recognition!

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