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#AND IT'S ONLY BEEN 1 EP SO FAR

woundthatswallows · 1 year

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i'm so glad i kept my standards so so so so low for dead ringers 2023 bc watching it is so elating like it is actually Good

#i've only seen ep 1 but it has my approval so far #i need to reread the essays on that damn movie i've written ... feels like the height of my obsession w it was so long ago tbh. which like #i guess it has been over 2 years now. Crazy!

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leafeonb · 1 year

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i think tomorrow i will catch up on the new mob episodes :-)

#i havent been keeping up so for now i was just waiting to watch a lot of them at once ^_^ i only saw ep 1 so far #lulu.txt

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biolums · 1 year

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tbh im kind of awed by my school president bc like… i havent been this invested in a show since bad buddy… its on my mind 24/7 like i am Obsessed.. and like!! iliterally thought nothing of it when i first heard about it bc ive seen enough high school shows and i generally prefer college or adult life shows. but like no it holds up… i really like it and i really like the SETTING even though its high school…. i think part of the reason i like it is the whole, queer kids dont get to experience dating and romance when theyre teens so they end up doing all of it in their 20s-30s. like, its just kind of nice to watch this show and be like This. this is what i wanted. this was the dream… if that makes any sense fjdjsjfjfjddjf

#living vicariously through tinn. thats what im doing #JANSNDDJSKDKFIDJFJ #also granted. its only been 3 years since high school so its not like im so far removed from it #idk!! im just !!!!!!ing about it #this was my first live ep and now im horrified that i have to wait another week. again….#how did i survive bad buddy. i was there from ep 1 #once again wishing i was a strong narratice writer i would be writing so much fanfic. so much #do you think theres a market for. bl argumentative essays. i can write a mean argumentative paper #kdkdkdkskdjdjdisnfnfjdjdoif #honestly i need to start beta-ing i think ill be able to get a better grasp on Writing fanfic if i do that #idk #msp #jace.txt

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queenerdloser · 1 year

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i started miss sc*rlet and the duke bc i enjoy period mysteries but uh the third ep might have ruined me for it. i mean, even leaving aside the annoying plotline of having the antagonist of the week be a militant feminist activist (yeah we’ve never seen THAT before wow so original) i’m finding it really really hard to continue liking their male lead after he laughs and agrees with and smirks at every sexist comment made by every single goddamn man in this entire episode. (what the fuck!!!!!) especially since there’s just like. what feels like very little response from our female lead about his behavior????

and we come through the plot about women’s rights to find eliza... backing down on making a stand for the respect she deserves??? on every suffragette being portrayed as crazy or stuffy??????? on the sympathetic male lead telling our female lead over and over she’s naive and shouldn’t be a detective and literally taking control of who she talks to because he “knows better” than her. i’m losing it. i cringe’d my way through the entire thing bc i was sure there HAD to be a moment where they would turn it around and plow their way out of the microaggressions and blatant sexism taken at face value with little more than like... a perfunctory clapback, when the show’s entire premise is about breaking boundaries with a female detective and yet!!!! and yet!!!!!! they never did!!!!! what the fuck!!!!!

#i've been leery of it bc honestly i dont know how i feel about eliza - her character feels wishy-washy 2 me #bc i dont know if the showrunners want her to be a badass or meek and naive????#and it's honestly more frustrating than not to have to run everything 2 duke #and maybe that improves since it's still early season 1???? but yikes idk if i can like duke after that one #one guys says something like haha glad we shut down the feminists cant have women getting ideas!!! and he smirks and laughs?????#like he didnt have to be no 1 women supporter but i feel like they didnt have to make him super sexist either wtf?????#sorry i was just going to mildly complain and then i got more and more annoyed lmao #im hoping it's an early season problem and maybe it will turn itself around for me????#so far the only really delightful part is moses which is another reason i didnt like this ep lmao #like the weird aggression and controlling aspect of that confrontation scene (and like... underlying racism????) was Bad #anyway all this to say is im going to keep watching but its on thin fucking ice lmao #maybe i expect too much from period mysteries after miss fischer huh

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bonzos-number-1-fan · 3 months

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What DPHW Means, and Its Relationship to Smirke's 14

The following contains spoilers for all of TMA, TMP (eps 1, 2, and 3 released currently if you’re in the future), and the ARG. Spoilers for all of this are throughout so I would advise against reading any of this unless you've listened to everything mentioned. It could also spoil episodes of TMP that have yet to release but if it does I don't think it will be a major spoiler. If I'm right I think I'm only right about a fairly trivial piece of information.

