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#AND SHE WAS REALLY SET ON THE SONG SO
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you'll never get away from the sound of the woman that loves you  🎶
#dwedit#rd edit#river song edit#eleventh doctor#river song#doctor who#is it great? no. does it make sense? no. not really.I just wanted to make it#because this quote kind of makes me go feral#because imagine river. a ghost. trying to get a closure from a man who supposedly loved her#but it seems to have forgotten all about her. put her on a shelf life a book that wasn't even that great and engaging#and so she haunts him. first trying to get a reaction and realising that he can't hear or see her#and so then she talks. about their adventures. about her love. how she misses him. how she's always missed him#she'd tell him about her solo advenures#how much fun she used to have and she'd tell him how many times she stole his TARDIS and he didn't even notice#and she'd make fun of him piloting the TARDIS ('hundreds of years and you still can't do that. you really did get that flying licence in a p#and during these rare times when he slept she'd read or tale him fairytales. because why not? what does she have to lose?#and yet. he heard her all the time. every single time.#but he never talked to her. why would he? to do that he'd have to acknowledge that he'd lost her for good. just like her parents. just like#and river - she was supposed to be different. a touchstone. someone who would be able to keep up with him. stay with him. they would always#and yet. he was left all alone. his wife gone. a ghost of her was all he could have. he should set her free but he was a selfish man. so he#is it too much? or not enough?#idk they just make me go feral tbqh. what can I say I want me faves to suffer :)#mine#long post#otp: the towers sang and you cried
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thedreadvampy · 9 months
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btw about Neil Gaiman I periodically agree with the 'Neil Gaiman is annoying' stuff bc I feel like both he and Amanda Palmer seem like people who I would go insane stuck in a room with bc we have very different ideas about art and suchlike. and I also do think that the career trajectory he's on lately is cynically redoing his greatest hits and pretending that was the dream all along when it clearly was not. which is at best meh.
having said which
as far as I can tell by far the most common complaint about Neil Gaiman is "Snow, Glass, Apples is problematic/gross/it's got incest and rape and frames the child as the aggressor"
which strikes me as a weird complaint to pull out of a 40 year body of work tbh when that short story is pretty clearly coming from a place of 'how far can I push this'. like you don't have to like the story. I don't really like the story. but it is. a horror story.
like and this is the thing with particularly 90s alt horror right? a lot of the interest is in transgression and sitting in the worst possible perspective and seeing what happens if you pull those strings. like I really like Clive Barker for example but there's a good chunk of his short stories that I'm like I'm not picking up what you're putting down Clive this seems Kinda Off. but that willingness to write some trite or Bad Message horror fiction that doesn't land is imo a side effect of being willing to try writing uncomfortable and unpleasant fiction at all. which is what horror is for, among other things, it's for creating discomfort as a form of catharsis or engagement.
like I am not a huge fan of the type of sex-horror that pops up in a lot of Gaiman's work and other contemporary horror writers - to me I don't find it upsetting or horny it just ends up feeling kind of edgy and tryhard - but I'm also a bit like. it does seem like a lot of people's beef with Neil Gaiman is that In The 90s He Was A Horror Writer
and this approach to Problematic Horror in Snow, Glass, Apples I find kind of microcosmic of how The Discourse often approaches art in this kind of 1:1 way. if you write a story which seems to line up with rape apologia it can only be because you agree with it. if you write a story about transphobia you're a transphobe. if you write a story that makes me genuinely uncomfortable you're attacking me.
but artwork, especially art like horror that's not necessarily trying to provoke enjoyment as its main response, is necessarily hit and miss. and if what you're shooting for is discomfort then whether it works, falls flat or goes too far incredibly depends on your audience. and making good art - as in art that makes its audience think, art that opens the audience up to discomfort and catharsis and sticks with them and changes them - requires the space to experiment and tbh the space to fuck up. like they aren't all going to be winners and they certainly aren't all going to work for you as a singular audience.
personally I don't see the appeal of Snow, Glass, Apples, less cause it's nasty and more cause it's hack. ooh an edgy monstrous version of a fairy tale where there's lots of rape and cannibalism? you're soooo original Neil. but like. that's fine. I don't really vibe with like 70% of Neil Gaiman stuff I've read but I still like Neil Gaiman because the stuff that works for me really works for me.
idk I think there's a lot of folk on this website who shouldn't interact with horror cause they clearly aren't interested in being horrified. that's not everyone who dislikes Snow, Glass, Apples, but it's a real undercurrent to a lot of the criticism and tbh this kinda vibe is shit for art. making standout art What Is Good also requires being ready to make art which stands out for the wrong reasons. sometimes they'll be the same art to different people.