Theory of Fears; or, Zur Furchtlehre

Part 1: Opticks

Smirke's 14 isn't the truth. With or without Dekker's +1. It is, however, necessary and correct. It has also been talked about ad nauseam and isn't a topic I want to dedicate a lot of time to. Smirke's 14+1, or even TMA in general, isn't the focus of this theory nor is it that relevant past its necessity as a point of comparison.

There aren't 14+1 distinct entities in the TMA cosmology. There is a singular entity that has been given divisions by fear and labels by those that have witnessed it. There is no objective line in which to draw these divisions. No matter where you put them or what you name them these concepts will always bleed into each other. Aspects of one Entity will manifest in another because the labels are invented and Fear is a storm of concepts crashing into each other. That's not a flaw in Smirke's list but its strength. A single entity of that scale is impossible to discuss in meaningful terms, the concept has too much gravity to be properly conceptualised and so an entire spectrum of fear must be divided in order to combat it. Categorisation is a vital part of TMA's cosmology and Smirke was as correct as anyone to put those lines down where he did. The real flaw with Smirke's list is forgetting the spectrum exists and stopping seeing the shades in between the Powers.

Finding a way to categorise this concept is important, but the methodology isn't. Smirke's 14 isn't the truth. The only truth is there is a singular whole. But branding goes a long way both in terms of research and in terms of following. This branding lacks accuracy though, it is in large part arbitrary and by its nature removes the shades and the bleed. TMP takes a different approach, one only hinted at, but one that I think is now fully explainable.

Part 2: Lost in Translation

Perhaps the most interesting mystery in TMP thus far is DPHW. However, I think based on episodes 1 and 2 of TMP (and now 3), and the Klaus excel sheet from the ARG, we have all we need to explain its utility.

In order to show that conclusion in a satisfactory manner some basic facts need stating, and the order of my thoughts on those facts needs explaining. Firstly, each DPHW is 4 digits. Secondly, each DPHW is read as 4 numbers rather than, say, a pair of 2 numbers. Thirdly, these numbers can change independently of each other. Fourthly, incidents may share CAT#R#'s but have a different DHPW as found in the Klaus sheet (a German document listing OIAR-style incident reports). Finally, the German equivalent of DPHW is TSHU also found in the Klaus sheet. We can use those facts to determine something important. Each letter of this initialism is paired with a digit meaning that DHPW is a group of 4 categories. If that is true we can intuit some of its meaning. It is likely that these numbers are a rating of sorts for each category there. To prove that's the case we would need to know the categories and fortunately we have a starting point to understanding it, German.

If the categories that DPHW describes start with the letters TSHU in German then what needs to be done to find the categories is quite simple. You pair each letter up and then find a suitable word to categorise the supernatural whose first letter starts with the respective letter from the initialism in its language. D/T, P/S, H,H, W/U. After some brainstorming in the Statement Remains PLUS Discord server we had come up with strong candidates for 3 of the 4 pairs.

The first was Deadly/Tötlich, a seemingly solid start that gave this theory some legs. Next was Painful/Schmerzlich which was a distinct enough category for the threat of an incident that proved this was a strong direction to head it. H/H proved more troublesome. To my mind the two strongest contenders here were Hypnotic/Hypnotisch or Helpless/Hilflos. Both sound very reasonable but that in itself is a problem. However the last one was found relatively easily as Weird/Unheimlich. With 3 of the 4 it seemed like this was all but correct at this stage. However, I had been thinking about this backwards and it wasn't until I had a revelation that the pieces really fell into place.

Unheimlich sounded familiar when it was suggested but not in a way I could place. It wasn't until the next day that the aforementioned revelation happened. The ARG had a huge focus on Germany, and Ep 1 of TMP revealed why. FR3-D1 uses German source code which makes German the original language for the OIAR's methodology. Meaning DPHW is the translation, and I now think it's a shoddy one at best. The reason unheimlich sounded so familiar to me is because it's a fairly important part of psychology's history.

DPHW's Weird isn't weird, DPHW's Weird is uncanny. A direct translation could give you weird but a more accurate one, especially in this instance, gives you unheimlich. Unheimlich as in Jentsch's "Zur Psychologie des Unheimlichen", and Freud's "Das Unheimlich". Both of which are essays on the uncanny. It's all about the fear of the unfamiliar, and a central example of this is Olympia from Der Sandmann, a seemingly living doll.

The German word unheimlich is obviously the opposite of heimlich, heimisch, meaning “familiar,” “native,” “belonging to the home”; and we are tempted to conclude that what is “uncanny” is frightening precisely because it is not known and familiar... - Freud, The Uncanny

This is incredibly relevant to a lot of what has been discovered so far. The uncanny as a topic in psychology was kickstarted by two Germans, and a central part of their essays was the German Der Sandmann, and a German, SSandman, was a large presence in the ARG. The strength of this connection all but solidified this theory in my mind. And, briefly, this is also related to Masahiro Mori's uncanny valley hypothesis which I'm sure I won't need to explain.

The obvious way to test this is to take the few W ratings we have been given and compare them to the incident to which they're assigned. The first is from Ep 1, “dolls comma watching”, and was given a 7. This is a good start both in that a 7 feels appropriate as an "uncanny rank" but also that a doll is a focal point on the essays on the subject. Also in Ep 1 is "Reanimation (Partial)", again with a 7. Another very appropriate number. The last in Ep 1 is "Transformation (eyes)" with a 5. Certainly less uncanny than the previous examples so this is still strong. In Ep 2 we get a 5 for Bram Stoker's Dracula, which seems more than fair for a strange man like him, and a 7 for Frankenstein which gives parity for another story of the resurrected dead. Finally we get "Transformation (full)" at a 7, more uncanny than "Transformation (eyes)" which tracks nicely.

With what I felt was such a strong theory for the W/U pairing it helped clarify the ideas of the others. The final digit rating the uncanniness of an incident gives an idea of how these categories work and the breadth of their definitions. Up until this point I was leaning towards Hypnotic/Hypnotisch for our H/H pairing. But giving it more thought, and comparing it to TMA's own groupings, it becomes apparent that Helpless/Hilflos is more appropriate. Hypnotic effects are too aligned with things that would already be very aligned with Uncanny ones, the Stranger's Not!Them alter memories and prey on the fear of something being not quite right, so as a categorisation tool I think it makes less sense because of the greater overlap. Helpless on the other hand works better for things like The Dark, The Buried, or The Lonely. Aspects which I don't think show up in our current other 3 groups. But given the current definition of the strongest category, the fear of the uncanny, I think that helplessness is a more apt label. The fear of helplessness. Which makes H Helplessness/Hilflosigkeit.

With this level of breadth established re-examination of the final two categories is warranted. Painful/Schmerzlich is more likely to be Pain/Schmerz. Not just incidents that are themselves painful but the fear of pain, possibly including the emotional. A comparison to TMA gives this rating a strong affiliation with Entities such as The Desolation, The Corruption, or the Flesh. Similarly Deadly/Tötlich should now be broadened beyond the fear of things that will kill you, to the fear of death in a broader sense. Which makes D/T Death/Tod instead. To compare again to TMA this is The End, The Extinction, or The Slaughter. Although, while I might be describing these ideas as the fear of ____ I think it's important to know that they do appear to be more conceptual in nature rather than just if something is scary or not.