#red said#not to Cancel Culture this but isabelle fall springs to mind in a lot of how folks talk about stuff like this#like she wrote a transgressive piece exploring her own negative feelings about transness and her anger around a transphobic trope#and she made something which i found really resonant and interesting#and she got torn apart for it because it Might From Some Angles Agree With Transphobia#and I'm not making a direct comparison. because i think attack helicopter is a really GOOD story and i think SGA is gratuitous and hack#but that's the thing right? transgression and discomfort and speaking about unpleasant things in an openended way are KEY#to making art that engages directly with your own pains and angers and discomforts#and that's hard to mediate tbh. but it's also very necessary.#i think as well thinking about Gaiman this is also a thought I've often had about Amanda Palmer#who over the years has written a lot of songs about things i find genuinely uncomfortable or offensive.#and i can engage with 'it's fucked up to tell your ex they transed their gender At You' or 'your partner's suicide is not about you' bc yeah#but#you can't celebrate someone for making confessional music then get mad because you don't like everything they confess#if you only take about your socially acceptable thoughts it's not really confessional is it?#if you only talk about discomforting things that people are comfortable hearing about its not really discomforting#and you can only really discern what's Good Transgressive and what's Damaging Transgressive through doing i think#so if you want challenging art you are going to have to get some art which challenges you and you go hmm no i still disagree#is what i think#so yeah you can hate the artwork but when an artist is specifically setting out to make challenging art it's weird to hate them#for making 50 pieces of art you like and 1 you hate
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trashlie · 1 year
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Nol’s Weird Reactions to Shinae’s Weird Compliments
I needed to take a small break from all the heavy discussions and decided to go round up all the little moments I could remember of Shinae paying Nol an unexpected - and often seemingly weird lol - compliment and Nol’s very puzzled reactions lmao because it always makes me laugh. There’s something about his “um what” that always makes me laugh 
Honorable mention to this scene at the black and white formal
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Not a weird compliment (hence it being an honorable mention) but it still came by surprise and left them both feeling awkward
Honorable honorable mention to THIS scene, too. He seems to react more to the fact that she’s saying anything nice to him at all, hence why it’s an honorable mention, but it still fits the “reacting kinda weirdly” theme so here it is lmao 
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Let me know if I’ve missed any more - I think a post of all the times Shinae has paid anyone an awkward compliment would be just the best because I still never get over “SEXY HANDS” and Dieter nearly dying in response lmaooooo She’s a unique and somewhat socially awkward one, our Shinae, and I wouldn’t want to have her any other way 
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vanwizard · 7 months
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fhjwksjsndbsjdjjs do NOT let the media fool you. the new moulin rouge flat out sucks.
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hum--hallelujah · 6 months
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and if I said that Hum Hallelujah is the most p2 "love song" to me and didn't elaborate on that? what then?
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oysters-aint-for-me · 11 months
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my cat when i get up at 3 am to go to the bathroom and walk by his “empty” food bowl without refilling it
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byberbunk2069 · 6 months
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This is just how Netrunners exchange information in meatspace.
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ohdorothea · 3 months
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I think I have to engage with Taylor Swift as a performance artist rather than a person or I will break my brain trying to figure her out
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ioannemos · 7 months
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reason #??? i want to live away from people: YOU STEAL THE AIR OUT OF MY LUNGS, YOU MAKE ME FEEL IT! I PRAY FOR EVERYTHING WE LOST, BUY BACK THE SECRETS! YOUR HAND FOREVER'S ALL I WANT! DON'T TAKE THE MONEY! DON'T TAKE THE MONEY! (“baby, love me! you've got me, runaway!”) YOU STEAL THE AIR OUT OF MY LUNGS, YOU MAKE ME FEEL IT! I PRAY FOR EVERYTHING WE LOST, BUY BACK THE SECRETS! YOUR HAND FOREVER'S ALL I WANT! DON'T TAKE THE MONEY! DON'T TAKE THE MONEY!
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meatsouuuuup · 3 months
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it is yearning for tap hours
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sysig · 4 months
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It’s all worth it to be close ♥ (Patreon)
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badolmen · 6 months
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My toxic trait is unironically liking 2000s-2010s country music 😔
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potential-fate · 5 months
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2020-2023 spotify wrapped artists.
Taylor plz, you sit on a throne of LIES.
I don't know how this keeps happening. I understood how in 2020 and even in 2021, but THIS YEAR???? REALLY? I don't know. I barely listen to pop at all, but I listen to Taylor. I listen to Conan Gray, and I listen to Troye Sivan. and that's IT. but SOMEHOW.
Anyways, you can tell from my music that I'm 100% mentally well.
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thelastattempt · 11 months
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Trying to criticise Louis for a fan’s misbehaviour is low. Most fans are respectful. They touch but don’t go too far. The kind of people who sexualise barricade moments are really creepy to me. It says a lot on how they think about touch and connection. Many artists like to get close to their fans, they crowd surf, I see it fairly regularly at small gigs with alternative artists. I remember a couple of years ago, Beyoncé jumped onto her crowd and crowd surfed. It was a beautiful and iconic moment and fans were hopefully respectful and didn’t touch where they shouldn’t. It is an act of trust and when fans cross that boundary, it is not on the artist. That fan who bragged about gripping Louis’ neck and seemed to make Louis actually have to grasp for breath, that was wrong. Louis’ security got her hand away from Louis’ neck pretty quickly. The next show, Louis kept his head and neck a bit higher and security were extra vigilant about fans getting too close to Louis’ neck. So clearly that was a bit far. When a fan sexually assaulted Louis by touching his dick, that was wrong, that was crossing a boundary and he said it was too far, a bit weird as a way to address that it was too far. Louis going to barricade isn’t an invitation to assault him. As I said, most fans are respectful and Louis trusts his fans and enjoys the connection and emotion in being around people he trusts. Fans should know better and most do
‘Louis going to barricade isn’t an invitation to assault him.’ Absolutely, 100% agree.
I do think it’s also an important point to remember that a lot of artists go to barricade or have some sort of crowd interactions, you’re right anon. The Hives did it just last night.
And that ultimately, if lines are crossed then these barricade moments will simply stop. As they should in those circumstance.
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Going to go ahead and get my ask ready: so how was the T Swift concert?
It was great! She played Pink Venom and Misery Business on the speakers right before her show started, so that got me through the next 3 hours *ba dum tss*
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weidli · 1 year
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has anyone already made an icemav vid to abba's lay all your love on me or do i have to do everything by myself around here
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