Comparing each of these assumed categories against current DPHW’s strengthens this argument. “Dolls, watching” scored 1157. It’s a very low fear of death and pain, but they present a medium fear of helplessness and a high fear of the weird. For a fear that’s rooted in paranoia that makes good sense. “Reanimation (Partial)” got a very similar rating, at 5257, but it being a corpse cranks up its fear of death. “Transformation (eyes)” got 2155 which, again, seems to fall in place with what we know. It’s more human than the doll is so it’s less weird but a physical and alarming transformation naturally seems like more of a terminal concern. Combine that with some good ol' internet death threats and it's not nothing, but not much.

As a small aside, while it's not come up in the episodes so far the Klaus sheet shows DPHW's are 0-9. There is a good bit of evidence to suggest 0 might be read as 10 here. 0 most commonly showed up in that sheet for P and the incidents often had the notes "Kriegsvolk". Literally "war people" but more accurately "army/soldier". So pain of 10 for those would track better than P of 0, and it explains why things like the watching doll rate a 1 for D and P instead of a 0, and Dr. Webber's infection is a P of 1 despite entirely removing physical and emotional pain as it goes. Because 1 is the lowest.

For Ep 2 we start with Dracula scoring a 7465, he’s undead and a killer for high death, if he kills you it hurts but it’s not extreme, he’s both hard to physically stop and has mental tricks, and he’s just a weird dude in general who always seems off somehow. Frankenstein at 5337 has aforementioned parity with the reanimation incident as you’d expect but notably less on the helplessness rating as he is just a man. Next is “Transformation (full)” at 1567. This is generally a more severe rating overall than Transformation (eyes) and you’d expect that, but I think it does show something interesting. At no point did Daria want to end her own life. The transformation is far more severe, arguably looks more life threatening, and was clearly more painful but it is explicitly and repeatedly not about dying. I take that as a suggestion that these ratings take into account more than just the mundanely observable nature of the incident. She looks very sick which would make you think of death but it rates low for it because of the emotional, or maybe supernatural, purpose of the incident. She didn’t want to die, the manifestation didn’t try to kill her, and so despite its appearance it’s low on death.

Then finally in Ep 3, we have "Infection (full body)" with a 8175. (Although I'm assuming that's a misfile and it should be Infection (Arboreal)). I think D and H here are more interesting to dig into. P is pretty obvious it's the lowest rating because it seemed actively pain-numbing as it went. W being 5 tracks too is certainly uncanny and has strange geometry but it's not full Distortion levels. So with those two out of the way we can get to the good stuff. D is the most interesting of the two to me. Because while it's pretty clear he died I don't think that's got much to do with it. Rather I think the 8 is more specifically about the way it deals with death, decay, and rot in relation to new life and the growth of other things, plants and insects. Thematically, I think there is a lot more emphasis on death as a broader concept beyond the terminal nature of the infection. For Helplessness there is also an additional element beyond whether or not he was able to do something about the infection, and that's whether he wanted to. As the symptoms worsened his desire to treat them decreased. Initially he was worried about the infection and determined to seek attention when able, then he was happy to let someone else help instead (a hallucination, which makes things more helpless), before finally wanting it to happen. These sorts of elements are things I think we're going to see factor in quite a lot.

In summary; it is my belief that DPHW is a way to rate incidents that the OIAR catalogue based upon the strength of the fear they elicit in the categories of death, pain, helplessness, and weird (uncanny). This system is effectively the TMP equivalent to Smirke's 14 from TMA. Rather than assigning each statement to an Entity each incident is rated for those qualities. These systems are distinct methodologies but each is a way to categorise the supernatural.

Part 3: On Analogy

That is the juicy bit of this post out of the way so now I have to put a bow on it and touch upon the overarching analogy here. As alluded to by the title and some turns of phrase, it's colour theory. It's a somewhat common analogy for TMA's fears but I think it applies in equal measure to TMP and taken together might provide an insight into how the cosmologies will differ. So, to me, colour theory is not only the perfect lens in which to view the Fears as a whole, it's the perfect lens to view these methodologies.

Smirke is Newton. He broke up a singular spectrum into wide chunks. The Dread Powers themselves are very analogous to a colour wheel. Colours bleed into each other and the boundaries of where one stops and starts is up for debate but red is still red, and blue is blue. That is a useful context for them, it aids discussion. Try talking about red without ever saying red and only referring to a representation of a divided whole. But all too similar to Newton's 7 colours Smirke's 14 lacks nuance, it lacks shade.

On the other hand we have DPHW and this is all shade. DPHW is CMYK. It's not one thing or another with DPHW. You don't have the pitfall of Smirke's methodology where one manifestation is in one arbitrary box. Here, assuming I'm correct, each incident is made up of constituent parts. The OIAR, and presumably its German forebear, are less interested in Smirke's occult ancient gods and more interested in bureaucratic precision. Smirke was doing research while the OIAR are doing administration. As such DPHW takes a wholly different approach. It's now all shades. This has its own problems in that it's harder to discuss in broad terms. It's such a specific methodology that it's lost a lot of what Smirke triumphed with. This is well represented already given that no one has been shown to know what it means at all yet. But if there is a truly different cosmology at play here we might see the axes of DPHW being where alliances fall.

All that leaves us with is a comparison of these two. The only way to really do that is to talk about how Smirke's 14+1 would fit in DPHW's system. This is something I touched upon briefly. Death is strongly related to The End, The Extinction, or The Slaughter. Pain to The Desolation, The Corruption, or the Flesh. Helplessness to The Dark, The Buried, or The Lonely. Weird to the Stranger, or the Spiral. But that's not all of them and even within those it's already clear that something like The Vast isn't just about helplessness, and we've already seen Daria who would likely be an avatar of the Flesh rank highly in Weird. Which hits upon what I feel is the most interesting aspect of this entire theory. We've seen what happens with Smirke's boundaries on the Entities. We don't know if Entities even exist in this setting, or if they do exist whether they'll be the same ones, or even if they're not the same ones whether they'll function under similar rules. But now we get to see what happens when there aren't those boundaries. We get to see much broader mingling than TMA showcased. It was hinted at there, especially early on before the lore really settled, but now that mingling seems to be the whole point.

And as a brief mention, and to further labour the theme, I don’t think there is enough information to really discuss how CAT#R# works but there are some analogies to work with here. From the Klaus sheet we can infer that CAT# has the following values 1/2/3/12/13/23/123. Or three non-mutually exclusive groups. What those groups are is hard to say right now. There is some soul/body/spirit stuff for the alchemic tria prima that's got some nice connections but doesn't map well now that Ep 3 is out. Either way, this is RGB. An incident can be all red, or red and blue, etc. R#'s values we can infer to be C/BC/B/AB/A/S with maybe an AS in there too. That's a linear scale of similarly unknown value but could represent something like potency/threat. If that is the case then R# is saturation. Some things are more intense than others. We also know from the Klaus sheet that CAT is the German from the "kategorie" meaning "category" the R was from the German “rang” meaning “rank” and so probably has more meaning to it than currently implied.

#the magnus protocol #tmagp #tmagp theories #tmagp theory #tmagp speculation #the magnus archives #tma theory #Reposted because I'm a human now #I was human before but Tumblr disagreed #klaus = kl4-u5

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ian0key · 3 months

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SAM/SASHA AND ALICE/TIM????

TMAGP ep 1-2 Spoilers!! (And TMA Spoilers!)

Do you realize how similar Alice and Sam are to Tim and Sasha?

Many of you talked about Alice being fun, carefree and the comic relief, like Tim in the first season.

But what happens if we look deeper? I start with Alice and Tim because I think they are the most obvious

-Alice does not have "professional respect" for either Gwen or Lena.

Just like what happened between Tim and Jon. But none of them go so far as to "completely disrespect them."(at least S1 Tim).

-Alice has a younger brother who she apparently cares a lot about, just like Tim was with Danny. Besides, (this is my theory), but the way they introduced Alice's brother, I get the feeling that his fate won't be very different from poor Danny's.

-They know more than they say, Alice clearly knows more than she tells Sam,Alice has been working for the government for at least 4 years, and the only time she acted seriously was to tell Sam that he shouldn't get too involved in the cases, because she saw people go crazy because of it.

Something similar happened with Tim in the first seasons, he knew that the Fears were real, he knew things about the stranger, he was looking for revenge..

And now on to the similarities between Sam and Sasha.

-They were both overqualified for their position, Lena told Sam that the job he applied for was too low for his level, but he didn't care,on the other hand ,Sasha must have been The Archivist, Gerdtrud knew this, that's why her warning notes were made for her, but Elias found out after Killing Gerdtrud and left Sasha as assistant and put Jon as The Archivist..

-Sam is calm, he follows Alice's games but is professional towards his colleagues, Just like the little we saw of Sasha, She treated Jon quite well even though at the time Jon was a bit... very Shitty.

That's why Jon trusted her so much.

-Curiosity , Sam asked a lot of questions throughout the first 2 chapters, and when he didn't get answers he started investigating on his own. When Sasha met Michael, she wanted answer,without caring about the danger.

Also, That could have been a foreshadowing that Sam will be connected to the Eye of this reality???.

- Both of their names start with "SA" but that's not very important /j

And finally, we analyze Alice and Sam as a duo and the parallels they have with Tim and Sasha.The two of them complement each other perfectly, they play each other's games and we feel their connection.

Besides Alice and Sam are exes (although I think it's more of a reference to Georgie and Jon) Sasha and Tim always had an "almost something?????".like we heard in the fifth season..

I don't know, at some point I felt like I was listening to the reincarnations of the chaotic Archives duo , you know what I mean?

(English is not my first language, please let me know if I have any spelling mistakes🙏)

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dreamscarx · 8 months

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Welcome to my first save file! This is version 1. I'm so excited to put this out, this is by no means finished it is just what I have done so far, I really hope you like it. 🤗 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Worlds included: Willow Creek Newcrest Magnolia Promenade San Myshuno ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Lot Types: Willow Creek: Clothing/Music store, Nightclub, Restaurant, Office Supply Store, Church, Children's play/therapy center, Pool, Wedding Venue, Gym, and Hotel Newcrest: Skating rink, Furniture store, gas station, sports store, and pet store Magnolia Promenade: Outlet mall, bank, and photography store/studio San Myshuno: nightclub, "adult" club😏 , theater, park, and restaurant !Note: I have all my sims living in San Myshuno, and I split all of the apartments to 2-3 apartments to house more sims, so if it says for example 2 of 2 apartments used it might not be! ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ About this Save: All original Maxis townies have been deleted and replaced with my own sims and I used MCCC to place other creators townies in my save. Creators used: BrownieeTheGoat Plumzet Symplesimss Simquoya Kingzbomb Please check them out they have amazing sims! A lot of the lots are based on buildings in my town and surrounding cities. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I did use a lot of packs for this save however you don't need all the packs to play this save

Packs used: EPs: All packs except for Horse Ranch GPs: All packs except for Vampires, ROM, JTB, and Werewolves SPs: All Stuff Packs Kits: All kits except for Bust the Dust and Modern Menswear ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ No CC was used in this save, but I did use mods however you do now need these mods to play in this save. I do recommend some mods in order for some builds to function and some storylines to work BUT YOU DO NOT NEED THEM, they are just for realism MODS used: MCCC UI Cheats Tool Better Build Buy Recommended MODS: (They are Optional, you don't need them for this save file only if you want more realism) Simrealist: SNB, Real Estate Mod Turbo Driver: Wicked Whims Basemental Mod, Basemental Gangs BlacklifeSims: Default Car Replacements Khippie: Default Terrain Replacement Littlemisssam: SimDa Dating App, More Visitors, Zooroo ATM Lumpinou: Contextual Social Interactions, First Impressions, MoodPack, No Strings Attached, Open Love Life, Road To Romance, Relationship & Pregnancy Overhaul, Talents&Weakness Weerbesu:- Ui Cheats, More Columns Mod Adeepindigo: Dental Mod, Healthcare Redux Thepancake1 and MizoreYukii: Color Slider, Bed Cuddle MizoreYukki: Sim City Loans, Drama Mod RVSN: Retail Therapy Food Mods: Littlebowbulb | QMBIBI | Srsly | ATS4 | Somik & Severinka | TheFoodGroup: Custom Drinks, Custom Food | Icemunmun | Apricot Rush Food Retextures ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ If you decide to download this savefile and run into any problems please message me so I can fix them and update the save file.

Also if you decide to download this save file, please don’t claim any of the lots or townies as your own, Please tag me in any post I would like to see your sims in this save! With all that said I really do hope you enjoy this safe file if you decide to download it!

Happy Simming! Download (SimfileShare)

#thesims4 #thesims #ts4 #showusyoursims #ts4 sim download #the sims community #sim download #save file #sims 4 save file #ts4 save file

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romchat · 20 days

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Unknown (2024) visual analysis (ep. 1-8): How to film heartache

This show.

The writing and acting continue to be fantastic, but I feel like I haven't seen enough appreciation for Unknown's cinematography, which captures the heartache of Qian and Yuan's changing relationship so beautifully.

Here are some of my favorite moments of visual storytelling so far...

Framing & Composition

Something that I immediately noticed about Unknown is how much dirty framing it uses. "Dirtying the frame" is when a cinematographer uses architecture, nature, objects, or even people in the foreground to add depth to a shot. In earlier episodes, we often see Qian and Yuan framed together by everyday household objects.

These shots emphasize the uniqueness of their relationship: they are brothers because of the domesticity surrounding them and yet at the same time the framing almost tucks them away into a private space of their own. Their relationship is born from yet separate from the familial space they share with Lilli.

So when Yuan drunkenly confesses his feelings and shatters any lies Qian might have been telling himself about their complex relationship, the camera language loses its earlier intimacy.

We suddenly see more medium and long (versus close-up) clean shots where the characters are surrounded by tons of negative space, isolated from each other.

I also don't think it's an accident that we start seeing more dirty frames again once Yuan leaves for America and Qian realizes how much he misses him.

The New Years scene is a perfect example of this. As Qian miserably cheers an absent Yuan, we see the camera subtly pans to the side of the table where he'd usually sit. No one has been able to occupy that private space at home or in Qian's heart.

Visual Parallelism

In a previous post, I've talked about how visual parallelism (when we link characters, events, storylines, etc. through a shared image) can signal major changes in the relationship between two characters, and the show uses this technique in multiple ways. (Yuan’s cheeky and completely satisfying “is there something you want me to do?” in Episode 8’s seatbelt scene, for one.)

But I think the most striking moment is when Yuan asks Qian to confront his own feelings at the end of Episode 8.

When we look at the composition, camera angles, and actor blocking (how the actors are positioned in relation to one another) we can see that the scene directly mirrors the moment that Yuan gifts Qian with cufflinks in Episode 6. In that episode, Yuan is shot from a high angle, making him look even younger and more vulnerable, while Qian cups his face from above, anchoring him as he tries to give misguided advice:

Qian: I actually feel sorry for you. Isn't it tiring to love him? Yuan: It is. It's so tiring to like someone you shouldn't like. Qian: Then what are you doing? Why are you limiting yourself?

It's notable then that during the last scene of Episode 8, the roles are reversed and the blocking and camera language changes accordingly. Throughout Episodes 7-8, we can see the ways Yuan adopts a more mature approach to his interactions with Qian. He has made it clear that he still cares about him but he will only make another move if Qian clearly expresses his desires. Now it's Qian who is the most unsure and vulnerable, with Yuan anchoring him:

Yuan: Wei Qian, don't you like Wei Zhiyuan? If you do, is it only because we're brothers? This thing about us, is it that you don't want it or that you don't dare?

Like Qian had advised him years ago, Yuan now asks why Qian insists on limiting himself by denying what he wants.

Bonus Parallelism: